Popular Photography on Campus April 2016
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TOOLSWhat It<br />
Roundup P.31<br />
Takes P.32<br />
FIRST LOOK<br />
GREATER GLASS<br />
S<strong>on</strong>y shoots for sharpness with its new lens line<br />
FULL-FRAME FINERY<br />
S<strong>on</strong>y’s new line of glass debuts with<br />
three full-frame lenses. The traditi<strong>on</strong>al<br />
24–70mm f/2.8 workhorse and an<br />
85mm f/1.4 and 70–200mm f/2.8.<br />
FOR YEARS NOW, the best lenses<br />
you could get for S<strong>on</strong>y Alpha<br />
cameras bore the Zeiss m<strong>on</strong>iker<br />
and were made to the high standards<br />
of that esteemed brand.<br />
Now, with the introducti<strong>on</strong> of its<br />
new series of G Master lenses for<br />
FE- and E-mount mirrorless cameras,<br />
S<strong>on</strong>y has come up with its<br />
own set of high standards. The<br />
first two lenses in the series, the<br />
FE 24–70mm f/2.8 GM and the<br />
FE 85mm f/1.4 GM, are currently<br />
available for $2,198 and $1,798,<br />
respectively. The third lens in the<br />
series, the FE 70–200mm f/2.8<br />
GM OSS, doesn’t have an official<br />
price yet, but is expected to hit<br />
stores in May.<br />
These lenses throw image<br />
circles that cover full-frame<br />
sensors, but can also be used <strong>on</strong><br />
S<strong>on</strong>y’s APS-C bodies, capturing<br />
the equivalent field of view of<br />
36–105mm, 127.5, and 105–<br />
300mm lenses, respectively.<br />
We had a chance to use the<br />
first two lenses recently <strong>on</strong> a<br />
S<strong>on</strong>y-sp<strong>on</strong>sored trip to Miami<br />
Beach, and can say that the<br />
image quality from both lenses<br />
appears superb. S<strong>on</strong>y says that<br />
it is trying to balance sharpness<br />
and smooth bokeh in its new<br />
glass. Extremely tight manufacturing<br />
tolerances—down to<br />
0.01 micr<strong>on</strong>—aim to make their<br />
new XA (Extreme Aspherical)<br />
elements serve up extremely<br />
smooth out-of-focus discs without<br />
the ring-like effect that can<br />
arise with some lens designs.<br />
Furthermore, new direct drive<br />
supers<strong>on</strong>ic motors and duallinear<br />
supers<strong>on</strong>ic motors help<br />
drive fast, precise focusing. That<br />
said, given the 85mm’s heavy<br />
glass, you can’t expect it to focus<br />
G MASTER<br />
LENSES<br />
KEY SPECS<br />
FOCAL LENGTHS:<br />
24–70mm; 85mm;<br />
70–200mm<br />
MAXIMUM<br />
APERTURES:<br />
f/2.8; f/1.4; f/2.8<br />
MOUNTS:<br />
Compatible with S<strong>on</strong>y<br />
FE and E mounts<br />
FILTER SIZES:<br />
82mm; 77mm;<br />
77mm<br />
DIMENSIONS:<br />
3.4x5.4 in.; 3.5x4.2<br />
in.; 3.5x7.9 in.<br />
WEIGHTS:<br />
1.95 lbs; 1.81 lbs;<br />
3.26 lbs<br />
PRICES: $2,198,<br />
street; $1,798, street;<br />
price not yet<br />
determined<br />
INFO: s<strong>on</strong>y.com<br />
as quickly as the 24–70mm, or<br />
smaller lenses with lighter elements.<br />
Both lenses are well built<br />
and weather sealed to fend off<br />
moisture and dust; they should<br />
easily stand up to daily use.<br />
According to S<strong>on</strong>y, G Master<br />
lenses deliver a baseline resoluti<strong>on</strong><br />
of 50 line-pairs per millimeter—more<br />
than double the 20 lp/<br />
mm you might expect from film<br />
era lenses. Why so much res?<br />
S<strong>on</strong>y has endeavored to make<br />
glass that can deliver more when<br />
paired with cameras that boast<br />
extremely high pixel counts.<br />
From the images we made with<br />
the lenses mounted <strong>on</strong> S<strong>on</strong>y’s<br />
A7R II, we think that the company<br />
is <strong>on</strong> to something. Both the<br />
24–70mm and the 85mm served<br />
up some of the sharpest images<br />
we’ve ever seen with creamy outof-focus<br />
areas. —Philip Ryan<br />
30 POPULAR PHOTOGRAPHY ON CAMPUS APRIL <strong>2016</strong>