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34 | PARK SLOPE READER<br />

PARK SLOPE LIFE<br />

Picture This<br />

Our Conversation with Rooftop Films<br />

Creative Director Dan Nuxoll<br />

Rooftop Films at the Old American Can Factory in Gowanus<br />

You’re sitting on a rooftop in downtown Manhattan with around 200 other people. It’s an early evening in June and a warm<br />

summer breeze is blowing as the sun starts to set. The sky around you transforms from blue to every color of pink you can<br />

imagine framing your 360 degree view of the city in unspeakable beauty. The excitement is palpable as the audience waits<br />

for the evening’s entertainment to commence– in this case, a very fine (and very funny) documentary about the musician<br />

José Gonzáles. By Lindsay Owen<br />

As the sun makes its final farewell and day turns into night,<br />

Jose himself makes an appearance and treats you and your<br />

movie going companions to a live acoustic performance of<br />

his ethereal, hypnotic songs. You feel like you’re one of the lucky<br />

ones. That you’re in the know. That while it’s business as usual on<br />

the streets far below you, while people pass the building you sit<br />

atop, oblivious to this secretive spectacle above them , you’re one<br />

of the privileged few.<br />

That was my first experience of a Rooftop Films screening,<br />

which I attended back in 2012. This gem of a film festival, now<br />

in its 20th year, has grown bigger and better with every summer<br />

season.<br />

At the center of Rooftop Film’s vision is its artistic director, Dan<br />

Nuxoll. A film director, producer, composer, and Brooklyn local,<br />

Dan is responsible for curating each year’s cinematic program<br />

from the over 3,000 submissions the festival now receives annually.<br />

Currently co-directing a new documentary feature film, Dan<br />

was recently included in Brooklyn Magazine’s list of The 100 Most<br />

Influential People in Brooklyn Culture.<br />

So, for everything you never knew you wanted to know about<br />

Rooftop Films, here’s Dan Nuxoll himself, who took some time out<br />

to answer my questions about Rooftop Film’s origins, where it’s<br />

headed next, and what you can expect from this year’s festival.<br />

Hey Dan. Now, for those unfamiliar with RTF, can you encapsulate<br />

the festival and its vibe in a few sentences?<br />

Sure! Rooftop is a not-for-profit film organization founded in 1997.<br />

We do a lot of different things in the independent film world, including<br />

giving out grants and renting and donating equipment<br />

to other organizations to help them put on their own screenings,<br />

but the thing we are best known for is the Rooftop Films Summer<br />

Series. The Summer Series is in many ways a summer-long film<br />

festival: We screen more than 35 new, independent, and foreign<br />

feature films from all over the world, as well as more than 100 new<br />

short films. All of our summer events take place in scenic outdoor<br />

locations (often, though not always, on rooftops), and we always<br />

include special enhancements to our events, including live music

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