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design across time - Powerhouse Museum

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+ 03 powerline spring 05<br />

FROM FARM MACHINERY TO GREEK TREASURES,<br />

THE MUSEUM EXTENDS ITS COMMUNITY LINKS.<br />

all in a<br />

day’s work<br />

4<br />

<strong>Powerhouse</strong> <strong>Museum</strong> regional<br />

services adviser Graham<br />

Clegg recently spent a day in<br />

Wollombi helping the local<br />

Endeavour <strong>Museum</strong> recover a<br />

stripper and winnower that had<br />

served much of the area from<br />

1890–1940.<br />

Until the mid 1840s the<br />

Australian grain crop was<br />

laboriously harvested with<br />

sickles and threshed manually.<br />

In the hot, dry conditions much<br />

grain was lost due to shedding<br />

or shattering the ripened<br />

heads. In South Australia where<br />

these losses were most severe,<br />

a £40 prize was offered for a<br />

practical <strong>design</strong> for a<br />

mechanical harvester that<br />

could overcome the problem.<br />

Local farmer John Wrathall Bull<br />

came up with a <strong>design</strong> that<br />

attracted the attention of flour<br />

miller John Ridley. Ridley<br />

developed the invention into a<br />

workable machine — the<br />

stripper — which quickly<br />

became an essential piece of<br />

equipment for bringing in the<br />

grain harvest.<br />

Wollombi’s stripper and its<br />

accompanying winnower, used<br />

The <strong>Museum</strong>’s Moveable Heritage<br />

Program helps build regional collections.<br />

to clean the harvested grain,<br />

were bought by the Milson<br />

family of ‘Byora’, Laguna, in the<br />

1890s. The machines were still<br />

housed in their original shed<br />

on the property, where the<br />

subsiding earth floor had<br />

caused damage to one of the<br />

wooden wheels. The work to<br />

date has involved stabilising<br />

the objects in the shed and<br />

helping to get them ready to<br />

move to a purpose-built<br />

extension to the Endeavour<br />

<strong>Museum</strong>, where they will be<br />

housed.<br />

This work is part of the<br />

<strong>Powerhouse</strong> <strong>Museum</strong>’s<br />

Movable Heritage Program, an<br />

initiative funded with the<br />

assistance of the Ministry for<br />

the Arts, which aims to<br />

strengthen regional collections<br />

and develop community<br />

capacity and local identity.<br />

Other projects currently<br />

underway include work on an<br />

exhibition with the Wollondilly<br />

Heritage Centre on the<br />

Estonian Poultry Farmers of<br />

Thirlmere, and the<br />

conservation of an early<br />

wooden windmill with the Hay<br />

Gaol <strong>Museum</strong>.<br />

a rich<br />

history<br />

j<br />

GRAHAM CLEGG HELPS STABILISE<br />

ONE OF THE WHEELS OF<br />

WOLLOMBI’S STRIPPER. PHOTO BY<br />

MARINCO KOJDANOVSKI.<br />

HIS GRACE BISHOP SERAPHIM<br />

(RIGHT) AND DIMITRI KEPREOTES<br />

OF THE GREEK ORTHODOX<br />

CHURCH OF AUSTRALIA AT THE<br />

OPENING OF THE GREEK<br />

TREASURES EXHIBITION. PHOTO<br />

BY MARINCO KOJDANOVSKI.<br />

A highlight for <strong>Museum</strong> visitors<br />

over the winter months has<br />

been the Greek treasures:<br />

from the Benaki <strong>Museum</strong> in<br />

Athens exhibition. The<br />

exhibition, which features<br />

artworks and artefacts from<br />

8000 years of Greek history,<br />

opened in early May with<br />

special guests including then<br />

NSW Premier and Arts Minister,<br />

the Hon Mr Bob Carr, Greece’s<br />

Deputy Minister for Culture, Dr<br />

Petros Tatoulis, Dr Stavros<br />

Vlizos from the Benaki<br />

<strong>Museum</strong>, and many members<br />

of the local Greek community.<br />

Dr Vlizos, who spoke on behalf<br />

of the director of the Benaki<br />

powerpicks +<br />

<strong>Museum</strong>, Dr Angelos<br />

Delivorrias, compared Greek<br />

treasures to the Our place:<br />

Indigenous Australia now<br />

exhibition, staged in Athens<br />

during the 2004 Olympics. ‘In<br />

both cases,’ he said, ‘the<br />

resilience of two different<br />

cultural traditions is projected<br />

... consoling examples of the<br />

struggle to secure survival<br />

being waged constantly<br />

around the globe.’<br />

The exhibition, which has<br />

attracted record crowds,<br />

closes in Sydney on 4<br />

September, before opening at<br />

Melbourne’s Immigration<br />

<strong>Museum</strong> in October.

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