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14<br />

QUINTESSENTIALS: 12 QUINTETS,<br />

6 CONCERTS BY SCHUBERT QUARTET<br />

The Schubert Ensemble's acclaimed<br />

Quintessentials series reaches its final<br />

concert on 9 November at Kings Place.<br />

Concert 6 pairs the rhythmic vitality and<br />

folk-inspired colour of Martinu's Second<br />

Piano Quintet with the endlessly<br />

inventive Op. 81 Quintet by Dvorak, a<br />

seamless show of gorgeous melody and<br />

rich drama, unmatched in the chamber<br />

music repertoire.<br />

The concert will begin with the<br />

Ensemble's popular Behind the Notes<br />

sessions, in which they will explore and<br />

illuminate both works, using live<br />

performance to strip down the music<br />

and reveal its inner workings. Part Two<br />

will be a performance of both quintets.<br />

Since its first concert in January<br />

1983, the Schubert Ensemble has<br />

become widely recognised as one of the<br />

world's leading exponents of music for<br />

piano and strings. The ensemble has<br />

performed in over 40 different countries,<br />

has over 80 commissions to its name,<br />

has recorded over 30 critically acclaimed<br />

CDs and is familiar to British audiences<br />

through regular broadcasts on BBC<br />

Radio 3. In 1998, the Ensemble's<br />

contribution to British musical life was<br />

recognised by the Royal Philharmonic<br />

Society when it presented the group with<br />

the Best Chamber Ensemble Award, for<br />

which it was shortlisted again in <strong>20</strong>10.<br />

In the past few years, the Ensemble has<br />

enjoyed a busy international schedule,<br />

with performances in Bermuda, Canada,<br />

the Czech Republic, China, Italy, the<br />

Netherlands, Norway, Romania, Spain, the<br />

United Arab Emirates, and the USA.<br />

Schubert Ensemble has decided to<br />

bring its 35-year career to a close at the<br />

end of June <strong>20</strong>18. It will see out its final<br />

season in celebratory style, with around<br />

fifty concerts planned in the UK and<br />

abroad, including return visits to<br />

Romania and Luxembourg and two<br />

tours of the USA with their final concert<br />

at Wigmore Hall on 21 March <strong>20</strong>18.<br />

Kings Place box office telephone<br />

0<strong>20</strong> 75<strong>20</strong> 1490 or kingsplace.co.uk<br />

Schubert Ensemble.<br />

NATIONAL HONEY WEEK<br />

To celebrate National Honey Week,<br />

the Great Northern Hotel in London’s<br />

Kings Cross have collaborated with The<br />

London Honey Company, to curate a<br />

special menu which will be served in the<br />

Plum + Spilt Milk restaurant.<br />

The three-course menu, designed by<br />

Head Chef Mike Denman, will be an<br />

alternative option to the à la carte menu,<br />

and will feature three different types of<br />

honey. The starter will comprise of Grilled<br />

Stawley goat’s cheese, Shropshire honey,<br />

cider poached apples and cobnuts,<br />

followed by Suffolk pig’s cheeks braised<br />

with Borage honey and cloves, glazed<br />

carrot and mustard creamed potato and<br />

for dessert, a Bell Heather Honey and<br />

buttermilk pudding, spiced raspberries<br />

and lavender shortbread.<br />

The London Honey Company was<br />

founded in 1999 by Steve Benbow and<br />

begun on his roof in Tower Bridge. It<br />

was here he first installed his<br />

honeybees, determined to bring a taste<br />

of his Shropshire roots into his life in<br />

the capital. They were quickly invited to<br />

some of London’s iconic rooftops, such<br />

as Fortnum and Mason’s and the Tate.<br />

The special menu will be available at<br />

Plum + Spilt Milk throughout National<br />

Honey Week, from 23 – 29 <strong>Oct</strong>ober.<br />

NEW MOZART ORCHESTRA 40TH<br />

ANNIVERSARY CONCERT<br />

Choosing ‘New’ as part of this<br />

orchestra’s name when it was formed in<br />

1977 certainly added a sense of<br />

heightened expectation. Forty years on<br />

and the New Mozart Orchestra has lived<br />

up to the national press’ verdict of the<br />

time – ‘It deserves to last!’<br />

Founded by conductor Clive Fairbairn<br />

with encouragement from the cream of<br />

London’s orchestral players, it rapidly<br />

collected armfuls of outstanding reviews<br />

from The Times, Daily Telegraph, et al.<br />

Although Fairbairn went swiftly on from<br />

this to debut with LSO, LPO and<br />

Philharmonia, he continued to specialise<br />

in C18th music with NMO.<br />

So the NMO is now marking its 40th<br />

birthday, but Clive Fairbairn is celebrating<br />

much more. His daughter Susanna<br />

(pictured), is now an established opera<br />

singer and concert soprano in her own<br />

right, and will be joining him for the<br />

concert on 26 <strong>Oct</strong>ober at St. James’s<br />

Piccadilly (19.30) in two of Mozart’s<br />

greatest concert arias.<br />

Unsurprisingly, Mozart’s 40th<br />

Symphony features in the concert, but<br />

so too does the ravishing String<br />

Serenade by Tchaikovsky, a composer<br />

who greatly admired Mozart. Aaron<br />

Copland’s hauntingly beautiful Quiet City<br />

provides an oasis of calm in this<br />

otherwise effervescent celebratory event.<br />

www.ticketsource.co.uk/new-mozartorchestra<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e

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