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Popular Photography on Campus April 2016

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TOOLSWhat It<br />

Roundup P.31<br />

Takes P.32<br />

FIRST LOOK<br />

GREATER GLASS<br />

S<strong>on</strong>y shoots for sharpness with its new lens line<br />

FULL-FRAME FINERY<br />

S<strong>on</strong>y’s new line of glass debuts with<br />

three full-frame lenses. The traditi<strong>on</strong>al<br />

24–70mm f/2.8 workhorse and an<br />

85mm f/1.4 and 70–200mm f/2.8.<br />

FOR YEARS NOW, the best lenses<br />

you could get for S<strong>on</strong>y Alpha<br />

cameras bore the Zeiss m<strong>on</strong>iker<br />

and were made to the high standards<br />

of that esteemed brand.<br />

Now, with the introducti<strong>on</strong> of its<br />

new series of G Master lenses for<br />

FE- and E-mount mirrorless cameras,<br />

S<strong>on</strong>y has come up with its<br />

own set of high standards. The<br />

first two lenses in the series, the<br />

FE 24–70mm f/2.8 GM and the<br />

FE 85mm f/1.4 GM, are currently<br />

available for $2,198 and $1,798,<br />

respectively. The third lens in the<br />

series, the FE 70–200mm f/2.8<br />

GM OSS, doesn’t have an official<br />

price yet, but is expected to hit<br />

stores in May.<br />

These lenses throw image<br />

circles that cover full-frame<br />

sensors, but can also be used <strong>on</strong><br />

S<strong>on</strong>y’s APS-C bodies, capturing<br />

the equivalent field of view of<br />

36–105mm, 127.5, and 105–<br />

300mm lenses, respectively.<br />

We had a chance to use the<br />

first two lenses recently <strong>on</strong> a<br />

S<strong>on</strong>y-sp<strong>on</strong>sored trip to Miami<br />

Beach, and can say that the<br />

image quality from both lenses<br />

appears superb. S<strong>on</strong>y says that<br />

it is trying to balance sharpness<br />

and smooth bokeh in its new<br />

glass. Extremely tight manufacturing<br />

tolerances—down to<br />

0.01 micr<strong>on</strong>—aim to make their<br />

new XA (Extreme Aspherical)<br />

elements serve up extremely<br />

smooth out-of-focus discs without<br />

the ring-like effect that can<br />

arise with some lens designs.<br />

Furthermore, new direct drive<br />

supers<strong>on</strong>ic motors and duallinear<br />

supers<strong>on</strong>ic motors help<br />

drive fast, precise focusing. That<br />

said, given the 85mm’s heavy<br />

glass, you can’t expect it to focus<br />

G MASTER<br />

LENSES<br />

KEY SPECS<br />

FOCAL LENGTHS:<br />

24–70mm; 85mm;<br />

70–200mm<br />

MAXIMUM<br />

APERTURES:<br />

f/2.8; f/1.4; f/2.8<br />

MOUNTS:<br />

Compatible with S<strong>on</strong>y<br />

FE and E mounts<br />

FILTER SIZES:<br />

82mm; 77mm;<br />

77mm<br />

DIMENSIONS:<br />

3.4x5.4 in.; 3.5x4.2<br />

in.; 3.5x7.9 in.<br />

WEIGHTS:<br />

1.95 lbs; 1.81 lbs;<br />

3.26 lbs<br />

PRICES: $2,198,<br />

street; $1,798, street;<br />

price not yet<br />

determined<br />

INFO: s<strong>on</strong>y.com<br />

as quickly as the 24–70mm, or<br />

smaller lenses with lighter elements.<br />

Both lenses are well built<br />

and weather sealed to fend off<br />

moisture and dust; they should<br />

easily stand up to daily use.<br />

According to S<strong>on</strong>y, G Master<br />

lenses deliver a baseline resoluti<strong>on</strong><br />

of 50 line-pairs per millimeter—more<br />

than double the 20 lp/<br />

mm you might expect from film<br />

era lenses. Why so much res?<br />

S<strong>on</strong>y has endeavored to make<br />

glass that can deliver more when<br />

paired with cameras that boast<br />

extremely high pixel counts.<br />

From the images we made with<br />

the lenses mounted <strong>on</strong> S<strong>on</strong>y’s<br />

A7R II, we think that the company<br />

is <strong>on</strong> to something. Both the<br />

24–70mm and the 85mm served<br />

up some of the sharpest images<br />

we’ve ever seen with creamy outof-focus<br />

areas. —Philip Ryan<br />

30 POPULAR PHOTOGRAPHY ON CAMPUS APRIL <strong>2016</strong>

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