design across time - Powerhouse Museum
design across time - Powerhouse Museum
design across time - Powerhouse Museum
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
+ 03 powerline spring 05<br />
FROM FARM MACHINERY TO GREEK TREASURES,<br />
THE MUSEUM EXTENDS ITS COMMUNITY LINKS.<br />
all in a<br />
day’s work<br />
4<br />
<strong>Powerhouse</strong> <strong>Museum</strong> regional<br />
services adviser Graham<br />
Clegg recently spent a day in<br />
Wollombi helping the local<br />
Endeavour <strong>Museum</strong> recover a<br />
stripper and winnower that had<br />
served much of the area from<br />
1890–1940.<br />
Until the mid 1840s the<br />
Australian grain crop was<br />
laboriously harvested with<br />
sickles and threshed manually.<br />
In the hot, dry conditions much<br />
grain was lost due to shedding<br />
or shattering the ripened<br />
heads. In South Australia where<br />
these losses were most severe,<br />
a £40 prize was offered for a<br />
practical <strong>design</strong> for a<br />
mechanical harvester that<br />
could overcome the problem.<br />
Local farmer John Wrathall Bull<br />
came up with a <strong>design</strong> that<br />
attracted the attention of flour<br />
miller John Ridley. Ridley<br />
developed the invention into a<br />
workable machine — the<br />
stripper — which quickly<br />
became an essential piece of<br />
equipment for bringing in the<br />
grain harvest.<br />
Wollombi’s stripper and its<br />
accompanying winnower, used<br />
The <strong>Museum</strong>’s Moveable Heritage<br />
Program helps build regional collections.<br />
to clean the harvested grain,<br />
were bought by the Milson<br />
family of ‘Byora’, Laguna, in the<br />
1890s. The machines were still<br />
housed in their original shed<br />
on the property, where the<br />
subsiding earth floor had<br />
caused damage to one of the<br />
wooden wheels. The work to<br />
date has involved stabilising<br />
the objects in the shed and<br />
helping to get them ready to<br />
move to a purpose-built<br />
extension to the Endeavour<br />
<strong>Museum</strong>, where they will be<br />
housed.<br />
This work is part of the<br />
<strong>Powerhouse</strong> <strong>Museum</strong>’s<br />
Movable Heritage Program, an<br />
initiative funded with the<br />
assistance of the Ministry for<br />
the Arts, which aims to<br />
strengthen regional collections<br />
and develop community<br />
capacity and local identity.<br />
Other projects currently<br />
underway include work on an<br />
exhibition with the Wollondilly<br />
Heritage Centre on the<br />
Estonian Poultry Farmers of<br />
Thirlmere, and the<br />
conservation of an early<br />
wooden windmill with the Hay<br />
Gaol <strong>Museum</strong>.<br />
a rich<br />
history<br />
j<br />
GRAHAM CLEGG HELPS STABILISE<br />
ONE OF THE WHEELS OF<br />
WOLLOMBI’S STRIPPER. PHOTO BY<br />
MARINCO KOJDANOVSKI.<br />
HIS GRACE BISHOP SERAPHIM<br />
(RIGHT) AND DIMITRI KEPREOTES<br />
OF THE GREEK ORTHODOX<br />
CHURCH OF AUSTRALIA AT THE<br />
OPENING OF THE GREEK<br />
TREASURES EXHIBITION. PHOTO<br />
BY MARINCO KOJDANOVSKI.<br />
A highlight for <strong>Museum</strong> visitors<br />
over the winter months has<br />
been the Greek treasures:<br />
from the Benaki <strong>Museum</strong> in<br />
Athens exhibition. The<br />
exhibition, which features<br />
artworks and artefacts from<br />
8000 years of Greek history,<br />
opened in early May with<br />
special guests including then<br />
NSW Premier and Arts Minister,<br />
the Hon Mr Bob Carr, Greece’s<br />
Deputy Minister for Culture, Dr<br />
Petros Tatoulis, Dr Stavros<br />
Vlizos from the Benaki<br />
<strong>Museum</strong>, and many members<br />
of the local Greek community.<br />
Dr Vlizos, who spoke on behalf<br />
of the director of the Benaki<br />
powerpicks +<br />
<strong>Museum</strong>, Dr Angelos<br />
Delivorrias, compared Greek<br />
treasures to the Our place:<br />
Indigenous Australia now<br />
exhibition, staged in Athens<br />
during the 2004 Olympics. ‘In<br />
both cases,’ he said, ‘the<br />
resilience of two different<br />
cultural traditions is projected<br />
... consoling examples of the<br />
struggle to secure survival<br />
being waged constantly<br />
around the globe.’<br />
The exhibition, which has<br />
attracted record crowds,<br />
closes in Sydney on 4<br />
September, before opening at<br />
Melbourne’s Immigration<br />
<strong>Museum</strong> in October.