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AK-The-Big-B&W-Issue

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Copyrights To Allan Kliger© All Rights Reserved<br />

A moment, something that compels me to<br />

stop, to want to make time stop. Perhaps it’s<br />

something I can identify with, even if I don’t<br />

know it. A feeling.<br />

At first I’m tentative, approaching the subject<br />

like quarry, hunting them, wondering if<br />

they’ll spook or allow me to observe without<br />

objection. I don’t shoot with a long telephoto<br />

– I shoot up close and personal. I want that<br />

connection, need that connection. I’m the guy<br />

right up there in someone’s face. No boundary.<br />

Crossing the boundary. Testing the limits of<br />

comfort and permission. Respectful, tactful, but<br />

leaving no uncertainty. It’s personal and the<br />

subject knows it. I dance around, like a boxer<br />

or a Judoka in the judo ring. I’m observing the<br />

light, the face, the comfort and nature of the<br />

subject’s demeanor and pose, waiting for the<br />

moment when it all comes together. Specular<br />

light, Rembrandt light, light & shadow,<br />

depth and dimension. I need the shadow,<br />

the blackness, the hint of light. And then, in<br />

between the shots, I find it. <strong>The</strong> connection.<br />

When the subject finally feels<br />

relaxed, to connect, to allow me<br />

to immortalize their soul in the<br />

light that I’ve found. That’s what<br />

black & white does.

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