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7. July 2014

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art<br />

didactic aspects. Use of mythical and<br />

supernatural elements makes the<br />

works strange and unusual.The images<br />

suggest something beyond themselves.<br />

The sculptures are in various mediums<br />

as woodcarving, stone carving, clay<br />

modeling, bronze, metal casting and<br />

assembled sculptures.<br />

The contemporary sculptures and<br />

paintings are more subjective than<br />

the traditional ones, for they express<br />

the inner feelings and emotions of<br />

the artists rather than representing<br />

the external objects realistically.<br />

Contemporary arts do not reproduce the<br />

reality rather they respond to their own<br />

context. There is the distance between<br />

the objects in the world and images in<br />

Modern Painting<br />

by Asha Dangol<br />

wall paintings and representation of<br />

mythical divinities in realistic forms.<br />

Manuscript illumination includes<br />

both visual and verbal elements. The<br />

texts and paintings coexist together.<br />

Paubhas and mandalas can be taken<br />

as the instrument of meditation and<br />

concentration for the achievement of<br />

enlightenment and nirvana. The principal<br />

divinity is located at the center and<br />

subsidiary deities are in the periphery<br />

around the central figure. As we<br />

observe the mandalas, our eyes move<br />

from periphery toward center and<br />

become stable at the central divinity.<br />

The individual viewer is supposed to<br />

be united with the almighty dissolving<br />

the duality between the self and the<br />

other. Moreover, some paubhas also<br />

reconcile sacred and profane elements,<br />

for the images of divinities are in sexual<br />

union suggesting the union of Prakriti<br />

and Purusa, male and female principles,<br />

the individual sadhaka and the almighty.<br />

Traditional sculptures and paintings<br />

have magical, mystical, symbolic and<br />

60 / SPACESNEPAL.COM

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