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The shout of the Phoenix
Revealed through the decryption of a millennial mosaics
and other famous works he kept the secret hidden by the
first Templar leaders and all the popes and prelates that have
occurred
Gabriella Fabiani

What was the reason that led in 1099 the nine Knights Crusaders
digging beneath the Temple of Solomon? And because what they
discovered has remained secret? Because after than found began to
build temples dedicated to the Sacred Feminine
and reject, not the symbol of the cross, but the figure of Jesus?
Because it was the inquisition and Cathar massacres? And who were
those of his that Arnaud Amaury meant God would recognize responding
to the soldier who asked him how to recognize heretics from the others?
What was that secret confessed Marquise d'Hautpoul Marie de Negri
d'Ables in 1781 to the parish priest Antoine Bigou telling him he had
to be handed down? What he found the abbot of Rennes le Chateau in
1891 during the restoration of the church? And why put
the devil Asmodeus inside the church and outside the
same wrote this is a terrible place?
These and many more questions from that distant time in the centuries
have added up and never found satisfactory answers, answers
the author in the text. It does this through a systematic study of various works
that at some point in life Fate seems to deliberately put them on the road. By
deciphering the hidden message in the works by the artists, the author realizes
there one ever told the truth, including also discovered that what affects not
only her, but all of humanity.
Gabriella Fabiani (8 July 1954), more than a dozen years
dealing with esoteric and paranormal research. This His
research led, in time, to analyze some works that questions
posed by their implementation. Among these works are now the
millennial mosaic of Otranto, known to be the largest in Europe
but also to the story still misunderstood contained within it,
Michelangelo's Last Judgment, the Shepherds of Arcadia by
Nicolas Poussin and several other works.

The cover images:
1) Section of Otranto mosaic of monaco Pantaleone
2) Section of Michelangelo's Last Judgment
3) Drawing taken from the book attributed to Nostradamus
4) Drawing taken from the book attributed to Nostradamus
5) The Shepherds of Arcadia by Nicolas Poussin, 1639
6) Section fresco in the Borgia palace ceiling in Subiaco
7) Sigismondo Fanti's book cover
And 'protected intellectual property of the research, which may be disclosed
as long as the author's name is always mentioned, that the work is not
manipulated to make derivative works, that there are no gains on the part of
the spreads.

When it comes to initiation it is not about "science": the initiation is not a degree of
knowledge but a state. And 'what, until such time as the term was not degraded by
the sects, the early Christians meant by the state of grace. You may be in a state of
grace and perfectly ignorant of the metric system; be in a state of grace and ignore
all of theology; be in a state of grace to perfectly amoral. To be initiated means to
be introduced, to be integrated into the play of natural forces, understand them,
imbued with it, and to hear itself. As an instinct more than reason which has
nothing to do. Being connected to these forces, therefore, it means to be religious in
the true sense of the word. In a word it means to be penetrated by the spirit.
(Taken from chapter 3 of the book "The mysteries of Chatres cathedral" of Luois
Charpentier)

At my niece Rebecca
and my children Maura and
Stefano

Subdivisions
Introduction page. 11
The creation myth page. 23
The mosaic of Otranto page. 29
The story contained in the work page. 35
The crown page. 49
The left arm page.51
The right-hand page. 69
The square page. 91
The Grifone page. 97
The mermaid page. 101
Adam and Eve page. 107
Solomon and Sheba page. 111
The earthly garden Arthur and Medusa page. 113
The square with the months page. 127
Noah page. 129
The Tower of Babel page. 139
The hat page. 155
The animal with multiple heads page. 157
Alessandro Magno page. 163
The four lions and Diana page. 167
Chaos and trumpets of Judgment page. 177
Hecate page. 181
Homo selvaticus page. 189
Moses and the city of Petra page. 197
The Queen of Sheba page. 203
Michelangelo's Last Judgment page. 207
Hatshepsut page. 239
Maria page. 243
Hypatia page. 249
The thirteenth sign page. 251
The Castelli Romani page. 255
Pope Joan who is also empress page. 261
The Shepherds of Arcadia by Nicolas Poussin page. 271
Conclusions page. 305
Acknowledgments page. 311
Some titles of books read page.313

Introduction
The existence of a dark twin of our sun is a hypothesis that has now been made for
several years; the idea is that this celestial body has a very eccentric orbit, it passes
close enough to the Sun to every revolution and its passage will cause disturbances
in the Oort cloud, bringing with them a number of comets in the inner solar
system. This influx of comets in the region where there are planets would cause an
increased risk of collision between these comets and the Earth and could be
responsible for most of the great extinctions of living species.
Twin of our sun has been named Nemesis. The genesis
the "Nemesis" theory came in 1983, when prof. Louis Alvarez University
Berkeley, California, advanced the theory that the dinosaurs died out because of a
giant meteorite that impacted the Earth. Simultaneously, other
Researchers suggested that mass extinctions revealed on the planet and caused by
celestial impacts had occurred at regular intervals, every 25 million years.
It was Richard TO. Muller, student of Alvarez, A.D speculate that these
"Bombings" were caused by a celestial body that at regular intervals,
penetrates in the solar system generating chaos. Nemesis, name Muller gave
This celestial body, it would therefore be a companion of the Sun, a red dwarf
yet to be discovered, and this would in our solar system a binary system
(Ie with two stars sisters). Orbiting around the Sun pushes towards the center of
our planetary system the rocks present in the known asteroid belt
as the Oort Cloud. The theory was published in Nature in 1984. The news about
Nemesis continued to accumulate over time, making more and more confirmations
to its existence and the possibility that the Sumerians knew about. (Article
full here: http://www.disinformazione.it/nemesis.htm)
As many people have been able to read the books Orientalist Zecharia Sitchin, he
hypothesized the existence of a companion of the Sun, which called Nibiru. inferred
Hypothesis by studying the writings of the Sumerians and Babylonians. In his book Planet of
of the author interprets an Akkadian seal of the third millennium BC cataloged
initials with VA the / 243, in the Museum of Berlin, where it reproduced the Solar System,
It consists of the Sun and other eleven globes or planets. And 'well known that the
planets our solar of system are nine but in the seal, besides the Moon, considered a
planet, a body appears in eleventh. According to Sitchin's Nibiru is a
member of unknown Solar family, captured by the solar system
an unspecified period. Regardless feel if this celestial body, such as

Sitchin says, is inhabited or not, the actual existence of this planet or star seem
supported by the latest astronomical discoveries.
(https://it.wikipedia.org/wiki/Zecharia_Sitchin)
Of that planet that astronomers have yet to determine the existence, there already
spoke almost a thousand years ago in monaco Pantaleone mosaic created inside the
cathedral of Otranto and, to tell us that it was a planet destroyer, designed it as a
monster ( Leviathan). Of that planet destroyer also speaks Kolbrin Bible, a
collection of documents which, it seems, secret groups including Culdians, they
decided to make it public in 1992.
(http://www.retenews24.it/bibbia-kolbrin-profezia-hopi-secretum-omega-3-profezie-per-
Event-as / http://www.anticorpi.info/2014/09/kolbrin-la-bibbia-parallela-che.html)
Unlike the content of the story in the mosaic of Pantaleone, the Kolbrin shows only
a catastrophic event caused by the planet, and, as we shall see, the monaco who
built the mosaic of Otranto, tells us at least two major disasters in the past from
that heavenly body to land and a future possible third.
Probably the monaco could become aware of this dark celestial body and two
major disasters that caused on Earth, because of what they found the Crusader
Knights, maybe just like the legend, below the Temple of Solomon in 1099. How
these men found, it should have been a substantial documentation; documents
including there was obviously an astronomical code which told of the stars in the
Southern Hemisphere in position contrary to how it is now, the time of the passage
of Nibiru - the Sumerians already knew how Marduk - close to our planet, and how
we extract from the story that makes the Monaco within the work, the
documentation explaining the reason that caused the reversal of the Earth.
How they found those first Knights Crusaders, who in 1118 then founded the
Templar Order, although they tried to keep it secret, apart from the ecclesiastical
hierarchies of the time that is taken for granted were informed (then secret passed
down from Pope Pope), they should be also learned about several other people, in
a veiled way then revealed that information passing them through their works. In
fact, if we analyze the historical period, plus the countless mosaics bestiary built in
churches, not only in Salento, from 1200 onwards, the thought of the intellectuals,
the figure still closely linked to the church, it begins to change and evolve.
The story that the Monaco is within the work through the bestiary he invented,
tells of the time the background because of that heavenly body's life has been
almost erased on Earth, and what no small matter, explains why for

which took place and why we have to fear these end times and the Age of the
cycle, linked to the new Step of the planet closest to Earth, which are probably also
the end of the Aeon.
In these pages we will deal thus better understand the content of the story in the
mosaic of Otranto. The monaco, though it may seem absurd because the work was
created in the twelfth century, in which astronomers had not yet been able to make
assumptions about the existence of other planets, much less hypothesis if our sun
could or not a twin, says just this celestial body still unknown today.
Pantaleone, or who he really was or represented, it contains his account in a cross;
symbol that is not the cross that for over two thousand years the Church has used
to connect to Jesus, but wants to easily call the Southern Cross, and consequently,
the Mother Goddess that that Cross is connected.
Mother Goddess in the most remote antiquity was the one who was driving the
growth path of human beings on Earth but, because of a serious error of these,
became Nemesis. And why on earth can send Nemesis cross or delight, the reason
why I think the Monaco holds its own story within this important symbol that
refers to her.
Nemesis depicted by Albrecht Dürer (May 21, 1471 - 6 April 1528)
There Gran Madre in Turin

It all makes sense in the infinite mind of a Higher Intelligence, the reason that
Planet Destroyer returns periodically to hit Earth, I could understand my reasoning
on the particular paranormal and mystical experiences that at some point in my life
I began to live so pressing, through much research, and evaluating the weight of
tangible evidence that I have.
And 'the theme of all those strange experiences, what we are currently doing about
DNA and what should have happened in the past just about gene that helped me to
understand the reasons why, Higher Intelligence, through that Corpo Celeste (or
the arm of his son), back to punish us and what we should do as humanity to save
us from this impending danger to the veil of illusion bad fall that surrounds us and
go out to see the stars ... .. that is the real world.
That Red Giant assumed by astronomers really exists, indeed, in my opinion, there
is the red giant that the dark planet. That Obscure is probably the planet Nibiru
Sitchin, that is definitely the same Marduk already known to the Sumerians. This
statement of mine, however, is not based on scientific evidence, I built it based on
those other experiences that I live as a child, but that, from 2004 to 2007, were so
many pressing to push me, at first, to want to understand if they had a meaning, as
if to make sure the synapses of my brain were continuing to do their duty than
anything else. The experience that makes me assume that our sun might have a
twin sister and that is a red giant, it is a vision that is among the first that I had,
where as Pegasus saw me go into a big red / orange sun and then by the same
return as Centaur. But while the first leg, as Pegasus (yellow!), The sensation I felt
was beautiful, to return as I saw me come back as Centauro, the sensation I felt
was rather unpleasantly distressing.
It was 2004, at that time I knew little or nothing of scientific topics, much less
something that is hidden revealed through symbols, that esotericism. Not
understanding the meaning of what I had seen it because I put the vision aside.
After years, when thanks to books read, what they read through the Web, I learned
at conferences, through discussion with people who seemed fate had taken to put in
my way, and more something more

I started to learn it, when I learned of the hypotheses of the astronomers about the
transit of the planet, remembering that distant vision, I thought that with that
message that my deepest conscience had sent to the conscious mind, I wanted to
warn you that the Red Giant but above all that one of the planets of its solar
system, they were dangerously drawing closer to our planet.
The other strange experience which makes me assume the existence of another
planet connected to the Red Giant, I'll find out then linked to the goddess Nemesis,
the Goddess of Justice, it is the one where I saw myself for about a week to inspect
a black planet around a faint yellowish light. Also this strange experience at the
time not included and put it aside. Today, after all totally the same theme related
other experiences and countless research on various subject topics, because I think
I understand, makes me say that black planet which once saw me inspecting
several times, might be the planet larger than the smallest constellation of the crop
circle below.
The smallest constellation symbolized by the pictogram is in my opinion one of
Cancer, which has probably like the Red Giant sun that I saw in the vision, and the
largest planet that is part of that constellation Marduk be known by the Sumerians.
a b c

Solar System that could take up to say Nostradamus in the sketch below (Fig B),
and by the looks given the archaeological find (Picture C), which in ancient
celestial body known to exist and also the symbolism.
In formulating this hypothesis I did not help, of course, only my strange
experiences and personal characteristics and family, apart from the many things
read, helped me to understand all the works that fate has placed in my path, on
which I sought and when I reflected be in the works including a hidden message
inserted by the artist. For example, at the above pictograph, it does also reflect the
fact that nine are the spokes of a part of that crop circle that seems to contain a sun
and the planets are like nine teeth (Fig.D) that Michelangelo painted in the half
wheel that puts in the hands of that woman.
So even Michelangelo, the Last Judgment, talks about the largest planet that is part
of the red giant system. He paints as a man and puts you close those two older
women who seem to take his measures at symbolizing Mother Earth (younger) and
the old Great Mother Celeste.
d
Tiamat and Marduk
Marduk
Nine, coincidentally the legend, were also the Crusader Knights who founded the
Templar order. Among the documents that those Crusaders found there were
almost certain documents about an astronomical key; key that we clearly says
Michelangelo in his work (Fig.E) putting those keys in the hands of that character
with a white beard, that contrary to what many experts speculate the art, depicts
Solomon. It is Peter in my opinion because of the three founders of the three
monotheistic religions that the artist symbolizes the work would lack the jew. The
man with the beard and red robe near Solomon probably depicts the architect
Hiram. However, when displaying the keys, if you look, Michelangelo painted
Solomon, facing Jesus,

He seems to be saying, look, I have the keys (codes) to tell me that is not yet the
time of Step (Marduk / Nibiru).
is
That was not yet the time of the passage of the planet, aside prove that if
Michelangelo could paint Solomon with those keys there are those who provided
him with the necessary information that he then expressed his artistic imagination
in ' opera, could prove to me eleven women reported in the external facade of the
church of Santa Maria in Trastevere. In fact, as you can see in the image below, on
the facade of the chiesa Maria is depicted as eleventh woman.
Front of the church of Santa Maria in Trastevere
If those eleven women do not intend to symbolize the ten Sephiroth and the
consequent human deification pictured with Mary at the center,
Opera by Pietro Cavallini
she was not the woman who was to carry the message to the end of the cycle, but
only what was to bring the message of the end of the Age (the discovery of a
chapel with 12 sybils which is discussed in this article may possibly be a

important clue http://www.lavocedifiore.org/SPIP/article.php3?id_article=5195). Nor
Jesus, as rightly claimed the Templars leaders murdered in 1307, was the son (and
I would say fortunately for him) of that god we are told
(http://www.templaricavalieri.it/bafometto.htm). The Good News is not therefore the
one that was put into his mouth, as it is false that he was crucified and resurrected
from the body. The resurrection of humanity (the Passage, and not on an individual
and not with corpses, to a higher level of consciousness) would take place after
that humans, for reasons we shall see, had retraced an entire cycle Star. As he
wrote in the Nostradamus quatrain 74 (the resurrection will take place not far from
the year-thousandth) the resurrection of humanity will take place not far from the
year two thousand, that is now! If we have understood the lesson and we will
repent, I might add. For this mosaic in the Monaco he puts back that monster as a
kind of sword of Damocles over the head of Diana.
And since the hair V (or Y) overturned that Monaco has drawn the figure should
symbolize incarnate on earth the Red Giant of the Constellation of Cancer, which
together with our Sun form a binary system. System which could also be multiple.
That representation that makes the Monaco regards the transcendent of the times
we are living, and that monster on the head of Diana probably symbolizes the
danger that Marduk brings with it, then the danger that currently hangs over our
heads.
My discovery may seem like a rather not; these that go just discovering and
understanding the events are known for centuries if not millennia and always kept
hidden, but someone told us of these celestial bodies through the mothers and
stepmothers of fairy tales. Just think of the tales of Charles Perrault and the
Brothers Grimm. There will always speak the ancient myths of the past through
those gods and goddesses from which many artists, incidentally, by a certain date
onwards, began to take inspiration to paint the subjects of their works.

I personally am sure that the time we have to understand and repent is over, these
two circles in particular reported wheat,
Crop Circle of June 2015 Crop Circle 8 July 2016
Nostradamus as the drawing on which the wheel of life is without light, intending
probably tell us just that.
Nostradamus Drawings
As you can clearly see in the crop circle appeared on July 8th, unlike the crop
circle appeared in June 2015 (which could be the Red Giant with Marduk in
obscuring almost our sun), seems to represent our sun covered almost completely.
If those pictograms are not false, they might want to mean that when that planet
will be fully covered on July 8 Our sun (we will discover during our inquiry why
this date), the Earth will be exactly at gunpoint; If at that time we have not yet
understood why the lessons that the Goddess has given us, that is why the planet
returns periodically to hit Earth, it could be hit again (not from naturally planet, but
from an asteroid) .
Everything is bound to DNA and concerns the Human spirituality, therefore
depend on us and the choices that consequently we will once came to knowledge
of the truth if we manage to avoid a catastrophe. If we understand the reason for
those lessons and consequently made the right choices, certainly the earth and its
inhabitants will be screened in a higher world (perhaps through the passage of a
tunnel

time, who knows ... I learned firsthand that reality sometimes stranger than
fiction). That Step to a different reality or at a more than Consciousness high level
(which suggests Pantaleone mosaic with those concentric drawn centers on the
hands of the two women who could symbolize the wormhole, what they wanted to
suggest the crop circles shown below), you could perhaps explain the three days of
darkness reported by the prophecies. Days of darkness due to the passage of Earth
from one dimension that may be more than three.
Section Mosaic circle crop hypothesis wormhole
Of the Southern Cross and the goddess to her connected after Pantaleone tell us
Dante, hiding behind the mysterious verses of the Divine Comedy, is the
Astronomical Code,

the reason why the Planet returns periodically to erase life on Earth through the
launch of asteroids, is the reversal of the Earth:
The 'I turned to the right, and fixed my
mind Upon the other pole, and saw
four stars
never seen save by the first people.
Heavens seemed 'the heaven in their
flames oh northern widowed clime,
then art deprived 'of seeing these!
(The first song of the Purgatory)
Through the reading of the hidden message in their works, in these pages so we
will try to unravel as Michelangelo, the Last Judgment, and monaco Pantaleone,
through the story encrypted in the mosaic, intended to warn us about the end times
that we are currently experiencing in against the new Passage of this red giant and
his son, and why the planet cyclically tends to obliterate life on Earth. During our
investigation we will also try to understand the reason why, until now, all these
things have been hidden. The other works included in the research, like the mosaic,
are jobs that still pose questions for their attainment: the authors of those works
focus instead reveal the identity of the figure that would bring the message to the
end of the Age and the Cycle.

The creation myth
The Myths of Creation are numerous, but as Archetype cosmogony, the Egg of the
World created by a female force that generates the masculine, is present in many
cultures.
In Pelasgian myth, in the beginning the great Goddess emerged naked from Chaos.
Finding nothing where to lay his feet, he divided the sea from the sky and wove
itself a dance on the waves. Dancing headed south and the wind swirled behind
her seemed something new and distinct, then thought to begin the work of creation:
he turned suddenly, seized the north wind and rubbed it in his hands until it
appeared a huge snake. The Goddess flushed danced, danced with ever wilder
pace and the snake, burning with the desire, the clung in its coils and joined her.
Flying to the water surface the Goddess took the form of a dove and then, in due
course, laid the cosmic egg. He ordered the snake to wrap the egg seven times: the
shell is opened and brought forth all existing things.
But soon the snake boasted of being the creator himself so irritating
Great Mother who relegated him into dark caves.
And 'this myth Pelasgic, that some authors ascribe to the Anatolian origin.
In Zen Buddhism from the ancient Japan, the beginning of time was only Chaos,
enclosed inside an egg at the center lurked the creator seed.
For the Bambara (the main ethnic group in Mali) was originally an empty egg
which later filled and developed following the action of a creative breath of the
Spirit.
In Polynesian myth Vari-Ma-Tetakere lives in a cosmic coconut: it is a regional
adaptation, but also the coconut actually has the shape of an egg.

Among the Celts, the cosmic egg was called Glain, and was a red egg laid on a
beach by a marine reptile.
(In these ancient icons we see Maddalena, as well as with red egg, dressed in red,
color of the priestesses of the Goddess usurped by the cardinals of the high Vatican hierarchy)
In the metaphysical doctrines of the East Hindu, when Brahma is contained in the
Mundane Egg, the primordial germ form of cosmic life.
In the Orphic mysteries, according to a tradition, reported by Damascius, in the
beginning there were three primal forces: Chronos (Time), Aither (Air, or Pneuma,
or the Breath Vitale) and Chaos (Chaos). The creation began when Chronos
manufactured inside the Air an egg, from which he emerged Phanes, the Brilliant,
namely the Light. Phanes is then coupled with the Night and their union originated
Heaven and Earth.
Among the ancient Egyptians, the myth takes place on the figure of the Phoenix, a
legendary bird that can live up to 500 years and that, feeling close to death,
retreats to an isolated place and building a nest egg shape of an oak, or a palm
tree, weaving together with shrubs also twigs of fragrant plants, such as incense
and spikenard. Entry into the nest, leaving the sun the incendiasse and make her
completely burn.

After complete combustion, the ashes remained emerged a larva, or an egg, that
the sun was rapidly grow and mature over a period of three days. From this egg
then reborn in the new Phoenix, young, powerful, flying off to Heliopolis and was
going to rest on the Tree Sacred.
In the last mystery of the Tarot, The World, marked by the n. 21, the card that
represents it depicts a nude woman at the center of an egg-shaped crown (or
almond). Around it, externally, are the symbols of Tetramorph (a man, an eagle, a
lion and a bull).
The figure, whose genitals are covered because it is an androgynous, draws
androgynous in Majesty. Although both given a feminine connotation, as we find
androgynous figure of the Basque goddess Mari, who is none other that the Basque
point of view of the primordial goddess of which explains and shows us the
ancient symbolism also the archaeologist Maria Gimbutas in her texts.
A depiction of Mari Great Mother find archaeological
Mari, whose other name is the same genius Maya (illusion), also had a husband:
the Maju genius, who was also called Sugaar or Sugoi. These, honored as male
snake but, like the other male zoomorphic manifestations

that are attributed and whose Mari believed was using to fertilize and regenerate
the forces of Nature, is but another manifestation of the Goddess of origin because,
in women and in men, as in the positive and the negative, and for better or worse,
as it was rightly considered before the feminine were separated from the men, she
is the head of the genes and the genes themselves as it is the whole.
Sugar
And of Sugar that Nostradamus is telling us in this design?
The myths are numerous and conflicting with each other, so it is hard to see, if
there ever really was, what could get closer to the Big Bang scientific hypothesis.
If we understood the meaning of the words of Hermes in the part where it says that
the above is reflected in Under and Under is reflected in the above, we may come
to understand much on the illusion that we live and understand where and why
people lie religions or, if they are in good faith, where and why they are wrong.
The Creative Force, or Queen of the World, the Anima Mundi which is always
incarnated on earth as the above is reflected in the below, at the end of the period
of each Zodiac sign is embodied in official form in a body with specific genetic
characteristics and almost always she puts children into the world. That event is
but the continuation of the Creation Myth. The latest official incarnation of this
Intelligent Force was in the person of Mary.
Two works designed specifically tell us, in a veiled way, two World incarnations
of the Queen of the Catholic Church diminishes the figure by passing it as used by
God to give birth to his son World: Shepherds of Arcadia by Nicolas Poussin and
the Last Judgment Michelangelo. But they do it in my opinion also of the works of
Caravaggio, Botticelli, Leonardo da Vinci, those of Teniers, father and son and
several other artists. These are works that we do not understand the message
because there are important facts that have been hidden and the Truth, which is in
the myth, because of the belief born against the biblical god, was turned upside
down. The content of the story in almost millennial mosaics in the church
dedicated to the Assumption in Otranto - work together with other'll try to
decodifiacare in this research - particularly through the bestiary

consists of animal invented by Pantaleone contained in it, it tells the terrible secret
you probably discovered the first Crusaders under the temple of Solomon (?), and
explains why we are fallen from the we were.
maybe for the good of all, a terrible secret kept hidden from the early Templar
leaders, who at the time he came to know, and all the popes and other prelates that
have occurred. Secret which is, however, now time to unravel, it leaves our
salvation and that of our planet.

The mosaic of Otranto

As I learned about the mosaic of Pantaleone
I discovered the existence of the mosaic in October 2007, thanks to a girl in the
center of Umberto di Grazia who told me about the conference on the mosaic held
the night before by Francesco Corona in the same center. The enthusiasm with
which the girl would tell me what was said by the Crown on the mosaic, turned on
my curiosity, so I tried the work on the Internet where I found the images.
In the picture that I saw on the computer screen, I thought it related to the totality
of the work, including why those people were present in the mosaic, especially
those who knew Diana depicted below and clearly what the monaco Pantaleone (*)
he meant by that figure placed there because I think it was the same answer that I
was looking in vain for over three years and that the books could not find.
Convinced that he had bumped into the mosaic on my way, I began to try to learn
more. I was not very interested in visiting the place (later I went there several
times) because I had read that I could not see the mosaic in its entirety because it is
covered by benches and other church furnishings. So, I looked for books Don
Horace Gianfreda, the priest who had written on the symbolism contained in the
work, but they were nowhere to be found. To learn more and to get food for
thought, I tried to e-mail to people who already had studied or were studying the
mosaic, but also that road proved fruitless. Finally, after some time, in a bookshop
in Rome by chance I found the longed book Gianfreda. A new edition revised and
updated which also contained the photo mosaic. I realized then that, besides the
part that I had seen on the Internet, the mosaic also had two sides.
The total work struck me even more, but in addition to the significance of Diana's
presence in the final part of the story of monaco, figure that symbolized for me
because my experiences led me to conclude, the mosaic had to understand the rest
of what the monaco he had wanted to hand down and it was not easy. It was not
easy because I knew nothing of esotericism (that which is hidden revealed through
symbols), little or nothing of the various religions including the one to which I
belonged, and I knew little or nothing about astronomy. And above all it was not
easy to think and reason with the sword of Damocles that I felt on the head as I
came to know only a few months of the Mayan calendar, 2012, and the various
arguments and claims that the arrival of this year would have caused .
* Nothing is known of Pantaleone; It is supposedly a Basilian monaco sourceGreek, the abbey of San Nicola
di Casole. As he did not know the personal details, it is assumed to be a cleric as the work is signed as
Pantaleonis priests.

On top of that I knew nothing about aliens and extraterrestrials, who, before he
lived personal experiences, paranormal or not, linked to them, were for me only
the subjects useful to the imagination of the authors of science fiction films.
After unsuccessfully searching for months for help and discussion through people
that fate seemed to have taken to put in my way - people who still did not consider
credible that for me was rather a certainty - hoping he brought one some useful
discussion to reason together I offered a first decryption of the work and published
it on the Net.
But things hardly go as we hope. The fact that I had not believed it was
understandable; claim to be able to interpret the work through mystical and
paranormal experiences was already unusual, also what I wrote totally upset what
has been said and believed about religions and their founders until then. So how
can you hope to be believed? But it was not believed, it was unfortunately what we
deduced by adding my particular experience and exposure of what the monaco had
wanted to hand down through the encrypted narrative mosaic, suitable to warn the
times of the end.
Since I was not able to explain in my first interpretation of the mosaic some
animals symbolic of the work, the ones I had now understood to be those two
different celestial bodies, people who had been part of my particular experiences,
prompted by those who continued so pressing, I continued research and began to
think and reason about my particular past experiences and those who continued to
live. That it was not a coincidence that I was aware of that work was now for me a
certainty!
While not believe anything that I was living at the level paranormal (having
learned first hand that they could get visions or memories deviant as aliens /
parasites are able to sneak into our dreams and provoke sublime visions or show
false memories for us confusion of as we send the deepest consciousness), thinking
back on all my particular experiences, after a bit 'of time I realized that the way I
had undertaken previously was a ... dead end of the maze, and that my research
would have to be extended well beyond the dates on which I had already
researched and reasoned as I had not assessed correctly the information that my
deepest consciousness had sent to the conscious mind. Going on my way it will
still paved with numerous other errors. When they finally included a little 'more, I
realized that, despite everything, he limited the period of historical time on which I
had investigated and what was the reason why, as inhabitants of this planet,

we were experiencing the problems we are experiencing. I realized that those were
our origins as inhabitants of this planet, they started from much farther than they
thought, researchers, and it dawned on me that Darwin's theory was not the case
since the evolution that Darwin claimed had no basis(As confirmed by this and other
researchershttps://www.youtube.com/watch?v=uT9WCh_NTF0). And what reading ancient texts
passed down, I became convinced that those people who believed they channelers were mostly
people manipulated by beings from other dimensions whose interest is only to lead us astray, so
positive and definitely misleading.
However temperamentally very rational, including all this trying to unite the heart
to the logic that the brain suggested to me. They also understood, however, that my
confidence was still hard to tell, even less easy to believe for other people, but
above all to prove. This is because there have always been important hidden truths.
After clarifying in me these concepts, reading with different analytical mind some
already read books and with a different cognition some parts of the Bible,
reviewing and reflecting on the various stories of UFOs and aliens, anecdotes
related to them and of what I had experienced personally, I understood better what
the monaco meant with his drawings, as and when that Zecharia Sitchin (*)
translated the Sumerian tablets, linked to facts genetic experiments by
extraterrestrials, had given full results, and when that new race had It began to
mingle with the race already on the ground. Everything became a little 'lighter. It
became clearer that Jacob was the beloved of God, and because that God foretold
to Rebecca that her two sons would give rise to two different nations; it became
clear why the ecclesiastical hierarchies Virgin Mary were defined, and because of
this had made a dogma; it became clear why he had brought the great folly of
Hitler to exterminate six million Jews along with gypsies, homosexuals and the
disabled, and why Pius XII did much to help Jews during the war. He became even
guessed at this point what kind of evidence the men were trying to Hitler near
Montsegur, in Turkey and in Tibet. Tests which were probably the same as that
sought in Egypt Napoleone Bonaparte before Hitler. It is included because, as
emerged from the analysis of Corrado Malanga (* p.33), only 20 percent of people
have soul, and you also understand why Arnaud Amaury,
* Zecharia Sitchin, who died in 2010, was the author of many books on the so-called archeology mysterious
and supporter of ancient astronaut theory as explanation for the origin of man. The Sitchin's investigations,
based on its interpretation of the texts staffSumerian, they are considered pseudoscience is pseudohistory from
scientific community, rejected by scientists, historians is academics.

during the massacre of Béziers took place on July 22, 1209 (where more than
20,000 people were killed), questioned by a soldier on how to distinguish action
from other heretics, he replied: "Kill them all God will recognize his own."
It had already been a century, surely not only the high Catholic hierarchy knew the
contents of the documents found by the Crusaders under the temple of Solomon,
and the ancient genetic experiments done in the past by the Atlanteans, and then
the children born by pairs of Elohim with terrestrial women. Beings for the high
Vatican hierarchy were the daughters of the devil (and in some ways they were
right). And 'therefore almost certain that those things also knew Arnaud Amaury
(*): those that God would recognize her, to which the abbot of Narbon attention
were those enrolled in the Book of Life. What were (and are) different from those
people who were descended from hybrids children of Elohim (those pairs had
shown more humanity back, not forward as many researchers and common people
claim). The knowledge that there were in those days were many, the extent of the
trouble created by the ancient Atlantean experiments, and then by pairs of Elohim
with terrestrial women (could be because it was a low level of existence, or if you
will, in a low Realm) was too old because those high hierarchs of the Church he
could understand the seriousness and understand that they, too, could not be
different from the people they killed. But the presumption of being able to
recognize and kill only through unusual behavior deemed those people who
considered daughters of the devil, continued with the inquisition, was probably the
reason why Hitler wanted to exterminate the Jews, but still continues in a different
way through the many wars instigated, without you know, those negative entities.
In the report that follows, trying to summarize and but does not require historical
accuracy (is not even on the books!), I hope to be able to communicate what I
believe I have understood and learned both from my paranormal and mystical
experiences, which from my path research, so that it can provide guidance
* Corrado Malanga (can not completely agree with the thought, I recommend watching this interesting recent
conference https://www.youtube.com/watch?v=oSOPwp5ATLQ)Since 1983 is a researcher at the Department
of Organic Chemistry Chair of Organic Chemistry and Industrial Chemistry in the Faculty of Mathematical,
Physical and Natural Sciences of the University of Pisa, and author of several publications in international
scientific journals. In parallel, he is interested in theories about UFOs and the abduction, the alleged abduction
of humans by extraterrestrials. He believes that the phenomenon of abductions is negative. The aliens are not
"space brothers" who come to bring love and peace, but enemies of humanity that manipulate the land to
subtract them the energy they need to survive and pursue the dream of immortality.
*Arnaud Amaury (1160- 1225) known as Arnaldo Amalrico or Arnold of Citeaux, among his many
assignments was also legate of Pope Innocent III, then the same was commissioned to suppress the Cathar
heresy during the Albigensian Crusade.

who has the patience to read what is the result of my research and my assessments
to date and can do his research.
For Although it may seem absurd given that the mosaic was built in the twelfth
century, monaco Pantaleone in his work tells us of genetic experiments done in the
distant past and what they have caused by lighting the negative cyclical nature to
which we are still inside; that summarized in a specific section of the work, we
will understand refer to Astronomical Code and those numbers plaintiffs in ancient
mythology, thus also to that celestial body that is the planet that comes periodically
to destroy life on Earth and that draws as Pantaleone monster. Same story that will
make Dante Alighieri after Pantaleone differently, hiding behind the strange ways
of the Divine Comedy, and evidently, knowledge that will change the genre to
Giovanni Boccaccio saw he was the first tohe devoted himself to copy the codes of
the Divine Comedy leading him to write some 15 books on the genealogy of the
Gentiles, that they are different aspects of the same Higher Intelligence, or Great
Mother.
The tale of Monaco spans a long period several millennia, and outlines not only the
history of the movement of the stars, how they have affected our planet and vice
versa, as well as genetics and unofficial religious history of humanity, but proceeds
to hand over a radical and unexpected final message can enlighten us on who is
dressed in the Sun of the Revelation of John, leading us to also understand what
kind of message the woman of the times the end must hand over humanity to warn
her.

The story contained in the work
The mosaic of monaco Pantaleone, which is of 1165, was carried out in what could
be called a century in turmoil: there were already the first two Crusades and then
you were on the studies of many researchers, religious and otherwise.
The church is located in the current cathedral dedicated to Our Lady at Otranto (in
the province of Lecce), and has for centuries been the subject of study by
enthusiasts and researchers trying to understand the message that the monaco
wanted to leave to posterity. So far, however, only Read hypotheses have been
advanced.
This is because, in my opinion, it starts from the wrong assumption that the
mosaic, being inserted into a chiesa cristiana, must somehow be representative of
an evangelical message. In the mosaic, where Jesus does not appear in any way,
there are references to the Catholic religion, however, as we will explain later, they
are not connote the sense that you would expect.
This town for its strategic position has always been, both in ancient times and
modern crossroads of transits that connected East and West, Europe and Africa.
From its port also they left the Crusaders called to liberate Jerusalem.
The Otranto Cathedral which stands on the highest part of the town, was built from
1080 over reluctant of a Roman Domus and a pagan temple dedicated to the
goddess Minerva and consecrated in 1088 (?) It looks at the behest of Robert
Guiscard . The building is believed to have put in the context of the Latinization of
Christian worship in southern Italy brought forward by the Normans in the
eleventh century.
The exterior of the church The mosaic interior The goddess Minerva
The gabled Romanesque facade is enlivened by an impressive fifteenth-century
rose window and baroque portal of 1674, by Bishop Gabriel Adarzo Spanish
Santander. The interior has a basilica plan with three naves

in correspondence of which there are three apses. The aisles are divided by
14 columns of polished granite interspersed with round arches. The capitals, made
in different styles and invoices, testify to the use of bare materials for the
construction of the church.
Originally a pagan temple had a hidden passage where very rudimentary ladders
allow access to the lower floor where other rites were celebrated. What else
common to many ancient places of worship including pyramids.
To see today what is already contained in the crypt in those remote times, although
with the addition of figures and elements of Catholic belief subsequently
constructed in this compartment can be accessed through the normal underground
stairs.
Crypt
The Basilian monaco Pantaleone, who seems to have conceived and created the
mosaic after having been sent by vescovo Gionata, lived in the nearby monastery
of San Nicola di Casole, which at that time was an important religious cultural
center.
Some ruins of the monastery of San Nicola di Casole
Considering the symbols present in the mosaic, the hypotheses examined so far by
scientists and researchers, is that some of the first Knights Crusaders, who later
became the Knights Templar, had brought something from their battles in the East;
something the Templars actually discovered, for two hundred years by the
recognition and enforcement after Philip of Habsburg, said the beautiful, interested

the wealth of the Templars had managed to infiltrate spies in their ranks, in the
indictment issued by himself against them, as written by Giuseppe Guidolin, was
read verbatim: - The Templars in all provinces have idols, some with three faces,
others with only one face, and sometimes a human skull; and all, or many, or some
love them in their assemblies as a God who can save them, enrich them,
germinating the earth and make trees to blossom ... They worship a cat that
sometimes appear in their assemblies, and what a reproach Jesus Christ and the
true faith.
In 2007, seven centuries after the persecution and the end of the Order, the Vatican
Secret Archives decide to publish Processus contra Templarios, a precious book in
a strictly limited edition where you can read the faithful reproductions of ancient
scrolls, including the reproduction the so-called monoscritto of Chinon, discovered
in September 2001 by the scholar Barbara Frale Vatican Archives. A document
that sheds new light on the end of the Templars and certifies that the Pope of that
time Clement V, not considered them heretics and tried in every way to save them
by the King of Francia Filippo IV the Fair, true creator of the ban on their use and
their annihilation. However, partial truths those reported in those ancient
documents; I find that most agree the ancient Gnostic view in so far as it is written
that in every man there is a Christ incarnate, as I disagree to the fact that Jesus was
a fraud as reported in this resumed wrote as one of many of today's visited sites
Templars: as for the charge of denying Christ and spitting on the cross before
being admitted to the order must be said that even the Grand Master Jacques de
Molay declared that at the time of his admission brother Humert he made "to bring
a bronze cross on which was the figure of the crucified and bade Me deny the
Christ depicted on the cross ..."; Also Hugues de Pairaud admitted similar
circumstances: "Then Brother John showed me a cross with the image of Jesus
Christ and told me to deny him that was depicted in this way and to spit on the
cross ..."; Also Geoffrey de Charney, Preceptor of Normandy, who died at the
stake with Jacques de Molay said: "I was brought to a cross with the image of
Jesus and his brother Almarico told me not to believe in the one who was
represented, as was a false prophet and not God. " Similar statements were also
made from Geoffrey of Gonneville, Preceptor of Aquitaine and Poitou, and
Rinaldo Tremelay, prior of the Temple of Paris.
And 'of utmost importance that was not denying the cross in itself but only the one
who was represented above.
Giuseppe Guidolin, is a passionate poet, fiction and mysteries, was born in Vicenza in 1961, and has played
Astronomy studies at the Faculty of Sciences, University of Padua.

Evidently, after the findings, the Templars began to practice the cult of the Great
Mother, but perhaps, as happens today with the Virgin, to the loving hand of the
Goddess. Since the three faces shown in iconic images, like that of Mary present in
the Umbrian church of San Pietro, concerning her being Queen of the three worlds,
and the skull symbolizes how the master of life and death. Those Crusaders
Knights, who later became the Knights Templar, thanks to what they found in the
temple of Solomon, probably came to know that before the scalzasse patriarchy
from the throne, the great Mother Goddess, ie before Jawe, Baal, Zeus and their
equivalents take power , to rule in heaven, on earth, and the underworld were you:
the great goddess of the origins, which we call the Goddess, but as you can read in
the myth concerning the Goddess Mari (or Maya), she is the queen of all genes
shapes and different specialties that deal with the things of the earth and nature in
general, although in some circumstances its appearance is masculine. The
Templars then learned that the Great Mother Goddess of a thousand names, was
(and is) Goddess An Trina from birth, which is the master of life and death, which
is a tender Goddess but also cruel, which is Goddess of Fertility and Death, which
is Lady of Nature and owner of Time, which is the Goddess of fields and woods,
eros and terror without end.
a b c
d e f
a: Mari b and c: Representation: archaeological find. Great Mother with the cornucopia? d: The Madonna
trifacial Umbrian church of St. Peter e: The skull of Saint Baume Magdalene Church St. Maxime f: The Three
Fates by Bernardo Strozzi

Certainly the Knights under the temple of Solomon found something important
that illuminated them, which was definitely not the big treasure in the venal way as
always believed, but something that enabled them to know and understand many
things of the past, of ' humanity, and the Cosmos.
Discovering such as the important events that occurred in the past Pantaleone
wanted to tell through the emblematic animal invented by him, we will understand
that it is a consequence of what allegedly found that the Templars began to
practice the cult of the Great Mother. In addition to her, of what she truly E 'and is,
through the narration of the monaco, when you come to understand how and why
the Good was defeated by evil.
But what could have induced a number of knights to dig under the Temple of
Solomon? Apart from the official reasons that we know, what may have been the
true reasons that moved the first crusade in 1099? Since it appears that Hugues de
Payns (1070? -1136?), Who later founded the Templar Order, also a cousin of
Bernardo di Chiaravalle (1090? -1153?), Was in Jerusalem even before the
Crusaders arrived in the city.
Everything could be initiated during the eleventh century, with the discovery of
some documents in the Abbey of Cassino by Nilus the Younger (910? - 1004?), A
monaco which will then be remembered as a saint. But let's go in order.
Once you understand that all were part of the same thread, considering what led to
the conclusion to me, I formulated this hypothesis reflecting on my innumerable
metaphysical experiences, through much research, reflecting on the hidden
message contained in the works of some artists, reflecting on the myths, but also
reflecting on a certain type of film theory that there is now a proposal from a
diverse number of years. In this case, my assessment is related to my particular
dream about St. Nilus the Younger and another dream that when I visited the
church, I found cover the cathedral of Otranto.
Among the many strange dreams at that time I had taken to doing, those two had
kindled my curiosity because of the saint did not know anything other than that
there was an ancient abbey in Grottaferrata named after him; while in the dream he
seemed to know me well, and while I did visit the abbey and showed me the
pictures, seemed to explain to me the hidden meaning of the works. Upon
awakening I did not remember what the saint had told me why he had shown me
these pictures, however, that I had ever seen because despite inhabiting only a few
kilometers away, the abbey had never visited. But after visiting the abbey
- because at first I thought the dream was the invitation of the Holy

so that did a visit or rivolgessi a prayer - it took a long time before taking into
account those dreams in a different way. It will employ even more time before we
understand why San Nilo (*) in that dream showed me the pictures, and invited me
to visit the abbey although during my visit there were two works that attracted my
attention: the picture where St. Nilus prayed in front of an oak tree (I'll find work
before being Domenichino), and one in which a monaco was painted by the artist
with the foot different shoes. For a foot he had one battered boots without laces
while the other had a sandal. That diversity intrigued me, but that was all. When
after time I finally decided to do some research on the life of the saint, I discovered
that the Nile was born before the year thousand in Rossano, a Calabrian village not
too far from Otranto, who was a Basilian monaco (like the monaco who had built
the mosaic!), and during his monastic life, a part of which had lived at Monte
Cassino, had important positions.
The Abbey of Grottaferrata
The holy painting by Domenichino The statue of St. Nile
As a result of what they read I began to think about those two dreams in a different
way. I began to think that those dreamy visions could be a way to push me to focus
my attention on the life of the saint. Deepening then researched and found that Nile
worked and even lived in the Abbey of Cassino, which already at that time
possessed an ancient and important library, I thought that if the patron had been
brought to my attention, one reason could be that the period where he worked and
lived at Cassino he could have discovered the existence of important documents
that gave information about where he was hiding something of great interest. That
something may have found then in 1099 the Knights during the First Crusade in
Jerusalem, perhaps, just as the legend tells, under the temple of Solomon.
*: Nilus the Younger, baptized with the name of Nicola (Rossano, 910 - Tusculum, September 26 1004)it was
Basilian monaco, hermit, abbot and founder of'Abbey of Santa Maria di Grottaferrata. It is revered as holy
from Catholic church and from that Orthodox.

Nile may have realized the importance, or severity, than reported in the papers, and
the reason for his next visit to Rome may have been just what to bring to the pope
at the time the documents found to inform or ask for explanations (John XVIII
who abdicated? Gregory V from which an anathema? O Silvestro II, the magician
Pope? I was not possible to identify with certainty which of the three the monk
might have addressed).
Admitting that the Crusaders returning from the Holy Land, had shown the
documents that proved the veracity of those found by Nilus the Younger in
Montecassino library, Pantaleone or who he really was or represented, may have
been based on what is contained in those documents to tell the story passed down
in the mosaic. The documents found by Nilus the Younger, although a century
passed before their realization (but have to consider the times and alliances,
especially in Jerusalem), may be the real reason that inspired the first crusade in
1099 and, perhaps, the reason which led in 1480 the Turks at Otranto. The latter
perhaps intended to recover the stolen documents to them by the Templars, or
those who, as he writes Adriano Petta in his novel Heresy Pure dedicated to
Giordano Nemorario, after Muhammad's death, hidden in the comedies of Plautus,
had arrived at Otranto through a sailor. Documents that the pope at the time could
not return, perhaps because they had the Medici, but that they had, I do not think
they would ever return. Hypothesis, though, that would explain the plot of Sixtus
IV and the Pazzi against Lorenzo the Magnificent, and perhaps also the reason that
brought Ali Agcià, incidentally belonging to the Turkish Gray Wolves, to make the
attempt on Wojtyla (https://it.wikipedia.org/wiki/Attentato_a_Giovanni_Paolo_II).
The path that could help understand how Pantaleone could know all that
information handed down in the mosaic, and also know of Re Artù, present in the
work, could start much more from a distance, to be even more intertwined how we
might be able to assume, and present the legend of Re Artù as one of many looting
that Italy suffered by foreigners during the first centuries have arrived on the
Italian peninsula and they plundered.
It is said that St. Benedict of Norcia, monaco who founded the order of
Benedictines, built the first foundations in the sixth century of his monastery at
Monte Cassino on an ancient tower and a temple dedicated to Apollo (then, at that
time Benedict laid the first stone of what would be his monastery, they should not
be left only four ruins of the temple seen in the site there was still a tower); in that
territory, part of Frosinone today, and easily up to Umbria and beyond, he wa s
probably still practiced some worship of

Norzia (Latin Northia or Nurtia) the Etruscan goddess of fate and fortune, much
venerated in those areas (which probably took the name Benedict).
http://www.spaziovidio.it/archeo/HTML/popoli.html. The story linked to Northia,
Etruscan goddess who regards even, and perhaps especially, the area where they lived
and preached Benedict and Scholastica, and the fact that they have built in 529 their
monastery right there, does strongly believe that the looted site then in 577 by the
Lombards there were not only four ruins as it is said, but much more. And who knows
if he robbed from those ancient tales, speaking perhaps of a few bears, it is not based
on theVöluspá and even the Norns Edda prophetic.
https://it.wikipedia.org/wiki/V%C3%B6lusp%C3%A1. The fact that Benedict has
been connected from the beginning sister Scholastica, in a Catholicism still pretty
much in its infancy, suggests a sacred feminine still very strong so the worship of
the Goddess still practiced.
Necropolis of Nortia Nortia and magician Sphinx Etruscan
The temple of the Hellenistic period of Fortuna Palestrina
The place where Benedict built the abbey has suffered throughout history
un'alterna series of destructions, looting, earthquakes and subsequent
reconstructions, the last in

order of time, is the bombing in February 1944, during World War II. And about
that bombing, which becomes much more intriguing as Giancarlo Bove writes in
this article, because it suggests that even in 1944, there were in the Abbey of
Cassino important documents, demonstrate that the Germans know well
there.http://www.centrostudiintelligence.org/doc/missione_diomede.pdf
The Umbrian people, but also of the whole territory of the Fucino, the Valle del
Sangro in Abruzzi and Molise, the bear Marsicano living in that vast territory (and
still present in the Park of Abruzzo, Lazio and Molise), were called Marsi; maybe I
will not say a heresy if I assert that the myth of Re Artù may have been born in
Italy, and documentation of its existence was perhaps at that site where Benedict
and Scholastica in 529 erected their first monastery then plundered and destroyed
by the Lombards during 'invasion of 577 in central Italy. Among the things that the
Lombards (mostly rude people and illiterate) plundered, there may have been
something about the myth of Bear (Welsh word arth meaning "bear"), and once
arrived in Britain could have sold the loot war to a person concerned. There, the
myth may have been edited and published by the customs and Breton beliefs of the
time, used maybe later also by the Celts, then he returned to Italy, perhaps through
the Normans saw that Robert Guiscard who consecrates in 1088, the church which
then contain the mosaic of Pantaleone. and always Norman is a legend that Arthur
does get up Mount Etna. the legend of Arthur nel'arco the centuries has undergone
many changes and has been linked to several figures, not least that of prete Gianni,
who still do not know whoIt was.http://keespopinga.blogspot.it/p/artu-in-italia.html
The legend of the mosaic
It seems that legends tell us that Pantaleone answer to those who asked what they
meant her designs that understand you had to have the key. Key that would have a
woman of the future. When I knew that this could be only a legend but also the
effective response of monaco, not realizing immediately the reason for that
statement, I wondered what would have been the key to which he was referring:
was human? Namely, referring to the brain as it is by inserting the key, that is the
basis on which to reason, we understand? Or he was referring to another key?
The Key to which at first I thought the Monaco was referring, was the code seen in
one of my first runs, but then, through the research, I realized that the code I had
seen was what was always believed God's name . I thought then that part of the
code was the element of which serve to figure out who

Pantaleone was talking about the work, what myths a figure present in the mosaic
had to be attached in its present incarnation, and how the DNA of which we are
owners had come to Earth. I realized then that even that was the key. It considered
then that at the bottom it was not essential to know with certainty. I thought that in
order to understand what the monaco had wanted to hand down in his mosaic, on
the one hand that key needed to activate it (and to do so it was necessary to have
the information to reason that I had been given), on the other, you had to
understand what they were to represent the mosaic those strange animals he
invented and the real importance they had had in the religious history of the
peoples of the characters that Monaco had inserted in his work. And those of our
ancestors, more than anyone had been part of my revelatory visions, in which I
saw again reliving moments of their lives like those of my previous lives.
Because of my lack of knowledge of the various topics related to the complex and
intricate tangle of history, and to receive religious teachings, although the evidence
to figure out I had been given, being encrypted, employ a long time to understand
what was the key to which Pantaleone was referring to, and understand that the
figures of those that our ancestors drew monaco in the mosaic, were linked to a
genetic experiment that had adversely changed their DNA. How it will take me
time to understand what he told the Monaco concerned the history of mankind and
the reason for at least twice that that celestial body, he drew as a monster and I was
playing as Leviathan, in the past had caused disasters so great to be deleted most of
life on earth. In addition to the last event, but the most important, which explained
the reason of the whole work: he did understand why we could not pass the
passage of these end times and why the Great Higher Intelligence, once again, he
could free the arm of his son. That resubmit this planet to bring destruction on
Earth.
A b c
a:The cross with the earth at the center, which is at the Gemelli Hospital in Rome. b: Cross Monasterboire c:
One of the many crosses appeared in crop circles.

Thanks to what the Crusaders found, Pantaleon was probably heard about all this,
and therefore wrote the story in a cross. Cross, as stated in the introduction, which
does not show one linked to the alleged crucifixion of Jesus but the Southern
Cross. While the cup in his hand Nemesis and even Maria, Leonardo, Last Supper
or puts in the hands of Jesus nor paints on the table since he had nothing to do with
that symbol and the artist evidently knew well, according to legend, represents the
cup carved from emerald broke off from the forehead of Lucifer during his
abysmal fall, which collected from angels, was later carved in the shape of the cup
and brought back in the earthly paradise to the expulsion of Adam and Eve.
Nemesis with the cross and the Cup
The great Mother of Turin
Lucifer, a powerful angel time full of grace and beauty, lost its emerald, that his
third eye, during the fall from heaven; legend has Lucifer falling to earth and dig
the funnel of the infernal circles; the earth leakage poles apart form the mountain
of purgatory topped paradise. The third eye that gives the vision of eternity, lost by
Lucifer in the fall, which is also that of humanity itself after the expulsion from
Paradise, supposedly will repurchase it, the end of time, when the stone will come
back on the angel's face with the crown.
Hecate lucifera Isis veiled Diana Lucifera

Inside the cross, placing certain key biblical figures, the Monaco has entered
human history telling of the long period that he intended to hand down, it leads us
to understand what is the REAL original sin of humanity, and the reason why you
should fear the next step. What he and Michelangelo announce fatal while Dante,
in his Divine Comedy, and Sigismondo Fanti, through his drawings, seem to give
about high hopes.
The interior of the mosaic is characterized by a Tree of Life, but fig, not oak, plant
used more frequently, but of which the man does not eat the fruit. Thus we see the
diversity of these two shafts as is shown in the symbology and because the monaco
does not draw the roots of the tree roots but instead puts two elephants. The oak is
a tree that has in it a sense of completeness and eternity, because on her hair come
the flowers of both sexes. Bringing along the male seed (his father) and the female
seed (the mother) has the gift of procreation is a third element (the child) who is
herself. It follows that the number three belongs.
A little 'different but much more important seems to be the tree symbolism of the
fig tree, and which would explain why Pantaleone used it to make the supporting
skeleton of his story and why Michelangelo put him in his Eden wrapped by a
snake woman: Tree and sacred fruit, the Fico is the emblem of life, of light, of
strength and of knowledge. In the ancient tradition Fico holds a meaning of
immortality and abundance. It also represents the axis mundi connecting earth to
heaven. As a symbol of abundance is related to fertility.
A
b
a: The fig tree of the earthly garden Michelangelo b: Arachne Veronese with its axis. straight line passing through
the celestial poles, namely the prolongation terrestrial imaginary axis.
The fig tree drawn by Pantaleone, rather than on its roots based on two elephants.
Those two elephants, as the two dogs that are at the center of the first square of the

mosaic (Picture C), as the dog and the deer that Diana in that ancient image held
by the neck (Fig.E), definitely like Cain and Abel, and other male twin children of
other goddesses with similar stories belong to the ancient myths of different
cultures around the world where the bad guy always kills the good, Pantaleone
intends to symbolize good and evil. The positive and the negative. This is proved
by the two different circles (one empty and one full) on the two elephants (Fig.D).
The Monaco instead of the roots has put the elephants because they probably
intended to refer to that part of human history that begins with the Devas and the
Asuras of the Hindu religion, which is perhaps the oldest known of the eternal
struggle between good and evil.
c d e
c and d: Different sections of the mosaic. e: ancient image of Goddess
The largest elephant symbolizes evil; the Monaco made it larger than the other as
evil has become very strong. The smallest elephant becomes obvious symbolizes
the Good. Pantaleone put figs in front of the elephants to tell us, however, the good
and evil are fruits of the same tree.
Aku, the underworld forces The Tao Ganesch controls Aku. Lego
For tell us that even in Well there is a bit 'of Male, which still controls the
elephant, the monaco puts under the belly of the mouse Aku (col therefore
negative empty circle) which symbolizes the control of infernal forces, then the
Ego . Both Pantaleone then, that Michelangelo centuries later, in addition to the
rest knew

the important symbolism of the fig tree and used it because the symbolism related
to this plant, along with that of pomegranate and palm, is even older than the one
linked to the oak plant (of which man does not eat the fruit). They did probably
suggest that in the end these daysthemen will have the opportunity to enter into a
new world, to go back to believing in the Great Mother as in ancient times, defeat
evil and return to being.

In what is called the Crown as it does just surround the mosaic it seems to be
contained a summary of the long period in which the monaco tells the story
work.
The history of the crown begins with the story of Jonah, that today's commentators
agree that only a rich parable of theological and prophetic content, probably for the
reason thatin the book the Old testamentIt is written that when Jonah finally decide
and bring the message to the people of Nineveh (Yet forty days and Nineveh will be
overturned!), against all odds, they believe him, and proclaim a fast, dress in
sackcloth and God decided to spare the city.
As we shall see when we analyze another part of the mosaic, in spite of Jonah's
boat you might want to symbolize the upturned earth half, that the story was added
from monaco in the crown may have wished to be an omen for the person who
would have to carry the message of end of time, could be demonstrated by the fact
that the story begins with the story of Jonah but He ends with a nude woman as the
lower part of the mosaic body and the fact that animals placed near the woman
have been inserted to suggest its peculiarities and to symbolize the quality of the
adverse forces with which you would have to fight. As the monster that seems to
crush the goat for example. Instead, unlike the cat, whose symbolism will deepen
more

forward, the hare (or rabbit) are an expression of the creative and tutelary forces.
The fox, however symbolizes the woman traghettatrice function but, like the fox
for a hunting trip, despite being protected by the Goddess, becoming the prize
catch for the Entities of this world, it is hunted.
The Madonna of the Rabbit by Titian Ancient relic Circle inwheat
If we thought the mosaic as a human body, we might see in the crown of the head,
where you make the arguments and come on ideas. On the sides we could see the
arms that are used to make concrete those ideas, but all our actions, real or not, is
written in our hearts; my heart we could see him in the square mosaic. The earthly
garden and months we might see them as a chest, the parts could still try to
imagine them as the belly and legs.
To try to give an order to the difficult description of the decoding of the mosaic as
the arguments of some parts are mixed with other sections of the work, we will try
to follow this order. Then, after the Crown, part of the work of Pantaleone that we
will try to understand, are the arms.

The left arm
In the left arm rests monaco branch Tree on a monstrous serpent from the goodnatured
face, and poses in front of a male centaur. The snake probably meant to
symbolize the energy of the Great Mother poured into Manifestation (or creation).
Perhaps the male centaur
symbolizes the man that the
creation myth tells hatched
deposed from
Goddess of
Chaos and
fertilized by
snake (which
she herself is)
very instinct
animal short
spirituality. These mythical
figures with human features
were in fact the characteristic of
much of the defects and human
qualities exasperated at most.
Above man centaur and over the
snake monster, the Monaco
draws two wolves: one with the
red tongue and the other with a
collar biting a branch; in those
two wolves the Monaco may
have wanted to show the two
dogs accompany
symbolically before Hecate and
then Diana, or Skoll and Hati, the
two sons of the wolf Fenrir of
Norse legend, who in turn
symbolize the positive and
negative energies of all Nature.

The strange thing is that, among the various versions of Norse mythology that I
read in a page was reported that freír, one of the most revered along with Odin and
Thor, in a statue in 1200 in the temple of Uppsala, Sweden, is represented with a
triangular head, a large tongue, and a large phallus in erection. The large phallus in
erection is intended to symbolize his role as god inseminator. Feature that refers to
the origins of the god Pan, the next greek Priapus, to the Egyptian god Min, the
Apis bull, originally considered a symbol of fertility and is associated with the god
Ptah, and other male mythical figures to whom was attributed the role.
Venus Pan with the origins Priapus Breton god Herne
The freír figures, Odin and Thor seem different but they think of the Sumerian
myths about Enki, Enlil, and their father Anu. Enki, worshiped as god of creation
and fertility, in ancient times was perhaps the most revered as living on earth while
her father seems resided in the planet. Enki was still the son of Anu, then had
similar characteristics. This coincidence in the Norse legend leads us to believe
that the wolf Fenrir might want to symbolize Anu. And Anu, at this point,
considering how much the legend goes, it could be the wolf at the end of
Ragnarok, that is the end of time, will bring death and devastation in the various
levels (or Realms), and as it appears in the prophecies, to arrive even to devour the
sun.
Above the dog without a collar and with the red tongue, the first monaco draws a
tree fruit fig, then over the fruit draws a centaur female and in front of the two
dogs arises from the different color with both a flower in the mouth (fig. b).

That centaur female fruit of the Tree, perhaps meant to symbolize the woman who
lived on the origins of Mother Earth, Tiamat. A primitive woman who lived on a
primitive planet. The two dogs that Pantaleone placed before the woman may wish
to symbolize good and evil (both Energie contapposte) who still lived together
peacefully in her.
Above the female centaur the Monaco draws a centaur another woman, but this
time the winged and with white hair instead of red, with near what looks like a
harpy (or Lamia) that seems the saying is something (Picture C).
c
The wings symbolize lightness and omniscience, then the monaco, drawing the
wings to the centaur female, he may have wanted to tell us that she was raised and
became omniscient. The winged woman, who unlike the precedent that has them

Red has white hair, however close that harpy, and myth is reported that the kidnap
and harpies carrying the afterlife the souls of the dead and sometimes the living.
What did, or more easily taken, then the Harpy to the woman winged centaur? And
what would have happened later because we will Pantaleone redesigns the same
woman with red hair on the other side of the arm and draws upon her the lioness
with mouth an olive branch? To try to understand it before we consider the
symbolic difference between the white and red.
When in human language appears a third color, it is always the red. This archaic
chromatic triad is widespread throughout the world; is an example of the Kurma-
Purana (I, 12.79) which speaks of three complexes theogonic archaic: Krishna
(which literally means "black"), Rakta (red) and Sukla (white). In Africa, the
Ndembu tell of three mysterious rivers, white, red and black, associated with birth,
life and death.
In the West the archaic color triad live long: think of that until the Middle Ages,
the intermediate color between black and white was not gray, but red. Bears
witness to the persistence of this triad also alchemy, cultural phenomenon that
comes from ancient Greek and probably Egyptian, prospering until 1700 and
secretly survives to this day. Alchemy knows three phases of the work such
blackness, albedo and rubedo: opera to black, white work and work to red, where
red is not only overcome, but the black and white synthesis.
Red is also the color of love, both earthly and spiritual, passion, activity, emotions,
feeling, blood understood as life, but is also the color of anger, violence,
aggression, the bloodshed. Other meanings which assumes the red color are those
related to the fact of being the color of fire, and therefore can represent the fire,
heat, energy and light. And since when daylight takes place human action goes to
also represent the action in general. White is the color that represents excellence
for the light, but does not go to symbolize the action, because it is linked to the
idea of natural sunlight not controlled by man, as opposed to the light of the fire so
that best represents the willingness of 'man to act. The red color symbolizes the
attack action and conquest and is complementary to green that represents the
color of conservation and defense.
Pantaleone then use the red, synthetic color, hence of change, as opposed to white.
It's white or red hair color of the woman who symbolizes the Goddess to indicate
the change of the energies of the Earth; does

white o rossi hair or beard of the characters present in the
work to indicate their affiliation or genetic mixture from
which they came; do white or red goatee of Capri, which
easily symbolize the Earth. And through the symbolic
animals he invented entered, the Monaco explains why
the change occurred. Something must therefore have
happened if earlier, by whites, monaco makes new red
hair to the woman winged centaur and puts that above her
lioness with
olive branch in the mouth.
That lioness with the olive branch in his mouth drawn on the
woman winged centaur, might want to symbolize the goddess
who was worshiped then, and this goddess Hecate might have
been. Hecate, almost always depicted in triple form, is a
powerful Goddess pre-Olympic and pre-Indo dating back to the
genealogy of the Titans. In addition to the olive branch, the
symbols related to her are a key in hand can
bring the torches, the so-called magic spinning
top (symbolizing the earth), and the foot wear
of gold sandals. Hecate is
the axis of the world, the Mother of Creation that governs the
cycle of life and death, according to a Cosmic Order that makes
us born from Earth and Earth brings us back, in a never ending
cycle. (We will deepen the figure of Hecate in the chapter on
page 181).
The action Centaur Winged woman was obviously
wrong because the IRA lit Higher Intelligence that
sent the monster (which symbolizes that the planet
destroyer) to bring destruction on Earth (the Monaco
draws the Earth as goat ate half of that horrible
creature) . And the goat in the mouth of the monster
probably symbolizes the sacrifice of Tiamat, the
origins of the Earth. Assessing that are shown above
the monster, all of this should have happened to
something that the Titans, who then inhabited the
land, they did, and for that Higher Intelligence
arrived to want to destroy the planet by sending the
destroyer.

The lion depicted in the section might want to symbolize the sun, Helios, who as
the myth goes, obeying the order of Zeus (the legend has it was the youngest son
of the Titans Cronus and Rhea) to stay away from the air to prevent the earth to
grow grass that would have immortalized the Giants, He played a decisive role in
the war between the gods (ie the planets) and those ancient terrestrial inhabitants;
or, that lion might want to symbolize the era of when it all happened (this, as we
shall see later, it seems do also assume the map of Egyptian Senenmut). If so,
considering that the lion appears to bite the end of the monster's tail, the
catastrophe could have occurred toward the end of the Age of Leo.
IIGiants with white hair that Pantaleone draws to
the right of 'child Atlas, depict in my opinion
the Titans, and even if it often is because of
them that there was the greatest catastrophe
(terrestrial and cosmic), prior to the Flood and
were heavily punished, not the Giants were the
ones who perhaps believed the Goddess
intended to destroy but were later Nephilim.
Giants were also the
fallen angels accoppiatisi with terrestrial women (more women died before putting
them in the world for the disproportionate size of their fetuses). Angels (Guardian)
who came (or fell) on Earth because of what was done by the Titans, that the
Atlanteans.
The Titans, the myth and the Bible we bring them back as ancient heroes, then why
Higher Intelligence arrived to want to destroy? What could they have done so
serious men from incurring a punishment great enough to want to be
erased by Higher Intelligence on the
face of the earth? Almost certainly they
made us what we are doing today: the
manipulated DNA (the way in which
the Goddess is expressed and / or
experience) to conceive of beings in
test tubes!
In the picture shown by side, I made a
video of Klaus Dona Yutube which
covered the oopart, my hypothesis
would seem strengthened.

In ancient relic, which could not be traced back to that period will determine what
material is made, we see genetic particularities of the human body at that time,
whatever it was, already known. Being present in the genetic characteristics hard
so precise, it leads one to think that our ancient Avi were able to manipulate DNA.
The story of monaco, expressed through the enigmatic animal figures he invented
that we will examine later on, if we have knowledge that DNA is the way through
which God Manifested in the Creation, will show us that this ancient genetic
experimentation that our oldest Avi almost certainly they did, it was a very serious
matter: the father of a cosmic break in the sphere where we lived that led to collide
more planets including Earth, upsetting the geography of the universe at that time.
Severe fracture of which probably he intended to tell me I had a vision, and will
also probably reveal the crop circle reported in the introduction. And how could us
wanted to suggest who created the crop circle, a fracture in the Battle of the
Planets caused the output from our solar system to the planet, which became part
of the constellation of Cancer, which in turn is probably what at the end of each
Great cycle, we find our way. That planet could also be the original Jupiter, like
the myth of Enki, Enlil and their children would seem to suggest, during the Battle
was probably replaced by Jupiter we see today.
But let us return to our female centaur designed by Pantaleone, which besides
being able to impersonate the priestess of the Great Mother of the time, you might
want to represent the Gnostic Sophia came up to us.
The Myth (Gnostic) said that Sophia, full of love for the One, tried to go up to
meet him. This caused a huge disaster: Sophia rushed down and begat Yaldabaoth,
Symbols of Authades Symbology of Asmodeus The Asmodeus in Rennes church
God the Creator of this world and, below him, another seven Archons (Seven
planets or Realms). According to the doctrine Gnostic Sophia, daughter of
Barbelos, originally

He resided in the thirteenth heaven, the highest; but he was seduced by Authades
demon by means of a beam of light that she mistook for an emanation of the First
Father. Authades, thus, he took her into Chaos, where he was imprisoned by evil
powers.
To try to decipher what he intended to reveal the monaco in that part of the work,
we must first try to understand who might want to symbolize the figures of Sophia
and myth Love. And Love, in my opinion, is the Great Mother is manifested
through the creation of the Whole. All Creation, for some it is, is composed of a
DNA, so the Great Mother, giving themselves fully through DNA, shows us all his
love. Love wanted to know that Sophia could thus be to know how it was done the
DNA. Who might be Sophia, the Wisdom, we must not investigate much, says the
name: Intellect is the Knowing. So someone's Intellect (some Atlantean)
experienced up to conceive of beings in test tubes (just as we are doing in 1978
after Louise Brown, the first child born by artificial insemination). Something that
lit the IRA Higher Intelligence, which means that planet (or the arm of his son)
intervened destroying Tiamat, the ancient Earth.
For divide the two times (when there were only the Titans on Earth and what
happened after their fall), as can be seen in the section of the mosaic shown below,
the Monaco puts a young Atlas with a black sun on his shoulders, while at the his
left, sitting on a wooden stool, draw what appears to be a priestess.
Above her head she writes what seems like the code name (MAR bVACI?), And
puts them in his hand what appears to be a proclaimed. Then, under the woman,
the Monaco portrays Samuel, while to his left, depicts a giant with under a little
man. Quell'Atlante very young with black sun on the shoulders

Saturn symbolizes and divides the two times, probably meant to depict the victory
of the gods over the Titans and the new Olympic and young created Earth (Diana).
Saturn, the sixth planet of the Sun which is dedicated to the sixth day of the week,
is the Yaldabaoth of Gnostic doctrine.
Saturn castrates Uranus - Saturn offers - works by Giorgio Vasari
(Saturn ousted Janus; Virgil, in the seventh book of the Aeneid, which tells of the Trojan
refugees in search of the old mother, in fact reminds us that Janus - the oldest of the major
Italic and Roman, which has no analogue in Greek mythology , symbolized the Solstice
and the Equinox, that the Church has made the two St. John - would have reigned in Italy
before Saturn and Jupiter.)
The cult of Janus http://www.romanoimpero.com/2010/07/culto-di-giano.html
Yaldabaoth, under the divine nature but higher than the human, it is the demiurge
of many Gnostic Christian sects, depicted with lion's head and dragon's body,
which prevails in the world where we are as souls falls.
A pictured. Yaldabaoth The black sun in a crop circle Drawing of Nostradamus

In Saturn centuries it will be the most worshiped gods of antiquity and even today
continue to worship in Judaism, Catholicism and Islam. A fact confirmed in one of
the drawings attributed to Nostradamus, where the seer draws a black sun and put
in front of the sun a cardinal praying, and behind it puts a dog and a teetering
tower.
Schamasc with the ring (Saturn?)
Faravahar with the ring (of Saturn?)
By placing Saturn, the planet linked to the heaviest part of the soul, at the end of
the story of his left arm, Pantaleone wants to tell us that as souls (because of what
was done by Sophia), we were sent back, then thrown into the world Yaldabaoth.
Once in the world of Yaldabaoth, as souls we had to start the uphill struggle to
regain alchemically what the genetic experiment of Sophia had taken from us. To
trace those seven levels (or Realm), like the myth of Hercules probably intended to
indicate, we had to perform twelve labors.
Those 12 labors probably want to suggest that to move up
the seven levels (or Realms) had to win at every It was
those elements that eventually would allow us to
accomplish the Great Work. Evidently, however, was not
an easy path, something serious will happen again, and as a
kind of board game, who knows how long it took to regain
what our bodies, our souls accordingly, following the
changes genetic, alchemically they had lost.
Symbolizing Saturn, monaco intends to tell us so that we were at the beginning of
new growth path, or as Dante would say, perhaps, only to the first circle of hell (in
fact, along with the reason, in the other arm, inserting Satan, Pantaleone tells us
then we fell even lower).

In Greece, Saturn was called Kronos; The myth says was Rea spouse with whom
he had several children. The myth tells Cronus ate all the children (the Planets)
born just because he knew that his destiny was to be dethroned by one of them. He
ate all but one, Zeus. One who will be the head of Olympus and that the myth tells
us, was saved by the fact that Rea gave him to his hiding light and then deceived
Cronus by giving him a stone wrapped in swaddling clothes which he swallowed
without wary.
b
c
d e f
b: a depiction of Cronus c: A depiction of Cronus and Rhea d: Volcano discovers Venus with Mars, the
Alessandro Varotari. e: Saturn in love with Venus, Vouet Simon f: Saturno saves the truth from the lie of
Francoise Lemoyne
Kronos is time, time was needed to Man to regain those alchemical elements that
Sophia genetic experiments had taken away, and he needed time to understand the
lesson of the reason that the Higher Intelligence had to teach him. This, obviously,
to be he ready at the end of the Great Cycle and Next Step (Marduk / Nibiru), he
had to fight these demonic entities soulless living thousands, perhaps millions of
years, in different sizes from ours, who hostile intentions towards humanity, and
whose only interest is to maintain the status quo.
Hermes said the above is reflected in the below and the under is reflected in the
above;

how could it have so concretely manifested in the Above World Under where as
souls were falling? Perhaps, considering what we have known up to now, we can
make a hypothesis: Higher Intelligence that governs the whole, may have done to
arrive on earth the Elohim of which narrates the Bible, who lived our own illusion,
considered by many today extraterrestrials but which actually were (and are)
chthonic deities. The Great Mother, doing those aliens come to Earth perhaps
estimated that, through a new Game of Life, we could climb that ladder that
separated us from the real world and the true Light. So these beings, that myths
and fables have done and make it look positive, as reflected in the Bible, positives
were not at all, but it perhaps served to the game to make us grow internally
because as souls, through incarnations, as you may say Dante, we had to redo all of
hell before you can get to where we are, that is in front of the door that allows
access to the New Day. The protagonists of these stories, in reality that was
created, after the fall of the Titans, really existed, and through the Ages (then
through those that the myth tells us as descendants of the gods) they took on
different names that are written in different myths Worldwide.
Of those deity (chthonic) who came to Earth, then recognized as of today's
mistaken for extraterrestrials, we have known through numerous researchers, but
especially after the publication of The twelfth planet Zecharia Sitchin that
extraterrestrial argument has begun to talk more. Through the translation of the
ancient Sumerian tablets, Sitchin in his books writes that those that translates as
Anunnaki came to Earth to retrieve the gold that was used to save their planet
(incidentally, just the gold ..). He explains the relationship of the Anunnaki arrived,
what they built, as they multiplied. It tells of how they divided the Earth once they
had taken hold: to Enlil, the father Anu, it cast the skies above ie, Enki assigned
one below, the Earth, what they termed the Abzu . Sitchin says the Anunnaki
joined the terrestrial women.
As Sitchin and several other authors now write for a long time, it could be that, in
the distant past, the inhabitants of other planets have managed to land on our
planet even though, considering how our astronauts have to live when they are in
space, the thing it seems unlikely; as claimed by other scholars and other
researchers, it could also be that the stories relate only figures ever existed a myth;
It could well be that the gods spoken of in the texts just want to represent planets
and stars or the Forces of Nature as still others write, or it could simply mean that,
because of the cosmic rift it created for the severity of what was done by

Sophia (About DNA), what it was the Entity and / or forces from another world
who had to watch over the land, they came to Earth, and as narrated in the Book of
Watchers, attracted by earthly women joined them, having these sons. What
caused this union, there narrates think the monaco in the right arm. Then, try to
investigate what seems to tell Pantaleone or who he really was or represented.
To the left of Atlas with on Saturn's shoulders, perhaps to
symbolize the prior existence of the catastrophe, the Monaco
drew this woman with white hair and has sitting on a
wooden stool; that strange name that Pantaleone wrote on
the head seems to recall that the Goddess of the Basque
People, or MARI MAYA, the primordial androgyne who is
also considered the mother of the gods of the sun and moon.
This woman may be the priestess who actually represented
the Goddess in the lower realm of the Earth where men had
fallen
after that first great catastrophe, and he is wanting to symbolize one who
succeeded to Venus (Italic goddess associated then to Aphrodite) or Juno (equally
Italic goddess then associated with Hera) or instead Rea, a Titaness. You might
want to symbolize Ninhursag, the wife of Enki. At the Ninhursag Sumerians he
represented the earth and formed with the god An cosmic mountain (always the
lowest Realm). Later, the same goddess was represented in different forms: as
Ninmah, the majestic Lady, was the goddess that shaped the clay men; as Nantu,
the one who gives birth, was the goddess of childbirth; Finally, as Ninhursag, he
was considered the mother of all living creatures.
That woman that different cultures have given a different name, it is a myth, a
myth related to the Stars and transcendent forces that concerned and relate to the
creation, which is still reflected and are reflected in the life on earth and vice versa.
That priestess who draws Pantaleone, might be one who

in Norse mythology it is reported as the messenger of Frigg. In Norse mythology,
Frigg is the heavenly bride of Odin and is also called lady of the sky or lady of the
gods, and is said to be the wisest among the goddesses.
In Norse mythology, Frigg appears primarily as a wife and mother, with Odin
shares the Hlindskialf seat and from there, it is said, you can see the whole
universe; Orion's belt (the subject of one of my countless visions), from where it
seems was told to get the Anunnaki, was also known as the spinning of Frigg.
Recently, scientists who observe the cosmos, they said that from one point of
Orion's belt stars are born (The constellation Orion myth andscience
http://www.antikitera.net/news.asp?id=13215).
fantasy images of the goddess Frigg
To the left of the Priestess, is depicted a giant with a little man smallest under him
(fig.H), while below she is portrayed a figure that we can not go wrongA.D
identified as the monaco writes the name on the headIs Samuel(Fig.i).
h I l

Unlike the characters placed on the right, the figures Pantaleone draw to the left of
Saturn are no longer naked but dressed (fig.l); those clothes symbolize the need to
cover themselves in shame (here we find the biblical symbol of the fall after
original sin, so the error). It 'a shame that comes not from the nakedness of their
body, but from the look of God that puts them bare.
The Monaco draws Samuel to make us understand what people are telling us it is
he who, following what suggested to him by God (We will then also who he really
that God) designatesthe first king of the People Jewish: Saul.
http://www.laparola.it/bibbiaragazzi/storia_dei_re_1.
With this representationPantaleone perhaps intended to tell us that, after the Titans
(fig.l), (shown on the right of the woman) had fallen to Earth and had already been
the first great catastrophe (so large that it had created a hole in the cosmos, or if we
want, where we lived in the Sphere) the Goddess created a smaller breed;Samuel
has white hair as the Titans and shorter dress that kid drawn under that giant, this
would then mean that the next race, and the smallest of the Titans, the Goddess
created, is that he belonged to Samuel. So it is Jewish. If the interpretation is
correct, it would mean that the Jews would arise from the Titans. TOndandô
forward in our survey we will see that it is so also that not all those who consider
themselves Jews are such, or at least are not genetically intact as the Goddess
created them.
Having place Samuel under the Priestess, and avendogli put that red cloth in his
hand as the color of the notice that the woman seems to proclaim, at that Samuel's
red cloth (color that identifies the Jewish People) should the rules that the story be
so symbolically written humanity created the new Mother Earth (symbolized in the
scapegoat on which they are resting the feet of Samuel) had to follow in order to
(re) grow animicamente would otherwise have been judged by the Nemesis
Goddess (symbolized in Capro Emissary with the red beard drawn under the
Scapegoat ) which is always the Great Mother but in its destructive face fierce and
ruthless against violators of its laws,that correspond to each action is a reaction
suitable proportion. Being red cloth that the Prophet has in hand, black and white
color synthesis that in addition linked to the Jews symbolic color of the attack and
conquest, Pantaleone, well tell us that the conquest (of the soul) was going to
materialize in that new Race created, making rest the feet of Samuel the Scapegoat,
also tells us that as souls, through the lives lived on earth since then trying again
our journey uphill. Through the path uphill, we had to take consciousness of what
was good and what was bad,

what he was allowed to do and what not was because, before, we had not
understood him. But unfortunately, as we shall penetrate the story in the right arm,
more trouble will come again later.
If all this was not already written in those documents that the Crusaders found
themselves under the Solomon's temple as I presume, in this part of the mosaic
monaco could have been inspired by Norse mythology.
A version of Norse mythology says the giant Ymir fell
asleep, and the sweat of his left arm comes the first
human couple, Ask and Embla (shown next. Thus the
giant Ymir symbolizes the existing hermaphrodite race
before the Titans?). But the giant Ymir carries in itself
the seeds of evil, and his other descendants will be ice
giants, evil incarnate, because of the angelic fall,
settling from this time a death struggle between the
gods and the giants ice
It will be the center of all the Norse epic until the final conclusion in terrible
Ragnarok.
The other version of the Norse legend says that Odin, Vili and Ve killed the ice
giant Ymir and created the earth. Below we create the first human pair from a
piece of wood, Odin with his breath gave them life, he Ve gave them the senses,
and VIII gave them intelligence; this part looks like the myth of Enki where God
tells dell'uccisone We killed to create the Lulu, race from which some researchers
wrote descend.
The Bible speaks of the Giants (the then Titans) as the oldest still present heroes
when the fallen angels joined the daughters of men (it is the Titan Prometheus,
who for this will be punished by Zeus, who for the Fire, that is, the teachings, the
new Race created); isthen it found that the Titans were on Earth even before the
fallen angels would join the daughters of men. This suggests that the Titans may
have been the inhabitants of the Earth when it was the ancient Tiamat, and that it
was they who did something that caused the fallen angel who then took them to
fight and lose with the Olympians.
Here are a just a few of the Palazzo Te Giants section of the room painted by Giulio
Romano, where the artist symbolically tells of that fall; The room is painted with scenes
from the defeat of the giants, who in their arrogance had dared to rise up to the sky. On the
side walls Giulio Romano describes the Titans terrified by the anger of Jupiter and the
Giants crushed by the collapse caused by this anger. Plastic stand out the emphasis of the
giant forms culled from the collapse of a temple, whose elements show

a perfect classical knowledge. The center of the ceiling is occupied by an ionic temple,
which acts as a pivot for whooping spatial representation and swirling of the sky. Under
the vortex is the goddess playing his horn, while in the center of the vault stands the
imperial eagle symbol around which revolve the figures of the Olympians also appalled by
the wrath of Jupiter.

The right arm
Pantaleone in the right arm tells the reason why the Great Mother returned to
punish the inhabitants of the Earth through the planet (the Monaco draws like
monster), but it was equally bad precedence over good.
The story of the arm, as the
left, starting from the
bottom, and with the head of
a wolf, which perhaps
should be associated with
the devil Asmodeus, the evil
spirit whose name seems to
come from verb
Samad, "to
destroy".
Even here there may still
helps Norse mythology to
understand.
The Nordic mythology tells
us about the wolf Fenrir, and
said that the conception of
Fenrir is when Loki, the
most insidious of the sons of
Odin (which could be the
most devious of Enki's
sons), located at the heart of
giantess Angrboda (name of
the whose meaning is bad
omen) means roasted in a
bonfire. After devoured
three creatures give birth: in
addition to Fenrir will see
the light and the snake
Jörmungandr young Hel, a
girl whose destiny is to rule
over the kingdom of hell.

The meaning of the name is Jörmungandr cosmically
powerful demon; in fact, Pantaleone above that wolf
depicted in the lower part of the arm draws the devil
near a dark fire. Jörmungandr, the demon which then
establishes the Odin to throw in the deep water, can
only launch Thor, which by that time will be bitter
enemy of the snake.
The realm of Hel, the girl whose destiny
is to rule over the kingdom of hell, seems
to have been regarded as one of the nine
worlds, the deeper the universe inhabited
by the unworthy dead to rise to Walhalla,
the residence of the glorious dead. While
the fate of Fenrir, despite the alarming
prophecies by this terrible creature
only misfortune would come, the gods decided to chain
him without killing him. To succeed in the tie, the gods
convinced him to test his strength. Fenrir exceed the
first two tests, but the third, the gods chain him to
succeed. Thus bound, legend has it, Fenrir will remain
until the day of Ragnarok, the end of the world, where
all ties are broken and where finally the wolf will shed
bringing death and devastation in the various realms,
even to devour sun, as foretold in the prophecies. I hope
that devour the sun means that only this fake world will
disappear.
In April of 2010, in one of my particular experiences, with what I thought then he
was almost certainly Fenrir, I had a frightening face to face. Trying to interpret the
prophecies, that may have been the date when the wolf (in the world we do not
see) might be able to break the chain that kept him tied. Evaluating as little time in
the world has been aggravating the moral degradation and anything else bad is
happening, would seem to be really so.

Bearing in mind that in addition to the Maya also Norse legends spoke of nine
worlds (and thirteen heavens), an assessment at this point is needed: if the Hel
kingdom was considered one of the nine worlds, and that of Saturn was the sixth,
meaning Ningishzidda Loki , Jörmungandr or her name, He took us down three
other levels? What actual situation may want to emphasize this part of the legend?
What could have been the concrete that had made us fall even lower and while we
had apparently already begun to climb?
Considering the figure that draws Pantaleone in the arm to follow (the threeheaded
figure shown below) and evaluating how much he tells in the left part of
the same arm, that fact probably was the coupling of Guardians with terrestrial
women! The Guardians were those 200 angels who along with Semeyaza, revolted
at the same Mother / Father who created them, they went down to Mount Hermon,
and swore on that mountain that they would take a wife of the daughters of men to
procreate. A something that just should not have happened!
At the given next, with that ass shot down but alive
with the flower with the pommel on top in the mouth,
Pantaleone may have wanted to symbolize the
original part of the DNA remained after the
experiment of Sophia in people, and with those two
wolf heads on a single neck, symbolizing the
negative part of the DNA of the Guardians from these
matings. Those two Wolves on the neck may want to
call it
the symbol of two snakes coiled tied to the god of Ningishzidda (imm.n3).
Chthonic Deities, alien to man, that with those couplings and the birth of their
hybrids beat the portion of the original DNA remained in the new born persons,
which make it even more than lower the vibrations of Mother Earth, took
3

power over their hybrids as were multiplied, and consequently also the other
people who inhabited the Earth at the time (total control of those entities still have
a lot of people, especially men).
Just a little more over the devil and the figure
indicating the DNA, there is this Toro, which is of
three different colors, and on which rests the
Pantaleone branch of that arm of the Tree.
I believe in the right arm Pantaleone is telling the
period following that narrated in the left arm; the
Taurus may then want to symbolize the Goddess for
Hindus and Egyptians become bull and the bull
symbolizing her mother.
God of fertility who embodies male potency and
rebirth from death, spreading his seed revived the destroyed Earth, but always the
Goddess.
In the Vedas, the Dawn of Creation is represented as a cow: the cow of the Rig
Veda from which, for the Hindus, descends humanity, is the cow that grants wishes
born during frollamento ocean of milk with the participation the Devas and the
Asuras. In Hindu symbolism is Kamadhenu an incarnation of the Whole because it
contains all the Hindu deities and is the mother of all sacred cows. She is Isis,
Venus, but it is also Pan, the greek Priapus, the Egyptian god Min, the Apis bull,
originally considered a symbol of fertility and associated with Ptah and other male
mythical figures to whom was given the role of inseminator.
A
b
A brief summary of the myth of holy cow transcribed by the Network: In India, the
worship of the cow and bull relies on the fact that the first personifies the
productive power (Surabhi, the dell'Abbondanza Vacca), and the second power

generative of Nature. The Cow is also the animal symbol of the moon and
sometimes had as marking the crescent moon. This is only a small part of the
meaning of this symbol, since it is one of the largest and most philosophical.
Esoterically we find it among the symbols that surround Ardhanari, representing
the fifth race, the Aryan. According to the Aitareya Brahmana, Vach, the
Melodious Vacca of the Rig Veda, the precursor to humanity, was chased by his
father Brahma, in the throes of incestuous lust. To escape this threat, it was
changed to try. She is Isis, Venus, the mother of the Logos, which for Egyptians
and Hindus became the Taurus. In esoteric philosophy, the cow is the creative
nature, the bull is the spirit that gives life. The idea of a "cult of the cow" is
extremely wrong and unjust.
c d e
a:Goddess Kamadhenu b and c: Hathor Goddess Diana of Ephesus d: Artemis e:Diana Artemis
No Egyptian worshiped the cow, nor some Hindu worship today this animal, even
if it is true that the cow and the bull were sacred in the past and today, just as the
physical symbol of a metaphysical ideal; just like a church made of bricks and
mortar for the Christian civilized sacred because of its associations and not for its
walls. The cow was sacred to Isis, the Universal Mother, Nature, and to Hathor,
the feminine principle in Nature, the two goddesses being linked both to the sun to
the moon, as evidenced by the disc and the horns (growing) of the cow. (See
"Hathor" and "Isis"). In the Vedas, the Dawn of Creation is depicted as a cow.
This dawn is Hathor, and the day following, or Nature already formed, is Isis, as
both are one, except with respect to time. The oldest Hathor is the "priestess of the
seven mystical cows" and Isis, the "Divine Mother" is the "cow with horns," the
cow of abundance (or Nature, Earth) and, as the mother of Horus (the world
physical), it is the "mother of all living." The outa was the symbolic Eye of Horus,
the right was the sun, the moon and the left. The Eye "right" of Horus was called
"the cow Hathor," and was used as a powerful amulet.

A brief summary of the myth of the god Min, one of the figures who embodied the
myth of the god Sower (which according to legend, it was nothing but a farmer
who lost an arm, so when the other men of the village had to go to war he was
alone with women and on their return he would put them all pregnant. So for this
gesture it would be prosperous deified): Min Egyptian depicted In art was wrapped
in a shroud and with a crown of feathers on the head. With his right hand was
often reported wield his erect penis, while the left side up, referring to his authority
or that of Pharaoh, could forge a scourge, but perhaps also as a reference to the
constellation of Orion(thing It values likely). Around the head he had a red ribbon
that came down to the ground, according to some interpretations was perhaps yet
another reference to sexuality. His skin was often black, as the most fertile land.
The Min symbols were a white bull (called by Toro Grande Do it). a toothed arrow
and the lettuce.
The origins of the god Min worship are to be found in the most archaic and
primitive times of ancient Egypt, in pre-dynastic era, especially in the Ipu region in
Upper Egypt: God was invoked to protect fertility, crops and harvests . It is not
clear the meaning of his name. He was associated with phrases like "I'm the bull
that generates the seed of the gods and goddesses." Such statements unequivocally
clarify the relationship of God with the concept of fertility and, more particularly,
with the power to give life to supernatural beings: no Min the divine world would
not exist, like the ground.
The god Min, then, was associated with male sperm, including that of the gods: his
task was to ensure the fertility of male deities of the Egyptian pantheon. By virtue
of this delicate and prestigious function, the god of Ipu was elevated soon to the
demiurge rank, ie invested of creative abilities; This presupposed that Min had
generated even himself, because it would be inconceivable that someone else had
given him life. However Min were

associated with various mothers. The most famous is Iabet, the one who owns the
East, the goddess of rebirth. In addition to the mother of Min, Iabet it was also the
bride: according to Egyptian mythology the god had fertilized assuming the guise
of Min-Kamutef, "the bull of his mother", thus springing from his own seed.
Taurus on which the monaco based branch of the
right mosaic arm, and symbolizes the God of
fertility for Egyptians and Hindus is none other than
the Great Mother heaven which becomes the Toro
embodying masculine power and rebirth from
spreading death his seed; having made the Toro of
three (?) different colors, Pantaleone intends
probably tell us the worlds in which it operates.
Following the order to rise of the monaco drawings, the third image we try and
understand is the one below, which as you can see, it shows a human with red hair
that seems to dive into a cup. That cup undoubtedly symbolizes the Cup of Life,
that is Mother Earth. While the human being who seems to dive in might want to
symbolize the hybrid result of pairs of women with the Guardians (or
extraterrestrial). It could be him because the monaco does not make him white hair
as did Samuel, it white is the color of his skin while that of Samuel is.
f
Nemesis
Themes
The new terrestrial inhabitant as easily intends to tell us the section of the mosaic
with the woman with the balance in hand and red hair, however, it was then
evaluated by the terrible goddess of Justice (symbolized in the myths as Nemesis
or themes).
The judgment seems it was not good considering that, over the Goddess of Justice
and the little man who throws himself into the cup, the Monaco draws back the
monster and with a shoe in his mouth! By putting the shoe into his mouth to show
the Monaco probably tells us that those people who were saved from the
catastrophe, the

mythical creature took off even a shoe (shoes symbolize the walk through life. To
those people was evidently taken away half of something).
Combining people drawn on the monster in those
snakes, the Monaco tells us that these were held
from evil; that bad evidently regards
the quality of their DNA. A fact stated in the
lameness of Hephaestus, the Volcano of the
Romans, that the myth says was caused by that cast
it as too ugly. Hephaestus probably symbolizes the
man born from earthly women and the fallen
angels, rejected by Mother Earth herself, who sent
another catastrophe to delete them because of their
DNA. That fall of other land, as we will see when
we go to decode the siren figure forked tail then
brought Satan to reign, could be depended also
from another one ragione, that
evaluate when we are going to reflect on the siren
depicted in Figure forked tail
square.
Positioned close Satan on the throne, the Monaco draws
man with red hair tied at the feet with a symbol that
reveals that he, the man (symbolizing them all)
apparently as a result of those events, he was
imprisoned by Satan.
Just before Satan on the throne, Pantaleone draws a
figure with the face of an ibis and a snake in his hand
(volendone symbolize control of infernal forces?FIG.G
p.77).
That figure symbolizes the Egyptian
god Thoth, that in pantheon
Egyptian It is depicted as ibis
and in some cases also as a baboon (as
this it was one of my dreams when all
these things I did not know anything
yet!). Toth is known as
divinityEgyptian moon, of wisdom,

writing, magic, measure, time, mathematics and geometry. IS'known as Hermes by
the Greeks, Mercury by the Romans, and how Quetzalcoatl in Central America,
but he He is always Ningishzidda, the son of Enki, magician and psychopomp,
which is accompanied by large dragons and snakes, that the texts tell us to be
dangerous as a Mushushu (the snake dragon of Marduk). By placing Toth at that
point of the arm, Pantaleone seems to want to tell us that he came right after Satan
(http://ningizhzidda.blogspot.it/2012/10/la-nascita-di-satana.html).
g
Tothmoon TothApe Hindu God Anuman
As the inventor of writing and patron of scribes, this was the role that Toth had
against the god Ra, the firstborn of Enki, Marduk, born of his union with Damkina,
of which he was secretary and first political and religious adviser. The myth seems
to say Ra was the brother of Ningishzidda, but occasionally we find it also
described as his cousin and I consider this more likely. Marduk, whose name
describes him as a young bull of the sun from the angry and warlike character,
proud and haughty, was a great engineer, particularly skilled as it was his father, in
all that had to do with water resources. He was in fact, as we read in the myths, to
strengthen in times of crisis the aqueducts of Babylon. He was great magician, and
had extensive knowledge in every field. The great temple of Babylon, called
Esagila (home of the great god), had his last plan called a Holy of Holies 'E.Kua'
they inhabited Marduk and his wife. In his representations he is almost always
accompanied by the "serpent dragon Mushushu".
That Marduk, known as Ra in Egypt and associated with Aries (Fire sign but in
this case obviously inferior, that chthonic), probably the one who presented the
Jews as YHWH, still worshiped the biblical god, what would his father well Jesus,
Pantaleone then tells us that it is Satan! For thousands of years,

three monotheistic religions and all sects that ensued they worship Satan, Satan, the
enemy, to their followers? http://www.biblistica.it/wordpress/?page_id=1451
Mushushu Marduk and Mushushu Marduk fighting Tiamat
(Work of Giovanni da Modena)
Terrible, but as my mother would say,
the devil is not so black as he is painted.
The ascent did in the group stage of
Satan's competence needed to make us
grow as souls and get to what we are
today. Today, however, it is also the day
of the final battle, we are much more
than before a simple choice: only if we
understand and make the right scielte we
get out of this hell and we will review
real Light.
The wolf with three legs (three to perhaps symbolize
transcendence) biting a donkey paw, shown next, is
placed above the figure three-headed and is drawn in
the opposite side to where it is depicted Satan; the
donkey, like the three-headed animal, symbolizes the
DNA, so as the Great Mother is manifested in creation.
Pantaleone reported the DNA as a jackass, solar
symbol, for carattertica endurance animal weights. The
wolf paw amputated
the donkey,probably it symbolizes the loss of a propeller of the human genome in
land as a result of the experiment made by Sophia. Consequence wanted to
highlight, as it seems to tell us the next section of the mosaic, perhaps by

monaco in red hair that is in the figures reported in the Garden of Eden immediately
above and below the donkey Abraham.
b c d
b: raff. the cathedral of S. Lorenzo Genoa c is called the graffiti graffito Alexamenos found the Palatine
tentatively dated third century. The graffiti isa representation (best seen in Fig.D) accompanied by an
inscription in greek archaeologists interpret as mocking against the cult of Christianity. After examining the
shape of the section, perhaps better understand the meaning of that donkey crucifix as perhaps also we
understand the meaning of that shown on the Y graffiti.
Those people in the earthly garden beside
reported, even if they have red hair like
those drawn on the side of Satan,
however, they are genetically different.
The difference should be in the fact that
while those people who are in the Garden
of Eden (which were still animicamente
regrow), created by Ninhursag and Enki,
symbolize those created by the will of the Goddess with the Elements of Earth,
those drawn on the side of Satan, symbolizing the hybrid children of the fallen
angels. Having their DNA are therefore children of Evil. With Satan seated on a
throne above them, in the investiture of King, the Monaco emphasizes its domain
as a father. Placing Satan on the throne, the Monaco it then reiterates that after
those events, the Egregore became god and began to reign. Pantaleone seems,
however, describe other important details in the arm on the side where Satan
reigns, as we have seen, the Monaco draws people possessed by serpents
(symbolizing the DNA of fallen angels or Grigori), on the other side of the arm,
hand, puts the Patriarca Abramo and next, but on separate and redheaded stools,
draws Isaac (with two sons Jacob and Esau in the womb), then draws Jacob (?),
and on three of them draws a deer (with red horns). Having Abramo capelli and
white beard, red hair Isaac should symbolize so that there was still a genetic
change. We'll see how it were so.

(The Binding of Isaac)
Isaac, whom the Monaco draws with red
hair but with a white beard like his father,
was not genetically intact as Abraham and
this was derived from his mother Sarah
(symbolized in the little woman the Monaco
draws on Abraham's legs) who had
evidently a
DNA contamination from that of fallen angels because
the monaco makes red hair. This does suggest a
greater genetic integrity of Ishmael, Abraham with his
son by Hagar (considered to be the progenitor of the
noble Arab),that once he had Isaac, was banished from
Abraham because of jealousy of Sara
(https://it.wikipedia.org/wiki/Ismaele).
Isaac and Rebekah, his wife, then will Jacob and Esau,
and the Bible says God predicted to Rebecca that those
two men would have given rise to two different nations.
The diversity that was intended was that the two gene.
Esau, the firstborn of Isaac as told in Genesis (25.29 to
34) He sold his birthright for a mess of pottage; Jacob is
born the People of Israel and, as we shall see, Esau, red,
once sold will split the birthright from his brother and
take his flocks, and he will go.
(http://www.laparola.it/bibbiaragazzi/storia_dei_patriarchi_3).
Esau then married Judith, Hittite, and Basemath daughter of Elon the Hittite she
too (https://it.wikipedia.org/wiki/Ittiti), Causing bitterness to Isaac and
Rebekah26,35As well as un'Ismaelita Olibama last wife, a Canaanite, he had three
sons, destined to become the progenitors of the Edomites or Idumeans. Esau is in
fact also known under the name of Edom, and its descendants, the Edomites, are
identified according to the Jewish Tradition with the main people stanziatosi stably
in the first part of Italy, and then with the Roman Empire and subsequently with
Christianity in general: one of the sources is alsoBereshit Rabbah,
CollectionMidrashim on the first book of theTanakh,Genesis.
Maybe now we begin to understand the significance of that announcement god,
who he really was, and why Jacob was his favorite. Because of his refusal to
assume its responsibilities, Dante in the third song will

Esau unfairly hell, down into the sloth round. Unfairly because we now know that
the twin who was born according to the first is that it was conceived.So, even if
born to the second, Jacob was the true firstborn. Providence put things in the Order
that had to be. The verses of the poet tells us where Esau:
After I had recognized, I saw and knew
the shade of him
Who made through cowardice the great refusal.
At once I understood with
certainty that this was the sect of
the bad guys, sorry to God and
'enemies.
These miscreants, who never were
alive, went naked and were stung
exceedingly
by horseflies and by wasps that.
(Dante does not speak of Celestine V in those six lines of his song as some
commentators of divine long comedy argue, Celestine V, although he knew the
secret because it revealed to him by the Templars who had the opportunity to
attend as recounted in his biography, though he remained pope I do not think it
would change the history of the church more than they did with the left (I am
referring to the church and to the symbolism in this contained, and the Perdonanza
holiday); how that person can not be Giuliano, as some commentators argues that
Giuliano was also killed and then did not give up, and wrong to consider an
apostate because he was largely right to see polytheism not negative, that person
may not even be Pilate for reasons I understand going forward in our investigation.
no, that person Dante recognizes but in which it passes forward, that is, does not
consider and which does not name, it is Esau.)
Del rejection of Esau, considered severe but obviously it had to be, ce led him to
understand the research related to the story that Pantaleone ago in the mosaic, but
there does also comprise Michelangelo in Judgment in the part where he puts
Jacob to separate two times. Anyway,before the right chemistry (positive genetic)
the reconstitution of the descendants of Jacob, you will have to wait for the birth of
Joseph the penultimate of the twelve sons of the patriarch and the first of two sons
(with Benjamin) had by his wife Rachel.
(http://www.conmaria.it/Bibbia_illustrata/01genesi/Genesi_Giuseppe.htm). Giuseppe in
turn will transmit its DNA to their children Efrain and Manasseh, had by his wife Asenath.

Esau sells his birthright to Jacob
ofMatthias Stomer
Joseph sold by brothers
of Gaspare Diziani
Instead, the deer from monaco place on the head of Abraham might want to
assimilate the Patriarch to a Druid (which seems to mean knowledge of the oak)
and then to a Celtic priest, who controlled the underworld Forces. As with hair and
white beard of Abramo Pantaleone probably he intended to tell us that he did not in
his DNA that something genetic and fallen angels descended from the Lineage
originally created by the Goddess.
Now let's clarify why Pantaleone, in our opinion, in the left arm, under the
Priestess, asked Samuel, and not the first to be of that race.
God, according to Exodus 19.5-6, said to Samuel, "If you will diligently hearken to
my voice and keep my covenant, you will be among all people my treasure /
special possession, for all the earth is mine. You shall be to Me a kingdom / nation
of priests and a holy nation. ", Something that the early Hebrews were already and
not because of that god; I think, that the experiences I have learned firsthand who
he really was the god who suggested to Samuel, the Monaco shows the Prophet
because he gave birth to the monarchy of Israel choosing the first king, but

Also because it is probably from him - or is from him that he begins to have a
written brief - that the Realms lower not show more materially as they did
previously but begin to manifest itself through the parassitaggio, that is, with the
voices in the head of people. So the god who suggested to Samuel, what to do is
not a good god, is not the true God but only a deity of the chthonic forces. When
he says that the Earth is his right, but refers to a realm that is chthonic underworld,
which is one in which we still live, and has every incentive not to find the right
Via, in fact, as history shows, no It fails to produce pain because of the pain he
eats.
Who is actually the god? If Saturn, son of Enlil, who had been assigned the upper
part of the Earth, is the Yaldabaoth of the gnostic doctrine and El Shaddai Bible,
since the Abzu was assigned to Enki, after several readings and reflections are
brought to think, what was the strong entity arcontica (not God) of which Samuel
heard the voice, could not be Enki but one of his sons. Maybe Ningishzidda
(Toth!) Saw that his father had taught him the magic that had not taught to other
children and he also had access to the world below from which as psychopomp
went in and out at will. The Ningishzidda name according to the orthodox scholars
means "Lord of the good tree" or "Lord who grow the trees correctly"; this
character is linked, in addition to the "Underworld" even to the concept of fertility,
and because a lemma of his name (GISH) can be translated as 'penis', and because
of the word "tree", both because of his banner, a pair of entwined snakes. Jacobsen
says in his works that the entwined serpents are a representation of the tangled
roots. Also, by connecting this similarity to the special bond with the 'Abzu
(considered the place of ground water), he asserts this emerging picture is of God's
banner a metaphor "of how intertwined roots go down tosearch the
waters".http://gizidda.altervista.org/religioni/satana2011.html
To understand how it manifested the strong entity of the lowest realms remember
the story of Samuel: The Bible says that while sleeping Samuel heard a voice
calling him; thinking it was Eli, his teacher, comes to him asking him what he
wanted. But Eli responds to Samuel that he has not called and invited him to go
back to sleep.

Samuel goes to sleep, but after a while 'hear again the voice that calls him.
Thinking about this time that he had heard right, go back to Eli. These(Believing
he had), including what happened to Samuel, tells him that what he heard was the
voice of God, and that if he heard again had to answer, "Say Lord, your servant is
listening."
The voice that Samuel felt (like the one Joan of Arc felt, heard many others,
including prophets, and also felt I), it was not the voice of God but that of an alien
/ parasite able to talk to him in the head. Samuel, replying that he would obey,
basically agreed to do what the alien / suggested the parasite, giving rise to the
belief of God of which the Bible says, and from which, in turn, the three
monotheistic religions were born.
At that time it could not be understood (perhaps now you begin to understand), and
those voices, as in leaves today for those who are defined or defining channelers,
were exchanged for the voice of God because the parasitic entities, not be
recognized, he tells and shows divine and positive things to parasitized, but mostly
behind the name of mythical figures (as he tried to do with me saying his name
Helios). That inner voice is instead the voice of the Dragon (parasite) you must
defeat. So, without being aware, to give green light to Entity Who Eli mistook for
God's voice, it is Samuel. In fact it is easily the name was suggested by that voice
that he chooses the first king, Saul, for the Jewish people, and then his successor,
David, playing a leading role in the birth of the monarchy in Israel.
Since humanity spared by the disaster found herself without knowledge, the
Archons, which in the Gnostic treatise included in the codes found at Nag
Hammadi is presumed born with the creation, they could get the better men. This
happened gradually, through the manifestations operate on the Prophets and of
which the Bible says, and through other people. Through these events, the chief
Archon and his men, were able to influence humanity, and to write a story we
know and that the Vedas, the Bible and other ancient texts tell, gradually making
them forget the existence of the creed against the Great Mother. What it is' and
remains the true Deity.
What they managed to do in the time quell'Arconte and his subordinates, the Bible
describes him when he tells the many wars instigated by the Prince of the lower
levels, but there it also teaches the history of aggressive against women. Through
men parasitized (more easily by those who had a certain DNA), as well as lead to
make obscure the real value and get to make believe women without a soul, that
'Archon, to secure their rule, had to keep low

the energy of the Feminine. For this purpose, besides killing them, he managed to
offend women's bodies in various ways: by subjecting her infibulation (which still
suffers), making sure that Jewish women pray separately from men (which still
exists ), not to mention what he brought and still brings to the killing of the
firstborn Chinese or Indian, or to be treated as they are treated still Muslim women,
or what the Catholic church did to women accused of witchcraft in the times
Inquisition, after which for centuries had ideally connected and without connecting
to the devil. Of course were not only Samuel and other Jews after him to recognize
the mistake of god in those entries, as a result, many others, while not being Jews,
even recently, have exchanged those internal voices for the voice of God. Joan of
Arc, Socrates, Jung, Edgar Cayce, Tesla, Nostradamus, Hitler, Malanga (who
mentions it in some video and believes that the voice he hears in his hea d is the
voice of his conscience!) Are just some of the people that we came to know, they
have heard them and they dialogued receiving suggestions, inspirations or
clarification. What was going on and is because, once the person has confidence in
the entity of which he hears the voice in the head, in the midst of this truth that
says, mixes the lies so that the individual can not get to the truth which would
make him free. Despite this, such figures have had and continue to have a major
influence in important disciplines such as if it were certain what they said those
who are gone and the claims of those still living. When the man began to (re)
maturing animicamente and religiously things began to change, those entities
began to diversify their events. Events which includes also what psychologists
have classified as the imaginary friend of children! Many people are over and
continue to end up in asylums because when they say they hear voices are believed
crazy and then locked up, whereas the rumors that those people feel in the head are
the entity that the parasite. Because nobody understood (and understands) what
really happened (and happens), these people ended (and end) to go crazy really.
All psychiatric illnesses were and are the responsibility of these Archons /
parasites. For that those affected can hardly get out of it and medications do not
cure but can, barely, and not always, to sedate him and keep him calm. And history
is repeating itself, you just look around and see what happens. You 'news these
months the event of a mother of Genoa throwing his daughter from the balcony
because a voice told him, or a boy in Rome who kills his girlfriend's grandmother
always because hears voices that tell him, or another guy who kills his girlfriend
and her brother without knowing then explain why, or a gentleman hollow eyes
forever because him a voice said. This is because these strong

negative entities trying, doing killing mostly women as is happening more a few
years from now, or perpetrating violence on them and children to create further
confusion and lower the energy of the Sacred Feminine that you are raising.
These entities arcontiche ancient gnosis were known, and according to the
discipline they are also our cosmic relatives as always created by the Aeon Sophia.
They are unable to establish with certainty the truth about their origins, but what I
certainly know is that since we have fallen into a lower existence level, these
arcontiche forces can feed off our energy and meddle in our mind to sabotage the
normal diverting processes towards thoughts unhealthy and inappropriate, going so
far as to take possession of the subject completely parasitized mind making him
commit serious actions or into believing that what comes comes from superior
masters. And the trick he always managed seen how long is that we are in a
position where we are and what increased the people in these end times they say
they hear voices that are convinced of channeling by superior teachers who instead
are simply those entities hidden in one of the levels of their Aura.
Those negative entities, who hide behind the more well, are responsible for any
malpractice and human depravity. They are responsible for homosexuality, sexual
degeneration included pedophilia, as well as for all the atrocities that humans are
capable of committing. Of these subtle entities - which mostly show up as
heavenly or as ascended masters figures (see also the story of Helena Petrovna
Blavatsky), which are the same that Carlos Castaneda called Voladores and
Corrado Malanga and others call Aliens - the ecclesiastical hierarchy we were not
informed, but when some of the people held in those Entities showed their true
nature, they taught us to believe it was merely Devils. And although they knew
what those entities were able to cause in humans, they have continued and continue
to maintain secrecy in the face of so much suffering they cause to humans, but
most are silent at this time about the reason of the many femicides of which them,
despite Dante call them dumb, in my opinion know the reason! Because? Because,
according to what is, to me, tell Pantaleone, Michelangelo and Nostradamus, and
how perhaps he understood Giordano Bruno (which not coincidentally wrote a
book entitling The shop of the triumphant beast), the senior echelons know that
they always made pray the deity that reigns in this level, ie Lucifer, the Prince of
the rulers. Because of the reigning Prince of this world, whose interest has always
been to keep low the energy of the Feminine and

woman man under the thumb as it is the woman who is the Goddess reflects and
manifests the Sacred Feminine and souls can incarnate, the woman's life, in
addition to all the suffering and physical handicaps that had to suffer and suffer,
never It has been easy, but in recent times in particular, everything has multiplied
dramatically because despite how much they have tried and done quell'Arconte and
his followers, the energy of the Feminine continues to rise. So quell'Arconte knows
that his defeat is near, and groped to lower that Energy, makes sure that women as
possible are killed.
Following that seems to suggest the story of monaco, after what we saw and
research done, I'm led to believe that all the upheaval, both cosmic and terrestrial,
both started from that experiment Sophia genetic: that experiment could have
caused the cosmic fracture, the resulting battle of the Planets, and the terrible
cataclysm that ended the Age of Gold, destroyed the Earth, lit the cyclical nature
from which we are not yet out and gave way to arrive on our planet to those
extraterrestrials. A fracture, as might want to suggest the crop circle reported in the
introduction, in the cosmos still there, and in which, unless we rise again in danger
of falling. Of that same fracture he could take up to tell Senenmut in the drawing
found in the ceiling of his tomb. E 'is written in the Egyptian Book of the Dead:
"By calculating and taking into account the days and hours propitious of the stars
of Orion and the Twelve Gods that hold up, here they join hands inch by inch, but
the sixth between them It hangs on the brink of the abyss ... ".
Counting six Ere processional, from 10450 to. C, was the Lion, we have: Leo,
Cancer, Gemini, Taurus, Aries and Pisces. So the sixth which is on the brink of the
times we dall'Era Step of the Age of Aquarius Pisces. Astronomers observing the
cosmos in search for Planet X, they are looking for the moon seems to show him
the finger and do not see the gap that we face and where, unless we rise as souls,
we risk falling all. Scientists, like much of humanity, would never believe that
salvation depends on whether the inhabitants of the earth will understand whether
or not you are NOT allowed to touch the DNA and you will correct, if we can ride
out together with our planet that point of Step ominous ... and go home, that is (re)
rise.
From the network: It was about the year 1470 BC when Senenmut began building
the "Djeser Djeseru", a magnificent mausoleum, whose Egyptian name means
"Sublime Sublimity", built in the complex of Deir el-Bahari. The most disturbing
evidence of astronomical knowledge inherited in some way and then the architect
to Queen Hatshepsut, is located on the ceiling of the tomb of

Senenmut, right next to the main mausoleum. This ceiling is reproduced a specific
section of the sky of 10,450 BC at the center the Orion's Belt. This small system
has been reproduced in an exciting way. Around the belt, there are three orbits
drop-shaped. It 'a symbol not adopted as Egyptian hieroglyphics, and belongs
instead to the Mesopotamian culture, which has the meaning of "water," or "life."
The picture in the tomb of Senenmut - Under what looks like a beam that goes up, there is the Abyss
A few years ago, scientists had found that in the Universe around us there are two
large water concentrations. One in our solar system and, therefore, on Earth. The
other, however, was right in the Orion system. We analyze better the meaning on
the ceiling of the tomb of. She was found under a layer of plaster - this means that
it was a knowledge to be preserved for posterity, rather than to contemporary -
and the designs were carved, rather than paintings - this means that the architect
himself was the author, no other aids and he paid no attention to artistic beauty.
At the bottom of the vault, it shows the Egyptian calendar (12 months
30 days each), while in the upper part, as we have already said, is depicted a
portion of sky. There are four boats: the smaller, left, depicting the planets Ju piter
and Saturn; the largest are the goddess Isis, who astronomically symbolizes the
star Sirius, and the god Osiris, who was credited with the constellation, what for
us is now called "constellation

Orion. "In particular, the architect wanted to highlight a specific element of this
constellation: the belt, in fact.
As sapeSenenmut is this knowledge? And because so she thought important?
In his inscription reads: "Having walked all the writings of the wise, do not ignore
anything that has happened from the first day." In fact, the architect Senenmut was
started at Karnak Life House, a place that was crucial in ancient Egypt, home to
ancestral and religious cultures that were accessible only to a few. Even today, we
know very little about what was kept in this kind of "secret libraries", so to speak.
Senenmut was aware of things you probably wanted to reveal to his beloved,
perhaps for this reason the priests stirred up against the court architect and, later,
also against the queen: only the initiated could in fact know the secrets of history d
' Egypt. The fact is that after the death of the two, the pharaoh Thutmose III and
the Theban clergy condemned Hatshepsut and Senenmut to "damnatio memories",
destroying all effigy to represent the two in the Mausoleum of Deir el-Bahari. But
this was not enough to erase a character so intriguing history.
All indications seem absurd that those who lead us researched thanks to
suggestions that provides us Pantaleone if we think that the work was created in
the twelfth century and reading the history of mankind that our past tells us only
troglodytes beings. Especially impossible to prove, but a previous company,
maybe in a different way, could have arrived at our own level of evolution, it was
an idea that I had already flashed in his mind years ago watching a TV show where
he was shown a very similar item those who are today the pots we use to heat the
milk, set in the rock, a few million years old. Then, that some civilizations of the
past could be arrived at our same level of progress, it is an assumption on which I
came to think myself carrying out research by reading various oopart and
megalithic structures that were more and more discoveries. All this not yet
confirmed my hypothesis because he did not feel in a tangible way the ability of
some companies we had before she arrived at our level of progress. Recently,
however, when I read the alien chip discovery in Russia and the hammer found in
London, in Texas, I realized that my hypothesis about what he could to suggest
Pantaleone in that part of the mosaic was not so absurd, that indeed absurd he had
nothing!

But building the hypothesis that went gradually formed, however, they did not help
me much either the Bible or the texts that I have read, or the history of humanity
that we find in the history books; apart from my particular experience, which
however were decrypted and understood, they helped me to read and different
consideration with which I evaluated the myths and many works of art viewed.
Especially those from the '500 onwards, which would analyze and understand what
in some circles was instead known what I was just assuming and rebuilding.

The square, the part I would call the heart of the mosaic.
The square, like the rectangle, is a symbol of defining and bounding that
represents the squaring of matter; in the Mosaicthe monaco does not use only one
information; to refer to Heaven, therefore, also to
Generating not created and the Mother / Father, within the square the Monaco
entered the circles.
For tell us important facts that have marked the history of humanity, the
monaco put inside the circles instead of the symbolic figures on which we will
reflect as.
a b c
a: Symbol square of ancient Rome. b Archaeological Exhibit with the Great Mother, the symbol of the
rectangle and the large neck that symbolizes his androgyny. c: Our Lady of the Rosary by Lorenzo Lotto

As a result of the mosaic square it represents two aspects of the Great Mother /
Father: symbolizes his Emanation (or divine manifestation), while the circles are
animation symbol altogether. The square is the perfection of
sphere on the earth plane, which develops starting from the immovable center,
according cross the to cardinal the directions that, in the square, is the dynamic expression of the
four. For This is why the monaco composed the side of the square of four figures:
four figures with those for the Monaco side intended to symbolize the divine
perfection in the development of solidified event. In the square symbology
expressed by four they are punctuated the four Age of the World,the four elements,
then the human life and the lunar months, is expressed the tetraktys therefore also
the 12 signs of the zodiac Celeste including the four cardinal points.
The Pythagoreans were the tetraktys and also of the four-square, ie Sixteen, the
the basis of their doctrine. In reference to Tetractys Pythagorean it is noted that
The Square is always everywhere considered the number of the event
Universal in concept the Square Perfect; the formula Pythagore
1 + 2 + 3 + 4 = 10 is the circolatura of the dial and the inverse re 10 = 1 + an 2 + 3 +
4 numerically expresses the quaternary division of the circle, ie the hermetic problem
of squaring the circle as the maximum conceivable human perfection.
a b c
a: The four elements b: The Madonna with 12 stars symbolizing the 12 signs of the Zodiac as a crown
c: The four women of the church at Rennes le Chateau, trying to glimpse the fifth horizon
In a different way from Pantaleone mosaic square, that same symbology is
contained in the mosaic of the gallery Umberto I of Naples, where in the structure
of the buildings that surround it, not at random, as in Castel del Monte, is repeated
the number eight. The number eight is one of the oldest symbols in ancient pagan
religions is the symbol of infinity, in the Catholic religion symbolizes the
resurrection, and the Awakening, the end of suffering, and to a greater level of
awareness Passage. That as it is written in Revelation made to John and how he
intended to tell us Berenger Saunierè with those four women

seems to try to intravvederne a fifth horizon placed in the church at Rennes Le
Chateau (Picture C), an event will be announced by a woman.
The mosaic of Naples with 16 lunettes
Castel del Monte
The sixteen - that in the square symbolizes the 12 signs of the zodiac + the four
cardinal points - is the number that the Sumerians tied to their god Marduk, and is
a number that was also linked to Osiris (which according to the teogonia
Heliopolitan already belongs to the fourth generation of gods) and sixteen are the
rooms in the temple of Abydos dedicated to him; then a whole celestial symbolism
related to the Goddess Mother / Father that after the arrival of extraterrestrials
slowly was transposed to the male.
a
b
a: The Marriage of the Virgin by Perugino, where the church is symbolically expressed the eight
b: The marriage of Mary Raphael, where the church is instead expressed sixteen
Putting that ass in the middle of the square between the two dogs, Pantaleone we
mean instead of the eternal struggle between good and evil, between light and
darkness, and that those two forces are an integral part of the Great Mother. Forces
that make the world and thatShe controls
(http://armoniasfere.blogspot.it/2011/11/larmonia-in-platone.html). As confirms the
ancient symbolic image of the find and.

c d e
c: The two dogs, and two energies, with the donkey harpist of the mosaic that is the Goddess who plays the
music of Life. d: The same symbolism is expressed in the serpents led by Demeter
The Donkey, solar symbol, and animal known for weights which is able to bear,
symbolizes the Goddess. The Monaco has drawn harpist since it is still you, the
Great Mother, which to shoulder the full weight of Creation, plays the music of
Life (of the Spheres). Donkey was mistakenly connected to Jesus and that should
instead be connected to Maria!
A
b
c
d
a: Donkey with the lyre in the portal of the church of Saint Pierre de la Tour, Aulnay. b: Jesus entering
Jerusalem on the donkey c:The Three Fates of William Blake d: Sow harpist of the church of Saint-Parize le
Chatel
Through the character of the animals placed in circles in the square monaco fact he
tells us that the Great Mother is also the terrible Leviathan and as well the
terrifying tiger.

The Leviathan of Gustav Dorè
Pantaleon is therefore telling us that the Great Mother is the All. It can not be
represented by a man, let alone this man be the Biblical God as he is just the
Demiurge of this deceptive world. Maria was in fact that was to bring order to the
creed of the Great Mother, perhaps to announce the arrival of the Executioner was
the entrance to the next and say the restoration (genetic) that this would be done
through the fifth element which is the ' Ether. Believed to be the main element of
the Philosopher's Stone and the catalyst substance that can heal the corruption of
matter that Easterners identify as Akascha.
a b c
a. The five elements? b. crop circle that tells us that we are aligned and that the
end of time has come ?? c. The 5 elements in the circle in the grain?

The Grifone
In the first circle of the square, which is not fences, the monaco inserts a Griffon
with the body of a lion and raptor legs, one of which is raised (particularity that
repeat in other figures; it does to tell us that are transcendental symbolic figures)
that seems to dodge a lamb and below the figure writes PASCA.
a b c
d e
f
g
a:The Griffon mosaic circle; b: c Anzù: Chimera
d:two griffins ravening and a doe: image contained
in the Foggia f church: thethree-legged bird, a
mythical creature that appears frequently in the
mythology of Asia and North Africa. It seems
impersonate represents the Sun
(https://it.wikipedia.org/wiki/Corvo_a_tre_zampe ).
g: Nostradamus drawing.
The next picture is painted in the Gryphon
Throne Room at Knossos.

Not being the fence symbol, it means that Pantaleone in the first circle there is
showing a symbolic figure of a different level of those that immediately after
drawing and which encloses inside the circles; Griffon that might want to
symbolize the terrible Anzù (wind personification of storm and rain) ie the angry
Dea (in the circle that strikes the lamb, so the Earth) represented or referred to
since the third millennium BC in Sumerian reliefs found at Telloh, although it was
not represented with the head of an eagle, but the lion.In that circle the Monaco is
therefore telling us that same woman with red hair and the balance in hand in the
right arm symbolizes Nemesis, the goddess who bestows joy or pain depending on
what is right; that could be linked to the red giant that wanted to tell me my vision,
and perhaps even tell us the crop circle reported in the introduction. The monaco
brought her back to that circle to say that the life of man on Earth (images're
reported after) still depends on you. Pantaleone brought her back with her head and
eagle's claws and only the body of a lion , to tell us that that is not his good face.
Instead the lamb which puts them close, it still seems to drive out or strike, in my
opinion has the same meaning as that kid over the lion, the deer seem to
immobilize the two Griffins (Fig.D), and the sow placed between the other's
Griffon reported paws (fig: e): symbolize the Earth and the (his) sacrifice. Tiamat,
the origins of the Earth. Tiamat (Anzù) was defeated by the battle (with Marduk)
but she, being Mother Nature (as they wanted to remind the crop circles below),
always rising from its ashes, and in that time, though resized, resources like the
new Earth.
f g h
f: The Phoenix rising from its ashes g. The scarab, symbol of animal, in any of crop circles h: the Phoenix in a
crop circle. Call Bennu from the Egyptians, and which is now symbolized by the sign of Cancer
Along with the Grifone Pantaleone puts a lamb we said probably symbolizes the
Earth; the lamb is also used as a symbol of humility, innocence and purity; l
'Agnus Latin word probably related agni meaning Vedic Fire, also refers to the
woman who will bring the Light to Earth and will begin a new World Day: a new
incarnation of that official

Goddess, as written in the Book of "John", will be like a lamb. While about the
word Pasca written under the Gryphon, the Monaco could have written PASCA to
postpone theRite Agape (Love) in which whole communities were participating in
a group to the sacred mysteries of PastoSacred. Ritual still in use in the derivation
of Christian ceremonies, but by using together with wine bread. Substitute
symbolizing the blood shed at the time of sacrifice, tied to the body of Jesus.
Because the bread is made with wheat, tied to the ancient goddess Demeter
(Mother Earth or perhaps Mother dispenser), the bread was, and is, a female
element. Or, instead of Pasca, as stated, provided that then would not be called so,
the monaco below the figure could also have written PARCA and later, the usual
suspects, may have corrected the word by changing R S with the intent to cancel
the understanding of the part. The word Parca the monaco writes under the figure,
can not refer to other than the Great Celestial Mother, who as Parca (or Moira)
Weave Canvas of Destinies of men and Mother / Father and owns and expression
of all of the Archetypes ( is therefore the one and the Monad), is the Mother of our
Sun and Planets of the Universe and of our Mother Earth.
A b c
a: The Fates myth b: the Fates of Bernardo Strozzi c: the Fates of Michelangelo
For this, and probably because he really was, the Madonna, by various artists
including Guido Reni, was symbolically depicted as a seamstress.

Spina siren or forked tail
The first figure Pantaleone draws in the first of the fifteen circles
fencing, it is a mermaid, then a woman. The legends report that originally were
winged sirens, were represented with a body half human and half aviforme with
typical wings of birds of prey, in some cases the lower part was an egg and had a
beard.
In Greek archaic tradition, sirens preside over the destiny of the universe and of
man, sound manifestation of the Goddess, the natural law that gives the time the
movement of the spheres. A harmony so perfect that remain eternally fixed.

You do not know really when the siren became legendary forked tail; Pantaleon
draws it right in the first circle of the square, it seems to know better. As Basilide
ago with the Abraxas, introduces it in a circle, but instead of the head of the cock
(the Gallu?) As does Basilides, the monaco in the circle draws the head of a
woman with long hair, and instead of one tail like sirens, the draws bifida.
Because?
The Peacock, symbolizing the Goddess, as opposed to Gallo in one of the drawings Nostradam
Abraxas
A
b
a: The Peacocks on the facade of the church of Rome Argentines b: the peacock of the crib in the cathedral of
Saluzzo
As often happens, the myth helps us understand. According to Paracelsus the
Melusine were born from the union of a nymph with Beelzebub, who had begun to
witchcraft. A fact suggestively also told the story of Melusine.

It seems Beelzebub was second only to Satan. If so, the character that we have
identified the right arm of the mosaic as Toth, chief of the scribes and first advisor
Ra, a figure that undoubtedly joined terrestrial women and perhaps also to the
nymph is Beelzebub, lord of the flies.
(In Hebrew Old Testament appears the Ba'al Zebub expression - "Lord of the Flies"
https://it.wikipedia.org/wiki/Beelzebub probably as a pejorative transformation of Ba'al Zebul -
"Prince Baal")
Among the many things I have read, however, I found a text in which it was
written that it was Enlil who joined the goddess South (the nurse) who lived in E.
RESH with his mother. Married to Enlil then changed its name to South Ninlil;
Ninlil has been linked to Lilith, and perhaps this is not the wrong connection, but
who knows if that Ninfa who joined Enlil was not actually Sita, wife of Rama,
being that of RamaLakshmana and Sita the oldest myth, although it contains
several names we do not want to say more of the same figures also saw the color
of the skin of Rama and Ravana and his not represent those who were the Igigi in
the myth of Enki and Enlil that the Anunnaki. A great trouble seeing it at the
genetic level and soul that union has caused, but always generated by what was
done by Sophia.
Rama and Sita chthonic dressed in saffron
color linked to Hecate
Rama's brother Lakshmana and Sita
that the myth of Enlil and Enki Anunnaki
Rama teaches children about archery
The cardboard dthe Shrek Disney

The symbolic Adam's bridge built by Rama together with the people of Vanara, who also discovered the real)
The first major catastrophe that regarding both the Earth and the Cosmos, was
caused by Sophia; The second catastrophe, which we know as the Deluge, it
happened because of the union of fallen angels with terrestrial women who gave
birth to the Nephilim hybrids; and is probably the reason that at the time of the
Inquisition led to the stake so many women but also men. The heretics that the
Inquisition intended to kill men, were believed to be the result descendants of the
union between men and demons.
http://ilmondoallarovescia.it/i-figli-di-lucifero-il-segreto-perduto-della-stirpe-dei-cagots.
In each of those circles of the square is as you would the contents of a book by an
encyclopedia which is written a page of World History, and the History of the
Earth ... or "any of these parts Lady," as he answered the 'men of a dream that I
made years ago when, noting the encyclopedia the fifteen in its library, I asked him
who had written.
The fifteen is also reported to Kalpa, related to Manu (what we call Western Eons),
which in Hindu religion is considered to be the first of the human race. There are
14 Manu in a Kalpa, because the work of Creation is repeated 14 times in a day of
Brahma. One Kalpa (Aeon) is divided in turn into eras that follow and repeat
cyclically reviving the Anime previous history but faster (to see that it is really that
would be enough to reflect how we are quickly gone as humanity, and in several
respects , in this last half century). According to Hinduism a day of Brahma lasts
4.32 billion years, our scientists estimate the age of our Earth 4.54 billion years; it
becomes obvious that the Monaco, in the mosaic, is telling us only one aeon. The
fifteenth Kalpa which is the same door Brama, allows the passage of the New Day
and then to a higher level of consciousness. Porta for the Orientals is the door of
the Dragon, and for us westerners is controlled by

Guardian of the Gate, that to open and be able to pass, however, is necessary to
possess the key, which in this case, in my opinion, is that genetics.
The figures show that the monaco fits inside the circles, we see is telling us things
that have happened in the past, so that siren, being inserted in the fifteenth circle,
depicting that the port from which we entered earlier dall'Eone, tells us that the
woman (that is all) it came with something wrong.
Michelangelo, to give us the same information, and to
tell us that this woman had something that was wrong,
in the Last Judgment just puts a white arm the elderly
progenitor of those nations that depicts below. That
was something wrong at the genetic level.

Adam and Eve
The Monaco puts Adam and Eve in the two circles in the lower part of the square,
but while Eve puts near the Taurus and connects the Snake, close to Adam puts the
wolfish Cat.
Eve probably symbolizes Mother generating the world, the Taurus had bequeathed
close (probably the Goddess in her capacity as God inseminator), alludes to the
main scheme that uses the creative nature of each scale. Organized systems like
this allow development of the universe. The system tied to the toroidal structure is
in fact a system in equilibrium that encounter it everywhere, in the section of an
apple or an orange, in a hurricane, in the Earth's magnetic field and its atmospheric
dynamics, in the solar surface, around the human being, around a galaxy and even
around the atom. The bull is the breath of the universe that is in balance stability
vector; a field of perfectly balanced forces, with twelve lines. Also for the creation
of human beings (which is perhaps the one that wanted to bring to our attention
monaco putting that bull next to Eva), is the bull which is important because this
figure is similar in female reproductive organs.
There are twelve meridians in man as are the twelve meridians of the planet whose
children we are (This makes me think the greatest harm we are doing because of
our ignorance by TAV in Val di Susa where it passes one of these major
meridians) energy that the ancients knew better. A simple system formed then by a
crystal containing 64 tetrahedra inside equilibrium vector registered in a bull. 64
are codons that encode human DNA, the ancient system

wisdom of the I-Ching is based on 64 hexagrams, as well as the tree of cabal
Jewish creates the same structure.
But the board, the game that expresses more of the Game of Life and symbolizing
the perennial dichotomy of fate domain intelligence domain, consists of 64 squares
(32 + 32). And it is a chessboard, whose squares is no coincidence that makes red
and white, that the Monaco puts on the head of the deer protected goat symbolizing
our new woman (Fig), which, to tell us of his power on the three worlds, puts in
the mouth that flower with three petals. Symbols also contained in one of the
numerous papal pastoral (Fig B).
A
Eve, the serpent symbolized together both in the mosaic in the earthly garden of
Michelangelo, so embodies the animal on Earth was lying: the human being.
specific to man, ie Adam, monaco, however, puts near that wolf-cat, certainly not
positive figure as the Bull; what he wanted to tell us so monaco? That man is the
opposite of the woman? That means the woman - because Eve has put near the
Bull - expresses the positive force and through man - saw the wolf-cat seated next
to Adam - the negative? Definitely.
Exactly the opposite of what is currently supported. A balance (*), that when there
was only 0 RH + for women and only the 0 RH - for men, after
b

what was done by Sophia, was broken, reversed, mixed, and gave rise to a huge
and unrecoverable genetic upheaval, later compounded, and not just from the
union by fallen angels with terrestrial women who readily gave rise to the colored
race . Probably, thanks to the children born of these couplings, the negative aliens
were able to mentally manipulate all the people who have fallen in the realm
below, and now with a lower level of consciousness. Total power but, as we
understand through many experiences and research done incalculable, those
negative aliens have not yet, but that still aspire.

After the mermaid, and then there Solomon Sheba
In the third and fourth cerchio Pantaleone inserted before Solomon and then the
Queen of Sheba, but while in order to suggest genetic membership or the level of
the queen Consciousness monaco places the figure on a wooden stool (and with the
eye in hand) , he puts the king seated on two griffins.
Those two griffins on which Pantaleone sat Solomon intend probably symbolize
the genetic origin of the King (which is not complete and different from that of
Bilqis because she is placed on a wooden stool), but having the Gryphon the
characteristics of the lion and of ' eagle, then majesty and pride, considered, in an
ideal hierarchy, on top of the other animals, Pantaleone meant perhaps to attribute
these characteristics to the king or, those two griffins designed by Pantaleone, are
symbols of the power of the king covered only two levels. In fact it seems
Solomon, besides being King, could dominate the underworld forces.
Solomon and the Queen of Sheba from Solomon Piero della Francesca and the two women by Nicolas Poussin
The story of Solomon and the mythical kingdom in the Bible, in the first Book of
Kings, and the author devotes entire chapters eleven, but because the monaco
integrates him into the square next to the Queen of Sheba (the legend seems overs
you He loves then Hiram http://www.goirsaa.it/italia/fratelli/?page_id=36), And to
her, instead sitting on a wooden stool, despite the eye in hand, puts one

shoe? The shoes symbolize the walk through life, what he wanted to tell us had
therefore missed the Monaco Bilqis not putting that shoe? Perhaps, like
Michelangelo painting a single white arm to the progenitor of all people painted
the Last Judgment was saying to us that this woman was (genetically) something
wrong, Pantaleone, with its non shoe to the Queen of Sheba, intended to tell us that
something that the woman had lost genetically. It becomes understandable at this
point that Solomon sitting on two Griffons, Pantaleone we wanted to also say the
DNA quality is not too good king. I think Jesus also likely descended from his
lineblood (http://www.cesarevacca.it/mistero-genealogia-gesu/).
Perhaps, by inserting the two neighbors in the square, Pantaleone would also
suggest that the love affair with the Queen of Sheba, Queen People who still
worshiped the Sun, had to be Solomon, to replace the deviation with respect to the
god of Moses , to embrace the worship practiced by the Queen and not be her, as it
happened, to embrace the worship of the god of Solomon. The choice of the queen
to follow the religion of Solomon's God, which also imposed to his people, caused
the loss of the sun cult of knowledge, of which the Queen was a priestess, and
probably also the knowledge of the astronomical code that perhaps the Queen had
which he was perhaps in the hand of Solomon, and then maybe the Crusaders
found themselves.
As you probably meant to suggest the story
of Cinderella, and as we'll see going
forward in our investigation, that shoe, ie,
the part of DNA, will be returned to the
founder representative of the human race
(at the top of the plant maybe Dante would
say) and as to all those people (souls) who
are eligible.

The earthly garden and Re Artù
In this part of the work Pantaleone seems to tell the reason that caused the second
major catastrophe, and what seems to be saying, the reason apparently was putting
off the earthly garden of Adam and Eve.
Earlier, observing this part of the work, for the figures present and for the story
that I had been shown long ago (which were visions in episodes that lasted more
than a week), I now realized related the story linked to the myth Osiris, I think the
Monaco was telling us that king
despite the name on to that knight who rode the goat was
said Re Artù, but only when I found and read the famous
treatise of prof. Santillana and Dr. Hertavon Dechend,
Hamlet's Mill, I could understand a little 'better what was
going to be that figure and the symbolic narrative that the
monaco with that
representation intended to reveal.
When I began to try to crack that part of the work, the thing certain was that the
mosaic had been built between 1163 and 1165 because the date was written in the
mosaic; upon reflection, I thought it was easier to Pantaleone that he was
influenced by the Byzantine culture, which certainly did not belong to the
fictionalized story of the Arthurian characters and the mythical king in the courts
Norman, of which, among other things, the first literary works, wrote Giovanni
Bellisario Re Artù in his text in the mosaic of Otranto after careful research, did
not appear before 1170. While there were those who even attributed the birth of
the myth linking it to the story of San Galgano, a contemporary of Pantaleone,
which could not already have such a great myth enough to be included in the
mosaic from monaco. How it

They had learned so Pantaleone and Bishop who commissioned the work? That
name above that Knight had written Pantaleone? That image, depicting just the
legendary king of Avalon or were other signs that the monaco intended to suggest
inserting it? Or, as some critics have suggested noting differences in style, there
was the intervention of a different hand from Pantaleone at a later date? Among
other things, the story of Osiris killed by the dog / brother Seth, he decriptava
smoothly and was relevant to the rest of the story that the Monaco seemed to make
it through the myth of Osiris, which tells the pharaoh will have to go through
twelve rooms before go out to the Light, the Monaco said we'd be in jail for a full
cycle before being able to see the stars (the real ones), whereas this is not
incastrava with the Arthurian myth.
The legend of King Arthur and his kingdom, later enriched by numerous and
various anecdotes, begins to be told in the Middle Ages lost, perhaps for the
reasons hypothesized on page 43 of the text, almost every trace of the original
story. Surrounded by historic and imaginative characters, the Arthurian figure is
the result of re-interpretation and stratification fictional life a thousand years, and
still remains one of the great mysteries of the Middle Ages. According to legend,
Arthur was conceived for a spell of Merlin, the architect of the table, who reared
him and determined the ascent to the throne of Camelot, where he became court
magician and advisor Arthur first. A legend is told about the supernatural powers
of the magician and his ability to travel through time. Mythological are also
legends about Arthur's sword.
He conquered the rank of kings when he managed to get the enchanted sword
embedded in the rock, which could only be removed from future sovereign. The
sword Excalibur, which means steel, instead was given to him by the Lady of the
Lake, because according to legend, the sheath had the magical power to protect
his

owner from injuries. It is said that the Arthurian hero's death occurred just when
half-sister Morgana stole it. Conquered the throne, the legendary king surrounded
himself with brave and reliable men, the famous Knights of the Round Table, led
by the high values of the chivalrous protection of ladies and widows, opposed to
deception and abuse, cruelty, murder and unprovoked battles. The closest and
trusted knight of King Arthur was Lancelot, the protagonist of the tragic love affair
with Queen Guinevere, which shook the magic balance of the kingdom of Camelot
determining the fall.
In Welsh the word arth means bear, and Arthur has been linked to the star Arturo;
Arturo has also been definedthe caretaker of the Great Bear since it is located
right next to the Great Bear. Arturo,an easily identifiable red giant for its great
brightness and for its characteristic orange color very much alive,does part of the
constellation Boötes, the shepherd or peasant shepherd who is a large group of
stars that form the letter "Y". According to the ancient Greeks, Boote was the
son of Demeter, the Greek goddess. She was a beautiful young man, but besides
being beautiful was smart, determined and aware of their duties towards others.
When he saw that the men of the earth struggling to get food he decided to help
them. He understood that if you were limited to giving them will starve,
men would always have needed his help. He decided to give them
the ability to provide for themselves, to become independent. For this purpose
He invented and built a plow and sent him to earth. Since then men could
plow fields, grow them, and feed on the fruits of their labor. To this noble
They decided to make the gesture of honor by placing it in the sky next to the Plow.
Pantaleone, again he did it, although to tell the majesty of the figure has placed on
his head the crown because the stars really do not marry, did not suit the Knight as
a king but with a simple brown robe monk ( Fig. A) Same brown cassock of
religion with which that person has dressed below

he is bitten in the throat of the dog (Fig B). It 'clear that those two figures
symbolize the same character, and the person who is killed by the dog Arthur (as
we shall see, is also Osiris ..). Figure fantastic linked to the Cosmos and therefore
reported with the religious habit, whose name was used to talk about something
serious happened in the cosmos and that concerned the stars.
to b
Mirroring in the sub above and vice versa, presumably there was even an Arthur
killed in the flesh on Earth, indeed, whereas the events that happen on Earth affect
the behavior of the star, before there should be was the murder of Arthur on Earth
(probably the son of Demeter myth) and the upheaval of the planets in the sky
when they were obviously involved the stars. So although Arthur, like Osiris, is the
man (of which, behind Arthur, the Monaco draws up the soul), the characters of
the original Arthurian legend, we do not know when exactly, but they should be
really existed.
Legend Mordred mortally wounded Arthur's death; Mordred was able to do that
while the legend says, because Morgana (which perhaps symbolizes Sophia) halfsister
of King Arthur, had stolen the important magical sheath (the soul) of the
sword, that not having its sheath, in battle (the battle soul for life), could be fatally
wounded by Mondred.
There are various stories about connecting Mordred Arthur, but the best known to
date is that he was the illegitimate son of him and his half-sister Morgana.
Morgana was half sister of Arthur and Mordred was born from them as Isis and
Osiris myth tells Horus was born. Who or what symbolizesthen Mondred the
legend of Re Artù?
Orion, the myth goes, was killed accidentally by Artemis because of Apollo's
jealousy of her sister; in one of the versions about his killing, the myth has it that
the giant boasted to be the most skilled of

hunters, and challenged Artemis, the goddess of the hunt, saying that he could kill
any animal on Earth. The goddess then quivered with indignation and a split of the
land let out a scorpion stung to death presumptuous giant.The same myths in
different version, but always to tell us of these serious events: Orion symbolizes to
me the man, and when these upsets the natural order of things, when the laws of
nature are ignored, ridiculed or trampled, the Goddess becomes fierce, destructive,
ruthless, and every action has a reaction does match adapted proportionally.
Morgana which is unintentionally kill Arthur should symbolize so Sophia
involuntarily, by his experiment, it kills something in man that creates and this
goes on a downward spiral of negative events from which we are not yet out.
So Mondred might want to symbolize Apollo, the new sun, which in turn
symbolizes the new man created but lacking something and that's why the myth
portrayed as jealous Apollo by Sophia, however, that in the myths concerning the
killing of Orion is not always this (sometimes Artemis or Diana herself who
decided to kill Orion for various reasons given in the different myths). several
myths that over time have perhaps been retouched, altered, but always to speak of
the serious occurrence that took place among the stars caused by the reasons we
have been able to know what decrypting told in arms from monaco.
Mordred is also mentioned by Dante Alighieri in canto XXXII, which uses a bit 'as
an example of treacherous relatives, so as a child who wanted to kill his father with
deceit:
On a body I get out; and the whole
Caina you can search and find a shade
no more worthy to be fixed in aspic:
* Not he in whom were broken breast and shadow
* with it a blow to the hand of Arthur;
In the two lines of the song is the breakdown of the King Arthur sword that
cleaves so deeply in the chest Monred, that a ray of sunlight passes through it, also
puncturing its shadow.
Always thinking about the characters assigned to the Constellations, apparently
interpreted in the story that seems to draw monaco, Arthur appears to have been
killed by one of Orion's dogs, which could be represented in the dog that draws
Pantaleone attack throat King (Fig.B ). Constellation whose position of the stars
that has been attributed to the figure of the dog, perhaps

imagining it (?), Pantaleone reported on the dog that kills humans, with those white
cubes (Picture C, d). In the constellation Canis Major is Sirius, located at the heel
of the giant constellation of Orion. Sirius, which we tied to the Sacred Feminine
being linked Isis, in the myth that concerns Orion, is the name of one of his dogs.
C
Orion in Egypt is represented by Osiris, god of death and resurrection; but which is
intended to symbolize resurrection of Osiris? The Orion constellation, because of
its location near the Earth's equator, appears to be linked to the identification of the
precession;therefore, easily, the resurrection which is intended to symbolize with
Osiris (but he also mentions the myth of King Arthur) is the passage that brings
with it also the great changes that we are living (When there is an alignment
between Earth and Sirius and the rest of the universe, changes occur on Earth.
What this alignment is taking place for some time, as are happening on Earth
changes, which also include the changing of our DNA, is before our eyes).
The hourglass symbol linked to Orion because of its shape, but above The Constellation Orion to
d
Nemesis, appeared as a crop circle in 2013
Self so, though, because instead of symbolizing the human evolution (which is
normally the bottom) in the myth it was reported the death and resurrection (thanks
to Isis) of Osiris (which, however, like Arthur, is all of humanity) it is perhaps the
one that has perhaps been misrepresented by Jesus first, then by Paolo di Tarso and
then by the Catholic Church?

Phy, as described to us Pantaleone in arms, to those creations of dishes being
completed probably before Sophia (symbolized in Artemis, who unintentionally
kills Orion), then by aliens, fallen angels or Anunnaki that you wish to call them,
this had led to make dying man the divine genetics amount needed to keep alive
his spirituality. This obviously means that they are just meat delivered by Enlil
approach of the flood.
In Egyptian myth, the figures of Arthur and Monred are represented by Osiris and
Seth, and that section of the mosaic could be interpreted in this way: that dog that
bites into the throat the man with the brown tunic, which is the same put in front of
the knight, could be identified as Seth dog, the brother who killed Osiris (star
called brother and husband of Isis, then the Sirius binary star). Always fantastic
characters real believed, whose names were used instead to talk about something
serious happened in the cosmos which covered the stars, that since close and
similar in size, defined man and wife, and brother and sister. While Seth, Nephthys
the groom, he may have been defined brother of Osiris as the son of another
constellation. Legend has it that Seth divided the body of Osiris into fourteen parts,
which Isis, sister and wife, put together. But he lacked the foul. Isis, therefore, to
give birth to Horus used a candle; Horus is born is perhaps Sirius C, star born from
the pieces of the star involved in the impact, put back together by the force of
attraction of the cosmos. Legend even has it that Horus, an adult, back and
challenge his uncle to a duel; duel wins but in which he loses his right eye.
I think this part of the myth we want to say: once the third star had however taken
its compactness, even before finishing the path that perhaps would take it to
explode and become a sun, subsequent cosmic movements (caused by easily the
hybrid born from the coupling of the fallen angels with terrestrial women), took it
to impact even with Seth. The right eye in the Horus myth loses, he wants perhaps
mean that the star was born has never been able to become a sun. In fact it seems
that Sirius C is four times lighter than Sirius B, but is not visible to us because it
shines not a sun.
Even Senmut, in its design, does not put the sun in the head
to Horus. He does not do it for significarci perhaps that
Horus is just a Celestial Body (empty as those hybrids) and
not a star.
The myth has it that even after death, Osiris became the god
of Duat; the wolf-cat that puts pants to block the road to
that Knight, confirms that Osiris did not pass.

Recalling what Pantaleone has already told us in the arms and in the square, but we
can guess, that through the figure of the dog (the constellation) placed in front of
the Knight, he tells us that it is all humanity that it was not and that through that
catastrophe , it was postponed back again (in the case of the Arthurian saga,
evidently Arthur symbolizing humanity that it was not).A symbology not easy to
decode, but at that sheath that Morgan Arthur subtracts, and in that by Artemis
commanded scorpion to kill Orion, it could be symbolized especially the damage
done to the male genetic code because, if we analyze everything well, are
predominantlymen who genetically have paid the highest price because the
experiment of Sophia, which in turn has also generated all the chaos that ensued.
The constellation of Orion is also important for the three stars of his belt, which
intends to tell Dante in the eighth canto of Purgatory:
My greedy eyes still wandered up to the
heavens, where the stars are later
Even as a wheel the nearest to its stem.
And 'my Conductor: "Son, that there above guarde?".
And I to him: "At those three torches (The three stars of Orion's belt ...)
that 'the pole here is all on fire. "
Ond 'he to me: "The four resplendent stars
I saw this morning are down yonder low, (Four of the Southern Cross)
And these have risen where 'those were. "
Alnitak, Alnilam is Mintaka,calls in different ways depending on the tradition, in
the Disney fairy tale are the three sisters of Cinderella acid; Cinderella in turn
perhaps symbolizes Hecate, or the DNA depleted.
Among the versions legendary status of the three stars, there is also the one that
tells the story of the three kings. Those stars of the giant belt that Catholicism has
made the three Persian Magi who bring three gifts - Gold Frankincense and Myrrh
- the little child just born.
It 'also important Betelgeuse, that among the various transliterations about the
name might be symbolized nell'araba Al-Uzza, while Bellatrix (the warrior
woman) Lastrange, character saga of Henry Potter is a Death Eaters, might want to
symbolize the role he played in that star Battle of the Planets. We could go on for
hours to make connections seen as the imagination of men has produced to get us
what come unto us, and what is currently creating: Betelgeuse is often cited in
stories to science fiction character in the novel The Planet of the Apes, Is the star
around which orbits the planet Soror (sister), on which the story is set. In Star
series

Trek, the star hosts a planetary system within the place of the United Federation of
Planets of influence on whose second planet (Betelgeuse II) lives an alien race
rather obscure, the Betelgeusiani ... and how these examples could go on and on ...
For tell us which was the time that Arthur was
killed and all the upheaval that followed and
why, Pantaleone fits into that section of the work
Adam and Eve put off by earthly garden draws
near and the synthesis of the history of their
children Cain and Abel.
Pantaleon draws before the two nudes that make
their different offerings to God, then he draws
even Cain with a short tunic, white hair, and red
shoes, which to kill Abel, left by the still naked
monaco and with red hair, use a stick with a
knob at the top. We know Cain as the villain
who killed his brother Abel symbolizing this
good and the bad beat even once Well, but
drawing the red Cain and the red shoes
Hair Abel, the Monaco suggests that, although in different
ways, the two had hybrid DNA in them.
Above the synthesis of the story of Cain and Abel, there
are the two arms of God and under those arms there
Medusa; inserting Medusa, the terrible face of the
Goddess, under those arms, the Monaco tells us that as a
result of those events and then there was a catastrophe sent
from on high.
The Medusa mosaic Deucalion and Pyrrha Same current threat?

Through the figure of Osiris, whose legend has it will have to go through twelve
rooms before you can go out to the Light (rooms that can be compared to the
symbolism contained in the Twelve Labors of Hercules symbolizing in turn all
humanity), the Monaco is saying that after those experiments humanity had to go
over the twelve Houses of the Zodiac before he could find in front of the door that
allows access to the New Day.
A few legends linked to the Zodiac and a Heavenly Knight - it's something that I
think we speak so well hidden Leonardo da Vinci Last Supper - was probably
already narrated in Jesus' time. And probably for that, though only about a century
later, without understanding that it was not Jesus the son of Mary but Stefano
(whose figure will deepen in the part dedicated to Michelangelo's Last Judgment),
easily, the pooled the different characteristics of earlier Horus, Mithras, Krishna,
Dionysus and others Great Mothers of children, and attributed the twelve apostles
and a thirteenth who betrayed him, never really existed. However, while that of the
twelve apostles and Jesus is a fraudulent story, the myth of Osiris, like that of
Arthur and the Knights of the Round Table, it does not want to talk about real
people. They were probably used the names of real people and it may already
legendary, but to tell the astronomical cycles and hand down the news of a great
catastrophe happened when the Earth and its inhabitants were under the thirteenth
sign, which is why he was considered traitor (the Sophia legend says that she was
in the thirteenth floor when he was deceived by Authares demon. a high level then.
a little 'as we are now).
Handing down the story through myth, those of our ancestors wanted to warn the
people of the future that you would find yourself living under that sign and perhaps
repeating the same mistake hoping that the news would come because they knew
that planet could strike again. All this we will see later confirmed when
decripteremo another part of the work, but also in the mosaic of Aquileia,
commissioned by vescovo Teodoro in the fourth century, it may be explained by a
message similar to the work of Pantaleone. And I think that when Berenger
Saunierè, the parish priest of Rennes le Chateau, spoke of a terrible secret, he was
referring to the facts narrated by the monaco in the mosaic.
It may seem absurd that in the twelfth century could already know the DNA and
genetic experiments, land movements and those cosmic and other such important
things that we began to discover just a few centuries ago Isaac Newton and Galileo
Galilei, that perhaps for their studies they departed from the work of the front
Nicola Cusano who lived in the fifteenth century. What it is perhaps

incomprehensible, it is because of all this secrecy was maintained. If all this we
had known, we would perhaps have been wiser!
How are proving increasingly numerous scholars and researchers through a not so
different reading of the ancient texts, if we look, everything is always under our
eyes told in cosmateschi floors, in the paintings of various artists, and the structural
assemblies of religious buildings the oldest, but for our ignorance and inability we
were not able to understand why, the ecclesiastical hierarchies, taught that those
texts and / or works were not incorporated literally but they were interpreted. What
they did then telling them false things. So who he was to warn us, because he knew
that what had happened in the past could have been repeated in the future for the
same reasons, did not do it! Or were hypnotized, or they were asleep, or they could
not do because then, obviously, you would understand that myths about the
referred to the movements of the stars, and even WHO was actually the god they
have always told to believe and pray! How, though argued against, they never
explained why they were when records began in fertilizationsvitro
(https://it.wikipedia.org/wiki/Referendum_abrogativi_del_2005_in_Italia). How could
they tell us that they already knew for centuries that kind of experimentation had taken
who knows how many thousands of years before the destruction of the Earth and of
humanity as we had always kept hidden?
Various are the catastrophes that Higher Intelligence generated to stop the
Humanity; after the one that broke the Earth Pangea, which was perhaps the muchsought
Atlantis, two, as far as we know, we are the most important: the catastrophe
of Toba, it seems occurred about seventy-five thousand years ago, and what has
been handed down as flood. And if the specimen found in Russia really dates back
to 450 million years ago, the first major catastrophe is to backdate least at that
date. Naturally Life on Earth is always reborn, but as Anime, through new
incarnations, had to be forged again as we did not understand what NOT We were
not allowed to do on this Earth. The trouble is that once here, a little 'for
malevolent entities that have taken to parassitarci and deviarci, a little' because of
disaster catastrophe were lost almost all of the Ancient Teachings and who has
found something kept him hidden or he transcribed modifying it at her
convenience, we are no longer able to trace neither consciousness nor as human.
As the steps (Realms) that humanity had to climb before the resurrection (before
you can see the dawn of the New Day), are symbolized in the number of the
fourteen Stations of the Cross, the three major disasters are

symbolized for me the three falls of Jesus during this symbolic journey.
Time is not linear but spiral, if those stations which were fourteen were made to
become the fifteenth, then the last Kalpa of this Aeon has come to an end. It means
that once you understand the lessons that the Higher Intelligence HAD impart and
having brought order and justice, we enter the New Day avoiding the catastrophe.
The ecclesiastical hierarchy they know unquestionably older than me, but with the
change from fourteen to fifteen the number of stations, and the fact that Ratzinger,
in the first Via Crucis of his pontificate, he had refused to carry the cross in
procession, I had the It confirms that they were well aware of what I was just
discovering and understanding, even though this certainty I had already given a
few sentences and certain behaviors of Giovanni Paolo II. For this subsequent
resignation of Ratzinger they not surprised then that much, I began to think then,
however, that behind the ecclesiastical hierarchy, or at least one who was elected
pope, he could be someone who held the strings and blackmailed he forced the
popes to silence the truth in order to continue undisturbed to maintain the status
quo in the world.
A confirmation that the attending Pope could be kept under blackmail, could be the
strange death of Albino Luciani, who incidentally, died after he said in a Sunday
angelus that God is above all Mother; another confirmation, may be the resignation
of Benedict XVI, who, just to take off that chair, chose the life of a recluse;
another confirmation perhaps we might find in the strange accident that caused the
death of his wife and sons of the nephew of Bergoglio who pawed perhaps a bit
'and wanted to do something, and grandson of the incident served to get him to be
quiet.

Parentheses required: An Aeon is divided into cycles, which in turn are divided
into eras that follow and repeat cyclically, reviving the Anime previous history but
faster (you know it's really so just look back and see how know we acquired, and
in all subjects, in the last hundred years). Knowing that we are at the end of the
Great Cycle, I thought I would then pick me to look a little 'back to try to figure
out what a great thing, as our ancestors of some distant past, we have completed, of
which we may have underestimated the severity and consequences.
Thanks to the research and knowledge that I have gained in these relatively few
years, identify what may have been that thing was easy: as did some our ancient
ancestor of that distant time that he wanted to get to know God, the last century
also we began to manipulate the DNA (which is the way through which the Higher
Intelligence that Mother and Father - so Love - occurs), to give birth to Louise
Brown, the first test-tube baby was born that today 37 years . This birth has
initiated something that still continues from the tube because many children are
born. Everything that is born is part of the Divine Plan, we, raising children from
the tube, so we pretended to mouthing projects to God upsetting everything and
upsetting the Divine design inherent in every human being and most importantly,
raising only the empty shells (or just meat, like Enlil said as he watched get the
flood ...)!
But maybe he had to go exactly like what happened so that we could understand
what was the mistake we made in some distant past and which had made us fall
into this hell.
So considering what we have accomplished today with the pecora Dolly, with
children born in a test tube, with GMOs and who knows what else, probably of our
ancient ancestors did exactly what we are doing today. They generated in the tube
beings who then made mix to humans inscribed in the Book of Life that have
inhabited the earth had evolved. Grave insulting to God, which caused a huge
disaster, he dropped those considered then of the earth, that maybe experienced in
turn giving rise to other empty beings by turning the cyclical nature from which we
are not out yet and that will not get out until you realize that the DNA is
untouchable, and not restaureremo Justice of the true Deity.

The square with the months
To recover the lost days with the Julian calendar, Gregory XIII (January 7, 1502
- April 10, 1585) is just the last person to reorganize everything again the calendar for
this named after him; since in quadrato Pantaleone is starting the year with the sign of
Capricorn (earth sign ruled by Saturn) rather than with the sign of Aries (fire sign, the
beginning of everything emblem) as starts in astrology, we can not to say whether representing
the twelve months under the section dedicated to the earthly paradise monaco just wanted to
tell us that after what happened in that place Saturno sarà the one who will rule mankind and
our time, or if after what happened in the earthly paradise, with months inserted into the square,
he wanted to symbolize the passing of another great cycle before they occur and saving the
flood of Noah since it is he who tells us immediately afterwards. What we know is that the
story underneath those twelve months relates to the period starting from Noah and comes down
to our days.

Under twelve months Pantaleone draw a line to tell us that enters another
period of time and then tells us about Noah.
We are told that through a dream sent to him by God (the same god of Samuel)
that warned him and told him what to do, the Patriarch and his family managed to
escape. Noah and his family were not the only people alive on earth when the
flood happened, why that god bother to save only himself and his family?Noah is
the one that the Bible contains walked with God, and is considered the most
important patriarch after Adam and before Abraham would descend from which all
humanity because the Bible records that God was the only one saved from the
flood with his family. In Genesis fact there are ten generations from Adam to Noah
and ten from Noah to Abraham; so Noah was born right in the middle of these
twenty generations of patriarchs. But what about when we think about Noah, it is
not so much the offspring, since the circumstances of his birth.
In one of the three books of Enoch, which seems fragments we were also found
atQumran, it tells the story of the birth of Noah and as the father of these, Lamech,
was upset when his wife gave birth to a son. Little Noah fact had very white skin
and light hair, almost white; It was therefore very different from other children,
being the Middle East as their parents were quite dark.
Lamech was desperate and said that that was not his son, that his wife had cheated
on him with one of the Guardians. Knowing evidently well who were these
guardians was referring to Lamech, the Catholic Church has the discipline
deepening repeatedly opposed and condemned about angels coming to forbid since
the Council of Rome in 745 the veneration of angels whose names do not appear in
the Bible. A ban still reaffirmed in 1992 with the decree Of Litteris where
expressly indicated how it was unlawful to teach and use notions about angels and
archangels on.
Do not know, however, being that of Lamech post diluvian period, if the
Guardians to which he referred were those 200 angels who along with Semeyaza
rebelled against the same mother who had created them, they went down to Mount
Hermon, and

swore on that mountain that they would take a wife of the daughters of men to
procreate, or the Guardians that Lamech was referring were other and different
from the Rebel Angels of the previous cycle.
Although later, according to a report in the book, Enoch had
assurances from the Guardian and in turn assured Lanech
telling him it was all right, given the characteristics of Noah's
birth, at least for male bloodline, he was a son of the heavenly
creatures of the underworld where mankind lived and where
he still had to go back. In fact, Pantaleone, albeit ago beard
and white hair to the Patriarch, to symbolize the hybrid DNA
in him, puts his foot red shoes. This feature indicates that at
least for
As for the male genetic line, there was yet another change; but as we shall see, the
same descendants of Noah, the great-grandson Nimrod, surely it will cause at least
one other.
Some scriptures say that the great saggio Noè - while Enlil because of the
wickedness of the Giants (Nephilim) had decided to destroy all beings that
inhabited the earth in the flood - in a dream by Enki receives the order to build the
ark.
As we can see in the image next, that ark
the Monaco says the carpenters built,
however, were not all the same
genetically as some put the red shoes and
not to others.
Although he had no DNA intact as
apparently assumed, not surprisingly
then, the Church, to describe
Jesus, we are told that he was a carpenter son of a carpenter.
Pantaleone, perhaps to what is written in the ancient texts available to him, I do not
know what god has evaluated was given the order to Noah, probably the same that
will manifest to Samuel through the voice in his head. What is certain, though, is
that the Higher Intelligence was perhaps necessary to Noah and his family were
saved. After the flood, thanks to Intelligence that resides in all things, Noah and
the others who were saved by themselves - then both entered in the Book of Life
that the children of the fallen angels who had saved anyway - began again all from
the same point. Pantaleone tells us this by drawing a new dividing line and, as we
can see in the following image, putting under the carpenters of

lacksmiths. Drawing men as blacksmiths, the Monaco would want to tell us
the soul of those people had to be forged.
To understand this helps us the myth of Hephaestus, the Volcano of the Romans,
that the myth has it rejected by his mother because it was too ugly and in the fall he
broke his leg that left him with a limp (http://mitologiamythos.blogspot.it/2012/06/efesto-
vulcano.html). His lameness, like that too ugly
reported in myth, of course, intended to refer to the quality of Hephaestus DNA,
symbolizing the new man born in the underworld and had to start over again the
uphill struggle to get rid of the weight of his soul.
Hephaestus in his forge
Venus in the Forge of Vulcan
by Anthony Van Dyck
1626
Having now he understood that Pantaleone mosaic tells the genetic history of
mankind, and to show every time someone took up the DNA what happened on the
ground and thus in the cosmos, and to distinguish the genetic origin of the
characters present in the work uses or colors different in shape or does so through
the symbolic animals he invented, we can assume that the Hephaestus myth
intended to symbolize beings rejected by the Great Mother (easily those born from
fallen angels and terrestrial women), while its lameness definitely symbolizes
'genetic helix lost. The forge of Hephaestus, like blacksmiths mosaic instead
symbolize the low level (thus the chthonic world) from

where those new terrestrial inhabitants (still with the others) were thrown and they
had to start the struggle of life to forge their souls.
After the flood, since even lower level (or low Realm), where we had fallen
through migration and continuous mixing of populations, genetic diversity should
have gone as stirring and, albeit with many problems, all together (descendants of
beings created in a test tube by Sophia, descendants of the children born from the
union of the elohim with terrestrial women, descendants of the beings created by
the elohim and having the DNA of the wE god, and inscribed in the Book of Life
salvatisi from the Flood), we got going so far . Maybe he had to go exactly like
what happened so we understood where we were wrong in the past, but today,
come back to the time of the fateful passage (so the exam), we are also to have
repeated the same mistake he did incollerire the Great Mother ( Higher
Intelligence) and moved his arm several times: we again generated in the tube
beings, we are making genetic modifications to humans, the animal kingdom and
the plant kingdom. We have (re) discovered nuclear and although it is devastating
for the Earth and for all of us that we live, we used it and we are using it even for
wars. To say nothing of what we are doing or allowing to happen: they even have
legalized same-sex relationships. Something unnatural because homosexuality is
caused by parasites, ie those alien entities, dominating the mind of those subjects.
Besides this, there are going to allow even be commodified Life through the uterus
rent! Things on which the Church appeals (see the Church's position on the
referendum on artificial procreation in 2005), but they can not then the
ecclesiastical hierarchies explain the reasons for their opposition because they have
never told the bringing Truth to separate God , Science, and Moral, do not listen to
them.
In the poem of Atrahasis (so Ziusudra Noah), said the great sage, made in the
period from 1646 to 1626 BC (during the reign of Ammisaduqa fourth successor of
Hammurabi), but taken from ancient texts that we can not know how much intact
or how the content can be changed by those who had in his hand there, is reported
to create the prototype of man was slain god We (leader of the Igigi, children of
the Anunnaki, that Sitchin writes had led the revolt arose for too much heavy
lifting), which Belet-ili, Anunnaki scientist, Enki with the help of mingled flesh
and blood of god We with clay, and that the Anunnaki and the Igigi, which has
also become great gods, spat on clay. That after various tests failed, were then
fourteen loaves made of clay: breads produced seven males and seven females, and
males and females were made

coupling two by two. In 2013, Vladimir I. Shcherbak of the Al-Farabi Kazakh
National University of Kazakhstan and Maxim A. Makukov Fesenkov
Astrophysical Institute, writing in the journal Icarus, have speculated that an
intelligent signal embedded in our genetic code would be a math message and
semantics that can not be explained by Darwinian evolution. They call it
"biological SETI". They say that once fixed, the code may remain unchanged over
cosmological time, in fact, is the most durable known construct. So is an
exceptionally reliable memory for smart signature (that biological SETI could
come from God We, considered the god of intelligence and who was slain by the
Elohim to create the first Adam and then Eve, but it could also come from children
who were born the women they mated the fallen angels, therefore, be of the same
Guardians).
Once the genome is appropriately rewritten - always write Shcherbak and Kazakh
- the new code with the signing will remain frozen in the cell and its progeny.
According to them this sort of trademark, it could have been written eons ago in
another place of our galaxy. This sort of label would be the indelible stamp of
extraterrestrial civilizations that preceded us to many millions or billions of years.
The biological footprint on our genome, it would be the legacy of this remote
civilization to the Milky Way.
Some months ago, the research team of the Center for Research and Genome Study
in Massachusetts, led by Dr. Philip Label, today announced it has made a
sensational discovery: the human DNA of two out of three people were found 130
genes of non-human nature , ie aliens. According to the researchers, it is not about
land genes as never seen in any unicellular or multicellular organism on Earth. The
presence of these alien genes in the human genome of these two out of three
people, according to Dr. Label, is possible only through a complicated mechanism
called Horizontal Gene Transfer, ie the same mechanism with which single-celled
organisms, such as bacteria, can quickly evolve inside our cells integrate their
genome into the human genome. Normally this event in humans can lead to
pathogenic outcomes, in this case instead of the alien genes seem to replace those
human remains integrated and rimpiazzandone function without causing disease.
Zecharia Sitchin, translating from ancient Sumerian tablets of clay, writes that
since the Igigi, for too much effort to dig the gold mines had begun to complain
and rebel, Enki decided to create a worker who helped them, and was created Lulu;
to create the Lulu was sacrificed God We, the Igigi lesser god and the god of
intelligence; Mauro Biglino (*) Translates the ancient biblical texts that

Elohim inserted their Tzelem to create Adam (Tzelem so what could be the genes
of God We), and to create Eve led nell'Adam a great sleep by taking from him only
Tzela. The Tzelem, explains Mauro Biglino translating from Gen 1,26-27, is that
something of material that contains the image of the Elohim, and that they
themselves have used to form the Adam. The Igigi, which should be the same
Vanara of Hindu mythology, were chthonic deities Levels / Realms still lower than
that of Enlil, Enki and company; even if this leads us to believe that those gods,
despite the technology in their possession they had a low level of consciousness,
the creation of Lulu by Enki could mean that you had to start from the lower levels
to re-create the man destroyed by Sophia albeit this would have entailed a high
price to pay.
Those aliens from another world, able to change the desired shape and to become
corporeal in our (quality that seems to have also Thetis, mother of Achilles), are
without doubt the biblical Enki and Enlil and their children, chthonic deities of the
Forces who came into contact with Abraham and Moses and Elijah and Enoch.
Divinity through worship towards them and their children have taken on different
names in the sacred texts considered by the different cultures of the Earth. One of
those deities, now believed extraterrestrials, could also have been the famous
Rama married Sita.
Rama and Sita chthonic The coronation Ravana
Because Rama, incidentally, also had a bluish skin, pale blue and the Etruscans,
as warned against a certain dog, painted tombs in their pale blue skin than that
they were demons.
* Mauro Biglino is Italian translator who specialized by the Hebrew Masoretic. He translated to the Vatican
from the Masoretic text eighteen books of the Bible, of which twelve published in the book "The Minor
Prophets" and the remainder in "The five Meghillôt" books published by Piergiorgio Beretta for the publishing
house Edizioni San Paolo.

The Etruscans knew then most of us now about these Entities can take
different forms?
Rama, the epic hero of the Ramayana, considered, in the Hindu religion, as avatars
of Vishnu, in those remote times, incidentally, just married Sita, the woman in
whose body was incarnated the Monad of the Goddess thus contained the Book.
The woman who was, therefore, as suggested by Dante's Divine Comedy, the Top
of the plant.So, the one who looked good, it will actually occur?
Legend has it that as Sita Rama had two sons Lava and Kusha. Just as two males
legend has been born by Rea Silvia was raped by Mars. Two males probably really
born that embodied perhaps even the Good and Evil.
Another special fertilization told by the myths is that of Leda. The charming
Queen of Sparta Cestio daughter and wife of Tyndareus.
a b c
a. Leda and the Swan by Leonardo da Vinci. b. Leda and the Swan by Michelangelo. c. Atomic Leda Salvador
Dali
Legend Zeus fell in love, and to see her, he reached the summit of Mount
Taygetos. A version of the myth says that: Leda while he slept on the banks of a
pond, was awakened by the squawking of the wings of a swan canditissimo;
around there was ambrosial aroma that her dizzy and the swan with its sinuous
neck

lovingly he stroked her face, her hair and her arms. It was Zeus who to approach it
turned into swan and as soon as the young queen woke up, made himself known
and predicted that their love would be born twins.Legend has it that the woman
became the father of two eggs. The husband of Leda, Tyndareus, lay with her
during the same night, that an egg would come out the Dioscuri Castor and Pollux,
while on the other Helen and Clytemnestra.
Among the many myths of goddesses and gods and their children, the most
important is to Latona. I generated by Zeus the twins Apollo and Diana. The
mythology often combines the name of Latona to the original continent of
Hyperborea, Nordic people emigrated in several waves from the Arctic to Europe
and Asia. Hesiod has it that Zeus - who also loved him, but feared the anger and
jealousy of his wife was - away from him Latona just before it gave birth. Nobody
wanted to give her hospitality fearing retaliation of Age; so Latona, pursued by the
serpent Python, wandering through the Aegean Sea, found refuge at the Aegean
island of Ortigia, where Diana and Apollo were born. The children of Latona later
killed the snake, on Mount Parnassus, to avenge the suffering of the mother.
The many myths that mention the birth of twin boys by dee perhaps symbolizing
the balance that must exist between good and evil; Latona, as its progeny, are far
more important than the other goddesses and their children because she was not a
simple nymph. She, unlike other goddesses, belonged to the ancient and noble race
of the Titans, and she reflected that over expressed in below which generated
major changes.
Birth of Apollo and Diana by Marcantonio Franceschini
Since that man has memory, good and evil are symbolized as twins; on the door of
Mycenae Good and evil they are symbolized as two lions like two lions pulled the
chariot of Cybele. They are the same because they both have the same task, make
us grow.

a b c
d e f
a: The goat Amalthea with twins b: c Delphi said Castor: Castor .The Capitol d: Cybele and Diana
with the only dog that symbolizes the Good. f: Maria

Under which tells locksmiths the Monaco draws the Tower of Babel.
The Tower of Babel is the legendary building where the Bible says in Genesis
(11,1-9) which has an important parallel in a Sumerian poem oldest, Enmerkar and
the Lord of Aratta, and the Book of Jubilees (10 , 18-27).
(I apologize for the image shown but it was the only way to highlight the detail that shows the genetic
difference of the people who built the tower of Babel; the genetic difference Pantaleone has symbolized putting
or less tunics to the various figures, making or less red hair, or putting or not the red shoes.)
References more or less wide to it are also found in the works of the Hellenistic
and Roman writers in the fragments of Alessandro Polistore and Eupolerno, in
Sibylline Oracles, in Flavio Giuseppe. The biblical legend of the Tower of Babel is
probably derived from the real and main Ziggurat of Babylon, the main religious
center of the city and the surrounding area. But because our Pantaleone, in the
story that makes in his work draws this tower?
When we started to think about this part of the mosaic, the importance of the
symbolism of the ladder we had happen, as we were already aware that the
different blood groups (symbolized in the different figures drawn on the Tower)
were souls of people with different backgrounds, and that that figure

snake with wings could symbolize Enki but also a fallen angel (Picture A); but
what more we wondered, was who would be the figure that Pantaleone had drawn
along with that figure snake with wings and he seemed hypnotized. Then, upon
closer inspection of the work section, the questions are increased because
Pantaleone had brought them beside the tower and at that point the height of the
structure? Why he had placed the two figures between two peacocks (Fig B), one
of which seemed to be holding between the paws what looked like a goat (?).
a
b
The construction of the Tower of Babel is attributed to Nimrod, biblical character,
according to Genesis, a descendant of Noah. Nimrod or Nimrod, according to
Genesis (10.8 to 12), was the son of Kus (Cush) or Ethiopia, son of Ham, son of
Noah.
Nimrod was the first among men to constitute a powerful kingdom. The initial core
of the kingdom was Babel, along with some other cities, but then moved to Assyria,
where he founded Nineveh. It seems Nimrod has become a hero or a powerful not
only as a hunter of animals, but also as a violent warrior. The Jewish writer
Giuseppe Flavio writes Nimrod turned his government gradually into a tyranny,
seeing no other way to divert men from the fear of God, than to keep them
constantly in his power.

He also said that he intended to take revenge with God, if ever he had in mind to
drown the world again; So it built a high so that the waters would not have been
able to reach the tower, and would avenge the destruction of their ancestors. The
men, who had decided to stop all in one place in contravention to the divine plan
that wanted to populate the entire Earth, were very ready to follow the decision of
Nimrod, considering an act of cowardice to submit to God, and set out to build the
tower that was built with an unexpected speed (11.1 to 4 Genesis). "Come, let us
build us a city and a tower, whose top may reach unto heaven, and let us make us
a name, lest we be scattered over all the earth." For he wanted to stay together in
one place, rather than trying to "touch the sky", they were punished by the
confusion of tongues which, according to Genesis 11.9, is also the origin of the
name Babel.
Following Nimrod married his own mother Semirapide, which after his death,
declared that he had become the sun god Baal. According to some Jewish Nimrod
was killed by Esau, son of Isaac and Jacob's brother.
Along with Nimrod Semiramide (Assyrian Shammu-ramat, mythical queen
Babylon according to Greek legend told by Diodoro Siculo daughter of the Syrian
goddess Derketo http://www.sapere.it/enciclopedia/Semir%C3%A0mide.html), he built
an immense temporal power, where they were worshiped as gods; to his death
Semiramis, considered the goddess and queen of heaven, also known as the goddess of
sexual immorality, debauchery of that ancient cultures describe as a powerful woman
warrior, vain and sexual appetites strong (therefore the expression of Hecate yet
underworld), he devised an evil plan to continue to reign in his place. Or have you
believe that the son of whom was pregnant was none other than Nimrod reincarnated.
From this story probably were born cults differently still largely exist: the Lupercalia,
Feast of sexuality and fertility that was celebrated on the 14th of

February, the modern Valentine.http://www.lintellettualedissidente.it/storia/lupercalia-lecelebrations-cathartic-of-februa
/
Rea Silvia and the god Mars - Peter Paul Rubens
Relief Ara Pacis: the discovery of the twins.
The Valentine's party hides this ancient cult linked to the love between Semiramis
and Lupercus, Nino (hunter Nimrod) son, lover and then her husband, the famous
hunter, Valentino (strong man), and the illegitimate son of her: Tammuz,
considered the divine son, Nimrod was Reincarnated.
a
Semiramide he receives the news of the revolt of Babylon, painting by Guercino
We know what this led: to the false trinity of Father, Mother, and divine child. And
maybe, just because you told of this earlier, the Council of Nicaea in 325, was not
too farfetched to believe that Jesus was the son of a god who had knocked the
mother and then today that is honored by nearly all of contemporary Christianity to
celebrate the resurrection of Jesus, Easter.
At this point, the most plausible assumptions about who is the man who seems to
hypnotize the fallen angel, is the one that is Nimrod. But more likely, perhaps for
genetic compatibility, the alien even supplanted him appropriating Nimrod mind.
Which ones are still entities with many land.

It becomes apparent that those genes mentioned by Dr. Lebel (evidently numerous
in Nimrod) may be to Tzelem the Elohim which writes Biglino (which seems to
create Eve, however, were not used), and in turn be the ones dell'immolato dioWe
that through the descendants of those origin breads are those genes come down to
us. It also becomes apparent, however, that at least one third of the earth's
population has nearly original because it does not have those genes (the genome of
that third persons, is still affected by the experiment that made Sophia?). At this
point we believe that the meaning of the wolf-cat that Pantaleone put close to
Adam, besides indicating that the Great Mother in the woman expresses her
positive and humans Force expresses the negative (opposing forces that serve to
maintain the balance of the world and are the expression of the Goddess in its
entirety), it is used to signify negativity of the figure because it was created with
Genes We alien god. It could be exactly what caused in Adam, then in men who
are descendents of Noah, a large fault in the DNA, thus behavior. And perhaps that
is the fact that Eve was not present him Tzelem elohim who later, Michelangelo,
will paint only she helped the Great Mother, that is, the energy (DNA) of the
Goddess remained in her, and he only paints like rag empty. But the alien DNA in
humans, as we have seen reflecting on the various terrestrial events, seems to have
a single origin.
The tomb of Michelangelo
Part of alien DNA in the human being found by researchers, could come
dall'immolato God We (the god of intelligence Igigi, which could be the same god
of the Hindu monkey-Vanara) one of those of even lower when Enki and Ninmah
used the DNA to create the Lulu,

or, as suggested by Sitchin, hairy come from the animal seen in the forest by Enki,
who could be a primate; another part of alien DNA could come from the
descendants of the children that the women had land with fallen angels.
From what we have learned through the readings, once Enki put the Lulu able to
reproduce the same Enlil drove those nell'Abzu beings, the lower part of the
allocated land to Enki (In fact, the parts of the Earth below the 30th parallel are
inhabited mostly by people of color). Something that would perhaps suggest a
precise dedicated filmology?
Planet of the Apes 1968 Star wors1977 Avatar 2009
Of Giants, race from which Nimrod descended, although not revealing
The source also tells Dante in the XXXI ° canto:
Short while my head there once,
that I seemed to see a lot of tall towers;
I: "Master, say, what town is this?".
And it to me: "But you spend the darkness
at too great a distance, It happens that
then in maginare abborri.

Well shalt thou see, if thou there, How
much 'l sense deceives itself by distance;
however somewhat more yourself sting ".
Then he took my hand tenderly
and he said: "Before we farther ahead, so
that 's made thee Less strange, know that
these are not towers, but giants,
and are in the well, around the bank
from the navel downward all. "As when
the fog is vanishing away gradually
depicts
what hides 'the vapor that the air stipa,
thus piercing the thick and dark aura,
More and more near ver' the bank,
fuggiemi error, and fear; However, as of
the circle round Montereggione is crowned
with towers,
so that the brink 'surrounds the well
torreggiavan half the horrible giants,
which threatens
Jupiter in the sky when he thunders.
And I already saw in any face,
the shoulders and 'l breast and belly much,
and down along both arms. Certainly
Nature, when she left the making Of
animals, did well to efface them, such
executors from Mars.
And if she of elephants and whales
does not repent, whosoever looketh subtly
More just and more discreet will hold her;
For where the argument of intellect Is
added unto evil will and power, No rampart
can the people make.
His face me as long and as big as the pina St.
Peter in Rome,
And in proportion were the other bones; So
that the margin, which an apron
Down from the middle, he showed so much

Above it, that to reach up to his hair three
Frison vain had vaunted them; Because that
'I beheld thirty great palms of
Down from the place dov'omo buckles' s mantle.
The Giants in the ninth circle of Gustav Dorè
The six Giants naked around the well, Botticelli
The poet describes the Giants without legs; the legs are in reality allow you to
move, to walk, allegorically instead, in this case their absence, are meant to
express the inaction of the subject to evolve, to grow within. Dante describing the
Giants without legs, but not so different from the antediluvian Nephilim, as
perhaps supported by commentators, he obviously wanted to symbolize the
immobility, but another thing that undoubtedly emerges after evaluating the most
terrestrial events happened, you the result of much genetic mixture present in
humanity that currently inhabits the Earth. There will be those who still have the
DNA as determined at the beginning of Creation?
At this point, although we have not been able to identify that animal is what a
peacock has between his legs, so he means symbolize since the figure reported in
the press in our possession which shows how the mosaic is too small to be able to
identify certainty, the hypothesis
now we can do about the significance of the presence and
diversity of those two peacocks that symbolize the eye of the
Goddess who sees everything, is that it was she, the
Goddess, then the Higher Intelligence, which destroyed the
tower of Babel. But if the destroyed because the man wanted
to reach God as the tradition has handed down to mix the
languages, or whether, as I read and how it would seem to
prove this part shows the tower where you see a man
disappear
half, the tower was destroyed because at that point there was a time passage
(A Stargate) from which those Grigori could get on and off at will,

then continue to harm the land, they are not able to confirm it by denying it. It is
true that the Giants had an intimate knowledge of the original Earth before those
steps fall closed.

elevant readings: Cush was the eldest son ofCam, brother Canaan and father
Nimrod, and Raamah, referred to "Table of Nations"in the Jewish Bible(Genesis
10:06, I Chronicles 01:08). The name is usually considered the 'eponymous the
people of Kush.
According to Genesis, the other sons of Cush were Seba, Avila, Sabtah, Raamah
(about Raamah reread p. 131, 132 and 133) and Sabtecah (Sabtecah, the Egyptian
Sobek? https://it.wikipedia.org/wiki/Sobek), Names identified by modern scholars
with the Arab tribes.
Giuseppe Flavio He believes that the people of Kushites descended from Cush,
son of Ham and grandson of Noah.
The existence of the historic Kingdom of Kush, which was located in the south of
Egypt and Sudan, can not reasonably be questioned, although the same term Kush
may have been used for all the people who lived in those latitudes, or to the south
of Egypt. In addition, the modern Kushite branch of the family of Afro-Asiatic
languages spoken by different peoples of the Horn of Africa, is so named with
reference to the Biblical Cush. The languages of the Kushite branch currently
include surviving SomaliAfar, Oromo and other tribal languages of the Horn of
Africa, and were traditionally considered descendants of Cush since 947 AD The
Beja people, who speak a language Kushite, boasts specific genealogical traditions
regarding the descendants of Cush.
the explorer James Bruce, who visited the highlands of Ethiopia c. in 1770, he
wrote of "a tradition among the Abyssinians, who say they have had since time
immemorial, that in the days after the flood, Cush, son of Ham, was traveling with
his family along the Nile to reach the plainAtbaraThen still uninhabited, from
where they could see the entire Ethiopian plateau. I went up there and built the
city ofAxum, and some time later, returning to the plain, they builtMeroe. "He also
said that European scholars of his time had summarily rejected this tale based on
their traditional theory, which claimed that Cush arrived in Africa through'Saudi
Arabia and Bab el Mandeb. Furthermore, with regard to the greatObelisk of Axum,
It is believed to have been erected by Cush to mark his territory, and told his son
Ityopp the desire to be buried under there, according to the Book of Axum.
The wife of Moses was a Kushite, according to the Book of Numbers 12: 1.
Likewise in the Tragedy of Ezechiele Mosè it is described as a foreigner in the
land ofMidian, and also it proceeds to describe the inhabitants of ancestral lands in
Africa. "Stranger, this land is called Libya {an ancient name for the African
continent} E 'inhabited by peoples of different tribes, Ethiopians and other dark
men. A man

It is the lord of the land: ... He is king and the military commander. He rules the
state, the judges of the people, and is a priest. This man is my father Jethro."
Scholars such as Michaelis Johann Rosenmüller and others have pointed out that
the Cush name has been assigned to several adjacent zones on both sides of theRed
Sea Saudi (yemen) And Africa. InFifth century AD, the tribe of Himyariti South
Arabia were described by Syrian writers writers like Kushites and Ethiopians.
One of the dictionary Yiddish - Hebrew - Latin - German Elijah Levita ofXVI
century AD, It contains a list of countries, including the word ‏"כושי"‏ Ethiopian or
Cushi, translated into Latin as "aethiops" and in German as "Mor".
Some inscriptions Babylonians mention the people of Kashshi or Kassites, which,
however, also they destroyed the ancient kingdom of Babylon, which at the time
were considered descendants of Cush, in turn Nimrod ancestor Genesis, Chapter 8.
Although there is no conclusive evidence, some still argue that the various
references to Cush of the Old Testament does not refer to Ethiopia, but to the
territories Phut and Mizraim (Egypt).
The rhetorical question: "Can a Kushite change his skin?" inJeremiah 13:23 refers
to people of a skin of a distinctly different color from that of the Israelites,
probably an African people, even the Old Testament Greek translation made by the
Greek-speaking Jews from ca. 250 BC and the 100
B.C Cush uniformly translates as "Ethiopia."
The Persian historian Muhammad ibn Jarir al-Tabari (c. 915) recounts a tradition
that the wife of Cush was called Qarnabil, daughter of Batawil, son of Tiras, and
she brought him the peoples "Abyssinians, Sindi is Indian".
https://it.wikipedia.org/wiki/Cush_(Bibbia)
trinitranismo of paganism History
The trinity has ancient origins, which is not biblical. It would be a mistake to think
that the Trinitarian history has begun in the 2nd / 3rd century. Its roots are much
older and sink in the Babylonian paganism. Everything seems to be born from the
legendary figure of the Queen Semiramis. A tradition identifies it with the
Babylonian queen Shammuramat, daughter of the goddess Derceto and Caistro
Syrian. Some Greek writers (Herodotus of Halicarnassus in the 5th century BC..
EV and the Babylonian priest Berossus of the third century. A. EV) say that she
was a great queen. He conquered Media, Egypt and Ethiopia, and built the walls of
Babylon and the famous Hanging Gardens, one of the seven wonders of the
ancient world. Justin (Palestinian philosopher of the 2nd century.) And Augustine
of Hippo (philosopher, theologian, Father and Doctor of the Church, the 4th / 5th
sec.) Considered it an example of corruption, lust, and women incestuous, having
had relationship with their child.

The reconstruction of this myth leads us after the Flood. One of the three sons of
Noah, Ham (Gen 5:32), had a son named Cush (Gen. 10: 6; 1Cron 1: 8). Legend
has it that this Cus married a woman named Semiramis (Semiramis), which gave
birth to Nimrod. In the Bible we find no trace of Semiramis, but there is mentioned
that "Cush begat Nimrod: he began to be mighty on earth"
(1Cron 1.10). The name Nimrod says a lot. In Hebrew ו (Nimrod) that,
apparently, comes from the verb (MARAD), "rebel." "Why, then, it was called
Nimrod? Why he instigated the whole world to rebel (himrid) His [God's]
sovereignty. " - Babylonian Talmud, Erubin 53 ° .It was this Nimrod who founded
the first empire postdiluvian: "The beginning of his kingdom was Babel" (Genesis
10:10) or Babylon. The Bible calls him "Nimrod the mighty hunter before the
Lord" (Gen. 10: 9), in which the word "front" ‏,י)‏ lifnè) should be understood as
"against" (cfr. Targumim and Giuseppe Flavio in Jewish Antiquities, I , 114, 115).
The Tower of Babel and its cities were built for a megalomaniac project: "Come,
let us build us a city and a tower whose top may reach unto heaven; a name, so that
we be scattered abroad over the whole earth "(Gen 11: 4). The construction of the
city was interrupted by God himself. - Genesis 11: 5-8.
a
a:Inanna, the goddess mother of the Babylonian myth http://www.archart.it/inanna.htmll (Reflecting on the
part of the myth where it is narrated that the goddess doing drunk Enki snatches the promise that he would
return the Me, the tables of the destinies of men, in my opinion, as humanity, from the time that the goddess
has riavute, we It began to rise from hell where we were)http://www.flavatar.it/437/
It is now established that the myths and legends may have arisen from some
historical facts that underlie it. At the base of myth and legend, there is usually a
historical event. For example, the Greek myths of the gods descended on earth and
accoppiatisi with women who begot demigods, recall that the Bible book of
Genesis is narrated in 6: 1-4; the Flood event recorded in the Bible (Genesis 6: 9-9:
19) remains in the memories of many ancient nations, who passed it mythically.
So, Nimrod and Semiramis is connected with two Marduk (Mesopotamian god
"young bull of the sun") and Astarte (Phoenician and Canaanite Great Mother,
connected with the Babylonian Ishtar, mentioned in the Bible as Ashtoreth in 1
Sam 31:10).

The interwoven myths. The husband of Astarte (Ishtar, Ashtoreth) was the god
Adon (Assyrian Adonis), identified by the Greeks with Adonis; for the Egyptians
had Osiris, husband of Isis (which brings us back to Astarte), the Greek Aphrodite.
One of several versions of how Semiramis had as a god son, says that after the
death of Nimrod, Semiramis gave birth to a son, Tammuz (Adonis for the Greeks).
This Tammuz had to wife the Sumerian goddess Inanna (assimilated to the
Babylonian Ishtar, the Greek Aphrodite and the Roman Venus). Since Tammuz
Semiramis could not have conceived after the death of Nimrod, the conception
seemed miraculous and you saw the rebirth of Marduk or Nimrod.
Now, doing analysis and trying to reassemble the pieces, is known as Semiramis in
pagan triad assumes the role of the holy spirit and his son of the divine seed in the
womb; think then the incarnation of Nimrod in Tammuz, considered the same
person. The same concepts are present in the trinity. Later, his father's position as a
figure of the god diminished and the center of the cult became the image of the
mother with the child / god incarnate in her arms. This cult spread rapidly
throughout the known world. The ancient Germans worshiped the vergine Hertha
with child in her arms. The Scandinavians called her Disa. The Egyptian mother
was Isis with the child Horus. In India Devaki and her mother she had the child
Krishna. In Asia they were known as Cybele and Deoius. In pagan Rome, as
Fortuna and Jupiter puer (boy). In Greece, as Ceres, the Great Mother with baby at
the breast, or as Irene, the goddess of peace with his son in his arms Snuff. The
image of the mother with the baby in her arms was so rooted in pagan mind that
when Christianity was merged with paganism under Roman Emperor Constantine,
those images were simply renamed and worshiped as the vergine Maria with her
son Jesus / God incarnate . Thus, the pagan mother and divine child entered the socalled
Christian religion; Catholic worship of Mary with baby Jesus perpetuates
this paganism. Consider that in Tibet, China and Japan, Jesuit missionaries were
astonished to find the counterpart of their Madonna and child as they devoutly
worshiped them. Shing Moo, the Holy Mother, China was represented with a child
in her arms and surrounded with glory, exactly as if it had been fashioned by
craftsmen Roman Catholics; a copy of the Madonna with child.
The so-called Christians argue that Semiramis and all the other virgin mothers with
their god / child are all false images designed by the devil. We agree. "And no
wonder, since Satan pretends day be an angel" (2 Cor 11:14, the Development
Plan). What you may not suspect Catholics, however, it is that even their
veneration of Mary is false. Feel it a mediator between us and Jesus and call it
even Mother of God, what else is it but a Satanic deception? The name "Queen

Sky "reveals the strong bond that Madonna invented by the Catholics with pagan
representations of the same goddess who was worshiped under different names;
Astarte was already venerated as the "queen of heaven". The name Inanna
(Babylonian Ishtar) literally means "queen of heaven". - See. Jer 7:18.
The worship of the "queen of heaven" was still practiced in the 4th century of our
era. We have this witness around 375 of our era: "Some women decorate a sort of
wagon or sedan, after having been lying on a linen cloth, in a holiday year will
pose for a few days before a loaf offering in the name of Mary. Then all the
women eat of that bread "(Epifanio, Panarion, 79,1,7). It is the same Epifanio
linking this custom to worship the "queen of heaven" citing Jer 7:18 and 44:25. -
Ibid, 79,8,1,2; cfr. Epiphanius, edited by Karl Holl, Leipzig, 1933, Vol. 3, p. 476,
482,
483.
The cult of Astarte (Ishtar, Ashtoreth, Isis, Aphrodite, Demeter, Diana) was active
in Ephesus until 431, when it was supplanted by the cult of Mary. "Queen of
Heaven" was the title of Semiramis, the Babylonian king's wife and mother
goddess Nimrod.
As already explained, the Nimrod name comes from the verb (MARAD), "rebel",
thus indicating a rebellious person. For the Romans it was Mars: Ares for the
Greeks, whose name derives from the greek ἀρά (arà), "ruin, curse"; not by chance
was the god of war. More s'indaga in these myths, most everything takes us back
to Nimrod. The Anglo-Saxon Zernebogus, a deity worshiped by the Anglo-Saxon
pagans - whose name is Chaldean and means "seed of the prophet Cush" - takes us
back to the Biblical Cush (Gen. 10: 6; 1Cron 1: 8) According to legend, he married
Semiramis (Semiramide ), which gave birth to Nimrod, then he fleshes in their son
Tammuz. The Cushites, descendants of Cush were black leather, so that Jer 13:23
question rhetorically if "a Cusita can change his skin". Zernebogus was "black,
malicious, nefarious gods". Nimrod was also symbolized by a horn; Marduk (god
Mesopotamian connected to him) was represented as "young bull". In Egypt, Isis
(Astarte) was depicted with horns. The Baal god was also connected to Astarte; in
the Middle East, karnaim Baal means "lord of the horns." The symbol of Apollo
were the horns. Pashupati is one of the manifestations of the Indian Shiva and is
represented with long horns. In a nutshell, we have the exact equivalent of the
popular idea of the devil, depicted with horns and often black.
The Egyptian Isis is then connected to Astarte. Isidoro, Egyptian poet of the first
century, so praising Isis: "Queen of the gods, Giver of wealth, powerful Lady,
Good Luck, Isis from big name. . . All mortals who live on the infinite ground,
Thracians, Greeks or barbarians they are, speak your beautiful name, very honored
by all, each in his own language, each in his own country. The Siri

they call you Astarte, Artemis and Nanaia, the Lici call you Mrs. Leto, the
Thracians Mother of the gods, the Greeks call you was the big throne and
Aphrodite and the good and Rhea Hestia and Demeter. But the Egyptians call you
Thiouis, because you alone are all the other goddesses called by their names from
the people. "
Among Isis / Astarte (reconnected to Semiramis) and the Catholic Madonna there
are connections which is also found in art. Already the early Christian art was
inspired by the classic depiction of Isis to represent the figure of Mary. Both held
in her arms a child, "baby Jesus" in the case of Madonna, Horus in the case of Isis.
When the so-called Christianity was absorbed by the Roman Empire under
Constantine and Theodosius I, a number of religious temples to Isis were adapted
and consecrated as a basilica dedicated to Our Lady; paintings and works depicting
the Egyptian goddess certainly facilitated the accomunarsi of the two figures.
Some scholars believe that the famous Church of the Nativity in Bethlehem is built
on a cave that was originally a sanctuary of Adonis / Tammuz. - See. M. Craveri,
The Life of Jesus, Grove Press, 1967, pp. 35, 36.
Counterparts of the Madonna with her baby wherever we find them. In Greece it
was Ceres the Great Mother with baby at the breast. In China it is called mother
Singmoo and is painted with the baby in her arms. In India, Indrani or Devaki
Krishna child. Nana from the Sumerians. In Asia Minor, Cybele the child Deoius.
Nel'antica Israel, Astarte with her son Tammuz, whose death apostate Jewish
women wept. - Ezekiel 8:14.
Regarding the Trinity, now carefully note that Tammuz was regarded as the son of
a god in the Babylonian Trinity, which was part of Semiramide. In addition,
Tammuz and his father Nimrod were considered a single entity because Tammuz
was none other than Nimrod miraculously incarnated.
In addition to the seated-Babylonian trinity, paganism had other. There were those
Greek, Etruscan, Roman, Gallic, Iranian, Hindu and Buddhist. Hyperion, son of
Uranus and Gaea, fathered with his sister Theia the triad composed of helium (the
sun), Selene (Moon) and Eos (Aurora). Latona, a character fro m Greek mythology,
is a triad with Apollo and Artemis. The deities of the Greek triad Dionisio-
Demeter-Core were introduced in Rome in the 5th century. to. EV with the names,
respectively, of Liberius-Caesar-Free. Of Etruscan origin it seems to be the
Capitoline Triad Giove Juno-Minerva. Jupiter (Jupiter in Latin) is a Roman deity.
Among the various Iuppiter Italic the best known is Jupiter Grabovio, mentioned in
the tables of Gubbio, in a triad together with Mars Grabovio and Vofonio
Grabovio. A typical Roman religious establishment, seems to be the construction
of the divine triad of Jupiter-Mars-Quirinus. Mercury is often represented with
three heads. Celtic is a feature, the concept of the triune God: three manifestations
of a single

divinity. A "Christian" writer Adam of Bremen, said that in the ancient temple of
Uppsala, Sweden, in the 13th century, were still worshiped the statues of three
gods: the most powerful, Thor, had the throne in the center, Odin ( Wodan) and
Fery (Fricco Freyr or Fro) instead to its hips. Honir, god of Germanic mythology,
along with Odin and Lodhur, is a triad. In the cult of Mithras, there is a triad
formed by: Ormuzd-Anahita-Mithra.
In Eastern religions often uses the number three. An example: Brahma, Vishnu and
Shiva, the Trimurti definition polytheistic. Trimurti is the Hindu concept that
considers the world ruled by a divine trinity. Of the three persons of the trinity, the
most important cause is Brahma, the god who has the powers of creation and as
such appears to Hindus farther, higher and less visible; uppermost in the Trimurti it
ends up being taken from Vishnu. Trimurti is the religious term of the late
Brahmanism, indicating the trinity of the cosmic forces in the unity of God.
Trimurti, which in Hinduism indicates a divine triad, is represented iconography as
a human being with three faces, very resembling certain Catholic depictions of the
trinity.
There is no doubt that paganism is present in the Catholic-Protestant Trinity. Few
people know that the first representation of the divine trinity appears as Father-
Mother-Son, just as pagan. The spirit, then, was the beginning feminine entity.
Who is well informed not surprised to read statements like these: "The [Trinity] is
entirely pagan origins" (Arthur Weigall, The Paganism in Our Christianity,
London 1928, p. 197); "Trinitarianism of the fourth century not accurately
reflected the primitive Christian teaching about the nature of God; to the
Conversely, He represented a deviation from such teaching"
(Encyclopedia Americana Vol. 27, 1956, p. 294L); "In Catholic seminaries are few
teachers of Trinitarian theology that sooner or later they did not feel ask: 'But how
does one preach the Trinity?' And if on one side the question is symptomatic of
confusion on the part of the students, on the other hand is perhaps just as
symptomatic of similar confusion on the part of teachers. " - New Catholic
Encyclopedia, 1967 Washington, vol. XIV, p.
304.http://www.biblistica.it/wordpress/?page_id=1400

The hat
On the right, with the Tower of Babel, Pantaleone tells what happened concretely
on the ground, indicating the distant time that happened; left instead is suggesting
that there was a transcendent level because of the actions of men. In the hat
monaco then he sums up what tells more detail below.
Looking from right to left (remember that is so that we have read the work), in the
section of the mosaic shown above, in the first three animals inserted symbolic,
Pantaleone tells of past three Age of the Earth, and with that strange figure put in
front of the deer , you probably want to tell us which caused serious damage to the
DNA of the origins, so that established by the Goddess in Creation, all these
manipulations and several subsequent genetic intrusions. This assessment because
right as the first figure, the Monaco draws that animal
ridden by that figure with the strange trumpet,
could symbolize the Great Mother who controls the
Earth so the Human Genome that Pantaleone, to tell us
of the three propellers inoperative, puts you close a leaf
with three tips: If the Goddess created us in his image
and likeness, we could do just androgynous. And maybe,
nell'atavica memory of this reminiscence American
Indians was not up to long ago as the hermaphrodite was
considered by them a deity.
Of the second Age of the Earth the Monaco speaks to us with that horse, animal
symbolically linked to Hecate (goddess that we saw the monaco also reported in
brackets) which puts under the belly the fig leaf. Of The Third Age instead he
speaks to us with that deer, animal symbolically connected to Diana, who puts it
under an oak leaf belly.
The myth has it that Diana (New Earth), his brother Apollo (New Sun) had a
female Aradia. Aradia (Herodias), is presented as the messianic daughter of the
goddess Diana came to Earth to teach the poor and oppressed witchcraft as a
means of social resistance.

Mirroring the Above the Below, Aradia might want to depict the new Earth and be
was also a priestess who represented the Goddess on the planet, and the poor and
oppressed, and they had to help defend (or free, perhaps as a means to suggest the
myth of Demeter and abduction of Kore, the Roman Persephone, Fig.C), were
perhaps symbolized the owners of the DNA before the deer with the strange threeheaded
figure (Fig. a) It should be so because the monaco does not depict the more
the human genome with two dogs and a donkey with the flower with the pommel
in the mouth knocked down but alive as it did in the right arm (Fig B), but draws a
three-headed animal than the previous site, It composes with some of the darker
body and puts you close a dog in the mouth with a flower with three petals, but
excluded (Fig. a) Quell'escluso, you might want to symbolize the third and most
important part of the divine human genome, which is the last part of the original
remained, made completely out of the Lulu created by the Elohim, and also in
those hybrids born to women with whom they had paired the Grigori, that is, with
the fallen angels.
a b c
Reading order for the representations under the hat, he first brought under this
section of the mosaic, where the Monaco should therefore want to tell what
happened after the experiment of Sophia.
The Monaco draws before the Goddess with behind Nike, Fortune primitive, riding
a big fish with a collar and Goddess playing the trumpet announcing the end of that
Age, then in front of the big fish that draws in the mouth with his leg. Ac ross the
Monaco instead draws a tree branch on

which it is tangled a snake (which by the twisted tail we can assume to be the
demon Authares or more easily Enki), which bites a branch of the tree; behind him
draws a dog with the collar he bite a branch; dog at this point we believe
symbolizes Enlil. In those two figures placed in front of the Dea the monaco then it
symbolizes the gods of that below and above that of the low-Realm where we had
fallen.
That big fish and ride the goddess Nike, is likely to indicate that the goddess
controlled the Earth so the DNA; as intended to symbolize the trumpet of
Judgment that the Goddess plays, probably, to erase the shameful outcome of
beings born from the genetic experiments of Sophia, it was forced to send a
catastrophe. Catastrophe and consequent deaths (which had already lost a leg, that
is a part of the DNA) symbolized in fish, put in an upright no longer horizontal leg
with a human mouth. Placing the big fish vertically (like that of Jonah boat
symbolizes the Earth)the Monaco tells us that our planet at this time is rotated to
half its circumference. Pantaleone then tells us that the great catastrophe the Earth
has rotated LEAST 144 degrees all together causing a major catastrophe. Under
the depiction of the Monaco draws strange animals.
The dog with two heads and the dog with three heads
Among the many depicted in the work, those strange animals with multiple heads
are the ones that I
They have given more to think about and took us for the most varied hypotheses.

One such hypothesis is that those two strange animals with multiple heads may
want to represent the transcendent forces of Planets that affected the Earth and
consequently our DNA, then changed the geography of those celestial bodies that
over time have alternated in the government of our planet because of
terrestrial events. Assuming this, I decided
that the heads of the first animal, which
look like those of a man and a woman with
hair blacks, may wish to symbolize Tiamat
and Kingu (the first earth and the first mate
Tiamat?), The other animal with head of a
woman with white hair behind them
symbolizing the one we know today as Nemesis, and the octopus on top of them
might want to symbolize the evil one always lurking.
The second animal, where the heads are those
of two women and a man with red hair
(Jupiter, Juno and Minerva?), I evaluated these
may wish to symbolize the forces that
influenced, prevailed on Earth for a second
time. Perhaps what we are still living but, as I
saw in a vision, is a dark time. those peacocks
They should instead symbolize the Eye of the Goddess who always sees everything.
The fact that the figures are three leads to the assumption that something lost had
perhaps recovered or was recovering, but what seems to tell later on monaco, does
suggest it happened again something serious, and that makes one think of born
hybrid the union of the Guardians fallen with terrestrial women.
The Triad Capitoline Minerva Jupiter and Juno
There triple helix

The lioness under the animal in the head symbolizes
the Earth saw the Flower of Life (the DNA of all
things) that the monaco has designed under the belly
and the owl on the back; his head turned upwards of
the lioness will probably want
symbolizing the reversal of our planet.
Flip also symbolized the woman upside
down on the other side shows designed
with the tree.
Pantaleone would seem then tell us that because of the Guardians
accoppiatisi with terrestrial women and for hybrids from those
pair born, the Great Mother Celeste sent another major catastrophe. TO
Because of that other catastrophe Earth toppled other 144 degrees or at least,
how you might want to suggest the angle of the fig tree
designed under the horse close to the
woman (so Hecate horse symbolizing
the Earth axis), Spun at least other 72
degrees. Therefore, what is passed
down as flood, not only he concerned
the arrival of so much water from the
rains of a long period, the water that
is poured on
earth came primarily, if not exclusively, from the seas to the oceans overturned
because of the rotation of the planet. Rotation probably caused another asteroid
that struck the Earth by turning again.
The fox designed under the flower, besides suggesting the
traghettatrice function of the woman, is an element that helps
to understand that in that lioness possibly reflecting Sirius, the
Blazing Star. Sirius, identified with Isis (which in turn
embodied Hecate underworld or all to be revealed) was the
know
Star very important to the Egyptians.
While the owl that monaco put on the back of the lion,
symbolizing negative Hecate, or the bearer of not good news,
it was in fact already peculiarities of ancient Athor and was
also an emblem and symbol of Athena, patron of the city of
Athens.

Instead, the Flower of Life that Pantaleone drew under the belly of the Lioness, a
plant which the churches are full and crop circles there have told in a thousand
ways, symbolizes the Sacred Geometry. Sacred because it is used by Higher
Intelligence to create all things.
The symbolic animals that monaco drew between Leonessa and the woman upside
down on tree branch, could instead symbolize Constellations close to Sirius, or the
Forces fighting.
In symbolism as in the mosaic, the hanging still has a dual symbolism: it
symbolizes the deity embodied in matter but also, as well as divination tarot
teaches, passive initiation. Namely, that the subject is not

decided or intentionally sought, which, however, happens because these has been
predestined by the divine plan. In Isis was embodied divinity, though, as you may
want to suggest that bequeathed biting dog near the branch and the goat seems to
stick, it is negative, it is not the loving face of the Great Mother.
The two genetic experiments which tells us the monaco, are therefore those
responabili the two times that the Earth was struck by asteroids catastrophically
launched by Marduk, that from that Planet, moved as he passed near the Ort
Cloud; those two genetic experimentation was saying to us probably Dante in the
33rd canto of Purgatory in the Divine Comedy, as the poet writes in the song:
And bear in mind, when you write,
not to conceal what thou hast seen
the plant, That twice there
dirubata.
Whoever pillages or shatters it, With
blasphemy of deed offends God,
that only his use made it holy. For
biting that, in pain and in desire Five
thousand years and more the first
soul I long for the one who 's bite
punished in himself. He sleeps the
'Thine intellect, if not singular cause
estima To be exalted you so much
and so overwhelmed it the top.

Under the representation just described, we have a place Alessandro Magno
sitting between two Griffons.
The great leader is shown in the mosaic seated between two Griffins as Solomon
because man, who always has the Goddess but in its opposite as it is the instrument
of this plan of existence that needs to play. In fact, as we shall see in the work
contained in the Altemps Chapel, the artist who created the work he depicts the
Higher Planes of the Divine sun made women.
The Venetian lion deemed Alessandro symbolize?
Alessandro Magno and his flight back on the end of some churches
The Flight of Alexander is also reported in front of many ancient churches; He was
depicted well by those who obviously knew he was the son of the woman he had
embodied the Holy Spirit of the Goddess, and belonged to the Race of Priests. The
scales drawn on his robe, as the two Griffins on which the monaco has placed, as
Solomon intend to tell us that the great leader had polluted the DNA from that of
the Snake.
Alessandro Magno, that the myth takes us effeminate like Dionysus, was one of
the greatest geniuses of war never existed. It was he who form the great
Macedonian Empire. The Macedonians spoke the same language of the Greeks
because both peoples were from the ancient Dorians who settled in those lands
even when the territory was probably inhabited by the Mycenaeans.

According to Plutarch, the father of the great leader was Zeus, who, to join with
Olimpia, according to him took the shape of a snake because the woman she used
to practice Orphic and typical Dionysian rites of the populations of Edoni and
Traci and processions carrying large snakes domesticated. The story handed down
there the other hand, rightly so, just as the son of Olimpia and Philip II of
Macedonia, which from their marriage also had a daughter Cleopatra.
Zeus reported as a snake that seduces Olympics
Giulio Romano
Olympias, mother Alessandro di
In Olympia he was down the Holy Spirit of the Goddess because she had that
particular DNA, but apparently, his father Philip, or even the same mother
Olimpia, as surely they signify those two Griffins on which the monaco sat
Alessandro and perhaps even the tunic with those scales snake, were not yet fully
reconstituted DNA.
Alexander, like Jupiter above, is described by the head of Aries horns:
a b. c
the horns are symbol domain, and as such are often connected with the crowns;
two horns could therefore symbolize the power of Alexander extended the Orient
and the West, but there is perhaps something more. Alessandro loved since his
youth, a two-horned god who had conquered India: Dionysus, often portrayed with
bull's horns. In the winter of 332 and the spring of 331, after taking Tire after a
long siege, and rejecting the overtures of peace

Darius III of Macedon came to Egypt, visited the shrines of Heliopolis and
Memphis, he founded Alexandria and finally dared to march at a time of the oasis
of Siwa, Libya, facing the desert and its sand storms. Coupling in the oasis of
Siwa, visited the holy sanctuary to Amon that once stood there: the priests
proclaimed him the son of the god and Plutarch added that rumors spread that
they had also called "son of Zeus."
Since prehistoric horn appears associated with divinity, either as a representation
and as a sacred offering. This symbolism is found in Italy, with Bona Dea, and
outside Europe: in Egypt the goat horns indicate the value and dignity, the horns of
the pharaoh's crown are the symbol of the god Khnum, the goddess Hathor is
equipped with cow horns. Associations between the horns and the gods are also
located in Crete (horns of the divine bull), in Canaan (the horns of Ashtoreth
Qarnaim, ie Ashtoret the two horns), Byblos (where Ishtar is provided with cow
horns like Hathor), Michelangelo and probably puts the horns to his Moses to
suggest that he was the son of a mother or father with certain characteristics.
d e f
a. Alessandro b. Jupiter c. Moses d. the Bona Dea which is in a corner Ara Coeli
e: God KNUM f. Diana cerva
Over the millennia, with the change of beliefs and traditions, the symbol of the
horns will acquire different meaning, but that Alexander was the son of the
Goddess, or rather, the woman who had that certain DNA and which had fallen out
His Spirit, is a truth that could not (nor can) be disclosed because they would skip
the foundation on which the Church is held as the great conqueror, besides being a
Greek, then believed to more of, did miracles nor announced glad tidings, but
especially not resources from the body.

The four lions Mosaic Diana and designed under the tower of Babel
Also this part of the work he gave me his beautiful think. And in groped to figure
out who or what, could represent the four lions, I got lost several times in the
labyrinth of the many information until, after much research, reflecting on the
figure for the umpteenth time, I understand.
The first crop circle reported, appeared in Manton Drove, near Marlborough, Wiltshire County, England, May
24, 2015, the second appeared in Sant'Elpidio a Mare March 21, 2016.
The four lions mosaic, besides the four elements, such as the four kings of the
Babylonian list, as the four animals of the Chinese mythology, like the four of the
Japanese, each represent a cardinal point, and as the four Yuga of Hindu religion,
everyone Season one man (Satya Yuga or Krita Yuga, the golden age, the silver
age Treta Yuga, Dvapara Yuga, the age of bronze, Kali Yuga, the current iron
age), which have a lifetime of 12,000 divine years, corresponding to
4,320,000 human years.
The Ages of metals are also symbolized in the dream of Nebuchadnezzar giant -
where the king sees the giant with the head of gold, chest and arms of silver, its
belly and thighs of bronze, its legs of iron and feet iron and clay - that the
Prophet Daniel interprets as next four empires; and perhaps, the four eras plus
one, what was it symbolized the shelf consists of five shelves of one of my long
dream. Shelf saw where there was a photo for each shelf with a lighted candle in
front except the photo of the second shelf, where instead the candle was
extinguished. Probably, the shelf that had the unlit candle was the one that
concerns us.

The names of cosmic eras seems to derive from the ancient game of dice, probably
brought by the Aryans (or Aryans) in India, an ancient nomadic people belonging
to the Indo-Iranian group of the Indo-European peoples who penetrated the Indian
subcontinent in the second millennium BC Imposing those of Indo a large area and
dispersing of a very large area, took over the Indus valley civilization and their
language underwent a fragmentation process that gave rise to the various ancient
languages like Sanskrit and Hindi. For each of the four animals (as it will
Catholicism with the four evangelists), was given a human name. When Taoism in
China became popular in those four animals was added a fifth legendary animal.
That fifth legendary animal symbolized the Chinese people with a yellow dragon.
A Griffin yellow dragon? THE four evangelists TableChinese
But why, over the head of Diana, instead of drawing a fifth lion, monaco designs
that monster?
We have previously seen that the Monaco,
where he designed the big fish before and ridden
by the Goddess Nike and then placed vertically,
intended to tell us that Earth, following the first
major catastrophe, rolled at least
144 degrees all together; We also saw that, through the woman placed upside
down and the fig tree put under the horse, the
Monaco was saying to us that Earth, following the
catastrophe we know as the Deluge, rotated at least
72 degrees unless other even altri144; therefore,
putting that monster on the head of Diana, the
Monaco intends to tell us about the new danger
looming on Earth and consequently on our head for
the reasons already
explained during the decryption of other parts of the work. That monster over

Diana's head symbolizes so, unfortunately, those 72 or 144 degrees to the Earth,
always because of some asteroid as previously sent to punish the inhabitants of the
Earth, it could still turn generating a new great, great, catastrophe. If we add the 72
or 144 degrees that the Earth may again rotate to those that should have already
rotated, we will have the entire 360 degrees rotation.
How we are telling Pantaleone to warn us, as well clarify my distant vision where I
saw an asteroid heading towards Earth, and later where I saw an Earth Turf sink
into the sea, would also seem to confirm that sixth sign hanging on the edge of '
abyss reported in the Egyptian Book of the Dead.
Below the drawing Pantaleone Diana Leoni inserted with arrow in fully drawn and
pointed at the already wounded deer which in turn protects a goat head with a
chessboard; Diana probably depicts the Great Celestial Mother that took shape in
the Red Giant and becomes Nemesis, the Goddess of Justice;
h I l
m n o
h: Drawing Nostradamus m: Great Mother with Y depicted on an archaeological find. n: The Y
in the constellation Cancer. o: The Yerofante tarot.
if you start or not the arrow that Nemesis has inserted in the space already tense and
bet
to that already wounded deer symbolizing already hit Earth, I think it depends

us: if men will understand and they will repent, they will be made Gift of the fifth
element, Ether, the main element of the Philosopher's Stone and the catalyst
substance that can heal the corruption of matter (the modified DNA) and the '
humanity will ascend avoiding the catastrophe; if it will not, that arrow (asteroid)
will be thrown. That monster that stands on the head of Diana as a kind of sword of
Damocles fact symbolizes the planet destroyer and the danger that this brings with
it.
A Diana, Pantaleone to make it recognize as Nemesis, hair system in a way that
they form a Y (or V) inverted and also puts a bread under the arm (fig.i): it does to
tell us that she also Pan (then eight and seven together, which added also bring us
back to fifteen circles rimmed square) which is connected to the deep chasm and,
therefore represents Nature in its entirety.
The goat protected by the wounded deer, probably symbolizes the Earth and even
the new messenger of the Goddess. The flower with three petals that monaco put
in your mouth to figure it shows the power of women on the three Kingdoms
(Fig.P).
p
A papal ministry which shows the particular flower that also has the goat of the mosaic in the
mouth, and indicates that power; regency which male priesthood has misappropriated!
The chessboard that the goat has balanced on their heads, as well as the Game of
Life, might want to symbolize the water as he wrote the archeologist Maria
Gimbutas, or, perhaps like to indicate that crop circle (fig.o), the possibility that we
have to move to a higher level (if you want to .. go to Play, as souls, in a higher
realm, or at least different and pain). And perhaps the Monaco puts the board in the
balance on the goat's head to tell us that if the goat will not succeed in its mi ssion,
will be a new flood which will cause a new major catastrophe.
To tell us instead that the woman is the new Venus, the first star of the New Day,
under Alessandro Magno the Monaco draws a naked woman on the branch of the
tree and puts them near the peacock symbolizes the Eye of the Goddess who sees
everything.

For scholars is not clear the origin and the first features of Venus, ancient Italic
and Roman goddess, according to some would be the generating force of nature
and flowering, others linking his name to venerate verb, indicating the magical
power of prayer by man and the prerogative of the Goddess to satisfy him or not (a
prerogative that Zeus left).
In Rome, however, Venus is only a symbol of conjugal love. There was
approached to Vulcan as a bride but to Mars, forming the pair that features two
characters of the Roman world (the Venus connection of these / other planets
symbolizes the Elements which will then riacquisivano Realms that dated from
mankind): the military force and the divine origin of the race of Romulus. Tito
Livio tells that the uncle of Rea Silvia, Amulius, who had usurped the throne of his
brother, and did kill the male children, forced to become a vestal and make a vow
of chastity. But the god Mars fell in love with her, and after he had possessed by
force, in a Sacred Grove where she had gone to draw water, made her the mother
of the twins Romolo e Remo. On the second of these two infants she was given the
same name as rutulo leader beheaded in her sleep from Niso during the war
between the Trojans and Italic.
A
b
After the fall of Alba Longa, what became the league of Latin cities of Lazio could
have built the federal sanctuary of the Latin dedicated to Diana; there are those
who believe that the sanctuary has arisen solely as a sanctuary of the Latin League,
but

They were found in the remains of the ancient temple area at least fifteen thousand
years. So the temple of the Latin League may have been rebuilt on an existing site,
and at that time there may have been added to the guardian who later became rex
Nemorensis.
c d
to: Venus in a fresco in Pompeii b: The note Botticelli's Venus emerging from the water c: Temple of Venus
in Rome d Temple of Venus in Pompeii
In all the old Italian stood already in age-old shrines of Venus, but the most
important symbol linked to the goddess, the Vesica Piscis, we find it only in the
natural structure of Lake Nemi, where there are still the remains of the temple
dedicated to Diana. In addition, right at the ring surrounding the lake, there is a
very ancient source - another element connected to the Goddess - still used to
provide water to more countries.
Lake Nemi
It is not easy to navigate among the myths because it was made a mixture that even
by reading so you never come to anything for sure, but reading the myth of Aeneas
(son of a mortal and a goddess) and how this brings about what the greek did after
his landing in New York, perhaps becomes obvious why Juno (Italic goddess) did
not love too the Trojans, it becomes clear why Zeus had him get in the

Lazio, and why he made sure that these married Lavinia, promise Round (Rutilus
appellative, or from ethnic rutulus, which means red!), The king of the Latin
aborigines that inhabited the territory. Latin Aborigines still living in that area that
diverrano then the Castelli Romani, and they were probably the descendants of
those Homo selvaticus which we will discuss later.
The main place of worship of Diana was at the small Lazio Lake Nemi in the
Alban hills, the forest around him was said nemus aricinum for its proximity to the
city of Ariccia. According to legend, Diana - skilled young virgin in the hunt,
irascible as vindictive, lover of solitude and hostile banquets - she used to walk
around in isolated places. In the Name of Love, legend has it, had made a vow of
chastity and for this reason it showed affable, if not protected, only to those who
promised to keep the virginity and relied on her.
In Rome the cult of Diana Aricina was introduced, according to a tradition
politically motivated, since the time of Servio Tullio. The cult of Diana was
awarded the Aventine Hill, where he was born (the parentage of the original
temple of Ariccia) the first temple to Diana, the town of the Latins and the
Romans. At Aventine Diana it was consecrated as a holiday that same Diana
Ariccina: the Ides of August. The Church, using a numerology no coincidence
(15/8), he used this month to celebrate the day of Mary assumed into heaven.
All the features of nemorense worship found in cohesive duplicate that which was
the worship of Diana on the Aventine. In the temple of the Aventine, renovated by
the tribune Cornificius the time of Augustus, they were kept relevant laws and
treaties of alliance. As in other cultures, even in the Latin appears the connection
between the symbolism of the horns and divinity, in this case the deer and the
goddess Diana.
The Chimera
Depictions of different Diana
Tito Livio fact recalls an incident in which it was predicted that those who had
sacrificed a certain cow of great beauty, he would give his people the hegemony
over the entire region of the ancient Lazio. The Sabine cow owner

He went to the temple of Diana in Rome to sacrifice, but the temple priest
succeeded with a ploy to distract the Sabine and sacrificed him to the cow goddess
ensuring the city of Rome dominion over other cities. The cow horns were posted
at the entrance of the temple as a reminder of the story and as a tangible token of
sovereignty over Lazio. The power of Rome and its great expansion led to the
blend, as well as people of different peoples, the many myths; This was apparently
part of a superior design being what is now Europe, presumably the area where
they lived the last Homo selvaticus probably the Aryan race that Hitler in the early
forties went to look up in Tibet!
Research linked to the Pantaleone seems to tell, lead to the hypothesis, as he meant
in the first canto of Dante, that the Venus will incarnate in that Italy fia health for
which the maid Camilla died. Eurialo and Turn and Niso of Ferute, then in New
York, which is the place, as implied by the Revelation of John, where also lies the
Beast.
Many the animals with whom she
weds, and more will be still, until 'the
Greyhound Comes, who shall make her
perish in her pain.
He shall not feed on either earth
or pelf, But wisdom, love and
virtue;
and his nation be between felt and felt.
Of that low Italy fia health for
which the maid Camilla died,
Euryalus and Nisus Round of
ferute. These will drive the right
by every villa,
since that it will shed the 'Hell, there
where' nvidia first dipartilla.
The Greyhound, which some have symbolized as a dog or a horse, animals linked
to Hecate, is the allegorical personification of heroin destined to free humanity and
in particular Italy.

That figure is Dante calls Veltro Eagle Imperial heir, is the Universal Emperor will
reform the Church as Nostradamus also intended to suggest more than one of his
drawings.
How Pantaleone tells brings up the role of women who have not been recognized
as the Anima Mundi incarnations but which have left an indelible mark on history.
And history, in contrast to what we are told about Jesus, which derived its power
from those who hide behind the name of Helios, he describes these women as
people, normal, very normal! Narrating this story, putting the mosaic symbols
related to the Great Mother, not by placing Jesus anywhere, if we still had any
doubts, through what tells us the Monaco, we confirmed that the story of the
resurrection of Jesus is not real. If to retrieve the errors his story is not completely
invented, Jesus, perhaps in an attempt to help Maria, or perhaps because he wanted
to help both Mary and the Zealots to fight the Romans, confused waters
voluntarily. And Mary, or not to betray the brother or why not awakened so did not
understand, or why not believed, after the likely farce staged crucifixion of Jesus
with the help of someone important (perhaps even Caiaphas or Herod), could be
He went to France. Certainly in France, with his wife and likely two sons that she
had, she went Jesus died there at age 47!
According to the Church, Jesus Christ will return in the end times; As it is clear
from the account given by monaco, in the Catholic religion, but as also in the
Jewish and Muslim, I do not know what in good faith, have been told many
inaccurate things and was upset everything.
a b c
a. b. The Bladder Piscis - which symbolizes the spirit embodied in Matter - in a mosaic and in
Glastonbury pit. c. the bladder Piscis at a crop circle in the center with the Flower of Life
In the Revelation of John, which is part of the New Testament, we talk
the arrival of a woman in the end times, not of a man; As seen so far

We learned, becomes at this point because the logic sent by the Goddess is a
woman and not a man, and we also understand who he is, what should do and why.

Chaos and trumpets of judgment
From the largest part of the elephant (which we said symbolizes the bad or
negative and is made greater because this has become very strong), there are a man
and a woman playing trumpets of judgment upon two different colored horses,
whose tails are joined so that they seem to form a caduceus; being drawn from the
part of the elephant which symbolizes Evil, and Venus being placed above them,
that depiction could mean that it will be for those people who have a certain
genetic mixture that will play the trumpets of Judgment.
On the other side, next to the elephant smaller, monaco has designed two other
figures (Fig), who dressed in the same tunic with which he dressed Samuel,
Abraham and Alexander, even with those scales, and has depicted that seem to
fight each other.
to
b
Those two women, who have a high white hair red and seem to be struggling, may
wish to symbolize the struggle of the two forces (symbolized forces in concentric
circles where every woman has her arm, which may in turn depict a wormhole
(Figure .b), ie a temporal passage); then those two energies in fighting, since the
period represented, which is what we are living, should explain the chaos that we
are currently experiencing.

wormhole in crop circles https://it.wikipedia.org/wiki/Ponte_di_Einstein-Rosen
Above the elephant smaller symbolizing the Good, Pantaleone placed a cat with
two boots: as the symbolism that relates teaches, that cat meant to symbolize the
bridge (a dimensional passage) between our dimension and the top. As the ancient
cat Basted was connected to Isis or imagined as the equivalent of Hathor of
Dendera, that is the oldest Sacred Feminine, that cat that Monaco has placed on top
of the elephant symbolizes the Good is meant to symbolize the new woman ,
which represents and is a messenger, two Great Mothers and will act as a bridge
once it has served its purpose.
a

Even the crown sansone woman who rides the lion who opens his mouth the
Monaco put two boots like the cat (Fig): Pantaleone did it perhaps to suggest
where the woman would incarnate, but also to tell us that perhaps Priestess that has
been returned because the previous priestesses of the Goddess had been removed
restoring the difference in the DNA as set forth in origin from the Creation
determining, through its descent, the beginning of a new and correct genetic
lineage. But we have high hopes about those people genetically modified as Dante,
in the thirty-third canto of Purgatory, he writes:
Without an heir will not be The Eagle
that left his plumes upon the car, it
became a monster, then a prey, I
certainly do I see, and hence narrate it,
The stars already near time, secure the
ogn'intoppo and d 'every sbarro, in
which a five Ten, and five, one sent
from God, shall slay the Fuia
And that same giant who commit
crimes with her. And peradventure my
dark utterance, Like Themis and the
Sphinx, may less persuade thee, Since,
in their way, the 'clouds the intellect;
But soon the facts shall be the Naiad
fier,
They solve this hard enigma
Without destruction of the flocks and harvests.
It also encourages what is written in the prophecy of Nostradamus: At the
completion of the great seventh number, will appear at the time of the Ecatombe
games, not far from the great age of the millennium (so now) that entered will
come out of their graves.
Now we just have to make heritage of the hard lessons that the Goddess had to
teach us to let us figure out where we went wrong and act accordingly by changing
our ways of acting, but especially smettendola immediately to manipulate the
DNA, because we can not put words in my mouth to God because that is the way
through which the Divinity manifests itself in creation,and recognize the true
Deity.

Hecate or Hecate
That Lioness of which tells us Pantaleone mosaic in the arm, we have identified as
Hecate and we saw also personifies the Earth's axis, was the goddess of Greek and
Roman religion and originates pre-
Indo. It is a great goddess, the only Titan not to have been
sunk by Zeus in Tartarus after the Olympians defeated them,
gaining power over the world. Zeus honored her above all the
others, allowing her to have a share in the land, in the sea, in
the desert and in the starry sky. He not stripped of this triple
dignity that already had in earlier times when they ruled the
Titans. It is therefore a
Titaness between the Titans, although these characteristics are not always
mentioned in the myths. It is said that Hekate, as a sovereign of the underworld,
wander, sometimes at night, with the souls of the dead, accompanied by dogs
barking.
Symbolic pictures of Hecate
Hecate is almost always represented in triple form, so that the nickname
that most often accompanies his name is Triformis. The triadic training

typical of the ideal world of antiquity and is often applied to powerful female
deities. This triple aspect characterizes it as a tutelary deity of the crossroads, that
is the crosspoint of three access roads in opposite directions.
Maria was his incarnation, is no coincidence that today, at the crossroads, we often
find statues of the Madonna. With those shrines that we do not repeat an atavistic
gesture in memory of when the statues of Hecate were placed at crossroads to
protect wayfarers.
newsagents votive
Hecate is associated with the idea of the cycle and evolution - both in terms of
time, as past and present - the future - that of consciousness evolution as a journey
from the chaotic urobotico stage to the upper sky. Hecate can therefore assume, is
the face of a maiden to woman and old, or, more enriched with symbolic attributes,
it often appears in animal form with dog form, snake, horse o leone depending on
the traditions. The Hermetic tradition represented by the head of a dog, a horse
and a snake.
Its iconography is completed with other variables, in hand can lead torches
lit, an olive branch, a key or the so-called magic spinning top. At the foot of
stocking

of gold sandals. In his heavenly form wearing white robes, while the hellish aspect
is characterized by a black-colored clothing. It was described as a psicopompa
gods, able to travel freely between the three kingdoms: the world of men, the Gods
and the Kingdom of the Dead.
Its nature is bisexual as it has in itself both the generation principles, for this
reason is called the source of life and is given the vital power over all the
elements. Hecate was considered originally a Goddess of the wilderness and
childbirth originating from Thrace or by Cariani Anatolia(Central Turkey).
Country of tulips, flower true symbol of perfect love, and to whom the Goddess
was particularly close (in fact, of tulips, as well as a crossroads in the woods, have
been part of my visions). The popular cults that worshiped her as a Mother
Goddess, the inserted in Greek culture.
The remains of the temple of Hecate Laginia, Turkey.

Together with other deities such as Diana and Selene, Hecate was also associated
with lunar cycles, nell'Alessandria Ptolemaic ultimately it obtained the goddess
connotations of witchcraft and the role of Queen of the Ghosts. In this role he was
later transmitted to post-Renaissance culture to become a witch only for the high
Catholic hierarchy.
Another animal sacred to the gods was the dove; in classical mythology bird
sacred to Aphrodite, the Venus of the Romans, protected by regulations and
prohibitions.
Doves were also calls priestesses in charge of the cult of Dodona. Centuries later,
Christians remained fascinated by the myth of the doves, interpreting them as a
vehicle of the Spirit, reversing the connection that the Dove was done, I connected
it to their male god and Jesus.
a b c
a: Venus with doves b: Our Lady of Elizabeth Sirani c dove: Crop Circle
For the Greeks was a virgin, the identified especially with the appearance of the
crescent moon and new and the subterranean world of secrets and the afterlife. In
some myths narrated was the mother of Circe, and an ancestor of Medea; in others
who had given birth to the monster Scylla. In the Argonautica of Apollonio Rodio
it is said that the sorceress Medea had learned the art of magic directly from the
goddess Hecate. The figure trimorphic of Hecate and the hybrid Skilla suggests to
its ability to transform itself: this ability, Lamia had in common with the gods of
the sea and with another terrifying figure that must say a few words. Empusa is
remembered as another name for Hecate, but also independent figure, Of Lamie
and Empuse also spoke in the plural and in this case there was no difference
between them. When he came upon Empusa - for example at the entrance of the
underworld, as in a Aristofane- comedy, this showed itself now as cow now as a
mule, now as a beautiful woman and now as a bitch.
Hecate was ... it's also linked to the symbolism of the horse. In fact the horse, as
They may show some archaeological findings discovered by archaeologist Maria

Gimbutas, seems to have been used by ancient peoples such as the Celts to
represent an aspect of the Great Mother.
Hecate with horse head, dog, and pig
Hecare reported the horse with the dog and flashlight lit.
How reproduced in the religious symbol, that horse depicted in Hecate might want
to represent the human body, where it coexists Good and Evil (Good and Evil,
symbolized by the two knights on horseback who have two legs instead of four)
and with whom you fight to reach the soul, purifying the earth's gravity, and
exalting the spiritual plane.
On the altar of Pergamon Hecate is shown fighting Clitio, king of Dardanians
(Fig.D), and landing the giant Alcyone (Fig.E): the myth narrated symbolizes a
war between forces, but that battle through the incarnations of those forces in
human bodies, is in my opinion really happened since the above is reflected in the
bottom and vice versa.
D
e

At this point I think it is easy to see why Zeus, he let this power, but above all to
guess who was (or is) Zeus, and think about the Great Mother as the Cosmic
Consciousness through us learns itself and, for below as above and vice versa,
according to the expression of Hermes, as soul is always embodied on Earth.
So Pantaleone, putting the Griffin in the first the squared circle and wrote under
that symbolic animal the name PASCA or PARCA, saying to us to follow these
guidelines, because this Goddess is the one who believers now call the Great
Mother in Heaven, that Christians without knowing it pray as Mother of Jesus, that
the Egyptians, before the birth of greek Pantheon, already honored as both the
triple Nut than as Haquit frog goddess protector of pregnant women and new life,
which as Maat, goddess of Justice.
a
b
c d e
a: Haquit b: c Nut: Maat with Feather Note d: A detail of the weighing and soul: The Goddess
Themis, symbolizing differently Maat. Legend has it that she was creating the seasons, the Fates,
and was perhaps the mother of Prometheus.
All things that Pantaleone obviously knew or of which he was aware, and through
the encrypted design of the mosaic, intended to tell us to warn us knowing the next
step of this planet and of the critical situation in which, as inhabitants of the Earth,
already we were . At this point

should therefore seems clear to see that urgently if not immediately modify our
behavior, do not we stop with genetic experiments and not immediately
restaureremo Justice, Higher Intelligence once again does not allow us to pass.
And since what is happening on our planet and in the sky, it seems very willing to
do so.
http://web.mclink.it/MH0077/IlGiardinoDeiMagi/Giardino%201/Astori_Ecate.htm
http://anticamadre.net/Testi/DeiGreci04.html
http://www.ilcerchiodellaluna.it/central_dee_Ecate.htm
http://spiritofmagic.altervista.org/lilith.html

Homo selvaticus
The myth tells that Prometheus, a Titan, giving fire to humans, causing the wrath
of Zeus. Prometheus (which may have been one of the Titans who had been saved
from the first great catastrophe) could have donated the fire, which is understood
as knowledge. What he may have done even Oannes, the fish man, who was
perhaps one of those elemental spirits of nature, how some texts recount the day
handing out land to knowledge and the evening he fell into the sea. At this point
we must ask ourselves: who could have been men of the land that gave Prometheus
and Oannes that knowledge? They could have them given to those who populated
land some part of the earth: Homo selvaticus, that might be the smallest men
created by the Goddess and also the Jews of origins.
a b c d
a. Pan, who belongs to the ancient myth of the Great Mother, always seems to symbolize Saturn b: Oannes.
Oannes is a human being with webbed hands and feet, considered one of the seven Apkallu wise, semi-divine
beings, half men and half fish, emerged dall'Apsu, represented then in the Neo-Assyrian period as eagles.
According to the myth told by Berossus in his "History of Babylon", he would be the one who would teach men
civilization, science, literature and the arts before the Flood. It seems it was a man with special aquatic skills,
equipped with gills, but he could also breathe air with lungs.
c: Apkallu. The Apkallu beings like Oannes could Elemental Spirits of Nature emerged from 'Apsu, the
primordial abyss to teach men the arts, crafts, moral code and in general the principles of civilization that had
lost (in the Neo-Assyrian period are often represented as men-eagles). d: Even the Madonna which is in the
church of the Argentines of Rome has a handbag like Apkallu.
What happened after those genetic experiments, we could evaluate it by reading
the story of Pantaleone and the resulting research; another hypothesis we can do as
a result of the findings due to the story of monaco, is that probably after one of
several disasters, some of those hybrids that were saved in their migrations in
search of food, may have reached the place where they were surviving the last
Homo selvaticus, that is, the last elements of the Aryan race that still inhabited the
earth, and have hybridized with them without problems. And legends spread both
in the Alps and the Apennines, as well as all

cave drawings found in Camonica Valley, where we can recognize reported with
great simplicity solar symbols related to the Great Mother, seem to say that the last
Homo selvaticus lived right in Europe.
Our archaeologists tell us that the rock engravings in Val Camonica were built
along an eight thousand-year period, up to the one we know as the Iron Age.
Sometimes the designs on the stones seem to have no references, others seem to
illustrate or a religious ritual or hunting or fighting. In some pictures you may
recognize those who probably recall celebratory rituals, commemorative, initiatory
and propitiatory.
Some of cave drawings in Valcamonica

The rock carvings of Val Camonica constitute one of the largest collections of
prehistoric petroglyphs in the world and was the first World Heritage Site
recognized by UNESCO in Italy. And in addition to telling not only still in the
Basque legends and even described in some pictures, a Homo selvaticus, reported
as Onofrio, also was made a saint; We Homo selvaticus also depicted on the
cathedral of Milan, and even the Jesus depicted in a column in the church Atri
(Abruzzo) dedicated to the Assumption, it is shown covered with hair!
a b c d
a: representation of Baxajaun and his partner Basaudere, characters of Basque mythology b: San Onofrio, a
saint of the Catholic religion c: The Jesus of Atri church covered with a hair dress d: Orion
And coincidentally Lilith, the one who legend has it was the first wife of Adam,
and the church identifies instead as the mother of demons, it seems very hairy (and
it seems it was also really the Queen of Sheba). That woman was rather hairy
because, at the genetic level, it was a bit 'different, that was the original woman of
Creation and therefore did not want to mate with Adam that he could be the result
of a creation in the test tube?
The presence of that ancestor of ours on the Milan cathedral dedicated to St.
Ambrose, shows that these facts the ecclesiastical hierarchies have always been
aware of; us to understand what is written in Revelation 20: 12,15 and also
understand that the presence of man on the Alps and the Apennines, in a relatively
time so close, it could mean that in these areas lived the last beings of the Aryan
race and these mingled seamlessly with genetically different beings came later, as
equal to them in the form.
As humanity, we are so fallen because genetic experiment done by Sophia, and
went even lower due to the second experiment carried out by aliens and the hybrids
born from their couplings with terrestrial women. We are no longer able to trace
because we never become

aware of being diverted by entities that we can not recognize or we can not see.
Entity of which perhaps speaks Toth in his Emerald Tablets
(https://it.wikipedia.org/wiki/Tavola_di_smeraldo), Which tells that opened doors
that had to continue to remain closed and that those doors entered negative entities
that led to the fall of Atlantis through magic, towards the end of the Golden Age
men.
Toth, speaks of entities that someone woke up and the fall of the mythical Atlantis,
but no sign of nuclear wars, does not refer to genetic experimentation, does not
mention the Giants, much less talk about the creation of human beings in the
laboratory. Now who it was (but it would be more accurate to say it) really Toth,
after the above, we can assume, as at this point we understand why the boards to
Enoch and many other things were delivered. Toth, like other chthonic deities, they
did all this for the precise interest of being able to have soul, something that
obviously we have and they do not, in order to become immortal. For this Toth, in
his Tables, for his precise reasons, in my opinion, he has avoided talking about it.
The recognition of the existence of these entities that exploit and manipulate us
from who knows what, and who are able to also appear as real (see the case of
Abraham or that of Moses with Jawe or that of Servio Tullio, the sixth king of
Rome, or the case of Eugenio Siracusa not one thing many others), is not to deny
the existence of true extraterrestrials, but the latter, if any, are certainly not the
ones who contacted Billi Mayer, and, if true history, they are not extraterrestrials
even those who contacted John XXIII, and are not even extraterrestrials known
W56. They also reflect on the disguises of Zeus, described extensively in the
Greek tragedies to hypothesize that these malevolent entities are also able to
change the shape they desire.
It might then seem absurd, but, in my opinion, alien abductions and abduction the
night that people in hypnosis remember, are made to throw the wool over the eyes.
That is not to make us understand where the truth is that the most dangerous aliens
are the ones that we have inside of us, that without realizing it, affect not just our
decisions, actions and way of thinking. This can happen and is happening, perhaps
because of certain genetic compatibility from experiments and from crosses with
extraterrestrials, or perhaps simply because we live in a vibrational level too low.
These Entities are able to acquire a physicality in this world (which is their that
ours), and those that parasitize we can change the reality seen by our eyes. This
happens individually through their possessions, even those that seem positive, and
through the collective as happened at Fatima, as

happening here and in other parts of the world. Being able to this, the entities that
govern the seven heavens below the eighth, which are lower than the divine nature
but higher than the human, and took advantage of the occasion to make people
believe humans untrue things to exploit in their favor thus creating the problems
that we talk about the past emblematic human history and one that, because of
these entities arcontiche, we still live.
Just as it is not certain, unlike conventional science tells us that the dinosaurs have
disappeared millions of years ago as a result of climate change or of a meteorite
that hit the earth.
One researcher, years ago, at a conference in Tarquinia, told me that the dinosaur
bones in a DNA segment was still available. And he argued that if the dinosaurs
were extinct for millions of years as we are told, to find those traces of DNA in
their bones would not be possible. It assumed that the time of their extinction could
be traced to a maximum of 35,000 years ago (also the fact that scientists would be
able to clone the DNA retrieved from their bones could be a confirmation of what I
said that researcher).
As if to confirm his words, long after I happened to come across an article where it
was written that in March 2009 a reader had sent to "All News Web" of stunning
photos of Ta Prohm temple, located in the deepest jungles of Cambodia. This
temple is the work of the Khmer civilization which lasted from 800 AD until 1400
AD The temple is covered with an intricate complex of sculptures. The player who
was visiting the area noticed very distinct and clear images that seem to describe a
Stegosaurus.
The stegosaurus reported on temple
The stegosaurus inthe Natural History Museum of Milan
That could indicate that this creature could have survived in the region until the era
of the Khmer. An expert on the Khmer ruins has said it is unlikely that these
images are a recent addition to the temple.
The stegosaurus was a spectacular animal, known for its row of crest bones

He modeled the shape of his back. According to conventional science this species
existed in North America and became extinct about 155 million years ago. It seems
that the farmers in the vicinity of the cambodian temple have kept the memory of
the existence of this animal until relatively recent times.
As if all this were not already enough to make us ask more serious questions, not
wanting to mention the numerous Opart found, the research by Claus Dona and
others like him, are harvested now increasing evidence that provide information on
ancient civilizations and technologies that human beings are developing now but
actually come from eras in which these advanced technologies would not have
existed.
Unless the news is true, long ago it appeared on the network the news of the
discovery of an alien chip discovered in Labinsk Hojo on the river bank, in the
Russian region of Kuban, set in an unusual stone. The component appears to have
a structure very similar to an electronic chip modern and has been delivered for
analysis to the Institute of Research in Nanotechnology and new materials South
Russian State Technical University, which determined that the fossil is older than
450 million years! This, in my opinion, we question what we know of our history
on this planet, but especially questions the evolutionary theory of Darwin.
The theory of evolution holds that the DNA happen continuously accidental
mutations.
The photos above show how it was that butterfly and what kind of change there has been in this
beautiful insect in animals born after the nuclear disaster at the Fukushima plant in 2011.
The geneticist James Shapiro instead remember that DNA mutations, present in
both the most primitive beings in the most advanced, they are very rare. Because,
says Shapiro, the DNA is equipped with many apparatuses of "proofreading", on
various levels, that recognize and remove the errors occurring during DNA
replication. The DNA is actively defended by the very random randomness in
which Darwinists identify the engine of evolution. In fact, DNA is the structure
more

stable universe and opposes actively the degradation of all things. The only
common mutations are caused by man on laboratory animals with nuclear radiation
or chemical agents which brutally disrupt the structure of DNA.
All this leads a new generation of scientists to support, now openly, that living
things are the product of intelligent design. They do not work if they lack even a
component.
In atomic Wars at the time of the gods, Zecharia Sitchin says that extraterrestrials
have been the cause of the greatest upheavals in human history: It was just like
War of the Gods that began the Man Wars. So it was that the first human
civilization fell under the blows of a real nuclear holocaust.
Unlike Sitchin, I believe that men, precisely those who inhabited Atlantis, you are
inguaiati alone carrying out genetic experiments that led to the fall and produced
the chaos, and then, the arrival of these aliens, who do not know say if you were
really the guardians who then disobeyed, aggravated the damage done by men.
And the ancient texts - which are gradually realizing even better because, repeating
faster in the end times what happened in the past we are recreating the same
technology making the same mistakes, so running the same dangers - would seem
to show that everything is oldest what we believe and prove.

Moses and the city of Petra
A
b
a. The Petra temple dedicated to the Nabataean cult of deities. b. There church of S. Maria Maggiore in
Rome
Petra is an ancient place of worship dedicated to the Great Mother, and Christian
churches reproduce that structure taking the five aisles or even three.
There are historical records that Moses (of which I relived parts of his life living
them like those of a previous life) came to Petra, the city where Aaron was then
buried. Place where perhaps Moses also died, even if the tomb has not been found
yet. And in Petra, Moses probably found the myth of the Great Mother. But just
because the Prophet went to Petra, the land of the descendants of Esau, who
probably still worshiped a goddess? Perhaps the prophet (aware of the
assassination of King Tut, and for other experiences I understood to be the
grandfather), he came to know important things and wanted to return to the ancient
creed, or Jawe that was suggested to go to Petra? At Mount Nebo, the Prophet did
not see the promised land, but I met the same entity that now calls itself Ashtar
Sheran that in Sicily, in the sixties, told more lies than truth Eugenio Siragusa!
Mount Nebo
What they are not told of Moses Seventies who first met the ancient writings
considered sacred? How many and what texts have hidden these men? About what

He was aware of Hiram, the architect of Solomon, and how he had come to know?
Because the Templars did not say what they found in the temple of Solomon and
Edessa (place where it happens then also dug the men of Hitler)? And because the
Knights Templar went to Petra and stayed there? Questions that maybe nobody
will answer.
I think even Muhammad (jew), like Moses, he met with the creed of the Great
Mother, whose cult, in the land where he lived, was still very strong. And it is
quite beyond doubt that the Islamic religion developed incorporating, like any
other religion, previous beliefs whose traditions are still evident although they
were linked to a male god.
The goddesses Al-Uzza - the powerful Goddess of the morning star, Al-Lat- the
Mother, and Manat old Goddess of fate and time, formed a triad of pre-Islamic
Arabia. They were known and venerated in a large space that went from Petra, in
the North, the legendary kingdoms of Arabia Felix in the South, including Saba,
and up to Iran and Palmyria, and were very popular in Mecca at the time of the
Prophet.
Al-Uzza was one of the most venerated Arab deities because associated with
Venus. And in Petra, where the majesty of archaeological finds suggests there was
his temple, is likely to be the patroness of the city. It is connected acacia and his
shrine at Nakhlah had three copies, they believed the goddess descended. It has
much in common with Ishtar and Astarte and were beloved cats and felines in
general. From the Greeks was associated with Afrodite Urania.
Al-Lat is mentioned as Alilat, by Herodotus, who identifies with Aphrodite. The
goddess is also identified with Athena and called Mother of the gods, or the
greatest of all gods. It is a god of spring and fertility: the Goddess Earth that brings
prosperity to the world. He had a shrine in the city of Ta'if, east of Mecca. Its
symbol is a crescent moon that sometimes contains the sun.
Manat derives its name from Maniya that fate, destruction, doom, death. It is a
very ancient deity and his cult may precede that of the other two goddesses. It was
especially worshiped as a black stone Quidaid, a town near Mecca and connected
to the great pilgrimages of which his sanctuary was the starting point for several
tribes.
And 'interesting to note that, even having different origins, the three gods were
considered as a divine triad fate united by kinship, which vary depending on the
legends. They were often called the God's daughters and especially the Quraysh
worshiped deambulando in a circular direction around the Ka'bah, the temple in
which it was kept a divine stone descended from heaven, singing hymns in

their honor. A practice that Islamism is still part of the Hajj ritual.
al-Uzza Petra - Jordan
There Great Mother Al-Uzza at the center of a Zodiac
The famous black stone of Mecca, not only takes up the worship of Manat, also
incorporates a legend of Lakota, where it is said that Tunka, the innermost divinity
essence of the Creator, not created, with no beginning and no end, fell from the sky
in the form of rock and also it matches that of the black stone of Cybele, brought to
Rome in 205
BC, during the Second Punic War. Stone that the Romans went to look because the
Sibylline Books, to free Rome, advised them to recover the statue of the Goddess,
a black conical stone. Recovered stone at Pessinus, the current Turkey, then
brought to Rome and kept in the templeVictory.
fantasy goddesses Image
There Black Stone of Mecca
Behind the cult of Cybele, Magna Mater, considered the mother of the gods and
protector of the fields and agriculture, is hiding in turn that of the goat Amalthea
that suckled Jupiter. The importance given to the black stone makes me think of an
ancestral memory and believe that in times who knows how remote, there were
people who believed that life on earth was perhaps have been born thanks to a
meteorite came from space and then, from this, slowly it is also born on Mankind.
Just as our scientists speculate today.

a b c
a. The black stone set to about 1.1 m in height in the east corner of the Ka'ba of Mecca b. The black stone in
the church is Santa Sabina in Rome, which have turned the stone the devil! c. The Palermo black stone, least
known of the Rosetta stone, but no less important.
The pre-Islamic history reveals the fact that the Arabs worshiped, besides the idols,
then they'll like the Romans with Penati brought to Rome by Aeneas, also celestial
bodies, trees and dead heroes of their tribes. Shams, the Sun, then understood as a
female principle, was honored by several Arab tribes, while the Moon, Schin, was
seen as male principle. But other celestial bodies such as Sirius, Aldebaran, Venus,
Jupiter and Saturn, the temple was dedicated in Mecca, were worshiped in specific
areas. This does not mean that the Arabs had a particularly focused on the stars
worship, but many gods, as in other places, were represented with shapes of
animals. In fact we find the horse in the horse ya'uq Hecate, god of Hamdan, the
Morad and Nars; the vulture of Isis revered by Himyariti, and other deities, as was
done in other parts of the world, were personifications of the abstractions.
They also believed in the existence of some supernatural powers capable of
shaping their destiny, and as in Rome or Greece was believed Chrono Time Lord,
they gave importance to the god of Zaman time, who considered the bearer of pain
and adversity. A little 'as our Typhoon.
As was the case in the Egyptian temples, great respect was brought to the priest s,
especially those of the temples and shrines. These, as they do at the bottom in
Axum, Ethiopia, the priests watching the Ark of the Covenant considered that God
gave Moses, were seen as guardians of temples and shrines, and owners of the
sacred enclosure. And as happens today for those of the enclosure which houses
the Ark (with the difference that this is what they have to do until his death), even
then this privilege belonged to a specific clan of the tribe that was drawn by lot and
for a the period of time he could perform priestly functions in addition to guarding
the sacred site. Among the tasks that the priest had to perform was that of idols
construction, care of the treasure consists of the votive offerings of

faithful and in some cases advice on legal questions, as they are considered
intermediaries between mortals and gods. But this last function that was entrusted
to Kahin, a kind of seers that anyone could see in exchange for offers.
Just the belief in such entities, and their worship, in addition to the worship of the
god of evil Shayatin (the equivalent of our Satan) was a peculiarity of the Arabian
religion. The Jinn (Genii) worshiped in all tribes and all walks of life (so much so
that one of them the myth he will be the father of Bilqis), differed from the not so
much because of its nature, but because of their relationship with man : the gods
were benign in the complex while the Jinn, fantastic personifications of nature,
perhaps due to the hard life of the desert, they were often hostile. But the Arabs,
especially in the north of the Arabian Peninsula, where they might come more
easily into contact with other cultures, probably taken from the Egyptians the
worship of the dead; India resumed as probably the belief in reincarnation; as
perhaps it had Persian origin of the birds of the air reading, perhaps in turn of
Mediterranean origin; or fire culture, present in the tribe of Tamin, clearly of
Persian origin.

The Queen of Sheba
a b c d
a: Solomon and the Queen of Sheba. Meeting also told in the Kebra Nagast b :. The Queen of Sheba. C and D
black Madonnas.
Queen of Sheba antonomastica is an expression that refers to a specific sovereign
kingdom of Saba. And 'it mentioned in the Bible, the Koran andKebra Nagast. In
Biblical texts and the Quran is never called by name but only as the Queen of
Sheba and Queen of the South; for the Ethiopian tradition his name was Macheda,
while some Arab sources call Bilqis. It is remembered as a rich queen, in the Bible,
which he visits Solomon in order to test the great wisdom.
According to the Kebra Nagast, which tells more extensively of the queen's story,
the Ethiopian King Menelik I was the son of Solomon and Macheda. According to
the Bible, the queen of Sheba land was aware of the great wisdom of the king of
Israel, Solomon, and set out for his country bringing with them gifts such as spices,
gold and precious stones (1 King 10: 1-13; 2 Chronicles 9: 1-12). The queen was
struck by the wisdom and wealth of Solomon and uttered a prayer to the God of
Solomon which (coincidentally ..) returned with the many gifts and anything he
wanted, as long as the queen did not return to his kingdom. The Queen of Sheba
reappearsMatthew 12:42 and Luca 11:31. Not even the Quran mentions the name
of the Queen of Sheba, despite some Arab sources call it Bilqis. The story is
similar to that of the Bible, it changes the point of departure: it is Solomon who
learns of Sheba kingdom because his people worshiped the sun. After threatening a
war, the king of Israel who receives the Queen of Sheba then adopted the Jewish
religion. The Islamic legends report that her husband was Bilqis Yasir Yan'am and
she was the sister of Shams, the sun. Their father was al-Hadhad, who had saved
his mother,jinn(a genius).
Bilqis was possibly a descendant of the Lineage, as amended, before the
catastrophe as it was perhaps the people she ruled, made largely by

descendants of those who had been saved from the catastrophe, allocated in
Yemen. People, while Noah and his family were saved from the dream that the
Patriarch did, instead they were able to save themselves from the catastrophe,
perhaps even saving the astronomical code which then ends in the hands of
Solomon and perhaps, later, Menelik, the son of Solomon and Bilqis, tried to
recover. The task of Bilquis, besides being a priestess of the Goddess, was
probably to bring back the old order, but fell in love with Solomon and fouls. But
Bilqis and her people could be linked to the ancient people of the Gypsies?
The first written records on the people Gitano date back to the fourteenth century.
and told of Gyptocastra, old castles inhabited by Roma community known for the
manufacture of iron, especially swords. And we know what magic rites were linked
the weapon forging and the importance that was given to the blacksmith forger.
It is said that Gypsies were descendants of a people arrived in Persia around the
tenth century. India and spread later in the Byzantine countries. The origin of the
word Roma, who happens to be Indian, it means free man, but the name that
associates them to their true origin is rarely used. The fame of magicians and the
aura of mystery they shared to the people who appeared in the Empire have helped
to create on their legendary hypothesis tracing their origin to Noah or even to
Cain.
Some write that Gypsies could be one of the tribes of Israel, captured by the
Assyrians in 721 BC; or Canaanites migrated to Europe after the conquest of
Joshua; or again, descendants of Adam and Eve to a previous wife (then Lilith?);
who binds their origins to Africa; writer are the descendants of the Mamluks
expelled from Selim; who consider them descendants of the priests of Isis mingled
with Syrians priests; and there are their links to many other peoples still, perhaps
even with the people of the Parsis.
Some Hellenists have identified their origins in ancient Greece; Herodotus would
have been the Siginni; sybils priestesses of Dodona would be associated with
Gypsy fortune-tellers. The Siginni for someone are the Sinti, who would be the
barbarous people mentioned by Homer, known Lemmo, and dear to Vulcan.
A legend, which considers this people as one of the owners of the land because
they walked far and wide - people who should be what the history books handed
down to us as Phoenicians and Leonardo Melis said to be Shardana - says who
gave the name to Romulus, founder of Rome, who introduced the worship of
Diana and Apollo, and who invented the Gospel eleven centuries before Christ.
Another legend gives them as descendants of a population

He lived in Atlantis: after the great cataclysm that mythical continent, those of
them who survived landed in Africa, stopping in Egypt.
We know that in the legends there's always some truth, so that these, as I have
noticed, rely for their hypotheses scholars far more famous than me. Therefore,
based on what I've learned so far from my research, I feel I can safely say that
despite all possible connections with other nations that have been proposed, known
then as the Druids, Gypsies could be the descendants of ' ancient race as it is the
only nation where it is most prevalent the gift of clairvoyance, feature belonged to
that ancient people, and that could indicate the descent.
Perhaps those of them who, in the various areas where the land was divided, were
saved from the catastrophe, came into contact with the new race that was
multiplying mixing. In the long diaspora of the people, through the millennia,
many have become increasingly sedentary amalgamating more with the new breed,
but those strains were more united through their women did get to us the genetic
code clearly more pure. No coincidence that the various hypotheses on their
descent were resumed during the reign of Louis XIV, when the Egypt of the
pharaohs was fashionable. Period where even born the belief in the blue blood.
Louis XIV in a portrait of 1661 Louis XIV portrayed as Jupiter Louis XIV and family portraits like
We have seen that the mysteries tend to cross: the legends concerning the Druids
are as numerous as those concerning Gypsies, and even before I have been in
many Druids to identify in the ancestors of Gypsies. But it remains difficult to
prove.

Michelangelo's Last Judgment
Michelangelo Buonarroti was born March 6, 1475
in Caprese, a small town in Tuscany, near Arezzo;
an infant is brought by the family in Florence.
Very young is started by his father Louis the
humanities under the guidance of Francis from
Urbino, then goes to the school of Ghirlandaio, that
is astonished seeing the drawings made by
Michelangelo thirteen. Michelangelo was to
remain under contract for at least three years from
the workshopGhirlandaioBut also because of the
great passion for sculpture that he harbored, within
a year leaves the
comfortable accommodation and moved into the Garden of San Marco. A free
school of sculpture and ancient copy thatLorenzo de 'Mediciwho he had just set up
in the gardens of San Marco. A place frequented by those who will later be his
clients.
As done by Michelangelo in the Sistine Chapel he was commissioned by two
popes: Julius II (Giuliano della Rovere), who commissioned the once nearly forty
years, and Paul III (Alessandro Farnese), who asked Michelangelo, who had not
yet It started chiestagli Resurrection from the previous Clement VII (Giulio de
'Medici), to paint instead of the Resurrection, the Last Judgment. A work that will
affect so much the art of creating a school that will be inspired later artists, the
mannerism. With the story that the artist puts in the work, as we shall see, in some
way we will satisfy both popes and above all, how to emerge from the research,
thanks to messagli documentation available from the high Catholic hierarchy in
order to get ideas and get inspiration to do the story that then does the work, thanks
to what is told from the Basilian monaco Pantaleone within the mosaic of Otranto
centuries before and we decrypted, leads us to understand the truth which is hidden
from time immemorial. Documentation that just Michelangelo died the Vatican
guards, evidently to recover as they possess the artist as it was to remain secret,
began ransacked his home and his workshop.

This story almost a thousand years ago now by the Basilian monaco Pantaleone
within the Otranto mosaic contains a very criprato story because the monaco used
symbolic animals that were not those of the bestiary canonical but invented by
him; story that monaco could possibly do on the basis of the documents found
those nine Knights Crusaders, later became the Knights Templar, how legend has
it, under the temple of Solomon; the tale told by Michelangelo in the Last
Judgment, which was probably aware of these facts, it is devoted primarily to
explain who represented in this Game of Life on Earth and what really made Jesus
and Mary.
The artist describes the work as Mary and Jesus made now over two thousand
years ago about this important fact on which rests the Christian religion, that is the
death and resurrection of Jesus. He reveals who they represented in the Game of
Life on Earth and, in the lower part of the work shows us what could happen in the
- end times that we are living. We do not understand what narrated by
Michelangelo in the work because the story has it that the artist is different from
what we know ... for example, why does the same appearance of the risen Christ to
two other figures of the work of which is older?
It is to these three figures the same facial features, the same red hair and the same
aquiline nose, it is clear that the three intend to depict the same person; that means
the artist placing the same character at different points of the work and making it
even older? Maybe that Jesus did not die on the cross, much less is risen?
Decrypting the story of Michelangelo we will see how this is so.
Let's try to write a story that makes seguenzialità to Michelangelo, before
recovering some element of time, then seeing what the artist wants to tell us in the
Last Judgment, proving the correctness of the story read with the decrypted by the
story told by the monaco in the mosaic of Otranto, from which also we will resume
some sections.
One question I have read numerous researchers have made, it is because in Eden
painting the ceiling of the Sistine, instead of the famous apple tree, Michelangelo
has put

FIG. Plant the way also used by the monaco who created the mosaic of Otranto,
but in his case to support the story it tells (Fig B).
The two use the fig tree because that plant, along with that of the pomegranate, is
the most symbolically linked to the oldest Great Mother. Not by chance by the
most famous artists Maria has also been reported with pomegranate.
b
c d e
c: Our Lady of the Leonardo da Vinci of Pomegranate: The Madonna of the Pomegranate and Botticcelli: The
Madonna of the Pomegranate Pinturicchio
Apart from the fig tree instead of the apple tree, Michelangelo inserts two other
enigmatic elements in Eden: female rather than male makes the well-known Snake
that the Bible tells deceived Eve and, between the Snake Adam and Eve, puts the
trunk of a tree with two branches cut and a third branch, which in turn is divided
into two.
The artist does guise of a woman at his Eden Serpent to obviously symbolize the
Creative Energy and restorative Higher Intelligence that is in

Everything, and I cut through the branches of that tree trunk, symbolizing the Tree
of Life, that is, the DNA, we mean our DNA cut several times because of genetic
changes that occurred in the distant past. It takes about that probably made by
Sophia, that the wisdom of the scientists of Atlantis - which generated a first great
catastrophe and brought to bring down to Earth those that have been handed down
as angels - and that caused the union between these angels and terrestrial women,
along with the creation of Adam and Eve made by the Elohim, the father of the
other catastrophe we know as the Great flood.
Of those two disasters, also explaining the reason that originated the monaco who
constructed in 1165 the mosaic of Otranto, narrates the first drawing that monster
eating the goat, and the second drawing even that monster, but this time in the
mouth a shoe instead of a goat. That monster symbolizes the planet that scientists
are currently assuming the existence (which we will see later on who was
represented on Earth), the goat instead symbolizes the first Earth. The fact that the
goat is in the mouth of the monster Tiamat says the sacrifice, the ancient Earth,
sacrificed so punished us because of how did the scientists of Atlantis with DNA.
How did the Atlanteans against the DNA, which is the way through which the
Higher Intelligence is manifested in Creation, he caused a major catastrophe that
made humanity also fall into a lower realm of seven levels. (Levels to trace
Michelangelo symbolizes that in those seven steps in his Madonna of the Stairs).
The fall of the Atlanteans at that level, Realm or size that you want to call it, so
low, led in turn to drop on the Guardians of the Earth (but perhaps it would be
more accurate to say brought the Guardians can occur), beings who we are handed
down as fallen angels, many believe extraterrestrials that have made us evolve,
they did rather the reverse thing since they were the ones Elemental Creatures
inhabiting those worlds lowest in the world where

Atlanteans lived before and we know through what tells us the Gnostic Sophia,
was the thirteenth floor.
Through the Book of Watchers we know that these fallen angels mated then with
the land and from these women, who mostly died in the greatness of their fetuses,
however, had children, giving birth to a new breed: the Nephilim. The Bible also
tells us that as men (the Nephilim) had become wicked, Enlil sent the flood from
which Noah was saved.
From what tells Pantaleone in his mosaic, the flood was the second great
catastrophe not the first, and caused, again according to narrates the monaco, not
by rain but the overthrow of the seas took place in turn due to the shifting of a
considerable number of degrees terrestrial axis.
Regarding the significance of the reason of the difference between the first and
second catastrophe, please refer to the reading of the part dedicated to the
decryption of the mosaic. What I have to say, however, is what symbolizes the
monster: the monster symbolizes the planet of which currently scientists are
hypothesizing the existence, which could be the same as Zecharia Sitchin
translates from ancient texts with the name of Nibiru, which the Sumerians and
maybe not only they already knew instead as Marduk. As we shall see, Marduk
also tells us Michelangelo. Those fallen angels were not extraterrestrials for years
as many people believe, or at least, they were not in the way that leads us to
believe the adjective. Those deemed extraterrestrial, were (and are) of the
deitieschthonic, then, by antithesis, inferior deities and basically evil, of that lower
world,of which the biblical God of the armies Enlil was the god of the sky - which
is why it was called "the Most High" between the gods - and Enki, the god of
water, revered in ancient Egypt as Ptah, was the god of the earth, but of that level
or lower as a realm where souls were dropped after the first great catastrophe for
made a big mistake.
An error that we are repeating and that is to generate test-tube babies and modify
the DNA of Nature, we are changing ieGOD!

"The Most High" between the gods, who in the Bible are reported as Enlil, the
Ramayana is shown as Rama. The versions are different, what is certain, though, is
that after the first fall Enlil / Rama managed to marry the Goddess of the
South,nanny (http://altragenesi.blogspot.it/2015/06/il-dio-enlil-la-seconda-divinitapiu.htmll),
Which was none other than the woman of that distant time that embodied on
earth Great Mother Celeste fall she along with the other in the lower world where the Earth
is tipped too.
To indicate that Rama / Enlil, the gods of heaven that lower realm was a god of the
lower world, check out the image shown which depicted him with the heavenly
skin but with those strange green pants.
Rama and Sita chthonic dressed in saffron
Rama's brother Lakshmana and Sita
Sita is found instead dressed in saffron, the color linked to Hecate, goddess of
magic in Greek and Roman religion, but pre-Indo-European origin. In that legend
Enki, who Sitchin tells us is the half-brother of Enlil, is reported as Lakshmana.

In the two lunettes above the Judgment, where Michelangelo inserted columns
Jakin and Boaz, a bit 'as did Pantaleone with the crown placed above the body of
the mosaic, the artist succinctly summarizes what tells in his work. He, like the
monaco who built the mosaic, tells us of Good and Evil. Of the positive and the
negative. The strange thing is that Michelangelo, in the lunette
where there
should be a black
column Boaz, instead
it makes a wooden
cross with a black
man linked above.
Cross among other
things, that the figures
painted under him
seem to struggle to
keep straight; more
than
hand we can see there are a bunch of other figures that symbolize the angels: those
angels look that way, and saw that the man on the cross does not have the crown of
thorns, the one that the angels have in hand shows they took via the man tied to the
cross.
In the right bezel
instead we can see
what those people are
struggling to keep
straight the white
column Jachin.
That man of color
linked to the cross, so
do not crucified and
not of complexion
clear as usually we find it depicted, it does not take long to realize that depicts
Jesus; the angels take away the crown of thorns because as we confirm better
understanding of the story by Michelangelo, crucifixion, as well as the
resurrection, although made for the common good because surely people did not
believe and did not understand, was a concocted sham by Jesus.
If Jesus as it follows the one put in place of the black column Boaz, draw
what he wanted to tell the artists in that scene it is so simple to understand:

the artist does take away the crown from the man tied to the cross because he is
THE King. That was not the son of the woman who embodied on the Queen of the
World Earth.
If it was not the King, who was Jesus? What divine figure represented in the Game
of Life on Earth? Because of course, by the law of Hermes - who says the above is
reflected in the bottom and vice versa - a major star of the divine Jesus he stood
for.
As we will see through the placement of the figure in other scenes of the Last
Judgment, in his work, the artist tells us quite clearly. Then, try to delve into the
story that Michelangelo has bequeathed to us in the Last Judgment, the story does
not yet understand only because the story about the characters that the artist puts in
the work is not what has been handed down and we know: Michelangelo, through
the story that does the work, as the popes who gave him the job, saying there are
five centuries later, they knew of these things happened in the past.
In the biggest part of the work, nell'angolino top left, as the founder of the people
who painted underneath, the artist paints un'erculea elderly black woman with a
white arm; on the other hand, as progenitor of the people he paints in, he puts a
giant who makes red hair and close puts a man in the green suit to which he seems
to whisper something (Fig B);
a b c
symbolize the two female and one male branch from which it is multiplied
humanity after the Flood, which is what the artist intended to suggest in those last
two branches of that tree of Eden painted in the time more than 30 years earlier
(fig. c).
The woman symbolizes the descendant of Eve genetically modified by the Elohim
when quell'esigua remained part of the original DNA from which it was
rimoltiplicata humanity after the Flood; because it was still the same fraction of the
original DNA, perhaps because, as reflected Mauro Biglino by ancient texts, and to
create Adam was used a part of the Elohim's DNA, to create Eve was used a
genetic part of Adam, so without that part genetics

Elohim. This perhaps allowed Eve to keep that small part of the original genetic
able to contain the Divine Spark.
Make the white arm that woman was probably watching the artist in mind what he
had done Pantaleone mosaic in the centuries before with the antediluvian Biblical
figures. Pantaleone in fact, in the mosaic, to tell us the genetic integrity of
Abraham is the patriarch antediluvian white hair and beard while telling us the
genetic hybrid of his son Isaac, makes him a white beard, but red hair.
c d
The hybrid part in Isaac came from his mother Sarah, who Pantaleone symbolizes
the little woman who puts on the legs of Abraham and that makes red hair to tell us
that his DNA was contaminated by the fallen angels. This does suggest a greater if
not total genetic integrity of Ishmael, his son by Abraham with the maid Hagar -
considered the noble progenitor of the Arabs - who once had Isaac, was banished
from Abraham because of Sarah's jealousy.
By placing the giant with red hair as progenitor of the people he paints under the
artist there is rather saying that the Elohim inserted his Tezelem, that is a part of
his DNA (DNA of God We actually) to create Adam. Elohim who still had the
same DNA of the two hundred and Semeyaza guardians who fell and mated with
mortal women who gave birth to a race of hybrids known as Nephilim, described
as "giants."

In fact, Michelangelo painted the figure as a giant, makes red hair, and puts him as
the founder of the people he paints under. So if Michelangelo is the same red hair
that giant Jesus, will tell us that Jesus like other men descended from them? What
had their own DNA? Yes of course. This thing is so serious, perhaps understand
why the artist in the lower part of the opera, which tells us of those who will be
judged at the end, only paints men!
The woman with the white arm and the god who created Adam, now recognized as
Enki, then depict the genetic progenitors male and female which has multiplied
humanity after the Flood. Founders who 30 years before Michelangelo had
symbolized in Eden in that trunk that divides into two. At this point the question
arises: who would want to portray the man dressed in green that the giant redhaired
seems to whisper something? (Fig.E) To solve the riddle we try to follow
the artist's story.
is f
From the part where Michelangelo paints those belonging to the three monotheistic
religions with their respective founders, in the group where depicts Jews, to
distinguish them, the artist painted two figures dressed differently from the other
(fig.f); Roy Doliner and Benjamin Blech, in their book The Secrets of the Sistine
Chapel, they write that the two could depict Enoch and Elijah, the only two carried
away by the celestial chariot. Doliner and Blech have in my right. The man that the
artist dressed in red may want to portray Elijah and one dressed in green, which
Michelangelo

epaints then near the giant with red hair may want to portray Enoch. The two
different colors used by the artist to distinguish the two figures may be an
indication of the genetic diversity between the two. Colors that we will see how the
artist will return to be used for other characters to distinguish the commonality of
race or diversity.
Enoch is a character biblical antediluvian, and he wrote he lived around 365 years,
and he walked with God, then was no longer seen, for God took him. "Enoch was
the sixth descending directAdam andEva, that according to Genesis was the greatgrandfather
of Noah http://www.liberamente.co/cms/articles/2013/01/09/il-librodi-enoch.
Even Noah, his descendant, who was born with fair skin and hair almost
white, so much so that his father Lamech was afraid that his wife had cheated on
him with one of the angels, is written "walked with God."
The artist puts you close to your Enoch giant to tell us who he really was the god
who first spoke to him and then took him, and draws under him all those giants to
tell us how many men have multiplied by fallen angels having the hybrid DNA (
that in our DNA there are alien genes it is now being confirmed by more research,
but the first to make this discovery should have been Dr. Philip Label and his team
of the Center for Research and Genome Study of Massachusetts).
That, however, a genetic diversity among men who become then the Jews and the
descendants of the Elohim was, Michelangelo reiterates the placing, the side under
Maria, Jacob with the scale notes of his dream, FIG.G (that figure does not it is
San Lorenzo with the grill with which tells the saint was martyred as suggested by
some), and putting the side under the giant St. Bartholomew holding his own skin
that makes his face.
g h
Because only men, because men are the ones who genetically have paid the highest
price because of what has been done before by the Elohim, the fallen angels then.
Michelangelo - again it's him as someone suggested - has made this representation
to tell us that it was believed an empty shell. empty Shell

ecause the artist or perhaps those who commissioned the work, and not
unreasonably, believed that people born from fallen angels had not in them the
divine spark that made them immortal. To quote the words of the Gospel which
were not inscribed in the Book of Life.
For men who were descendants of Jacob, putting the Patriarch that ladder in hand,
the artist tells us starts genetics ski, that is the way through the lives to regain those
lost genetic elements, hence the ascent of the seven kingdoms. Michelangelo has
placed Jacob between the two times and sitting on a green screen because it was
saying to us that the Prophet did separator (or supplanter, as indicated by the root
of its name) supplanting God with his beliefs against the Mother Goddess.
In the Bible it is narrated that the biblical God tells Rebecca that her two sons
would be born two different nations. With that the various Elohim meant different
genetically. The two nations are born genetically different people have multiplied
from Jacob, who had a DNA closer to the original, but believes in the God of your
grandfather Abraham, and those had multiplied from Esau, who was born instead
of red.
In addition to the scale, the artist painted behind the Patriarch the figure of a
woman with a gold-colored dress: the color of gold has certainly been used by the
artist to tell us of the character's kingship; placing it behind the artist Jacob may
have wished to tell us that Jacob was still protected by the Goddess, but fell behind
the creed of the Great Mother soppiantandolo with the belief of his god. In fact,
looking at the picture, it seems that Jacob has taken the place of the goddess over
the cloud with green sheet spodestandola. From him, the Bible tells us, twelve
children were born, which in turn would have given birth to the twelve tribes of
Israel. Number symbolically recalls the twelve signs of the Zodiac Celeste.
In the section of the Judgment below, the artist has painted a figure that seems to
be showing the risen Christ the keys in his hand; the character does not depict
Peter as always believed but Solomon. Peter is not in my opinion because, of the
three founders of the three monotheistic religions of the artist

depicts in front of their respective groups would miss the jew and also because
those keys that he has in hand, symbolize for me the astronomical code that
allowed to know the time of the return of Marduk / Nibiru,
ie of that planet which for some years now you are assuming the existence, that as
is clear from research related to the mosaic of Pantaleone easily found those nine
Knights Crusaders, later became the Knights Templar in 1099 under his temple.
Keys astronomical that they were probably together with the documentation which
was written the history of mankind that the monaco Pantaleone tells in his mosaic.
In the representation it seems Solomon is looking at Christ and show him what he
has in his hand as if to say: look, I have the keys that tell me that is not yet the time
of the resurrection. The character with the red dress that Michelangelo stands next
to Solomon might want to depict instead the architect Hiram, that as he had done
the monaco for Isaac to tell us of the hybrid DNA in him, Michelangelo does with
red hair and white beard.
As far as we know it was not really at the time of the resurrection; resurrection that
is not what we were accustomed to believe for two millennia, but regards the exit
from this world of pain where we were thrown by the big mistake probably did
when we were souls of Atlantis. In fact, even in a Nostradamus quatrain he writes:
At the completion of the seventh largest number (then traced the seven levels) will
appear at the time of the Ecatombe games, not far from the great age of the
millennium (so now) that entered will come out of their graves.
On the opposite side to the risen Christ, that is to the right of Mary, Michelangelo
depicts a group of people; certainly the woman with the green and white keffiyeh
dress depicts Mary, it is deducted from the man with the wooden compass -
symbolizing the divine plan - with one hand he takes her by the arm.

As the man in front of the whole group, a figure that other researchers was
identified as John, is instead Jesus. If we go to observe carefully, it is older but it
does have the same appearance of the risen Christ or the same red hair and the
same aquiline nose.
Why does Jesus Michelangelo lot older than a man of 33 years, the age they should
have had when he died because of the crucifixion, it is easy to intuit: he does show
us that Jesus did not die at that age. As was saying to us Berenger Saunierè, the
parish priest of Rennes le Chateau, in the way of the cross tables set in his church
in the late 800, Jesus died in Rennes le Chateau or nearby. Country where he went
into hiding with his wife after the fraud of the crucifixion, while Mary should have
remained in Jerusalem.

I also wondered what would have been the
identity of the other characters depicted with
Jesus in that part; for example, who could portray
the character dressed in red crouching behind
him, and why Michelangelo had painted in that
position.
If Jesus as I believe that put in front of the group
and I'm sure it is, we understand at this point also
who is the guy who pulls him by the arm and the
reason it does is Stephen, the true son of Mary,
tries to stop (the farce) of Jesus.
Forus identify Stefano, Michelangelo, as Mary puts white keffiyeh, he puts the
white band that holds the hair. Inspiration had perhaps the artist looking at the
statue of Dionysus found in the Vatican.
How is extracted from the root of his name was Stephen the son of Queen
of the world, namely the Crowned, instead remembered only as the first martire
cristiano
... if it ever was. And it is because he was the son of a Great Mother that the first
churches dedicated to him, like the temples dedicated to Goddess of the origins,
have circular.
We have seen that the woman that the man with the compass takes his arm depicts
Mary; the artist painted it in the act of turning to other women making a mark that
seems to keep silent; the silence that women had to keep - that is, those who
together with Mary witnessed the discovery of the empty tomb - is definitely that
involving the farce about the crucifixion and resurrection concocted by her and
Jesus readily knowingly Herod Antipas, Michelangelo depicts hiding crouched
behind the legs of Jesus dressed in red and white beard and hair.

A concocted sham and made with good intentions because surely the people did
not understand and did not believe what they said, and about what they wanted to
warn them, but as confirming the saying you can do great damage with the best of
intentions, because we can see that farce generated, only confirms the saying.
John, who probably was informed of the farce, is shown
instead in my man with the red kippa that Michelangelo
painted to look at Mary baffled.
(Giovanni, that the second letter cited in the Gospel, he
knew clearly who he really was Mary, in fact, in the
second letter, the priest turns to the Church as it claims,
but to Mary. And 'Mary, he called elected, the recipient
of the letter,
not the Church (http://www.perfettaletizia.it/bibbia/2giovanni.html).
Observing the work of Michelangelo, I was born in me other interesting because I
noticed that the artist, on the side where there is the woman with the white arm and
the body color, put a few men and many women, while the other where there is the
giant with red hair, he has put many men and few women.

That difference in the artist paints because in ancient times women were even
more numerous today in comparison to men. It was so because the female positive
energy, which is the predominant one in the Intelligence Superior Creator, must
prevail over the bad men. And evidently, for the same reason, women have a long
life in comparison with men.
So with that representation, separated by a before and after the figure of Mary and
the Risen Christ, I wanted to tell Michelangelo two time periods; the first period to
which the artist refers is obviously one in which humanity still believed in the
Great Mother and the Sacred Feminine, and so on that side has put Mary. In so far
intended to tell instead of following Jesus, the artist has put more men to tell us
that negative energy is stronger, and divided into the three monotheistic religions
of humanity, placing in front of each group its founder.
The group of Jews before Solomon we have already seen, after that, the group of
the center, in the foreground Michelangelo has placed Mohammed with behind
him the Muslims and next to him a strange priest who seems the Egyptian god
Ptah that seems to whisper ear.
And 'written to Muhammad, breath after breath, in one night, God dictated the
Koran; Michelangelo, to highlight this traditional narrative, puts you close to the
Prophet the Egyptian god Ptah, once demiurge of the city of Memphis. Myths Ptah
fact speak of us as a creator god, patron of artisans and architects as well as the
god of learning and knowledge. That God is always the same chthonic deities, ie
the same Archon, creator of this false world, also known by several names, it is not
dead, it can still show up or you can hear his voice in my head. What they are able
to do also the other malicious entities
Path

we live with this level of existence, which hold captured men, preventing them
from knowing the truth that sometimes, taking shape, pretending to be
extraterrestrial. Perhaps we could take a sample the experience of Billy Mayer, a
well-known Swiss contactee.
Reading the book Billy Maier that a friend had given me insisting that I read it, I
found written that the father of Semejase, the Pleiades that Billy met, told him to be
the same as in ancient times, in Egypt, was called Ptah. How could it be? Billy
Meier, who is now 78, claims to have had and still have contact with extraterrestrial
beings similar to humans called Plejadiani. Billy said that when he had to meet a
pleasant voice in his head telling him to leave the house and go to certain places.
At this belief because these Archons, who present themselves as more advanced
extraterrestrial us today, are not that entities (parasitic) that govern this world and
also hide behind the name of mythical figures. When you do not want to be seen
vibrate at a different vibration from our being able to talk to you in the head and
even now controls our actions - many of this period femicides are evidence - are
able to show you other things, but above all, being able to acquire physicality ,
they can live near passing unnoticed. I know something personally.
Then there is another fact about Muhammad and his Quran: in July 2015, the Alba
Fedeli Italian researcher has discovered among the documents of the ancient
Middle East kept by the University of Birmingham in Britain, some fragments of
the ancient Qur'an that would even more ancient than the expected date of birth
and death of the prophet Muhammad, who according to tradition, would in fact
received the revelation that later led to the Koran between 610 and 632 AD
https://www.avvenire.it/mondo/pagine/birmingham.
So the Quran to Muhammad gliel'avrà whispered to God, Path, or rather the
Prophet, who was traded, you may come into possession of ancient documents that
maybe he copied adding her?

After the group of Muslims that we Christians in front of a Jesus crucified still do
indeed, even with the cross that this time it seems he
set alone on his shoulders and helped to keep those
two behind him, one looks like a pope.
If that figure dressed in white wanted to be a pope is
easy to see what it was like to suggest Michelangelo:
he wanted to tell us that the ecclesiastical hierarchy
continued to support fraud Jesus.
In the group they are also portrayed Judas kissing
Jesus with Mary and Joseph. We can see that in the
representation Michelangelo says there were there at
that time still numerous giant time.
In those three groups represented Michelangelo then the followers of the three
monotheistic religions and their respective founders narrating, however, things that
affect them unknown to us (The Treaty of the three
impostorshttp://www.alateus.it/treit.htm).
Among those founders of religions is not present
Siddhartha; If Michelangelo did not put him among the
founders of religions, but places it elsewhere clinging to
savingMala along with Mohammed while painting
Moses save himself (he does for a reason but for the
moment does not reveal), means that do not put each
other because the one left by the Buddha is not a
religion, even if they have made her such, but the
'teaching that comes closest to the right Way.
Under the three groups of the three monotheistic religions have the woman holding
half of a wheel to which the artist has made nine teeth, which Daniele da Volterra

covered with a green dress; one half wheel, as we will see, probably intended to
symbolize the middle of our solar system; surely the nine teeth of the wheel
intended to symbolize the woman as a hermit, the wise old man who travels the
inner path in search of the light of truth that will be transmitted from the soul. As
he had done Pantaleone, even Michelangelo had painted the naked woman as
Venus hiding it among many other naked opera, then, after the Council of Trent,
nudes were deemed inappropriate, the artist was dead, and intervened on the work
Daniele da Volterra that covered the woman in the green dress, the color
symbolizing the preservation and defense, then said for this intervention of the
naked cover, braghettone.
The Venus painted by Michelangelo, that covered by Braghettone ... The Venus of Pantaleone
This woman personifies the person waiting at the end of time (and the Age of the
cycle). So right now! The people who are that way, and those belonging to the
three monotheistic religions, are those that you will awaken and to warn.
Michelangelo painted it in
to groups of followers of
the three religions
monotheistic
sig
nificarci for you will
come to the end of time; It
puts it that way because
it's people of those
religious beliefs that she
will awaken to bring order
and
Justice of the true Deity, and explain to mankind what is allowed to do and what is
not. That woman with half wheel in hand depicting her who was coming to the end
of time, could confirm the fact that Michelangelo, as performed with Mary, picture
behind her back with the man

compass, which symbolizes the new predestined by divine design, then also the
man beside her with a wheel under the belly with a tape measure in hand that is
counting the time. The time that the man with the wheel under the belly and tape
measure in hand is symbolically counting is what is lacking (goes) to the passage
of Marduk (Planet X or whatever you want to call it) close to our planet. The
planet, which Michelangelo painted with the same appearance of the risen Christ
and Jesus as the embodied in its time, is in fact symbolized next to the woman in
the green dress.
Michelangelo then paints the planet Marduk again in the guise in which he painted
the risen Christ and Jesus in the group of Maria because Maria's brother - now we
understand why he said he had not come to bring peace but a sword (MT 10, 34 ) -
he represented on earth in our Game of Life. The artist has depicted with arrows in
one hand while the other painted it to him that seems to be about to throw the dice;
that seems to be nuts to even throw the woman dressed in green behind him
symbolizing Mother Earth. While the other, symbolizing the Great Mother Celeste,
seems to be looking at how the dice fall, that the outcome of the match between the
two because, being both planets her children, she is neutral.
Marduk, which may be the same planet that Zecharia Sitchin translates from

ancient texts as Nibiru was a planet known to the Sumerians and perhaps not only
from them. Of Marduk they also said crop circles.
A circle in particular grain, through that wire, seems to suggest
that Marduk both
a Planet left our
solar system and entered
in to part the
constellation of Cancer. If
so, this is probably It
happened in the first and
more severe cosmic
catastrophe, and if we
know
how
much
translated by Sitchin about the rivalry of the firstborn of Enki and Enlil, we can
only speculate that it might be so and that the Jupiter we know is not the original
Jupiter.
The constellation of Cancer was known by the ancients also considering the
symbols drawn on the ancient artifact below.
We saw that Michelangelo painted his Marduk that seems about to throw the dice;
the game of dice is a game that Marduk's sister Play symbolically with Mother
Earth () and its inhabitants; those arrows that Michelangelo put in hand to the
figure simboleggiamo probably asteroids that Marduk is able to launch on Earth.
One theory held by Richard Muller,https://it.wikipedia.org/wiki/Richard_Muller
which although only assumes the existence of the planet, as it happens, however,
calls it their own Nemesis.
Richard Muller, an American physicist, observation of the movement of the
celestial bodies in that area, he speculated to be much beyond the Oort Cloud, a
Nana Bruna, which he called Nemesis, orbiting the Sun that disturbs the orbits of
by pushing millions comets in the solar system with the risk of a potential collision
course with Earth. This would explain, according

Muller, the cyclical nature which would have occurred
enormouscataclysms and mass extinctions on Earth, he
says every 26 million years (to me every 26,000) of
which one extinctions have led to the disappearance of
dinosaurs. Theory rejected by the majority of the
astronomers.
Muller has instead largely the case because the Celestial
body that he assumed to exist in that region of the
cosmos there really is; what he assumed to be the
Nana Bruna that disturbs comets in the Oort Cloud, is probably Marduk, which is
in turn part of the constellation of Cancer, which should have as Sole a Red Giant.
As suggested by the ancient artifact, and reported the myth, the ancients knew of
Memesis, which in the Italian language has a bearing on the compensatory justice,
while in Greek mythology was the goddess of vengeance that punished every
attempt to get out of the limits imposed by his own nature. If we reflect what we've
done with the human DNA with that of nature, so we can not expect anything good
from Nemesis. And the crop circle below, like many others, perhaps they wanted
to warn us of his arrival.
Of Marduk may have wanted to tell us in these Nostradamus his drawings ..

and also all those artists who, representing the Last Supper of Jesus, have
Painting shrimp on his table.
Those of Mary and Jesus were (and are) soul mates and are probably the same as in
the sixth century were embodied in Benedict and Scholastica; not surprisingly to
her and not to Benedict it was joined by the dove symbolizing the Holy Spirit in
her. Those two souls are incarnated in a few years away from each other but I doubt
we're friends; putting that lamb and the scorpion in contrast, this also seems to
confirm the design of Nostradamus.
St. Scholastica
San Blessed
Jesus represents the opposite of Mary was almost certainly born under the sign of
Scorpio, basically a land crab. The symbolic dates on which Jesus was connected
in assumptions made by Dionigi il piccolo about his date of birth is incorrect. If
Jesus was born on December 25, as Dionysius established, he would be born under
the sign of Capricorn (sign tied to the god Pan), and seems to indicate how well the
design of Nostradamus, Jesus was probably born in October. (On assignment of
Papa Giovanni I, Dionigi il Piccolo, who lived in Rome in the late fifth century and
the beginning of VI, through a calculation based on the Gospels and on historical
documents available to him Dionysius developed a mathematical method to predict
the date of Easter according to the rule adopted by the Council of Nicaea,
establishing the date of Jesus' birth to December 25.)

Yes, another one intriguing thing is that among the eighty watercolor images of the
book found in the state library of Rome by Enza Massa in 1982, attributed to
Nostradamus, the seer, using a different symbolic language, tells us the same
things over whether or not they intended to also tell us Michelangelo and
Pantaleone.
Maria was a dove, and doves, in ancient times, were called priestesses of the Great
Mother http://blog.libero.it/SpecchiodiunaDea/10003456.html. Indeed Michelangelo
Place Mary and the Christ under the Prophet Jonah painting years before; Jonah
comes Hebrew Yonah, which means dove.
That woman that Michelangelo had painted naked and Daniele da Volterra covered
with green dress will bring Order and Justice, it could also confirm this other
representation;

In fact, if we look, in part dedicated to the work while still evidently believed in
the Great Mother, we can see that people who are in the lower part, identified as
that of the end times, people or are helped to rise or rise flying, then climb all;
while, with regard to the people who are put under three groups that represent the
three monotheistic religions, in part related to the end of time, does not rise any
person. Some figures seem to be postponed down others seem to be stationed
around in circles, in addition, in the low part of the opera seem to be only men, and
while Minos seems to observe the end of her children, those who try to cross the
river to go from ' on the other hand with the boat, she is thrown out of Charon.
What it may seem like an oddity no longer is if you are including the seriousness
of the facts genetic experiments and the severity of that deity of the underworld
forces are coupled with terrestrial women having these children. Michelangelo
painted in that part especially men because they are the ones most affected
genetically.
Perhaps we will never know what really happened over two thousand years,
however, we do so ponessimo us questions about Jesus and Mary and as the
ecclesiastical hierarchy could actually know many artists, including Leonardo da
Vinci, painted in some of their works strange scenes.
As you can see, the image sectioned last Supper by Leonardo da Vinci, he paints
he usually identified as John the Apostle, as well as blatantly feminine traits, with
close to another apostle who, armed with a knife, he seems to be saying something
that is threatening Maria! Leonardo assumed that the silence of Mary was probably
due to some threat?
Other artists still tell us something particularly strange on sister of Jesus.

n
o
r
q
p
Seen that the authors of the reported works (which are Perugino, Boninsegna,
Jacopo Bassano and Signorelli) and also many others paint the same sleeping
figure is ask ourselves: what did they know might have happened? What we now
know Maria, he had not awakened? That was what they knew those artists since all
eerily depicting the same figure always sleeping? And based on what they knew
and wanted to tell us that even those artists Charles Perrault and the Grimm
brothers wrote the fairytale The Sleeping Beauty?
Michelangelo put behind her a character who seems about
to strigliarla (some scholars identify it as San Biagio,
patron of the throat, which could be seen that in the gorge
there are vocal cords that allow the verb, that is, the voice,
emit sounds, that our words, which this time had to be the
right ones); keeping in mind the original position where
Michelangelo had painted the figure then Daniele da
Volterra clothes with green dress, the artist may have
wished to suggest that the woman would be groomed as
done in the past with Jesus, but

with those combs he tells us even more. To the Egyptians, from which the church
has become more inspired to worship, vestments, and for the theory of
immortality, the comb was an important symbol as it loosens and unravels the hair
knots, which not only beautify our figure, they are also electrical conductors that
capture the energies around us. No coincidence that the medium Hitler had long
hair.
combs Ancient shown with symbols
Each node is home to roost says an old proverb, are nodes that failed to dissolve
Maria (despite having reported in numerous representations that it does), that
affect human behavior, and spirituality, religion and conduct, those that melt our
new woman Pantaleone that first, then Michelangelo, but Nostradamus, draw as
Venus, the first star of the morning of the new day, of which they also said the
crop circles.
Images of Mary sciogle nodes
In the opera section below, to tell us that the new woman has the same features of
Mary, Michelangelo painted the angels playing trumpets of Judgment along with
two women: one who holds a larger book and is wrapped to legs with a saffron
cloth, and the other has a smaller paper and instead sit on a blanket cloud from a
green towel; the woman who has her legs covered by a saffron-colored cloth (color
that belongs to Hecate,goddess of magic in Greek and Roman religion, but pre-
Indo-European origin), And in the hands of a larger book, depicts the ancient Great
Mother; the other who sits on a tarp

think green instead symbolizes Mother Earth as we know, that being younger has a
smaller book.
Women symbolizing the same, but dressed in a red dress (typical color of the
priestesses of the Goddess), also represented by Nostradamus in one of his
drawings. The same dual symbolism Mother also find in the Madonna contained in
the church of Città di Castello.
Nostradamus Design
The two black madonnas of the Town church of Castello
The two women are also indicated in the Revelation of John in the part where it
says, the two witnesses in sackcloth (Rev. 11.3). Witnesses who, as the two
women depicted by Michelangelo and the two with the red dress represented by
Nostradamus, is not to understand its coming as two separate persons, but as the
embodiment of two mothers in one body. That one person is the one who first

Pantaleone in his mosaic, then Michelangelo in the Last Judgment, and even
Nostradamus, have portrayed as Venus.
Crop Circle 8 July 2016
So this woman, besides being one in whom is embodied the Androgynous Mother /
Father and represent two Mothers, is the Grail, ie the container, which houses the
Book of Knowledge.
As for the mosaic of Pantaleone, I do not understand what narrated by
Michelangelo in the Sistine because the story of those our ancestors that we know
through the Bible and the Gospel is different from what the artist narrates and then,
looking at the opera figures we are not able to make logical connections.
As Michelangelo said, however, is so obvious that I do not think the artist
he could do it gabbando two popes as written by someone long ago.
Perhaps for the attendance of the Garden of Marco di Lorenzo the Magnificent,
perhaps because Michelangelo knew the evidence given by the Crusaders centuries
earlier from the Holy Land, or perhaps simply because he had read the documents
messigli available from the high Catholic hierarchy to compose works as it seems
emerge from the research, the artist was able to make up that story. And that is
what the artist had evidently learned that sculpts the third incisor, the tooth called
bastard, mentioned by Marco Bussagli in his book The Michelangelo teeth,

http://www.artslife.com/2014/11/13/marco-bussagli-i-denti-di-michelangelo-un-caso-iconografico/
to Jesus of his Pietà, in the damned and in other figures of the vault; and is
apparently also that as the Medici family and the Church knew he wanted to
continue to keep secret that there was the Pazzi conspiracy seems hatched from the
minds of their most powerful ally, Sixtus IV.
As Michelangelo knew he was still known by many artists of the time. For this the
Hellenistic period was their favorite subject.
Michelangelo, who painted the work, along with the popes who gave him the job,
they are saying, after five centuries, they knew that in Jesus' day something special
had happened, and to allow Michelangelo to do that story in the work, it is clear
they knew well what and why. Facts that perhaps the high hierarchy of the Church
of the first centuries did not know and of which they become aware then as they
found themselves ancient records.
assessing the story that makes the monaco Pantaleone as a mosaic, the most
important and substantial documentation should have been that recovered by the
Crusaders under the temple of Solomon in 1099, but by then it could be two things
happened: either the high Catholic hierarchy have not said nothing because they
could not admit that they were wrong and say he dropped the foundation on which
the Church is held, that is the death and resurrection of Jesus .. or they thought it
best to keep the secret by evaluating what would have caused among the people to
know the truth so shocking ... and I'm not referring to the farce of the resurrection
of Jesus but because of hybridization between terrestrial and entities ... that
chthonic underworld, so the lower levels.
Knowledge of the planet Marduk and try to locate it certainly led Leo XIII to build
the Vatican's observatory and always the same reason led the Vatican to build the
astronomical center on Mount Graham in Arizona. And they know the time of
passage of the planet could be evidence the words of the homily Bergoglio yearend
(2013), where he said that the time has come. But if the time has come, as
prophesied by many, you do not miss the arrival of someone? And then, if
Michelangelo did Jesus coincide with Boaz column black and not saved him in his
Last Judgment, if not even Pantaleone depicts him in any part of its mosaic,
because it should make the words of Jesus and not instead to a report in the
Revelation made to John and teaching for millennia the ancient myths about the
Great Mother? That is a woman to carry the message of the end?

Hatshcebsut
Nominated at first regent for her stepson, Hatshepsut, after obtaining the support of
the most senior officials and the Theban clergy of Amon, including Hapuseneb,
which was raised to the rank first prophet, he began a work of propaganda aimed
to show how the father, Thutmose I, had nominated her direct descendant and
therefore the right to ascend the throne. A culmination of this work of Hatshepsut
propaganda appointed co-regent with Thutmose III then attributing all the
prerogatives and the sovereignty titles.
A
b
a. Hatshcebsut. b. The temple of Deir el-Bahari, built by Hatshepsut
The Hatshepsut legend, Khnum, the god who gave strength to the body of human
children, was invited to create a body and a Ka, which is the life force of
Hatshepsut, then that God and Heket, goddess of life and fertility, positioned
themselves Iahmes, the mother of Hatshepsut, on a lion-shaped bed (solar symbol),
where she gave birth to Hatshepsut. To further strengthen its position was issued a
pronouncement of the 'Oracle of Amin, mediated the Theban clergy, which was
proclaimed as the desire of God that the daughter of Thutmose I sit on the throne.
The legend is already understand the importance of his birth, but the female
pharaoh belonging to the XVIII dynasty was predestined, then an already begun at
birth. The tooth found in his canopic jar is for me an important validation that
makes me think she was aware of it otherwise would not be maintained that tooth
and then to his death put in canopic jar.
This happened because Hatshepsut was perhaps represent some new beginning. On
Earth, after the event known as the Flood, was perhaps the first woman to
officially re-represent the Great Goddess (in fact built in Deir el-Bahari temple that
calls the temple of the sun. Even the Egyptian with feathers Robert Bauval
mentioned in his Orion Mystery, the meaning chiedendosene

symbolic, is related to me in this new beginning). But how they did probably
suggest the four visions that concerned her, almost certainly Hatshepsut, along
with another person, was killed by his stepson. Thutmose III. I think she was killed
because of the object (?) That I think the architect Senmut himself under the
pyramid of Zoser in the secret room. Subject that perhaps allowed Senmut draw in
the ceiling of his tomb as we know, that Thutmose wanted, and could have found
in 1099 the Crusaders under the Temple of Solomon.
So once killed Hatshepsut - remained unpunished murder - everything returned to
be like before. This one is also confirmed by the image contained in what has been
identified as the tomb of Mery-Atum (beloved of Atum), son of Ramses II and
Nefertari and great priest of Ra in Heliopolis, which perhaps explains the boat
Atum ; the strange thing is that at the heart of those twelve figures, they might
want to symbolize the 12 signs of the Zodiac, there are those four spirals. Who
knows what those four spirals do not want to symbolize the cosmic rift that we
wanted to say possibly Senmut.
to
The Solar Boat in ancient times was depicted with Venus at the center and placed
inside a square (Fig. A) In the church of Saintes Marie de la Mer, in Provence, on
the other hand, women are placed in a two-boat. Those two women, as the two
b

painted by Michelangelo in Last Judgment, symbolize i n transcendent way
the two mothers who represented Mary.
In one of the drawings
attributed to him, narrating
the future, Nostradamus also
reported a solar boat under
the two women (the two
energies) facing each other
as in the mosaic. And
'therefore a wormhole,
iewormhole, that there
Pantaleone meant by those strange designed concentric centers on the hands of
those two women? https://it.wikipedia.org/wiki/Ponte_di_Einstein-Rosen
Perhaps, given the wormhole also appeared in crop circles!
http://www.segnidalcielo.it/i-creatori-dei-crop-circle-ci-dicono-come-viaggiare-nellospace-wormhole-generating
/
Contrary to what we know and we have been told, what then actually
happened in the millennia? What is the real history of mankind?

Mary of Magdala, Mary Magdalene, Mary of Bethany or whatever name
really?
Another incarnation of the Great Mother that has been brought to my attention
through dreams, visions and other, concerns the one we know as Mary the mother
of Jesus. That MAY be the same Magdalene or Mary Magdalene, and because of
Bérenger Saunière, the priest of Rennes-le-Chateau, may have built a tower called
Magdala.
a b c
d e f
a. Tower of Magdala b. Magna Mater Tyche with overhead tower c. Cybele with tower in de.f. head images of
Mary with a crown, a symbol of Tyche accomunabile to the Tower of Cybele and other archaic Great Mothers.
Maria was probably born in Palestine, and perhaps married after he went to live in
Bethany, a small village near Jerusalem. Of its country of origin we do not know
anything for sure, but there are two cities that, more than others, vie for the
privilege of being her birthplace: Nazareth and Jerusalem.
Also about a year of her birth the Gospel makes no mention, but it's more than
likely that Mary was born under the sign of Cancer, for it is through that door that
you embody the gods and why, as we have seen, she represented also the goddess
Nemesis. Almost certainly it came after Jesus, that as well as we could ascertain, it
was not his son but his brother. Her son was

Stephen, as well as this we could see, we also confirmed by Michelangelo in the
Last Judgment. And if he could paint the Sistine Chapel means that WHO has
revealed it to him knew as sure! For this reason Stefano is remembered as a martyr
on the day after Christmas, if only since 1947, but it is for the same reason that the
ancient churches dedicated to him are all circular in shape, and it is for the same
reason that one of the eight gates Jerusalem bearing his name!
a b c
a: Interior of Santo Stefano Rotondo al Celio (Rome) b: Stefano: recognizable as the son of Mary since
Michelangelo, to do this connect to the mother, as Mary puts Kefia White to indicate positivity, he puts a white
band to keep his hair. c: Port Santo Stefano, one of the eight gates of Jerusalem.
The actual son of Mary, Stephen, did not, however, the meaning that was given to
Jesus, who takes up the myth of Semiramis and Tammuz; myth thatwhen the
population of Babylon was scattered over the face of all the earth (Genesis 11.9),
brought with him and that Yesthen inspired cults to the Great Mother of the other
people that populated the Earth with which the Babylonians came into contact.
Mary is not even Mother of God, as Catholic theologians teach, in fact this title
never appears in Scripture becauseattribute to Mary being a mere human creature
as she, like Latona put children into the world, and at the same time It was the
messenger of the Goddess and the Goddess Incarnate.
From the Gospel it does not even show that Our Lady had blood brothers or sisters,
but unlike what was done to us arriving, Maria had both brothers than sisters. Our
Lady's parents were perhaps Joachim and Anne as the scriptures record, and
perhaps as handed down imposed to the Virgin Mary's name, indeed Myriam or
Mariam, which was a very common name among women as it had been that of
Moses' sister unless, of not knowing what it was called, when, after Paolo di Tarso
there was talk of a mother of Jesus, Mary gave her name by invoking the name of
the priestly order of Miryam. So the name of Our Lady, has been really MariaDalla
Sacred

Writing can be seen that the Madonna belonged to the royal lineage of David, from
which, according to the prophecies, the Messiah was to be born; that they are not
able to confirm it, but Maria could also descend from the branch of the only
daughter of Jacob and Leah, Dina.
Though of noble descent, Mary's family was now fallen from its former glory to
glory and wealth and the Virgin Mary was married to Joseph, a local craftsman,
according to the custom of the time. Mary was an exceptional and privileged
creature because it was the woman predestined by fate to make a great mission.
Maria was the incarnation of the Goddess in her capacity as wise, so old, and as
such would have to heal the damage done previously by various prophets as to
think toward the male god. What can not match and does not correspond to a Mary
who conceived Jesus to twelve years (partly because there was nothing to
conceive). Perhaps because it manipulated by zealot Jesus, perhaps because he
woke up, or simply because it was not believed despite knocked on many doors,
Maria could not fulfill its mission. And could this be the reason why so many
painted her asleep (but covered up as Giovanni) close to Jesus. So the story of the
resurrection of the physical body, if not of Jesus was a fraud due to ignorance, is
certainly a fraud of the next Paolo di Tarso because, as Philip wrote in his gospel,
it is the soul that must defeat the Archon / parasite, that the Church defines dragon,
that keeps her prisoner, and rise again.
Jesus had a wife, this may have called Mary because the name was very popular
because it was one of Moses' sister, but she was almost certainly two male and not
a female as some researchers believe a number of years but especially after the
novel Dan Brown, the Da Vinci code, and the Church's reaction to the book.
Without wishing to speak again of the importance of the Sacred Feminine, those
two souls (one in Jesus and Mary) as we have been able to assess, were the same
ones that are embodied in the sixth century in Benedict and Scholastica, and
probably because souls companions and created by the Great Mother in the
Beginning, they will be embodied in many other brothers and sisters that we can
not know.
By evaluatingcharacteristics of the fifth element, the recovery of DNA, the fall of
Velo and the end of suffering that will occur in this end of time (always manage to
avoid the danger that Marduk brings with it) this is probably the Good News that
Mary would have to announce if it had been recognized. Good News that has thus
nothing to do with that then put into the mouth of Jesus.

Just something on the Apocalypse of John because John is Mary
In the apocalypse of John, known as the Apocalypse, or Revelation or Book of
Revelation, John returns at some point: .. In the sky I saw then appear a great sign:
a woman clothed with the sun, with the moon under her feet and on her head a
crown of twelve stars. She cried out in her pangs of childbirth.
The woman in the dream of John symbolizes the new woman that you would come
down the Spirit of the Queen of the world; The twelve stars on her head symbolize
the twelve signs of the Zodiac which is Queen and Mother, while in labor instead
symbolize his anguish. Anguish that because time is over and she has to give birth.
That is, it must absolutely bring the message to humanity.
It 'hard to understand the extent to which the Revelation of John has been altered,
but if that text is really talking about a child who "John" sees giving birth, that is
not a child that really has to be born. The child of John's dream symbolizes the
important message that a woman ought to

humanity. The message is very important, concerns the salvation of humanity, for
this is in the dream symbolized by a child. If she manages to bring his message, the
Order will be restored, and the dragon and his - that is, the Archon that today
reigns and parasites like him - will be defeated.
Even the John of Revelation is a fraud. What you have left us as the dream of John
may be really a revelation made to Mary, where she was shown a future life. And
the noble and ecclesiastical hierarchies that could have understood, is shown by the
fact that in the chapel of the Palace of Caprarola, the Farnese, John has been
represented as a woman and did paint with colors and symbols that do not give rise
to misunderstandings in chthe eglthe was then actuallyto (Fig.A) ... In addition the
particolari colorthe con cuthe the'artist the hto special hand-paintedto left and all
symbols, as did Nostradamus to the woman of his drawings, to suggest what his true
identity and the fact that she symbolizes the center of the world, reported on her
breast the same symbol as in some works on the chest of Fates and Isis chest.
a
That woman of the dream of Mary who in the times of the end will bring together
the languages (the
religions) restoring the order because it will also tell humanity what is allowed

do and what is not, which in Dante 'Inf. I, 100-111 tells us where he would
incarnate because the area is, as it has always been easy, the navel of the world, he
has it represented in his Pantaleone mosaic drawing it like Venus and putting them
near the symbolic peacock symbolizing the eye of the Goddess who sees
everything.
And having noticed that in the Bible it is written, the oaks were recognizable by
other women, reading the considerations of Gimbutas - which also recalls those of
Dorothy Cameroon; considering what he wrote Kolosimo of what has already been
reported Pythagoras (580-400 BC), Anaxagoras (500-428 BC), Democritus of
Abdera (460-371 BC), Aristarco di Samo (310-230 BC) and many others;
considering the importance of the object found to Antikitera and its high
technology, adding finally the rest, the capital question I ask myself is: how much
and what has been hidden until now? How they lived and what really knew the
people who inhabited the earth over two thousand years ago?

The great Hypatia
Although about the great scientist I have no certainty as to her I have lived
experiences that I have spoken, Hypatia may have been an unofficial incarnation
of the Great Mother.
Hypatia is shown dressed in white in the work of Raffaello Sanzio School of Athens, which is a fresco dating
back to 1509-1510 and is located in the Room of the Signatura, one of the four rooms in the Vatican inside the
Apostolic Palace and one of paintings most relevant of Vatican city State
In the biography it is written that Hypatia was born in Alexandria in the second
half of the fourth century; it is not possible to establish precisely the date even
though most scholars believe they can indicate its inception around 370 AD
Ancient sources agree in how to detect not only Hypatia had been educated by his
father, the surveyor and philosopher Theon, in mathematics, but that became in the
study of talented enough to overcome his teacher. She was also in charge of
trigonometry, algebra and other important materials. There are those who attribute
the invention of the astrolabe, which later perfected his students, as well as other
useful items looking like the hydroscope or barillio. Not content with this the
scientist also devoted himself to the philosophical sciences, and it seems that
already in 393 was the head of the Alexandrian school. And the memories of some
of his students seems to indicate that he had many disciples.
So more than a clever woman, and perhaps even at those times powerful. This
probably was the reason that led to her death. A woman so bothered the chiesa
cristiana that was being born, so it had to be done away with. Which, according to
legend, he made Bishop Cyril probably paying someone or simply using some
Christian fanatic.
After he died some have tried to make her forget, but in the Renaissance, perhaps
due to the Greek texts translated by Marsilio Ficino commissioned by Cosimo de
Medici, probably to his findings, the way was killed and especially for those

presumably he did, succeeded overwhelmingly from the place where they had
relegated. Could this be the reason why Raphael puts it in one of his works of the
most famous philosophers and mathematicians of the past intent to communicate
with each other.

The thirteenth sign (the exam)
Not everyone is aware of, and when I found out it was a surprise to me, that in
addition to the solar Zodiac was drawn another trail linked to the life of soul and
subconscious, based on the revolutions of the moon around the Earth during the
course of one year. The names of the lunar signs of the zodiac are the same as the
solar calendar, it is only added, instead of Arachne, as probably our ancestors did,
the Ophiuchus, which is considered a constellation and not a sign like the others.
a b c
d e f
a: An imaginative construction of the Zodiac with the thirteenth sign b: The constellation Ophiuchus in the
myth. c: d crop circle: The scorpion in one of the megaliths of Thebes and Gobekli: Nostradamus f Design: In
the Gobekli Thebes site, in one of the three circles are 13 megaliths that perhaps represent the Signs of the
Zodiac, not twelve as the Zodiac as we know it.
In the lunar zodiac they are supposed thirteen at the signs of the lunar cycles in a
year are more than twelve and not thirteen. Theories opposed by religions born
later to the point where it must be considered an evil number.
The ancients knew and used the Lunar Zodiac with magic and prophetic purposes,
so much so that the timing of the Celts consisted of thirteen months each
composed of twenty-eight days. The Druids would give great importance to the
Star

Little Goat which is located in the constellation of Auriga, they just connected this
constellation to the mysterious thirteenth sign of the lunar zodiac Arachne, the sign
of pure psychic force. And even in certain magic boards Egyptian and other
archaeological finds of astronomical marks the number thirteen, or bringing back
lunar months or thirteen moons.
The Arachne legend, lived in Colophon in Lydia. She was the daughter of the dyer
Idmon and sister of Falange; He was very good at cards, so much so that it was
rumored that he had learned the art directly from Athena while she said it was the
goddess to have learned from her. He was so sure she challenged the goddess to a
confrontation. In a little old lady he appeared to Arachne, advising her to withdraw
the challenge to not cause the wrath of the goddess. When she replied with rude,
the old came out revealing guise as the goddess Athena and the race began. In
Athena canvas they had represented the great historic achievements by the goddess
and the divine powers that were characteristic; Arachne instead, depicting the loves
of some of, their crimes and deceptions; his work was so perfect that Athena was
angry, destroyed the canvas and struck Arachne with the shuttle. Arachne,
desperately hanged himself, but the goddess turned her into a spider forcing her to
spin and weave his mouth for a lifetime, punishing the arrogance demonstrated in
having dared to challenge the goddess.
a b c
a: Arachne in the mosaic of Aquileia. b: Arachne Veronese c: Goddess Tanit
Arachne is reported as a mythological figure, but probably was an incarnation of
the goddess. Ovid tells the story of Arachne in the Metamorphoses, Virgil puts it in
the fourth book of the Georgics, Dante's Divine Comedy puts it in the group of the
proud. And according to me Homer, Ulysses, with Penelope, refers precisely this
figure. The myth can change over the centuries, modified, to be touched up or
connect to different figures, however the substantive meaning of the story does not
change. But all this, the poets and philosophers who knew what really hid the story
of Arachne it resumed do not forget because it was a way to remember and pass on
the catastrophe on earth as the

catastrophe could have been repeated. So in the myth is the truth. And this truth
was told in the main female character because that was the right way. If our
ancestors had simply passed on the memory of the catastrophe on the ground that
information maybe there would never reached while the myth is immortal.
The monaco in the mosaic tells us of the time that in the past Marduk / Nibiru
caused big trouble to the Earth, researched and reported assessments lead to
understand why it happened that first catastrophe and later, and as the creed
against the biblical god She has led to forget that against the Goddess. It is a very
ancient truth, but after that the cult towards the male god took increasingly
popular, myths lost their importance, but meanwhile, in Caprarola, the Farnese,
who knew how things really were, used to build the star home that is the new man
remembers the essentials in which and through which its development takes place,
and in the castle chapel were painted by Giovanni colors and symbols that leave no
doubtwho he was actually (http://www.federazionepagana.it/stellapagana.html).
a b c
d
e
a. Aerial View of the Palazzo Farnese in Caprarola b. The internal helical staircase c. Crop Circle d. The
Giovanni dipinto in the chapel that E 'clearly a woman, and the symbols and the colors with which the artist
painted it tell us who he really was. e: The ceiling with the celestial zodiac painted in the reception hall.

To know the truth that tells the Monaco were not only those belonging to noble
families, of which some components have also become popes, from what emerges
from the research we can guess which are truths known for some time by others
but never revealed. Because? Fear of making known such things for fear of panic
that would cause?
a
For those who govern us, some elements of noble families and ecclesiastical
hierarchies are men manipulated? Men possessed ?? Men asleep? Why is there
such a thing was ever concealed without giving us the opportunity to choose and to
use our free will? Is it possible that no one has ever understood that, however
terrible it may be, if the truth was not revealed'd never come out of this hell?

The macrocosm symbolized in the 16 circles of Pantaleone mosaic
and in a different way in the mosaic of Unberto I gallery in Naples ....
... the microcosm symbolized in the sixteen villages in the Castelli Romani?
Reflecting on what Zecharia Sitchin wrote about the Garden of Eden and what they
told me passionate seekers of the Castelli Romani area I had the opportunity to
meet during my research, it is conceivable - at least in the past - that the first Eden
was located right in the Lazio volcano. But they think this happened by chance,
because, they say, the ship of him that myths tell Jason to be accompanied by the
Argonauts in search of the golden fleece, because of a likely young and
inexperienced pilot error rushed in what it was still the volcano Lazio causing it to
implode.

Only vivid imagination of those researchers? Perhaps, but true is that what was
once the volcano mountain is empty inside and there was installed a military base
that no one, even today, you can approach. Also, in the surrounding area, since a
few years ago he was made a major excavation of land to open a new road, are
recorded strange magnetism that no one can figure out the origin. Magnetism that
might be caused by that ship instead (maybe moved by a nuclear NOT necessarily
extraterrestrial) still not completely extinguished.
An overview of Monte Cavo
One glimpse of the sacred way
There is another hypothesis that, however, we can say: in that mountain quarry
could artifact to enter that imaginary line that connects the two terrestrial poles
around which the Earth completes its rotation motion the inclination of which
varies cyclically between 22.5 ° and 24.5 ° in a 41,000 year period. And that would
explain the military interest towards the mountain.
I also believe the site has been identified by military experts who study the ancient
writings for clues. Clues that, in my opinion, in this case, were contained in the
Divine Comedy by Dante.
The poet, once inside the mountain may have found something, maybe just some
flat, or perhaps a spaceship from a previous terrestrial society evolved. And if what
he wrote in the Divine Comedy was not derived from his visions and his were not
just fantasies, through the knowledge he had, contained in the text of the three
worlds Code and their various levels and the veiled information on where you
found the site that had discovered.
I say this because I believe too that when the poet mentions the dark forest, talking
about how it looked then what was the Sacred Grove of Diana of the Castelli
Romani, that you do not know the precise extent passed. And doing research, I
learned that once in the area were also the three rivers of which Dante wrote in his
work. Today those rivers only remember the Emissary. Even that virtually

dry. When he speaks of the door of paradise, in my opinion, the poet refers to
Monte Cavo, and giving the coordinates, tells us an opening that allows access to
the interior of the mountain, which in his poem to me then identifies with paradise
. Opening evidently the military, thanks to the coordinated work of Dante hidden,
they found.
Hell Dante places him beyond the Tiber because, looking from Monte Cable, you
can see the Vatican State. Which by the way it is also evident from the Book when
you read the prostitute dressed in purple (this being the color of the robes of
bishops and cardinals) sitting between the water (because the Vatican is between
two rivers).
When the poet, in purgatory, says that he sees the sea (meaning it is not out of the
mountain) sees the Tyrrhenian, show which of course you can still enjoy today in
the beautiful clear days.
Dante used Virgil as his guide to implicitly tell us the places he writes about as the
author of the Aeneid Aeneas does arrive at the Castelli Romani, where you see the
sign, that is, sow with piglets that Jupiter had predicted, saying that where he
would find it, that would be the place to stop. In memory of the legend of Aeneas,
the emblem of the town of Albano Laziale is precisely a sow with piglets.
But Albano there is also the church of Madonna della Rotonda: the building,
probably a grotto, built probably during the reign of Tito Flavio Domitian (81-96),
belonged to the complex of Domitian's villa at Castel Gandolfo, the ruins of which
are incorporated today largely in the current villas of Castel Gandolfo Pontifical.
The coat of arms of Albano Laziale Santa Maria della round
The layout of the church
Nymph who had to have an extension does not matter whether in a wall
mountains surrounding the lake of Castel Gandolfo, so basically almost in

what is now the summer residence of the Pope, there is still a cave, which besides
having been a place of prayer, thanks to an internal source should have contained
the magnificent water features.
Images of the ancient cave of the nymph of the lake
Near Albano's Monte Cavo which is the place where Jupiter appeared, in which
the Romans sacrificed tori bianchi; but who knows if that Jupiter appeared to the
Romans may have been an alias of the alien in question as a legend has it that Zeus
turned into a white bull to abduct the Phoenician princess Europe, and then, still
Zeus, pointed to Aeneas who was that's the place where he would find the sign that
would show him where to stop.
The abduction of Europa Martin de Vos
The Abduction of Europa painted by Veronese
And Aeneas, who, it seems, the Cumana Sibyl replied that he knew nothing of the
place he was looking for while Virgil writes that this gave him directions, had the
DNA of the old Lineage or new? Anyway, that was the manner prescribed by
Destiny because Greeks and Latins, ie two races (genetically) different, yet they
mingled.
In the Sacred Grove, which once covered the entire area of the Castelli Romani,
there was a very important temple dedicated to Diana Nemorense, that the
archaeological research of Filippo Coarelli date back to more than fifteen thousand
years ago.

And fifteen thousand years ago, the place was readily known as the Center of Life
on Earth or navel of the world also saw the archaeological find at three levels
found where it was probably symbolically planted the tree that bore witness to
thousands of years later.
Other researchers enthusiasts of the place, however, looking at the physical map of
the area, they see a skull. In fact, looking at the map of the area really seems to be
so and that the two lakes are the two eyes of the skull.
The skull, as he wanted to suggest in The Shepherds of Arcadia also Guercino,
probably Lorenzo Lotto in the work reported, and other artists, is always a symbo l
linked to our Great Goddess as the master of life and death.

a
b
c
d
a, b: Physical maps of the Castelli Romani c: Guercino's The Shepherds of Arcadia d: by Lorenzo
Lotto

Pope Joan who is Venus, and even Empress
Another work by chance that it was important for me to find, is preserved in the
church of Santa Maria in Trastevere, in what is known as the Altemps Chapel.
a
It was a bit 'of time I wanted to visit the church of Santa Maria in Trastevere, and
yet, almost like to remind me, it was a place that differently I often under the eyes
on the Web pages, I was not able to do so. I had visited many churches in and
around Rome because I thought, as sites previously found, even what still was not
able to identify and who had been part of my precognitive visions were linked to a
church.
On the morning of July 3, I finally get to go visit the church of Santa

Maria in Trastevere to see if there was a reason why that place I came up again so
often, and if by chance it was just what I was missing to find. That Sunday
morning, arriving on the square and looking at the facade of the church, I am
struck once the mosaic in the upper part of the building: counting the women who
were in the mosaic of the facade, I'm curious about the fact that there are eleven,
five on one side and five other than a woman at the center; all ten seem to give the
woman who is the center's different because it is different each vessel that each
holds.
I think maybe those women want to represent the ten Sephiroth, and the contents
of the vessels that women have in hand, the characteristic of the Sephiroth.
However, I wonder why women are eleven and not ten like the Sephiroth represent
the Tree of Life. That day the answer to my question did not find it, different
assumptions about the eleven women will be able to do it only in later years.
Entry in the church, strikes me the apse majesty, where known that the two central
figures have been placed on a throne put on the same plane.
For personal experiences, your searches and personal opinion I had formed as a
result of both, I play those two figures as the expression of the Goddess of
androgyny. Un'androginia where the Feminine is however, much more

important. In fact, the dress with which the apse woman is dressed, unlike
that of the male figure with next, is more rich in symbols.
In that picture I saw further evidence to my theory and I thought maybe it was just
that work which I had to find and see, but continuing to visit the church had a big
surprise when I entered the chapel on the left, the one that I found out later to be
the Altemps chapel (IMAGE. to pag.231). It struck me particularly because I think
the author, who painted the fresco between 1588 and 1589, so after the death of
Cardinal Marco Sittico Altemps, which only recently I found to be Pasquale Cati,
painted for me a Jesus investigated and there he said, putting those 13 women in
his work, that everything is on the upper floors to the female.
The subject of the painting, which refers to the Council of Trent (which was held
in three phases, and that the first was presided over by Pope Paul III, the pope who
had done painting in the chapel of his residence in Caprarola the Giovanni
woman!) And to which the Cardinal Altemps (1545-1563) took part, the artist
shows, in my opinion, although abbigliandolo with dresses of the sixteenth
century, a Jesus under investigation, and putting those important symbols instead
held by women, only confirms that God is Donna. A Sacred Feminine that the
Catholic Church is trying to integrate with the figure of Mary, however assigning a
role to be used by God to give birth to her son Jesus world.
In that visit, however, we the church, His deeds are in, they encountered people
responded to the run of the place I was looking for. A little 'disappointed for this
but excited for the work found it, I am going to leave the church. Right on the
meeting brings a priest who was entering. I sense the vestments which the arm is
going to say mass, so I think he knows the church. Hoping can give me
information, I ask him news of the work that had so impressed me. But he, apart
tell me that the work of which I asked was that known as the Altemps Chapel, does
not know anything more.
Our verbal exchange wanders briefly about Nostradamus. I try to talk about it in
the hopes that knows the designs of the book found in the library of Rome
attributed to the seer because I think you can find a correspondence between the
work I have just discovered in the chapel, and as expressed by Nostradamus in
some of his drawings. But the priest does not know them, then, thanking him for
the information, I greet him.
Urged by the discovery, just I got home I tried once, through the Web, to know
something more about the church but above all on the Altemps Chapel and this
work in particular. After a bit 'of research on the history of the church and the

characters that were passed, I infer that if Cardinal Marco Altemps left Sittico of
provisions that were buried in the Chapel there was definitely a reason.
The cardinal's coat of arms
Icon mercy
As the Cardinal a son of the noble Wolf von Ems zu Hohenemens, Austrian, and
Clare de 'Medici, sister of Pope Pius IV, given the symbols used by the family to
the crest, I would say that the possibility alleged by me in the previous parts about
the fact that the descendants of Mary have been passed down the secret of what
really happened in Jerusalem two thousand years ago, and what evidently found
the Crusaders in 1099, is intriguing findings because the family coat of arms there
is the cross of the Patriarchs that Aries rampant ( Aries is linked to Hecate
goddess).
Some Golden Fleece
And a battering ram, that in ancient times, like today in astrology, is the first of the
Signs of the Zodiac, not surprisingly Fire sign and linked to Hecate, is the symbol
of the Golden Fleece, the highest Catholic honor European reserved solely for
kings, that is, those with blue blood.
Based on the symbols used in the emblem and given the family background, we
assume that the Altemps Cardinal knew the secret that we go unveiling. Even they
do not, for the position he had, and the people with whom he came into contact, if
it was not already aware of that secret, as top cardinal, he could certainly learn
about them. For this reason likely to be asked

uried in Santa Maria in Trastevere. Church rebuilt on a site already magical,
where he built the chapel where staff had already hosted the framework of the
seventeenth century of Our Lady of Mercy.
If we try to look at the picture in the Altemps Chapel, at first glance it seems that
the artist wanted to paint legislative assembly of representatives of the Church,
made up of men only, and tell us that women are outside the parliament because
the artist It has put in what would appear an adjoining room; then, if we look more
closely the work, we notice instead of the artist's message may be different: those
women are so into the next room to that of the parliament but seem an official
group waiting to be received as they have with the ones that we can recognize as
the official banners (and where are the men there is no one standard). It also seems
that women expect to be announced by the two priests who seem to be arguing
about how to do it.
As we can see, the banners in the work that women have the picture with him, are
the symbols that binds the Church to a male God, while in parliament where it is
men - who traditionally are considered to be those in charge, through the
descendants of Peter, to monitor that the laws of that god are respected - the artist
has not entered any of those symbols of recognition. Moreover, if we count the
women of the picture, are exactly thirteen. Number which is very important
because it concerns the thirteen signs of the Zodiac which was easily included
Arachne.
So the thirteen women who are symbolized in that work, I want to represent both
the ancient Zodiac consists of thirteen signs that the thirteen lunar months, creation
and manifestation in any case always a single woman, that is the Great Mother /
Father in its various aspects.
A
b
The artist He has put in the hands of the Matriarch, the cross of the Patriarchs and
the papal tiara; in what appears to be second in importance, he gave up a simple
cross,

the third, in which the artist has put the symbols painted on the dress (that I can not
distinguish), has awarded a goblet (Fig. A) Those three women may have the same
meaning of the three designed by Nostradamus (Fig B).
(There have been various conjectures about the inverted cross on the papal chair, but the cross is overturned on
the grounds that, by Peter on, the pope has been given the role of representative of God on earth. What
symbolizing the inverted cross. How can we instead see both in the mosaic figure above that in the figure of
Rosslyn chapel, the divinity incarnate in matter - that is what we represent those upside figures down - is a
woman. the Goddess can not be thus represented by a man )
The reason that the Cati has put in hand an ax to a single blade, might want to
symbolize that the woman is a single Great Mother not two as symbolized
Michelangelo in his work, or that only governs half the world.
The axax was an ax with two blades symbol of Minoan power known among the
ancient Greeks as pelekys or Sagaris, and to the Romans as bipennis. It was a
religious symbol that we find in art and Cretan mythology, Thracian, Greek and
nuragica. Very popular in the Mediterranean around 1200 BC
In the opera section below (Picture C) is a woman who shows the stone tablets that
other dead and it seems the is pointing to what is written on it; it could be the Law,
ie the law of Mother Nature, which can not be changed by men. It could picture the
thirteenth sign

Zodiac when deleted from the lunar zodiac has gone to count the months just tying
them to the Solar Zodiac.
c
This other woman under the arm has two children; those two children in her arms
they could be the sign of Gemini, or the good and evil through which you play
Destiny of Souls on Earth. Good and Evil, it symbolized and narrated in different
ways through the legends of different cultures.
As part examined, thirteen women want then probably symbolize the twelve
constellations of the zodiac plus one (the dead who that woman with the stone
tablets are you saying that it's time to rise), which in turn symbolize the different
aspects that intelligence is the Great Mother Superior who created everything
including the Archons and turns the balls.
In this work the artist painted what looks like a tribunal of religious: in the center,
there is a man who seems to be the accused who is telling the person something
that seems close record and that the priests all around, like the other six in front of
him, they seem to listen carefully.
The six men (five cardinal as Pope) that act as judges are placed on the third

step, while the group of women who seems waiting to be announced is on the
fourth, then a step higher (the symbolism also explains why both Solomon
Alexander, who still represent men in general, are symbolized as King only two
levels instead of three) in addition, the fourth step, but at the foot of those women,
the artist has placed the globe, books, and what looks like the loop of a pastoral.
Those symbols are typical of the Sacred Feminine always women belongs the
Book (ie genetics, so the Knowledge to be passed). They are therefore the
Shepherd. Things sapute from high Vatican hierarchy, as they know that the
woman is always a step higher man mirroring the Goddess in her.
And 'This is the reason why Jesus put next to Mary in the dome of Santa Maria in
Trastevere has the poor habit of symbols. Symbols, those related to the Great
Mother, which have taken possession, invertendoli male, first the Jews, then after
the fraud of Jesus, the Catholic Church, and finally, with Muhammad, the Muslim
religion.
After analyzing the works and thought a bit 'of what was found written on the
Altemps family, I realize that I have discovered an important work that strongly
reinforces my assumptions and I decide to talk about my research and my
experiences in the church priest Santa Maria in Trastevere I had met at the door,
coming, the day I visited the church.
After a fortnight since my first visit, I put everything on a CD, I go back to the
church, through the secretary of the parsonage can trace the priest and ask to speak
to him. While they are in the small hall waiting for the secretary you find the time
to be able to call, see the priest out of a corridor room. I recognize it and at the
same time I realize that what I'm living corresponds to what had appeared to me in
premonitiva vision tied to a place that still was not able to identify.

I greet him, I do recognize reminding him of the chance meeting a fortnight before,
and I try to explain why they are there. While talking with him, I think there had to
be a major reason why I knew him since our meeting was part of a scripted
destiny, but when, hoping for help, try to accennargli the reason for my visit and
how I had come to conclusions contained in the notes, he cut short and tells me
that certain things do not believe.
It makes me smile, because I think that being a priest, believes in a book, the
Bible, which is nothing more than testimony of the things to which he says he does
not believe. I would like to tell him, but by character are not brought to insist. So I
leave because I went to bring him, inviting him to read it, and I cordially greet.
I think we find that priest was written in fate, but after his answer I do not know
what could be evaluating this matter. But if those who guide our path a destiny for
us spun, must have had his reasons for me to meet this priest ... unless, that vision
prescient concern the work discovered in the Altemps Chapel, which was very
important to I discover.
a
b
a: Hecate depicted in the statue of Liberty, has the Book, the torch high, is therefore the bearer of light, no
coincidence that the statue was resting on a ten-pointed star as ten are the rays of the chariot of Diana (Fig.B )

The Shepherds of Arcadia by Nicolas Poussin
The framework of 1630 The framework 1639
I did not know the artist Nicolas Poussin, nor his works, as I did not know the
existence of the places that I had dreamed of and seen in my visions, I later
discovered, finding them, being the churches. I have known of Nicolas Poussin and
the two imbattendomi his enigmatic works in the vast
sitewww.duepassinelmistero.com Marisa Uberti. Site that I discovered there while
trying to know more about Simon Mago, figure as reported by the priest of the
Cathedral of Otranto, don Grazio Gianfreda, now deceased, in his book, was
represented in the mosaic arm that figure which flows into the cup.
It was very important for me to discover this artist and learn about his work. As he
expressed in two paintings titled The Arcadian Shepherds, was for me an important
confirmation of what deduced from the summary of my other experiences and the
story of monaco Pantaleone about Jesus because he did not appear in any part of
the work. So, apart from being the Messiah or not, the resurrection of the body,
though it was not a fraud of Jesus himself, was certainly a fraud of Paolo di Tarso
(fraud that the Church, when he became aware endorsed bringing us to conditions
in which we are. that is on the edge of a cliff!).
How did it go
Not being able, at least in a short time, to know more about Simo n Mago
otherwise, I contacted Ms. Uberti to figure out if he had on him more information
than what is written about him in its Web page. The Uberti answered not to know
anything, but I could try to ask the prof. Roberto Volterri, for him, for the
preparation and the research he had done, maybe he could learn more.

I did, but despite the kindness and helpfulness for which I am grateful, Professor
Volterri could not tell me anything more than they already knew of Simon Mago.
It helped me a great deal, however indirectly because thanks to him, to his books
and consequently visited sites, will begin to discover the history and the hidden
magic of the area where I was born: the Castelli Romani.
Nothing ever happens by chance, not even what may seem insignificant! After you
have seen the truthfulness of the information contained in the site of the Uberti, the
seriousness and its preparation and the authors who collaborated to the site, I took it
as one of the reference points for matters related to my research.
Was it already passed more than a year, my first report on the Otranto mosaic had
already served once a day, ranging from the many pages of the site of the Uberti
not remember looking for that information, I came across, I do not know how, in
page Nicolas Poussin, an artist of which I knew nothing. On the shows were two
works by the author and the questions that these aroused for the connections that
were made between those works of Poussin, Rennes-le-Château, and Sauniere, I
did not know at all.
By reading what is written in the Web page on Uberti Poussin, and observing the
two pictures we were talking about, thanks to the research done on the mosaic until
then and just my particular experiences, including what figures he wanted to refer
the artist into those two pictures and what the difference was between the two
works. But I said to myself that it could not be that simple, otherwise someone
before me would have certainly got it! I'll find out later how it was not so.
From the artist information contained on the site page, I learned that his remains
were buried in Rome, in the church of San Lorenzo in Lucina, on whose tomb in
1823-30, it was erected a plaque commissioned by Rene de Chateaubiand, writer
when he was minister in Rome.
For curiosity I decided to go to visit the church and see the plaque, which
according to what is written on the page and as shown here, reported the second
Poussin's painting on Arcadia Shepherds. So I organized myself, and the first free
Sunday morning from work, I went to visit the church.
That Sunday morning, in arriving on the square, I had a surprise, welcome, yes, but
that left me literally of salt because I really did not expect it! Coming from the side
alley, as I set foot in the square outside the church, I recognize the square and
facade of the church as that of the place of an old dream of mine! Even the angle
of the sun on the square at that time corresponded to that my dream! And I had not
given any importance! Indeed, for the warmth that during the dream that place I
conveyed, upon awakening

I thought I had dreamed, for some reason, some small town in Sicily. Today I think
I understand, however, that the heat felt in the dream was from the particularity of
Energy at the place where the church is located because it was rebuilt over what in
ancient times was a temple dedicated to Giunone Lucina, a priestess and probably
other earthly incarnation of the Great Mother.
Discovering that the place where he was buried Poussin was one of my dream, saw
how it went for another mink and dreams, including those works by the artist had
to be somehow related to my research and started trying to learn more . I bought
some books, either on him than on his works, but the most important help to
understand something Poussin and those of two of his works were books the Holy
Grail by Michael Baigent Richard Leigh and Henry Lincoln, and Secret Code of
Henry Lincoln cross.
All this happened however many months after that my dream, and long after I had
published my first interpretation of the mosaic of Otranto. Research that even after
publication, I never considered over and that then and now has a work in the
making and updated based on the evidence, insights and discoveries that I gain
ground floor. The choice to make was born, more than the absolute certainty of
belief public my thoughts and interpretations of the same, from the need to share
them with as many people and as quickly as possible with the hope to have
feedback that would help me in research itself, because making the sum of the
times that we live, what they told me my two visions in particular, and what I read
in the mosaic, there was just to be happy and no time to lose.
Before the facts above
About a couple of years before finding the church, it had already happened to
recognize other places identifiable with those of my dreams; for the curiosity that
had caused me some information contained in the book by Adriano Petta Pure
Heresy, I decided to visit the church of Rome mentioned by the author in the book:
San Pietro in Vincoli. In the visit I recognized the church as the place is part of my
dream of my vision. In the certainty that he had never visited the church in this
life, I began to wonder at that point, if you really exist beyond the church, the place
could be really happened that showed me the vision. Only later I find out that the
answer to my question was positive, that the places I saw in my visions actually
existed and that in

they, in a very remote past, had occurred of the specific facts, but obviously only
known by a few people: those who had committed the crime and those who were
the instigators.
Since the discovery of the first, due to chance and to my curiosity, understanding
that the places that I was dreaming, and I saw in my visions there, you can say
began my real research. Finding that first I also gave back a bit 'of serenity,
because they find out that what I saw in my visions existed, meant that my brain
continued to function properly. What about which, although two tangible evidence
of what I was assuming I had, after those experiences and deductions that those
experiences led me to conclude, I was beginning to doubt. yet I had to understand
what the meaning contained in many of my visions and dreams, because
sometimes I saw so strange and weird things and more, but with the discovery all
began to make sense.
But this burning in me more curious. At this point I wanted to know if the fact that
the vision had shown me to have happened in the church could be really
successful. So I contacted the author of the book with his historical novel allowed
me to find the church of San Pietro in Vincoli. And his willingness to add special
historians who were not in the book was to help me in the research about who was
buried because it allowed me to reflect further on the facts related to that place that
the visions had shown me.
After finding the first place and I understand that the fact that I had seen happen to
you was probably really happened, I decided to investigate whether the
particularities linked to the pyramid of Zoser, the site that had been part of four my
visions, existed or not.
In December 2007, in the week preceding the week of Christmas, I can make a trip
to Egypt to check it. Discovering so that even the peculiarities present in my
visions related to that famous place really existed. But when I learned of the
precession I had further confirmation that what occurred in that famous place that I
had seen, had helped thousands of years before to give the history of humanity a
different course. The strange thing, on which I reflect even after that my trip is that
beneath the pyramid of Zoser, archaeologists had dug in the exact spot where I in
my vision I spotted a door, finding behind that also brings the room during
viewing, I assumed there was.
How they had archaeologists to know the exact location of that door?
Possible it was just a coincidence that they had dug at the point that

He corresponded to what I, without knowing it existed, I had seen? And if it was not
was a case where they had taken the archaeologists so that information correct? To
dig right there, archaeologists had calculated the precession of the equinoxes?
What they found in that room closed for millennia?
It was then that I began to wonder what they really know and have documents in
hand Zahi Hawass and his collaborators, and of course the leaders of the Egyptian
government seen as protected place. What is hidden or kept at that site so
important for all mankind?
On the two paintings by Poussin
Of the mystery of Rennes-le-Château, especially after the novel The Da Vinci
Code by Dan Brown, there was much talk, and yet, in spite of rigorous research,
we can not infer what the bottom is evident in those places. This happens simply
because it seems absurd that the ecclesiastical hierarchy may have concealed a
truth so important and such a long time just to keep the temporal power. I think
they did it to maintain power but because, as he told the lie that is magnified
becoming increasingly difficult to tell the truth.
Rennes-le-Château is a small village in the Languedoc region of France where the
people Occitan, though belonging to different religions, could work together and
live together in peace. And in those places, where legend has landed the three
women were from Egypt, it was further developed what was called by the Catholic
Church Cathar heresy.
Work of Van Gogh
the ruins of the castle of Montsegur
Rennes-le-Château is close to Montségur, where the Church on March 16, 1244 he
finished what he had started long before, on July 22, 1209 at Béziers, where there
was the largest massacre of Occitan people. Slaughter controlled by the high
Catholic church hierarchy for reasons explained in chapter

dedicated to the mosaic of Otranto.
Without necessarily trace the Merovingian, the Visigoths, Theodoric and
Dagoberto, the Carolingians and to all others whose bloodlines and stories are
known, it could become a likely scenario that the secret was reported in the
Blachefort Marquis Testament in 1244, it refers to what really happened in 33 AD
This would explain why the presence of crosses with Christ to women in the
cemetery of Rennes-le-Château (now crosses removed from the cemetery but still
present in some parts of the territory). But the secret was contained in the will of
the Marquis Blachefort could be the same secret which had been custodian
Goffredo di Buglione, who legend says, was among the nine who founded the
Templar order, and what really happened 2000 years ago with Jesus.
It is possible that what they found those first Knights who dug under the temple of
Solomon, is proof that by Goffredo di Buglione was kept secret until coming to the
Marquis of Blachefort, the Marquise d'Hautpoul Marie de Negri d'Ables then said
in confession the priest Antoine Bigou and that secret is the same as when he tells
us in his Pantaleone mosaic?
From Wikipedia: Baldwin II, king of Jerusalem from 1118 to 1131 with the founding of
the Knights Templar Hugues de Payns and Goffredo di Buglione.
If the Templars in their initiatory rite reserved for novices of the order were
spitting image of Jesus, they said they did not believe in the one who was
represented as he was a false prophet and not God, and worshiped idols with three
faces or a face one, a skull, a cat, and practiced cults to germinate the land and
trees flower, I likely that the secret guarded by Goffredo di Buglione could be the
same as the Marquis of Blachefort called state secret and put in his will and as
regards the secret narrates in his Pantaleone mosaic about that planet destroyer as
well as

eally happened in Jerusalem in 33 AD.
That secret confessed that in 1781 the Marchioness of Hautpoul Marie de Negri
d'Ables the curate Antoine Bigou, handing the documents as evidence by telling
him that the secret was to be handed down, as it has then transmitted the priest
Antoine Bigou we are unable to know but certainly the events after the death of the
Marquise d'Ables show that, if revealed what she had to remain a secret reserved
for the few, it did not happen.
The inscription on the tombstone of the Marquise, that Et In Arcadia Ego (I am, or
I have .. Arcadia?), It could mean that she was a part of Arcadia, that is, the line
formerly existing on Earth before each genetic experiment and before the
disastrous collision between Marduk and the Earth narrated in epic form
nell'Enuma Elish. Ancient Race that, mingling with new races, he covered his
tracks so slowly no longer distinguishable, but also because the original race, more
submissive, was eliminated more easily by the second as more aggressive.
a b c d
a. Sauniere. b. the Asmodeus of Rennes. c. 4 women in chies of Rennes. Tower of Magdala.
In what could be the explanation of why ten years after the death of the Marquise
d'Ables (17 January 1781), the priest left traces that someone discovered the secret
and will find himself the evidence. One who found the documents, thanks to the
restoration had to be made to the church, was the parish priest Bérenger Saunière
some seventy years later.
From the changes that Berenger Saunierè brought into the church, by the strange
coded messages that make up material offered within this included the strange
story contained in the fourteen images of the Via Crucis (logical than reported
probably in those documents found) and saw the strange behavior that took after
that discovery, they stand strong doubts that, as is suggested by some, the cure may
have found only

scrolls that led to have examined in Paris and the relics found in the column from
the bell-ringer. Relics that were apparently Queen Blanche de Castille, the
daughter of the Marquis Blachefort, burned at the stake at Montsegur. What
Bérenger Saunière discovered not kept it a secret, apart from what he did to the
building level, it could be demonstrated various and strange friendships, as it is
said, Saunière entertained after its discovery.
Jesus died in France when he was forty-seven.
But even before the oddities of Bérenger Saunière, as summarized Roberto
Volterri and Alessandro Piana in a Antikitera.net page, there are the oddities of the
priest of Baulou, Louis de Coma.
The Mystery of the Abbey of Carol
From an essay by Roberto Volterri and Alessandro Piana
Southwestern France, second half of the nineteenth century. One strange cured,
huge

amount of money from unknown origin, unusual and sinister religious buildings.
But this time we are not in the famous village of Rennes-le-Château but to Baulou,
located a few kilometers away from one of the most well-known mysterious places
in the world. We do not want, however, to repeat in our second book in the now
well-known events of Rennes-le-Château and its enigmatic priest, Bérenger
Saunière. Nor, much less will review under review, step by step, the strange and
bold actions and least original buildings that have wonderful views of a remote hill
in the Aude valley, not far from the French Pyrenees. What we want to do is deal
with a story less known than that he saw Bérenger Saunière in the role of
protagonist, but, none the less fascinating and enigmatic.
We are located in the village of Baulou town about fifty kilometers away from
Rennes-le-Château, at the foot of the Pyrenees, very close to the citadel of
Montsegur. Also in this case the dark protagonist is a pastor, Louis de Coma,
whose events begin, however, almost thirty years earlier than those relating to its
neighbor Sauniere, allowing to attribute, at least for the moment, the birthright of
oddities in Languedoc.
Around the middle of the nineteenth century. our new pastor began to build in the
countryside surrounding the village of Baulou, a real white elephant that will go
down in history as the abbey of Carol, thanks to an enormous availability of
money. Again we wonder from where did all this money? .. The fact that part of
this money, 4,000 gold francs, is linked to a generous donation from the Countess
of Chambord is the first point in common, the first parallelism, between the two
events.
Two other parallel coincidences concern the fact that De Coma was helped in the
creation of his work, by the Jesuits of Narbonne, the same of which he was also a
member Alfred Saunière, brother and, perhaps, the operational arm of Berenger,
and some brothers of Paris , linked to the temple of Saint-Sulpice, where he had
important contacts. The realization of these works engage the Ariège pastor for
nearly two decades and will lead him to spend the considerable sum of 500,000
francs in gold, almost two and a half times more than they spend, several years
later, Bérenger Saunière, and is seen as the cursed treasure ... this charming
complex in 1956, was made literally explode through the use of several charges of
dynamite with everything in it. What could be the reason for this drastic decision?
It was only the impossibility, on the part of the ecclesiastical authorities, to find the
money needed to maintain these properties? Or, in this case as in Rennes-le-
Château, the anomalous elements that the abbot de Coma had introduced

This religious building were too uncomfortable and had generated concern in high
places? Or perhaps simply he wanted to avoid it opened a real treasure hunt as
was happening, in those same years, Rennes-le-Château?
Something has survived, however, the damnatio memoriae implemented against
Louis De Coma. These are two picturesque artificial caves, we have explored in
the course of our research, within which the parish priest did ask two impressive
sculptures: in one, we have referred to as the Cave of the Magdalene, there is a
statue of Mary Magdalene, the alleged bride of Christ, omnipresent even in the
iconography of the works of Louis de Coma, just as it is in those of Sauniere; in
the other, referred to as the Cave of the Christ in Gethsemane, a Christ deep in
prayer in the Garden of Olives. The latter is nothing more than a real underground
church in which we can also find the tombs of some of the family de Coma,
desecrated by the usual treasure hunters of the twentieth century. These caves are
now hidden by dense vegetation that makes it almost unknown to some of the
inhabitants of the area and only increases their mysteries and secrets.
In conclusion, in our new work, we tried to thoroughly analyze this incident,
unknown to most people, which allowed us to find many points in common between
these two real parallel riddles, that of Rennes-le-Château and that of 'Abbey
Carol.
Some, however, did not place an end to an increasingly rich and fascinating
research of new elements. http://www.antikitera.net/download/Rennes3.pdf
So, is the strangeness of Louis de Coma first, that the oddities of Bérenger
Saunière then, reflecting on the dates that separate the death of the Marquise, and
what they did later is Carol that Sauniere, can only bring us back to what he
confessed the Marquise d'Ables the priest Antoine Bigou. And comparing dates
with events that took place subsequently, the whole thing can not help feeling that
the secret revealed to him, although it would only be handed down, there remained
such. With whom the priest spoke Bigou, we are unable to know. He presumably
talked with the Jesuits of Narbonne, or perhaps with some one else cared, what is
certain is that this secret was whispered, but the wind has heard and disseminated
...
Among the documents that Sauniere found, he could also be the family tree of the
family of Mary; family tree that probably came up to Goffredo di Buglione and
then again to the Marquis of Blachefort, burned with her daughter Blanche de
Castille at the stake at Montsegur.
Maybe those documents Sauniere also came a few still alive heir. Almost

surely ancestors of the Marquise d'Ables were Poussin and Teniers because the
research done by Baigent, Leigh and Lincoln, shows that the two possessed the
key, which could be the same one that Solomon had, and the same was referring
about the Pantaleone women, which would be to the account then the time of the
arrival of the dangerous planet.
Nicolas Poussin left said that his death was buried in what is the church of
San Lorenzo in Lucina, and so it was done.
La. Roman Church of S. Lorenzo in Lucina
The painting by the artist carved on his tombstone.
If we were to search for the true origins of what is now a basilica, who was Lucina
and what she tells the legend, we will understand even better why Poussin, who
owned the key, wished to be buried there.
The latest archaeological discoveries on this site talking about a Domus Lucine,
that is a pre-Christian ancient temple dedicated to the goddess Giunone Lucina
that, through a passage, seems to be linked to the nearby temple of Apollo brother.
to b
to: Statue of Diana and Apollo in Nemi at the museum. b: Underground of the church of S. Lorenzo in
Lucina.
Just like old times they were connected by a road sacred temple of Diana at Nemi
and Jupiter in Monte Cavo. And incidentally, the first popes were elected in their
own church that was formerly a Lucine Domus (House of Light).

Surely Sauniere still found nothing that led him to important conclusions seen
what he wrote out his church, but from what I found, there was also a recorded
male descendants? The offspring of Mary, from what we have learned, would have
to adjust to the female will lose its tracks, but we do not know if this has been done
or to what extent.
As I read the stories reported by various researchers and writers on the history of
Sauniere, it makes me believe that the ecclesiastical hierarchies of Rome - of
which at that time was papa Gioacchino Pecci (Leo XIII), whose coat of arms is
also the church Rennes - were not informed of everything. And if among the things
that the Marquise d'Hautpoul Marie de Negri d'Ables at death revealed to the
curate Antoine Bigou there was also the existence of a treasure, which has supplied
the location - and that he We have really found - the sudden wealth of Sauniere
could have come right from the figure that Leo XIII disbursed to the parish priest
to remain silent and to have the delivery of documents (maybe with the Habsburgs,
determined to keep the secret, in the person of Franz Joseph I. of Austria, which
also in 1853, someone tried to assassinate).
Leo XIII
Its logo papal
But what might be in those documents? What special secret story about humanity?
Also because it was Leo XIII, pope who coincidentally became a student of Dante,
to build a large telescope which was later moved to the summer residence of Castel
Gandolfo. And look at the case, after his vision that concerned the future of the
Church, a period of about a hundred years forward when the power of Satan would
reach its climax, Leo XIII also wrote the important prayers for exorcism. Which,
see who according to them the Devil, they should certainly not go and look
through a telescope. This is another element that makes us ask what really was
learned that pope. What was the telescope that he built and then move in Castel

Gandolfo to the shepherds of souls? What use was a telescope to those who said
that did not exist beyond Earth life and that the Earth was the center of the world?
Do not forget that this instrument was invented by Galileo, a character for them
heretic and at that time the Church had not yet rehabilitated. He did it October 31,
1992!
The observatory at Castel Gandolfo
That telescope, like the one built later on Mount Graham, Arizona, was used to
spot the dangerous planet that has already led to destruction definitely a few times
life on Earth, but apparently, even at that time, the ecclesiastical hierarchies
thought, or that despite the revelations and evidence of those revelations were still
appropriate to continue to keep the secret - or secret - because revealing it would
mean the church institution fall, or before taking any action he should wait until
the end of times and the arrival of clothed with the Sun says that the Apocalypse of
John. And since the high Vatican hierarchy are well aware that these are the times
of his arrival, knowing what kind of trouble she could have and who could have
been leveled for help, they sent (?) Men in black to ask Professor Corrado
Malanga, a researcher who deals with hypnosis and abduction, he knew something.
A fact that I have known thanks to the knowledge I have in common with
Professor Malanga.
Dull as they are, and this I wrote Dante when perhaps leaving tips in the Divine
Comedy for the woman of the future, it is clear that, or never understood what the
real importance of revealing the truth, or that in order not to put it to not lose the
temporal power are willing to ... to kill Samson and all the Philistines.
That the high Catholic hierarchy know, aside prove the story encrypted content
into the Pantaleone mosaic as it built a church, is proved by the works of artists
such as Michelangelo, because without the information contained in the documents
in the possession of the Church at his disposal, even an artist

as he would have painted the Sistine Chapel of the work that we know where the
story could be hidden so only the eyes of the ignorant, certainly not those of the
popes who commissioned the work, as they say Doliner and Blech in their book
The secrets of the Sistine Chapel.
Sixtus IV before and Julius then, because of their family background and as leaders
of the Catholic Church, as the popes before them, knew the truth even better than a
Michelangelo or a Leonardo da Vinci even if they were intellectually grown in
Giardino di Marco di Lorenzo the Magnificent (who probably Sixtus IV attempted
to kill conspiring with the Pazzi since Lawrence knew and perhaps wanted to
reveal what the Church would continue to hide).
In the mysteries of Rennes-le-Château part of the first painting The Shepherds of
Arcadia Poussin, a painting by Teniers and the coronation of Pope Celestine V,
which does not yet know the author. Paintings of which Sauniere seems to make
copies made in Paris when I went to check the authenticity of the parchments he
had found. The authenticity, from what Lincoln writes The secret code of the cross,
was demonstrated, and the author of the book writes that at the time also had the
good fortune to talk with a still alive witnessed the proof of which provides in the
book . Those Poussin executives say clearly what Pantaleone seems to tell in all
the work that God is Father and Mother together (just as he told Pope Giovanni
Paolo I before he died in his sleep ..), and how the artist intended unravel in ' work
of 1630, a woman will be the Messiah of the end times. That is, those who are
living. So if Sauniere really did make their own copies of those pictures, he could
not know the truth that Pantaleone tells in his mosaic before those artists. Certainly
Sauniere was also aware of the reason that led to the Cathar massacres and then the
Inquisition, and to know him say that is' TERRIBLE!
Even papa Giovanni XXIII had to do and not just with Rennes-le-

Château and the mysteries of that village. Luigi Pellini about he writes:
The ratio of Angelo Roncalli, better known as Pope John XXIII, the papa buono,
and the mysterious French village of Rennes-le-Château is a subject that
apparently could impress. However, the convergences between the organizer of the
Second Vatican Council and the riddles of the French country abound. To begin
with, the Roncalli family at the start of the twentieth century. He moved in search
of fortune in the south of France, right near Rennes-le-Château. One thing very
strange, considering that in those days, the chances of that area of the world
offered were worse than those that the family left behind him.
to b c
a. John XXIII. b. Papal Coat of Arms. c. Angelo Roncalli Patriarch of Venice.
Another very strange element, which is perplexing, is Pope John circumstances of
the burial. Before he died, the pope had specifically requested to be buried in the
bare earth, in order to accelerate the decomposition of the body. He, however, he
was not satisfied and his body was, therefore, embalmed. Considering how the
Church has always opposed such embalming as cremation, this could somehow
impress; However, it should be recalled that this practice has been implemented by
the Church in the past with other religious men and characters are not always
related to the environment cleric. Think of the mummified body of Mazzini, at the
Staglieno cemetery of Genoa, or to that of Garibaldi, stored at Caprera or, even,
than that of Lenin, preserved in a mausoleum of the same size as the Kheops
pyramid (a signal, this, that there It makes us realize how close are the links
between magic and politics). During Pope John funeral, the body was taken in a
glass coffin into St. Peter's Basilica: the placement of the body in a glass container
is certainly a strong indication of how the reason of state (pontifical, in this case)
He can infischiarsene the last wishes of a man. Later, at the opening of the coffin
which took place a few years later, the Pope's body was found "30 pence", a
number which, of course, is no accident.(Italics

mine as the thirty pieces have become the betrayal symbol of Judah, those thirty
pieces of silver in her coffin are the symbol of his betrayal: he had betrayed
because he had chosen to continue to conceal what he knew, and instead were
asked to disclose by Our Lady of Fatima (?). So, had betrayed the Great Mother is
not telling the truth that he knew about Mary and Christ, that with Jesus, as already
pointed out, it has nothing to do. John XXIII was one of the seven popes of which
is written in the Apocalypse of John). To reinforce the idea that the papa buono
had close ties to Rennes-le-Château just then analyzing some of his friendships.
Papa Giovanni, before becoming such, was Primate of France and had, therefore,
close relationships with the presidents before De Gaulle and Mitterrand later. The
second, in particular, has always been seen as a member of a secret Masonic lodge,
started dark and mysterious rites, he never failed to bring even outside the
restricted environment of his sect. In addition to this membership Masonic
Mitterand, we can assume, for the French politician, a tie with Rennes-le-Château.
A photo taken during the election campaign for his election as President of the
French Republic shows him in the countryside surrounding the village at the foot
of the Pyrenees. It is certainly strange that a man competing in such an important
position loses his time trying to convince a few voters in a remote village in the
French countryside to vote for him. Mitterand, got cancer and near death, he tried
in every way to be buried their bodies in the magical forest of Brocéliade, now
known as the Paimpont Forest in Brittany. A legend wanted this to be one of the
possible burial sites of Merlin. The charm of the French village of Rennes-le-
Château came to attract, in addition to the political Mitterand, also many important
artists. Antonio Gaudì, the architect creator of the Sagrada Familia cathedral in
Barcelona, is linked to Rennes-le-Château; Also two of his disciples, Dali and
Bognuel, they stopped on several occasions in the Provencal village. Ciro
Formisano, invited by astromo Flammarion, visited, like all the French wizarding
world, this area rich with legends and mysteries. Still, we remember the surrealist
painter Dali, great libertine, who began to turn the actress and TV presenter
Amanda Lear (perhaps continuer of the underground river, and connoisseur of
alchemical works practitioner).
With regard to the actress, remember that was born November 16, significant date
for esoteric circles as January 17 is given capital to the facts of Rennes-le-
Château.
For his first opera, The Shepherds of Arcadia in 1630, seems Poussin drew
inspiration from the painting The Shepherds of Arcadia Giovanni Francesco
Barbieri

Nicknamed Guercino; which could be seen that even the Barbers speaks of the
Prophets. But two, not three as does Poussin.
In this work, Guercino painted two characters that seem to peep between the trees
of a forest and a skull placed over a square stone; here's what I think the artist
wanted to represent with this framework: the two men are to represent: one is
Moses, who is the character with the red hat, the other Siddhartha, which is the
character in the white shirt. Instead the skull, the two seem to look wistfully,
symbolizes Mary. The skull is resting on the square stone, symbolizing Mary,
because it is she who has conquered death since, stone rejected has become the
cornerstone.
In Poussin's painting, in 1630,
The work of Poussin 1630
that is to Poussin which seems Sauniere was made to copy in Paris, also

the artist speaks of the past, the distant past now over two thousand years.
Looking at the work from left to right, the first to appear is Maria, dressed in the
white sheet of the initiates because she was the earthly equivalent of the Great
Mother, and because the message he had to bring was a positive message.
It seems she is explaining something to the two prophets close to her. One,
however, something that they do not seem to know views of the expression that the
artist painted on their face. The man next to Mary, to whom Nicolas Poussin has
placed a stick in hand, is Siddhartha. Then there is Moses, who instead has a hand
in Pastoral. The man sitting on the sidelines is Jesus.
Why Poussin put Jesus aside and did not give him the stick as Siddhartha nor
the Pastoral like Moses?
The artist It puts it aside because, obviously, he knew what came down to us and
what we know of what happened two thousand years ago about the crucifixion and
resurrection of Jesus, which is based on Christianity, it was not a fake of the next
story Paolo di Tarso, was a fraud of Jesus himself. Frode where high Vatican
hierarchy have become aware and on which they have maintained complete silence
all this time.
So the artist Jesus did not give the ministry because he was not a pastor. He was
not the son of the Queen of the World because it was Stefano (as we saw intends
also suggest Michelangelo the Last Judgment), but above all he was not the
Messiah, awaited as it was the same Maria. That had to carry a very different
message that is the Good News then put into the mouth of Jesus!
Jesus was not even a guide because, as saying to us a Poussin painting him in his
work that pours water from USA pitcher in the river (of Knowledge), he, pouring
its water, added to the confusion so much that there was already doing

further lose the Way. For this same reason, Michelangelo, in the lunette above the
Last Judgment, which symbolizes the black column Jakin, replaced, however, by
the cross with Jesus, does take away the crown of thorns by angels from his head
as he is not RE.
So Poussin to Jesus placed on the head that resembles a laurel wreath (or olive?)
Probably to let us identify and because, in any case, he, like Mary, was the son of
the same mother, Anna. Therefore it was part of the same family of Mary, who
was descended from the oldest Lineage.
For us to identify who was actually Maria, Poussin leaves a Topless: Topless that
brings us to the ancient goddess Ruma, whose name also means zinna (tit), an
Italic goddess who probably gave the name to Rome: the goddess Rumina. An
indigenous zinnona, protector of infants and cattle that appear to have a chapel
near the Tiber near the fig tree said its rumen.
The symbolism of the fig tree (tree on which rests the whole story Pantaleone
mosaic) takes us back to the most ancient Great Mothers. Stories so remote that the
earliest texts in our possession we hardly retain memory. We can only deriving it
through myth. Of the knowledge of this myth we can only thank Rober Graves for
the great job done and have it passed.
The Great Mother also speaks Teniers in the Temptation of St. Anthony, which

It should be the second part of which Bérenger Saunière was made to copy in
Paris.
From what I read, it seems they really do not know which of the Teniers paintings
entitled The Temptation of St. Anthony is what Bérenger Saunière was made to
copy because of the same title, the artist has produced more paintings but with
different subjects; for the characters in common with the painting by Guercino and
the two Poussin, I think the picture in question can not be other than this below.
Unlike the Guercino and Poussin, Teniers here depicts the White Lady as it was
described by the Catholic Church during the Inquisition, that is, as a witch, even if
the artist then puts the white headdress.
As part of Teniers we can always recognize the three men, Moses and Mohammed
Siddhartha, and the woman. Woman wants to be the incarnation of the Great
Mother, who is the goddess of love but also of death, creative and destructive,
tender but cruel.
Another important element in the framework is the mountain and the cave. As we
have shown over artists in their works, such as the bones of our skeleton, the
mountains are the bones of our beloved Earth. At this point, assuming the secret
handed down by type of Goffredo di Buglione; saw what was written on the
tombstone of the Marquise d'Hautpoul; As seen seem to suggest Poussin, Teniers,
Guercino; saw what Michelangelo is in the lower reaches of the Last Judgment and
what monaco Pantaleone recounts the bottom of the mosaic of Otranto, the
question that would be done soon after: the Last Judgment, if we can avoid that
planet destroyer, in Step it only save

descendants (genetic) of those who once inhabited the Earth? That is only the men
and
Women who have the DNA as determined by Higher Intelligence?
I can not answer that question, although I am still confident in the success of Step
otherwise there would be specific things that would not make sense. If I was
wrong, maybe at this point, thinking about what you would certainly occurred
between people knowing these things, we can partly understand the choice of the
ecclesiastical hierarchy not to reveal what the Templars had discovered and that
they too had come aware.
In the version of the Shepherds of Arcadia painting in 1639, unlike in the
context of 1630,Poussin talks about the future. In a future that is here now.
As in the painting, it has reported a forest and is portrayed a sarcophagus, but this
time made of red tuff and not place inside a tree but in a meadow. Sarcophagus
which clearly symbolizes the cult died about the goddess as she, like maybe want
to imply Poussin's work is very much alive and vigorous.
Although under the male figures they are always three as in that of 1630, but there
is a different character. In fact we do not find more, but Jesus with Moses and
Siddharta Mohammed appears. Figure in which the artist has given the ministry
but a simple stick, and left her bare feet to let us find as you enter the mosques
barefoot because it's a sacred place.
Moses is always portrayed with pastoral, Siddharta is depicted with a stick like that
of Muhammad but this time, for us to detect, unlike what he did with Muhammad,
the artist has depicted him with white shoes.

So the artist puts these three men linked to three religions but excludes Jesus. The
reason why he is doing at this point we can understand it very well.
The woman in the painting is no longer the future but the Lady Mary that she
would be the terrestrial counterparts, so a messenger of the Great Mother in
Heaven. Poussin has shown with shawl saffron because that is the color linked to
Hecate, and gold shoes, as the myth goes, is that the Hecate stocking feet golden
sandals.
The artist has dressed with colored clothing that refer to specific meanings and has
put even the Phrygian cap: he did it to make it even connect to the Great Anatolian
goddess, Cybele Mater Magna. The myth which tells the mother of all the gods
and creator Goddess that gave rise to the universe without any male intervention.
So virgin inviolate and yet the mother of the gods.
The amazement on the face of the prophets, indicates that what is explaining the
woman is something that they do not know. The water source, located beneath the
sarcophagus in the second framework as in the first, this time is dry. No more
water flows. In addition, above the dry source, Poussin painted a boulder on which
is resting a foot Siddharta. The link is clear: even Buddhism helps to close the
Source. That is to block the creed to the Great Mother and you, being much more
than angry, it leaves us dry.
The source in the first framework
The dry source of the second painting
The ministry, therefore, plays a key role and brings us back to the symbol of
spiritual guidance. In fact we find it in the hands Pontiff of the Catholic Church in
Rome. Below we can see important Pastoral symbolic, and Giovanni Paolo II in
2000, during the opening ceremony of the Holy Door with the third stage Ministry.
That is with the pastoral symbolizing that he rules the three kingdoms.
We are told that the pope is said Pastor as Shepherd of Souls, as well as being the
representative of God on earth; on the back of the pope's chair, the inverted cross is
symbolized this representation. The inverted cross indicates the Cross of the
inverted South and the divinity embodied in matter.

But we are sure that God that the high Catholic hierarchy tell us to pray is
the right one and must be a man to have to be on earth?
The outcome of the works examined, we saw that Pantaleone, Michelangelo, and
Poussin, tell us no.
Nostradamus and Sigismondo Fanti, in the drawings which tell us of the coming of
the new woman and tell us its characteristics, we confirm this. But the
ecclesiastical hierarchies that what they know. For this reason, in many Maria
representations is depicted with the royal crown at three levels.

Maria, like previous Tanit, Juno, Hecate, Isis, Diana, Cybele and many others, as
well as the Japanese Amaterasu-o-mi-kami, or the Chinese Xi Wangmu, like
Hindu Durga or pre-Islamic Al Uzza and endless other women again, it was the
land equivalent of the Great Mother Celeste. It was then the official figure
embodied on the ground that the above reflected in that said Hermes.
The 12 apostles, which are also attributed to other similar figures to Jesus, they
want instead symbolize according me the twelve signs of the zodiac. And of those
12 signs that I intend to speak to Leonardo da Vinci Last Supper, which groups
them into three groups as divided by the cardinals points, depicting them as
apostles. (Signs of the Zodiac, in my opinion, even though some of these celestial
bodies we have not yet discovered, must match even at 12 planets in our solar
system). The thirteenth sign, one considered a traitor, is probably the one under
which we examined as souls: if we attended the School (of Life) at a profit we are
promoted, if we only "warmed" banks, is we have repeated a year ( ie the cycle).
And who knows when, exactly, and how many times, the Great Higher Intelligence
was forced to make us repeat the year.

So Moses is important because he had declined the Spirit of the Queen / King of
the World; Sidhharta it is because it was an Awakened and perhaps even he had
fallen that same Spirit; in the case of Jesus it was in Mary that that Spirit had come
down, and as we saw, is not he who was his son.
But Mary was not born only Stephen, were born as Latona Apollo and Diana, as
she was born a male and a female. A female born prior to Stefano! Female who
was not born of a previous marriage of Joseph as I happened to read. The daughter
of Maria, the vase or container, which is the body in which through DNA, then
through the bloodline, the mother had also poured the Book, by birthright, they
must also restore the equilibria Ancients as in ' ancient Order. Those that existed
before Jawe, Baal, Zeus and their equivalents took power. That is before the
scalzasse patriarchal throne by the Mother Goddess. divine project that in a world
totally male as was jew obviously could not fulfill. It's probably just such older
sister Stefano Leonardo da Vinci we wanted to say in his book The Virgin of the
Rocks, painting in the cave, together with Our Lady and the two children, the
young girl who not surprisingly has painted with the colors red symbolic and green
and that was mistaken by many for an angel despite failing the artist painted the
wings.
Sant 'Anna passing the book to Mary The Virgin of the Rocks
The sister of Stephen with daughter

The daughter of Maria, which in turn gave birth to a child because obviously only
through a female the Book of Life (The History of the World and Humanity) you
could and you can pass on, was to be the first-born. The newborn of which in the
framework you do not see sex is depicted near the young girl because she is his
mother. So the fourth figure does not depict John as claimed by some researchers,
but it is a female, perhaps Sara. Perhaps Sara still worshiped by the Gypsies.
Grandson of Mary as the daughter of her daughter and not of Jesus, who by his
wife, however, was almost certainly two males.
Santa Sara
THE' Gypsy crowded party dedicated to St. Sara
That only women has this prerogative, and to pay homage to the Great Mother, is
probably the message he wanted to convey the Cardinal Sittico de Altemps doing
painting by Pasquale Cati in 1588, in the Santa Maria chapel of the church in
Trastevere that would contain her remains. The work in which the artist, besides
having given the women a top step of the cardinals and the pope himself and
putting them in the hands of the symbols of which has appropriated a church to
men at their feet, and has placed the World the books. This, while outside the
women were still being made to consider soulless beings from the high church
hierarchy, no brain, so inferior to the male not capable of reasoning. Therefore
only tools for playing!
The fact that no one ever spoke of her daughter, and that Mary was was not
recognized, I do not know how that could happen, but probably not believed the
myth because when you live you do not realize. Only recognizes Giovanni Maria,
does the second letter entered in the NT, calling elected and greeting her and her
children in Chapter 1 of the first verse.
There would be many other items to be exhibited and to think about, but after
seeing and thinking for a moment about those exposed should come to ask: How
can then the three monotheistic religions born from the Bible being right?

If at this point we understand why they are not in the right, we also understand
why, 2,000 years ago not realizing the divine plan, everything had to sadly repeat.
We have seen that the religion founded by Jesus, not because he is the son of
Mary, and because you failed to carry its message is in error. So is that of Moses
because the Prophet was deceived by an Archon or extraterrestrial who wants to
believe. The Siddhartha's teachings, which have become a religion, are those that
come closest to the right Way but, as we have seen also suggests Nicolas Poussin
in his work Buddhism, like other religions, it does not allow the source to flow .
I said at the beginning of the text that the works I could understand through
experiences that relate to the mystical and paranormal; the narrative that I obtained
through these strong but unfortunately no demonstrable experience, led me to
conclude that Moses, though it was manipulated and deviated from the biblical
Yahweh alien, was an initiate (why he was chosen and contacted by
extraterrestrials that extra they have nothing); I do believe that Siddhartha was an
awakened but do not give me the certainty that he was the son of a Great Mother,
as regards Mohammed I was not shown anything. The fact that on him I was
shown nothing to me means that the story that was told to me through the visions
and more, he does not belong.In addition there are those who even said that Islam
was created by the papacy in Rome.
The discovery of a copy of the Quran kept at the University of Birmingham, UK,
discovered by the Italian Alba Faithful researcher in July 2015, is to add questions
to the ones we already ponevamo Muhammad. Because carbon dating of a
fragment of the sacred text, performed by scientists at Oxford University, found so
ancient as to question the reality of an entire religion because the Quran could be
found prior to the Prophet, and he, Qur'an that we know instead of having written
under dictation of his alleged god as Islam teaches Tradition, at the suggestion of
someone (Ptah, as suggested by Michelangelo for example), could have instead
copied from some other text. And as we shall see, the origins and the life of
Muhammad in fact do not respond even to the features it should have had if he had
been the son of a Great Mother, then an initiate. If it had been awakened, would
bring messages of love and peace, however, as Benedict XVI said in his keynote
address in Regensburg, this is not what he did. So to speak, as we shall see below,
but not only for these reasons, it was not the God we believe.

And 'written to Muhammad, breath after breath, in one night, God dictated the
Koran; Michelangelo, to highlight this traditional narrative, puts you close to the
Prophet a figure that whispers in his ear. The figure that the artist puts whisper in
the ear of the Prophet, is very similar to the Egyptian god Ptah! Ptah iconography
he is portrayed as a mummified man with a beard, often with the head of a leather
cap, which holds in his hands a composite scepter with the ankh (symbol of life),
the uas as Staff of Power, and the died (symbol of stability).
Mohammed with Ptah in the Last Judgment
The myths speak to us of Ptah as a creator god, the demiurge of the city of
Memphis. Patron of craftsmen and architects as well as the god of learning and
knowledge. The myth has it that he was an engineer, mason, locksmith, artist. It
was later connected with the gods Seker and Osiris, which together formed Seker -
Ptah-Osiris. As Tanen, Ptah was known as chthonic deities.
Who was really Ptah we could evaluate it in the pages dedicated to the mosaic, but
perhaps the real Ptah, like other sowers, covered in ancient times the role of the
Bull of his mother myth that others they covered after him because, by some
sources, he it is also considered, at times, a personification of primordial matter -
so it could have been real incarnation.
As we got to speculate on the previous pages about this, those names that over
time people had given to the chthonic deities, could have them hired those that are
the evil entities with which we live in this level of existence and that, taking shape,
become go through extraterrestrial taking those names. Perhaps a test of what for
now can remain only a hypothesis, we could have her experience of Billy Mayer.
Reading the book Billy Maier, a well-known Swiss contactee, that a friend had
given me insisting that I read it, I found written that the father of Semejase, the
Ptah

Pleadean that Billy met, told him to be the same as in ancient times, in Egypt, was
called Ptah. How could it be?
Billy Meier, Who is now 78, he claims to have had and still have contact with
extraterrestrial beings similar to humans called Plejadiani. Billy said that when he
had to meet a pleasant voice in his head telling him to leave the house and go to
certain places.
At this belief because these Archons, which occur today as more advanced
extraterrestrial us, are but the parasitic entities that govern this world and also hide
behind the name of mythical subjects. When you do not want to be seen, vibrate at
a different vibration from our being able to talk to you in the head and even now
controls our actions - the many femicides of this period are evidence - are able to
show you other things, but above all, being able to acquire physicality in our
world, may live close passing unnoticed.
I say this because I have personally experienced both the experience of the voice in
the head, and because I met a man who I later realized to be one of these
extraterrestrials. Plus I got to meet and talk with many people, including a priest,
who lived this type of other experiences. What you are able to do these entities
when they gather their forces, it has proven to me to be what happened in Fatima
and now by what is happening in Medjugorje and in similar events happening
around the world. Even the much-trumpeted Helena Petrovna Blavatsky, who
claimed to be in telepathic contact with mysterious ascended masters of Tibet, was
not in contact with other one or more of these entities! Who are actually those who
claim to be extraterrestrials, now including the go thanks to information that there
is now, and thanks to the people who share with others their experiences, although
many, not knowing the origin of these events, they think, wrongly , to be the
chosen. But we know more thanks to modern translations of ancient texts, and new
translations of those texts, or enthusiasts, are

spreading. These extra-dimensional beings are anything but peaceful and loving
extraterrestrials. Even the God of Moses, who said to the Prophet to be the same
God of Abraham, probably the same who today calls himself Ashtar Scheran, was
one of these aliens. So we can not take it literally, and perhaps even consider, what
was said and handed down by Moses as it was influenced by one of those entities.
Entities which manipulate us for millions of years: from after we have fallen
because of the error regarding the modification of DNA.
In the Bible, in Genesis XI 1-9, we find the description of the Tower of Babel, a
song that opens to interpretation but which in general is believed to symbolize the
birth of the different languages in the world; I think that such mixed languages are
not really the languages of the people but their religions. Therefore the woman of
the dream of Mary who in the times of the end will bring together the religions
restoring order because they also tell humanity what is allowed to do and what is
not, and that in Dante 'Inf. I, 100-111 tells us where they would be incarnated
because the area is, how easily it has always been, the navel of the world, have it
represented in his Pantaleone mosaic drawing it like Venus and putting them near
the symbolic peacock symbolizing the eye of the Goddess who sees all, but also
his androgyny.
goddess Saraswati goddess Hera The two Peacocks with there Pigna at the
Vatican

Of that same woman she told us about Michelangelo, portraying it as a Herculean
Sibille to reveal the Force embodied in it;
... and we talked about Nicolas Poussin. The artist has dressed the woman with
colorful clothes that refer to specific meanings. Perhaps to make it connect to
Turkey where he was venerated, except for the special clothing, he made up his
mind what looks like a Kefia. The artist painted the figure even sandals gold. As
we have seen, that of wearing of gold sandals, was a feature of Hecate. Poussin has
used this symbolism to let us therefore recognize the woman in the painting and at
the same time tell us who is the messenger the woman of the end times. Another
feature is the Hecate Key; at this point it can also understand what he meant
Pantaleone key of the future she would have had. These we are experiencing are
the end times, absolutely normal that woman is here for some time. The fact that
we are living in the end times do not think he needs no further confirmation now,
the symptoms are seen everywhere. But even if there was need for confirmation or
know how long it has been available, just reflect on the latest ads Bergoglio: to
questions from journalists who were on the plane that brought them from South
Korea in Italy (August 2014) he responded that he will die in two or three years.
With that answer did not intend for me to speak of his death but that of much of
humanity, even saying how soon this will happen.
What you may not know Bergoglio, it is that among the possible futures of
humanity there is one wonderful that we can choose to accomplish. We can do
it now: just put things back in order and restore justice.

We must stop immediately to manipulate the DNA, which is the way through
which the Goddess manifests, immediately stop discussing for religions and return
to the Great Mother, who is also the Father, the proper role and that was taken
away from 'alien biblical god. If we refuse to recognize it for what it really is, and
It is, you might unleashing the forces of nature (of which she is giving us only the
tasting), maybe until the arrival of some asteroid already very close to the Earth
that we can only imagine what would cause any impact with the planet. On the
contrary, if we understand what are the things we should not do and the Goddess
recognize the rightful place, and that is His, she will guide us with compassion in
the way of transformation. But all this must be understood and implemented and
how to deal Anime these bodies, only in this case riusciremmo to drop the veil,
that is, leave the painful illusion that we are experiencing, and see the real sun.

Conclusions
Even before I imbattessi in mosaics and other works for the particular experiences,
I was sure that we were living an important cosmic moment, and even of the red
giant and its Planet did not know anything yet I had figured out how could have
happened the misunderstanding between Jesus and Mary, I understood that as
humanity we were running a great danger. I understood that we were in danger, but
not the reason why we were.
How Pantaleone tells the mosaic, it reveals the reason why we are in danger, which
is that of the new passage of Marduk, and what could be the reasons why the
Guardian of the Door could once again not afford to go. And given the current,
albeit undeclared, astronomers concerns about the existence of that dark planet
whose passage periodically disrupt life on earth, including through research the
reason why in the past there were those great catastrophes that have hit our planet
that we tell Pantaleone, Dante and Michelangelo, also includes what could be the
way they could once again not be allowed to get out of this hell and ascend to a
higher plane of consciousness.
My research explains the importance of the Sacred Feminine and the reason why
Maria was the expected messenger, not Jesus, and how different the message he
had to bring you instead of good news that someone then put into the mouth of
Jesus.
The people that populated the earth two thousand years ago, recognizing Mary as
the envoy of the Great Mother, and realizing that all suffering was the lesson that
the Goddess imparted to mankind because of those experiments, he might have
done to lift the veil of the prison where we are required due to the one thing that
should not be done. But obviously, as perhaps intended also tell us the many artists
whose works we have taken into consideration, perhaps Maria awoke, so I do not
understand, therefore he could not accomplish his mission.
The lessons learned so far through the search path to decrypt the works that we
have described, it should make us understand that Key would have the woman of
the future of which Pantaleone said. Instead, if we understand the reason why we
repeat the great cataclysms on the exchanged land for cyclical belonging to the
Planet, we also realized that that's the way of the Great Higher Intelligence to let us
know It does not want to manipulate DNA as that is the language through which
expresses itself and at the same time is the

Goddess herself. Can not we, with poor knowledge granted us in this level of
existence, assume the right of being able to manipulate God! Answer that just did
not expect to find as a result of my research! Genetic manipulation made by
Sophia, the coupling of terrestrial women with Elohim, and the creation of those
other beings for their part, are facts that should not happen. The Great Mother for
these facts punished us, and sent it back several times. Now that, for the
intelligence that resides in all things and for the time spent by Nature that mistake
may have been adjusted, if we still have time to fix our current mistakes and this
time make the right choices, we can emerge unscathed Passing from the planet
closest to Earth. Planet of which much is discussed in other countries but not in
Italy, but whose senior echelons know very well. Examples of this are certain
enigmatic phrases in certain Bergoglio ads and its decision to hold the
extraordinary Jubilee.
http://www.iconicon.it/blog/2014/01/papa-francesco-lora-e-giunta/
http://www.segnidalcielo.it/la-profezia-di-papa-francesco-moriro-tra-2-3-anni/
http://it.blastingnews.com/cronaca/2015/03/nuovo-giubileo-indetto-da-papa-francesco-
00305939.html
Passing that, perhaps for the wrong assessments, the high Catholic hierarchy also
estimate fatal whereas this time - even considering what is written in the
prophecies - if we understand, there ravvedremo and we will do what must be
done, in my opinion will be positive. Even it were not so, in order not to repeat to
those who will be saved the same error in the future, it is important to become
conscious of what we are allowed to do and what it is not then the truth must be
known, however!
I arrived at these conclusions, helped yes from my particular experiences but
mostly doing much research and many, many, however, reasoning, despite the
many texts read, the countless Web pages visited, many talks and exchanges of
views with the many people I met during my research that I thought they knew
more than me, I do not pretend to believe the indisputable total of what I deduced.
There are too many things that I still know to think you've reasoned exactly on
everything, but seeing what is happening in the world and in the cosmos, adding
the quality of my particular experiences to what they are, there are some fixed
points, not unequivocal. And it is on this basis that I write what Redigo, about the
great danger that once again we are running. Truth known for centuries if not
millennia by only a narrow circle of people. Conclusions mine, and for the
particular experiences, although not yet all understood, I had already taken from
the beginning and that the resulting research has only confirmed.

Is it possible that those truth no one has ever felt an obligation to tell her? And 'so
how was he had to go? It was at this time of great danger that we had to get there?
I can not answer that question because, I learned that God's plan is never intended
for the span of a single earthly life. Certainly through the ages it has been many
who have known the Truth and withheld, if someone had taken the burden of
telling, perhaps as inhabitants of this planet today we would not be in this
condition or this would run great risk about the passage. The action of a single, as
indeed we could do with the founders of different religions, can change the history
of mankind and our history as humanity, as a kind of board game, it went back and
forth several sometimes for the responsibilities of many different individuals: they
did it before Jesus, the Jesus did, they did it after him, and they're doing it again.
But they could and can still do this because too many facts were and are still kept
hidden.
We are now in front of a door close to a very important step because, for the
Cosmic it is, we can get out of this valley of tears because, including our mistakes,
potendoci still remedy, we have the key to enter the dimension top, avoiding the
great danger is over our head. Without stirring in a painful past for everyone, and
that in any case you can not change, if those who know the truth by saying it
would help, we would have the opportunity HERE AND NOW, awakening and
putting things in the right order, to climb to the next level of consciousness as
people. So to rise as Anime. This probably also would free us of who we parasite
and causes us the diseases from which he frees himself. Giochetto who is mistaken
for a miracle, and that serves the Archons / Parasites to continue to maintain the
current status quo.
That we are in the end times (the Era, the Cycle, and the Aeon), they tell the crop
circles, they are probably our trumpets of Judgment. Those who try to awaken us
and telling us about the Archetypes of the Great Mother, and therefore in us. And
the only way I can do it, there it tells you the nature, that with his behavior trying
to warn us of the danger we are running and that it's exam time. If all this were not
enough, to confirm everything there are also the words of Bergoglio, who said that
the time has come.
Could there was very little time to understand how we learn and do what must be
done. We need to stop manipulating the DNA and return to the Great Mother, who
is also the Father, the proper role and that was taken away by the alien biblical
god. If we refuse to recognize it for what

that really, it is', and is, you can unleash the forces of nature (which is giving us the
tasting only) until perhaps, as I saw in one of my visions, send us some asteroid
already very close to the Earth that I will not even think about what would cause
its impact with the planet. On the contrary, if we do what must be done and the
Goddess recognize the rightful place, and that is His, she will guide us with
compassion in the way of transformation. But all this must be understood and
implemented and how these bodies deal Anime! Only in this case the door would
be opened by dropping the veil, showing the true Sun, avoiding the catastrophe.
If that happens, I do not know guess what could be our future. What is certain is
that if we will correct our Veil behavior will rise, and out of this painful illusion, as
John saw in his dream, will end all the pain, suffering, injustice, and perhaps, as he
wrote Sigismondo Fanti, we will see spaceships friends transit in our sky reaching
even to contemplate the infinite infinite.
Go up to the absolute Truth is perhaps impossible, because there is more time and
because the truth is hard to trace since writing the story are always the winners
who delete or conceal what was an expression of the vanquished, and what I say
can not be considered evidence because they come from the mystical, but that is
what essentially the monaco Pantaleone wanted to tell nearly nine hundred years
ago in his work that has lasted for centuries, and how many other artists and poets
have taken up and told in many veiled ways after him to pass it and warn us about
the time of the end.

Acknowledgments.
My thanks go to all the authors of the books I read and all those people owning the
endless Internet sites I visited, the contents of which gave me the opportunity to
learn things that I did not know allowing me to turn on important arguments.
In particular I thank the owners of the sites where I found some of the images
included in the work and that allowed me to understand (I hope) what I was
saying. I thank those who have managed to achieve and they gave me permission
to use their images, I apologize to those whom I could not find the site and then
contact.
I also thank all those people that Destiny wanted to put in my way physically and
all those who, while not meeting them in person, I have helped to unravel the
tangled skein contributing in some way to the positive outcome of the research.
They are way too many, volendone include the names, to be able to remember
them all. This is further proof of how much we are connected to each other and
how weird most of the time the Destiny Game.

Some titles of books read
Some titles of the books I read: - I have read the Bible of Jerusalem, The Gnostic
Gospels by Luigi Moraldi editions of The Adelphi, The Gospel of Philip, Travel
notes editions, The Gospel of Judas, published by National Geographic, Maimoide,
guide of the perplexed, by Mauro Zonta published by Utet, the doors of Justice
edited by Moshe Idel published by Adelphi, the reintegration Treaty of Martinez de
Pasquadilly beings published by Amenophis, the Tibetan Book of the dead by
Giuseppe If Tucci published by the Tao Te Ching ed
JJL Duyvendak published by Adelphi, The Bhagavad Gita and Swami AC
Bhaktivedanda Prabbupada, The Great Initiates of Edourd Schurè Editori Laterza,
symbols of the sacred science of Renè Guenon, published by Adelphi Of The Man
and His Symbols by Carl Gustav Jung published by Tea, Planetarium Alfredo
Cattabiani Saggi Mondadori, the Plato's Timaeus Francesco Fronterotta published
by Bur, the Book of Judith chakra Anodea published by hummingbirds, awaken
the hero within us Carol
S. Pearson published by Astrolabe, The labors of Hercules by Alice A. Bailey,
published by the New Age, Kabbalah and alchemy Arturo Schwarz, Elephants
Garzanti, The paths of the Kabbalah Moshe Idel and Victor Malka, published by
Word, Sepher yetzirah of Geoges Lahy edited by Venexia, Along the Jacob's
ladder of Ronald H. Isaacs published by Ecig, theosophy Cristina Luisa Coronelli
published by Xenia, the Hamlet mill Giorgio de Santillana and Hertha von
Dechend Degli published by Adelphi, the branch d ' gold James G. Fraser,
published by Newton Compton Editori, the Goddess language Marija Gimbutas
published by Venexia, Cosmogony of the Rosicrucian Max Hendel published by
Jupiter, the oscar Mondadori the universe in a nutshell by Stephen Hawking,
Nikola Tesla forgotten genius of science Robert Lomas of Macroedizioni, the
golden section of Mario Livio published by Rizzoli Bur, code of Gregg Braden
published by Macrolibrarsi time, the mystery of the Holy Grail edited by Graham
Hancock Piemme Pocket, Otranto The mosaic of don Grazio Gianfreda of Edizioni
del Grifo, La triple route of the mosaic of Otranto Francesco Corona published by
Atanòr, The Book of the doors: the alchemical oracle of Athon Veggi and Alison
Davidson edited by Venexia; Renucio of Boscolo I read the oscar Mondadori
Nostradamus solved the riddle of Renucio Boscolo and Prophetica Summa
published by the Friuli & Verlucca, Mario Pincherle Enoch I read the first book in
the world, Volume 1 and 2, The Moses prohibited the fifth Gospel, the great
pyramid and the Zed, and his book Archetypes the keys of the universe, all
published by Macroedizioni. I read all the books of Zechariah Sitchin, Terra
timeless Italian cosmic mystery of Peter Kolosimo published by Murcia, The gods
were astronauts Erik Von Daniken published by Piemme, Slaves of the Biagio
Russo of Drakon Editions, the book that will change always your ideas on the bible

and god, Alien Bible Mauro Biglino published by One Publishers, Jesus Wizard of
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Malanga published by Chiaraluna narrate ancient chronicles of Roberto Volterri of
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Lincoln, the secret code of the cross of Henry Lincoln published by Sperling
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masters Igor Sibaldi published by Mondadori, Children of the Matrix David Icke
Macro Edizioni, the great wave of Pablo Ayo published from Armenia, Da Vinci
code by Dan Brown, published by Mondadori, Cults Egyptians published by
Mediterranee cat magic and mystery of a divine plan published by Edizioni
Eremon Ada Pavan Russian, on the trail of the lost shoe Emanuela Chiavarelli
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Medusa, Egypt secret of Paul Brunton released by The Meeting Place, The
Mystery of Orion Robert Bouval and AG Gilbert, History and legend of the
Templars and ... many, many other texts.