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Welshot Focus - Issue 3 - October 2017

Welcome to the third issue of Welshot's very own magazine, Welshot Focus. We hope you enjoy it and we would love to hear your feedback as to how we can best serve you.

Welcome to the third issue of Welshot's very own magazine, Welshot Focus. We hope you enjoy it and we would love to hear your feedback as to how we can best serve you.

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Exposure Compensation<br />

The light was very strong at times, and proved challenging due to the many<br />

tall buildings and narrow streets. Many of the buildings are light in colour and<br />

reflect the light back at the camera fooling the cameras meter. So, by using our<br />

Exposure Compensation controls we could alter the camera’s settings, giving<br />

us the exposure we wanted not what the camera selected for us.<br />

White Balance<br />

I shoot in both J Peg and RAW. I like to get my image colours on the camera<br />

screen to look as I want. This is where altering the White Balance can help. I<br />

often find that leaving the White balance on Auto gives my images a cool tone.<br />

By altering it to match the conditions (Cloudy, Shade or Sunny) gives the image<br />

more warmth and a more pleasing look. This way you can make your image<br />

look the same as it did when you took it. This will only affect the J Peg image;<br />

the RAW image is untouched so the J Peg serves as a guide when processing.<br />

Level controls<br />

Not familiar with these? Fitted to most cameras nowdays, I find these really<br />

useful to help keep your image straight. These controls act as a type of<br />

electronic spirit level, so your horizons should always be level.<br />

Spare memory cards and batteries<br />

Carry plenty of spare memory cards with you. You never want to run out of<br />

space when away, and the same for camera batteries.<br />

Adventures in VENICE<br />

<strong>Welshot</strong> recently spent some time in the lovely City of Venice with a group of <strong>Welshot</strong>ters. One thing which felt strange<br />

to me was the lack of traffic as we know it, being a City of canals this made for some great photography navigating<br />

the narrow streets with great Architecture and masses of history. Venice’s buildings are unique in their structure and<br />

colour. Definatly a photographer’s paradise.<br />

Here are a few general camera controls and hints we found useful whilst capturing our images over our time in Venice.<br />

by Eifion Williams<br />

PAGE 16<br />

PAGE 17

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