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34 | PARK SLOPE READER<br />
PARK SLOPE LIFE<br />
Picture This<br />
Our Conversation with Rooftop Films<br />
Creative Director Dan Nuxoll<br />
Rooftop Films at the Old American Can Factory in Gowanus<br />
You’re sitting on a rooftop in downtown Manhattan with around 200 other people. It’s an early evening in June and a warm<br />
summer breeze is blowing as the sun starts to set. The sky around you transforms from blue to every color of pink you can<br />
imagine framing your 360 degree view of the city in unspeakable beauty. The excitement is palpable as the audience waits<br />
for the evening’s entertainment to commence– in this case, a very fine (and very funny) documentary about the musician<br />
José Gonzáles. By Lindsay Owen<br />
As the sun makes its final farewell and day turns into night,<br />
Jose himself makes an appearance and treats you and your<br />
movie going companions to a live acoustic performance of<br />
his ethereal, hypnotic songs. You feel like you’re one of the lucky<br />
ones. That you’re in the know. That while it’s business as usual on<br />
the streets far below you, while people pass the building you sit<br />
atop, oblivious to this secretive spectacle above them , you’re one<br />
of the privileged few.<br />
That was my first experience of a Rooftop Films screening,<br />
which I attended back in 2012. This gem of a film festival, now<br />
in its 20th year, has grown bigger and better with every summer<br />
season.<br />
At the center of Rooftop Film’s vision is its artistic director, Dan<br />
Nuxoll. A film director, producer, composer, and Brooklyn local,<br />
Dan is responsible for curating each year’s cinematic program<br />
from the over 3,000 submissions the festival now receives annually.<br />
Currently co-directing a new documentary feature film, Dan<br />
was recently included in Brooklyn Magazine’s list of The 100 Most<br />
Influential People in Brooklyn Culture.<br />
So, for everything you never knew you wanted to know about<br />
Rooftop Films, here’s Dan Nuxoll himself, who took some time out<br />
to answer my questions about Rooftop Film’s origins, where it’s<br />
headed next, and what you can expect from this year’s festival.<br />
Hey Dan. Now, for those unfamiliar with RTF, can you encapsulate<br />
the festival and its vibe in a few sentences?<br />
Sure! Rooftop is a not-for-profit film organization founded in 1997.<br />
We do a lot of different things in the independent film world, including<br />
giving out grants and renting and donating equipment<br />
to other organizations to help them put on their own screenings,<br />
but the thing we are best known for is the Rooftop Films Summer<br />
Series. The Summer Series is in many ways a summer-long film<br />
festival: We screen more than 35 new, independent, and foreign<br />
feature films from all over the world, as well as more than 100 new<br />
short films. All of our summer events take place in scenic outdoor<br />
locations (often, though not always, on rooftops), and we always<br />
include special enhancements to our events, including live music