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© OLINE MARIE ANDERSEN<br />

FORSIDE


jnm<br />

CONTACT<br />

EDUCATION<br />

IT / SOFTWARE SKILLS<br />

Rhinoceros 3D<br />

Oline Marie Andersen<br />

oline390@gmail.com<br />

+ 45 30951991<br />

BA The Royal Danish Academy of Design 12 - 2016<br />

MA The Royal Danish Academy of Design 16 - 2017<br />

Carpentry & Joinery Basic Course , KTS 2017<br />

Photoshop CS6<br />

Illustrator CS6<br />

Indesign<br />

Autodesk Inventor<br />

INTERNSHIPS<br />

Word/excel/powerpoint<br />

Keyshot rendering<br />

Maja Ziska , Scenography, Design 2016<br />

JOBS / FREELANCE / VOLUNTEERING<br />

TECHNICAL SKILLS<br />

Metal §26 / blacksmith<br />

Wood working<br />

CNC Milling<br />

ARoS Art Museum, Maintenance 2011 - 2012<br />

Muuto Design, Assistant / Service 2013 - 2015<br />

Arts & Globalization, Volunteer 2015<br />

Maja Ziska, Scenography, Freelance 2016<br />

Jon Skulberg, Scenography, Freelance 2016<br />

3D printing<br />

Aluminium Casting<br />

Resin Casting<br />

Drawing / Sketching<br />

Modelmaking<br />

EXHIBITIONS<br />

LANGUAGE<br />

Danish - Mother tounge<br />

FAN OUT, Deltabox 2016<br />

Stockholm Furniture Fair , PUR chair 2015<br />

Holmriis/flexform messe, PUR chair 2015<br />

Kyoto Institute of Technology , POP UP 2017<br />

Swedish - Intermediate<br />

English - Intermediate<br />

German - Basic<br />

French - Basic


DELTABOX<br />

BA PROJECT


DELTA_BOX<br />

BACHELOR PROJECT<br />

DELTABOX is my bachelor project. When I was<br />

around 10 years old, I watched a programme about<br />

a girl who rode motocross, and has been fascinated<br />

ever since. I got even more inspired when I heard<br />

about Behnaz Shafiei who is one of the few women<br />

in Iran riding motocross at a high level.<br />

The fascination of these women and the motocross<br />

universe have been my drive throughout this<br />

project. I wanted to translate the functions and form<br />

of the motocross bike into a piece of furniture. That<br />

led me to the idea of speculative design thinking.<br />

I wanted to transfer physical movement into a<br />

stationary powerful futuristic object.<br />

The process and inspiration have included;<br />

motocross graphics, the separated motocross<br />

elements, motocross production methods, e.g.<br />

water transfer printing (video link below). I used<br />

the inspiration to create all the parts; the seat, the<br />

frame, the graphics etc.<br />

‣<br />

Video documentation<br />

Water Transfer Printing


wwee


Dunne & Raby, 2013


PUR FOAM CHAIR


PUR FOAM CHAIR<br />

STHLM FF 2015<br />

In this KADK project, the task was to create a chair<br />

capturing the essence of, in my case, Karl Lagerfeld<br />

- chief editor of Chanel. I wanted to ’re-create’ the<br />

quality stamp of Chanel, ’The quilted bag’. So I<br />

developed a method to translate this expression<br />

into an upholstery method.<br />

The method consisted of 2 - component PUR<br />

foam (Polyurethane) purred into a mould. The<br />

foam expanded under a neoprene sheet and a grid<br />

- and this created the quilted expression (see the<br />

drawing/pictures).<br />

The frame is bent manually in 5 mm flat steel and<br />

the seat shell is made of birch veneer that is vacuum<br />

pressed with a curved mold. The PUR CHAIR was<br />

exhibited at Stockholm Furniture Fair in 2015 and<br />

in Lokomotivhallerne Copenhagen.<br />

Photo documentation<br />

More pictures of the chair / process


1 - 3 AND A RESIN SADDLE


ONE TO THREE AND A<br />

RESIN SADDLE<br />

The idea behind this stool is basically a tube split<br />

into three. During a blacksmith course, I developed<br />

this principle using an oxygen and gas burner. By<br />

milling 2 - 3 channels in a steel tube and heating<br />

it up it is possible to bend the sides and make a<br />

joining detail that is usable in many diffferent<br />

constructions.<br />

I used this method to create a knockdown stool that<br />

consists of 6 small parts. I am currently working on<br />

the moulding and casting of a transparent saddle<br />

(as seen in the picture). The first test model is<br />

cut out and shaped in XPS foam and then cast in<br />

crystal clear PUR resin. Click on the thumbnail to<br />

watch a video of the process (Test 1).<br />

‣<br />

Video documentation<br />

The making of the saddle


PRINCIPLES OF STATICS


PRINCIPLES OF STATICS<br />

SEW CHAIR & BENCH<br />

During a course in Principles of Statics at my<br />

second year at KADK I created the SEW CHAIR<br />

which consists of nothing but 3 mm birch veneer<br />

and paracord. The 3 pieces (seat, left and right<br />

side) is cut out of one sheet of veneer and placed in<br />

hot water for 24 hour. After this the chair is “stiched”<br />

together with paracord. That’s basically it.<br />

The bench is a combination of the three principles:<br />

Grid, shell, post chair. It consists of pinewood<br />

(traditional joinery), bent 3 mm flat steel, and 5 mm<br />

steel thread.<br />

Photo documentation<br />

More pictures of the chair / process


POP UP BOX


POP UP BOX<br />

JAPAN EXHIBITION<br />

I finished first semester of the Master education<br />

at KADK. One of the projects was a collaboration<br />

with Kyoto Institute of Technology. The task was to<br />

create a collasible piece of furniture that could fit<br />

inside the standard measurements of handluggage.<br />

Together with my fellow students Oliver Söderlund<br />

and Kristina Duhova I designed the POP-UP chair.<br />

A box that can be folded flat and pops-up by itself<br />

when thrown into the air.<br />

The chair is inspired by japanese pop up books<br />

and is made of birch veener and leathercord. The<br />

stiching technique which makes the chair foldable<br />

comes from japanese bookbinding. The woodenexpression<br />

of the chair is made with a technique<br />

called Udukuri -a japanese painting method to show<br />

the details of the wood. We used a sandblaster,<br />

paint and laquer for this. The box can be locked so<br />

it doesn’t collaps when you sit on it - by pulling a<br />

diagonal strap and fix it to the side of the box.<br />

POP-UP was exhibited at KIT in Kyoto. The Danish<br />

minister of culture Mette Bock came to visit us<br />

(Video in the link below).<br />

‣<br />

VIdeo documentation<br />

Japan Exhibition KIT KADK Kyoto


QUEER WELLNESS


QUEER WELLNESS<br />

EMBROIDERY & DILDOS<br />

Queer wellness a non-profit business that I am in<br />

the process of developing. As an activist project<br />

beside my studies I am making embroidered<br />

caps and clothing. Some of it is made by hand,<br />

and some produced in the UK. Everything is sold<br />

for the manufacturing cost. My hope is to spread<br />

a message within the themes of feminism, sex<br />

positivism, body-positvism, anti-homophobia, antiheteronormativity<br />

etc.<br />

I also make costumized dildos and buttplugs.<br />

These are outlined and shaped (by hand) in XPS<br />

foam, then cast in aluminium. Apart from their main<br />

function, another idea behind the dildos, is to create<br />

a sculptural object that you don’t want to hide.<br />

‣<br />

Video documentation<br />

Opening the mold<br />

‣<br />

Video documentation<br />

Cap embroidery timelapse


JAPANESE ROOF FOR<br />

MADAMA BUTTERFLY<br />

During an internship at Maja Ziska, scenography, I<br />

drew and built a scale model of a Japanese Roof<br />

for the Opera, Madama Butterfly (http://www.<br />

lamonnaie.be/fr/program/17-madama-butterfly)<br />

The roof is supposed to symbolize Madama<br />

Butterfly’s house. The roof was used in both acts.<br />

Furthermore I created the model of the stage at La<br />

Monnaie (The Royal Opera, Brussels – the model<br />

is seen in the picture).<br />

The opera premiered in February 2017 and can be<br />

streamed online - click the link below (arte.tv).<br />

‣<br />

Video documentation<br />

Madama Butterfly arte TV


Director KIRSTEN DEHLHOLM (HOTEL PRO FORMA)<br />

Co-Director JON R. SKULBERG<br />

Set design MAJA ZISKA<br />

Costumes HENRIK VIBSKOV<br />

Photo: Maja Ziska


Photo: Maja Ziska


HAMLET<br />

EXHIBITION<br />

Photo: Maja Ziska


HAMLET EXHIBITION<br />

WALK AND WALK-IN<br />

During my internship at Maja Ziska I helped<br />

developing the set design and the workpieces<br />

for an exhibition about Shakespeares Hamlet at<br />

Rudolph Tegners Museum in Dronningmølle.<br />

The exhibition consists of 12 racks that each<br />

represent a character from the play. Different<br />

elements/props are used to tell the story of Hamlet,<br />

Ophelia etc. Ex. The dried herbs Ophelia decribes<br />

in the play. In addition to this we also made 12<br />

stackable stools.<br />

Another part of the exhibition is a videowalk/guide.<br />

Created by Maja Ziska, Maria Hesselager and<br />

Marie Brobakke.<br />

Photo: Maja Ziska


FAN OUT EXHIBITION<br />

Photo: getonthetrend


FAN OUT 2016<br />

EXHIBITION DESIGN<br />

Together with Maja Ziska I developed and built<br />

the scenography for FAN OUT, Copenhagen<br />

Fashionweek 2016. The exhibition took place in the<br />

old post office facilities at Tietgengade and is the<br />

biggest FAN OUT so far.<br />

FAN OUT is a group exhibition that combines<br />

fashion design with performance, light-installations,<br />

music and talks.<br />

The vision behind FAN OUT is to create a space<br />

where both established and upcoming artists<br />

meet in an inspiring and creative community. The<br />

exhibition illustrates fashion beyond a show and<br />

gives the audience an unique experience of design<br />

in a new artistic context. FAN OUT is hosted by<br />

the Danish fashion designer and boutique owner<br />

Sabine Poupinel. - From fanoutcph.com<br />

‣<br />

Video documentation<br />

FAN OUT - DR K coverage<br />

Photo: Abdellah Ihadian


TRENTEMØLLER<br />

REDEFINE


TRENTEMØLLER<br />

REDEFINE VIDEO SET<br />

In collaboration with my fellow student Fatima<br />

Fransson I designed some of the scenography for<br />

Trentemøllers musicvideo Redefine - Directed by<br />

Andreas Emenius and Åsa Riton.<br />

We designed and welded eleven logo signs in<br />

steel and plaster. Furthermore I worked as an art<br />

assistant the days before and while shooting the<br />

video: Contacting the companies that lent props for<br />

the set design, helped setting up the scenes etc.<br />

In the link below you can watch the video. The<br />

signs were used for an exhibition afterwards.<br />

‣<br />

Video documentation<br />

Trentemøller - Redefine video


© OLINE MARIE ANDERSEN

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