7. July 2014
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art<br />
didactic aspects. Use of mythical and<br />
supernatural elements makes the<br />
works strange and unusual.The images<br />
suggest something beyond themselves.<br />
The sculptures are in various mediums<br />
as woodcarving, stone carving, clay<br />
modeling, bronze, metal casting and<br />
assembled sculptures.<br />
The contemporary sculptures and<br />
paintings are more subjective than<br />
the traditional ones, for they express<br />
the inner feelings and emotions of<br />
the artists rather than representing<br />
the external objects realistically.<br />
Contemporary arts do not reproduce the<br />
reality rather they respond to their own<br />
context. There is the distance between<br />
the objects in the world and images in<br />
Modern Painting<br />
by Asha Dangol<br />
wall paintings and representation of<br />
mythical divinities in realistic forms.<br />
Manuscript illumination includes<br />
both visual and verbal elements. The<br />
texts and paintings coexist together.<br />
Paubhas and mandalas can be taken<br />
as the instrument of meditation and<br />
concentration for the achievement of<br />
enlightenment and nirvana. The principal<br />
divinity is located at the center and<br />
subsidiary deities are in the periphery<br />
around the central figure. As we<br />
observe the mandalas, our eyes move<br />
from periphery toward center and<br />
become stable at the central divinity.<br />
The individual viewer is supposed to<br />
be united with the almighty dissolving<br />
the duality between the self and the<br />
other. Moreover, some paubhas also<br />
reconcile sacred and profane elements,<br />
for the images of divinities are in sexual<br />
union suggesting the union of Prakriti<br />
and Purusa, male and female principles,<br />
the individual sadhaka and the almighty.<br />
Traditional sculptures and paintings<br />
have magical, mystical, symbolic and<br />
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