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14<br />
QUINTESSENTIALS: 12 QUINTETS,<br />
6 CONCERTS BY SCHUBERT QUARTET<br />
The Schubert Ensemble's acclaimed<br />
Quintessentials series reaches its final<br />
concert on 9 November at Kings Place.<br />
Concert 6 pairs the rhythmic vitality and<br />
folk-inspired colour of Martinu's Second<br />
Piano Quintet with the endlessly<br />
inventive Op. 81 Quintet by Dvorak, a<br />
seamless show of gorgeous melody and<br />
rich drama, unmatched in the chamber<br />
music repertoire.<br />
The concert will begin with the<br />
Ensemble's popular Behind the Notes<br />
sessions, in which they will explore and<br />
illuminate both works, using live<br />
performance to strip down the music<br />
and reveal its inner workings. Part Two<br />
will be a performance of both quintets.<br />
Since its first concert in January<br />
1983, the Schubert Ensemble has<br />
become widely recognised as one of the<br />
world's leading exponents of music for<br />
piano and strings. The ensemble has<br />
performed in over 40 different countries,<br />
has over 80 commissions to its name,<br />
has recorded over 30 critically acclaimed<br />
CDs and is familiar to British audiences<br />
through regular broadcasts on BBC<br />
Radio 3. In 1998, the Ensemble's<br />
contribution to British musical life was<br />
recognised by the Royal Philharmonic<br />
Society when it presented the group with<br />
the Best Chamber Ensemble Award, for<br />
which it was shortlisted again in <strong>20</strong>10.<br />
In the past few years, the Ensemble has<br />
enjoyed a busy international schedule,<br />
with performances in Bermuda, Canada,<br />
the Czech Republic, China, Italy, the<br />
Netherlands, Norway, Romania, Spain, the<br />
United Arab Emirates, and the USA.<br />
Schubert Ensemble has decided to<br />
bring its 35-year career to a close at the<br />
end of June <strong>20</strong>18. It will see out its final<br />
season in celebratory style, with around<br />
fifty concerts planned in the UK and<br />
abroad, including return visits to<br />
Romania and Luxembourg and two<br />
tours of the USA with their final concert<br />
at Wigmore Hall on 21 March <strong>20</strong>18.<br />
Kings Place box office telephone<br />
0<strong>20</strong> 75<strong>20</strong> 1490 or kingsplace.co.uk<br />
Schubert Ensemble.<br />
NATIONAL HONEY WEEK<br />
To celebrate National Honey Week,<br />
the Great Northern Hotel in London’s<br />
Kings Cross have collaborated with The<br />
London Honey Company, to curate a<br />
special menu which will be served in the<br />
Plum + Spilt Milk restaurant.<br />
The three-course menu, designed by<br />
Head Chef Mike Denman, will be an<br />
alternative option to the à la carte menu,<br />
and will feature three different types of<br />
honey. The starter will comprise of Grilled<br />
Stawley goat’s cheese, Shropshire honey,<br />
cider poached apples and cobnuts,<br />
followed by Suffolk pig’s cheeks braised<br />
with Borage honey and cloves, glazed<br />
carrot and mustard creamed potato and<br />
for dessert, a Bell Heather Honey and<br />
buttermilk pudding, spiced raspberries<br />
and lavender shortbread.<br />
The London Honey Company was<br />
founded in 1999 by Steve Benbow and<br />
begun on his roof in Tower Bridge. It<br />
was here he first installed his<br />
honeybees, determined to bring a taste<br />
of his Shropshire roots into his life in<br />
the capital. They were quickly invited to<br />
some of London’s iconic rooftops, such<br />
as Fortnum and Mason’s and the Tate.<br />
The special menu will be available at<br />
Plum + Spilt Milk throughout National<br />
Honey Week, from 23 – 29 <strong>Oct</strong>ober.<br />
NEW MOZART ORCHESTRA 40TH<br />
ANNIVERSARY CONCERT<br />
Choosing ‘New’ as part of this<br />
orchestra’s name when it was formed in<br />
1977 certainly added a sense of<br />
heightened expectation. Forty years on<br />
and the New Mozart Orchestra has lived<br />
up to the national press’ verdict of the<br />
time – ‘It deserves to last!’<br />
Founded by conductor Clive Fairbairn<br />
with encouragement from the cream of<br />
London’s orchestral players, it rapidly<br />
collected armfuls of outstanding reviews<br />
from The Times, Daily Telegraph, et al.<br />
Although Fairbairn went swiftly on from<br />
this to debut with LSO, LPO and<br />
Philharmonia, he continued to specialise<br />
in C18th music with NMO.<br />
So the NMO is now marking its 40th<br />
birthday, but Clive Fairbairn is celebrating<br />
much more. His daughter Susanna<br />
(pictured), is now an established opera<br />
singer and concert soprano in her own<br />
right, and will be joining him for the<br />
concert on 26 <strong>Oct</strong>ober at St. James’s<br />
Piccadilly (19.30) in two of Mozart’s<br />
greatest concert arias.<br />
Unsurprisingly, Mozart’s 40th<br />
Symphony features in the concert, but<br />
so too does the ravishing String<br />
Serenade by Tchaikovsky, a composer<br />
who greatly admired Mozart. Aaron<br />
Copland’s hauntingly beautiful Quiet City<br />
provides an oasis of calm in this<br />
otherwise effervescent celebratory event.<br />
www.ticketsource.co.uk/new-mozartorchestra<br />
t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e