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PrograMMe for January 22nd. <strong>1987</strong>-<br />

Lauritzen Concert series<br />

Pacific Grove Middle School<br />

I\ eM TiMe Music<br />

Over'tur·e 10 Band<br />

Highland - Barracks Johnny ( 4) Pip eo & druM<br />

Acted with soldier's 7<br />

/1' Countt'y dance entr·y & Medley Band<br />

'<br />

i !<br />

Mu5ic 5-10 Hat'P & ?<br />

Highland - Scotch/Li 1\ ( 9 ) 3.5 Pipes & dr·urrt<br />

Songs 10 Gu !tar·<br />

.,<br />

I<br />

Highland Seann Truibhas ( 4)<br />

" Dt'UM<br />

"<br />

- Pipes<br />

Country dance BuMpkin 5.5 Band<br />

Part !!<br />

Br-oadswords 3.0 Pipes & druM<br />

Music 5-10<br />

Highland -Blue Bonnets ( 4) 2<br />

Songs 5-10<br />

Country dance Medley 5.5 Band<br />

'"".).,II .(·<br />

!<br />

Highland - Jig ( 6 ) 2 Pipes<br />

Weaving Lilt 2 Mouth MUSiC - Dr-uM?<br />

Songs 5-10<br />

I Country dance Medley 6 Band<br />

Highland - Hornpipe ( 6) 2 Pipes


Pacific Grove Concert<br />

January 22, 1988 8 p.m.<br />

Notes from Jennifer’s handout, dated Dec. 17, <strong>1987</strong>, Version 1.1 and my handwritten<br />

notes on her handout and in my notebook.<br />

Highland<br />

Barracks Johnny 4 steps<br />

Gary (Elheran), Alan, John, Clare<br />

Country Dance Medley A<br />

Music<br />

Tyrebagger x 3<br />

Huntley Castle x 2<br />

Ginzton Frolic x 2<br />

Set 1 Set 2<br />

Lyle Ann Barry Ellen<br />

David Ginger Mikkel Bradley<br />

Kevin Lin Gordon Kay<br />

Calli playing the harp<br />

Country Dance Medley B<br />

Morning Mist x1<br />

Thornes among the Thistles x 1<br />

Mikkel<br />

Don<br />

Barry<br />

John<br />

Ellen<br />

Rosemary<br />

Laura<br />

Robyn<br />

Highland<br />

Songs<br />

Scotch on the Rocks 5 steps<br />

Circle Lilt<br />

5 steps<br />

Kevin Calli Alan DaeJean<br />

Gary Clare Lyle Jennifer<br />

I have no idea who sang. Maybe Valerie?


Highland<br />

Seann Truibhas 4+2 Clare<br />

Country Dance Medley C – Bumpkin<br />

Highland<br />

Music<br />

Highland<br />

AppleCross x1<br />

Joe McDurmid’s Jig x1 (Gentle Shephard was crossed out.)<br />

Diamond Jubilee Jig x1<br />

Cellardyke<br />

Set 1 Set 2<br />

John Bradley Lyle Ellen<br />

Mikkel Ginger Alan Ann<br />

Barry Kay Kevin Laura<br />

Gordon Rosemary David Calli<br />

Intermission<br />

Broadswords 6 steps<br />

Calli Clare Gary Kevin<br />

DaeJean John Randi Alan<br />

Band<br />

Blue Bonnets 4 steps<br />

Dae Jean Clare Jennifer<br />

Country Dance<br />

Old Mistress MacIntyre - this led directly into the Medley D, with Medley D<br />

dancers plus David, Laura, Barry, Ellen<br />

Country Dance Medley D<br />

Falls of Rogie x 3<br />

Winds on Loch Fyne x 2<br />

Royal Albert Country Dance x3


Highland<br />

Set 1 Set 2<br />

Alan Lin Gary Ann<br />

John Robyn Lyle Kay<br />

Kevin Bradley Gordon Calli<br />

Shepard’s Crook<br />

Randi Kevin DaeJean<br />

Irish Jig<br />

Clare<br />

Country Dance<br />

Weaving Lilt<br />

Gary<br />

Lyle<br />

Mikkel<br />

David<br />

Ann<br />

Robyn<br />

Laura<br />

Rosemary<br />

Songs​ ?<br />

Country Dance<br />

Nine Ladies Dancing<br />

Robyn Calli Rosemary<br />

Jennifer Ginger Ann<br />

Laura Ellen Lin<br />

Country Dance Medley E​ – in square formation? Or went into square formation.<br />

Talisker x2<br />

Erin Strathspey x 1<br />

Double Sixsome x 1<br />

Ellen<br />

Rosemary<br />

John<br />

Gordon<br />

David Mikkel Laura Ann<br />

Jennifer Lin Gary Lyle<br />

Kevin Calli<br />

Alan Ginger<br />

Highland


Hornpipe 4 steps<br />

Clare


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7


Dear Kathleen,<br />

I think everything is set for the Y.H.A. perforMance<br />

at Hidden Villa. Mikkel seeMed to think all is set for the platforM &<br />

will, I think be getting in touch with e1ther you or Nancy's Mother for<br />

confirMation of the tiMe they want to set up.<br />

I believe they plan to<br />

get there earlyish to set it up, hang around for the lunch, or<br />

whatever, dance, help you & then disappear to help Lyle RaMshaw Move<br />

his piano & return afterwards to disMantle the stage. Mikkel seeMed<br />

to think the stage was plenty strong enough for the clog dancers & that<br />

it was unlikely that they would daMage the surface but I think we had<br />

better-· take a look at their shoes, & perhaps have a saMple dance in a<br />

corner to be sure!<br />

We will have the record player as aMplifier & the tape for the<br />

Music & Nancy said she would check on power source & extension cords<br />

but we do not have a Mike. I suspect one could be plugged into our<br />

systeM if one had the right plug but I gather the space iS not<br />

enorMous so you May not need one.<br />

0 In looking over the prograMMe to Make these notes for you<br />

find it heavily over balanced on the Modern, indeed local side. I was<br />

thinking first of what could be done effectively in a 3 couple set &<br />

secondly about fitting it on the platforM- not to Mention using soMe<br />

things they had been doing recently since it is d1fficult to teach<br />

Much new while the class keeps appearing & disappearing like a bunch<br />

of Magicians assistants because they will insist on taking holidays!<br />

Anyway you can avoid Mentioning that aspect of things if you wish!<br />

We shall probably have not 1 but 3 highland dancers, ao DaJeean &<br />

Randy, two friends of Kevin Lesko's froM his Highland class have<br />

decided to coMe too. They coMe to the GH1ghland part of the evening<br />

with Red Thistle & this Will be the first show they have done with us.<br />

PROGRAMME<br />

1. l:!J..gbland Fllng, ( 4 steps) the oldeot & Moot fundaMental of all<br />

the H1ghland dances, exhibiting all the chief<br />

characteristics of the dance forM. eg. high;ly<br />

technical footwork. elegant, upright body<br />

carriage, opposition of ar'MS & feet, syMMetrywhat<br />

is done on the r1ght foot is repeated on<br />

the left. PerforMed, as iS traditionally correct,<br />

to the MUsic of the pipeo.<br />

R.<br />

s.<br />

The Falls of Regie<br />

The Laird of Atherton<br />

;><br />

(/l'•lA ,.<br />

@.y--Af'IIIO llolde11 of Bir !iiltlghaM<br />

Jennifer Kelly, written to the Mus1c<br />

coMposed by Alastair Fraser for Alex<br />

Harvey on the occasion of his departure<br />

froM the Bay Area<br />


John Drewry's latest efffort, this nis a new<br />

version of an old favourite with the<br />

TriuMphal arches perhaps More appropriate<br />

to I 987<br />

3.<br />

[lora MacDonald's .Fancy (4 steps ) A ladies solo dance naMed<br />

in honour of Bonnie Prince<br />

Charlie's saviour.<br />

R. The G1nzton Frollc Jennifer Kelly, coMposed for the Ginzton<br />

faMily in appreciation<br />

of all they have done 1n<br />

support of the group.<br />

S. The Wind on Loch Fyne John Dixon of Washington D.C.<br />

NaMed for beautiful Loch Fyne, where it<br />

is always windy, this strathspey is<br />

danced in a triangular forMation.unusual<br />

for SeD.<br />

R. The Royal Albert Country Dance froM ThoMas Murphy's Aide<br />

MeMoire 1890 - a del1ghtfully<br />

flirtat1ous dance froM the<br />

BallrooMs of the last century.<br />

5.<br />

6.<br />

Hornp1pe (6 steps) Or1ginally an English dance, th1s was<br />

gradually forgotten by theM but preserved<br />

by the traditionally Minded Scots, who,<br />

however, doubled the teMpo. thereby<br />

Making life difficult for both Musicians &<br />

dancers.<br />

The Thornes aMong the Thistles by Jennifer Kelly - naMed by<br />

Henry ThoMpson 1<br />

who couldn't<br />

resist a good pun. ( You will<br />

have one Thorne dancing)<br />

This is a jig in square forMation, which caMe froM the quadrilles,<br />

so popular all over Europe dur1ng the 19th. century but inevitably<br />

adapted by the Scots to su1\ their own dance style.<br />

I do not expect you to read all \his Kathleen, Merely give you<br />

soMe inforMation & ideas to ad. lib froM in your usual delightful<br />

way. Hope it is all a stunning success!<br />

Love


tfl.1.."')7/IW/1? />1/.41.-<br />

/b /0 .;; ..y<br />

•.<br />

LOCATION /P4/.U;:&t V.L..LA - ,Los & 7lJS: ./;//.LL S ,<br />

;t; 1J - .s./'/-"' s.<br />

PROGRAM: 1. L?E/?04/L: 3x 6. @ N;?/ tu V ,?A'P.VC &.x<br />

2. i/JP/L.T0/1/ 7. ? l!I.LI'/..{2 Lt>Ct_-1 ;:y.N£<br />

3. 2?t:JV-8_i.£ //?/H'/1/JPb 3x 8. 3')?<br />

4. 2? 9. /:),<br />

5. dt-.A 10.<br />

T V<br />

-t:%re j<br />

,t::)u/',q<br />

TAo.r"' s .an')"?/ / II{,..<br />

DANCERS: 1. ,L\l,IE 2. /


Dear Teacher!<br />

Please take a moment to fill out and return the attached<br />

questionnaire. We would like you to do so for every demonstration<br />

so we can get a feel for the number of occasions, the number of<br />

qualified dancers, and the numbers/types of dances being performed.<br />

PROGRAM: 1. t.1JeH ;, u/}111

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