feature booklet

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IF YOU DON’T ALREADY KNOW HYPERACTIVE THEN YOU’LL CERTAINLY KNOW OUR WORK.
WE’VE HELPED BRING SOME OF THE BIGGEST PRODUCTIONS TO LIFE OVER THE YEARS.
SUPPLYING sUPPLYI TOP OF THE LINE KIT TO SOME OF THE MOST INFLUENCIAL FILMAKERS IN RECENT YEARS.
HYPERACTIVE HAVE BECOME A PILLOR OF SOCIETY WITHIN THE FILM AND TELEVSION COMMUNITY,
BECOMING .
A RECOGNISABLE BRAND FOR SUPPLYING UNRIVALLED QUALITY, COMMITMENT AND
MOST IMPORTANTLY, CUSTOMER SATISFACTION.
From Australia to Austria, South Africa to Serbia and everywhere in-between. Our work has sent our highly qualified
team of engineers around the world, delivering impeccable technical knowledge and
expertise at exceptional value, day or night 24/7.
Actually it was on location in the depths of Serbia – but that didn’t worry us. A quick hop onto a
plane, some local transport at the other end and we were there. Our engineers delivered, setup and
installed the systems and were there throughout offering 24/7 for support. At home and around the
world, we deliver impeccable systems, technical knowhow and expertise at exception value.
Nocturnal Animals
2016
“The level of support and service we have received has been absolutely fantastic; if only more companies
were to show such excellence and commitment. I can only look forward to working with you again.”
Coriolanus - 2011

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WHILST WE UNDERSTAND THAT IT HELPS TO HAVE FRIENDS IN HIGH PLACES WE
ALSO KNOW THAT, UNLESS YOU CAN WALK THE WALK, IT’S NO USE TALKING THE
TALK. WITH OVER 30 YEARS EXPERIENCE PROVIDING EQUIPMENT TO THE FILM AND
TELEVISION INDUSTRIES, WE’RE PRETTY CONFIDENT WE CAN.
As a young company our first job was to fill a
gap in the market providing high cost, state of
the art broadcast equipment at a price that the
industry could afford. This enabled clients to rent
everything – from ENG Kits and Sony Cameras to
VTRs and complete Edit Suites - at a fraction of
its otherwise unaffordable purchase value.
Television Companies such as the BBC and ITV
Group became our friends and clients, as did the
leading Soho post houses.
When non-linear edit systems arrived we were
the first hire company to invest in the new
technology and, as a result, became the experts.
As a result we won new clients like Fox, Miramax,
Paramount and Universal and have now supplied
Avid, Lightworks and Pro Tools editing systems
for over 150 feature films.
Nowadays keeping up with technology and
staying ahead of the competition is just part of
what we do. Our equipment, trusted by camera
crews, editors, directors, studios and producers
across the world, is second to none, whilst our
prices are still hard to beat.
We have invested heavily in High Definition
Cameras, VTRs, EVS servers, Avid systems and
integration technologies. Indeed we now have
over 150 Avid, Final Cut Pro and Pro Tools
editing systems in use world-wide and a team of
very clever, extremely flexible support engineers
who are ready to look after these systems 24/7.

Nocturnal Animals - 2016
Dir. Tom Ford

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Like many dry hire rental companies we offer the latest equipment to
the film and television industries. You will find our kit in the Studio,
on Outside Broadcasts and in the Post Houses of Soho. But it doesn’t
stop there. We believe that the way we do business is as important
as the equipment we hire:
We believe that business is personal.
We strive to always make our clients feel comfortable and confident when coming to us.
We work in a close knit team, in fact we’re more of a family,
We consider all our client’s members of that family.
We value the client relationship above all else.
If there’s something you need that we don’t have, we’ll find it for you
We’ll deliver it , often free of charge.
We’re always more than happy to pack a bag and take it to you.
Whether you’re in Bristol or Barbados,
we’ll be there.
Many of our jobs and installs send our team of engineer’s jet setting off around the globe
to work on huge productions such as Captain America: Civil war,
which saw one of our engineers travel to Berlin to oversee the install and support of kit.
oversee the install and support of kit.
We think about the future.
We like to keep ahead of the game because, more often than not, we get
to work with forward thinking people who are constantly striving for
better and better products. As standards change we always keep up and,
as you’d expect, we have a full range of HD equipment, all powered up
and ready to go.
‘Electric Dreams, Channel 4, 2017

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“Thank you for your professionalism and service at Hyperactive. I have received very good
feedback on your service and expertise from all your staff, and hopefully our relationship can
continue to grow.” SIS Outside Broadcast, formally BBC O/Bs
Electric Dreams
2017

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HYPERACTIVE HAS A HISTORY OF WORKING FOR THE BEST DIRECTORS AND
PRODUCTION COMPANIES IN THE INDUSTRY.
We’re always striving to give our clients what they need when they need it
so if we see a demand for something, we supply that demand,
if we see an opportunity to help our clients
create amazing feature and television productions
we seize that opportunity.
Our most recent venture has led us directly into the heart of Soho
were we have opened our very own end to end dry hire cutting rooms,
designed specifically for the feature film and drama industry.
A luxurious building in the centre of Soho, a stone’s throw away from Soho square.
65-66 Frith street.
The building offers spacious rooms for hire, that come equipped with personal WIFI points,
hardwired superfast fibre optic broadband and 24/7 technical support

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Captain America: Civil War
2017
The building is staffed by professional hospitality staff who are on hand all day making sure our
clients are as comfortable as possible whether it’s making sure our clients caffeine intake is met with
fresh ground coffee or nipping out to pick up their favourite take away; no task is too small or too big.
The building is also fitted with full CCTV coverage and 24/7 security
ensuring the safety and security of everyone within the building.
Of course moving into room hire is a recent venture,
we are still one of the leading dry hire rental companies within the UK.
Hyperactive offer the latest equipment, stress tested by
leading technicians within the industryand installed and
,supported by some of the best engineers not just in the UK,
but worldwide.

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We’ve worked on some of the most impressive feature films and Television dramas in recent years.
Whether we’re helping to Assemble a crack team of Avengers in, Captain America: Civil war,
or trying to uncover dark secrets in Nocturnal Animals, or even entering the weird world of
Electric Dreams, we’re always on hand, 24/7 to offer support and advice allowing
our clients to work in complete confidence.

47 Ronin
2013
Partial Client List:
‘Captain America: Civil War’, ‘Nocturnal Animals’, ‘David Brent: Life on the Road’,
‘The Man Who Knew Infinity’, ‘Fifty Shades of Grey’, ‘Dark River’, ‘Unlocked’, ‘Him’,
‘AmStarDam’, ‘The Secret Agent’, ‘River’, ‘Final Portrait’, ‘Cradle to the Grave’,
‘Bone in The Throat’, ‘Maleficent’, ‘Hercules’, ‘Coriolanus’, ‘Band of Brothers’

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We are proud supporters of the British Film Industry and are really
pleased to have supplied Avid editing systems for great British
productions like ‘Layer Cake’, ‘Wimbledon’ and ‘Love Actually’. We
are equally happy to have supplied Pro Tools audio post production
systems and cutting equipment for some of the world’s biggest
studios. With clients like Miramax, Paramount, Fox and New Line we
walk among giants – but with our heads held high.
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Thankfully our reputation brings us into contact with some brilliant
directors and forward-thinking production teams. Naturally we can provide
all the technology, support and technical back up to match. ‘Golden
Compass’ for example, was the first British film to use High Definition
throughout its production. We supplied the post production team with
everything they needed for offline editing – even down to an airconditioning
unit to help keep things cool and going in the right direction.
“Not all companies are the same, and when it comes
to making a recommendation I have only one choice.
Hyperactive” Visual Effects Editor, Da Vinci Code

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‘The Man Who Knew Infinty’
2016

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We understand the pressure involved in any production, be it a high end Hollywood blockbuster or a
low budget indie film. The entire process all though exhilarating, fulfilling and satisfying can, at the
same time be exhausting, and that’s where we come in.
We don’t want our clients having to deal with any unnecessary pressure in the post production
process. We aim to eliminate any stress by creating unique solutions to each productions specific
needs.
Whether you’re cutting on location or even in your directors’ bedroom, we will meet your needs.
Whatever your budget, wherever you are and whatever problems arise, you can count on
Hyperactive Broadcast to go above and beyond for you, every time.

COPYRIGHT 2012
HYPERACTIVE LTD
& RESPECTIVE CLIENTS
TEL: +44 (0) 1234 567 890
Hyperactive Broadcast Ltd
5 The Royston Centre
Lynchford Lane
Ash Vale
Surrey
GU12 5PQ
www.hyperactivebroadcast.com