CVS portfolio 2017a

architecture
CRISPIJN VAN SAS
cv+works
2015

architecture
CRISPIJN VAN SAS
cv+works
2015

Crispijn van Sas
N
netherlands nationality
D 13/07/1986
M
cvansas@gmail.com
T +31 6 17 326 195
W
crispijnvansas.eu
Educational background
1994-2004 Mollerlyceum Bergen op Zoom, atheneum/VWO
2004-2007 Bsc Architecture TU Delft, the Netherlands
2007-2010 Msc Architecture TU Delft, the Netherlands
Architectural works
FORM, Moscow 2011:
I worked on a lot of interior design projects, realised an art installation
learned how to make drafts and manage building
processes. The Biggest project was the renovation of a constructivistic
building into the main office for the garage center of contemporary art.
Eugene Asse Architects, Moscow 2012-2013:
I worked in this office as a landscape designer for the renovation of PARK
MUSEON a sculpture garden of 20 Ha which has organically grown since
the fall of communism and has recently been transformed into a park for a
broader scope of cultural activities.
VANSAS+ZLOBINA (my own office)
Run my own office with my wife in Moscow. We designed multiple
apartments and ‘house on a slope’.
Robbrecht en Daem Architecten, Gent, April-May 2014:
During the fixed period of approximately one month I worked together with
Robbrecht en Daem architecten and my wife on the competition for a new
museum of contemprorary art in a former cinema building ( udarnik ), my
wife in Moscow I in Gent. The collaboration with robbrecht and daem was
challenging in a sense of concept development and finding the right
architectural representation that could express our ideas about the
4

e-development of the existing building.
A1 Planning Architecten, Oostende, May-November 2014:
In this office I mainly worked on two projects, as an assistant designer on a
project for the realisation of a tower complex with 800 appartments,
as a project architect on the realisation of 40 apartments.
NU architectuuratelier , Gent, February 2015:
Project based job. WINNING Competition design of a healthcare centre in
belgium.
Competitions
Wonen te gast in het landschap, urban vision, 2005, nominated
Streetlab, 2007, festival design, won, realized
Venlo city, 2010, urbanism, 2nd price, public prize winner
Klaksvik community centre,2011, for FORM
Udarnik,2014, for Robbrecht&Daem, first prize
Ranst, 2015, for Nu Architectuuratelier
Internships
Paul de Ruiter, Amsterdam 2007
Buro Moscow, Moscow 2010
Architecture related jobs
Architecture guide Nai, Rotterdam 2006-2009
Software
Photoshop
Indesign
Illustrator
Autocad arch
Revit
Archicad
Vectorworks
Rhino
MS office
Good knowledge of BIM modelling in Revit, experience in Rhino 3d modelling
and architectural rendering, parametric scriping applied in projects in the past,
knowledge of scripting languages C, pyhon, ruby.
5

6

architecture
+
planning
7

Spoorzone Zwolle
Ontwikkelperspectief 2017-2030
Assistant designer
Karres+Brands
September 2016
38 Ontwikkelperspectief stationsgebied Zwolle
8

9
39

In 2016 Karres+Brands was comissioned to supervise
the redevelopment of the central station area in
Zwolle.
The area that once served as a yard for trains had lost its
function which led Zwolle to the question what to do with the
new valuable land next to the city centre.
Auto
Levendige plinten
Transformatie
Fiets
Verblijfskwaliteit
Busstation direct ontsloten vanaf
reizigerstunnel en passerelle
Fiets
Zicht op stad
K+R
Uitstaphalte Bus
K+R
Expeditie
Fiets
Bus
Zicht op stad
Touringcars
Auto
K+R
Expeditie
Taxi’s
work in progress..
Anticipating on the introduction of OV gates that limited the
north south connection Karres+Brands proposed a new railway
crossing for pedestrians. This would form a condition for
urban development of the south side of the railway zone.
37
10

Fase 1 Tot en met 2021
Stationsweg
5
Westerlaan
6
2
7b
8
7a
1
Stationsplein
1 Kelderstalling onder stationsplein noord
2 Stationsplein Noord
12a
3 Oosterlaan
4 Perronverbreding sporen 15/16
9a
Oosterlaan
3
5 Stationsweg
7b
4
6 Westerlaan
7a Passerelle - spoorkruisend deel definitief
7b Passerelle - aanlanding noord en zuid
tijdelijk
8 Busbrug
9a Busperron
12b
12a
11
9c
10
Hanzelaan
9b
9a
9b
Keerlus, taxi’s en expeditie
9c
Busstation
10 Zuidplein
11 Hanzelaan
12a Hanzepark – tijdelijk park
Koggelaan
12b Hanzepark – Tijdelijk fietsparkeren
0 25 35 45 55 65 m
64 Ontwikkelperspectief stationsgebied Zwolle
On addition to the pedestrian crossing a new busstation on the south
would plug in to the newly created pedestrian tunnel of the dutch railways.
A new transportation hub on the southside of the city centre of Zwolle was
born shifting the gravitational point of people movement to the other side
of the railway.
Fase 1:
uitvoering gereed 2021
66 Ontwikkelperspectief stationsgebied Zwolle
At the same time offfering the condition to create a qualitive non transit
space on the now with busses overcrowded stationsquare.
67
11

Fase 2 ‘2025’: ambitie
Stationsweg
Westerlaan
23
16
15
13a Ontvangstdomein - Entreekap
Stationsplein
13b Ontvangstdomein - Maaiveldinrichting
14 Stationsgebouw NS
20
14
13a
13b
15 Definitieve aanlanding passerelle
Oosterlaan
16 Combigebouw en parkeergarage
Westerlaan
22
23
17a Ontvangstdomein – Entreekap
17b Ontvangstdomein - Maaiveldinrichting
15
20
19
18
18 Buskap definitief
25
19 Definitieve fietsvoorziening
17a
20 Definitieve invulling Hanzepark
17b
21 Programma in driehoek ten oosten van
Hanzelaan
Zuidplein
22 Nadere invulling bedrijventerrein
Hanzelaan
24
23 Perronkappen 12/13 en 15/15
24 Invulling Lübeckplein
Koggelaan
25 Autoparkeervoorziening
0 25 35 45 55 65 m
65
New connections to the south would shift the districts episteme as the monofunctional office attractor
to a more fertile space for vibrant urban development. The railway station now would have two qualitive
entrances.
12

38 Ontwikkelperspectief stationsgebied Zwolle 39
The former railways become an urban park where old monuments could become restaurants in a
green setting where the new free land would be attractive for inhabitants, startups and companies
that desire to live in the centre of the city and benifit from the central position.
13

wormhole - a trip to another time in space
TIMESPACE
‘Alternative proposal for bridge ove het IJ’
Architect
VANSAS+ZLOBINA
June 2015
14
8

projected wormhole as a CYCLING tunnel under ‘het ij’
NEW amsterdam
oude route
15min
Nieuwe route
5min
OLD amsterdam 9 15

Rewind the tape - experience a shift in time
As an alternative proposal for the bridge
on the ij in Amsterdam a cycling tunnel could
add another dimension to the cities attractions
without disturbing the view on the IJ
The tunnel takes you on a journey. A journey
that gets you acquainted with the rich art history
of amsterdam.
1600 1700 1900
10
16

1940 1990 2000
17
11

Anamorphosis
The picture below shows leonardo da vinci’s
eye under
perspective. Anamorphosis is a representation
technique where the perspective is
corrected within the flat 2 dimensional representation
of the image. Nowadays anamorphosis
is applied everywhere from beamer
correction mechanisms to road signs.
12
18

How the image is made
the tunnel is made out of a shell that consists of black panels
filled with fluorisent reflective dots that are printed on top of the
panels with a kind of 3d printer
projected on surface
fluorisent paint dots
original
13
19

20

THE WHITE
realization of residential complex with 800 apartments
Ostend, Belgium
Architect
A1 Planning ism Robbrech Daem architecten
21

Ontwikkelaar Groep Sleuyter
After working at Robbrecht en Daem architecten
on the competition of Udarnik I had the chance to
work on a challenging project for the realisation of
800 apartments, called the white. The white was
a challenging project. How do you deal with such
a massive programme without breaking with the
scale and aeriness of a coastal resort like Ostend?
The solution was in breaking with the rigidy of mass
produced housing thus creating a more organic
building that somehow can relate itself to the
natural shape of coastal cliff.
TBM ontwerpteam WITTE MARITIEME STAD
Robbrecht en Daem architecten in samenwerking met A1Planning
spatial planning of apartments in the white, taking
in consideration the programmatic requirements,
complex building structure, the per apartment
quality of views, light admittance, effect of the wind
organisation of vertical elevator shafts and piping.
If you’re building so high every decision made
per apartment may affect the appearance of the
complex the internal organisation of the whole both
vertically and horizontally and this made the design
of the white a challenging task.
From the translation of a dream to realisation, in a
team of six people I was involved in the proces of
22

Golf-zicht:geen
FASE 1 - NIVEAU 12
App.1.1_12_02
App.1.2_12_03
Opp:114,58 m²
App.1.1_12_01
Opp:94,15 m²
Terras:16,95 m²
Zeezicht:frontaal
Zeezicht-terras:
frontaal
App.1.1_12_01
App.1.1_12_03
App.1.1_12_03
Opp:92,44 m²
Terras:23,78 m²
Zeezicht:frontaal
Zeezicht-terras:frontaal
Golf-zicht:geen
App.1.2_12_03
Detail of construction drawings, as a overall spatial planning was made I was involved in a improved proposal
for the planning meeting all the programmatic and building phisical requirements.
TBM ontwerpteam WITTE MARITIEME STAD
Ontwikkelaar Groep Sleuyter Robbrecht en Daem architecten in samenwerking met A1Planning
21 mei 2014
23

24

25

udarnik
‘the building as found’
competition, first prize
competition designer
Robbrecht en Daem
May 2014
26

UDARNIK - THE BUILDING AS FOUND
Robbrecht en Daem architecten - ARUP - Portner - Tiamet proekt
28 th May 2014
1931 - cinema 1990 - casino restaurant 2020 - museum?
27

park museon
udarnik
kremlin
red square
In the city centre of Moscow, the capital of the Russian Federation
lies a former cinema building ‘udarnik’.
The building was completed in 1931
by the
architect Boris Iofan, who later won
the competition for the palace of the
Soveits.
After the fall of communism the
building soon became left unused.
In 2014 a competition was initiated
to transform the former cinema into
a museum for contemporary art.
28 | udarnik

0,000
0,000
4.
7.
9.
5.
incubator
1,860
6.
2./19.
1,860
in order to make the museum
a public space of the city we
proposed to make the groundfloor
open to the city. Public
functions like a cafe and a
bookshop are combined with a
central exhibition that will be
accesible for free.
0,000
8.
14.
16.
15.
3.
0,000
16.
11.
17.
18.
13.
12.
10.
1.
ZONE 1: UNRESTRICTED / NON ART
1. Airlock Vestibule 2. Security booth 3. Hall 4. Information - reception counter 5. Ticketing 6. Queuing space for ticketing 7. Audio guide rental space 8.
Group entry 9. Group amenities 10. Sales Area 11. Shop Storage 12. Bar Seating area 13. Bar 14. Support space
ZONE 2: UNRESTRICTED / ART
15. Multifunctional Programme Spaces 16. Janitorial 17. Control room
ZONE 3: RESTRICTED / ART
18: Freight elevator and staging lobby
ZONE 4: Restricted / NON ART
19. Fire safety equipment 2. Security booth
0
udarnik | 29
Groundfloor - The incubator

Seminar room connected to the exhibition space
a shelter for art, rendering by me, watercolor by Paul Robbecht
Shelter for art
main exhibition space
The former cinema hall becomes the main exhibition
space. Formerly large windows were made in the roof.
to create a space for multiple purpose events. Not
long after the opening windows were closed because
of insulation issues, but now with the transformation of
the museum and modern insulating glass the roof can
be restored and exploit the potential of sunlight emitting
this huge central space.
30 | udarnik

workshop space
library
kitchen
restaurant
Axonometric view of the creative studios
the periferique
Axonometric view of the restaurant and the kitchen
Spaces surrounding the main exhibition space provide
additional programme. The periferique makes use of the
buildings and its urban context. Image on the background
shows the restaurant with a view on the kremlin
udarnik | 31

32 | udarnik
cross

section
udarnik | 33

Kaaistraat & Sint Franciscusstraat
realization of residential complex with 37 apartments
Ostend, Belgium
Project Architect
A1 Planning Architecten
The design of the Kaaistraat deals
with a set of complex contextual
variables.
A narrow site and strict building
regulations, combined with the ambition
to realize 37 apartments and
the existence of heritage on the site
which building volume is in a poor
condition.
Inspired by the surrounding 19th
century tradition of building houses
in twins or small ensembles we
decided to subdivide the facades
in a logical order of tree times two
buildings arranged around a
central staircase and elevator.
The concept of twins creates
a diversificated impression, thereby
integrates in its urban context, and
simultaniously applies repitition of
elements to garantee a maximum
quality within a limited budget.
34

35

N
st franciscusstraat
binnenplein
‘t mespuntje
kaaistraat
An inner courtyard accesible for all the inhabitants of the
complex reacts on the lack of green cityspace
in the surroundings.
36 | kaaistraat

60 cm
to ensure privacy
apartments along the Kaaistraat have been
elevated 60cm above the street level,
The sint Franciscusstraat, 30cm lower than
the Kaaistraat, becomes the entrance of the
integrated parking. The roof of the parkings is transformed into a
green courtyard.
kaaistraat | 37

STRAATBEELD | MONUMENTWAARDE STRAATBEELD | PRECEDENTEN
| MONUMENTWAARDE | PRECEDENTEN
Hoge monumentwaarde
Hoge monumentwaarde
no.
no.
Hoge monumentwaarde
Positieve monumentwaarde
Positieve indifferente monumentwaarde monumentwaarde
indifferente monumentwaarde
monumentwaarden van plafond
zolder of kap
monumentwaarden van plafond
zolder of kap
bijzondere interieuraspecten no.
bijzondere interieuraspecten
no.
Hoge monumentwaarde
Positieve monumentwaarde
Positieve indifferente monumentwaarde monumentwaarde
indifferente monumentwaarde
monumentwaarden van plafond
zolder of kap
monumentwaarden van plafond
zolder of kap
bijzondere interieuraspecten
bijzondere interieuraspecten
Art-nouveauge
Breedhuis v
Deels aange
van geglazuu
en sluitstenen
sen
Getoogde e
houtwerk o.m
1 kroonlijst
op geblokte
lisenen
1 kro
op ge
li
In order to determine the current state
of heritage kaaistraat 31b a
value assesment was made.
This extract of the analysis shows the
valuation on the level of the plan.
3.
3.
2.
1.
2.
3.
1.
3.
2.
1.
2.
1.
2 faience
tegeltableaus met
florale motieven
3 arduin
sluitstenen
4 arduin
dorpels
9,7 m
9,7 m
s
5 ge
9,7 m
9,7 m1.
1.
5 geglazuurde
siertegels
6 Deels aa
houten
1.
1.
6 Deels aangepaste
houten winkelpui
6
6 Ontwerp Kaaistraa
38 | kaaistraat

scheuring ajuin
scheuring ajuin
ajuin te vervangen of restaureren
ajuin te vervangen of restaureren
voegwerk slecht /te vervangen
voegwerk geglazuurde slecht /te baksteen vervangen slecht /te vervangen
geglazuurde slecht houtwerk baksteen / te slecht vervangen /te vervangen
slecht tijdelijke houtwerk dichting / te vervangen ( te verwijderen )
tijdelijke dichting ( te verwijderen )
5,00 m
643
5,00 m
643
A drawing of the facade showing the
current state.
As a result of the analysis the dicision
was made to demolish the building
volume and to integrate the existing
facade in the new ensemble.
kaaistraat | 39

16
st franciscusstraat
kaaistraat
Plan of the first level showing the inner courtyard on top of the garage.
The apartments located along the street have large balconies, sometimes
oriels providing qualitive views, while apartments with direct roof acces
have been oriented towards the inner courtyard.
40 | kaaistraat

A1 PLANNING | Ontwerp Kaaistraat - St. Franciscusstraat
13
inner courtyard.
A mixed programme of semi-public and private
teracces provides benefit for all inhabitants. brick walls
of different heights provide and economical solution
for placement of bigger plants.
kaaistraat | 41

42

house on a slope
Maria Zlobina, Crispijn van Sas
architect
van sas zlobina architecten
43

The house on a slope was a
comission that I did together with my
wife in the spring of 2013.
contextual anticipation
Surrounded by a highway from the
one side and a green valley on the
other side the main challenge in the
design was to deal with contextual
qualities and treats use it in order to
make a good architecture.
The house is designed as a long
rectangular in order to effectively
reduce noise from traffic.
44 | house on a slope

1 stair to roof terrace \ 2 bedroom / study \ 3 living
4 terrace \ 5 bathroom \ 6 master bedroom \ 7 pool
2
1
Living inside out
A terrace on the outside of
the house extends the living
room in the summer.
A fully glazed window on the
south side of the building
offers a view on the valley
with the rising skyline of the
city on the background. A
small space is left in front
of the window to sit on the
corner of the building.
3
4
5
6
7
Detail of bedroom balconee overlooking the valley
house on a slope | 45

front view showing the facade of cast conrete, the cast has
been made with wooden planks. Wooden planks are used
for the decking in front.
house under construction, the concrete wall is hiding the
windows on the outside minimizing the image to concrete
walls and glass windows.
46 | house on a slope

A borderless swimming pool overlooks the green valley substitutes the need
for a fence.
drawing of the pool
-
the water falls over the
edge to be filtrated and
be pused back in the
pool.
house on a slope | 47

park museon
Moscow, Russian Federation
assistant designer
Asse Architects, Moscow
2013
After years of research in the Moscow Architectural institute Eugene Asse,
one of Moscows most prominent Architects was comissioned by the Russian
department of culture to redesign the Museon Park in the center of
Moscow city.
The Museon park was initially designed as a garden for the Central house
of Artists that houses a part of Moscows tretyakov gallery and a commercial
programme of galleries and space for annual events.
In the 90’s the park became a memory of the city as all political statues that
survived the fall of Russian Communism were moved to this location and
the park was rezoned (never designed) as a sculptural garden.
Now 20 years after an organical transformation from garden to sculptural city
park the reconstruction adds quality to a
valuable piece of public space for Moscows inhabitants.
48

49

г.М
АЛЛЕЯ СОВЕТСКИХ СКУЛЬПТУР
РЕСТОРАН
МУЗЕОН ЦЕНТР
ПРИЧАЛ
ЛЕТНИЙ ТЕАТР
КНИЖНОЕ АРТКАФЕ
БАР НА НАБЕРЕЖНОЙ
ДЕТСКИЙ ЦЕНТР
GREEN HOUSE
ШКОЛА
РЕСТОРАН
ВЕРНИСАЖ
“ВОЛНА”
Изм. Кол.уч. Лист №Док. Подпись Дата
РУК.МАСТ. Асс Е.В.
ГАП Васильева С.А.
Park Museon was originally designed as a entourage for the central house
of artists, a large cultural institution. In the 90’s Museon gradually transformed
in a backyard for Moscow’s old Soviet sculptures. By adding new
functions and giving dedicated space to existing ones structure and income
was provided.
50 | park museon

Концепция парка искусств "МУЗЕОН"
Стадия Лист Листов
СХЕМА ОБЪЕКТОВ ПП 8 43
Адрес объекта:
осква, ул. Крымский Вал, 10
архитекторы
asse
architects
МОСКВА
119019
Б.АФАНАСЬЕВСКИЙ ПЕРЕУЛОК
11/13, 17 ЭТАЖ
ООО "АРХИТЕКТОРЫ АСС"
с 2013 архитекторы асс
Zoning plan shows the relation between
different typologies of green infrastructure and
the introduced new functions.
park museon | 51

Now the infrastructure of Park museon exists of an overload of very wide
asphalted roads. By reducing the amount of roads and transforming asphalt
into stone and stone/gravel paths the maintainance costs of roads can be
reduced. Adidionally to the grid like structure a series of smaller pathways
“gati” was added to create an other experience of moving trough the park.
52 | park museon

Изм. Кол.уч. Лист №Док. Подпись Дата
РУК.МАСТ. Асс Е.В.
ГАП Васильева С.А.
Концепция парка искусств "МУЗЕОН"
Стадия Лист Листов
УСТРОЙСТВО АЛЛЕЙ, ПЕРЕКРЕСТКИ ПП 27 43
Адрес объекта:
г.Москва, ул. Крымский Вал, 10
архитекторы
asse
architects
МОСКВА
119019
Б.АФАНАСЬЕВСКИЙ ПЕРЕУЛОК
11/13, 17 ЭТАЖ
ООО "АРХИТЕКТОРЫ АСС"
с 2013 архитекторы асс
A closer look showing the new profiles of roads that diversify and provide
suitable space for resing,cycling, walking, provision of shops and activities
like markets.
park museon | 53
Изм. Кол.уч. Лист №Док. Подпись Дата
РУК.МАСТ. Асс Е.В.
ГАП Васильева С.А.

classification of political sculptures by scale
Now sculptures in the park are randomly placed making it difficult
for visitors to percept single unique sculptures because of
the vast open space in the park. We carefully documented and
grouped all the 736 sculptures and arranged them in specifically
designed spaces for groups of nudes animals political
54 | park museon

16.
19.
17.
20.
1.
2
3.
21.
10.
13.
15.
4.
5.
7.
8.
11.
12.
14.
6.
9.
18.
Avenue of sculptures - plan view
sculptures etcetera. The spaces have different characteristics
that comprehend the collections like a open field for large political
sculptures that is seperated from the park by large pinetrees and
a virgin wild forests in which the visitor can enjoy nudes.
park museon | 55

The bookshop & readers cafe
closed from the inside, open to the outide.
The cafe is projected over the old paths of the park integrates the existing
nature.
56 | park museon

1. structural wall of books
2. display, thin outer shell of steel
columns and glass
3. readers cafe
4. bookstore
5. terrace
6. inner garden
3.
2.
1.
4.
6.
5.
4.
2.
Plan and section that show the pavilion
bookshelves become constructive pillars that carry the roof and at the
same time enclose an open courtyard where people can have a drink and
read in an atmosphere of silence.
park museon | 57

Garage office, museum of contemporary art
2012
Olya Treiwas, Masha Zlobina, Crispijn van Sas
assistant designer for FORM
In the fall of 2011 FORM was comissioned to make the design for
the office of the Garage museum in Gorki park. The building used
to be designed as a drydock for shipbuilding by the architect Alexey
Schusev was redesigned in the 20’s to fit the new programme of a
cinema.
During the design proces I took part in the decisionmaking during
the conceptual stage, was responsible for the drafting of electricity
and sanitary plans and designed costum made objects including
the reception desk, spiral stair that was added to make use of the
attic, and the garderobe.
58

59

4
11
вид лестницы сбоку
лестницы. вид с верхней площадки
1,500
+7.550
+7.770
10
9
29°
12
8
0,700
13
0,100
7
14
6
+3.500
1,208
45°
1,351
15
3-1
+4.050
лестницы. вид с нижней площадки
2-1
1,500
10
11
детали винтовой лестницы
8
9
29°
12
0,600
в- в
ступень,рифлен
ый металл.лист
ограждения,мета
лл.лист
7
6
0,015 0,070 0,015 0,700
5
3
+0.000
2
1
4
подступенок
сплошной,рифле
ный
металл.лист,
заваренный на
ус со ступенью
4
а - а
3
1
Т1 - 5
2
64 5,5 900
а
3
Поз. I
в в
2
а
drawings of the steel stair.
60 | garage office

3-5
3-6
3-4
3-3
3-2
3-8
3-9 3-10
3-7.1
3-7.2
3-11
3-1
plan - first floor
garage office | 61

Materialisation
Matte surfaces,
acrylic glass
metal mesh,
brushed aluminium
matte metal tabletop,
brushed aluminium
wood painted smoked grey
materialisation
The receptiondesk where materialisation is the medium
between the different scales. Transparent drawers reveal the contents,
while the front and top are materialized in brushed and meshed metal in
correspondence with the other interior objects.
62 | garage office

A
A
A
A
1-2
2-7
0.000
+0.103
2-10
+0.103
2-8
2-9
+0.103
2-6
1.200 300 300
2-3
+0.103
0.000
-0.153
-0.306
-0.460
2-2
4.381
-0.460
2-5
1.508
150
1-1
2-11
2-4
2-12
GARAGE
Layout
4.600
Position Rec
06.4
Reception Desk
масштаб' ' : 1
дата$ $ $ : 1
архитекторы' ' О
В
М
К
Fo
GA
1.100
18 271 18 270 18 150 5 345 5
4.600
18 270 18 269 18 269 18 269 18 269 18 270 18 269 18 269 18 1.638 18 558 18 42 8
18 164 18
18 557 18 1.707 18 810 18 810 18 557 18 42 8
Section AA
4.600
18 164 18 271 18 271 18 150 18 150 5
1.095 5
1.100
GARAGE OFF
steel, th=5mm
Layout
plywood th=
Mate
acrylic glass
Shem
steel mesh th
06.1
масштаб'
дата$ $
архитекто
740
assemblage
740
Extract of the album for the reception desk.
2.300 2.300
The reception desk was designed in a 3 dimensional CAD programme
that automatically generated 2D CAD 4.600 drawings with exact dimensions
for building.
1.100
300
Layout
Sizes: front, top,
06.2
масштаб' ' : 1:20
дата$ $ $ : 12-03-12
архитекторы' ' О.Трейвас :'
В.Одынь
М.Злобина
К. Ван Сас
garage office | 63
Form

Klaksvik Finger prints
Competition design
designer in
FORM, moscow
Competition for a cultural centre in
Klaksvik was held in 2012.
Being part of the faroe islands,
klaksvik maintains its own identity,
however economically operates
within a network of villages, called a
regional town.
the sheme on the right
showsan overview of the
specialities.
64

The Fingerprints project is an imprint- reflection
of the town Klaksvik, with its reserved
nordic beauty, strong winds and people, who
mostly consist of fishermen in many
generations.
The project unites four distinct areas — a
community centre, residential area, hotel and
transport hub.
The community centre is an artificial green
hill, a new form of town square, surrounded
by public buildings. The town centre is
completely pedestrian. All transport is concentrated
next to the Klaksvik marina, on the
site of a former parking lot, and includes a
bus terminal, parking, and ferry quay. The hill
will provide refuge from strong winds coming
in from the bay during large public events.
Towards the bay, it will form an amphitheatre
for hosting festivals and concerts.
65

66
BIG MAMM

Two
weeks before the end of
new year the chief architect came
to me with some good and bad news
( russian christmas starts from the 1st of jan
). We had a new comission for an art installation
in a museum and the bad news was that it had to
be designed and completed within 2 weeks in order to
shine during the russian chrismas holidays. The director of
the museum in fact commissioned us to design an artistic
interpretation of a christmas tree for children workshops so that
their creations could find their place. We thought about it. What
if the branches of the trees would be made of climbing ropes
and if the needles would become helium baloons? The
concept then would become that as soon as a kid would
put inside her/his creation the tree would give a baloon
in exchange. After two weeks the tree would slowly
transform form a white tree into a colorful one
filled with kids works
creations.
67

68

Related works
69

70

Gemstone Table
production of the table
in the studio of Vincent de Rijk
71

True Cities
Book publication
Charlie Koolhaas, Crispijn van
Sas
In february 2012 I was working with
Charlie Koolhaas on the editing of a
book which adressed the globalization
and the increasing footprint that
lefts behind. A dense patchwork of
images which Charlie collected
during the last years of intensive
travelling connects seamingly
different worlds.
Our collaboration included the
intensive task of organising the vast
database of images and structuring
it in a way that images interrelated to
others would deliver clear messages
within the thematics of the book as
well as exhibition design for a event
in Einhoven university.
72

Based on earlier
experience in the
Lecture and Debate comission
I was
selected as a Student Assitent
for Michiel Riedijk. It was
a unique chance to develop
the organisational skills that are
involved with the preparation of
a symposium.
Architecture as a Craft was
held in order to raise the debate
about the definition of architecture
in modern times where
the architects position changed
and the introduction of new
techiques broadended up the
possibilities within the architectural
profession.
Architecture as a Craft
Symposium
Michiel Riedijk with Crispijn van Sas and Else
Marijn Kruiswijk
73

Photography documentaries
As I am always inspired by things I see around me photography is a way to
express the things that fascinate me. I aim to document qualitive things
around me to remember and learn from others.
Marie Josee van Hee, house in Wetteren, Belgium
Marie Josee van Hee, house in Wetteren, Belgium
74

Project Antwerpen Linkeroever
Freezing time, former ruin that’s now garage museum in
Moscow designed by OMA
75

cvansas@gmail.com
+31617326195
crispijnvansas.eu