Guitar - Getting the Basics Right
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getting <strong>the</strong><br />
basics right<br />
by James Longworth & Nick Walker<br />
Child:<br />
Parent:<br />
Teacher:<br />
“I want to be a rock star and be <strong>the</strong> next winner of <strong>the</strong> X Factor”<br />
“I always wished that I’d learned an instrument when I was young and<br />
never did, so I want my child to have that opportunity”<br />
“It is very important to learn good habits from <strong>the</strong> beginning as mistakes<br />
are very difficult to rectify later”<br />
Learning an instrument is always a group activity even in a one-to-one situation. The group comprises<br />
<strong>the</strong> student, parent and teacher. Each member comes to <strong>the</strong> activity with different expectations and<br />
offerings. The success of <strong>the</strong> enterprise depends on how <strong>the</strong>se are integrated and harnessed from<br />
<strong>the</strong> outset.<br />
Most of us would agree that getting <strong>the</strong> basics<br />
right is crucial. But what are <strong>the</strong> basics? As<br />
music teachers we know that establishing good<br />
posture, technique, sound production, listening<br />
skills and musicality are all vitally important,<br />
but a young student’s priorities will probably<br />
be different to say <strong>the</strong> least! However certain<br />
we feel that our priorities are <strong>the</strong> correct ones it<br />
is important not to neglect those of our young<br />
charges.<br />
Students need fun, encouragement and lots of<br />
positive feedback. They also need to feel a sense<br />
of ownership of <strong>the</strong> process: that <strong>the</strong>y are discovering things and not simply being given <strong>the</strong>m.<br />
With <strong>the</strong> right preparation it is possible to teach skills and knowledge incorporating a wide variety<br />
of activities (instrumental, singing, rhythmic, physical) in such a way that instills good habits at <strong>the</strong><br />
same time as having fun.<br />
Parents have a unique opportunity to provide a positive and encouraging support environment at<br />
12 Faber Music | Teach & Play<br />
getting <strong>the</strong><br />
basics right relies<br />
on repertoire that<br />
moves <strong>the</strong> student<br />
forward while<br />
minimising painful<br />
stumbling blocks
home and can help by pointing, singing and clapping and by just listening. If a parent sees a child<br />
that is engaged and excited about learning <strong>the</strong>y are more likely to get involved in <strong>the</strong> process.<br />
<strong>Getting</strong> <strong>the</strong> basics right relies on repertoire that moves <strong>the</strong> student forward while minimising<br />
painful stumbling blocks. It should be logical, easy to follow, offer variety of style and be enjoyable.<br />
The <strong>Guitar</strong> <strong>Basics</strong> series does just that and readers’ reviews seem to agree with us - “my son has loved<br />
learning <strong>the</strong> guitar and this gives short simple pieces that he can learn quickly and feel proud of”.<br />
Establishing a nurturing teaching environment where having fun and being positive are always<br />
to <strong>the</strong> forefront will more than likely dictate how receptive <strong>the</strong> student will be. We believe in<br />
teaching serious basics in a way that brings a smile to children’s faces, with backing tracks, teacher<br />
accompaniments, activities and lots of humour! Instilling good habits is very important and doesn’t<br />
have to be painful.<br />
James Longworth and Nick Walker are <strong>the</strong> authors of <strong>the</strong> successful <strong>Guitar</strong> <strong>Basics</strong> publications which are<br />
now internationally used both for individual and group learning scenarios. The books are designed to<br />
take pupils from <strong>the</strong> absolute beginner stage to <strong>the</strong> initial/preparatory grade.<br />
James Longworth studied both jazz and classical guitar at <strong>the</strong><br />
NSW State Conservatorium of Music in Sydney and has since performed at London’s Festival Hall,<br />
Ronnie Scott’s and <strong>the</strong> 606 jazz clubs. He has been teaching adults and children since <strong>the</strong> mid nineties<br />
and holds an M.A. in Music Education from Middlesex University. James currently teaches nearly 300<br />
children per week in both large and small groups.<br />
Nick Walker studied Classical <strong>Guitar</strong> at Trinity College of Music, London. He has<br />
performed in venues such as St John’s, Smith Square as well as extensively in various bands as a lead<br />
guitarist. Nick is Head of <strong>Guitar</strong> and Popular Music for <strong>the</strong> local authority music service in Haringey,<br />
London. He currently co-ordinates <strong>the</strong> whole-class instrumental ‘Wider Opportunities’ scheme and is<br />
a highly respected instrumental teacher.<br />
Faber Music | Teach & Play<br />
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