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The Lake Forest Leader 082417
The Lake Forest Leader 082417
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LakeForestLeader.com LIFE & ARTS<br />
the lake forest leader | August 24, 2017 | 17<br />
Embracing Shakespeare in a new environment<br />
Centerstage<br />
presents “The<br />
Gulling of Malvolio”<br />
on outside stage<br />
Gianna Annunzio<br />
Freelance Reporter<br />
Shakespeare has come<br />
to Lake Forest, unfolding<br />
a plan to play an elaborate<br />
trick on a steward right<br />
before his audience’s<br />
eyes.<br />
The actors at Center-<br />
Stage Theater carried out<br />
his scheme during their<br />
performance of “The<br />
Gulling of Malvolio,” an<br />
adaptation of the funniest<br />
scenes from Shakespeare’s<br />
play “Twelfth<br />
Night.” The show was performed<br />
outdoors at Lake<br />
Forest’s Grove Cultural<br />
Campus. This marked<br />
the first time CenterStage<br />
had ever performed work<br />
written by Shakespeare,<br />
or “toured” their show in<br />
outdoor locations.<br />
Barb Anderson, the director<br />
and play adapter,<br />
directed Shakespeare for<br />
20 years at New Trier<br />
High School in Winnetka.<br />
She and her husband<br />
Edward Kuffert<br />
(who plays Sir Toby<br />
Belch in “Malvolio”) had<br />
also performed in Chicago’s<br />
“Shakespeare in<br />
the Park” as actors in the<br />
past. Anderson said she<br />
only lightly adapted “The<br />
Gulling of Malvolio” for<br />
this series of performances.<br />
“The reason I picked<br />
‘Twelfth Night’ is because<br />
the story’s subplot<br />
[Malvolio] makes<br />
it’s own play,” Anderson<br />
said. “It really stands<br />
alone so easily. It’s a terrific<br />
way of starting our<br />
Sir Andrew Aguecheek, played by Jeremy Schaye, sits on a bench while performing<br />
CenterStage’s adaptation of “The Gulling of Malvolio,” on Sunday, Aug. 20 at Grove<br />
Cultural Campus. PHOTOS BY Gianna Annunzio/22nd Century Media<br />
summer shows, if we<br />
keep doing this.”<br />
Rachel Martindale, a<br />
Lake Forest local actress,<br />
plays Olivia in “Malvolio”<br />
and serves as costume<br />
coordinator. She said the<br />
play presents physical humor<br />
in several different<br />
ways.<br />
“We’ve taken all the<br />
funny bits and got rid of<br />
the thicker plot,” she said.<br />
“It’s the part that people<br />
remember when you say<br />
‘Twelfth Night.’”<br />
From plotting a trick<br />
on the steward Malvolio<br />
to a sword fight between<br />
two unlikely characters,<br />
the play consistently kept<br />
its audience engaged. The<br />
location also offered refreshing<br />
scenery for all attendees<br />
to enjoy.<br />
In her version of “Malvolio,”<br />
Anderson picked<br />
parts of scenes and wrote<br />
some of her own speeches<br />
to be included in the performance.<br />
She also ensured<br />
her actors had good<br />
diction and annunciated<br />
their lines correctly, so<br />
the audience understood<br />
Shakespeare’s Early Modern<br />
English writing.<br />
“If I look at a word and<br />
say, ‘Okay, nobody is going<br />
to know that word unless<br />
they have a dictionary,’<br />
I just translate it,”<br />
she said. “I’ll use words<br />
that tie in with the plot,<br />
but that modern audiences<br />
will understand.”<br />
Although Shakespeare’s<br />
original work included<br />
two songs by Renaissance<br />
musician Thomas Morley,<br />
Anderson also added a<br />
song by Henry VIII called<br />
“Past Time in Good Company.”<br />
“Since the show is<br />
about fun-loving guys<br />
who like to party and not<br />
get caught and then decide<br />
to play this trick, I thought<br />
it would tie in well,” she<br />
said.<br />
Martindale said she appreciated<br />
Anderson’s adaptation<br />
of “Malvolio,”<br />
when it came to her specific<br />
character.<br />
“[The adaptation] condenses<br />
the situation for<br />
Olivia,” she said. “The<br />
wonderful thing about<br />
Shakespeare is that he<br />
played to all types of people.<br />
So, you have scenes<br />
featuring high comedy<br />
and low comedy.”<br />
With “Malvolio,” the<br />
cast provided their audience<br />
with a way to enjoy<br />
and understand Shakespeare’s<br />
work in a unique<br />
way.<br />
Viola (left) dressed as Cesario, played by Alexandra T.<br />
Cross, reluctantly duels Sir Andrew Aguecheek, played<br />
by Jeremy Schaye.<br />
The jester Feste, played by Sahara Glasener-Boles,<br />
kneels during a comedic performance of “The Gulling<br />
of Malvolio.”<br />
“It’s a very accessible<br />
and enjoyable 90 minutes.<br />
Shakespeare’s not just<br />
highbrow,” Martindale<br />
said. “We can go that way,<br />
but it’s really about entertaining<br />
our audience. Especially<br />
given that it’s just<br />
the comedic parts.”<br />
Overall, both Anderson<br />
and her cast provided the<br />
community with the full<br />
Shakespearean experience:<br />
language, music and<br />
costumes. They hope to<br />
continue performing this<br />
way in the future.<br />
“I thought the idea of<br />
bringing it actually to the<br />
people would be something<br />
really cool,” Anderson<br />
said. “I know the<br />
people who came the first<br />
weekend said, ‘Gosh we<br />
should have more of this,<br />
I hope you keep going,’ so<br />
that’s something I really<br />
think could work.”<br />
To catch CenterStage’s<br />
next performance of “The<br />
Gulling of Malvolio,” visit:<br />
www.centerstagelakeforest.org<br />
Admission to the performance<br />
is free, but donations<br />
are accepted.