The shout of the Phoenix

This story almost a thousand years ago now by the Basilian monaco Pantaleone
within the Otranto mosaic contains a very criprato story because the monaco used
symbolic animals that were not those of the bestiary canonical but invented by
him; story that monaco could possibly do on the basis of the documents found
those nine Knights Crusaders, later became the Knights Templar, how legend has
it, under the temple of Solomon; the tale told by Michelangelo in the Last
Judgment, which was probably aware of these facts, it is devoted primarily to
explain who represented in this Game of Life on Earth and what really made Jesus
and Mary.
The artist describes the work as Mary and Jesus made now over two thousand
years ago about this important fact on which rests the Christian religion, that is the
death and resurrection of Jesus. He reveals who they represented in the Game of
Life on Earth and, in the lower part of the work shows us what could happen in the
- end times that we are living. We do not understand what narrated by
Michelangelo in the work because the story has it that the artist is different from
what we know ... for example, why does the same appearance of the risen Christ to
two other figures of the work of which is older?
It is to these three figures the same facial features, the same red hair and the same
aquiline nose, it is clear that the three intend to depict the same person; that means
the artist placing the same character at different points of the work and making it
even older? Maybe that Jesus did not die on the cross, much less is risen?
Decrypting the story of Michelangelo we will see how this is so.
Let's try to write a story that makes seguenzialità to Michelangelo, before
recovering some element of time, then seeing what the artist wants to tell us in the
Last Judgment, proving the correctness of the story read with the decrypted by the
story told by the monaco in the mosaic of Otranto, from which also we will resume
some sections.
One question I have read numerous researchers have made, it is because in Eden
painting the ceiling of the Sistine, instead of the famous apple tree, Michelangelo
has put