The Journal of Australian Ceramics Vol 50 No 3 November 2011

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Ed itor: Vicki Gri ma Somchai Charoen. (ath O'Gorman. Vicki Grima, Josie Cavallaro and Aedan Harris at the opening of Offerings. Kerrie Lowe Gallery, October 2011 . In preparing The Narrative Knot catalogue, which starts on page 49 of this issue, I assembled a visual image of how this exhibition may look when it comes together under Gerry Wedd's curatorship. But, as stimulating as images can be, seeing work in front of us, and being able to touch it, is very different to what we see on a page in a magazine. That sense of balance, fragility and construction is best experienced when we can see the work in front of us: see the scale; touch it; walk around it; look into it. I hope you will be able to make it to Sydney sometime over the summer months to see this and our other celebratory exhibition, PROmotion, at Manly Art Gallery and Museum (MAGM). Curator Dee Taylor-Graham has chosen nine emerging artists who have featured in the Journal in the last ten years, and together with work from the MAGM collection she will weave a story of the 50 years of publication of the magazine first called Pottery in Australia and now known as JAC - The Journal of Australian Ceramics. It promises to be a big "double bunger" of exhibitions at Manly in December 2011 and January 2012 . Exciting times are ahead in 2012 for the Journal and the Association as we celebrate 50 years of continuous publication of the magazine. On Sunday 22 January 2012 (the closing of the two exhibitions at Manly), we will kick off our anniversary year by awarding the first of the Trudie Alfred Bequest Ceramic Scholarships. Thirty-four ceramics students from around Australia are in the running for five $4000 scholarships. A hot afternoon in Manly is forecast! The statement below appeared in Vol 1, No 1 of Pottery in Australia as part of Wanda Garnsey's editorial: Acknowledging the stimulus of Bernard Leach's personality by publishing this edition following his visit to Sydney, we would yet stress the fact that the potters themselves are the mainstay of this and any future production. We depend on the support of our subscribers and the stimulus of our contributors. With this encouragement the journal may expand in scope and perform a genuine service to potters. Tell me ... have we succeeded and where to for the next 50 years? You are invited to contribute your comment as a loyal subscriber, contributor andlor reader, to the next issue. See page 100 for details. I look forward to publishing your brickbats and bouquets in the next issue, Vol 51 , No 1, our 50th Anniversary special edition. ~. 2 THE JOURNAL OF AUSTRALIAN CERAMICS NOVEMBER 2011
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Page 1 and 2: THE JOURNAL OF alian ceramics 50/3
Page 3: Contents Volume 50/3 November 2011
Page 7: Workshops Workshops are held regula
Page 11 and 12: Contributors Danny Lacy Danny Lacy
Page 13: Australian Ceram ics Directory Aust
Page 19 and 20: Tributes End of the War 1945 Demobb
Page 21 and 22: Tributes 1 Mollie's box of oxides a
Page 23 and 24: Tri butes Joyce Carney was born on
Page 25 and 26: Focus: Ceram ics + Narrative decora
Page 27 and 28: Focus: Ceramics + Narrative 1 Gus C
Page 29 and 30: Focus : Ceramics + Narrative rich e
Page 31 and 32: Focus: Cerami cs + Narrative While
Page 33 and 34: View of the exhibition, Slip, Artho
Page 35 and 36: Fleur Shell Heidi Hill and Fleur Sc
Page 37 and 38: Focus: Ceramics + Narrative /. 'kr
Page 39 and 40: Focus: Ceramics + Narrative These d
Page 42 and 43: Focus: Ceramics + Narrative Surreal
Page 44 and 45: Focus: Ceram ics + Na rrative two h
Page 46 and 47: Focus: Ceramics + Narrative The Sto
Page 48 and 49: Focus: Ceramics + Narrative Don't g
Page 50 and 51: Fo cus : Ceramics + Na rrative Mate
Page 52 and 53: Focus: Ceramics + Narrative Anton R
Page 54 and 55:
Fo cus: Ceramics + Narrative Vale T
Page 56 and 57:
Focus: Ceramics + Narrative Love, L
Page 58 and 59:
TH r NARRATIVE KNOT storm;1I crrami
Page 60 and 61:
T i l [ NARRATlvr KNOT ,(ories ill
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TH[ NARRATIVE KNOT rtormmrmllflics
Page 64 and 65:
TH [ NARRATIVE KNOT storie; ill em/
Page 66 and 67:
TH [ NARRAT IVE KNOT SIOTies '" eml
Page 68 and 69:
TH[ NARRA II V~ KNOT ,toTies in umm
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TH [ NARRATIVE KNOT slories /11 cer
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THE NARRATIVE KNOT stories in ceram
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Promotion HYPERCLAY: Contemporary C
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~ /81 __ /. ==-/
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Workshop another potter who would b
Page 80 and 81:
View Arthur Boyd, Bride over Pond w
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View Ultimately, I found myself won
Page 84 and 85:
l eft: Tjariya Stanley, Kapi Tiukul
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Process + Meaning One Journey Steph
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Process + Mea ning Right: Kim Schoe
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Inside My Studio VG: Describe the w
Page 93 and 94:
Inside My Stud io VG: What is the d
Page 95 and 96:
Ed ucation - drawings, paintings, p
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Education M ia Parker (Kindergarten
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Commun ity WAC ceramics studio, 201
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Above: Barbara campbell-Allen, Arro
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Nicole Cherubini Installation view,
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Anton Reijnders, Duty, 20 11 drawer
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Potters Marks Potters Marks :lOll A
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Well Read The Art of WOOD F IRE The
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Australia Wi de act August certainl
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Australia Wide sa Congratulations t
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Become a subscriber THE JOURNAL OF
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Stockists ACT canberra potters soci
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Back Issues aiiSiralian ceramics au
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Classifieds half day workshop to ma
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Studio-based courses Full and part-
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sa~ e 0 tosa •
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To work creatively with clay is to
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woodrow kilns Australian Made Woodr
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Specia list ceramics tra ining faci
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18 September - I October 1012 Austr
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Feeneys Clays WALKER ~ Clays Glazes
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The Journal of Australian Ceramics Vol 50 No 3 November 2011

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