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LakeForestLeader.com LIFE & ARTS<br />

the lake forest leader | August 24, 2017 | 17<br />

Embracing Shakespeare in a new environment<br />

Centerstage<br />

presents “The<br />

Gulling of Malvolio”<br />

on outside stage<br />

Gianna Annunzio<br />

Freelance Reporter<br />

Shakespeare has come<br />

to Lake Forest, unfolding<br />

a plan to play an elaborate<br />

trick on a steward right<br />

before his audience’s<br />

eyes.<br />

The actors at Center-<br />

Stage Theater carried out<br />

his scheme during their<br />

performance of “The<br />

Gulling of Malvolio,” an<br />

adaptation of the funniest<br />

scenes from Shakespeare’s<br />

play “Twelfth<br />

Night.” The show was performed<br />

outdoors at Lake<br />

Forest’s Grove Cultural<br />

Campus. This marked<br />

the first time CenterStage<br />

had ever performed work<br />

written by Shakespeare,<br />

or “toured” their show in<br />

outdoor locations.<br />

Barb Anderson, the director<br />

and play adapter,<br />

directed Shakespeare for<br />

20 years at New Trier<br />

High School in Winnetka.<br />

She and her husband<br />

Edward Kuffert<br />

(who plays Sir Toby<br />

Belch in “Malvolio”) had<br />

also performed in Chicago’s<br />

“Shakespeare in<br />

the Park” as actors in the<br />

past. Anderson said she<br />

only lightly adapted “The<br />

Gulling of Malvolio” for<br />

this series of performances.<br />

“The reason I picked<br />

‘Twelfth Night’ is because<br />

the story’s subplot<br />

[Malvolio] makes<br />

it’s own play,” Anderson<br />

said. “It really stands<br />

alone so easily. It’s a terrific<br />

way of starting our<br />

Sir Andrew Aguecheek, played by Jeremy Schaye, sits on a bench while performing<br />

CenterStage’s adaptation of “The Gulling of Malvolio,” on Sunday, Aug. 20 at Grove<br />

Cultural Campus. PHOTOS BY Gianna Annunzio/22nd Century Media<br />

summer shows, if we<br />

keep doing this.”<br />

Rachel Martindale, a<br />

Lake Forest local actress,<br />

plays Olivia in “Malvolio”<br />

and serves as costume<br />

coordinator. She said the<br />

play presents physical humor<br />

in several different<br />

ways.<br />

“We’ve taken all the<br />

funny bits and got rid of<br />

the thicker plot,” she said.<br />

“It’s the part that people<br />

remember when you say<br />

‘Twelfth Night.’”<br />

From plotting a trick<br />

on the steward Malvolio<br />

to a sword fight between<br />

two unlikely characters,<br />

the play consistently kept<br />

its audience engaged. The<br />

location also offered refreshing<br />

scenery for all attendees<br />

to enjoy.<br />

In her version of “Malvolio,”<br />

Anderson picked<br />

parts of scenes and wrote<br />

some of her own speeches<br />

to be included in the performance.<br />

She also ensured<br />

her actors had good<br />

diction and annunciated<br />

their lines correctly, so<br />

the audience understood<br />

Shakespeare’s Early Modern<br />

English writing.<br />

“If I look at a word and<br />

say, ‘Okay, nobody is going<br />

to know that word unless<br />

they have a dictionary,’<br />

I just translate it,”<br />

she said. “I’ll use words<br />

that tie in with the plot,<br />

but that modern audiences<br />

will understand.”<br />

Although Shakespeare’s<br />

original work included<br />

two songs by Renaissance<br />

musician Thomas Morley,<br />

Anderson also added a<br />

song by Henry VIII called<br />

“Past Time in Good Company.”<br />

“Since the show is<br />

about fun-loving guys<br />

who like to party and not<br />

get caught and then decide<br />

to play this trick, I thought<br />

it would tie in well,” she<br />

said.<br />

Martindale said she appreciated<br />

Anderson’s adaptation<br />

of “Malvolio,”<br />

when it came to her specific<br />

character.<br />

“[The adaptation] condenses<br />

the situation for<br />

Olivia,” she said. “The<br />

wonderful thing about<br />

Shakespeare is that he<br />

played to all types of people.<br />

So, you have scenes<br />

featuring high comedy<br />

and low comedy.”<br />

With “Malvolio,” the<br />

cast provided their audience<br />

with a way to enjoy<br />

and understand Shakespeare’s<br />

work in a unique<br />

way.<br />

Viola (left) dressed as Cesario, played by Alexandra T.<br />

Cross, reluctantly duels Sir Andrew Aguecheek, played<br />

by Jeremy Schaye.<br />

The jester Feste, played by Sahara Glasener-Boles,<br />

kneels during a comedic performance of “The Gulling<br />

of Malvolio.”<br />

“It’s a very accessible<br />

and enjoyable 90 minutes.<br />

Shakespeare’s not just<br />

highbrow,” Martindale<br />

said. “We can go that way,<br />

but it’s really about entertaining<br />

our audience. Especially<br />

given that it’s just<br />

the comedic parts.”<br />

Overall, both Anderson<br />

and her cast provided the<br />

community with the full<br />

Shakespearean experience:<br />

language, music and<br />

costumes. They hope to<br />

continue performing this<br />

way in the future.<br />

“I thought the idea of<br />

bringing it actually to the<br />

people would be something<br />

really cool,” Anderson<br />

said. “I know the<br />

people who came the first<br />

weekend said, ‘Gosh we<br />

should have more of this,<br />

I hope you keep going,’ so<br />

that’s something I really<br />

think could work.”<br />

To catch CenterStage’s<br />

next performance of “The<br />

Gulling of Malvolio,” visit:<br />

www.centerstagelakeforest.org<br />

Admission to the performance<br />

is free, but donations<br />

are accepted.

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