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O Aa CLARENDON 53 DESIGNER: HERMANN EIDENBEN 57 DESIGN DATE: 1845 CLASSIFICATION: SLAB SERIF Aa GLYPHA DESIGNER: ADRIAN FRUTIGER DESIGN DATE: 1977 CLASSIFICATION: SLAB SERIF 61 Aa MEMPHIS DESIGNER: RUDOLF WOLF DESIGN DATE: 1929 CLASSIFICATION: SLAB SERIF 65 Aa LUBALIN GRAPH DESIGNER: HERB LUBALIN DESIGN DATE: 1974 CLASSIFICATION: SLAB SERIF N
N T 71 Aa AVENIR DESIGNER: ADRIAN FRUTIGER DESIGN DATE: 1988 CLASSIFICATION: SANS SERIF Aa CENTURY GOTHIC 75 DESIGNERS: MONOTYPE STAFF 79 DESIGN DATE: 1990 CLASSIFICATION: SANS SERIF Aa FUTURA DESIGNER: PAUL RENNER DESIGN DATE: 1932 CLASSIFICATION: SANS SERIF T 85 Aa NEWS GOTHIC DESIGNER: MORRIS FULLER BENTON DESIGN DATE: 1908 CLASSIFICATION: SANS SERIF S
Page 1 and 2: T Y P E SPECI— MEN BOOK NARRATIVE
Page 3: N T Aa Aa Aa 29 DESIGNER: JOHN BASK
Page 7 and 8: y Ilene Strizver OLD STYLE 02
Page 9 and 10: HE OLD ETTERING ASTER OLLOWED THE U
Page 11 and 12: m brachium brachium The upper line
Page 13 and 14: unworthy Satisfactory unworthy Unsa
Page 15 and 16: pq pq pagos pagos pagos Lower case
Page 17 and 18: A beautifully letter must naturally
Page 19 and 20: pagos pagos pagos pagos Sans Serif
Page 21 and 22: allegory allegory Descenders of cor
Page 23 and 24: OLD STYLE 18
Page 25 and 26: Aa Caslon Regular 10pt/16pt The Eng
Page 27 and 28: garamond OLD STYLE 22
Page 29 and 30: Aa Garamond Regular 14pt/18pt Aa Ga
Page 31 and 32: hoefler text OLD STYLE 26
Page 33 and 34: Aa Hoefler Text Regular 9pt/14pt Ho
Page 35 and 36: ville OLD STYLE 30
Page 37 and 38: Aa Baskerville Regular 9pt/13pt In
Page 39 and 40: perpetua OLD STYLE 34
Page 41 and 42: v Ww Xx Yy Zz Aa Perpetua Regular 9
Page 43 and 44: abcdefghijklmnopqrstuvwxyzOLD STYLE
Page 45 and 46: 55 Rom 56 Italic 75 Bold 76 Bold TR
Page 49 and 50: Aa Bodoni Book 24pt/28pt Aa Bodoni
Page 53 and 54: The strong clear forms of this alph
Page 55 and 56:
monotype modern OLD STYLE 50
Page 57 and 58:
Aa Monotype Modern Condensed 13pt/1
Page 59 and 60:
don OLD STYLE 54
Page 61 and 62:
t was named fter the Clarendon ress
Page 63 and 64:
a OLD STYLE 58
Page 65 and 66:
35 Thin 45 Light 55 Roma 65 Bold 75
Page 67 and 68:
is OLD STYLE 62
Page 69 and 70:
Aa of the geometric basis of its fo
Page 71 and 72:
lubalin graph OLD STYLE 66
Page 73 and 74:
F HIJ PQRS YZ OLD STYLE 68
Page 75 and 76:
Aa Lubalin Graph Extra Light 8pt/14
Page 77 and 78:
OLD STYLE 72
Page 79 and 80:
35 Light 45 Book 55 Roma 65 Medi 85
Page 81 and 82:
century gothic OLD STYLE 76
Page 83 and 84:
Aa Century Gothic Regular 14pt/18pt
Page 85 and 86:
futura OLD STYLE 80
Page 87 and 88:
Aa Futura Light Condensed 9pt/13pt
Page 89 and 90:
Aa Futura Light 9pt/13pt Aa Futura
Page 91 and 92:
hic OLD STYLE 86
Page 93 and 94:
ABCDEFGHI JKLMNOPQR STUVWXYZ abcdef
Page 95 and 96:
izver 90
Page 97 and 98:
FONT VS. TYPEFACE Many people who u
Page 99 and 100:
a B CHARACTER VS. GLYPH A character
Page 101 and 102:
nz Grotesk is very legible. Example
Page 103 and 104:
L O PAPER ACCENT OPAQUE DIGITAL TEX
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