PORTFOLIO 2.compressed

POR
TFO
LIO
J U L I A N E
K R A U S S /

Søndre Fasanvej 90
2500 Valby
juliane_krauss@yahoo.de
+491637257552
J u l i a n e
K r a u s s
2 9 / 0 3 / 1 9 8 8
G e r m a n
Master of Arts
Interior Architectural
Design

Education
15-17
Oct.-Jun.
Master of Arts
Interior Architectural Design
University of Applied Sciences
Stuttgart, Germany
12-15
Mar.-Feb.
Bachelor of Arts
Interior Architectural Design
University of Applied Sciences
Stuttgart, Germany
Graduated „Fachhochschulreife“
05-07
Laura Schradin-School
Aug.-jul.
Reutlingen, Germany
Apprenticeship
08-11
Apr.-Jul.
Photographer
Photostudio Gaby Höss
Reutlingen, Germany
Professional Experience
15-17
Oct.-Jul.
Working Student
EggerKolb Architects
Stuttgart, Germany
15
Apr.-Aug.
Internship
Linie Zwei Interior Design
Stuttgart, Germany
11-12
Oct.-Jan.
Internship
Echaz Schreinerei Carpenter
Reutlingen, Germany
11
Aug.-Oct.
Internship
Schwille Architects
Reutlingen, Germany

International
16 International Workshop
Sep.
Nicosia, Cyprus
16
Feb.-Jun.
14
Apr.-Oct.
07-08
Aug.-Mar.
Exchange Semester
Istanbul Technical University
Istanbul, Turkey
Exchange Semester
Centre for Environmental Planning
and Technology
Ahmedabad, India
Work and Travel
Australia
VI
TA
Language
German
English
Software
Mac OS, Windows
Adobe Photoshop, Indesign
Vectorworks
Microsoft Office
Interests
Bouldern
Snowboarding
Traveling

01
02
03
Coworking Space
Cologne, Germany
Interior Design
Pure Line
Highboard
Furniture Design
Activity Center, Ananas Rock
Nicosia, Cyprus
Interior Design
CON-
TENT
04
The Poetry of Objects
Ludwigsburg, Germany
Exibithion Design
05
Museum, Invited to Gustav
Sulz, Germany
Interior Design
06
Underground car park in transition
Stuttgart, Germany
Interior Design

7

01
Coworking Space
Bachelor Thesis
In Cologne Deutz is the old industrial site, where
important buildings of industry and traffic history
line up. The site is a new hotspot of Cologne,
which is located in the immediate vicinity
of the exhibition ground and the river Rhine.
Hall 71 (former hall for the production of pressure
rollers) is now to be used for flexible work.
Cologne, Germany
Interior Design
The office concept offers young start-up entrepreneurs,
freelancers as well as individual employees
the possibility to rent a work place for
days, weeks or months. This work structure is
used to connect work, business, society and the
need for flexibility in today‘s work environment.
The aim was to design a building concept that
provides both open and closed spaces to work.
For this purpose, the concept was planned on
three floors, which are connected by double
heights and visual reference areas. With the help
of a space in space concept, four cubes were integrated
per floor which contain different uses. In
the center of the building is a gallery, which has
three space elements that extend over two floors.

C
A
A
A
B
B
B
C

C
C
A
A
A
B
B
B
C
C
GROUND FLOOR/FIRST FLOOR/
SECOND FLOOR
10

SECTION/
FURNITURES
12

5

MODEL
14

15

02
Pure Line
Highboard
Furniture Design
Everyone has an average of 10,000 personal things.
The question now arises: Where are all the things; of
course, in cabinets, shelves and chests of drawers?
Storage space in combination with lowtech
and alternative materials to wood,
set new accents in furniture construction.
The wall-independent highboard „pureline“ consists
of a total of three modules in lengths of 1.00m,
1.20m and 1.40m, which offer variable combinations.
Steel with white powder coating was used for
the body and the individual boxes. The boxes
function as drawers and form a contrast to
the steel body due to the fabric-covered fronts.

72
44
348
35
4
3
4
590 313 389
4 25 4 539 4 47 4 341 4 24 4
251
35
4 4
348
21 3 4
19
461
4
4
262
4
60 4 872 4 60
76
4
„pureline“ was produced
as a mockup after the
design and the production
of technical drawings.
The individual components
were made from
3mm MDF boards and then
joined to the individual
furniture components.
After painting, the fronts
of the drawers were covered
with fabrics. the
furniture was presented
at the IMM in Cologne.
30 4 5 4 309 4 4 2 18
4
295 5
HOCHSCHULE FÜR TECHNIK STUTTGART - PRI - PROF. CARSTEN WEIGEL - GRUNDMASSE M 1:100 - FRANZISKA HELLER JULIANE KRAUß - WINTERSEMESTER 2013/2014

TECHNICAL DRAWING/
VARIATIONS
18

4
5
4
3
1
2
WELCOME
vw
vw
19

03
Activity Center,
Ananas Rock
Nicosia, Cyprus
Interior Design
The project was located in Cyprus. The island is
seperated since 1974. the south belongs to the republic
of cyrus and the north part belongs to turkey.
nikosia is a divided city on cyprus and popular
tourist destination. There is a border which seperates
the Citys into two parts. Our Site was an old
market hall in the north part of nikosia located
directly on the border zone. The governement was
planning to develope a new concept in the market
hall. Our idea was to creat a Activity Centre
for young and old People, for locals and tourists.
It was a low budget project, and the
task was to integreat and recycle all
the existing furnitures in our Concept .

scale 1:100

CLIMBING ROCKS
JUMPING FIELDS
RELAXING NET
PLAY GROUND
FUN AREA
FOOD LANDSCAPE
DISABLED WC
DISABLED WC
DRESSING ROOM
DRESSING ROOM
MEN WC
WOMEN WC
LOCKERS
SHOWER
SHOWER
GROUND FLOOR/
FIRST FLOOR
22

fresh juice, palmtree jungle, relax in the rocks, feel the balance on the slackline
The reception with a integrated
bar in the form
of a VW bus is located
In the spacious entrance
area. The seating area invites
to linger and relax,
after a round of slakline
in the orchestrated palm
tree landscape.
fresh juice, palmtree jungle,
relax in the rocks,
feel the balance on the
slackline ....
9

CLIMBING ROCKS
JUMPING FIELDS
RELAXING NET
PLAY GROUND
FUN AREA
FOOD LANDSCAPE
ENTRACE AREA/
GROUND FLOOR
24

DISABLED WC
DISABLED WC
DRESSING ROOM
DRESSING ROOM
MEN WC
WOMEN WC
LOCKERS
SHOWER
SHOWER

get new energy, strike the ball, see the distance, jump up in the air
feel the speed, catch the ball, climb up the mountain
In the heart of the old
factory hall three skulptures
have been integrated,
the outer walls serve
for climbing. Inside
of the skulpture a trampoline
a bouldering area
hammock construction is
inseret in the the skulpture.
The changing rooms
and the equipment rental
were integrated into the
already existing premises
and equipped with the
recycled furniture.
18
17
ACTIV AREA/
GROUND FLOOR
26

3
MEN WC
WOMEN WC
SHOWER
SHOWER
feel the sand, enjoy the bbq, let the sun shine in your face and refresh in the pool
feel the sand, enjoy the
bbq, let the sun shine in
your face and refresh in
the pool ...
The outdoor facilities of
the market hall serve as
a common area, while the
recycled furniture is perfectly
suited for this purpose.
The grafitti walls
depict the borderline in
Cyprus. and serve as an
area for creative realization.
30

scale 1:50
OUTDOOR AREA/
GROUND FLOOR
28

-0.16
-0.16
- 1 .7 kcal .
- 1 .6 kcal .
- 1 .5 kcal .
- 1 .4 kcal .
- 1 .3 kcal .
- 1 .2 kcal .
- 1 .1 kcal .
- 1 .0 kcal .
- 0 .9 kcal .
- 0 .8 kcal .
- 0 .7 kcal .
- 0 .6 kcal .
- 0 .5 kcal .
- 0 .4 kcal .
-0. 3 kcal .
- 0 .2 kcal .
- 0 .1 kcal .
- 0 .0 kcal .
- 1 .7 kcal .
- 1 .6 kcal .
- 1 .5 kcal .
- 1 .4 kcal .
- 1 .3 kcal .
- 1 .2 kcal .
- 1 .1 kcal .
- 1 .0 kcal .
- 0 .9 kcal .
- 0 .8 kcal .
- 0 .7 kcal .
- 0 .6 kcal .
- 0 .5 kcal .
- 0 .4 kcal .
-0. 3 kcal .
- 0 .2 kcal .
- 0 .1 kcal .
- 0 .0 kcal .
DRE SING ROOMS
PLAY GROUND
PLAY GROUND
scale 1:200
scale 1:200
STAFF
COUNTER
STAFF STAFF
STAFF
COUNTER
STAFF STAFF
CLIMBING COUNTER
w v
5
4
2
1
DRESSING ROOMS
CLIMBING COUNTER
3
w v
HOW
5
4ARE
YOU? 3
2
1
STRONG
HOW
STRONG
ARE
YOU?

la
bla
blabla
blablabla
bla
blabla
blablabla
bla
SECTION AA/BB
30

1 palmtrees
2 rope
1 2 3
3 pink paint
4 yellow paint
5 textile net
6 sand
4 5 6
7 textile cyan
7 8
9
8 textile magenta
9 robe
10 beer cest
11 climbing grips
12 wall painting grey
37
10
11
12
1
2
3
4
5
6
7
8
9
10
11
Palmtrees
Rope
Pink Paint
Yellow Paint
Sand
Textile cyan
Textile magenta
Robe
Beer cest
Climbing grips
Wallpainting grey
38

36
MATERIAL/
COPERATE DESIGN
32

33

04
26 objects - 26 letters - 26 poems
The exhibition allocates 26 objects of the museum archives
and their collection history to the 26 letters of the alphabet
and the objects with 26 poems. The random positioning
of the objects in space follows the logic of the rod of the
typewriter, which connects the keys to the letters. That
this machine was until recently the most important instrument
of the poets, is undisputed. And so it was transferred
to the model of the exhibition space, exemplary and
virtuos.
First, the visitor enters a medial typewriter keyboard. The
stop noise of the mechanics clocks the visitors into the
perception sphere of the follower spaces. In the second
part the objects are staged. 26 letters each bind a slogan,
which, however, is associative, non-striking and makes
the visitor curious. Fritz Teufel‘s bicycle, for example, is
under Q „Querulant“(whiner) as Teufel was known and not
under the nearby F as a „Fahrrad“(bicycle). The accompanying
poem leads to Berlin where Teufel later lived, while
the bicycle remained in Ludwigsburg.
The interactive part of the exhibition in which the visitor
himself becomes a poet is placed where the types are painted
on the paper. This area, a tunnel of countless oversized
paper sheets, has a very memorable atmosphere. Visitors
can play with the 26 letters of the alphabet and make
new ones, perhaps even a poem.
The Poetry of
Objects
Ludwigsburg,
Germany
Exibithion Design

y
l
URSPRUNG DER POESIE
EMOTIONEN
WEGEFÜHRUNG
GESTALTUNGSMITTEL
KONZEPTIDEE
KONZEPTIDEE
schreibmaschine
schreibmaschine
QUELLE & SCHÖPFUNG
NOSTALGIE & ERINNERUNG
GRAFIK & FARBGEBUNG
Q Q W W E E R R T T Z Z U U I I O O P P
A A S S D D F F G G H H J J K K L L
Y Y X X V V B B N N M M
y
l K
x
K j
v
j m
n b
m n
v x
b
SCHRITT 1:
TASTENDRUCK
SCHRITT STEP 1 : 1:
TASTENDRUCK
KEYSTROKE
SCHRITT 2:
VERBINDUNG
SCHRITT 2:
VERBINDUNG
STEP 2 :
CONNECTION
SCHRITT 3:
TYPENHEBEL
SCHRITT STEP 3 : 3:
TYPENHEBEL
TYPEWRITERS
SCHRITT 4:
STEP PAPIER SCHRITT 4 : WIRD 4: BEDRUCKT
PAPER PAPIER IS PRINTED WIRD BEDRUCKT
L L K
K J
M J
M N
N B
B V
V X
X Y Y

8 ausstellungsphasen
POESIEMASCHINE POETRYMACHINE POSIE POETRY DER OF OBJECTS DINGE POESIEWERKSTATT
POETRYWORKSHOP
INTERACTION
INTERAKTION
LIGHTINSTALLATION
LICHTINSTALLATION
EXHIBITS EXPONAT
ERINNERUNG MEMORY
INTRODUCTION
EINLEITUNG
PATH WEG
POETRY POESIEALBUM
ERLEBNISPHASE
EXPERIENCE PHASE
INFORMATION INFORMATIONS- AND RESTING UND
RUHEPHASE
PHASE
AKTIONSPHASE
ACTION PHASE
CONCEPT
36

TE
S
P
S
P
S
P
R
R
R
ER
ER M
BURGER
M
BURGER
M
BURGER
ER
0 50
0 50
0 50
E S
E S
65
65
E S
65
POESIEMASCHINE
POETRYMACHINE
AUSSTELLUNGSBEREICH
EXHIBITION AREA
WERKSTATT
POETRYWORKSHOP
UKD - 2,70
UKD - 2,70
FLOORPLAN
38

G UND EXPONATE
G UND EXPONATE
A PFELBAUM B 27 C ATERING D ARUNTER E ROTIK F EUER G ESCHENK
A PFELBAUM B 27 C ATERING D ARUNTER E ROTIK F EUER G ESCHENK
PONATE
PONATE
STÜCK
FINGER
SCHWEINCHEN
ATUR
ATUR
BILANZ
GANDA
UERULANT EICHTUM PIEL INTENZEUG
UERULANT EICHTUM PIEL INTENZEUG
H ITLER I NDUSTRIE J AUNER K UNST- L ANG- M EER- N
STÜCK
FINGER
SCHWEINCHEN
H ITLER I NDUSTRIE J AUNER K UNST- L ANG- M EER- N
O EKO- P ROPA- Q R S T
BILANZ
GANDA
O EKO- P ROPA- Q R S T
U MZUG V ULKAN- W X Y Z
AUSBRUCH
U MZUG V ULKAN- W X Y Z
AUSBRUCH
EEKEND FACH CHROMOSON EUGIN
EEKEND FACH CHROMOSON EUGIN

THE STORY
„For years, the robber spread
EXPONATE
Hannikel (1742-1787) in Württemberg
fear and fright. Disguised as a porcelain
trader, he drew peddling through the
country. His family was always there.
Hannikel offered Dishes on the door
for sale. Simultaneously he scouted for
the night the situation. 1786 was the
gang arrestet. Hannikels twelve-year-old
son Dieterle came into orphanage to
Ludwigsburg. For the porcelain factory
next door were the children of the orphanage
welcome workers. Maybe painted the
robber‘s son from now on Flowers
to fine Ludwigsburg Porcelain.“
AUSSTELLUNGSOBJEKT
EXHIBITED OBJECT
Räuber
ine Bande
hrecken.
t zog er
ne neunit
dakel
Gechzeitig
chtlichen
6 wurde
s zwölfins
Zuchtburg.
Für
lanfabrik
hauses
Vielleicht
n an
igsburger
JAUNER
GRAFISCHE
INSZENIERUNG
GRAPHICAL STAGING
EXHIBITED OBJECTS
40

2 AUSSENWERBUNG
PLAKATE
POESIE DER DINGE
U I
H J
N M
O
K L
MUSEUM LUDWIGSBURG
P
Q
A
POESIE
DER
DINGE
04.12.2016 - 23.04.2017
W
Y
S
E
R
T
D F G
X C VV
T
Z
B
H
U
N
J
POESIE
DER
DINGE
I
M
04.12.2016 - 23.04.2017
K
O
L
P
oesie der Dinge
PMIK
3 POESIEALBUM
INHALT
Eberhardstraße 1
71634 Ludwigsburg
Di–So 10–18 Uhr
feiertags
geschlossen
in Zusammenarbeit mit dem
internationalen Master -
Studiengang Innenarchitektur der
Mit freundlicher Unterstützung von
Eberhardstraße 1
71634 Ludwigsburg
Di–So 10–18 Uhr
feiertags
geschlossen
in Zusammenarbeit mit dem
internationalen Master -
Studiengang Innenarchitektur der
Mit freundlicher Unterstützung von
Poesie der Dinge
MIK
UM
INHALTPOESIE
DER
DINGE
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
A
Apfelbaum
01 02
B27
02 02
Catering
00 00
Darunter
00 00
Erotik
00 00
Feuer
00 00
Geschenk
00 00
Hitler
00 00
Industrie
00 00
Jauner
00 00
Kunststück
00 00
Langfinger
00 00
Meerschweinchen 00 00
Natur
00 00
Oekobilanz
00 00
Propaganda
00 00
Querulant
00 00
Reichtum
00 00
Spiel
00 00
Tintenzeug
00 00
Umzug
00 00
Vulkanausbruch 00 00
Weekend
00 00
X-fach
00 00
y-Chromosom 00 00
Zeugin
00 00
Mumienhand, ägyptisch ca. 8.–4. Jahrhundert v. Chr.
Mumienhand
LANGFINGER
Wenige Jahre nach der Gründung des
Historischen Vereins 1897 schenkte
Stadtrat Adolf Feyerabend der vereinseigenen
Museumssammlung mehrere
ägyptische Mumienteile. Der Mitinhaber
der Metallwarenfabrik Kallenberg
& Feyerabend hatte die Exponate
auf einem ägyptischen Markt erworben
und nach Ludwigsburg mitgebracht.
In der 2. Hälfte des 19. Jahrhunderts
entwickelte sich der Orient
für ein historisch interessiertes,
gebildetes Publikum zu einem beliebten
Reiseziel. Die Entdeckungen der
Archäologen vor Augen, konnte eine
Mumienhand ein angemessenes Souvenir
sein. Für die ägyptischen Fundstätten
bedeutete dies, dass Händler
Gräber und Friedhöfe plünderten, um
an „Ware“ zu kommen. Die Mumienhand
ist einer der ältesten Zugänge zur
Sammlung des Ludwigsburg Museums und
zeugt bis heute vom umfassenden Anspruch,
den die Museumsgründer mit
ihrem Haus verbanden.
01 02
CORPORATE DESIGN
42

43

05
Museum,
Invited to Gustav
Sulz, Germany
Interior Design
Conceptual approach is to create a place for meeting,
art and culture in the city of Sulz am Neckar.
For young and old people, also for the numerous
annual tourists of the city. The tourist information,
a café and the exhibition of paintings by
Gustav Bauerfeind are combined in the new concept
of space. The creation of Gustav Bauernfeind
served as a model for the space concept. This
begins in the exterior with the facade, which is
composed of an abstract oriental pattern. Inside,
the visitor is taken on a trip to the Orient. The
Cafe with a touristinformation is located on the
ground floor. This is the area where people can
meet eatch other. The exhibition area is situated
on the first floor. A multifunctional room with a
welcoming terrace for meetings, exhebitions and
events is placed on second floor.

AS a cotrast to the historical
houses on the location
the cubature of Gustav
Bauernfeind Building is
straight and modern. The
travelling history to the
Orient of Gustav Bauernfeind
is transfered to the
facade with a ornamental
pattern.

FINDUNGSPHASE
KUBATUR
EXTERIOR/ ELEVATION
46

GROUND FLOOR
48

FIRST FLOOR
50

SECOND FLOOR
52

Gustaf Bauernfeind
Gustaf Bauernfeind
Gustaf Bauernfeind
Gustaf Bauernfeind
Der
Baum
1891
Der Baum
1891
Der Baum
1891
Der Baum
1891

A
Gustav Bauernfeind
Jerusalem, 1891
Baum Der
Bauernfeind
Gustav 1891
Baum Der
Bauernfeind
Gustav 1891
Der Baum
Bauernfeind
Gustaf
1891
Der Baum
Bauernfeind
Gustaf
1891
Der Baum
Bauernfeind
Gustaf
1891
Baum
Der
Bauernfeind
Gustaf Jerusalem, 1891
Baum Der
Bauernfeind
Gustav Jerusalem, 1891
Baum Der
Bauernfeind
Gustav 1891
Der Baum
1891
Baum Der
Bauernfeind
Gustav SECTION/ DETAIL
54
A

Gustaf Bauernfeind
Der Baum
1891
Gustaf Bauernfeind
1891
Jerusalem ,1891
Der Baum
1891
Gustaf Bauernfeind
Der Baum
Gustaf Bauernfeind
Der Baum

GUSTAV
BAUERNFEIND
VATER FESTUNG
HOHENASPERG
STG - MUC
BEIRUT
GUSTAV
BAUERNFEIND
NACH ENGLAND
2. ORIENTREISE
VATER FESTUNG
HOHENASPERG
3. ORIENTREISE
STG - MUC
JERUSALEM
BEIRUT
GUSTAV
BAUERNFEIND
NACH ENGLAND
2. ORIENTREISE
3. ORIENTREISE
Gustaf Bauernfeind
Der Baum
1891
JERUSALEM
Gustaf Bauernfeind
Der Baum
1891
Gustaf Bauernfeind
Der Baum
1891
GUSTAV
BAUERNFEIND
Gustaf Bauernfeind
Der Baum
1891
Gustaf Bauernfeind
Der Baum
Jerusalem ,1891
2
2
Öffnungen sichtbar - Vitrine
r - Vitrinenartig
Auszüge
3
Klappen
Klappe -
herausnehmbares Exponat
Schnitt E C M 1:20
Schnitt E M 1:20
Schnitt F M Schnitt 1:20 C M 1:20
Schnitt E M 1:20
Schnitt F M 1:20
1
6
5
7
lbraun angelegt
8
9
10
1889
3. ORIENTREISE
1848
*
1852 1880 1885
BILD
1876
1889
1907
en
5
1
2
6
3
Klappe mit Glaseinsatz
7
Klappe -
herausnehmbares Exponat
E
1883
- 1887
1896
F
F
2
Schnitt C M 1:20
Schnitt E M 1:20
Treppe
Schnitt F M 1:20
1848
*
1852 1880 1885
BILD
1907
1876
1889
1883
- 1887
1896
F
Treppe
F
Treppe
B
Treppe
Treppe
SECTION/ DETAIL
56

EPT
The corporate design is based
on the art and backround
of Gustav Bauerfeind.
The paintings served as basis
for the colour selection.
The logo is given form the
ornamental pattern of the
facade.

CORPORATE DESIGN
58

59

06
As an existing property the “Landtag Garage” was
chosen. The new utilization concept depends on a
location and stock analysis. The results achieved
show what influence the location of the basement
car park has on the new utilization concept.
Exemplarily it will outline how the underground
car park evolves through interior design interventions
to a place with quality of stay and providing
a supplement contribution to urban life.
CON-
Underground car
park in transition
Master Thesis
TENT
Stuttgart, Germany
Interior Design
Due to the location of the “Landtag Garage” in
the cultural district of Stuttgart a common meeting
point is to be created which connects the
different cultural categories such as music, cinema,
media and dance, theater, literature and fine
arts. On the one hand it contains an inner stand
and an open-air stand on which everyone can give
the best to their performance and on the other
hand premises suitable for temporary utilization
are available for rent for the user.
The online platform “Culturehub” provides a diversified
event and workshop offer that the user
can advertise independently. Therefore, by bringing
together the different categories a lively
exchange among each other occurs where culture
lovers and newcomers benefit from.

06
CON-
Underground car
park in transition
Stuttgart, Germany
Interior Design
TENT
ELEVATION
62

1 Württembergischer Artclub
2 New Castle
3 Landtag Baden-Württemberg
4 Theater
5 HMDK
6 Stategalery
7 House of History
8 National Library
9 Archive
10 Citymuseum
1 Castle Square
2 Upper Castlegarden
3 Academic Garden
I Landtag Garage

A A
C C
B
THE LANDTAG GARAGE
An area of ​1650 m2 was
first selected for the implementation
of the Culturehub.
The remaining
area of ​the underground
car park can still be used
to park 96 vehicles. The
new area is separated by
a grating, so that visual
references to the busy
underground car park.
LOCATION
64

The various cultural genre
music, fine arts, theater,
literature, film and
media and dance offer
the basis for the division
of space, so six compartments
are created. In the
center of these compartments,
the community
area is created by a stage
with attendance stands.
In order to create a
connection between the
above-ground Park and
the subterranean Landtag
garage, the underground
common area is transferred
upwards, and the ceiling
of the Landtag garage
is turned upwards,
thus forming the area for
an outer stand.

1.
1. INTRODUCTION
Discover the possibilities
the Culturehub offers
you.
2.
4.
2. CULTUREHUB CARD
You will receive your
membership card, which
serves as payment and
check-in for events and
rooms.
3. HUB-MACHINE
Here you can create
events or rent a room.
3.
4. CHECK-IN
Choose your desired room
size, tables and chairs are
available in each room.
5. BOX
The booked room will
open for you after the
check-in process.
6. USE
Be creative, and profit
from the community.
5. 6. 7.
7. CHECK OUT
When you‘re done, check
out and pay immediately
with your hubcard.
CONCEPT
66

VIEWING PLATFORM
From the viewing platform
you have a wide
view over the castle
garden up to the city
center.
STAND
The outer stand has space
for 300 people. It is
intended to create a new
stay and a recreational
destination for young
and old.
Cultural open air events
take place in nice weather
conditions.

STAGE
Through the transparent
roof of the stage
a visual reference
is made to the lower
floor. The roof construction
can be opened
in good weather. The
inner stage becomes
the outer stage.
RAMPS
The ramps serve as walkways
and as recreation
areas.
N
TOP VIEW
68

ERDGESCHOSS MAßSTAB 1:100
FOYER
The spacious foyer is
flooded with light by
its large glass fronts
and offers a nice first
impression
GLASS FACADE
The glass facade provides
a view into the interior
of the Culturehub
and provides daylight in
the common area.
A

B
STAGE
The stage is the center of
the Culturehub, it serves
both as inside as well as as
external stage due to its
hydraulic mechanism it is
height-adjustable.
SIDE ENTRY
This entrance serves as a
second escape route and
direct access to the lower
floor, by the artist‘s wardrobe
adjoining the staircase.
B
A
A
GROUND FLOOR
70

N
A

B
A
Büro
B
UNDERGROUND FLOOR 72

HUB KITCHEN
The seating area, as
well as sanitary facilities,
are available
to the user. Beverage
and snack machines
are provided for your
convenience.
Lockers
Under the stage are lockers
which provide the
user with secure accommodation
of their private
items.
TRIBUNE
The Innerstage serves on
the one hand as a common
area for lingering
and for the exchange of
the users among themselves.
On the other
hand, it is the venue for
events, concerts and
events. It accommodates
around 240 people.
STAGE
The stage is the center
of the Culturehub,
it serves both as inside
as well as as external
stage due to its hydraulic
mechanism it
is height-adjustable.
With an area of ​70 m2,
it offers enough space
to perform.
BACK STAGE
The back stag
ted to the
ramp and is
to the under
park by direc
Lager Licht
Büro
Rückbühne

C C
A A
C C
A A
C C
A A
C C
B
B
B
e is connecstage
by a
connected
ground car
t access.
STORAGE TECHNOLOGY /
ROOMS
The warehouse offers
40m2 of sufficient space
for props and technical
equipment
Lager
Technik/Requisiten
UNDERGROUND FLOOR/
COMMON AREA
74

BOXING
Three different box sizes are
available for the user. Each
box is equipped with the
necessary equipment such
as tables, chairs, which are
stowed in the cabinet module,
so the space is flexibly
usable.
HUB-MACHINE
The lifting unit is available
to the user in checkin
and check-out. After
the booking at the machine
opens the gate and
the box can be entered
CONTROL SYSTEM
The control system is
mounted on the floor by
arrows. Each room has
its own number, which
is displayed to the user
when booking
GROUND MARKING
In the boxes the floor
markings of the former
parking spaces are maintained
BETWEEN ARE
The generous in
ate areas serve
ly usable surfac
can be closed b
thus creating a
area for special
te events.

C C
A A
C C
A A
C C
A A
C C
B
B
B
AS
termedias
flexibes.
They
y a gate,
separate
or priva-
GATES
The gates, which are 2.50
m wide and opposite, create
an open atmosphere.
UNDERGROUND FLOOR/
BETWEEN AREA
76

LIGHTING
The backlit furniture
modules ensure an indirect
light. In addition,
light spots are allowed
in the suspended
ceiling.
ACOUSTICS
The inner walls of the
boxes are provided
with an acoustic insulation,
the surface
consists of a wooden
covering on acoustic
fleece. The suspended
deck above the rooms
additionally provides
for an acoustic separation.
The largest of th
three boxes has a
is ideal for larg
shops. It has chair
tables, a washbasi
a mirror and a can
vas for photograph
movies and presen
LARGE BOX
area of ​36 m2.
events and wor
tations.

C C
A A
C C
A A
C C
A A
C C
B
B
B
e
n
It
er
k-
s,
n,
-
y,
-
MEDIUM BOX
With 24 m2, the
Medium Box offers
a good room size
for the Culturehub
users. The furniture
module includes
chairs, tables, a
washbasin, a dance
mirror and a screen
for photography,
filming and presentation.
SMALL BOX
The smallest box has
a room size of 12 m2
and is best suited
for the rental of individuals.
There are
wash basins as well
as tables and chairs
ready ..
UNDERGROUND FLOOR/
HUB-BOXES
78

SECTION AA
80

SECTION BB
90

THANK
YOU