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Dances with the Mah Meri - DiGi

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The stage lights are dimmed. A silhouette of a large boat<br />

emerges from <strong>the</strong> misty shadows, <strong>the</strong>n <strong>the</strong> real thing<br />

appears on stage. Ba<strong>the</strong>d in a hazy smoke of red, dancers<br />

make <strong>the</strong>ir way forward, moving slowly to haunting<br />

music. A shaman invokes <strong>the</strong> blessings of <strong>the</strong> spirits on<br />

this new land <strong>the</strong> ancestors have discovered. One by one<br />

<strong>the</strong>y come, <strong>the</strong>ir graceful movements transporting you to<br />

a land in distant memory.<br />

The audience is completely mesmerised. Some of <strong>the</strong>m<br />

– <strong>Mah</strong> <strong>Meri</strong> grandmas clutching grandchildren to <strong>the</strong>ir<br />

bosoms – are standing up to have a better view. Never<br />

before have <strong>the</strong>y seen anything like this on <strong>the</strong>ir island.<br />

This scene unfolded deep in <strong>the</strong> heart of Kampung<br />

Sungai Bumbun, a <strong>Mah</strong> <strong>Meri</strong> settlement on Carey Island.<br />

The performers were a group of schoolchildren from <strong>the</strong><br />

island, as well as from SMK Panglima Garang, about a<br />

half-hour drive away. Their performance, called <strong>Meri</strong>ah<br />

(happiness), was a sensorial feast of sound, light and<br />

movement. What was truly amazing was that it had taken<br />

only three months of concentrated training to produce this<br />

dance drama which brought to life some of <strong>the</strong> myths and<br />

legends of <strong>the</strong> <strong>Mah</strong> <strong>Meri</strong>.<br />

“<strong>Meri</strong>ah is actually an exploration, reconstruction<br />

and a celebration of dreamtime images inspired by <strong>the</strong><br />

myths of origin of <strong>the</strong> <strong>Mah</strong> <strong>Meri</strong> orang asli,” explained<br />

Ramli Ibrahim who, along <strong>with</strong> members of his Sutra<br />

Dance Theatre – Guna, Sivarajah Natarajan and Valery<br />

Ross – had choreographed and coordinated <strong>the</strong> entire<br />

performance.<br />

<strong>DiGi</strong>’s Amazing Heritage Lessons<br />

dances<br />

<strong>with</strong> <strong>the</strong> <strong>Mah</strong> <strong>Meri</strong><br />

<strong>DiGi</strong> Telecommunications Sdn Bhd ran five heritage projects<br />

this year as part of its corporate social responsibility programme, <strong>DiGi</strong>’s Amazing Malaysians.<br />

In <strong>the</strong> second of a five-part series on <strong>the</strong> children’s unique experiences in <strong>the</strong> projects, we<br />

present The Woodcraft Warrior of Selangor.<br />

“Through this project, we’re hoping to<br />

motivate <strong>Mah</strong> <strong>Meri</strong> youth to perpetuate<br />

<strong>the</strong>ir unique culture, which is not only<br />

necessary for a sense of identity, but also<br />

adds to Malaysia’s rich heritage. It would<br />

be wonderful for <strong>the</strong> <strong>Mah</strong> <strong>Meri</strong> to share<br />

<strong>with</strong> <strong>the</strong> rest of Malaysia, indeed <strong>the</strong><br />

world, <strong>the</strong>ir stories and legends, and <strong>the</strong><br />

artistic skills <strong>the</strong>y possess by virtue of<br />

who <strong>the</strong>y are.”<br />

– Jon Eddy, Chief Technology Officer, <strong>DiGi</strong> Telecommunications<br />

The children<br />

‘dancing’ <strong>the</strong><br />

story of how<br />

<strong>the</strong> <strong>Mah</strong> <strong>Meri</strong><br />

arrived in Carey<br />

Island 400 years<br />

ago<br />

They had been brought into The Woodcraft Warrior of<br />

Selangor project by <strong>DiGi</strong>’s Amazing Malaysian Rashid<br />

Esa, who has been working <strong>with</strong> <strong>the</strong> orang asli on Carey<br />

Island, trying to improve <strong>the</strong>ir standard of living, for over<br />

20 years. Involving 70 children, <strong>the</strong> project attempted to<br />

“bring out” <strong>the</strong> inherent creativity of <strong>the</strong> <strong>Mah</strong> <strong>Meri</strong> by<br />

exploring different mediums of expression such as dance,<br />

music and art.<br />

O<strong>the</strong>r than <strong>Meri</strong>ah, in which much natural musical talent<br />

was unear<strong>the</strong>d – a group of 27 children experimented<br />

<strong>with</strong> freehand drawing, painting, clay moulding and<br />

batik-making, led by former director of <strong>the</strong> National Art<br />

Gallery Puan Wairah Marzuki and her team: Mohamad<br />

Najib, Hamid Hassan, Norma Noordin, Raja Fuziah and<br />

Sabli Dahrin.<br />

Khoo Kongsi<br />

These children, like <strong>the</strong> dancers and musicians, completely<br />

wowed visitors to Carey Island recently, when <strong>the</strong>y<br />

presented <strong>the</strong>ir work accomplished during <strong>the</strong> project.<br />

Adorning <strong>the</strong> walls of <strong>the</strong> island’s Craft Centre were<br />

vibrant watercolours, silkscreens, woodcuts and o<strong>the</strong>r art<br />

works depicting mainly <strong>the</strong> flora and fauna of <strong>the</strong> island:<br />

palm trees, frogs, turtles, snakes and rats… Though<br />

first-timers, <strong>the</strong> children had produced works that were<br />

incredibly beautiful, and rich <strong>with</strong> “raw honesty”, to use<br />

Puan Wairah’s description.<br />

As part of her project <strong>with</strong> <strong>the</strong> children, Puan Wairah took<br />

<strong>the</strong>m to a batik centre in Puchong where <strong>the</strong>y were guided<br />

in transposing <strong>the</strong>ir designs onto fabrics. These pieces


of batik were also exhibited at <strong>the</strong> showcase,<br />

when <strong>the</strong> children <strong>the</strong>mselves appeared on<br />

stage, full of obvious pride and confidence,<br />

parading <strong>the</strong>ir lovely, bright creations.<br />

“The <strong>Mah</strong> <strong>Meri</strong> are generally very reserved.<br />

They derive a lot of strength from <strong>the</strong>ir spiritual<br />

beliefs. But this keeps <strong>the</strong>m inward-looking.<br />

Through this project, we’ve managed to draw<br />

out <strong>the</strong> <strong>Mah</strong> <strong>Meri</strong>. It’s been wonderful to see<br />

<strong>the</strong> transformation in <strong>the</strong> children over <strong>the</strong><br />

three months. Suddenly, <strong>the</strong>re’s a new vigour<br />

in <strong>the</strong>m which I’ve not seen before. Their eyes<br />

are sparkling <strong>with</strong> excitement,” said Rashid.<br />

The <strong>Mah</strong> <strong>Meri</strong> have inhabited Carey Island<br />

and o<strong>the</strong>r parts of coastal Selangor for more<br />

than 400 years. They are well known for <strong>the</strong>ir<br />

woodcarvings. Now, <strong>the</strong>re is a chance <strong>the</strong>y will<br />

gain recognition for <strong>the</strong>ir musical and o<strong>the</strong>r<br />

artistic talents as well.<br />

one of <strong>the</strong> children’s<br />

batik works<br />

Penyu<br />

Music<br />

workshop<br />

“It’s been wonderful to<br />

see <strong>the</strong> transformation<br />

in <strong>the</strong> children over <strong>the</strong><br />

three months.<br />

Suddenly, <strong>the</strong>re’s a new<br />

vigour in <strong>the</strong>m which<br />

I’ve not seen<br />

before. Their eyes<br />

are sparkling <strong>with</strong><br />

excitement.”<br />

– rAShID eSA,<br />

<strong>DiGi</strong>’s Amazing Malaysian<br />

Little Elwa posing <strong>with</strong> his watercolour<br />

“I’m proud to be <strong>Mah</strong> <strong>Meri</strong> and I want to share<br />

<strong>with</strong> o<strong>the</strong>rs what being a <strong>Mah</strong> <strong>Meri</strong> is all about.<br />

The whole village said <strong>the</strong> (<strong>Meri</strong>ah) performance<br />

made it seem like <strong>the</strong> story of <strong>the</strong> Moyang was<br />

real, and even like a grand <strong>the</strong>atre performance.<br />

I’d really like to become a professional dancer like<br />

our teacher, Guna.”<br />

– rABA’AyAh SIDIn, student<br />

Rashid <strong>with</strong> Ruben<br />

at <strong>the</strong> Craft Centre on<br />

Carey Island<br />

Someone who is passionate about heritage?<br />

And who is willing to share this passion <strong>with</strong> a<br />

group of youth or children?<br />

<strong>DiGi</strong> is looking for five Amazing Malaysians<br />

to run three-month natural, cultural, social,<br />

built and art heritage projects next year. So,<br />

if you know of an ordinary person doing<br />

extraordinary heritage work, please let us<br />

know.<br />

Wood sculptures of The<br />

Spirit of Water and Spirit<br />

of Land, by <strong>Mah</strong> <strong>Meri</strong><br />

youth<br />

After a quick course on how to model by najib (left), <strong>the</strong> art children proudly paraded <strong>the</strong>ir batik pieces to<br />

visitors who came to see what <strong>the</strong>y had achieved during <strong>the</strong> project<br />

do yÖU<br />

KnoW<br />

oF An<br />

AMAZInG<br />

MALAySIAn<br />

Go to our website at www.digi.com.my and submit an electronic nomination<br />

form. If your nominee is chosen as one of our Amazing Malaysians 2007, you will receive<br />

a mobile phone plus a <strong>DiGi</strong> postpaid line <strong>with</strong> RM200 free airtime per month valid for a<br />

year. For enquiries, call 016 211 9718.<br />

DeaDline: December 10, 2006

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