AK-The-Big-B&W-Issue
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Copyrights To Allan Kliger© All Rights Reserved<br />
A moment, something that compels me to<br />
stop, to want to make time stop. Perhaps it’s<br />
something I can identify with, even if I don’t<br />
know it. A feeling.<br />
At first I’m tentative, approaching the subject<br />
like quarry, hunting them, wondering if<br />
they’ll spook or allow me to observe without<br />
objection. I don’t shoot with a long telephoto<br />
– I shoot up close and personal. I want that<br />
connection, need that connection. I’m the guy<br />
right up there in someone’s face. No boundary.<br />
Crossing the boundary. Testing the limits of<br />
comfort and permission. Respectful, tactful, but<br />
leaving no uncertainty. It’s personal and the<br />
subject knows it. I dance around, like a boxer<br />
or a Judoka in the judo ring. I’m observing the<br />
light, the face, the comfort and nature of the<br />
subject’s demeanor and pose, waiting for the<br />
moment when it all comes together. Specular<br />
light, Rembrandt light, light & shadow,<br />
depth and dimension. I need the shadow,<br />
the blackness, the hint of light. And then, in<br />
between the shots, I find it. <strong>The</strong> connection.<br />
When the subject finally feels<br />
relaxed, to connect, to allow me<br />
to immortalize their soul in the<br />
light that I’ve found. That’s what<br />
black & white does.