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Hassan II Mosque promenade used on Syriana<br />
Errachidia Drakkar. Photo by Robert Elswit<br />
At <strong>the</strong> airport, I waited to hear<br />
my fate. It was a nervous two<br />
hours, scouring <strong>the</strong> bookshop,<br />
looking at travel guides. <strong>The</strong>n<br />
<strong>the</strong> call came: head to <strong>the</strong><br />
Royal Air Maroc desk. So I<br />
bought <strong>The</strong> Rough Guide to<br />
Morocco, had a few glasses<br />
<strong>of</strong> wine to steady <strong>the</strong> nerves<br />
and I closed my eyes. When<br />
I woke, <strong>the</strong> travel guide was<br />
open on <strong>the</strong> center pages:<br />
“<strong>The</strong> History <strong>of</strong> Cinema in<br />
Morocco—From Lawrence<br />
<strong>of</strong> Arabia to Kundun.” Wow,<br />
<strong>the</strong>re it was in <strong>the</strong> guide, all<br />
<strong>the</strong> movies that had come<br />
to Morocco. I soaked up<br />
<strong>the</strong> information, clinging<br />
to my camera bag, seeking<br />
inspiration.<br />
Morocco is <strong>the</strong> closest African<br />
country to Europe, but it felt<br />
like ano<strong>the</strong>r planet. <strong>The</strong> heat,<br />
<strong>the</strong> chaos, <strong>the</strong> traffic, <strong>the</strong> call<br />
to prayer, <strong>the</strong> shouting, and<br />
<strong>the</strong> hustle and bustle <strong>of</strong> <strong>the</strong><br />
Arabic world, all rolled into<br />
one magical city: Casablanca.<br />
My images <strong>of</strong> a small romantic<br />
Andalusian city were crushed<br />
upon landing. A local team<br />
who normally worked in<br />
casting picked me up. <strong>The</strong><br />
camera was on my knee, <strong>the</strong><br />
hairs up on <strong>the</strong> back <strong>of</strong> my<br />
neck. I was simultaneously<br />
terrified and exhilarated,<br />
yearning for <strong>the</strong> ultimate<br />
challenge. And <strong>the</strong>n <strong>the</strong><br />
panic and pressure <strong>of</strong> Tony’s<br />
22 • LMGI COMPASS | Winter 2017