PORTFOLIO_SEPTEMBER_2017

D I M I T R I S M I C H E L E D A N I E L E 

A r c h i t e c t u r a l P o r t f o l i o 

2 0 1 7

C O N T E N T S 

A B O U T M E I N T R O 

A B O U T M E C V 

F L U G H A F E N S T R A S S E T H E S T R E E T I N T H E C I T Y 

H E L S I N K I P U B L I C L I B R A R Y A G O R A 

C O N C O R D I A L I G H T H O U S E 

L A K E B A T H S T O W A R D T H E W A T E R 

A C H E I R O P O I E T O S M O N A S T I C B U I L D I N G 

S P I N A 1 S K Y S C A P P E R 

R E V I T M Y R I A D R E S I D E N T I A L B U I L D I N G 

O N T H E T O P B A R D O N N E C H I A 

K R U G E R W I L D L I F E C E N T E R 

G R E E N H O U S E E N V I R O N M E N T H O U S E 

R I V I E R E R E T A I L H A R R O D S 

C O N T A C T S

C O N T E N T S A N A L Y S I S 

U R B A N D E S I G N R E S E A R C H A N D L A R G E S C A L E P R O J E C T 

P U B L I C U S E A R C H I T E C T U R E 

M O N U M E N T D E S I G N 

W E L L N E S S A R C H I T E C T U R E 

H I S T O R I C A L B U I L D I N G 

R E S T O R A T I O N D E S I G N 

H I G H - R I S E S T R U C T U R A L D E S I G N 

B I M S O F T W A R E U S E 

R U R A L A R C H I T E C T U R E 

M I C R O - A R C H I T E C T U R E 

S U S T A I N A B L E A R C H I T E C T U R E 

R E T A I L I N T E R I O R D E S I G N

A B O U T M E I N T R O 

My name is Dimitris Michele Daniele, 25 years old, 

born in Greece and of Italian origins. Since July 2017, I’m 

a qualified Architect, regurarly registred in the professional 

Order of Architects in Athens. I recently graduated in 

Architecture, completing my Bachelor and Master degree at 

Polytechnic University of Turin (Italy). Aiming to enrich 

my academic education I participated in three university 

exchange programs in order to study for short periods abroad 

in France, Brazil and Germany. During the last months, 

I have practised my knowledge as an intern and freelance 

designer for different architectural studios in Italy, applying my 

design skills independently as well as during a team work. 

My personal goal is to learn and grow within a professional, 

competent and active team in the field of Architecture. 

I believe that my expertise in the field of Architecture 

is made up of scientific knowledge, artistic sensibility, 

international experiences and a strong personal 

motivation. I consider myself a dynamic person with strong 

dedication in achieving the goals.

A B O U T M E C V 

Technical Chamber of Greece (T.E.E) - Architect Engineer 

Registration number: 140828 

E D U C A T I O N 

09 | 2006 - 07 | 2009 

SCIENTIFIC BACCALAUREATE 

High School Protipo Athinon 

Athens | GR 

09 | 2011 - 07 | 2014 

BACHELOR OF ARCHITECTURE 

Polytechnic University of Turin 

Turin | IT 

09 | 2014 - 12 | 2016 

MASTER OF ARCHITECTURE 

Polytechnic University of Turin 

Turin | IT 

E X C H A N G E P R O G R A M S 

09 | 2013 - 02 | 2014 

ERASMUS UE - FRANCE 

École nationale supérieure d’architecture de Normandie 

Rouen | FR 

09 | 2011 - 07 | 2014 

ERASMUS EXTRA UE - BRAZIL 

Universidade Estadual de Campinas 

Campinas | BR 

09 | 2014 - 12 | 2016 

THESIS - GERMANY 

Fachhochschule Potsdam 

Potsdam | DE 

R E C O G N I T I O N S 

09 | 2014 - 12 | 2016 

SCHOLARSHIP 

Academic Excellence 

Compagnia di San Paolo - Politecnico Project 

Turin | IT

C O U R S E S 

09 | 2007 - 07 | 2009 

HAND DRAWING 

Plakas Foundation Studies 

Athens | GR 

01 | 2017 - 03 | 2017 

RHINOCEROS 3D 

Scuola Mohole 

Milan | IT 


VISUAL MERCHANDISING 

NABA Nuova Accademia di Belle Arti 

Milan | IT 

A R C H I T E C T U R A L W O R K S H O P S 

09 | 2013 - 02 | 2014 

INTERNAT. FRUHJAHRS AKADEMIE RUHR 2016 

TUDortmund, TUEindhoven, Politecnico di Torino 

Dortmund | DE 

09 | 2011 - 07 | 2014 

INTERNAT. FRUHJAHRS AKADEMIE RUHR 2015 

TUDortmund, TUEindhoven, Politecnico di Torino 

Dortmund | DE 

09 | 2014 - 12 | 2016 

SPAZI VIOLENTI 

Member of the special students team | Politecnico di Torino 

Turin | IT 

09 | 2014 - 12 | 2016 

IFAC 2014 

International Festival of Art & Construction 

Covarrubias | SP 

I N T E R N A T I O N A L C O M P E T I T I O N S 

12 | 2014 - 02 | 2015 

INTERNATIONAL WILDLIFE CENTER 

Aquideas Student Competitions 

No qualification 

03 | 2015 - 05 | 2015 

CONCORDIA LIGHTHOUSE 

MatterBetter Competitions 

3rd PLACE AWARD 

09 | 2015 - 10 | 2015 

SITE LAKE BATHS 

ARKxSITE Architecture Competitions 

No qualification

W O R K E X P E R I E N C E 

02 | 2014 - 07 | 2014 

NEGOZIO BLU ARCHITETTI ASSOCIATI 

Internship 

Turin | IT 

10 | 2016 - 01 | 2017 

STUDIO KHOM 

Internship 

Milan | IT 


STUDIO BETTONICA LEONE 

Internship 

Milan | IT 

S O F T W A R E S K I L L S 

AutoCAD 2D 

AutoCAD 3D 

SketchUp 

Rhinoceros 

3D Studio Max 

Revit 

Photoshop 

InDesign 

Illustrator 

Visualizer 

L A N G U A G E S K I L L S 

GREEK 

ITALIAN 

ENGLISH 

FRENCH 

PORTUG. 

Native C2 

Native C2 

Cambridge C1 

Delft B2 

A2 

C O M P L E M E N T A R Y S K I L L S 

Layout | Freehand drawing | Rendering | Image post-production | Model-making

F L U G H A F E N S T R A S S E T H E S T R E E T I N T H E C I T Y 

My work deals with the critical reconstruction of a residential urban area 

of Berlin, aimed at the consecutive completion of the blocks erected on 

the main road, called Flughafenstrasse. 

The first phase of my work includes a thorough search through 

photographic and cadastral documents in the area. I have analyzed the 

transformation of the four blocks by comparing the photographs of the 

several years since 1938. Subsequently, the characteristic architectural 

style of the area is influenced by the presence of a popular residential 

building, called Mietskaserne; one of which I wanted to deepen the 

compositive features. 

The last part of my thesis refers to the actual re-design of the area 

concerned. In particular, I had to subdivide the completion of the urban 

fabric in two parts. The first part includes the location of a new church and 

the second the planning of new residential and commercial structures. 

Type MASTER THESIS 

Program URBAN DESIGN 

Coordination POTSDAM SCHOOL OF ARCHITECTURE 

Design group INDIVIDUAL 

Project location BERLIN 

Year 2016 

Personal tasks RESEARCH AND DESIGN 

Software used AUTOCAD_SKETCHUP_PHOTOSHOP_ILLUSTRATOR_INDESIGN

MIETSKASERNE 

TYPOLOGICAL EVOLUTION 

BLOCK FORMATION 

Mietskaserne, or “rental barracks”, are tenents built during the Industrial period (around 

the half of the 19th century up to the 1873, year of the Stock Market Crash), particularly 

ater the German unication in in a broad ring enclosing the old city center, for 

low income population, woring class and office orers 

The buildings are almost always stories high because of the mandated maximum 

height Buildings ithin the courtyards ere the location of much of Berlins industry 

until the 1920s, and noise and other nuisances affected the apartments, only the best 

of hich had indos facing the street t first, the main part was built and then lateral 

wings ere added to close up the courtyard 

he blocs are large because the streets ere reuired to be able to handle heavy traffic, 

the buildings have front, rear, and cross buildings enclosing several courtyards 

Beteen and , a Berlin clinic investigated and documented in photographs 

the living conditions of its patients, revealing that many lived in damp basements and 

garrets, spaces under stairs, and apartments where the windows were blocked by 

courtyard businesses 

PHOTO 

istorical aerial photo of berliner ietsaserne under construction 

in harlottenburg Berlin st 

BUILDING ORDENANCE 

– building max height 5 storeys 

density ithin ringbahn, storey bldgs outside 

on lanning act Municipal tax = B / A 

TYPICAL BLOCK 

courtyard minimum size 

PARCEL 

REMISE – lumber room 

HOF – courtyard 

building – 

1853 – 32 m 2 

1887 – 40 m 2 

1897 – m 2 B 

BLOCK TYPE FRONT ON STREET 

UNIT TPE SECTION - eyers o 

REMISE 

HOF 

m 

m 

EVOLUTION 

m 

m 

m 

ALTERNATIVE EVOLUTION 

m 

~ 25% building 

courtyard 


~ 55% courtyard 


~ 50% courtyard 

building 

courtyard 

BERLIN EST 

NEUKÖLLN 

B 

UB 

8.3” 1338.”E 

PLANIVOLUMETRIC 

Planwerk Innere Stadt Berlin 2010 

0 50 100 150 [m] 

ELEVATION ON FLUGAFENSTRAßE STREET 

Mainzer straße 

Hermanstraße 

POLITECNICO DI TORINO | Dipartimento di Architettura e Design | LM Architettura Costruzione Città | Prof. P. Mellano | Prof.ssa S. Malcovati | A.A. 2015-16 

Allievo: DANIELE Dimitri Michele | Matricola: 218292 

THE STREET IN THE CITY 

Context 

1

chiv Berlin 

rchiv Berlin 

rchiv Berlin 

rchiv Berlin 

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1936 

HISTORICAL TRANSFORMATION OF FLUGHAFENSTRASSE 

05-04-2016 

Flugafenstraße is one of the two main roads used to connect the Neukölln residential between 1956 – 1958 the width of the road remained unchanged, but some residents 

district with the ex Berlins Airport (Tempelhof Airport) today reused as a public parc. were demolished, most propably by a bombardment. Also most of the parcelization 

1953 

1958 

1964 

According to the documentation (historical maps), the road untill the Demolition year 1937, residential was buildings traces no. has 57-69 been lost, widening the division of the particles within the blocks. 

a straight line, defined by the alignment of the facades of the (today absent) residential During 1958 - 1984, a big amount of the apartment buildings got demolished, 

units, part of its adjacent blocks and by the parcelization of the land. During the priod drastically changing the front on the road and causing the definitive enlargement of 

Flughanfenstrasse street. 

From 1988 untill today, according to the eralier documentation, no particular reform 

has been applied and the road has not changed much. 

The population value remains approximately stable but the density compared with the 

size of the metropolitan area is still low. 

BERLIN TIMELINE AND POPULATION INCREASE 

1936 

1938 

Earliest historical map available from archive 

1958 

4 

3 

2 

1936 

1 

2002 

population: 826.431 

population: 1.901.567 


05-04-2016 

1964 

1980 

Street reform 

population: 4.024.286 population: 4.332.242 



million of people 

1871 1901 

1914 1916 1918 1920 1925 

1939 1945 1947 

1980 

1989 1999 

1938 

1958 

liest historical map available 

Berlin 

from 

is the 

archive 

capital of Unified Germany 

First World War 

Great Berlin Act 

Second World War 

Fall of the Berlin Wall 

Reichstag built 

2015 

1958 

1938 

1958 

Earliest historical map available from archive Demolition residential buildings no. 57-69 

1964 

1938 1958 1984 

1980 

‘72-’80: Demolition of residential buildings no. 53-55 

05-04-2016 

1958 

emolition 100 residential 200 [m] buildings no. 57-69 

1964 

CONSTRUCTION AND DEMOLITIONS 

existing buildings demolitions addition 

1958 

1964 

Demolition residential buildings no. 57-69 

LAND USE religious buildings public buildings residential buildings 

1984 

1964 

1980 

‘80-’84: Demolition no. 41,47,49, 51, 61-71 & street reform 

Street reform 

1964 

Street reform 

1980 

05-04-2016 

1964 

Street reform 

1980 

PARCELIZATION 

1980 

: Demolition of residential buildings no. 53-55 

1980 


1980 


1984 

emolition no. 41,47,49, 51, 61-71 & street reform 

1984 


1984 


PUBLIC / PRIVATE 

PARC ENTRANCE 

LOW EVIDENCED PARC ENTRANCE 

Weisestraße 




Survey 

2



ISOMETRIC VIEW 

‘ 

BLIND’ WALLS 2.896 m 2 210,3 m 2 1240,5 m 2 371,2 m 2 

183,3 m 2 

613,7 m 2 

277,1 m 2 

View on the “blind”walls 

DISCONTINUITY 

View on the PENNY -Markt Discounter building 

Fontanestraße 

Scube Park 




Survey 

3

BLOCK 3 COMPLETION 

The third block had a more symmetric and balanced parcelization back in 1938. 

Two wide double units are placed on both sides and two smaller units complete the 

block on the front while also leaving a wide garden courtyard on the back according to 

the parcelization of the new units. To counterbalance the strong simmetry two different 

types of units are placed. 


The second block has a more irregular composition: now empty, in 1938 it was filled 

with irregular parcels, and in its actual state there is a front facade over the street. 

For this reason a wide courtyard flexibly divided according to the parcelization in 

alignment to the existing and new units dimensions is kept to preserve the light flow inside 

the houses and every block is moved on the street front, without “wings” connected to 

the existing fabric. Two corner units enhanced the block identity and structure. 


To complete the first block, a morphological reconstruction of the urban fabric is 

used. Original parcels from 1938 composition of the block are considered and new 

units are added with the original volumes and new details. 

By leaving an open field in front of the Synagogue, its quality of urban exception is 

mantained: the Synagogue breaks the historical and morphological reconstruction of 

the block and marks the entrance of its sacred space. 

SECTION CC’ - ATTUAL STATE 

SECTION AA’ - PROJECT 

SECTION CC’ PROJECT 

SECTION CC’ - ATTUAL STATE 

Relation courtyard and vehicular road 

SECTION AA’ - PROJECT 

Interaction of the new courtyards with the buildings 

SECTION AA’ PROJECT 

Interaction of buildings and courtyards 

SECTION CC’ - PROJECT 

Relation courtyard and vehicular road 

SECTION BB’ - PROJECT 

Block’s interior space 

SECTION BB’ EXISTING PART SECTION BB’ - PROJECT SECTION BB’ - PROJECT 

Integration of an open common courtyard 

SECTION BB’ EXISTING PART 

Relation between buildings and courtyards 

SECTION BB’ - PROJECT 

Integration of different courtyards 

C 

SECTION CC’ - EXISTING PART 

Relation between buildings and courtyards 

C 

A 

A’ 

A 

A’ 

B 

B’ 

B 

B’ 

B 

B’ 

C’ 

C’ 

C 

C’ 

OPEN SPACES 

The urban fabric alternates volumes and shared courtyards. 

Entrances and streets are connected so that the open space of the road and walking 

paths enter inside the blocks and join the courtyards in a complete and articulated 

system of shared garden spaces. 

While existing fences and parceling is kept, the possibilty to see and perceive a 

continuous system of open spaces enhances the urban quality of the fabric in 

Flugafenstraße. 

0 50 100 150 [m] 




Concept 

4

BUILDINGS SURVEY 

URBAN FABRIC COMPLETION 

Building 

replacement 

New buildings 

RELIGIOUS CONNECTIONS 

New orthodox church 

DITIB - Sehitlik Moschee 

Dar Assalam Moschee 

MODULE PROPORTIONS 

The concept used for designing the new 

urban facade that defines the street concerns to an 

architectural composition of five different elevations. 

For this reason two typical apartments buildings 

(Mietskaserne present in Berlin Est are choicen. 

These are conceived as case studies of reference 

for their proportions of solid/void. 

The new language (project) without decorations it 

is presented in a bid to declare some origination, 

but still rispect for the historical continuity present 

in euklln district. 

Mietskaserne façade [1886] 

Ohlauer Strasse 3 - Berlin 

Project Mietskaserne façade [1897] 

Muskauer Strasse 33 - Berlin 

Project 




Concept 

5

ELEVATION ON FLUGAFENSTRAßE 

0 50 100 150 [m] 

BLOCK 1 

GROUND FLOOR 

GROUND F 

PROJECT 

STAIRCASE/ELEVATOR STAIRCASE 

GROUND FLOOR 

ORIENATION NORTH/SOUTH 

ORIENTATIO 

GROUND FLOOR 

SURVEY 


Allievo: DANIELE Dimitri Michele | Matricola: 218292

LOOR GROUND FLOOR PERSPECTIVE BEGGINIG OF THE STREET 

/ELEVATOR STAIRCASE/ELEVATOR 

N NORTH/SOUTH 

ORIENTATION NORTH/SOUTH 

BUILDINS SURVEY

INTERIOR DISTRIBUTION 

Typology 5 

PLAN TYPE 

PLAN TYP 

POLITECNICO BASEMENT DI TORINO | LM Architettura Costruzione città | Prof. Silvia Malcovati | 2016 

Dimitris 1:200 Michele Daniele | 218292 

LA STRADA NELLA CITTÀ 

Approfondimento tecnologico 

10 

STAIRCASE/ELEVATOR 

STAIRCASE 

ORIENATION NORTH/SOUTH 

ORIENTATIO 

DOUBLE SKIN FACADE 

DOUBLE SK 

GROUND FLOOR 

1:200 

PLAN TYPE 

1:200 

PLAN TYPE 

POLITECNICO DI TORINO | LM Architettura Costruzione città | Prof. Silvia Malcovati | 2016 

Dimitris Michele Daniele | 218292 



10 

POLITECNICO DI TORINO | LM Architettura Costruzione città | Prof. Silvia Malcovati | 2016 

Dimitris Michele Daniele | 218292 



10

E PLAN TYPE PERSPECTIVE CHURCH’S SQUARE 

/ELEVATOR 

STAIRCASE/ELEVATOR 

N NORTH/SOUTH 

ORIENTATION NORTH/SOUTH 

IN FACADE 

DOUBLE SKIN FACADE 


Project 

6

ISOMETRIC VIEW 

PLANIVOLUMETRIC 




Project 

7

H E L S I N K I P U B L I C L I B R A R Y A G O R A 

A library and a cultural center can be conbined to create a range of a 

dynamic and quiet spaces. This fluctuation of energy may be the aspect 

that defines the “heart” of the city. Since these two programs depend 

on each other, their relationship, in terms of space, need a coherent 

organization of separation and unification. People can flow for different 

reasons, so this requires a multipurpose and flexible strategy in order to 

accomodate the variations of uses. 

Type ACADEMIC COMPETITION 

Program ARCHITECTURAL DESIGN 

Recognition AWARD 2rd PLACE 

Coordination POLITECNICO DI TORINO 

Design group 2 STUDENTS 

Project location HELSINKI 

Year 2014 

Personal tasks CONCEPT_2D-3D DESIGN_RENDERING_LAYOUT 

Software used AUTOCAD_3D STUDIO MAX_PHOTOSHOP_INDESIGN

DESIGN OBJECTIVE 

The goal of this project is to give added 

value to the experience of every visitor, 

not because of the unique resources 

of the building, but also through social 

spaces provided by the organization 

of the building. The library is not only a 

supplier of knowledge and information 

through books, but also through the 

basic method of learning: social 

interaction. 

PUBLIC GREEN 

In the northern part of the area of 

intervention is proposed the inclusion of 

an area of public green. Is created in this 

way a continuity, a link in harmony 

with the existing garden near the lot.

VISIBILITY 

Considering the contours of the area 

of competence, the rectangular block, 

is designed to enhance the visual 

relationship from the library to the city 

and the park. The library can be seen 

and experienced from all directions, 

both from near and far. 

ORIENTATION 

NORT ans SOUTH are the short sides of 

the block. The south facade in partly in 

the shade of Sanoma House. We must 

take into account the low sun on the 

facade EAST and WEST. As regards the 

ecological concept of the project we 

propose the use of photovoltaic panels 

on the cover roof in order to gain 

energy.

HELSINKI AGORA’ 

9.90 m 

0.00 m 

TERZO PIANO 

THIRD FLOOR 

Scala 1:500 

1:500 

6.60 

0.00 m 

SECONDO PIANO 

SECOND FLOOR 

Scala 1:500 

1:500 

3.30 

0.00 m 

PRIMO PIANO 

FIRST FLOOR 

Scala 1:500 

1:500 

B 

B’ 

A 

0.00 

0.00 m 

B’ 

PIANO TERRA 

GROUND FLOOR 

Scala 1:500 

1:500 

A’ 

-3.30 

-3.30 

PIANO TERRA 

GROUND FLOOR 

Scala 1:500 

1:500 

7.80 m 

-7.80 

BASEMENT 

PIANO SEMINTERRATO 

1:500 Scala 1:500

C O N C O R D I A L I G H T H O U S E 

The Concordia Lighthouse project aims to investigate the contemporary 

typology of the lighthouse architecture, its metaphoric and symbolic 

components based around the Costa Concordia disaster, when one of 

the largest cruise ships in the world has ran aground on the coast of the 

Giglio Island in Italy resulting in the loss of 32 lives. 

Type INTERNATIONAL DESIGN COMPETITION 

Program MONUMENT DESIGN 

Status AWARD 3rd PLACE 

Coordination MATTERBETTER 


Location ISOLA DEL GIGLIO - ITALY 

Year 2015 

Personal tasks CONCEPT_DESIGN_RENDERING_POSTPRODUCTION 

Software used AUTOCAD_SKETCHUP_VRAY_PHOTOSHOP_INDESIGN

GSPublisherEngine 0.0.100.100 

GSPublisherEngine 0.0.100.100 

LIGHTHOUSE 

LIGHT 

SAFENESS 

CALMNESS 

PHYSICAL BUILDING 

EMOTIONAL PATH 

C A T H A R S I S 

from tension to safeness from the sea to the coast from pathos to catharsis 

The CATHARSIS project proposes 

the lighthouse not as a building but 

as a process of exploration and 

recount of the incident in diff erent 

psychological states: from the 

unsettling sense of strandness, to 

the deep descent and fi nally, to 

the safeness in the sea. From the 

coast, the visitor starts a path which 

passes under a small refugee for the 

lighthouse-keeper, then he continues 

between rocks, where he can touch 

the roughness of the stones. Then 

he gets gets “lost” in the path that 

articulates following the landscape, 

SECTION 

0 2 5 10 25 

m 

ENTRANCE LABYRINTH RIFT DESCENT ASCENSION CONCORDIA

A LIGHT LANDMARK 

defi ned by two vertical walls made 

with the oxidized steel from the Costa 

Concordia itself, and then starts his 

descent right through the sea. The 

ramp goes slowly towards the water 

“opening” it. The visitor can touch the 

walls, where water fl ows: the tactile 

experience of the sea itself. Then 

he goes under the sea in a dark 

place: slightly lost and disoriented, 

he walks towards a spiralling ramp, 

fi nally emerging in a safe spot, where 

the sea is calmer than outside. It is 

a symbolical interpretation of 

the feeling of safeness found 

in the lighthouse after the long 

struggle of navigation. The 

visitor can rest and meditate, with its 

feet in the water. From this circle of 

calmness, light goes toward the sky, 

the traditional building dissipates in 

its light form, becoming even more 

recognizable from distance and 

inspiring safeness and reconciliation 

lighthouse keeper 

control room 

N 

PLAN

L A K E B A T H S T O W A R D T H E W A T E R 

This international one-stage architecture competition invites all architecture 

students, young architects and young professionals with a degree in 

architecture studies (≤40 years old) to develop and submit compelling 

ideas for the design of Lake Baths located in Serra da Estrela, Portugal. 

Lagoa Comprida is a remarkable lake in a prominent landscape. A place 

with one of the most impressive traces from the Ice Age period, a glacier 

lake with impressive fields of erratic boulders. 

The Toward The Water project aims to promote a unique experience for 

the visitors and create a special setting in direct contact with nature. A 

quite place to be experienced by single day visitors, trekkers and guests 

staying at the Lodge. 


Program WELLNESS CENTER DESIGN 

Coordination ARKXSITE 


Location SERRA DA ESTRELA - PORTUGAL 

Year 2015 

Personal tasks CONCEPT_DESIGN_RENDERING_POSTPRODUCTION_LAYOUT 

Software used AUTOCAD_SKETCHUP_VRAY_PHOTOSHOP_ILLUSTRATOR_INDESIGN

The idea is not a simple building 

but a path. Trekkers, walkers, 

tourists reach the wellness centre 

by a walk, tracing a route through 

the scenery. The building becomes 

then a fragmented path that meets 

the existing one and guides the 

visitor to the lake with several 

terraces as resting and viewing 

points. From above, the building 

appears as a stroke, a simple 

rectangular shape, but the adapts 

fragmenting though the landscape 

in terraces connected by a 

gentle stair. The LakeBath project 

develops the idea of a structured 

descent as a sensorial exploration 

through the baths themselves and 

the scenery. The stairs towards 

the lake enhances the framing with 

volumes and voids defined by 

a wall. The last two terraces have 

pools to enjoy the panoramic view 

and outdoor wellness, while the last 

reach is directly on the lake itslef in 

order to have a direct contact with 

the landscape.

ROOMS - PRIVACY 

RESTING AREA - FRAMING 

PUBLIC LOUNGE | CAFETERIA - COLLECTIVITY 

LACONICUM | HOT ROOM 60°C - ENCLOSURE 

OUTDOOR POOL - DIRECT CONTACT WITH NATURE 

The interior spaces are inspired 

directly by the ancient roman 

baths, each room reflects the order 

and shape of the ancient buildings, 

and even names are referred, 

frigidarium, thepidarium, calidarium... 

each room use a different light coming 

from above, filtered by the water pool. 

The interiors in local granite stone 

echoes the ancient baths in simple 

solemnity and calmness of the 

natural stone, while the local quality 

contributes in rooting the building in 

the Portugues architecture tradition. 

A PATH CROSSING A PATH 

AREA OF INTERVENTION 

PLAN

A C H E I R O P O I E T O S M O N A S T I C B U I L D I N G 

The theme was designing within a strong historical context. In order to 

design the continuation of the monastic building a careful reading was 

needed. The idea is to admit a partial construction of the design, even 

reducing it to the construction of the portico alone, which is a strong 

element to ensure readability and completeness. It shares the scheme of 

other byzantine monasteries: a perimetral wall, a ring of volumes defining 

a cloister, and a portico for circulation. The church was usually placed at 

the center, as a focal point. 

Type INTERNATIONAL DESIGN WORKSHOP 

Program RESTORATION 

Coordination GIRNE AMERICAN UNIVERSITY - SAPIENZA ROMA 


Project location LAMBOUSA - CYPRUS 

Year 2014 

Personal tasks CONCEPT_DESIGN_GRAPHICS_POST-PRODUCTION_LAYOUT 

Software used AUTOCAD_PHOTOSHOP_ILLUSTRATOR_INDESIGN

CONTINUATION OF THE OLD PORTICO 

The interruption of the path of the portico with the 

arches which are important for the connection of all the 

volumes inside the walls, is filled within its missing parts 

with the design of a new covered path. 

The new interventions are about the reconstruction of 

the path of the portico, so that the interruptions are filled 

and the building can be more easily read. This path is a 

continuation of the portico so that it will be in line with the 

existing building. 

PORTICO 

AXONOMETRIC VIEW 

MODULES

NEW MODULAR SPACES 

On this pathway new modular spaces 

are added. These are a result of basic 

volumes, that define versatile spaces 

to various activities, like open-air 

lectures, exhibitions, conferences or 

simply meeting places. The concern 

to respect the monument and to have 

the minimum visual impact is 

expressed with a delicate scenography 

and a simple economical operation. 

The elevation of the new portico 

continues the existing lines. The 

lower one, the capitel and the column, 

are translated in a sandstone pillar. The 

accessible flooring and the covering 

shelters people from rain and sun 

while walking around. In this 

continuous accessibility volumes are 

intended as frames. The dimensions 

of these frames, come directly from 

the modularity detected inside the 

cells. The new spaces articulate 

nature, construction and historical 

dimension together. 

ELEVATION 

SECTION

S P I N A 1 S K Y S C A P P E R 

The first architectural gesture is the stretch, the line that defines the 

boudary of the built environment and determines the relationship 

between inside and outside. So the project stands at the limits of the 

lot shutting respect to the axis of the road, opening itself to the existing 

neighborhood in continuity with the back buildings and cuts its volume 

in correspodance with the derivates flows from the surrounding road 

network. The will to only build perimetrically allows the design of a large 

public space, the latter together with the green are seen as engines of 

regeneration of the neighborhood. 

Type ACADEMIC PROJECT 

Program ARCHITECTURAL AND STRUCTURAL DESIGN 



Project location TURIN - ITALY 

Year 2016 

Personal tasks CONCEPT_DESIGN_RENDERING_POST-PRODUCTION_LAYOUT 


The concept of the functional management is the 

fragmentation, in order to attract both large and 

small investors. The towers and the basement 

are divided into smaller blocks according to the 

areas requested by the regulatory plan and externally 

connected by blocks for the elevators and 

stairwells to ensure greater flexibility within the 

spaces. The two towers are then used one for 

residential reasons and the other for offi ces, while 

the functional continuity is interrupted by “rings” of 

public or semi-public space conceived as a continuation 

of the public spaces of the basement. 

PLANIMETRY 

FUNCTIONS 

N-S DEVELOPMENT 

VERTICAL LINKS 

FLOWS PUBLIC GREEN PERIMETER

EST 1st TOWER 

+ 150 Mt 

OVEST 2nd TOWER 

+ 130 Mt 

PANORAMIC 

CATWALK 

+ 20 Mt 

COMMERCIAL 

PASSAGES 

+/- 0 Mt 

PLAN TYPE 

LIBRARY - ART 

PLAN TYPE 

GYM - ASYLUM 

PLAN TYPE 

HOTEL 

6.480 MQ | APARTMENTS 

OFFICES | 10.800 MQ 

6.300 MQ | HOTEL 

HOTEL | 6.300 MQ 

2.100 MQ | GYM - WELLNESS 

ASYLUM - RESTAURANT | 4.200 MQ 

2.100 MQ | LIBRARY 

GREEN AREAS | 1.580 MQ 

9.300 MQ | PARKING 

ART - EXPOSITIONS | 4.200 MQ 

COMMERCIAL | 8.935 MQ 

SECTION

R E V I T M Y R I A D R E S I D E N T I A L B U I L D I N G 

01PQGPQ - Building Information Modeling Course 

The course provided to me a solid understanding of the fundamentals 

of Revit Architecture. Upon the completion I have a strong position to 

continue using the software for building and interior design. 

Prof. Massimiliano Lo Turco (Politecnico di Torino) 

Project used as an exercise: Myriad Residential Building 

Architect: Dick van Gameren architecten (2009) 

Type REVIT COURSE 

Program BIM DESIGN AND RENDERING 


Design group 3 students 

Project location AMSTERDAM - NETHERLANDS 

Year 2016 

Personal tasks DESIGN_POST-PRODUCTION 

Software used REVIT_PHOTOSHOP_INDESIGN

27.83 

0.00 

2 

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REA 

1 

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REALIZZATO CON UN PRODOTTO AUTODESK STUDENT 

GROUND FLOOR 1:200 

N UN PRODOTTO AUTODESK STUDENT 

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AUTODESK PRODOTTO UN CON REALIZZATO 

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FIFTH FLOOR 1:200 

NEW MODULAR SPACES 

Myriad stands out from the other 

urban villas in the inner area of the 

Funenpark grounds due to its varied 

programme. The six-storey building 

contains twelve four-and fi ve-room 

dwellings and ten smaller two- and 

three-room 

apartments. The block 

with twenty-two is made up of thirteen 

diff erend types of dwellings. The 

larger apartments were constructed 

as single-family residences. The six 

maisonettes at ground level each have 

GROUND 

FLOOR 

REALIZZATO CON UN PRODOTTO AUTODESK 

REALIZZATO CON UN PRODOTTO AUTODESK 

1.98 

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FIRST 

FLOOR 


FIFTH 

FLOOR 

1.98 

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MYRIAD 

RESIDENTIAL BUILDING 

DIMITRIS MICHELE DANIELE 

01PQGPQ Building Information Modelling 

2 

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1 

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MYRIAD 

Myriad stands out from the other urban villas in the inner area of the 

Funenpark grounds due to its varied programme. 

REALIZZATO CON UN PRODOTTO AUTODESK REALIZZATO STUDENT CON UN PRODOTTO AUTODESK STUDENT 


RESIDENTIAL The BUILDING six-storey building 

ten smaller two- and three-room apartments. The block with twenty-two 

apartments 

larger apartments were constructed as single-family residences. The 


6 X MAISONNETTE 

six maisonettes at ground level each have an outer area bordering the 

green car-free space between the residential blocks. The other six family 

Myriad stands out from the other urban villas in the inner area of the 

residences are detached houses located on the roof of the fourth storey. 

Funenpark grounds A small due square to its on varied the roof, programme. 

containing trees and a few paths, connect 

these houses with the centrally located area where stairways and lift can be 

The six-storey building 

- 

ten smaller two- ments and located three-room on opposite apartments. sides of an The inner block passageway with twenty-two that stretches 

apartments 

from façade to façade. 

REALIZZATO CON UN PRODOTTO AUTODESK STUDENT REALIZZATO CON UN PRODOTTO AUTODESK STUDENT 

2 X 5 APARTMENTS 

larger apartments The way were the constructed building block as was single-family constructed is evident residences. on the outside: The 


six maisonettes the twelve at ground family dwellings level each stand have out an due outer to the area variety bordering of colours the used 

green car-free in space the brick between façades the and residential masonry blocks. bond patterns, The other thus six emphasizing family 

residences are their detached individual houses characters. located The two on intermediate the roof storeys, of the on fourth the other storey. hand, 

suggest REALIZZATO the communal character CON of UN an PRODOTTO apartment complex: AUTODESK continuous STUDENT 

A small square on the roof, containing trees and a few paths, connect 

these houses with the centrally located area where stairways and lift can be 

the city and the apartment. 


- 

PERSPECTIVE VIEW 


ments located on opposite sides of an inner passageway that stretches 

from façade to façade. 

1 

REALIZZATO CON UN PRODOTTO AUTODESK STUDENT REALIZZATO CON UN PRODOTTO AUTODESK STUDENT 

27.83 

The way the building block was constructed is evident on the outside: 

DIMITRIS MICHELE DANIELE 

the twelve family dwellings stand out due to the variety of colours used 

green car-free 0.00space between the resi- 

The way the building block 01PQGPQ was con- 

Building Information Modelling 

in the brick façades and masonry bond patterns, thus emphasizing 

1 

their individual characters. The two intermediate storeys, on the other hand, 

suggest REALIZZATO the communal character CON of UN an PRODOTTO apartment complex: AUTODESK continuous STUDENT 

dential blocks. The other six family re- 

2 

sidences are detached houses located 

A118 

the city and the apartment. 

1.98 

1 

A117 

on the roof of the fourth storey. A small 



PERSPECTIVE VIEW 



SECOND FLOOR 1:200 

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VIEW OVEST 


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square on the roof, containing trees and 

0.00 

a few paths, connect these houses 

with GROUND the FLOOR centrally 1:200 located area where 


REALIZZATO CON UN PRODOTTO 

REALIZZATO 

AUTODESK 

CON UN 

STUDENT 

PRODOTTO AUTODESK STUDENT 


2 

stairways and lift can be accessed. Each 


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2 

VIEW EST 










POLITECNICO DI TORINO 

1- Brick Msc. 240x120x55mm, Construction Rock and Wool City 90mm, Inner 

Tube 

30mm, Perfored Brick 240x300x190mm, Rock Wool 


Architect: Dick van 

Gameren architecten 

Location: 

01PQGPQ Amsterdam, Building Informat 

Netherlands 

Project Team: Dick 

van Gameren; Jarno 

van Essen; Mark 

Sloof; Sebastiaan 

Archit 

Kaal; Maarten Peters 

Contractor: Heijmans Gamere 

Woningbouw, Almere 

Structural Engineer: 

Berkhout Tros 

Bouwadviseurs, Projec 

Alkmaar 

6 Technical X MAISONNETTE Engineers: 

van Ga 

BNI Installaties, 

van 

Alkmaar; Pol Soest, 

Sloo 

Soest Kaal; M 

Client: Heijmans Contract 

Vastgoed, Almere 

Woningb 

Project Year: 2009 

Structur 

B 

Bo 


1- Brick 120x240x55mm, RockWool 

90mm, Inner Tube 30mm, Perforated Brick 

240x300x190mm, Plaster 20mm. 

01PQGPQ 

Sheet 18 

Building Information 2-Glass Railing, Modelling Sill, Insulating Deail 90mm, Window 

prof. Lo Turco Schuco. Massimiliano 

structure. 

2- Brick 240x120x55mm, Rock Wool 90mm, Inner 

Tube 

30mm, POLITECNICO Perfored Brick DI TORINO 240x300x190mm, Plater 01PQGPQ concrete screed for technological systems, 

Sheet 18 

15mm 

Concrete structure, Plaster 15mm 

Msc. Construction and City 

Building Information Modelling Deail 

2 

prof. Lo Turco Massimiliano 

4 

FIFTH WEST FLOOR 1:200 1:200 

PERSPECTIVE SECTION 1:200 

2 

1 1:10 DETAIL 2 1:10 

SECOND WEST FLOOR ELEVATION 1:200 

SECTION 1 1:200 

DETAILS 

27.83 

REALIZZATO CON UN PRODOT 

19.05 

15.90 

REALIZZATO CON UN PRODOTTO AUTODESK REALIZZATO 

STUDEN 









REALIZZATO CON UN PRODOTTO AUTODESK REALIZZATO STUDENT CON UN PRODOTTO AUTODESK STUDENT 

façades and masonry bond patterns, 




REALIZZATO CON UN PRODOTT 



Architect: Dick van 

Gameren architecten 

Location: 

Amsterdam, 

Netherlands 

Project Team: Dick 

6 X MAISONNETTE van Gameren; Jarno 

van Essen; Mark 

thus emphasizing their individual characters. 

WEST ELEVATION The 1:200 two intermediate storeys, on Woningbouw, Almere 

Sloof; Sebastiaan 

Kaal; Maarten Peters 

Contractor: Heijmans 

Structural Engineer: 


Berkhout Tros 

19.05 

A118 

REALIZZATO CON UN PRODOTTO AUTODESK STUDENTBouwadviseurs, 

DOTTO AUTODESK STUDENT REALIZZATO CON UN PRODOTTO AUTODESK STUDENT 


1 

Alkmaar 

A117 

15.90 

of the two storeys situated in between character of an apartment complex: Technical Engineers: 

BNI Installaties, 

12.87 

Alkmaar; Pol Soest, 

contains fi ve apart-ments located 2 on continuous glass fronts between strips 

6.10 

A118 

Soest 

K REALIZZATO STUDENT CON UN PRODOTTO AUTODESK STUDENT 

Client: Heijmans 

9.25 

opposite sides of an inner passageway 

Vastgoed, Almere 

A117 of preformed steel create a neutral fi lter 

6 X MAISONNETTE Project Year: 2009 

6.10 

1.98 

that stretches from façade to façade. 

GROUND FLOOR 1:200 




0.00 

20.14 


2 

structed is evident on the outside:the 

twelve family dwellings stand out due to 

19.05 

15.90 

12.87 

9.25 

6.10 

3.05 

REALIZZATO CON UN 


the variety of colours used in the brick 

the other hand, suggest the communal 

6.10 

between the city and the apartment. 

WEST ELEVATION 1:200 

1 

1 


2 

1 

3 

1 

2 

DETAIL 1 DETAIL 2 

4 








2 


DETAIL 1 DETAIL 2 

3 

1 

2 

DIMITRIS MICHELE DA 

3 

1 

2 

1 

2 






1 

2 

4 

4 

3 

1 

2 

3 

1 

2 

Technica 

BN 

Alkmaa 

Clie 

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Projec

O N T H E T O P B A R D O N N E C H I A 

The installation of a new residential complex at Bardonecchia mountain 

in the Alpes takes up the principle of settlement in the “village” given by 

the detailed plan of local Urbanism, the relating spatial characters and the 

existing landscape conditions. 

Type RURAL RESIDENTIAL ARCHITECTURE 

Program ARCHITECTURE COMPETITION 

Coordination PLANREVEL 

Design group 5 ARCHITECTS - 1 STUDENT 

Location BARDONECCHIA - ITALIA 

Year 2014 

Colaboration NEGOZIO BLU ARCHITETTI ASSOCIATI [STAGE] - TORINO 

Personal tasks DESIGN_RENDERING_POSTPRODUCTION_LAYOUT 


RURAL ARCHITECTURE 

The installation of the new residential complex takes up 

the principle of settlement in the “village” given by the 

detailed plan, relating spatial characters with landscape 

conditions. 

SETTLEMENT MORPHOLOGY 

The challenge is to reinvent the morphology of a complex 

in the village plateau facing south, with spatial proportions 

and dimensions measured, similar to those of the 

historic settlements of the Susa Valley. The distribution 

according to the sinuous lines allows the creation of large 

public green spaces between the threads to downstream 

and upstream. The creation of an organic sign in the 

landscape puts in line the houses along the route and 

creates strong central “green squares”. The method of 

basic modular composition allows to create 5 different 

housing units in the proportions of different functional lots. 

N 

PLANIMETRY

ARCHITECTURAL CARACTER 

The units are organized according to a distribution 

involving a limited number of types of apartments - 70, 75 

square meters, 109 and 120 square meters - in order to 

control the technical feasibility. At the same time multiple 

possibilities of aggregation are provided in order to 

create a consistent overall design but varried as well. 

SECTION 

SUSTAINABILITY 

Containment of energy consumption. Care will be taken in 

defining the building’s peripheral perimeter and its airtightness, 

favored by the compact form and the exposure of 

the main openings to the south; large thicknesses of 

insulating materials will be used for the vertical and horizontal 

opaque components of the building, and the use 

of double or triple glasses depending on their exposure. 

SECOND FLOOR 

FIRST FLOOR 

GROUND FLOOR

K R U G E R W I L D L I F E C E N T E R 

Not much can come close to that feeling when you spot an animal in the 

wild, especially when you are not expecting it. The Kruger National Parc, 

with its impressive variety of fauna and flora, can combine learning with 

an enjoyable experience for everyone. The intention of this new project 

for the IWC is to draw visitors by promoting a way to explore nature, more 

adventurous and primal. To accompany also an unforgettable experience 

of safari the character of this project is that of a shelter. This idea hopes 

bring more funds and involve volunteers in order to help the survival of the 

species as well as contribute to the protection of their habitat. 


Program MICROARCHITECTURE 

Coordination ARQUIDEAS 


Location MUNTCHE SABIE - SOUTH AFRICA 

Year 2015 

Personal tasks CONCEPT_DESIGN_POSTPRODUCTION_LAYOUT 


SAFARI LOOP 

Adventure is a path, real adventure forces 

you to have fi rst hand encounter of nature. 

Immersed in this wild nature, villages are 

connected by a main path working like a chain 

of them. Visitors are invited to take this path 

walking through the landscape. The starting 

point can be the existing Lower Sabie Rest 

Camp, for an easier reachability. The distance 

between resting points is based on the time 

estimated for the walk and on the incredible 

variety of the park’s regions. There is the 

possibility to multiply these “villages” along 

the routes inside the park, to allow deeper 

exploration of the wilderness, requalifying 

existing paths.

THE OVULES 

The idea is to create an eco-module, for 

people interested in active, exploration-based 

safari. It is the basic shelter against 

sun, rain and wild animals and provides 

essential facilities. The module is based on 

the traditional kraal hut. It is a levitated structure 

to avoid fl ooding during wet seasons and to 

protect. It uses simple materials, mainly wood. 

The shell is made by assembled multilayered 

panels to protect againts insects and aid 

ventilation. Water harvesting for cleaning, 

solar protection and air circulation are ensured. 

The ovule can be inhabited and used in 

diff erent ways. From the top it is a point 

view to observe without interfering. Inside the 

visitor can rest and be protected.

G R E E N H O U S E E N V I R O N M E N T H O U S E 

The project is located between Aizier and Vieux Port, two small normands 

villages, in a natural setting between the long river Seine and a hillside. 

Conferences, exhibitions and restauration are grouped under the same 

roof to benefit from the effect of a centrality in the global landscape, 

an easy access and to minimize the impact on the site, avoiding the 

construction of more structures. 

The location enjoys the natural diversity between different plants (trees of 

different types, colors, sizes, density... reeds , bushes, hedges, private 

lawn near) and theirs effects produced in relation to climate. 

Type ACADEMIC PROJECT 

Program ARCHITECTURAL DESIGN 

Coordination ECOLE D’ARCHITECTURE DE HAUTE NORMANDIE 


Project location ROUEN - FRANCE 

Year 2013 

Personal tasks CONCEPT_DESIGN_GRAPHICS_POST-PRODUCTION_LAYOUT 

Software used AUTOCAD_SKETCHUP_PHOTOSHOP_ILLUSTRATOR_INDESIGN

The house is reached by a long 

ramp that crosses the tall reeds of 2 

m and provides a set of perspective by 

a progressive entry. In this greenhouse, 

functions occupying the spaces 

served (catering, conference and exhibition) 

develop and mingle around the 

serving spaces (kitchen, offices and rest 

of staff). The project takes the form of a 

greenhouse to benefit from the external 

envelope and the microclimate thus 

created. The intermediate space makes 

it possible to reduce the consumption of 

energy by the natural ventilation and the 

greenhouse effect. 

1m high piles carry this greenhouse to 

protect it from innodations. The project 

is designed to be reversible: the construction 

uses light materials and small 

parts to minimize the impact on the 

site. The construction makes maximum 

use of lightweight materials and small 

parts to minimize the impact on the site. 

PLAN 

ELEVATION

The respect for nature with a discreet integration 

into the natural environment, 

leverage its full potential, and the energy 

economy (and construction economy) 

were always in consideration during 

the architectural design. This led to test 

different technical solutions (such as modularity 

opposite facades, rainwater harvesting 

and the use of solar panels) and 

imagine architectural ideas for the space 

(such as floor openings in relation to the 

course water and integration project of 

existing trees) to provide better comfort 

- thermal and visual . “GreenHouse” is 

like a living organism as its visitors 

.In summer it’s hot so you need to open 

the envelope as much as possible, to let 

the wind and let nature to encompass us. 

In winter we need to stay inside to be 

protected from cold and moisture. Greenhouse 

winter remains closed around its 

users, becoming shelter from direct wind 

and rain. 

CLIMATE SECTION 

21 December / 12H00 

CLIMATE SECTION 

21 June / 12H00

R E T A I L R I V I E R E F O R H A R R O D S 

Harrods is a luxury department store located on Brompton Road in 

Knightsbridge, London. The store occupies a 5-acre (20,000 m2) site 

and has 330 departments covering one million square feet (90,000 m2) 

of retail space. 

Riviere is an italian brand expert in accurate details, modern clean lines 

and extraordinary combinations of materials. 

This interior retail project respects the needs of the brand and the personal 

requests of the client while respecting Harrods’ regulatory limits. 

The exhibition will have a minimum duration of 1 year with the possibility 

of contract renewal. 

Type PRIVATE PROJECT (DURING STAGE) 

Program RETAIL INTERION DESIGN 

Coordination STUDIO BETTONICA LEONE 

Design group 2 ARCHITECTS 

Project location LONDON - UNITED KINGDOM 

Year 2017 

Personal tasks CLIENT_DESIGN_RENDERING_POST-PRODUCTION_LAYOUT 

Software used AUTOCAD_SKETCHUP_VRAY_PHOTOSHOP_INDESIGN

Client 

CHLEO INTERNATIONAL 

Object 

RIVIERE HARRODS 

- Luxury Room First Floor 

Executive project 

MAY ‘17 

PLAN 

ELEVATION

108cm 

128cm 

40cm 

316cm 

300cm 

40cm 

76cm 

60cm 

150cm 

55cm 

130cm 

75cm 

150cm 

55cm 

130cm 

75cm 

40cm 

80cm 

50cm 

34cm 

80cm 

64cm 

55cm 

80cm 

40cm 

150cm 

100cm 

55cm 

40cm 

150cm 

100cm 

130cm 

50cm 

55cm 

130cm 

108cm 

75cm 

108cm 

150cm 

128cm 100cm 

128cm 

100cm 

TABLES 76cm 

60cm 

TAVOLI 

55cm 

150cm 

316cm 

300cm 

40cm 

100cm 

76cm 

60cm 

40cm 

55cm 

130cm 

75cm 

150cm 

100cm 

75cm 

316cm 

300cm 

100cm 

100cm 

100cm 

95cm 

100cm 

100 

80 

100cm 

m 

80cm 

64cm 

95cm 

100cm 

95cm 

120cm 

Table Tavolo 11* 

* 

120 x 100 x 95 [cm] 

(1pezzo) piece) 

130cm 

80cm 

80cm 

Tavolo Table 22* 

* 

120 100 x 100 80 x x 130 95 [cm] 

(1 pezzo) piece) 

130cm 

75cm 

120cm 

80cm 

Table Tavolo 33* 

* 

120 x x 100 x 95 75 [cm] 

(1 pezzo) piece) 

100cm 

100cm 

100cm 

Under Sotto the table il ripiano shelf dei is designed 

a previsto LED lighting system as 

tavoli è 

316cm 

300cm75cm 

80cma stand. l’inserimento di un sistema 

di illuminazione LED come 

100cm 

stand. 

75cm 

100cm 

100cm 

95cm 

80cm 

* Wooden * spessore legs thickness: gambe 

5 x 5 cm in legno: 5 x 5 cm 

Tavolo Table 4* 4 * 

100 120 x x 100 x x 7595 cm[cm] 

(1 (1 pezzo) piece) 

Tavolo Table 5* 5 * 

120 100 x 80 100 x 95 x 95 cm[cm] 

(1 (1 pezzo) piece) 

100cm 

Riviere - Mobili - Harrods Luxury Room - Concept: Studio Bettonica Leone - Via F. Argelati 28 20143 Milano - tel: +39 02 58111527 - email: architettura.design@studiobettonicaleone.it 14/17 

130cm

D I M I T R I S M I C H E L E D A N I E L E 

A r c h i t e c t 

Technical Chamber of Greece (T.E.E) - Architect Engineer 

Registration number: 140828 

E M A I L DIMITRISMICHELEDANIELE.ARCH@GMAIL.COM 

P H O N E +39 34 98 25 76 02

PORTFOLIO_SEPTEMBER_2017

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