Issue23 (part3) May 2017
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Where do you get inspiration from?<br />
Very often it happens when I watch movies. It can be a<br />
pictorial expression or a special scene that opens up<br />
my ideas. It can be a conversation I listen to or a part<br />
of. It can be a situation in life. Visiting art museums<br />
also generate many ideas. Or simply a model /<br />
customer who comes with a theme, and then we build<br />
up from there. Of course, I'm also inspired by the<br />
many talented photographers who have been and are<br />
around us now. However, I do not have any specific<br />
photographers I get inspiration from though.<br />
Studio, on location or both?<br />
I love both equally. There is a certain beauty of<br />
ambient light especially at sunrise and sunset. I´m<br />
actually shoots in all kinds of weather. Because there<br />
is no bad weather. Cold, wet, frustrating and<br />
challenging for both model and photographer, but<br />
here are the best pictures most often made.<br />
Studio shoots provide a completely different playground<br />
with the light and shadows. The scenes and<br />
the whole setup are very different and challenging.<br />
Since you do not have the same location options<br />
available.<br />
Think you in advance what you want in the picture?<br />
I always have a basic idea and this one can, and is so<br />
often transformed into another or third one. It´s the<br />
part of the creative dynamic energi´s law<br />
Would you consider yourself a hobbyist or a paid<br />
professional?<br />
Amateur as I do not live exclusively from my work.<br />
However, I plan to go professional this year. I am<br />
about to create the ground for my business. Keep<br />
your eyes open out there.<br />
What has been your most memorable session and<br />
why?<br />
That was probably when I was asked, 17 years old, to<br />
make a series of pictures of a very beautiful girl from<br />
Ølstykke in Denmark. The series was shot with an<br />
Olympus OM-10 camera mounted with a Zuiko<br />
50mm f / 1.8 lens shot in ambient light. We had a<br />
studio with a huge darkroom at the technical school.<br />
On top of this there was a bold scene with super light<br />
from two rows of sloping skylight windows. So here I<br />
shot 2 rolls Ilford HP5 + film as far as I remember, of<br />
the most beautiful girl I've seen at the time.<br />
Noe Fonseca<br />
<strong>Issue23</strong> (<strong>part3</strong>) <strong>May</strong> <strong>2017</strong> - Modellenland Magazine
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