The Journal of Australian Ceramics Vol 52 No 3 November 2013

Focus: Ecology and Ceramics
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liz Stops, Wombee 11/: Dawn. 2010, charcoal, ash, bone, saP. binder, h.7Scm, w.5Ocm; photo; Michael Moynihan
been lost locally, however, go uncollected and unnoticed. "'2 Thus the once thriving agricultural town of
Acland in Queensland has become a ghost town, the population of 90 families being moved out as a
result of mining. 13 Acland is one of many towns that have been decimated due to mining activities.
One of my responses to this neocolonial invasion has been to question whether I am complicit in
facilitating the industries I deplore. Ingredients I use to formulate casting slip are mined elsewhere in
Australia and in India. Am I just concerned for my own backyard? Is some mining okay? How do I
negotiate an ethical practice in which I am able to devise works that highlight my concerns without
contradicting them? These are dilemmas I am addressing, with no absolute answer forthcoming, but an
ongoing and constantly changing reassessment of responsibilities inherent within my practice. This is a
process that provides ever-unfolding questions and answers. It has no finite conclusion but promotes
continued mindfulness.
However, skills acquired over twenty-two years of conducting an art practice are proving invaluable
in the fight against the gas invasion. I have noticed that artists are resilient in the fa ce of adversity, as
we have learned to cope with setbacks in practices that hinge on constant experimentation. Critical
processes and research skills that are integral to any practice have helped us develop the capacity to
discern flaws in mining spin . We are used to relying on self-belief and the strength of our integrity.
We are also used to wearing a number of hats and can turn a hand to events organisation, financial
management, time management or any kind of problem solving that will serve a group. We have
depended on resourcefulness and persistence in our practices and these qualities are easily transferable
to the anti-gas movement. Also, our work has often led to the development of a strong sense of place,
a quality that intensifies our commitment to resisting the gas invasion.
48 THE IOURNAl OF AUSTRALIAN CERAMICS NOVEMBER 2013