The Journal of Australian Ceramics Vol 54 No 1 April 2015
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Mollie Bosworth, A Media tion on Light (series), 2013, cyanotype on porcelain; photo: courtesy artist<br />
Artisan engages with lots <strong>of</strong> different mediums and fields - from jewellery, ceramics and glass, to<br />
architecture, design and fashion, all within its craft and design scope. Given this diversity, we have<br />
developed an interest in the relationships between these fields, and how artists may draw influence and<br />
inspiration from mediums outside their own. Parallel to this, we've been curious about the artist-driven<br />
exhibitions that have been popping up in recent years. Museums, for example, have been inviting artists<br />
into their collections to interpret and curate new displays <strong>of</strong> them.<br />
Out <strong>of</strong> these interests arose the concept for our Chain Reaction exhibition series in which two<br />
initial artists are each required to nominate another two other artists who work in different mediums<br />
and whose work inspires their own. <strong>The</strong>se artists then nominate a further two artists each, resulting<br />
in the selection <strong>of</strong> fourteen Queensland creatives connected by intriguing threads <strong>of</strong> influence. This<br />
year's artists included Graham Bligh, Mollie Bosworth, Kylie Burke, India Collins, Shannon Garson,<br />
Roland Nancarrow, Adele Outteridge, Lucy-Belle Rayner, Sarah Rayner, Brian Robinson, Adrienne Shaw,<br />
Christopher Trotter, Wim de Vos and Daniel Wallwork.<br />
For the recent artist talks at the opening <strong>of</strong> Chain Reaction Two, we invited one chain <strong>of</strong> artists<br />
to speak about their nominations with the artist at the end <strong>of</strong> the chain, discussing their hypothetical<br />
nominations should the chain continue. This final artist was ceramicist Shannon Garson, who, to our<br />
surprise, said she would potentially nominate an artist from the first Chain Reaction and thereby create<br />
a 'short ci rcuit' in the chain! So while our chain model has been very successful in exploring influences<br />
across mediums, clearly this network <strong>of</strong> influence is a fascinating and more complex web.<br />
A report by Richard Stride, Exhibitions Manager at Gallery Artisan in Fortitude Valley<br />
THE JOURNAL OF AUSTRALIAN CERAMICS APRil <strong>2015</strong> 103