Viva Lewes Issue #134 November 2017
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V I VA L E W E S<br />
I S S U E 1 3 4 / N O V E M B E R 2 0 1 7
134<br />
VIVALEWES<br />
EDITORIAL<br />
Every year we are faced with the same problem. It’s pretty clear what the main event is in <strong>Lewes</strong><br />
in <strong>November</strong>, but as all that is over by end-of-play on the 5th (the 4th this year, of course) we<br />
don’t want to produce a magazine that looks out of date when less than a sixth of the month has<br />
elapsed. This time we’ve sorted that problem by making the theme ‘Noir’ which, while nodding<br />
to the moody film genre, was chosen to reflect everything that happens at night. And by that<br />
we don't just mean THE night. So our wonderfully semi-abstract cover, by Alexander Johnson,<br />
calls to mind the fireworks that are let off all over town at the climax of <strong>Lewes</strong>’ biggest event.<br />
But by the very nature of its abstraction, it can be read in more ways than one, and thus retain<br />
its relevance as the month goes on, and the nights draw in.<br />
We’re particularly pleased with our The Way We Work section, which reflects a good deal of<br />
very hard graft by photographer Tom Reeves, who asked a member of each bonfire society to<br />
go to work in their bonfire costume, so they could be snapped going about their daily tasks in<br />
all their processional finery. The subtext? Bonfire incorporates people from all walks of life; it is<br />
the social gel that binds this town together, like no other town. And bonfire people are bonfire<br />
people all year through.<br />
We also discover about night-time football photography, stargazing with your kids, and how to<br />
deal with insomnia, as well as why the nightingale is so called. With the clocks going back on<br />
the 29th October this year, <strong>November</strong> is the time when you can really start enjoying those everlonger<br />
nights. Wrap up warm and indulge in them, then… enjoy the issue.<br />
THE TEAM<br />
.....................<br />
EDITOR: Alex Leith alex@vivamagazines.com<br />
SUB-EDITOR: David Jarman<br />
DEPUTY EDITOR: Rebecca Cunningham rebecca@vivamagazines.com<br />
ART DIRECTOR: Katie Moorman katie@vivamagazines.com<br />
ADVERTISING: Sarah Hunnisett, Amanda Meynell advertising@vivamagazines.com<br />
EDITORIAL / ADMIN ASSISTANT: Kelly Hill admin@vivamagazines.com<br />
PUBLISHER: Becky Ramsden becky@vivamagazines.com<br />
DISTRIBUTION: David Pardue distribution@vivamagazines.com<br />
CONTRIBUTORS: Jacky Adams, Jacqui Bealing, Michael Blencowe, Sarah Boughton, Mark Bridge, Emma Chaplin,<br />
Daniel Etherington, Mark Greco, Anita Hall, John Henty, Mat Homewood, Chloë King, Lizzie Lower,<br />
Carlotta Luke, Richard Madden and Marcus Taylor<br />
<strong>Viva</strong> <strong>Lewes</strong> is based at Pipe Passage, 151b High Street, <strong>Lewes</strong>, BN7 1XU, 01273 434567. Advertising 01273 488882
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www.harveys.org.uk
THE 'NOIR' ISSUE<br />
CONTENTS<br />
Bits and bobs.<br />
Alexander Johnson’s abstract airfield art<br />
(5-6); Rosie Boxer’s <strong>Lewes</strong> (11); Alice<br />
Dudeney’s <strong>Lewes</strong> (13); plus pubs and<br />
plaques and clocks and hats.<br />
Columns.<br />
David Jarman dons a dressing gown (31);<br />
Chloë King lets out a secret (33); Mark<br />
Bridge gets all militant (35).<br />
On this month.<br />
James Boyes, <strong>Lewes</strong> FC photographer<br />
(37); Belongings at Glyndebourne (39);<br />
democracy campaigner Anthony Barnett<br />
on Brexit (41); Emma Tucker on the future<br />
of print journalism (43); Anabel Inge on<br />
the lives of Salafi women (45); krautrock<br />
legends faUSt at the Con Club (47); the<br />
<strong>Lewes</strong> Breviary sung on home turf for the<br />
first time in over 500 years (49); We the<br />
Uncivilised, a permacultural documentary<br />
(51); Depot round-up (53).<br />
85<br />
Art.<br />
EW Tristram’s amazing panels (55); Jessica<br />
Warboys’ underwater art at Towner (57)<br />
and what’s on the gallery walls in <strong>Lewes</strong> and<br />
way beyond (59-65).<br />
Listings & Free time.<br />
Diary dates: what’s on where, when,<br />
including an explosive <strong>Lewes</strong> Speakers<br />
Festival (67-71); a packed-full classical<br />
round-up (73); Gig guide, including a visit<br />
from punk legends UK Subs (75-77); Free<br />
time U16 listings (79); young photographer<br />
of the month Alice Saunders (81); Shoes<br />
on Now goes stargazing (82) and Chris<br />
Riddell’s latest Goth Girl adventure (83).<br />
GOAT!<br />
5<br />
'Deanland Oak' by Alexander Johnson
THE 'NOIR' ISSUE<br />
Food.<br />
Tapas at Fuego Lounge: it’s <strong>Lewes</strong>, but not<br />
as we know it (85); everything we could eat<br />
at Chaula’s (87); a venison, Stilton & ale<br />
pie recipe that’ll make you slaver (88) and<br />
a cup of hot chocolate from Real Eating<br />
Company to wash it all down (91). Plus<br />
edible updates, of course (92).<br />
The way we work.<br />
Our favourite feature of the year: Tom<br />
Reeves photographs Bonfire people in<br />
their costumes… going about their daily<br />
work (95-103).<br />
95<br />
Photo by Tom Reeves<br />
Photo by Ben Reeves<br />
130<br />
Features.<br />
How much sleep do you need? (105).<br />
Where’s Todd taking Richard Madden this<br />
month? (107). Why is the nightingale so<br />
called? (109). Why shouldn’t you walk near<br />
the edge of a cliff? (111). Why wouldn’t you<br />
ask John Henty to look for your lost cat?<br />
(113). Plus business news (115).<br />
Inside left.<br />
Trick photography, Edwardian style (130).<br />
VIVA DEADLINES<br />
We plan each magazine six weeks ahead, with a mid-month<br />
advertising/copy deadline. Please send details of planned events<br />
to admin@vivamagazines.com, and for any advertising queries:<br />
advertising@vivamagazines.com, or call 01273 434567.<br />
Remember to recycle your <strong>Viva</strong>.<br />
Every care has been taken to ensure the accuracy of our content.<br />
<strong>Viva</strong> <strong>Lewes</strong> magazine cannot be held responsible for any omissions, errors<br />
or alterations. The views expressed by columnists do not necessarily<br />
represent the view of <strong>Viva</strong> <strong>Lewes</strong>.<br />
Love me or recycle me. Illustration by Chloë King<br />
6
Backstage<br />
Tours<br />
15 <strong>November</strong> – 9 December <strong>2017</strong><br />
10.15am and 2.15pm start times<br />
90 minute guided tours of the theatre, backstage, dressing rooms and more<br />
Tickets £14 (including free tea and coffee on arrival)<br />
Book at glyndebourne.com<br />
Andy Orwell
THIS MONTH’S COVER ARTIST:<br />
This month’s cover is by abstract<br />
painter and printmaker<br />
Alexander Johnson. Given the<br />
theme ‘Noir’, he created the<br />
firework-inspired image using<br />
silk screen ink, rolled onto<br />
black paper. “I like to combine<br />
the printmaking process and<br />
the painting process, and this<br />
seemed like the perfect opportunity.<br />
I think I did two or<br />
three different versions of the<br />
fireworks and kept painting out<br />
where I didn’t like them and<br />
doing it over, which is what I<br />
always do. I don’t start again, I<br />
leave the mistakes underneath,<br />
and hopefully a few of them will<br />
show through so people can see<br />
the working process.”<br />
Alexander operates from his<br />
studio in Laughton, where he’s<br />
been based for the past two<br />
years. “I’d been making figurative<br />
and quite commercial work<br />
up until about ten years ago,”<br />
he says. “But I’d had enough<br />
of making this ok work, that I<br />
could do quite well but I wasn’t<br />
really getting much out of. I decided<br />
I needed to make something<br />
that I liked myself, that<br />
I would put in my own house,<br />
and so I made a conscious decision<br />
to go more abstract, and I<br />
started by working from these<br />
aerial photographs that my father<br />
(pictured, right) had taken<br />
when he was a Spitfire pilot<br />
during the war.”<br />
“I’ve tended to work almost<br />
like a fashion designer in that<br />
I make collections, so I’ll be<br />
on one subject for two or three<br />
years and then it sort of exhausts<br />
itself and then I spend a bit of<br />
time looking around for something<br />
else to do. Six months<br />
after my partner and I moved<br />
8
ALEXANDER JOHNSON<br />
to Laughton, I was in the local<br />
post office and I found this little<br />
book on RAF Deanland, near<br />
Hailsham, with a picture of a<br />
Spitfire on the front. Because my<br />
father had been a Spitfire pilot,<br />
anything with a Spitfire grabs<br />
my attention, so I bought it. I<br />
got back to the studio and realised<br />
it was about a local airfield<br />
that had been built to support<br />
the D-Day landings in 1944, and<br />
I thought, ‘this is it – this is the<br />
gift I’ve been waiting for’.<br />
“I cycled out there and managed<br />
to get an introduction with<br />
the guy who owns the airfield<br />
now, and sort of self-appointed<br />
myself as artist in residence<br />
there. I go out and I sketch,<br />
generally in charcoal, and I do<br />
pretty standard landscape drawings<br />
of the buildings there and<br />
the Downs in the distance and<br />
the trees. Once I’ve got that in<br />
my head, I continue to redraw<br />
those scenes, but they become<br />
more and more abstracted and<br />
refined, and I leave more and<br />
more information out, so I end<br />
up with a much simpler scene.<br />
It’s a sort of distillation, I suppose<br />
– a simplification.<br />
“I had an exhibition earlier this<br />
year and at the private view<br />
I met a photographer called<br />
John Brockliss, who was also<br />
between projects. We got talking<br />
about my Deanland images<br />
and he decided that he’d like<br />
to make a body of work documenting<br />
me doing the project.<br />
Out of that he’s now decided to<br />
produce a book, which is coming<br />
out next year. The book will<br />
be half black-and-white photographs<br />
of the working process<br />
and me in the studio, interspersed<br />
with colour plates that<br />
has been made: silk screens and<br />
etchings and oil paintings. John<br />
approached Antony Penrose to<br />
write the preface to the book.<br />
He came over and saw the work,<br />
liked it, and obviously saw parallels<br />
between what he’s doing<br />
with his mother’s photographs.<br />
We’re treading quite similar<br />
paths in a way, because I’m trying<br />
to retell my dad’s story, he’s<br />
trying to retell Lee’s [his mother<br />
Lee Miller’s] story.” The book<br />
comes out in June 2018, with an<br />
exhibition at 35 North Gallery in<br />
Brighton.<br />
Rebecca Cunningham<br />
Alexander will be the focus of<br />
an exhibition and print sale at<br />
Gallery 40 in Brighton from the<br />
4th to the 10th Dec. His drawing<br />
'Deanland Oaks' was selected for<br />
the Jerwood Drawing Prize this<br />
year and will be touring until July<br />
2018. alexander-johnson.com<br />
9
With us,<br />
it’s more<br />
about<br />
you<br />
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Open Morning at Leicester House<br />
174 High Street, BN7 1YE<br />
Saturday 25th <strong>November</strong><br />
9.30 - 12.00<br />
For more information please contact:<br />
The Admissions Secretary<br />
office@logs.uk.com<br />
01273 472634<br />
www.logs.uk.com
Photo by Alex Leith<br />
MY LEWES: ROSIE BOXER,<br />
BUSINESS RESEARCHER, ROCKET FM PROGRAMMER<br />
Are you local? No. I was born in Birkenhead – the<br />
Wirral, actually – and moved to Ringmer in 1987<br />
when my husband Tony got a job at Brighton Poly.<br />
We had a spell in Newcastle, but it was too cold up<br />
there, so we moved back down, to the same house,<br />
which we had never sold and still live in now. I got<br />
a job at <strong>Lewes</strong> Tertiary College… the rest is history.<br />
Why did you choose Ringmer? We wanted to live<br />
round here because of the train links to London<br />
and Gatwick Airport; the houses in Ringmer were<br />
more affordable than those in <strong>Lewes</strong>. We realised<br />
it was a lovely village, with great shops and a fine<br />
community swimming pool. We regularly walk up<br />
to the top of Caburn, from where you can see the<br />
sea, on a good day. We’ve not regretted it.<br />
How did you get involved in Rocket FM? I got<br />
hooked on radio when I was a barmaid at The<br />
Grapes close to Radio City’s studios in Liverpool,<br />
then I started doing hospital radio DJing as<br />
a hobby. About ten years ago I met Rocket’s Andy<br />
Thomas and he persuaded me to get involved.<br />
Should it be on all year? It relies on the good<br />
will and hard work of an awful lot of volunteers<br />
and sponsors, and I’m not sure that would be sustainable<br />
for much longer than three weeks a year.<br />
People don’t realise how much goes into it. Just the<br />
programming – which I do with Peter Flanagan – is<br />
a full-time job for three months.<br />
Are you ‘Bonfire’? On the 5th, I generally stay at<br />
home! But we consider Rocket FM to be the eighth<br />
bonfire society. And I think that Bonfire is incredibly<br />
valuable for the town, not least to protect its<br />
cultural heritage. <strong>Lewes</strong> is increasingly becoming a<br />
destination town, and it’s great for the residents to<br />
be able to take it back for 24 hours.<br />
Where do you like eating and drinking? In<br />
terms of <strong>Lewes</strong> pubs the Brewers, the <strong>Lewes</strong> Arms<br />
and the Swan, but our favourite is the Six Bells in<br />
Chiddingly. Their Christmas Yorkies are to die for.<br />
We really miss the Trevor in Glynde – please do<br />
something Harveys! – but enjoy the quarterly popup<br />
pub run by the Glynde Memorial team. The<br />
food in the new chains Côte and Aqua is good, but<br />
I’m worried about the effect they’ll have on all the<br />
independents.<br />
Where do you shop? Bread, meat and pet supplies<br />
can all be bought in the village. Otherwise Tesco,<br />
Waitrose (when I get free vouchers) and - for a<br />
monthly treat - Lidl in Newhaven.<br />
What don’t you like about living in Ringmer? I<br />
spend too much time standing outside <strong>Lewes</strong> Waitrose<br />
waiting for the bus, which is very unreliable.<br />
If not Ringmer, where would you like to live?<br />
West Kirby, where my sister lives. If it’s not raining<br />
you can see Wales, over the Dee. It’s where I hung<br />
out as a teenager, and that never leaves you. AL<br />
Rocket FM, rocketfm.org.uk / 87.8FM, runs till<br />
<strong>November</strong> 5th<br />
11
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MY LEWES: FROM BEYOND THE GRAVE<br />
The early 20th-century novelist and diarist Alice Dudeney has, for some months, been communicating<br />
with us using the medium of Twitter, under the moniker @MrsDudeney. We asked her the usual questions…<br />
Are you local? I was born in<br />
Brighton and went to school in<br />
Hurstpierpoint, then lived in<br />
London for some years before<br />
returning south, first to Surrey in<br />
1890 and then to <strong>Lewes</strong> in 1916.<br />
What do you like/dislike<br />
about <strong>Lewes</strong>? I love <strong>Lewes</strong><br />
for the Downs and the views. I<br />
loathe the snobs, sentimentalists<br />
and spiritualists.<br />
How would you spend a perfect<br />
Sunday afternoon? A walk<br />
to Firle, across the Downs, with<br />
my Dalmatian, and later a book<br />
and a doze by the fire.<br />
When did you last walk up a<br />
Down? This very morning.<br />
What did you have for breakfast<br />
this morning? Eggs, coffee,<br />
toast and marmalade.<br />
What is your favourite <strong>Lewes</strong><br />
building? My home - I suspect<br />
you have noticed it? - Castle<br />
Precincts House.<br />
Your favourite view? From<br />
Southover hills out to Seaford<br />
Bluff and even, on a clear day,<br />
the Seven Sisters.<br />
Where do you do your food<br />
shopping? Pryor the pork<br />
butcher - despite his impertinences<br />
- for meat; Westgate<br />
Stores for sundries.<br />
Which is your favourite<br />
boozer? Can you recommend<br />
where to eat out round here?<br />
I prefer to lunch in more refined<br />
company in London. You’d have<br />
to ask [her husband] Ernest<br />
about taverns, but I sampled a<br />
cocktail in Park Lane recently<br />
and have rather taken to them.<br />
Are you ‘Bonfire’? The Bonfire<br />
Orgies tend to send the dog<br />
mad with terror, but I’m not<br />
averse to giving sixpence to a<br />
kid with a guy.<br />
Who would you like to see<br />
burnt in effigy on <strong>November</strong><br />
5th? Edith Wharton -<br />
detestable woman.<br />
Which is your favourite Twitten?<br />
A favourite twitten? What a<br />
silly question. Church Twitten, I<br />
suppose.<br />
Are you religious? Which<br />
church do you attend? That is<br />
a personal matter, but I am observant,<br />
yes, and attend St Michael’s<br />
- despite that treasonable,<br />
pacifist priest Kenneth Rawlings.<br />
Where would you live if you<br />
didn’t live in <strong>Lewes</strong>? If not<br />
<strong>Lewes</strong>, Lympne. Alex Leith<br />
Photo of Mrs Dudeney in 1928 courtesy of Reeves<br />
13
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BOOKS AND BOBS<br />
LOCAL LITERATURE<br />
<strong>Lewes</strong> resident Mark Perryman,<br />
a very active member of the local<br />
Labour Party, has edited a collection<br />
of essays about the sudden and<br />
meteoric rise of Jeremy Corbyn,<br />
and its implications. It is called The<br />
Corbyn Effect.<br />
I nearly gave up on the book during<br />
the second essay, The Absolute<br />
Corbyn, when academic Jeremy<br />
Gilbert managed to shoehorn the<br />
words and phrases ‘collectivism’,<br />
‘democratisation’, ‘pluralisation’,<br />
‘condition of responsibility’ and<br />
‘radically participatory and deliberative<br />
mechanisms of self-government’<br />
into the same sentence. Thankfully I<br />
read on, because the rest of the book<br />
isn’t hostage to such demoralising<br />
clusters of jargon.<br />
There are 16 essays, in total, written<br />
by journalists and academics from<br />
across the country. Almost all of<br />
these commentators write from a<br />
left-of-centre perspective, but the<br />
book is far more than a triumphalist<br />
celebration of Corbyn’s recent<br />
power surge. Some writers question<br />
what compromises Labour will<br />
have to make if they want to win<br />
the next election; others ask why<br />
it took the party so long to offer<br />
up a robust antidote to Thatcher’s<br />
neoliberal policies. If you’re interested in the state<br />
of play of the Scottish Labour Party in the face of<br />
the SNP’s recent decline, this is the book for you;<br />
ditto if you’re fascinated by the age demographics<br />
of Labour’s target seats in the next election.<br />
Meanwhile, <strong>Lewes</strong>-based popular science writer Dr<br />
Michael Brooks came into the office the other day<br />
announcing he had just written not one, but two<br />
books ready for the Christmas market.<br />
The more immediately approachable<br />
of the books, which he co-wrote with<br />
Rick Edwards, is called Science(ish) 1 and<br />
subtitled The Peculiar Science Behind the<br />
Movies. It’s a reworking of a successful<br />
podcast by the pair, examining some of<br />
the ideas thrown out in sci-fi movies<br />
and questioning whether they could<br />
actually occur. Perhaps you’ll recognise<br />
the films, if I precis a handful of the<br />
ideas: Are we living in a digital simulation?<br />
Can we resurrect dinosaurs from<br />
their fossilised DNA? Is it possible to<br />
go back to 1955? It’s not as science-lite,<br />
actually, as you might imagine, designed<br />
to couch complex ideas within a demotic<br />
framework to help wash down all<br />
that knowledge. Dr Brooks’ other book<br />
The Quantum Astrologer’s Handbook,<br />
which I’ll review at more length in the<br />
next issue, is a more serious proposition,<br />
a novelistic exploration of the life<br />
and times of maverick sixteenth-century<br />
Milanese polymath Jerome Cardano.<br />
Another book you’ll be hearing more<br />
of in the December issue is In an Old<br />
House, the fruit of Peter and Sally<br />
Varlow’s journey of discovery when<br />
they investigated the history of the<br />
medieval house, on the outskirts of<br />
Chailey, that they bought and caringly<br />
renovated in 1982. Full of illustrations,<br />
diagrams, and short, headed paragraphs, it’ll be of<br />
great interest to anyone interested in architecture<br />
and/or local history.<br />
Finally, a mention for the latest Frogmore Papers<br />
quarterly poetry collection - their 90th edition<br />
- with over 40 contributors, and a fine cover by<br />
<strong>Viva</strong> regular Neil Gower. At a fiver, it’s a thoughtprovoking,<br />
emotion-triggering snip. AL<br />
15
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Southover Church was associated with St<br />
Pancras Priory, but survived the 16th century<br />
dissolution. An earlier spire collapsed in 1698, so<br />
by 1714 work began on a new tower. Today this<br />
houses ten bells as well as the clock, with its two<br />
faces on the north and west walls.<br />
Fittingly for this issue's noir theme, the clock<br />
faces are black. That's not entirely unusual, but<br />
blue faces are more common for British church<br />
clocks, like that of St Thomas in Cliffe. There<br />
are various theories: Henry VIII may have<br />
stipulated blue to echo a description of priestly<br />
garments in Exodus; maybe it was because blue<br />
pigments were costly and thus seen as being<br />
special. The Southover clock, made by Lawson &<br />
Son of Brighton, dates from 1890, long after the<br />
Tudor stricture had loosened.<br />
It's wound weekly by the bell ringers. The faces<br />
keep slightly different time, with the western face<br />
run via a long driveshaft with right-angle gearing,<br />
whereas the north face is driven directly.<br />
Under the clockfaces themselves are various<br />
memorials, including the heavily weathered Ashdown<br />
Stone, a legacy of the prior of the Priory<br />
in the 1520s, the De Warenne arms and another<br />
stone underneath that includes the date of the<br />
tower's construction.<br />
Daniel Etherington<br />
Thanks to Dr David Ross.<br />
Photo by Daniel Etherington
BITS AND BOX<br />
CHARITY BOX: KISS MY DISCO<br />
I do many things including<br />
DJing and supporting adults<br />
with learning disabilities.<br />
About ten years ago I combined<br />
these two paths and set<br />
up what eventually became<br />
Fresh Track DJs CIC or ‘Community<br />
Interest Company’.<br />
Fresh Tracks supports, teaches<br />
and mentors adults with learning disabilities, who<br />
have a passion for music, through DJ workshops<br />
and events.<br />
Kiss My Disco is the club night that provides a<br />
platform for the students involved in the workshops.<br />
It’s open to anyone, with and without disabilities.<br />
One of our goals is to encourage an active<br />
social life for disabled people. Another is to bring<br />
both learning disabled and non-learning disabled<br />
communities together. It's very much about raising<br />
people’s confidence levels and<br />
thus validating them within their<br />
own communities.<br />
People can expect a wide<br />
and varied selection of music<br />
depending on who is DJing. It's<br />
a safe and friendly environment<br />
and very open hearted. It is<br />
always a lot of fun too.<br />
Kiss My Disco takes place at different locations<br />
in East Sussex. The <strong>Lewes</strong> ones are held at The<br />
Volunteer pub. It’s open to anyone over 18, regardless<br />
of ability. We are always wheelchair friendly<br />
with fully-accessible bathroom facilities.<br />
As told to Emma Chaplin by Nick Carling<br />
Next Kiss My Disco at The Volunteer, Thurs 16,<br />
7-11pm. £4 on the door, support workers go free.<br />
Find out more about Fresh Track and Kiss My Disco<br />
by visiting freshtrack.org or follow @kiss_my_disco<br />
Photo by Keith Colin<br />
Accounts need<br />
sorting out?<br />
Call Richard for friendly, affordable help<br />
with tax returns, accountancy and VAT<br />
Laurence<br />
Turrell & Co.<br />
BUILDING | RENOVATION | BESPOKE<br />
07941 207 931<br />
richard@beancountersoflewes.com<br />
www.beancountersoflewes.com<br />
01444 213499 | 07850 477318<br />
www.laurenceturrell.com
Sussex Wild Food Co<br />
- A L L P R O D U C E F R O M L O C A L S H O O T S -<br />
Find us at the <strong>Lewes</strong> Friday Food market every Friday<br />
and <strong>Lewes</strong> Farmers Market on the rst and third Saturday of the month<br />
Goatley, Staplecross Road, Northiam, Nr Rye, East Sussex<br />
01580 830571 | 07973 763749 | sussexwildfoodco@gmail.com<br />
Indian Restaurant & Cocktail Lounge<br />
BOOK NOW FOR CHRISTMAS & NEW YEAR<br />
Cocktail lounge available to hire for parties<br />
Opening times:<br />
Friday & Saturday 5.30pm-11pm<br />
Sunday - Thursday 5.30pm-10.30pm<br />
<strong>Lewes</strong>: 6 Eastgate Street, BN7 2LP , 01273 476707<br />
Brighton: 2-3 Little East Street, BN1 1HT , 01273 771 661
PHOTOGRAPHY<br />
CARLOTTA LUKE<br />
SECRET WOODLAND CAFE<br />
Carlotta’s pictures this month are from the<br />
OctoberFeast event ‘Secret Woodland Café’<br />
organised by the group talkingtrees.org.uk,<br />
dedicated to linking people to nature. The<br />
afternoon featured a barbecue with a difference:<br />
in close-up on the grill is a tasty hunk of flapjack,<br />
wrapped in leaves. ‘The event felt really magical,<br />
tucked into a back corner of the Railwayland,’<br />
she tells us. ‘It was raining slightly, but under<br />
the trees it was dry and cosy and felt like a secret<br />
hideaway.’ You can see more of Carlotta’s work at<br />
carlottaluke.com.<br />
19
Newhaven<br />
fort<br />
experience<br />
Saturday 9 th December & Sunday 10 th December<br />
10:00am - 4:00pm - £9.95 per child*<br />
To book your time slot to meet Santa visit:<br />
www.newhavenfort.org.uk<br />
Santa is travelling all the way from the North Pole<br />
to Newhaven Fort to meet you all!<br />
Treat the kids to a magical experience and let them<br />
enjoy Santa’s Workshop where they can:<br />
• Make Reindeer Food<br />
• Write a letter to Santa and<br />
give it to him in person<br />
Then meet Santa himself in his Festive Grotto<br />
and receive a special Christmas gift!<br />
Fort Road, Newhaven, BN9 9DS<br />
For further information email: info@newhavenfort.org.uk or call: 01273 517622.<br />
www.newhavenfort.org.uk<br />
• Decorate a Gingerbread Man<br />
• Decorate Christmas cards<br />
• Festive Face Painting<br />
*(Each child to be accompanied by no more than two adults)
BITS AND BOBS<br />
PATINA LANTERNS<br />
Fundraising is already underway<br />
for next year’s Moving<br />
On Parade, the noisy<br />
march of the region’s year<br />
sixes, before they progress<br />
to secondary school. The<br />
parade is organised, as ever,<br />
by the parents and teachers’<br />
group Patina. And as usual the group is helping to make the high street a more colourful place over Christmas,<br />
by renting out their popular willow-and-tissue lanterns for shopkeepers to put in their windows, thus helping<br />
generate a little more of that festive feeling for passers-by. Prices start at £20 for the 50cm-diameter Shining<br />
Star lantern and rise to £35 for the up-to-80cm Large Christmas Tree Lantern. There’s a new lantern, in the<br />
fold, too, the Awesome Owl (up-to-70cm, £35). The price is for a month’s rent and includes an LED light: all<br />
proceeds go to Patina, contact patinalewes@gmail.com to order ASAP.<br />
Meanwhile Astbury Solicitors are joining the cause, too, with a generous offer on their wills. They will dedicate<br />
half the fee from the writing of ten wills to Patina: customers should quote ‘Patina 2018’ when making their<br />
enquiry to John Astbury (jastbury@astburys-law.co.uk).<br />
THE ENTERTAINMENT PHENOMENON COMES TO BRIGHTON<br />
25 JAN - 10 FEB 2018<br />
0844 847 1515 *<br />
brightoncentre.co.uk<br />
*calls cost 7ppm plus your phone company’s access charge<br />
BOOK EARLY TO AVOID DISAPPOINTMENT
PHOTO OF THE MONTH<br />
BEE GONE<br />
“I had noticed that the refurbishers of 17 Market Street had uncovered this amazing<br />
shop logo from, I presume, the 80s, and had in a vague way been meaning to take<br />
a photo of it,” writes Mathew Clayton. “But then one morning I walked out of the<br />
Needlemakers and saw that it was about to be painted over. The decorator was just<br />
lifting up the paint roller so I had a slight panic to get my phone out in time before<br />
it disappeared forever. I think it is quite melancholic - it represents the end of someone's<br />
dream.” Quick work, Mathew, and it’s won you £20. As for melancholic... let’s<br />
hope that in decades to come it will be uncovered again.<br />
Please send your pictures, taken in and around <strong>Lewes</strong>, to photos@vivamagazines.com,<br />
or tweet @<strong>Viva</strong><strong>Lewes</strong>, with comments on why and where you took it, and your phone<br />
number. We’ll choose our favourite for this page, which wins the photographer £20, to<br />
be picked up from our office after publication. Unless previously arranged, we reserve<br />
the right to use all pictures in future issues of <strong>Viva</strong> magazines or online.<br />
23
01323 870840<br />
www.thesussexox.co.uk<br />
Milton Street<br />
East Sussex BN265RL
BITS AND BOBS<br />
REMEMBRANCE DAY<br />
Remembrance Day, Sunday 12th <strong>November</strong>,<br />
will be marked by a rather special Reeves Archive<br />
event at <strong>Lewes</strong> War Memorial, the details<br />
of which are being kept under wraps. The event<br />
will take place after the Royal British Legion Remembrance<br />
Parade, and will run from 4.45pm to<br />
around 6.15pm.<br />
There will also be an exhibition relating to the<br />
Memorial and the names inscribed on it in <strong>Lewes</strong><br />
Town Hall. Opening times are from 13th to 24th<br />
<strong>November</strong>, Monday to Friday from 9am to 4pm.<br />
Reeves sent us this picture to accompany the<br />
news about their event on the 12th: it was taken<br />
in 1922 shortly after the unveiling of the War<br />
Memorial. The monument, with bronze figures<br />
on an obelisk of Portland Stone, was designed<br />
by Vernon March, and commemorates 251 of<br />
the <strong>Lewes</strong> men who died in WW1; another 126<br />
names were added after WW2. Lest We Forget.<br />
NOVEMBER WINTER WARMER<br />
The weather is turning colder and the days are getting darker....<br />
So lie back, relax and snuggle up in one of our heated<br />
massage beds. Treat yourself to a luxurious facial and<br />
receive a massage half price.<br />
Why not book in with a friend or a loved one and<br />
enjoy this package together in our duo treatment room,<br />
and get an additional £10 off.<br />
19 Railway Lane, <strong>Lewes</strong>, BN7 2AQ | 01273 470097 | info@thebeautyroomslewes.co.uk<br />
www.thebeautyroomslewes.com
BITS AND BOBS<br />
TOWN PLAQUE #32<br />
The Normans built many motte & bailey castles in England, but only<br />
two have twin mottes – <strong>Lewes</strong> and Lincoln. The elevated mound was<br />
usually created by material dug out from a surrounding ditch, thus doubling<br />
the obstacle. <strong>Lewes</strong> Castle is unusual in that the keep stands on a<br />
high mound, constructed of chalk blocks. Brack Mount gave a vantage<br />
point north over the valley.<br />
Castle Ditch Lane is exactly what one would expect – from the barbican<br />
it follows the old bailey wall round to the junction with Mount Place. Now a cul-de sac, it comprises buildings<br />
old, new and ruined and the ‘prisoners’ entrance’ round the back of the Crown Court. It is also part<br />
of a circular walk – from the Castle Precincts, round the bowling green, through the Maltings car park and<br />
‘Magic Circle’ area and back via Popes Passage to the High Street. Check it out. Marcus Taylor<br />
LEWES IN NUMBERS: LEWES POPULATION<br />
The population changes through births, deaths and moves into and out of an area. In <strong>Lewes</strong> District, for every<br />
1,000 people in 2015, 54 moved into the district, 48 moved out, 9 were born and 11 died, totalling 12.2%<br />
of the population which has been replaced. The number of people moving in and out of the district is a little<br />
lower than in 2014, which we featured in December. In <strong>Lewes</strong> Town, only births and deaths are available.<br />
They show a total of 143 births and 138 deaths for 2015. Sarah Boughton<br />
GHOST PUB #37: THE STATION HOTEL, COOKSBRIDGE<br />
We are going to briefly sneak out of <strong>Lewes</strong> for this<br />
latest ‘ghost pub’. Many of you may remember the<br />
Pump House at Cooksbridge. This was originally<br />
the Station Hotel (aka the Station Inn or Railway<br />
Hotel). When the railway came to Cooksbridge in<br />
1847, Henry Henderson of the Rainbow Inn was<br />
quick to promote the village’s only pub in the Sussex<br />
Advertiser. It took well over ten years before a new<br />
inn was built nearer the station, and in March 1861<br />
John Satcher beat George Thomas at a sparrow<br />
shooting match ‘in connection with the new Station Inn’. Landlord Adam Oram offered food, accommodation<br />
and stabling, which must have seriously affected trade at the Rainbow. The Station Hotel had a large<br />
dining hall, or ‘club room’, adjoining the main building. This allowed various landlords to play host to annual<br />
club and society dinners, including those for the Victoria Cycling Club, and the Cooksbridge Cricket Club.<br />
They also hosted the annual fête, and clearly played a significant role in the social life of the village. During<br />
the 1970s and 80s the pub was known as ‘The Hop Leaf’, before changing its name again in the 1990s to ‘The<br />
Pump House’. It was around 2006 when the pub called its final “last orders at the bar”. The building stood<br />
derelict for some years before finally being demolished to make way for new housing. Many thanks to Sue<br />
Rowland for the photograph. Mat Homewood<br />
26
Looking for something unusual this Christmas?<br />
LEWES WOMEN IN BUSINESS<br />
POP UP CHRISTMAS EMPORIUM<br />
Saturday 9th December <strong>2017</strong><br />
10.30am - 5pm<br />
<strong>Lewes</strong> House, 32 High St, <strong>Lewes</strong><br />
Free entry<br />
Featuring a wide selection of<br />
local hand-crafted gifts<br />
& bespoke services<br />
Perfect for presents<br />
LWB is a not for profit CIC bringing together independent business women<br />
from all over <strong>Lewes</strong> District<br />
www.leweswomeninbusiness.co.uk<br />
Community Interest Company No. 10314864<br />
WHERE DID YOU<br />
GET THAT HAT?<br />
Callum was down from London visiting<br />
friends and enjoying the <strong>Lewes</strong> Light<br />
festivities when I spied the perfect spot<br />
outside the Harvey’s shop to take his<br />
photo. He was given this beanie as a<br />
gift so he could carry around a little bit<br />
of Brighton and Hove Albion with him<br />
wherever he goes (weather permitting).<br />
A staunch fan and season ticket holder,<br />
he has experienced the club’s highs and<br />
lows over the years, finally seeing them<br />
promoted to the top flight for the first<br />
time in a generation. Seagulls! KH<br />
28
BITS AND BOBS<br />
SPREAD THE WORD<br />
Hector, her neighbour's cat, hogging<br />
her October copy of <strong>Viva</strong>.<br />
‘He knew our house was the place<br />
to find out about the latest happenings<br />
around <strong>Lewes</strong>. He nipped<br />
in our front door last week and<br />
came up the stairs to join me for<br />
an afternoon read.’<br />
Keep taking us with you and keep<br />
spreading the word. Send your pics<br />
to hello@vivamagazines.com<br />
Here’s Ringmer resident, Maurice<br />
Robinson, a long way from<br />
home at Machu Picchu. What did<br />
he do after a four-day 45km trek,<br />
camping in the glorious Andean<br />
countryside with his son Colin<br />
and grandson Theo? Catch up on<br />
events back home with our digitalthemed<br />
issue, of course.<br />
More at home with creature comforts,<br />
Southover resident Barbara<br />
Brothers sent us this photo of<br />
Glow Wild<br />
A magical winter lantern trail<br />
30 <strong>November</strong> – 17 December<br />
Weekly, each Thursday to Sunday<br />
For details visit kew.org/glowwild<br />
29
HUZZAH!<br />
FOR<br />
BONFIRE<br />
BONFIRE ITEMS<br />
K FOR SALE J<br />
MATCHBOXES, MUGS,<br />
PRINTS, CARDS etc.<br />
K THE TOM PAINE J<br />
PRINTING PRESS & GALLERY<br />
151 High Street <strong>Lewes</strong>, opp. Bull House & Westgate Chapel<br />
Christmas Trees for Sale<br />
P.E. Underhay and Son<br />
est 1988<br />
Market Gardeners<br />
Traditional Norway Spruce:<br />
Under 5ft £15<br />
5ft - 6ft £20<br />
6ft - 7ft £25<br />
7ft - 9ft £30<br />
9ft upwards £35<br />
Buy from the grower.<br />
Cut to order.<br />
Super fresh.<br />
No needle-drop here.<br />
Some Nordman firs (non-drop) still available<br />
Open every weekend in December, 10am to dusk.<br />
Situated on B2124 between Laughton & Golden<br />
Cross between Park Lane & Broonham Lane<br />
before ‘Quik Loo Hire’.<br />
FRESH NEW LOOK<br />
AT RIVERSIDE<br />
Pop down to shop, stock up your fridge,<br />
come and browse or just grab a coffee.
COLUMN<br />
David Jarman<br />
DJ's PJs<br />
The 1957 film Woman<br />
in a Dressing Gown<br />
starred Yvonne<br />
Mitchell and Anthony<br />
Quayle as Amy and<br />
Jim (‘Jimbo’) Preston,<br />
a couple whose<br />
twenty-year-old<br />
marriage is starting<br />
to unravel. Jim is<br />
giving consideration to<br />
the competing charms of his siren secretary,<br />
played by Sylvia Sims. Stuck at home, Amy is<br />
increasingly unable to keep the show on the road:<br />
the flat tidy, the breakfast toast from being burnt,<br />
the dinner incinerated. An even greater concern<br />
is her wandering around all day in her dressing<br />
gown. When the film was rereleased in 2012<br />
the Guardian critic claimed that the Russians<br />
had a word for the undiagnosed depression<br />
that is obviously afflicting Amy. It’s ‘halatnost’,<br />
literally ‘dressing gown-ness’. As I often potter<br />
around the house in my dressing gown to at least<br />
midday, in my own naught availing struggle with<br />
the household chores, this rather alarmed me.<br />
I consulted a Bulgarian friend who had worked<br />
in Moscow for seven years, and whose Russian<br />
was more than adequate. She confirmed that the<br />
word ‘halatnost’ did indeed derive from ‘halat’,<br />
meaning dressing gown. Historically it was<br />
associated with the laziness and carelessness of<br />
both landowners and civil servants. Since the<br />
1840s it had gained, originally in literature and<br />
later in life, the suggestion of negligence. But she<br />
felt unable to endorse any suggested connotation<br />
of depression.<br />
In his new book on modern Russia, Peter<br />
Pomerantsev laments the architectural ravages<br />
being inflicted on pre Soviet experiment, Old<br />
Moscow. Streets with names like Pyatnitskaya: in<br />
English the Streetof-all-Fridays,<br />
‘full<br />
of little two-storey,<br />
nineteenth century<br />
mini-mansions,<br />
leaning higgledypiggledy<br />
on each<br />
other like happy<br />
drunk friends<br />
singing on their way<br />
home to a warm bed’.<br />
He adds: ‘Back in the eighteenth and nineteenth<br />
centuries St Petersburg was the capital, the city of<br />
power, regime, order. Moscow was a backwater,<br />
the holiday city where you could sleep in late<br />
and spend the day in your pyjamas’. And yet,<br />
Oblomov, the personification of ‘halatnost’ in<br />
Goncharov’s eponymous 1859 novel, rarely out<br />
of bed let alone his highly emblematic dressing<br />
gown, resides in St Petersburg. But, perhaps that’s<br />
the point.<br />
In his long essay on Venice which has recently<br />
been reissued, Javier Marias mentions that<br />
real Venetians avoid ‘anywhere that has been<br />
developed with tourists in mind.’ They are ‘not<br />
easy to spot; largely because they don’t go out<br />
very much. Entrenched behind their watermelongreen<br />
shutters, they watch the rest of the world<br />
- the periphery of the world - in their pyjamas and<br />
via their twenty TV channels’.<br />
Perhaps staying in your dressing gown is just a<br />
way of putting off the fag of getting dressed. In<br />
the Romanian Max Blecher’s sanatorium novel,<br />
Scarred Hearts, the hero recalls an Englishman<br />
who had committed suicide leaving a note that<br />
read ‘All this buttoning and unbuttoning’.<br />
Woman in a Dressing Gown is said to have done<br />
for dressing gowns what Psycho did for showers.<br />
That’s nonsense, but I fear Harvey Weinstein<br />
may have delivered its coup de grâce.<br />
31
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COLUMN<br />
Chloë King<br />
Totally wired<br />
By the time you read this<br />
I will be giving, or have<br />
given, or be about to<br />
give birth to my second<br />
child. How about that for<br />
a bombshell? A pregnant<br />
woman with a magazine<br />
column that, previous<br />
sentence excepted, hasn’t<br />
mentioned in that column<br />
that she is a pregnant<br />
woman!<br />
I assume it will surprise<br />
because at 37 weeks I'm<br />
still meeting people on the High St who say<br />
delightedly, “I didn’t know you were expecting!”<br />
I do wonder why this comment is always<br />
prefixed by “I didn’t know”. I expect it’s a<br />
linguistic development popularised since the<br />
advent of social media. Before Facebook, one<br />
wouldn’t expect to have up-to-date knowledge<br />
about another person’s life unless said person<br />
was someone you occasionally telephoned,<br />
invited for a drink, or had essentially been<br />
present with in conversation at some point<br />
over the last few months. Now, and I too am<br />
guilty of this, we often imagine that we have<br />
made personal contact with a dear friend just<br />
because we have followed their ‘status’ online.<br />
Unfortunately, it’s just not the same.<br />
You see, I haven’t been keeping it secret that<br />
I am pregnant, I just haven’t posted about<br />
my condition online. Either way, it should be<br />
glaringly obvious to anyone who knows me well<br />
because I’m not stood outside the <strong>Lewes</strong> Arms<br />
with a pint of Harvey’s and a roll-up in hand.<br />
I chose not to tweet about it because I’m<br />
becoming increasingly concerned about the<br />
untested consequences of children’s lives being<br />
documented online. That, and the pressure<br />
which we’re all under<br />
for our circumstances<br />
to measure up to a<br />
perfectly edited version<br />
of those of our peers. I’ve<br />
also learnt, as someone<br />
prone to coming up with<br />
ambitious action plans,<br />
shouting about them<br />
and then sitting down,<br />
that the kind interest of<br />
friends and acquaintances<br />
can become a tyranny of<br />
having to forever answer<br />
the question “have you done x yet?”.<br />
Keeping my news on the down-low is unlikely<br />
to prevent the upsurge in “have you popped<br />
yet?” that occurs as one enters the gym<br />
ball stage of pregnancy, but it has limited a<br />
substantial number of conversations about my<br />
intimate bodily functions.<br />
Speaking of which, I went to yoga for the first<br />
time last night. (There’s something else I bet<br />
you didn’t know, that there was, until yesterday,<br />
a single surviving female member of the<br />
gentrified <strong>Lewes</strong> community who had not yet<br />
tried yoga).<br />
If any reader is feeling cheated about my lack<br />
of pregnancy-related gossip, I can now happily<br />
reveal that I discovered three things at my<br />
LushTums antenatal yoga class. One, that Mum<br />
was right: it really is hard not to fart in balasana<br />
pose. Two: that, aside from the risk of farting<br />
among strangers, yoga is genuinely an extremely<br />
pleasurable thing to do. And three, I am<br />
personally so unused to purposeful relaxation<br />
that even after a large slice of Waitrose meat<br />
pie; a ninety-minute yoga session; a Radox bath<br />
and a 30-minute hypnotic download, I still felt<br />
totally wired.<br />
Illustration by Chloë King<br />
33
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COLUMN<br />
East of Earwig<br />
Mark Bridge gets militant<br />
Photo by Mark Bridge<br />
It was William Lonsdale Watkinson who coined<br />
the phrase 'far better to light the candle than to<br />
curse the darkness' in a sermon just over a century<br />
ago. Yet in a world that's threatened intermittently<br />
with nuclear war, depending on the availability of<br />
the US President's internet connection, it's easy to<br />
feel helpless against injustice. Of course, we can all<br />
prepare for the worst. Action films have told us the<br />
best way to react to unspeakable horror is to keep<br />
calm and carry on, walking unflinchingly through<br />
explosions. And I'm sure I'll find it pretty simple<br />
to substitute rat for free-range chicken in my postapocalyptic<br />
cooking.<br />
But all this metaphorical bunker-building feels a<br />
bit passive. Whilst it's good to have an excuse to<br />
stockpile tinned custard in the cupboard under the<br />
stairs, I doubt I'll have any opportunity to defend<br />
the village of Ringmer against a real attack. Or,<br />
at least, I didn't think I would... until my call-up<br />
papers arrived.<br />
Like many people, I'm a little nervous about the<br />
delivery of any government document. I'm pretty<br />
sure that worming the cat doesn't qualify me for<br />
an MBE, which means a letter bearing the House<br />
of Commons portcullis is probably trouble. And<br />
indeed it is, but not in the way I expect. Local MP<br />
Maria Caulfield has written of her disappointment<br />
that East Sussex County Council is considering the<br />
closure of Ringmer Library, along with six other<br />
local libraries. Her campaigning puts her in conflict<br />
with fellow Conservatives who control the council.<br />
Councillors say the planned closures would save<br />
money, although the inclusion of Ringmer seems<br />
counter-intuitive when the Village Hall building<br />
that contains the library has recently been enlarged<br />
and visitor numbers have increased. In fact, it was<br />
the Chair of ESCC who officially opened the new<br />
library last year.<br />
Figures from ESCC mention a journey of 10<br />
minutes from Ringmer Library to <strong>Lewes</strong> Library by<br />
bus, which would be absolutely true if there was a<br />
time machine waiting at <strong>Lewes</strong> Bus Station to save<br />
people from walking to the town's library. They<br />
also suggest the annual cost of running Ringmer<br />
library is around £8,000. That's just a quarter of the<br />
amount their councillors claimed in car travel for<br />
the last financial year. Sure, people from Ringmer<br />
could go into <strong>Lewes</strong> to use the library. But if that's<br />
the case, why stop there? Why not insist that Ringmerites<br />
could go into <strong>Lewes</strong> to use the shops, the<br />
schools and the pubs?<br />
Anyone interested can respond to the consultation<br />
online at consultation.eastsussex.gov.uk or, if<br />
you prefer paper, by picking it up from the library.<br />
While you’re there, I’d also recommend borrowing<br />
a book. One day, you may even be able to pick up a<br />
copy of my favourite rodent recipes. I think I'll call<br />
it 'Cooking by Candlelight'.<br />
35
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ON THIS MONTH: FOOTBALL<br />
James Boyes<br />
<strong>Lewes</strong> FC photographer<br />
Photo by James Boyes<br />
I’m celebrating my tenth anniversary as official<br />
<strong>Lewes</strong> FC photographer this year: my first<br />
season was in 2007/08, when Steve King’s team<br />
won promotion to the National Conference. I’ve<br />
photographed almost all of the home and away<br />
fixtures since, and more and more of the women’s<br />
team fixtures, too.<br />
Apart from an adult education Photography<br />
A-Level at Sussex Downs I’m pretty much selftaught.<br />
I’ve learnt on the job, basically. A lot of<br />
trial and error.<br />
I usually take about 700 pictures a match – approximately<br />
one every eight seconds - and of these<br />
about a third are worth keeping, which I post on<br />
flickr afterwards. I have no idea if this is a normal<br />
sort of ratio.<br />
For the men’s home games I also write a short<br />
match report for the Non-League Paper. I<br />
watch the game, but unlike other fans I’m not<br />
following the ball, I’m tracking players through<br />
the lens. Sometimes I don’t know it’s a goal until I<br />
hear the crowd’s reaction, then I’m busy capturing<br />
the celebrations.<br />
It’s the emotions that really make the picture,<br />
which is why goal celebrations are so good. My<br />
favourite ever shot was of <strong>Lewes</strong>’ David Wheeler<br />
reeling away after scoring a late goal against Braintree<br />
with an opposition player lying dejected on<br />
the floor. Pictures with players celebrating with<br />
the fans are usually pretty good, too. Big Deaksie<br />
and Cynical Dave are always there or thereabouts<br />
when the ball goes in the net.<br />
My camera equipment has improved since I<br />
started, but as this is a hobby I can’t afford the<br />
sort of really long zoom lenses the pros use. This<br />
means I can’t capture action on the other side of<br />
the pitch.<br />
This becomes worse for night matches, though<br />
a bit of post-production always helps. The sharpening<br />
tool is my best friend. <strong>Lewes</strong>’ floodlights<br />
were bought with the proceeds of a Pink Floyd<br />
concert in the Town Hall in the 60s, so while I’ve<br />
seen worse – especially at the level we’re at now – I<br />
can’t wait until they’re replaced, because it’s all<br />
about the light.<br />
I hardly ever watch a <strong>Lewes</strong> game without my<br />
camera. I go to Brighton sometimes as a fan: I<br />
always end up envying the guys taking the shots,<br />
and wishing I was down pitch-side.<br />
It can get very cold on the touchline, and very<br />
wet. In winter I wear a waterproof jacket and leggings.<br />
I look like the Michelin Man, but I’m not<br />
moving very much - I usually choose a spot and<br />
stay there for a while – so believe me it’s worth it.<br />
Would I want to do the job professionally? I’m<br />
not sure. At the moment there’s no pressure on<br />
me. If I don’t get the money shot, nobody minds –<br />
except me. As told to Alex Leith<br />
For <strong>Lewes</strong> Men’s and Women’s home and away<br />
fixtures, check out the club website. Look out for<br />
‘Boyesie’ on the touchline – he’ll be there.<br />
flickr.com/photos/jamesboyes<br />
37
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ON THIS MONTH: MUSIC<br />
faUSt<br />
Experimental krautrock legends<br />
How did you get to be so anti-conformist? It had<br />
a lot to do with the upheaval of ’68: there was the<br />
need for a bit of fresh air. The air was sticky with old<br />
generals... we needed a reversal of the situation, an<br />
evolution if not a revolution.<br />
You used music to make a political point? I was<br />
born an artist in a musical family, and so music became<br />
the obvious language to express myself. Music<br />
is powerful because it triggers fantasies, and leaves<br />
huge room for your own interpretation.<br />
Could you call faUSt a radical jazz band? Not at<br />
all! Jazz musicians practise their scales up and down:<br />
one of our first principles was that we don’t practise,<br />
we just play. A more adequate description of us is<br />
‘enlightened dilettantes’.<br />
You soon got pigeon-holed as ‘krautrock’. It’s<br />
an ugly word, that’s for sure. And ‘kraut’, of course,<br />
is an insulting term. But it’s an interesting one: at<br />
first the English music press needed a term for the<br />
interesting music coming out of Germany, then it<br />
rapidly developed into a specific description of a new<br />
established genre, before prostituting itself to mean<br />
any music from Germany that was a bit repetitive.<br />
You exploded onto the record-buying British<br />
market with The Faust Tapes on Virgin<br />
Records… An exceptional cocktail. It was produced<br />
by Uwe Nettelbeck and marketed by Richard<br />
Branson, both very clever, far-seeing people. Richard<br />
was a visionary. He picked us up after we had been<br />
dropped by Polydor for being undesirables. Well,<br />
we remained undesirables, so he dropped us too,<br />
but not before we made him a hit record. An album<br />
for the price of a single! It was financially successful<br />
– though not for us – and it is an excellent, hugely<br />
influential record: music as collage, cut and paste<br />
techniques. We threw a stone in the pond and quite<br />
a few ripples appeared.<br />
In the late 70s you ‘disappeared’. That is part of<br />
our legend. It was a grey period in the faUSt saga.<br />
We breathed. We moved our bowels. We generated<br />
children. We still played music, but we’d had enough<br />
of the music business, so we played outside that.<br />
There’s more than one faUSt playing nowadays…<br />
There were originally six musicians in the<br />
band, all from different backgrounds or nationalities:<br />
communication difficulties, there were lots, lots,<br />
lots. After 50 years there was bound to be a split,<br />
and now we are two. One is the live faUSt, and the<br />
other is [Hans Joachim] Irmler, who is more into the<br />
recording side: he’s doing splendid things, and we<br />
splendidly ignore each other and don’t throw stones<br />
at each other.<br />
Are you still a political band? Without being<br />
dogmatic about it, more so than ever.<br />
What do you think of Brexit?<br />
You Britons are still driving on the wrong side of the<br />
road, but your kitchen is better than it used to be.<br />
Alex Leith was talking to Jean-Herve Peron (above right)<br />
faUSt are playing the Con Club, <strong>November</strong> 23rd and<br />
24th, £19<br />
39
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ON THIS MONTH: TALK<br />
Why Brexit happened<br />
OpenDemocracy founder Anthony Barnett<br />
Was the Brexit referendum<br />
result the consequence of<br />
a protest vote? Brexit must<br />
be understood as the consequence<br />
of what I call ‘combined<br />
determination’. It didn’t have<br />
just a single cause. The failure of<br />
the economy since the financial<br />
crash, with lower real incomes<br />
and mounting insecurity, was<br />
one. The failings of the EU<br />
another. A third was the general<br />
collapse of trust in the British<br />
state and its main political parties.<br />
This dates back to the Iraq<br />
War when a double-blow took<br />
place: the deception of a Prime<br />
Minister lying to the country and the way we lost.<br />
You also suggest in your latest book ‘The Lure<br />
of Greatness’ that ‘it was England’s Brexit’.<br />
This is a further very important cause of Brexit.<br />
England without London voted by a massive 11%<br />
majority for Leave. As the largest entity, it carried<br />
the day as it overwhelmed majorities for Remain<br />
in London, Scotland and Northern Ireland, which<br />
were proportionally even higher. Brexit was an<br />
expression of Englishness. It’s peculiar because<br />
England has no institutions that represent it, unlike<br />
Scotland, Northern Ireland, Wales or London.<br />
It is trapped in the Anglo-British institutions of<br />
Westminster. The English have an added level of<br />
discontent, therefore, namely their lack of representation.<br />
This is displaced onto the European<br />
Union as the cause of their loss, whereas its origin<br />
lies here at home in the Empire State of Britain.<br />
Has Brexit made the disintegration of the<br />
UK inevitable? The breakup of the UK is not<br />
inevitable, but it would be beneficial compared to<br />
what is going on now. The nations<br />
would be normalised and<br />
become part of the European<br />
family arguing for its democratisation.<br />
The forces pushing<br />
towards either a constitutional<br />
federal outcome or separation<br />
of the UK will continue decade<br />
after decade.<br />
Has the result of June’s election<br />
– called since your latest<br />
book was written – significantly<br />
changed the nature of<br />
the post–Brexit-referendum<br />
crisis, and if so how? It has<br />
accelerated it. For example, [in<br />
The Lure of Greatness] I set out<br />
at some length why Theresa May was not qualified<br />
to be Prime Minister, and would be unsuccessful,<br />
when she had a 20% lead in the polls and looked<br />
unassailable. What I thought would take five years<br />
took five weeks! The most interesting change<br />
is with the Labour Party. I was right to see that<br />
Momentum, and its Bernie Sanders-style politics,<br />
was the important new force. I didn’t expect the<br />
Labour Party itself to revive in the way that it has.<br />
On the contrary. One of the reasons for Brexit,<br />
however, was that no positive case for being in Europe<br />
was made by the Remain campaign. I argue<br />
this should have been articulated by the Labour<br />
Party and the Left and isn’t being done, except<br />
by the Greens, and this remains the case today.<br />
Interview by Alex Leith<br />
Anthony, author of ‘The Lure of Greatness’, will<br />
talk at the <strong>Lewes</strong> Labour Party Open Meeting,<br />
<strong>November</strong> 6th, 7.30pm, Phoenix Centre. A much<br />
longer version of this interview can be found at<br />
opendemocracy.net<br />
41
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ON THIS MONTH: TALK<br />
Is print journalism dying?<br />
Times deputy editor Emma Tucker<br />
Is it fair to say the newspaper industry is in<br />
crisis in the UK? Yes - although some papers<br />
are worse affected than others. The crisis is most<br />
acute in the local press where many titles have<br />
disappeared. We've also seen the first national<br />
title - the Independent - go digital only and it's<br />
safe to say others will follow.<br />
How much is this down to the internet?<br />
Almost entirely - digital technology has totally<br />
disrupted the old print business model that<br />
sustained newspapers for the last 200 years and<br />
introduced intense competition for readers<br />
and advertisers. The way we consume news has<br />
changed completely - I meet plenty of young<br />
people who have never picked up a paper in<br />
their lives. People increasingly consume news via<br />
social media. Meanwhile, Google and Facebook<br />
are expected to take half of all digital revenue<br />
worldwide this year leaving not very much for<br />
traditional media to fight over. As print advertising<br />
sales fall off a cliff, newspapers are unable to<br />
make up the shortfall via digital advertising.<br />
It wasn't the Sun wot won it... Is it fair to say<br />
that newspapers' influence over the outcome<br />
of elections is fading? I think it's questionable<br />
as to how far newspapers influenced the outcome<br />
of the last general election. The competition<br />
from digital outlets and social media is now intense.<br />
The Labour Party in particular used social<br />
media to great effect in the last election - which<br />
definitely helped to galvanise young people to<br />
vote for Corbyn.<br />
Is there more ‘false news’ around than before?<br />
Yes. It's a huge problem and we're only just<br />
uncovering the extent to which it is manipulating<br />
public discourse. Every day we learn more about<br />
how Putin uses social media to disrupt western<br />
democracies and influence elections - not just in<br />
the US, but during the French and German elections<br />
and the recent referendum in Catalonia.<br />
The Times and other publications from the<br />
Times group aside, which is your favourite<br />
newspaper? Probably the Financial Times - my<br />
old newspaper - mainly because it has such solid<br />
reporting values and is very trustworthy. It also<br />
has great columnists. Otherwise, when I lived in<br />
<strong>Lewes</strong> I was a devotee of the Sussex Express - I<br />
still am!<br />
What’s the first section you turn to? I don't<br />
turn to anything. I swipe. I read the Times on my<br />
phone or tablet every morning starting with the<br />
top news stories and then the comment section.<br />
As Deputy Editor of the Times, how much do<br />
you come into personal contact with Rupert<br />
Murdoch. What’s he like? I see him from time<br />
to time when he is in town. He absolutely loves<br />
newspapers and news and always wants to know<br />
what's going on. He's old fashioned and courteous<br />
and not at all the ogre that everyone thinks<br />
he is. Interview by Alex Leith<br />
Emma Tucker, who was brought up in <strong>Lewes</strong>, is<br />
talking at the <strong>Lewes</strong> Literary Society, All Saints,<br />
14th <strong>November</strong>, 8pm, £11<br />
lewesliterarysociety.co.uk<br />
43
MKS <strong>Viva</strong> <strong>Lewes</strong> Oct <strong>2017</strong> outlines.pdf 1 12/10/<strong>2017</strong> 17:19<br />
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ON THIS MONTH: TALK<br />
Under the veil<br />
The lives of Salafi women<br />
The fastest growing Islamic<br />
faction in Britain is probably<br />
Salafism. Anabel Inge, author of<br />
The Making of a Salafi Muslim<br />
Woman: Paths to Conversion,<br />
is coming to <strong>Lewes</strong> Speakers<br />
Festival, and talks to us about<br />
her research.<br />
How difficult was it for a<br />
non-Muslim to gain access?<br />
Many Salafi Muslim women<br />
were automatically suspicious,<br />
understandably, because<br />
previous researchers had<br />
betrayed their trust, including<br />
an undercover journalist.<br />
For months, I didn’t push for<br />
personal information. Once<br />
I became a familiar presence at the mosque, they<br />
largely stopped suspecting I was a spy. Progress was<br />
slow, but patience paid off. I got more involved in<br />
the women’s lives, accompanying them to parties,<br />
picnics, religious lessons or on the school run.<br />
What did you discover? Spending so much time<br />
with these women made me realise we had a lot<br />
in common. Most were well-educated, university<br />
graduates, and all were native English-speakers.<br />
They’d grown up in both Muslim and non-Muslim<br />
families that saw the face veil as something alien, so<br />
veiling was a rebellious act. It could lead to heated<br />
arguments, threats and even being chucked out of<br />
the family home. Contrary to perception, these<br />
women had embraced Salafism and the veil as a<br />
matter of personal religious choice. For them, living<br />
a Salafi lifestyle was about forging a closer relationship<br />
with God, not about forcing their beliefs on<br />
others, let alone condoning any type of violence.<br />
They all condemned terrorism.<br />
How do Salafi Muslims view the status of<br />
women? Salafis think women and men are equal in<br />
the eyes of God, but have different<br />
roles. Men are providers,<br />
while women are primarily<br />
obedient wives and mothers.<br />
Relationships between the<br />
sexes outside marriage are forbidden.<br />
Men may have up to<br />
four wives, provided they treat<br />
them all equally. Salafis believe<br />
that every interaction between<br />
non-related men and women is<br />
potentially sexually charged, so<br />
it’s best to separate men from<br />
women everywhere. Women<br />
must cover from head to toe,<br />
and ideally that includes faces,<br />
though most Salafis do not<br />
consider that to be mandatory.<br />
What is it about Salafism that appeals to certain<br />
women? In one word, certainty. Because here was<br />
a comprehensive set of guidelines that, if followed,<br />
could guarantee the thing everyone wants – an<br />
eternity in paradise.<br />
You mention in your book that wearing the veil<br />
can provoke aggression in public places. I’ve yet<br />
to meet a fully-veiled woman who isn’t subject to<br />
regular verbal, and occasionally physical, abuse in<br />
public. Misogyny often combines with racism and<br />
Islamophobia in subtle ways. One young woman I<br />
interviewed was waiting at a bus stop when a man<br />
leaned out of his car to call: “Nice eyes, sexy”. Fluttering<br />
her eyelids, hand on hip, she sarcastically replied:<br />
“Thank you!” He was pretty shocked. Studies<br />
have shown that it’s Muslim women who bear the<br />
brunt of anti-Muslim attacks, while men are usually<br />
the perpetrators. Interview by Emma Chaplin<br />
<strong>Lewes</strong> Speakers Festival, All Saints Centre, 24th-<br />
26th. Anabel talks on Sunday 26th, 1.30pm.<br />
£12.50 single talk. Day/weekend tickets available.<br />
speakersfestivals.com/lewes-speakers-festival<br />
45
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ON THIS MONTH: OPERA<br />
Belongings<br />
Music and migration at Glyndebourne<br />
Photo by Sam Stephenson<br />
Walking into the staff café at Glyndebourne, I find<br />
myself surrounded by dozens of excited children<br />
who are taking a break from rehearsing a new opera.<br />
Belongings, composed by Lewis Murphy with<br />
words by Laura Attridge, compares the lives of<br />
World War 2 evacuees with present-day refugees<br />
fleeing war zones. As the youngsters return to the<br />
stage, Lewis sits down with a coffee. I ask him if<br />
there’s a moral to the story. “If there is a moral,<br />
it's about learning from history”, he tells me. “It's<br />
about openness and human connection. As well<br />
as entertaining the audience, I'm hoping we can<br />
make them ask questions of themselves.”<br />
Glasgow-born Lewis has been Glyndebourne’s<br />
Young Composer in Residence since 2015, before<br />
which, he admits, “opera was quite new to me”.<br />
He’s clearly a fast learner. As well as composing<br />
Belongings, he’s subsequently been commissioned<br />
with librettist Laura to write for Scottish Opera.<br />
Should we expect more music from the Attridge<br />
and Murphy partnership? “Whether we actually<br />
brand it as that, who knows. But in terms of setting<br />
ourselves up and promoting ourselves as creators<br />
of new opera, it’s something we are interested in.<br />
We’ve reached a point now where we feel comfortable<br />
working together.”<br />
This type of collaborative approach runs throughout<br />
Belongings. “Lucy Bradley, our director, was<br />
involved from the very beginning of the project,<br />
talking with me and the librettist about the story<br />
and trying to structure the narrative of the whole<br />
piece. And Lee Reynolds, our conductor, has also<br />
been heavily involved.”<br />
Earlier this year, culture and arts project The<br />
Complete Freedom of Truth arranged for all four<br />
members of the creative team to visit the Italian<br />
town of Sarteano and meet young people in a refugee<br />
community. Lucy encouraged the community<br />
to perform an improvised drama that represented<br />
‘home’. “It was really heart-warming, touching<br />
and very humbling for us to see what these guys<br />
missed”, Lewis says. “It was the first time we’d<br />
actually had direct contact with people who’d been<br />
through that situation.”<br />
Insight from the trip has been passed on to the<br />
65 members of Glyndebourne Youth Opera, aged<br />
between 9 and 19, who are singing alongside three<br />
professional singers: Rodney Earl Clarke, Leslie<br />
Davis and Nardus Williams. “The production taking<br />
shape here looks incredible, so I’m really excited<br />
to see what happens.” There’s a special show<br />
for schools followed by one public performance<br />
– but what next? “I would love to get it performed<br />
again”, Lewis says. “I think it is still a very relevant<br />
piece for our times. Themes of displacement and<br />
people being thrown into a new environment;<br />
these have happened throughout history and will<br />
probably continue to happen. As soon as you create<br />
conflict, people have to move.” Mark Bridge<br />
Belongings will be performed at Glyndebourne on<br />
Saturday 11th <strong>November</strong>. Tickets available from<br />
01273 815000 / glyndebourne.com<br />
47
chrismas<br />
ogden<br />
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At Chrismas Ogden Solicitors our philosophy<br />
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of Residential or Commercial Conveyancing,<br />
Wills and Probate and advising on Lasting<br />
Powers of Attorney (LPAs).<br />
“ We would like to wish members of all <strong>Lewes</strong> bonfire societies a happy and safe bonfire celebration! ”<br />
Chrismas Ogden Solicitors Limited, Howard Cottage, Broomans Lane, <strong>Lewes</strong>, East Sussex, BN7 2LT.<br />
Web www.chrismasogden.co.uk Telephone 01273 474159<br />
Fax 01273 477 693 Email enquiries@chrismasogden.co.uk<br />
Opening Hours: Mon-Fri 9am-5pm
ON THIS MONTH: CLASSICAL MUSIC<br />
<strong>Lewes</strong> Breviary<br />
Long-range missal<br />
On <strong>November</strong> 18th, at<br />
Priory School Chapel,<br />
The Brighton Early Music<br />
Festival Community<br />
Choir will be performing<br />
music from the <strong>Lewes</strong><br />
Breviary Missal. The<br />
latter is a 13th-century<br />
manuscript written by<br />
monks from the Cluniac<br />
Priory in <strong>Lewes</strong>, containing<br />
the words and<br />
music of the chants they<br />
performed during that period.<br />
Practice aside, this is the first time this music will<br />
have been voiced in this country since it was last<br />
sung by the monks before the destruction of the<br />
Priory, just a few hundred yards away, in 1547.<br />
The project is a pan-European affair. In 2015 the<br />
Brighton-based choir were invited to participate<br />
in a performance with Spanish early music group<br />
Resonet in Santiago de Compostela Cathedral (itself<br />
an institution with strong Cluniac links).<br />
Since then Resonet director Fernando Reyes has<br />
annotated two offices for services from the <strong>Lewes</strong><br />
Breviary Missal, including those for St Pancras<br />
and a rare, poetic Nocturne sequence for the night<br />
of the feast of St Thomas à Becket. The choir<br />
performed these chants in the Cluniac priory at La<br />
Charité-sur-Loire in July, in front of an audience of<br />
300 people, and now is bringing the music home.<br />
Naturally choir director Andrew Robinson, a<br />
<strong>Lewes</strong> resident, is excited by the concert, another<br />
collaboration with Resonet. “It’s a very powerful<br />
and emotional occasion,” he says. “And – thank<br />
god – the music’s not just good, it’s fantastic, which<br />
is what gives it legs.” He goes on to explain that<br />
the arrangement of the chant by Fernando Reyes<br />
is polyphonic – with<br />
two or more vocal lines,<br />
sung in a wide range<br />
of registers by a choir<br />
made up of both sexes,<br />
which adds much depth<br />
to the music. Furthermore,<br />
professional<br />
musicians from Resonet<br />
will be playing period<br />
instruments, “which<br />
makes the sound really<br />
take off” and certain<br />
elements of the concert will be dramatized.<br />
The French concert in July was performed in a<br />
Cluniac priory similar in size, design and date of<br />
foundation to the Great Church at <strong>Lewes</strong>, before<br />
the latter was destroyed. “What’s left of the Priory<br />
is largely the ruins of its toilet block,” Andrew continues,<br />
“so performing the concert in situ would not<br />
have been feasible for acoustic reasons. The <strong>Lewes</strong><br />
Priory School Chapel holds 300 people, is very near<br />
to the original site, and is an interesting building in<br />
its own right.”<br />
The <strong>Lewes</strong> Breviary is a fascinating document,<br />
which was at some point before the Dissolution<br />
taken to France, which ensured its survival. Considered<br />
to be the most important surviving English<br />
Cluniac liturgical source, it was put up for sale in<br />
1936, and bought by the Fitzwilliam Museum in<br />
Cambridge, where it now resides. “The monks sang<br />
for up to nine hours a day, so their song sheet was<br />
a substantial document, the thickness of a brick.<br />
There’s a lot more in there that won’t have been<br />
performed for over 500 years.” Alex Leith<br />
<strong>Lewes</strong> Priory Chapel, Sat 18th Nov, 7.30pm, £15 (£10<br />
concessions) children under 12 free, tickets from<br />
lewespriorymusic.com<br />
49
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ON THIS MONTH: FILM<br />
We the Uncivilised<br />
Lily and Pete Sequoia, permaculture filmmakers<br />
I meet Lily and Pete in the van which serves both<br />
as their home and as the vehicle which tows a<br />
trailer containing the 40-person-capacity military<br />
tent they have converted into a cinema and event<br />
space. This remarkable pop-up space enables them<br />
to showcase and discuss the documentary they have<br />
spent the last four years making and touring, We<br />
the Uncivilised, a Life Story.<br />
The film explores the ethics and mechanics of<br />
permaculture, the ecological way of life incorporating,<br />
in Pete’s words, “earth care, people care, and<br />
fair share.” It’s a beautifully rounded project: the<br />
couple, with their young daughter Solara, travelled<br />
round the country – from Devon to the Hebrides<br />
– interviewing outliers who embrace various<br />
permaculture-friendly lifestyles; “a mixture of grass<br />
roots activists, pioneers of the eco movement, and<br />
storytellers”. Then they drove back to their then<br />
home-berth at Zu Studios in the Phoenix industrial<br />
estate, and spent a year editing hundreds of hours<br />
of footage down to a feature-length movie. In the<br />
summer of 2016 they retraced their steps, playing<br />
the film in many of the places they’d been, as well<br />
as others besides. Over 25,000 people watched it.<br />
The couple met in Brighton in 2009 after dropping<br />
out of successful careers in London: Pete had been<br />
a designer working on international projects, Lily<br />
the PA for a marketing consultancy, and then a PT<br />
in a city gym. Neither of them were comfortable<br />
living within the corporate system; it was only after<br />
Pete did a Permaculture Design MA at Brighton<br />
University, and the couple spent their honeymoon<br />
funds on a six-month stay in the Chilean Andes<br />
studying permaculture among the indigenous people,<br />
that they worked out a new path. They bought<br />
themselves a van to give them the freedom they<br />
needed to explore a new way of life.<br />
They needed to jump through countless hoops to<br />
complete their project, from raising money for the<br />
production and post-production, to finding somebody<br />
capable of fine-tuning the editing process:<br />
particularly they are grateful to the creative community<br />
that had grown up around Zu. The journey<br />
showing the film round the country, between June<br />
and <strong>November</strong> 2016 was particularly gruelling<br />
(and, incidentally, entirely negotiated on biofuel).<br />
That’s not the end of the matter: the couple have<br />
continued to tour the film at festivals this summer,<br />
to get their ideas across. “We want to create an opportunity<br />
for people to connect with their feelings<br />
about what is unfolding and to be empowered by<br />
the process...” says Lily, “and where possible connect<br />
people, communities and ideas that challenge<br />
and resist the dominant narratives, and attempt to<br />
tell a different story of how we can live together in<br />
relationship to our environments.”<br />
The latest screening of the film, at the Depot,<br />
includes a Q&A with the filmmakers, and a guest<br />
panel, chaired by Ben Szobody, consisting of<br />
ONCA director Persephone Pearl, Peter Owen<br />
Jones (Vicar of Firle and TV presenter) and Lilian<br />
Simonsson, editor of the film.<br />
Alex Leith<br />
Depot, Wed 29th <strong>November</strong>, 8pm<br />
51
Antique & Fine Art Auctioneers<br />
Speak to our experts about selling your antiques:<br />
0800 093 7849<br />
clientservices@gorringes.co.uk<br />
15 North Street - <strong>Lewes</strong> - BN7 2PE<br />
www.gorringes.co.uk
ON THIS MONTH: CINEMA<br />
Film '17<br />
Depot round-up<br />
There’s plenty going on at Depot Cinema beyond<br />
their regular movie programme. Let’s start with<br />
the latest instalment of their ‘Every Picture Tells a<br />
Story’ book-to-film club in which viewers are encouraged<br />
to read the book, watch the film, and take<br />
part in a discussion afterwards. This month’s book is<br />
PD James' 1992 thriller Children of Men, made into<br />
a movie by Alfonso Cuaron in 2002 (1st Nov).<br />
Depot have teamed up with Brighton’s HOUSE<br />
Festival, showing four films chosen by artist Laura<br />
Ford, two of which play this month. The fab Japanese<br />
animation from Studio Ghibli Spirited Away is<br />
screened on 29th Oct and 1st Nov, while Bunuel’s<br />
surreal 1972 black comedy The Discreet Charm of the<br />
Bourgeoisie can be seen on the 2nd Nov.<br />
Cinecity is Brighton’s annual film festival, this<br />
year running between 10th-26th Nov. But not just<br />
Brighton: Depot will be screening the just-released<br />
documentary The Ballad of Shirley Collins (11th),<br />
looking at the career of <strong>Lewes</strong>’ ‘Folk Queen of<br />
England’, who has made such a successful comeback<br />
this year. There will be a Q&A with Shirley<br />
afterwards, and dancing morris men. Also under the<br />
Cinecity umbrella, <strong>Lewes</strong>-based artist-filmmaker<br />
Nick Collins (no relation!) will be showing a<br />
number of his atmospheric 16mm films exploring<br />
‘landscapes, human presence and absence, and the<br />
passage of time.’ Plus there’s a one-off screening of<br />
Spike Jonze’s psychological 2013 sci-fi rom-com<br />
Her in which Joaquin Phoenix falls in love with<br />
an operating system machine, brilliantly voiced<br />
by Scarlett Johansson; this is followed by a panel<br />
discussion with psychoanalysts Jennifer Leeburn<br />
and Andrea Sabbadini. There will also be preview<br />
screenings of two African films fresh out of the<br />
London Film Festival: The Nile Hilton Incident<br />
(20th, above), Egyptian director Tarik Saleh’s latest<br />
drama, and Makala (21st) a heart-rending Congolese<br />
documentary.<br />
Depot is facilitating a number of enterprising<br />
add-ons to films they’re screening. The documentary<br />
Unrest, about journalist Jessica Brae’s battle<br />
with ME, is on between the 10th and the 16th;<br />
all week holders of tickets to that film can book a<br />
ten-minute session lying on a bed with VR goggles<br />
which ‘allows the viewer to experience the often<br />
hidden world of ME and the complex duality of<br />
confinement and fantastical escapism’ according to<br />
publicity materials.<br />
On the 16th there’s a one-off showing of the inspirational<br />
documentary Embrace, encouraging women<br />
to be empowered by, rather than to feel ashamed<br />
of, their natural body shape, with a panel discussion<br />
afterwards. On the 23rd <strong>Lewes</strong> Welcomes Refugees<br />
Group present the hour-long documentary Calais<br />
Children, which is followed by talks by David<br />
Stevenson, Lilian Simonsson and Alison Bell, after<br />
which viewers are encouraged to have a drink and<br />
a discussion about the film. And on the 29th there’s<br />
a screening of the acclaimed documentary We the<br />
Uncivilised, by <strong>Lewes</strong>-based couple Lily and Pete<br />
Sequoia, plus panel discussion (see pg 51). Dexter Lee<br />
All dates and times are subject to change, check out<br />
lewesdepot.org<br />
53
Contemporary<br />
Handmade<br />
Jewellery
ON THIS MONTH: ART<br />
Treasure in the broom cupboard<br />
EW Tristram’s forgotten panels<br />
“What is that?” asked Alex<br />
Grey, who went to inspect<br />
a secret mural hidden away<br />
in St Elisabeth’s Church in<br />
Eastbourne, and has ended up<br />
organising the exhibition of a<br />
different but equally intriguing<br />
work of art. Being shown<br />
round the place by the church’s<br />
resident artist Fenya Sharkey,<br />
the Martyrs’ Gallery curator<br />
spotted what looked like an<br />
Italian quattrocento panel,<br />
leaning against the wall.<br />
St Elisabeth's was completed<br />
in 1938, and is Grade II listed.<br />
The description of the building<br />
in the British Listed Building<br />
archives describes, in the basement, an ‘important<br />
painted mural sequence, depicting the Pilgrim’s<br />
Progress in a free expression style by Hans<br />
Feibusch, 1944’. This is the artwork Alex went<br />
there to see, a painting which is under threat as<br />
the building, left derelict since 2003 when it was<br />
discovered to be of unsound structure, is soon to<br />
be knocked down.<br />
What she didn’t account for was the existence of<br />
another masterpiece, which had recently been rediscovered:<br />
eleven 6x3-foot painted panels, signed<br />
‘EW Tristram, 1938’. Tristram was a revered art<br />
historian and restoration expert, whose watercolour<br />
copies of hundreds of British medieval church<br />
frescoes are kept in the V&A Museum. These<br />
panels are the only originally conceived works he<br />
is known to have done: eleven scenes from the life<br />
of Christ, very much in the style of the medieval<br />
Italian masters. These had been placed around the<br />
Sanctuary of the church, but some time after the<br />
building’s listing in 1993 had been put away in a<br />
cupboard otherwise used for<br />
storing cleaning materials,<br />
and forgotten.<br />
Alex has arranged for all<br />
eleven panels to be displayed<br />
in the Martyrs’ Gallery in the<br />
run-up to Christmas: I meet<br />
her there to talk about the<br />
exhibition, and she’s clearly<br />
excited. “Some members of<br />
the 20th Century Society<br />
had been to St Elisabeth’s<br />
shortly before me to see the<br />
Feibusch murals and had also,<br />
by chance, seen the recently<br />
discovered paintings,” she<br />
says. “They had just compiled<br />
a list of the ‘top 100 works of<br />
British art in the 20th century’, and they said that<br />
if they had known about the Tristram panels, they<br />
would have put them in the top ten.”<br />
It’s remarkable, then, that the panels had disappeared<br />
without anyone seemingly missing them;<br />
Alex jumped at the chance to display them at<br />
Martyrs’. The exhibition will be free to visit, but<br />
she’ll make it clear that donations will be welcome,<br />
and proceeds will go to the St Elisabeth’s church<br />
fund, aiming to raise enough cash to facilitate the<br />
moving of the Feibusch murals – a delicate and<br />
expensive task – from the basement of the church<br />
to a new home before the building is demolished.<br />
“I’m glad that people coming to see one artwork<br />
from St Elisabeth’s will be able to help save<br />
another,” she concludes; there will be a series of<br />
ticketed events connected with the exhibition.<br />
Alex Leith<br />
Martyrs’ Gallery Nov 4th – Dec 17th (private view<br />
Fri 3rd Nov, 6pm) check out martyrs.gallery for<br />
related events.<br />
The Flight into Egypt, EW Tristram, 1938<br />
55
VALUATION DAY<br />
Jewellery and Antiques<br />
Tuesday 21 <strong>November</strong><br />
10am to 4pm<br />
Bonhams specialists will be at<br />
The Courtlands Hotel to offer free<br />
and confidential advice on items<br />
you may be considering selling<br />
at auction<br />
APPOINTMENTS<br />
AND ENQUIRIES<br />
01273 220000<br />
hove@bonhams.com<br />
VENUE<br />
The Courtlands Hotel<br />
19-27 The Drive<br />
Hove BN3 3JE<br />
AN ART DECO SAPPHIRE<br />
AND DIAMOND NECKLACE<br />
£10,000 - 15,000<br />
bonhams.com/hove
ON THIS MONTH: ART<br />
Focus on: Sea Painting, Birling Gap, <strong>2017</strong><br />
By Jessica Warboys, 200cm by 550cm<br />
It was in 2009 when I made my first sea<br />
painting. I was spending time in Falmouth,<br />
Cornwall, moving around a lot and without<br />
a studio. Having worked with film and<br />
performance previously I had the urge to<br />
make a painting on a theatrical scale, where<br />
the performance was literally embedded in<br />
the surface of the piece. An autonomous,<br />
expanding, portable work – which was possible<br />
to make without a fixed space.<br />
I make the paintings at the sea shore. I<br />
submerge large canvases in the sea and then<br />
cast mineral pigments directly onto the<br />
sea soaked surface. For me the paintings<br />
capture something specific to the place of<br />
making: the changing elements and shifting<br />
variables such as the sand or gravel, and<br />
the season all shape the painting. Working<br />
intuitively in a direct way in unpredictable<br />
conditions gives the work an energy or<br />
urgency that becomes the surface.<br />
I usually choose quiet beaches that I can<br />
go to early in the morning. Birling Gap<br />
felt like being on a stage with the white<br />
cliffs closing off the beach. The descent to<br />
the beach made an impression on me; like<br />
entering a strange kind of arena. The point<br />
between the shore and the sea is always a<br />
fascinating space in which to become immersed<br />
or entangled.<br />
This sea painting forms part of<br />
ECHOGAP which comprises painting,<br />
sculpture, film, sound and light. The sea<br />
painting acts as a vista amongst sculptural<br />
works. The painting was also the beginning<br />
of conversations around the show at<br />
Towner Gallery and the motivation for<br />
a particular grouping of recent and new<br />
works.<br />
Each sea painting is an individual work<br />
but they have begun to make a kind of<br />
abstract map or journey when a group of<br />
paintings from different coasts have been<br />
collaged together.<br />
As told to Lizzie Lower<br />
Sea Painting, Birling Gap, <strong>2017</strong> will be on<br />
show at Towner Gallery until February 4th<br />
2018 as part of a ECHOGAP.<br />
57
A GREEN AND PLEASANT LAND<br />
BRITISH LANDSCAPE AND THE IMAGINATION: 1970s TO NOW<br />
AN ARTS COUNCIL COLLECTION NATIONAL PARTNER EXHIBITION<br />
30 SEPTEMBER <strong>2017</strong> - 21 JANUARY 2018<br />
townereastbourne.org.uk<br />
FREE ADMISSION<br />
TOWNER ART GALLERY<br />
Devonshire Park, College Road<br />
Eastbourne, BN21 1PS<br />
01323 434670 @TownerGallery<br />
John Davies, Agecroft Power Station, Salford<br />
© John Davies 1983
ART<br />
ART & ABOUT<br />
In town this month<br />
At Martyrs’<br />
Gallery,<br />
from the 5th,<br />
there is an<br />
exhibition of<br />
The Tristram<br />
Panels. An<br />
art historian<br />
working at<br />
the turn of the 20th century, EW<br />
Tristram devoted most of his career<br />
to cataloguing and occasionally<br />
restoring the medieval frescoes of<br />
Britain's churches. But towards the<br />
end of his career, he created a series<br />
of reconstructed murals, eleven of<br />
which were recently discovered at St<br />
Elisabeth’s Church in Eastbourne.<br />
These panels will be on show at the<br />
gallery from the 4th of <strong>November</strong><br />
until the 17th of December. Read<br />
more about their extraordinary<br />
discovery on pg 55. (Thurs – Sun)<br />
The Flight into Egypt, EW Tristram, 1938 (detail)<br />
From the 1st, painter and photographer Patrick Goff<br />
has a solo exhibition at Pelham House. Natural Colour<br />
is a series of works that blends photography and painting<br />
to create semi-abstract images, in this case inspired<br />
by gardens in his home town of Seaford as well as further<br />
afield in Seattle. Open daily from 9am to 9pm.<br />
Crimson Poppy by Patrick Goff (detail)<br />
Chalk Gallery<br />
’Tis (almost) the season, and all that, and there are<br />
plenty of local artists and makers' markets to factor<br />
in to your festive shopping plans. Winter Magic<br />
is the title of Chalk Gallery’s exhibition from the<br />
20th of <strong>November</strong> through to Christmas. Join them<br />
for a special event on Saturday the 25th of <strong>November</strong><br />
(12 and 3pm) to<br />
check out original paintings,<br />
sculptures, prints,<br />
ceramics and cards, and<br />
find a diverse mix of<br />
unusual gifts. Early next<br />
month the <strong>2017</strong> Artists and Makers Fair is at <strong>Lewes</strong> Town Hall on the<br />
2nd of December (£1 entry, kids go free) and Kelly Hall, whose prints and<br />
homewares feature iconic local landmarks, has a pop up gallery at 2 Fisher<br />
Street from the 7th-9th December. [kellyhalldesigns.com]<br />
Kelly Hall<br />
59
ART<br />
Out of town<br />
The Christmas shopping continues down the road in<br />
Brighton where the festive edition of Artists' Open<br />
Houses returns on weekends from the 25th of <strong>November</strong><br />
until the 10th of December. [aoh.org.uk ] And the<br />
DIY Art Market is at The Old Market, in Hove, on<br />
Sunday the 26th. More than 50 exhibitors, from emerging<br />
artists to independent publishers, offer an eclectic<br />
range of creative wares and fripperies (11am –6pm, £1<br />
entry). Christmas, sorted.<br />
DIY Art Market<br />
Little Wonder by Sarah Watson<br />
Brighton’s contemporary visual arts festival, HOUSE Biennial,<br />
comes to an end on the 5th, so you’d best be quick if you<br />
haven’t yet seen the extraordinary works on display around the<br />
city. However, one HOUSE Biennial Associate Artist exhibition<br />
continues at The Regency Townhouse until the 19th.<br />
Wonderland features the character-driven illustrations of Will<br />
Hanekom and the digitally manipulated landscapes of Sarah<br />
Watson. Both local artists have been long-time members of the<br />
Oska Bright Film Festival, which also takes place at The Old<br />
Market in Hove from the 16th – 18th. [carousel.org.uk]
ART<br />
Out of town (cont.)<br />
Prompted by a desire to gain perspective<br />
on recent world events,<br />
artist Kate Sherman took to the<br />
high-ground of Ditchling Beacon<br />
to create a series of new paintings<br />
with an aerial viewpoint of the<br />
surrounding landscape. Downland,<br />
an exhibition of the new works,<br />
is at the Jointure Studios in<br />
Ditchling from the 4th until the<br />
12th (10am–5pm Saturdays &<br />
Sundays). [kateshermanpaintings.<br />
co.uk] Also in the village, New<br />
Truth to Materials: Wood continues<br />
till Jan 1st 2018 at Ditchling<br />
Museum of Art + Craft with<br />
works by a diverse range of artists,<br />
designers and crafts people.<br />
Graham Sutherland, David<br />
Jones, Sebastian Cox and Forest<br />
+ Found all feature.<br />
Kate Sherman<br />
The Eastbourne Panels<br />
EW Tristram<br />
4 <strong>November</strong> to 17 December<br />
(Thu–Sun, 12–5pm)<br />
(closing 2pm on 4 Nov & 9pm on 7 Dec)<br />
Private View 6pm, Friday 3 Nov<br />
www.martyrs.gallery
Artists<br />
and<br />
Makers<br />
<strong>2017</strong><br />
Saturday<br />
2nd December<br />
10am - 5pm<br />
<strong>Lewes</strong> Town Hall<br />
( Fisher Street<br />
entrance)<br />
ENTRANCE<br />
£1<br />
KIDS GO<br />
FREE
ART<br />
Out of town (cont.)<br />
The Crossing © Roger Dean<br />
Described in a Guardian<br />
article as ‘the inhouse<br />
artist of the UK progressive<br />
movement’,<br />
Roger Dean is most<br />
famous for his iconic<br />
prog-rock album covers<br />
and paintings of<br />
fantastical, intergalactic<br />
landscapes. But the<br />
prolific Royal College<br />
of Art graduate has also<br />
designed furniture that<br />
resides in the V&A’s<br />
permanent collection<br />
and is actively working<br />
on building design projects. The most comprehensive exhibition of his work to date takes place<br />
this month at Trading Boundaries in Sheffield Green (near Fletching). Breaking Cover runs<br />
from the 1st of <strong>November</strong> until the 10th of December and includes original paintings, watercolours,<br />
drawings, sketches and prints, many of which will be on public display for the first time.<br />
Many of the works are for sale. [tradingboundaries.com] [rogerdean.com]<br />
A Green and Pleasant Land, British<br />
Landscape and the Imagination:<br />
1970s to Now continues at<br />
Towner Gallery. The major exhibition<br />
of more than 100 largely<br />
photographic works by 50 artists<br />
captures the changing urban and<br />
rural landscape. The exhibition is<br />
accompanied by a programme of<br />
associated events, including a film<br />
series shown in the gallery’s new<br />
cinema auditorium. The stateof-the-art<br />
facility will also host<br />
several screenings for the 15th<br />
edition of Brighton’s film festival,<br />
Cinecity, later his month.<br />
Ben Rivers, Ah, Liberty!, 2008 © Ben Rivers. Courtesy of the artist and Kate McGarry, London<br />
Despite a lack of<br />
critical acclaim<br />
within his lifetime,<br />
David Bomberg<br />
is now recognised<br />
as one of the 20th<br />
century’s leading<br />
British artists. To<br />
mark the 60th anniversary<br />
of his<br />
death, Pallant<br />
House Gallery (in<br />
association with<br />
the Ben Uri Gallery<br />
and Museum) presents a major exhibition of his<br />
life and career till Feb 2018. More than 60 paintings<br />
explore key themes in his work including his Jewish<br />
background and engagement with Yiddish culture, his<br />
important contribution to pre-war British modernism,<br />
and his later painterly success in capturing the<br />
landscapes of Spain, Cyprus and the UK.<br />
David Bomberg, Ghetto Theatre, 1920, Ben Uri Collection © Ben Uri Gallery and Museum<br />
65
NOV listings<br />
TO SUNDAY 12<br />
Brighton Early Music Festival. Exploring the<br />
routes along which music has travelled, tracing<br />
the origins of many classical forms. See<br />
bremf.org.uk.<br />
WEDNESDAY 1<br />
Chaumont ‘Festival<br />
des Jardins’<br />
– the French alternative<br />
to Chelsea<br />
Flower Show. Talk<br />
with researcher,<br />
lecturer and writer<br />
Dr David Marsh.<br />
Cliffe Church<br />
Hall, 7.30 for 7.45pm-9pm, £3.<br />
SATURDAY 4<br />
Batten down the hatches and head into town. You<br />
know the drill.<br />
MONDAY 6<br />
Bonfire of Britain.<br />
Anthony Barnett, author<br />
of The Lure of Greatness:<br />
England's Brexit and<br />
America's Trump, opens<br />
<strong>Lewes</strong> Labour's first bonfire<br />
debate ‘Does BREXIT<br />
spell the end for the UK?’ See pg 41. Phoenix<br />
Centre, 7.30pm, free.<br />
TUESDAY 7<br />
‘America First’ vs Global Britain: Can the<br />
Special Relationship Survive? Lecture with<br />
Professor S Burman, University of Sussex. Council<br />
Chamber, <strong>Lewes</strong> Town Hall, 2.30pm, free.<br />
Film: The Promise (12A). All Saints, 7pm, £5+.<br />
The Group. Club for people aged 50+. A pub in<br />
<strong>Lewes</strong>, 8pm, see thegroup.org.uk.<br />
WEDNESDAY 8<br />
Dragon Imagery in<br />
Chinese Imperial Textiles.<br />
Lecture considering the<br />
evolution of usage of the<br />
dragon image during the<br />
period of Imperial Rule<br />
in China. Uckfield Civic<br />
Centre, 2.15pm, £7 (free for members).<br />
THURSDAY 9<br />
The Darker Shades of Sun Street. Play presented<br />
by <strong>Lewes</strong> National Trust, performed by<br />
<strong>Lewes</strong> Little Theatre and Folk Club members.<br />
‘Tales of petty crime and scandal in the 19th<br />
century’. Priory School, 7.30pm, £2/£4.<br />
Comedy at the Con. With headliner Mike<br />
Wilmott, Andy Field, Yuriko Kotani and one act<br />
tbc. Con Club, 7.30 for 8pm, £8-£12.<br />
FRIDAY 10<br />
Science and Europe - What happens next?<br />
Dr Mike Galsworthy from Scientists for EU<br />
will look at key aspects of the future of the UK's<br />
science community in the light of Brexit. Elly,<br />
8pm, £5.90.<br />
FRIDAY 10 - SUNDAY 12<br />
Brewers Arms<br />
Beer Festival. A<br />
selection of local<br />
and national cask<br />
and keg beers,<br />
craft lager and<br />
ciders. In aid of St<br />
Peter & St James<br />
Hospice. Brewers Arms, Fri and Sat 10am-11pm,<br />
Sunday 12pm-10.30pm, free.<br />
SATURDAY 11<br />
Potter's progress. How do we make work which<br />
is meaningful in a society already saturated with<br />
67
<strong>Lewes</strong><br />
Little<br />
Theatre<br />
The Home of<br />
<strong>Lewes</strong> Theatre Club<br />
When We Are Married<br />
Written by J.B. Priestley<br />
Directed by Tony Bannister<br />
Saturday 25 <strong>November</strong> - Saturday 2<br />
December 7:45pm excluding Sunday.<br />
Matinee Saturday 2 December 2:45pm.<br />
£12/Members £8<br />
www.lewestheatre.org<br />
Box Office: 01273 474826<br />
WhenWe<br />
Are<br />
Married<br />
Marriage<br />
is sacred...<br />
When we<br />
are married<br />
Written by<br />
J.B. Priestley<br />
Directed by<br />
Tony Bannister
NOV listings (cont)<br />
material goods? Sussex potter Jonathan Chiswell<br />
Jones reviews a lifetime of work. Paddock Art<br />
Studios, 3pm, £4 (free to LADVAA members).<br />
SUNDAY 12<br />
Film: Unrest (12A).<br />
Rare screening of the<br />
award-winner. ‘A love<br />
story, a revelation and<br />
a call to action.’ Crowborough<br />
Community<br />
Centre, 3pm, £3.50, for more details see meetup.<br />
org.uk. Contact lisaengland1@outlook.com for<br />
tickets.<br />
MONDAY 13<br />
The Bedouin, their History, Culture and Jewellery.<br />
A free talk by Penelope Hamilton, put on<br />
by the <strong>Lewes</strong> Soroptimists. White Hart, 7pm.<br />
<strong>Lewes</strong> Within Living Memory. Bob Cairns uses<br />
images from his collection to show the changes in<br />
the town since the 1930s. King’s Church, 7pm for<br />
7.30pm, £2/£3.<br />
Guerrilla poetry and secret stories. The<br />
Lansdown, 6pm-9pm, free, contact<br />
vivenglish77@gmail.com to apply to speak.<br />
Film: Colossal (15). Sci-fi black comedy. All<br />
Saints, 7pm, from £5.<br />
01273 678 822<br />
attenboroughcentre.com
LEWES FRIDAY FOOD MARKET<br />
Fridays 9.30am-1.30pm<br />
buy local - eat seasonal - feel good<br />
lewesfoodmarket.co.uk<br />
Michelham Priory<br />
House & Gardens<br />
Winter Craft & Gift Fair<br />
Sat 11 th & Sun 12 th <strong>November</strong><br />
Festive fun & tasty treats with<br />
over 100 stalls, decorations &<br />
music in this beautiful setting.<br />
Priory Café, Shop & Playground.<br />
Call us: 01323 844224. Upper Dicker, BN27 3QS.<br />
<strong>Lewes</strong> Castle &<br />
Anne of Cleves House<br />
Children’s Christmas<br />
Holiday Activities<br />
Hands on Crafts, Storytelling,<br />
Dressing Up, Spinning Wheel<br />
Anne of Cleves: 01273 486290<br />
<strong>Lewes</strong> Castle: 01273 474610<br />
For more event details:<br />
www.sussexpast.co.uk<br />
Wedding Show<br />
All Saints Chapel, Eastbourne<br />
empirical<br />
EVENTS<br />
Sunday 26 th <strong>November</strong> <strong>2017</strong><br />
11.00am - 3.00pm<br />
The most beautiful wedding venue • Come and meet the events team<br />
The finest wedding suppliers • Goodie bags for all couples<br />
Drinks on arrival • Samples • Demonstrations and more<br />
Pre-register for this event via our website or Facebook page:<br />
www.empiricalevents.co.uk • Telephone: 01424 310580<br />
Upcoming Events<br />
14th January 2018<br />
Bannatyne Spa Hotel<br />
Wedding Show & Catwalk<br />
25th March 2018<br />
East Sussex National<br />
Wedding Show & Catwalk<br />
27th May 2018<br />
Battle Abbey School<br />
Wedding Show & Catwalk<br />
We welcome enquiries from new exhibitors<br />
– Please contact us to discuss our full<br />
events list covering East Sussex, West<br />
Sussex, Surrey, Hampshire, Kent and<br />
Hertfordshire. We will have a high quality<br />
event happening near you soon.
NOV listings (cont)<br />
WEDNESDAY 15<br />
Building on Brighton's Open Fields, c1770-<br />
1850. Talk with author and historian Dr Sue<br />
Berry. The Keep, 2.30-3.30pm, £3.<br />
WEDNESDAY 15 – FRIDAY 17<br />
Lola Arias’ Minefield. Six Falklands/Malvinas<br />
war veterans who once faced each other across<br />
a battlefield now face each other across a stage.<br />
ACCA, 8pm-9.45pm, £10/£12.<br />
WED 15 – SAT 9 DECEMBER<br />
FRIDAY 17<br />
Glyndebourne backstage<br />
tours. 90-minute<br />
guided tours of the theatre,<br />
backstage, dressing<br />
rooms and more. £14,<br />
see glyndebourne.com.<br />
WEDNESDAY 22 – SATURDAY 25<br />
The Waltz of the Toreadors.<br />
Comedy set in 1910<br />
France concerning the<br />
strange enchantment of a<br />
waltz, a General and the<br />
Lady of his dreams. Ringmer<br />
Village Hall, 7.45pm,<br />
£8, see ticketsource.co.uk/<br />
ringmerdramaticsociety.<br />
FRIDAY 24<br />
Climate Change: Catastrophe or Hoax? Talk<br />
with Prof Tim Palmer, presented by the Liberal<br />
Democrats. Town Hall, 7.30pm, £3/£5.<br />
Headstrong Club discussion. Brexit and UK<br />
farming policy with speaker Erik Millstone. Elly,<br />
8pm, £3.<br />
FRIDAY 24 - SUNDAY 26<br />
New Stone Age Discoveries in Bexhill.<br />
Illustrated talk by Mike Donnelly of Oxford<br />
Archaeology. Lecture Room, <strong>Lewes</strong> Town Hall,<br />
7.30pm, £2-4 (free entry for under 18s).<br />
The Start of Something. A new play written by<br />
Jamie Lakritz, winner of best new play Woking<br />
Drama Festival 2016. All Saints, 7.30pm, £10.<br />
TUESDAY 21<br />
Tea with Nella Last. Hands-on event exploring<br />
the diaries of a Mass Observation Archive diarist.<br />
The Keep, 2.30pm-4.30pm, £7.50 (early booking<br />
recommended).<br />
WEDNESDAY 22<br />
We are Family. <strong>Lewes</strong> Area Welcomes Refugees<br />
present an evening of film and conversation<br />
about local people responding to the global refugee<br />
crisis. Main film is 'Calais, a Case to Answer',<br />
introduced by the director, Sue Clayton. Depot,<br />
7.30pm, £10 (includes a glass of wine).<br />
Winter <strong>Lewes</strong> Speakers Festival. Speakers include<br />
Anabel Inge (above), Katie Hopkins, Shrabani<br />
Basu, Alison Weir and Donald MacIntyre. All<br />
Saints, see speakersfestivals.com.<br />
SAT 25 – SAT 2 DECEMBER<br />
When we are Married. <strong>Lewes</strong> Theatre Clubs<br />
production of the JB Priestley comedy. <strong>Lewes</strong><br />
Little Theatre, see lewestheatre.org.<br />
TUESDAY 28<br />
<strong>Lewes</strong> Death Café. Conversations about death<br />
and dying. The Ram Inn, Firle, 7.30pm-9.30pm,<br />
free (donations welcome).<br />
Anabel Inge<br />
71
east sussex<br />
BACH<br />
c h o i r<br />
VIVALDI<br />
GLORIA<br />
Miserere<br />
Esterhazy Chamber Choir 25th Anniversary Season<br />
Choral Masterpieces of the Renaissance<br />
Allegri Miserere | Lotti Crucifixus<br />
Palestrina Missa Papae Marcelli<br />
Director - John Hancorn<br />
SAT 9 th DEC <strong>2017</strong><br />
St Annes Church, <strong>Lewes</strong><br />
Tickets from LTIC or Ring<br />
07759 878562 or Online<br />
eastsussexbachchoir.org<br />
Saturday 18 <strong>November</strong> 7.30pm<br />
St Michael’s Church, High Street, <strong>Lewes</strong>, BN7 1XU<br />
Tickets £10 in advance from <strong>Lewes</strong> Tourist Information Centre<br />
or from our website. £12 on the door (under 16s free)<br />
See www.esterhazychoir.org for more details<br />
VOICE TRIALS<br />
for boys aged 7 & 8<br />
11 th <strong>November</strong> <strong>2017</strong><br />
Enquiries are welcome at any time<br />
Substantial scholarships are awarded and choristers<br />
benefit from an all-round excellent education<br />
at St Edmund’s School Canterbury.<br />
The Master of Choristers, David Flood, is always pleased<br />
to meet and advise parents and their sons.<br />
@No1Cathedral<br />
For further details please telephone<br />
01227 865242<br />
davidf@canterbury-cathedral.org
CLASSICAL ROUND-UP<br />
Photo by Nikolaj Lund<br />
FRI 3 RD , 7.30PM<br />
<strong>Lewes</strong> Concert Orchestra: Autumn Concert<br />
featuring Nicolai’s Overture to the Merry Wives<br />
of Windsor, Tchaikovsky’s Violin Concerto and<br />
Brahms’ Symphony No. 2. <strong>Lewes</strong> Town Hall, £12<br />
on the door, students and under-18s £5.<br />
FRI 10 TH , 7.45PM<br />
Nicholas Yonge<br />
Society: Trio con<br />
Brio Copenhagen.<br />
Including works<br />
by Sandstrom,<br />
Beethoven and<br />
Tchaikovsky. Cliffe<br />
Building, Sussex Downs College. £15, free for 8-25 yrolds.<br />
Pre-concert talk at 6.30.<br />
SAT 11 TH , 7.45PM<br />
Musicians of All Saints. Ian McCrae directs performances<br />
of Holst’s Brook Green Suite, Mozart’s<br />
Violin Concerto No 4, Dvorák’s Nocturne in B<br />
major and Haydn’s Symphony no 46 in B major.<br />
St Michael’s Church, £12/£9/U18 free<br />
mas-lewes.co.uk / mas@lewes.uk.com.<br />
SUN 12 TH , 5PM<br />
St Michael’s Church First Sunday Recital:<br />
Clarinettist Nick Carpenter and pianist Nicholas<br />
Houghton play a programme of English music,<br />
with works by Thomas Dunhill, Gerald Finzi,<br />
Alec Templeton and Adrian Cruft. St Michael’s<br />
Church, free with retiring collection, note NOT first<br />
Sunday or usual time.<br />
SAT 18 TH , 7.30PM<br />
The Esterhazy Chamber Choir: Renaissance<br />
masterpieces including Palestrina’s Missa Papae<br />
Marcelli, Allegri’s Miserere, Lotti’s Crucifixus and<br />
works by Lhéritier, Taverner and Victoria.<br />
St Michael’s Church, £10 in advance from Tourist<br />
Information Centre, £12 on the door (under 16s free).
LEWES‛ PREMIER MUSIC VENUE<br />
For details of membership, bands, entry and gig room hire<br />
for parties please see website
GIG GUIDE // NOV<br />
GIG OF THE MONTH: UK SUBS<br />
Dust off your Doc Martens, the Con Club have another legendary<br />
band from the Punk Rock Hall of Fame gracing their stage<br />
this <strong>November</strong>. Celebrating their 40th anniversary, UK Subs<br />
have remained ever present since they emerged in the first wave<br />
of British Punk circa 1976/77, having gigged every year since<br />
then. 2016 saw them release their ‘final’ full album Ziezo, completing<br />
their mission to release an album for every letter of the<br />
alphabet, in order (that’s right, there really are 26). Inexhaustible<br />
original frontman Charlie Harper is still embodying the spirit of<br />
Punk Rock at 73 years young, and the gigs are as energetic and<br />
fast paced as they were back in the day. The evening is made even more exciting by support from The Ramonas,<br />
an all-girl tribute to the Ramones who are debuting their first originals album First World Problems.<br />
Sunday 26, Con Club, 7.30pm, £14 (£1.74 booking fee) Kelly Hill<br />
THURSDAY 2<br />
Alabama 3 Acoustic. Acid house turned country/gospel/delta.<br />
Con Club, 7.30pm, £19.25<br />
Zoot Zazou. Vintage hot swing. The Pelham<br />
Arms, 8.30pm, free<br />
MONDAY 6<br />
The European Jazz Quintet. Jazz. Snowdrop,<br />
8pm, free<br />
TUESDAY 7<br />
English dance tunes session - bring instruments.<br />
Folk (English trad). John Harvey Tavern,<br />
8pm, free<br />
FRIDAY 10<br />
Let’s Get Funked. Dance night featuring funk<br />
and reggae music. All Saints, 7.30pm, £8<br />
SATURDAY 11<br />
Niamh Parsons & Graham Dunne. Irish trad<br />
folk. Elly, 8pm, £10<br />
Mike Ross. Blues guitar. Lansdown, 8pm, free<br />
JOKO – Horns of Africana. South African township<br />
jazz. Con Club, 8.30pm, price tba<br />
SUNDAY 12<br />
Open Space Open Mic. Music, poetry and<br />
performance, Elly, 7.30pm, free<br />
MONDAY 13<br />
The Drawtones. Jazz. Snowdrop, 8pm, free<br />
TUESDAY 14<br />
Concertinas Anonymous practice session.<br />
Folk & misc. Royal Oak, 8pm, free<br />
THURSDAY 16<br />
Kiss my Disco. Club night run by adults with<br />
learning disabilities (see pg 17). Volly, 7pm, £4<br />
Emily Barker. Americana/folk. Con Club,<br />
7.30pm, £14 adv<br />
SATURDAY 18<br />
Jody Kruskal. US old-time. Elly, 8pm-11pm, £7<br />
The Men They Couldn’t Hang. Folk punk.<br />
Con Club, 7.30pm, from £18 (over 14s only)<br />
Mad Dog Mcrea. Folk rock. Support from Noble<br />
Jacks. Alt-folk. All Saints, 7.30pm, £13/£15<br />
>>><br />
75
RICHARD GREEN FUNERAL SERVICE<br />
The only truly independent, family owned and run<br />
Funeral Directors & Memorial Masons in <strong>Lewes</strong> & Uckfield<br />
Remember, Remember<br />
This Funeral Director<br />
Local and<br />
Helpful to You<br />
© “Guy Fawkes” from Colourful Coffins<br />
170 High Street<br />
<strong>Lewes</strong><br />
BN7 1YE<br />
01273 488121 (24hrs)<br />
lewes@rgreenfs.co.uk<br />
125 High Street<br />
Uckfield<br />
TN22 1RN<br />
01825 760601 (24hrs)<br />
uckfield@rgreenfs.co.uk<br />
䐀 漀 氀 瀀 栀 椀 渀 猀 伀 瀀 琀 漀 洀 攀 琀 爀 椀 猀 琀 猀 Ⰰ 䐀 漀 氀 瀀 栀 椀 渀 䠀 漀 甀 猀 攀 Ⰰ アパートアパート 䴀 甀 猀 琀 攀 爀 䜀 爀 攀 攀 渀 Ⰰ 䠀 愀 礀 眀 愀 爀 搀 猀 䠀 攀 愀 琀 栀 Ⰰ 刀 䠀 㘀 㐀 䄀 䰀<br />
㐀 㐀 㐀 㐀 㔀 㐀 㠀 㠀 簀 眀 眀 眀 ⸀ 搀 漀 氀 瀀 栀 椀 渀 猀 漀 瀀 琀 漀 洀 攀 琀 爀 椀 猀 琀 猀 ⸀ 挀 漀 ⸀ 甀 欀<br />
伀 瀀 攀 渀 椀 渀 最 琀 椀 洀 攀 猀 㨀 䴀 漀 渀 ⴀ 䘀 爀 椀 ⠀ 攀 砀 挀 ⸀ 圀 攀 搀 ⤀ 㤀 ⸀ ⴀ 㜀 ⸀アパート 圀 攀 搀 ☀ 匀 愀 琀 㤀 ⸀ ⴀアパート⸀
GIG GUIDE // NOV (CONT)<br />
SUNDAY 19<br />
TOM. Acoustic Sussex duo, raising funds for<br />
Railway Land Wildlife Trust. Linklater, 4pm, £5<br />
suggested donation<br />
Roachford. Soul/RnB. Con Club, 7.30pm, £18<br />
MONDAY 20<br />
Al Scott Trio. Jazz. Snowdrop, 8pm, free<br />
THURSDAY 23<br />
Feral Fiddles (practice sessions). Folk & misc.<br />
Royal Oak, 8pm, free<br />
THURSDAY 23 & FRIDAY 24<br />
Faust. Krautrock legends. Con Club, £19, see<br />
interview on pg 47<br />
SATURDAY 25<br />
Emily Mae Winters. Acoustic in-store<br />
performance. Union Music, 1pm, see<br />
unionmusicstore.com<br />
Trevor & Michael Curry. Folk (English trad).<br />
Elly, 8pm, £6<br />
SUNDAY 26<br />
Contenders. Sunday in the Bar. Con Club, 4pm-<br />
6pm, free<br />
UK Subs. See Gig of the Month<br />
MONDAY 27<br />
Terry Seabrook Quintet. Jazz. Snowie, 8pm, free<br />
TUESDAY 28<br />
Fleet Foxes. Indie folk. De La Warr, 7pm, £32.50<br />
<strong>Lewes</strong> Favourites tunes practice session – bring<br />
instruments. Folk & miscellaneous. The Royal<br />
Oak, 8pm, free<br />
THURSDAY 30<br />
The Shakespeare Heptet. The Bard’s sonnets, to<br />
music. Con Club, 8.30pm, price tba<br />
Listings compiled by Kelly Hill<br />
SWISS ARMY MAN 5 95mins<br />
Tuesday 31st October 7pm<br />
THE PROMISE 12A 130mins<br />
Tuesday 7th <strong>November</strong> 7pm<br />
DESPICABLE ME U 90mins<br />
Sunday 12th <strong>November</strong> 4pm<br />
COLOSSAL 15 107mins<br />
Saturday 12th <strong>November</strong> 7pm<br />
Info & advance tickets from the All Saints Centre<br />
Office, the Town Hall, High Street<br />
www.filmatallsaints.com<br />
All Saints Centre, Friars Walk, <strong>Lewes</strong>, BN7 2LE<br />
01273 486391
A modern<br />
approach<br />
to traditional<br />
learning<br />
Open Morning at Morley House<br />
7 King Henry’s Road, BN7 1BX<br />
Wednesday 8th <strong>November</strong> 9.30 - 12.00<br />
For more information please contact:<br />
The Admissions Secretary<br />
office@logs.uk.com<br />
01273 472634<br />
www.logs.uk.com<br />
Junior School
UNDER 16<br />
FREETIME êêêê<br />
SATURDAY 4<br />
Wilderness Wood<br />
Christmas Tree<br />
reservations open. Tag<br />
and reserve your tree by<br />
paying a deposit at the<br />
café. Wilderness Wood,<br />
Hadlow Down, Weds-Sun, 9am-5pm, £10 for<br />
deposit. See wildernesswood.org.<br />
MONDAY 13<br />
Tales for Toddlers. Listen to stories and songs<br />
and see where your imagination takes you.<br />
Suitable for up to five years. De La Warr, 10.15-<br />
11am & 11.15am-12pm, £1.<br />
SATURDAY 18<br />
Christmas Sussex Nearly New Baby and Kids<br />
Market. Nearly new items including clothes,<br />
toys, equipment and more. Kings Church,<br />
10am-12pm, £1.50.<br />
SUNDAY 5<br />
Look-Think-Make. Look at artworks, think<br />
about the ideas behind them and be inspired to<br />
create. De La Warr, 2pm-4pm, £2 per child.<br />
SATURDAY 11 & SUNDAY 12<br />
Winter Craft and<br />
Gift Fair. Festive<br />
fun and tasty treats<br />
with over 100 stalls,<br />
decorations and music.<br />
Michelham Priory,<br />
10.30am-4pm, £4-£7, see sussexpast.co.uk.<br />
SUNDAY 12<br />
Edible Engineering. Drop in to build sweet<br />
structures with chocolate and candies. Led by<br />
Hastings Pier Charity Learning & Education.<br />
Hastings Pier Visitors Centre, 11am-3pm, £2.<br />
SATURDAY 18<br />
Vintage Christmas. Stalls, food & drink,<br />
entertainment. Town Hall, 10am-3pm, £1<br />
(children free).<br />
THURSDAY 30 NOV – 17 DEC<br />
Glow Wild. After-dark walk through the<br />
beautiful gardens, as the historic landscape and<br />
mansion are brought to life with glowing lights<br />
and handcrafted lanterns. Wakehurst, see<br />
kew.org/wakehurst.<br />
Film: Despicable Me 3 (U). Gru discovers<br />
that he has a twin brother called Dru. All Saints,<br />
4pm, from £5.<br />
79
Book on line<br />
www.bluebellrailway.com<br />
Sheffield Park Station TN22 3QL<br />
01825 720800
êêêê<br />
YOUNG PHOTO<br />
OF THE MONTH<br />
This month’s young photographer<br />
is Alice Saunders, aged 13, who sent<br />
in this very neatly composed shot.<br />
“I took this photo on the 16th of<br />
September at the Priory Ruins by<br />
Candlelight,” she reveals, referring to<br />
the annual Open Heritage do amid<br />
the ruins of our Cluniac monastery.<br />
“My family and I volunteered to lay<br />
out and light the hundreds of candles.<br />
I captured this picture on my new<br />
iPhone as darkness fell. I hope you like it!” We do, Alice, and it’s won you a £10 book token kindly donated<br />
by Bags of Books in Cliffe. Just make yourself known there, with some sort of proof of identity, and they’ll<br />
give it to you. Under 16? Please send your pictures to photos@vivamagazines.com, with a sentence or two<br />
about when, where and why you took it, and you, too, could feature on this page.<br />
With its excellent and imaginative<br />
approach, the Steiner Waldorf<br />
curriculum has gained everwidening<br />
recognition as a creative<br />
and compassionate alternative to<br />
traditional avenues of education.<br />
But just how does it feel to be a<br />
child in this environment, soaking<br />
up this stimulating and rewarding<br />
teaching?<br />
Find out for yourself...<br />
Open<br />
Morning<br />
Thursday 1st February 2018 - 08:30 - 13:00<br />
www.michaelhall.co.uk<br />
Kidbrooke Park, Priory Road, Forest Row. East Sussex, RH18 5JA<br />
Tel: 01342 822275 - Registered Charity Number 307006<br />
81
Brighton Steiner School<br />
Roedean Road, BN2 5RA<br />
OPEN EVENING<br />
Thursday 16 th <strong>November</strong> 6pm to 8pm<br />
“A proven alternative to mainstream education for children aged 3-16”<br />
Information and bookings: 01273 386300<br />
E: enquires@brightonsteinerschool.org.uk<br />
W: brightonsteinerschool.org.uk<br />
Registered Charity No: 802036<br />
SHOES ON NOW: STAR GAZING<br />
It was a Saturday night and all three children were<br />
restless, full of the sort of energy that inevitably<br />
means trouble. And so we decided to go out. Going<br />
out late at night when you are 5, 10 and 11 is super<br />
cool. It’s even cooler when it involves a trip to the<br />
Downs with torches. Rugged up especially warmly,<br />
carrying home-made star and rocket biscuits,<br />
flasks of hot chocolate, a blanket apiece and several<br />
torches, we strode in procession-like fashion up to<br />
the Downs. We were going star gazing – activity<br />
No. 27 in the National Trust’s list of ‘50 things to<br />
do before you’re 11 ¾’.<br />
Before we went we downloaded an app (there are<br />
several available) which lets you know the stars<br />
that are nearby on any particular night. Using this<br />
we were easily able to spot several star clusters<br />
including the Seven Sisters and galaxies such as<br />
Andromeda and the Milky Way. We then used the<br />
app to tell us more about what we had just seen.<br />
We also learned that on a clear night, over 4,000<br />
stars will be visible in the night sky.<br />
Autumn is an ideal time to star gaze with children<br />
as the sun sets earlier at this time of year. For<br />
optimum results you need to star gaze before the<br />
moon is full. And please remember to think about<br />
safety if you are walking on the Downs late at night<br />
- it’s perhaps easier just to star gaze from your own<br />
back garden although maybe not as much fun.<br />
Jacky Adams
REVIEW: GOTH GIRL<br />
Goth Girl and the Sinister Symphony is the fourth in the series by illustrator and<br />
children’s author Chris Riddell, which follows the mystery-solving adventures<br />
of Ada Goth. Ada lives at Ghastly-Gorm Hall with her father, Lord Goth, and<br />
their indoor gamekeeper Maltravers, who always seems to be up to something.<br />
In the third book, Goth Girl and the Wuthering Fright, the Goths host a literary<br />
dog show, which is threatened by some ‘mysterious footprints, howls in the<br />
night and some suspiciously chewed shoes’ - luckily Ada and her friends figure<br />
out what’s going on just in time. By the end of the book, Ada is heading off for<br />
her first term at The Windy Moor School.<br />
The Sinister Symphony picks up during the following summer holidays, with Ada back at Ghastly-Gorm<br />
Hall and getting ready for the music festival ‘Gothstock’, which will feature ‘performances from the finest<br />
musicians in the land’ - if everything goes to plan…<br />
Chris, former Children's Laureate and <strong>Viva</strong> Brighton contributor, says, “Over the series, Ada has gone<br />
from being a lonely only child with a distant parent to being the centre of a group of best friends, who call<br />
themselves The Attic Club. Her relationship with her father has been transformed into a close, loving one<br />
and she has gone away to school for the first time.” There may be a fifth book on the horizon, in which Ada<br />
travels to ‘the newly fashionable sea side resort of Brighton’, the Caribbean and the Highlands of Scotland.<br />
Keep your eyes peeled for ‘Goth Girl and the Timorous Yeti’. Rebecca Cunningham<br />
Magical Forest<br />
Storytelling<br />
Teepee of<br />
Sami Tales<br />
Carol Singing<br />
& Karaoke<br />
Cabaret-style<br />
Entertainment<br />
A Scandinavian Forest Winter Fair<br />
Craft & Wreath<br />
Making<br />
Forest School<br />
Facepainting<br />
& Games<br />
Saturday 2nd December 1 - 5pm<br />
at LEWES NEW SCHOOL<br />
Talbot Terrace, <strong>Lewes</strong> BN7 2DS<br />
lewesnewschool.co.uk<br />
£2 (under 12s free)<br />
'Pikkujoulu' means Finnish Little Christmas where<br />
the whole community come together in celebration.<br />
We are looking for poets, comedians, singers, musicians,<br />
magicians and dancers of all ages for our show.<br />
Contact Amanda at amanda.m.bolt@gmail.com<br />
Scandinavian<br />
Festive Food<br />
& Glogi
FOOD REVIEW<br />
Fuego Lounge<br />
Workin' for the chain gang<br />
It’s Tuesday lunchtime,<br />
and luckily my<br />
lunch date Caroline<br />
has arrived before<br />
me, because she’s<br />
bagged what is pretty<br />
much the last decent<br />
table left – an ample<br />
one for four with a<br />
pop-art representation<br />
of a cowboy<br />
on it – in Fuego<br />
Lounge. She waves<br />
through the crowd, I sit down.<br />
It’s the first time I’ve been since its freebie opening<br />
so the place is still fairly unfamiliar. I remember<br />
all the random portrait paintings on the walls,<br />
the jazzy zig-zaggy design behind the bar, the<br />
‘carefully thrown together’ ambience of the place.<br />
It’s <strong>Lewes</strong>, but not as we know it. In fact the<br />
Lounger chain is an enterprise run out of Bristol,<br />
where the first one opened. This, I’ve been told,<br />
is number 106. And counting, obviously.<br />
We fill in the what’s-happened-since-we-last-met<br />
gaps, look at the menus. Sandwiches start at just<br />
under six quid; the mains start at £8.95 (‘Tin Pan<br />
Louie’s Beef Chillie’) and run through to the<br />
most expensive dish on the card, ‘Steak frites’<br />
at £14.95, described as ‘8oz 28 day-aged Black<br />
Angus sirloin steak with garlic butter, wild rocket<br />
& parmesan salad and fries’.<br />
“Who’s paying?” asks Caroline.<br />
“<strong>Viva</strong>’s paying,” I reply.<br />
“I’ll have the steak frites.”<br />
I decide, in a place which everyone is referring to<br />
as ‘that new tapas bar’, that I’ll go for three small<br />
dishes: salt & pepper squid, pork belly squares,<br />
and patatas bravas. I order a pint of Lounger’s<br />
own ‘Cruiser’s<br />
Atlantic Pale Ale’,<br />
Caroline asks for a<br />
glass of tap water.<br />
You pour your own,<br />
from an extravagant<br />
pineapple-shaped<br />
cut-glass decanter.<br />
I can just make out<br />
Oasis playing in the<br />
background, though<br />
it’s very much that:<br />
the hubbub of<br />
chatter is the predominant sound. The portrait<br />
directly behind Caroline looks strangely like<br />
Alice Dudeney.<br />
Some garlic bread, which I’ve ordered as a starter,<br />
arrives. Then, after we’ve been through about ten<br />
topics of conversation, and I’ve drained the last<br />
dregs of my pint, the food. It’s brought by a smiley<br />
girl who's still in or barely out of her teens,<br />
which seems to be the average age of her bustling<br />
colleagues, who have not been forced into any<br />
sort of uniform. I don’t know about the pay, but<br />
it looks like a great place to work, if you’re of a<br />
certain age.<br />
Caroline makes the odd appreciative noise as she<br />
saws through her steak. The verdict on my three<br />
tapas is: salt and pepper squid: excellent. Patatas<br />
bravas: adequate. Pork belly: nice meat but the<br />
sauce tastes too vinegary for me. It all comes with<br />
slices of soft crusty white bread.<br />
Fuego Lounge is obviously flavour of the month.<br />
It offers something nowhere else offers. I’m sure<br />
I’ll find myself there on a regular basis. The girl<br />
who serves our macchiatos has pink hair. <strong>Lewes</strong>,<br />
like it or not, is on the move.<br />
Alex Leith<br />
Photo by Alex Leith<br />
85
ENJOY CHRISTMAS AT<br />
CHRISTMAS LUNCH MENU<br />
2 courses for 16.95 | 3 courses for 21<br />
CHRISTMAS DINNER MENU<br />
27.95 for 3 courses<br />
EARLY BIRD OFFER<br />
10% off the food bill if you book in to<br />
eat on a Sunday - Wednesday.<br />
Offer available from 27 th <strong>November</strong><br />
to 7 th December on parties<br />
of 10 or more.<br />
DRINKS PARTY PACKAGES<br />
Buy 6 bottles of house wine get 1 free<br />
(House wine only)<br />
or<br />
Add half a bottle of wine per person<br />
for 6.95 each (House wine only)<br />
VISIT OUR WEBSITE TO VIEW THE CHRISTMAS MENU<br />
www.aqua-restaurant.com<br />
The Old Courthouse, <strong>Lewes</strong>, BN7 2FS<br />
01273 470 763 | lewes@aqua-restaurant.com<br />
47-49 Chapel Road, Worthing, BN11 1EG<br />
01903 257 828 | worthing@aqua-restaurant.com<br />
@aquaitalia<br />
/aqua_restaurant<br />
/aquaitaliarestaurant<br />
www.aqua-restaurant.com
FOOD<br />
Chaula's<br />
Gujurati goodness<br />
The Pelham arms<br />
HIGH ST.<br />
LEWES<br />
A Great British pub,<br />
a warm welcome,<br />
wonderful food & ambience<br />
Photo by Alex Leith<br />
Today I’m not that ravenous, so I only fill my<br />
tray twice. My record is four times. Chaula’s<br />
restaurant has just enjoyed its tenth birthday, and<br />
I can’t believe it was only this summer I started<br />
making its lunch buffet a regular date.<br />
I guess when Chaula was doing her sums to<br />
work out how much the ‘fill your plate as many<br />
times as you want’ deal should cost, she worked<br />
out an average person’s consumption, taking into<br />
account a couple of either-way outliers. I reckon,<br />
with my ‘good’ appetite, I must be pretty close to<br />
being an outlying outlier. I go there once a week,<br />
on a Monday generally, and I love it.<br />
It costs £8, and you get a metal tray with three<br />
compartments, which you can refill as often as<br />
you want from a buffet table containing at least<br />
twelve different items. It always follows a pattern,<br />
with a meat main and a veggie main and all<br />
sorts of add-ons: today we have chicken hydrabadi,<br />
sag aloo, tarka daal, potato bhaji, spring rolls,<br />
rice, naan bread, poppadoms, raita, chutney, a<br />
cooked cabbage side, fresh salad, and some burfi<br />
sweets. A chap comes and fills the bowls when<br />
something looks like it’s running out.<br />
I always take a book, but the food is so absorbing<br />
I rarely get to read it. Chaula’s food is Gujurati,<br />
and she takes pains to make it here how it’d be<br />
made back home: it’s spicy without ever being<br />
too-hot-to-handle. Today’s highlight is the<br />
chicken hydrabadi: succulent chunks of meat in a<br />
tasty tomatoey sauce: the week before it was the<br />
vegetable jalfrezi. Next week, who knows? AL<br />
I<br />
I<br />
<strong>Lewes</strong>’s first<br />
Smokehouse<br />
in a Pub!<br />
Hand Crafted Food - Local Suppliers<br />
Best Burgers for Miles<br />
Award winning Sunday Roasts<br />
Vegetarian, vegan & gluten free options<br />
Abyss Brewing beers brewed on site<br />
GREAT VENUE FOR CELEBRATIONS<br />
children & dog friendly<br />
OPENING TIMES<br />
Monday<br />
Bar 4pm to 11pm<br />
Tuesday to Thursday<br />
Bar 12 noon to 11pm<br />
Food 12 noon to 2.30pm & 6 to 9.30pm<br />
Friday & Saturday<br />
Bar 12 noon to Midnight<br />
Food 12 noon to 2.30pm & 6 to 9.30pm<br />
Sunday<br />
Bar 12 noon to 10.30pm<br />
Food 12 noon to 8pm<br />
I<br />
T 01273 476149 E manager@thepelhamarms.co.uk<br />
Book online @ www.thepelhamarms.co.uk<br />
@PelhamArms<strong>Lewes</strong> pelhamarmslewes pelhamarmslewes<br />
I<br />
87
88<br />
Photo by Alex Leith
RECIPE<br />
Venison, Stilton and ale pie<br />
Here’s a lovely winter warmer, perfect for those lengthening nights,<br />
from Melanie of the Sussex Wild Food Co<br />
We’re a small family business, based near<br />
Bodiam Castle, selling all sorts of game<br />
throughout the year – as long as the animal<br />
is in season, of course! My daughter Emma is<br />
the butcher, my husband John and I sell the<br />
meat in markets and wholesale to pubs and<br />
restaurants in the area.<br />
We have regular suppliers who bring us all<br />
sorts of animals they’ve shot in the wild,<br />
from deer (in season in the autumn and<br />
winter) to pigeons (all year round). We sell<br />
pheasant, partridge, dusk, rabbit, wild boar,<br />
etc. Game tends to have a richer taste than<br />
farm-produced meat, and of course it’s much<br />
leaner. You can trust the fact that the animals<br />
have lived a natural life and eaten exactly what<br />
they’re meant to have eaten, from the wild.<br />
This recipe uses a buck fallow deer; the does<br />
[females] come into season on <strong>November</strong><br />
1st. Venison can be used for pretty much<br />
everything you can use beef for: I often make<br />
a venison Bolognese, for example. Where<br />
possible I source all the other ingredients<br />
locally. This recipe used Tom Paine Ale from<br />
Harvey’s: the sweetness of the Stilton offsets<br />
its bitterness really nicely.<br />
COOKING INSTRUCTIONS:<br />
Put three tablespoons of flour, seasoned with<br />
salt and pepper, in a bowl and mix with 500g<br />
or so of our chopped venison meat until the<br />
chunks are covered in the flour. Brown the<br />
meat in vegetable oil in a large frying pan, and<br />
set aside.<br />
Pre-heat the oven to 160° (fan oven 150°).<br />
Chop two medium-sized onions, and four<br />
cloves of garlic and fry in vegetable oil<br />
in a casserole dish for five minutes or so<br />
till softened. Add the meat, mix well, and<br />
keep stirring occasionally for five minutes<br />
or so. Add one bay leaf, one tablespoon<br />
of Worcester sauce, a couple of generous<br />
pinches of mixed herbs, half a cup of passata,<br />
sprinkle in a cube of organic beef stock, and<br />
pour in a 550ml bottle of Harvey’s Tom Paine<br />
Ale (though any ale or stout will do).<br />
Put in the oven for at least two hours, adding<br />
ten or so halved chestnut mushrooms twenty<br />
minutes before you take it out. Leave to cool.<br />
Meanwhile make enough short-crust pastry<br />
to make a lid for your pie. Pour the cooled<br />
stew into an oven-proof dish, plop in 130g<br />
of Stilton, roughly chopped (I use Brighton<br />
Blue) lay the lid on the top of the dish and<br />
cut off the excess around the rim with a sharp<br />
knife. Use a fork to create a frill around the<br />
edge. Brush the pastry with beaten egg. Slice<br />
an air vent in the lid. Put the dish in the<br />
oven for half an hour or so until the pastry is<br />
cooked and golden brown.<br />
Serve with seasonal vegetables: in this case<br />
carrots and spinach beet, from Ashurst<br />
Organics. Make sure they are organic: you’ll<br />
taste the difference! Serve with another bottle<br />
of ale. Enjoy. As told to Alex Leith<br />
Melanie and John sell game from their SWFC<br />
stall at the weekly Friday Market throughout<br />
the autumn and winter and the fortnightly<br />
<strong>Lewes</strong> Farmers’ Market all year round.<br />
89
CELEBRATE WITH US THIS<br />
FESTIVE SEASON<br />
FESTIVE PARTIES<br />
We can cater for parties of 12 to 150.<br />
For an exclusive evening event we will provide<br />
a DJ for parties over 60. Our award winning<br />
restaurant will be serving festive food throughout<br />
the month of December for smaller get-togethers.<br />
From 19:00 / 19:30.<br />
THURSDAYS £19.95 | FRIDAYS £24.95<br />
SATURDAYS £27.95<br />
JOINER PARTIES AVAILABLE<br />
7 TH & 14 TH DECEMBER<br />
£21.95 PER PERSON<br />
NEW YEAR’S EVE<br />
You are invited to an evening at Pelham House<br />
with family & friends at our New Year’s Eve<br />
Dinner. Enjoy a sumptuous 5 course dinner<br />
with the musical delights of a Musical Trio.<br />
£49.50 PER PERSON<br />
Toast at midnight is included<br />
CHRISTMAS DAY<br />
LUNCH<br />
Take away the stresses of Christmas Day...<br />
Relax and enjoy a delicious four course festive<br />
lunch with your family and close friends.<br />
£96.95 PER PERSON<br />
£29.95 CHILDREN (AGED 3-13)<br />
BOXING DAY<br />
LUNCH<br />
After the hectic preparations,<br />
come & join us for lunch on Boxing Day.<br />
Our traditional roast menu has some of your<br />
favourite classic dishes and comfort food.<br />
£35.50 PER PERSON<br />
£16.25 CHILDREN (AGED 3-13)<br />
CHRISTMAS ACCOMMODATION<br />
AVAILABLE FROM £75 B&B<br />
Subject to availability at time of booking.<br />
St Andrews Lane, <strong>Lewes</strong>, BN7 1UW | 01273 488600<br />
events@pelhamhouse.com | www.pelhamhouse.com
FOOD<br />
Hot Chocolate<br />
Real Eating Company<br />
It’s mid-October, and I’ve just about given up hoping for an<br />
Indian summer. The big coats are out, the heating’s on, the<br />
mornings are dark. One particularly blustery Wednesday I<br />
decide to cheer myself up. I’ve only been in the office an hour,<br />
but I wrap back up and head out in search of something warming<br />
and delicious.<br />
When I get towards the bottom of Cliffe High Street, I remember<br />
a <strong>Viva</strong> colleague telling me that the Real Eating Company<br />
have started doing coconut lattes. Their shiny-looking menu tells me that they do coconut hot chocolates<br />
and coconut mochas too. I go for a mocha (£3.95) and while I’m ordering, I spot Smashed Avocado,<br />
Tomato and Spinach (£7.95 with poached eggs), realise I haven’t had breakfast, and order that as well.<br />
I sit by the window so I can look at the weather. My food arrives, the ‘smashed’ avocado smothered over<br />
one of the slices of sourdough toast, with wilted spinach topping the other, and a perfectly poached egg<br />
on top of each. Then the coconut mocha: the antidote to my autumn blues. It’s rich and creamy, with a<br />
thick layer of froth on top. A sort of breakfast-dessert. I sit and sip it with both hands wrapped around the<br />
mug for as long as seems reasonable, before deciding that I’d really better get back.<br />
On my walk back up School Hill, the sun suddenly emerges between the clouds and I get that forgotten<br />
feeling of warmth on my face. Perhaps there’s still hope. Rebecca Cunningham<br />
18 Cliffe High Street<br />
Photo byRebecca Cunningham<br />
Love<br />
Local<br />
1st & 3rd Saturday<br />
Every Month<br />
9am-1pm, Cliffe Precinct<br />
www.commoncause.org.uk
FOOD<br />
Edible updates<br />
Bonfire season equals stocking up on hearty food to keep you and possibly a<br />
dozen others going.<br />
Time to head to May’s Farm Cart then, for big bangers and grass-fed Laughton<br />
beef for giant chilli con carnes. While there, grab a bottle of Hedgwitch’s Bonfire<br />
Sauce, or perhaps some tasty Springs Smokery products from Bickerstaff's.<br />
If shoving some tatties in won’t cut it on the 5th, you’ll find huge ready-to-cook pies<br />
at Cook and smaller, more homespun ones at Laporte's. Treat the kids to a Cocoa Loco<br />
chocolate spoon from Oxfam while you neck a glass of Harvey’s Bonfire Boy.<br />
For the hip flask: one of Harvey’s Islay whiskies, maybe the splendid Kilchomon 100% or The Peat Monster<br />
- perfect tipples for indoor and outdoor fires. Not forgetting the brewer’s own <strong>Lewes</strong> Blend, of course,<br />
with notes of apple, peach, cedar and a ‘hint of smoke’.<br />
At <strong>Lewes</strong> Food Market we welcome Small Time Confectioner, South Bank Farm, and their new ‘perch<br />
barrels’, fit for a well-earned rest.<br />
Meanwhile, Nutritional Therapist Henrietta Norton, founder of Wild Nutrition, has opened a ‘Wild<br />
Clinic’ on Thomas Street (wildclinics.com) and Tina Deubert starts a new Nutrition in a Nutshell course<br />
on 1st Nov. The Jolly Sportsman are offering a tasty 2-4-1 on mains to <strong>Viva</strong> readers (see below); The<br />
Rainbow in Cooksbridge has re-opened and <strong>Lewes</strong>' third Costa has landed at the station.<br />
Lastly, events. In Residence Supper Club host guest chef Maddie Broad of Achar Street Food on 11th<br />
Nov (call 07879 846459) and Food Rocks returns on the 12th. Chloë King<br />
Illustration by Chloë King<br />
2 FOR 1 WINTER WARMER<br />
The Jolly Sportsman in East Chiltington is<br />
widely renowned for its excellent standard of<br />
food and wine, cosy fire and stunning location.<br />
In <strong>November</strong> they are offering <strong>Viva</strong> readers<br />
two main courses for the price of one on any<br />
Tuesday, Wednesday or Thursday evening.<br />
Minimum of two courses, not including sides.<br />
Booking essential.<br />
Please mention this voucher when booking<br />
and bring it along with you.<br />
01273 890400<br />
info@thejollysportsman.com<br />
jollysportsman.com<br />
Now taking bookings for Christmas parties.<br />
Book before <strong>November</strong> 1st and get 10% off food.
ADVERTORIAL<br />
Limetree Kitchen<br />
Based in the heart of <strong>Lewes</strong>,<br />
Limetree Kitchen produces<br />
exceptional dishes, created<br />
from only the very finest<br />
quality ingredients with minimal<br />
wastage. Their ethos is simple,<br />
to guarantee customers the<br />
ultimate eating experience in a<br />
relaxed and informal setting.<br />
With an updated menu and a<br />
new, innovative approach to<br />
eating out, Limetree Kitchen’s<br />
signature ‘Small Plates’ offer<br />
a more varied choice of<br />
dishes, less constricted by the<br />
limitations of a set two or three<br />
course menu.<br />
This more relaxed, Tapas style<br />
approach to eating out, stays<br />
true to Limetree Kitchen’s love<br />
for creating exciting and unique<br />
food in line with the restaurant’s<br />
‘nose to tail’ ethos.<br />
Here’s your chance to<br />
experiment with many new<br />
taste experiences in one sitting,<br />
perfect for sharing or enjoying<br />
on your own, with portions<br />
that are small in size but big on<br />
flavour!<br />
With an emphasis on using only<br />
the freshest ingredients, the<br />
menus are driven by seasonality.<br />
Limetree Kitchen focus on<br />
supporting local suppliers,<br />
mainly from Sussex and Kent,<br />
who share the same passion for<br />
responsible and ethical food<br />
production.<br />
It’s not just the food that makes<br />
this boutique restaurant stand<br />
out from the crowd. They also<br />
take pride in their unique ‘Gin<br />
Kitchen’ which flies in the face<br />
of the traditional. Choose from a<br />
tempting selection of refreshing<br />
concoctions or create your<br />
own bespoke recipe with our<br />
extensive range of gins. You<br />
won’t be disappointed by the<br />
collection of boutique wines<br />
on offer either. Or if beer is the<br />
tipple of choice, satisfy your<br />
thirst with one of their craft<br />
beers.<br />
When dining with Limetree<br />
Kitchen, you’re guaranteed<br />
to have friendly, courteous<br />
and highly attentive but<br />
always discreet staff, who will<br />
help to ensure every visit to<br />
Limetree Kitchen represents a<br />
delightful and memorable dining<br />
experience.<br />
.................................<br />
Limetree Kitchen<br />
14 Station Street, <strong>Lewes</strong>,<br />
East Sussex, BN7 2DA<br />
Tel: 01273 478 636<br />
www.limetreekitchen.co.uk<br />
enquiries@limetreekitchen.co.uk<br />
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CHRISTMAS<br />
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THE WAY WE WORK<br />
Tom Reeves did a shedload of work to collate this month’s bumper TWWW<br />
feature. He photographed a member of each of <strong>Lewes</strong>’ seven bonfire societies<br />
doing their everyday job in the costume they’ll be marching in on Bonfire Night.<br />
And then we asked them: what’s your dream job?<br />
edwardreeves.com<br />
Heidi Sison, WW1 soldier in Commercial Square Bonfire Society.<br />
By day a teacher at Firle Primary School.<br />
Dream job? "I would stay exactly where I am. Firle school is a fantastic place to work!"
THE WAY WE WORK<br />
Tony Leonard, Regency dame in South Street Bonfire Society.<br />
He earns his keep running The Snowdrop and The Roebuck pubs.<br />
Dream job? “In this outfit? Hooker/waitress/model/actress.<br />
Or high-class, professional Christmas tree.”
THE WAY WE WORK<br />
Jonathan Tompsett, Roman Centurion in Waterloo Bonfire Society.<br />
By day he works for George Justice Furniture Restorers.<br />
Dream job? “Working in the special effects department of a film company.”
Satisfaction guaranteed<br />
Some things in life are guaranteed to be satisfying,<br />
like seeing children’s faces light up on Bonfire Night.<br />
You should also be satisfied by the service you get from your solicitors<br />
and we’re so confident in our service that you can choose<br />
to reduce our fees if you’re not 100% happy.<br />
That’s our<br />
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Call us on<br />
0800 84 94 101<br />
3 Bell Lane, <strong>Lewes</strong>, East Sussex BN7 1JU<br />
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THE WAY WE WORK<br />
Hayley Winter, Tudor Lady in <strong>Lewes</strong> Borough Bonfire Society.<br />
By day runs Hayley’s Flowers.<br />
Dream job? “To be a celebrity florist… but I already have the<br />
perfect job, which is being mummy to my little boy.”
THE WAY WE WORK<br />
Steve Crowhurst, Mrs Brown in Neville Junior Bonfire Society.<br />
By day works for Harvey’s Brewery.<br />
Dream job? “I always wanted to be a Redcoat at Butlins.”
THE WAY WE WORK<br />
Jim Painter, buccaneer in Southover Bonfire Society.<br />
By day runs Jim Painter Home Improvements.<br />
Dream job? “I love my job painting, but I’ve always wanted to be a professional singer”
THE WAY WE WORK<br />
Graham Pitts, Viking in Cliffe Bonfire Society.<br />
By day he works for Parkers Building Supplies.<br />
Dream job? “I’d love to be an archaeologist.”
Could you spare<br />
just three hours<br />
a week to<br />
keep someone<br />
company while<br />
their carer gets<br />
a break?<br />
Then the Association of Carers want to hear from you!<br />
We are also looking for people who could share basic<br />
computer skills with a carer, or if you can't get out, could you<br />
have a chat with a carer once a week on the telephone? A<br />
listening non-judgemental ear could make all the difference<br />
to someone.<br />
Whatever you think you can do, you would be fully trained,<br />
supported and expenses paid. No experience necessary and<br />
non-drivers welcome. There is no personal care.<br />
The Association of Carers provides free volunteer led support<br />
to unpaid carers in East Sussex to encourage independence<br />
and reduce isolation.<br />
If you think you could help, please call 01424 722309 or visit<br />
www.associationofcarers.org.uk<br />
<br />
association of<br />
)GI§I Registered Charity 1159551
HEALTH<br />
Snooze Control<br />
Sweet dreams are made of this…<br />
What makes you<br />
happy? A pay rise?<br />
Jetting off on holiday?<br />
Falling in love?<br />
Apparently, for most<br />
of us, one leading<br />
source of happiness<br />
is far more<br />
mundane, as getting<br />
enough sleep has a<br />
stronger association<br />
with wellbeing than<br />
almost anything else.<br />
A study carried out by the National Centre for<br />
Social Research, and published in September,<br />
scored happiness levels out of 100. It found that<br />
those who slept well scored 15 points higher<br />
than those who struggled to sleep. By contrast,<br />
quadrupling income was associated with a point<br />
rise of just two.<br />
But why is sleep so important?<br />
In Why We Sleep: The New Science of Sleep and<br />
Dreams, neuroscientist Matthew Walker lists a<br />
worrying array of conditions linked to lack of<br />
sleep, including obesity, heart disease, diabetes,<br />
cancer, Alzheimer’s and depression. And, he says,<br />
we aren’t getting enough.<br />
While the amount of sleep needed varies depending<br />
on age, most scientists agree adults should be<br />
getting seven to nine hours a night, with children<br />
needing more, and the elderly less. However,<br />
according to the National Sleep Foundation<br />
in America, the average person sleeps for just<br />
over six hours — which may not seem much of<br />
a deficit, until you consider Professor Walker’s<br />
assertion that when the clocks go forward, and<br />
we lose an hour of sleep, there is a 24 per cent<br />
increase in heart attacks.<br />
So what’s a sleep-deprived soul to do?<br />
The Sleep Council, which published The Great<br />
British Bedtime Report<br />
in 2013, suggests<br />
starting in the bedroom.<br />
As we sleep best<br />
in total darkness,<br />
it advises hanging<br />
blackout curtains<br />
or blinds. And, it<br />
says, we need to ban<br />
the tech — or at<br />
least switch it off.<br />
Televisions, computers,<br />
mobiles and tablets all emit blue light, which<br />
stimulates the brain and impedes sleep.<br />
Having the right mattress is also key, so choose<br />
the best you can afford and make sure it supports<br />
you properly. Also check the room isn’t too hot<br />
or cold, with 16 to 18 degrees centigrade believed<br />
to be optimal.<br />
Another tip is to stick to a regular routine,<br />
waking and sleeping at the same times each day.<br />
While an afternoon catnap or Sunday lie-in may<br />
seem appealing, following set hours makes it<br />
easier for your body to enjoy quality sleep. And if<br />
you are lying in bed wide awake, then the experts<br />
recommend getting up again until you feel sleepy.<br />
Finally, what you eat and drink can impact on<br />
your shut-eye. You probably know to stay away<br />
from caffeine at night, but it’s also a good idea to<br />
avoid alcohol (it might cause you to zonk out, but<br />
it affects sleep quality), and to steer clear of spicy<br />
dishes. Foods thought to promote sleep include<br />
milk (yes, your mother was right), cherries,<br />
bananas, kiwis, pumpkin seeds, peanuts, beans,<br />
and turkey.<br />
Above all, relax. With the nights getting longer,<br />
colder and darker, it couldn’t be more perfect for<br />
spending extra time in bed.<br />
Anita Hall<br />
105
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Conditions apply. Ask in-store for details.
WILDLIFE<br />
Nightingale<br />
And a nightingale sang in St John sub Castro<br />
Illustration by Mark Greco<br />
My bottom desk drawer is a graveyard, the final<br />
resting place for the obsolete. A broken calculator,<br />
foreign coins, buttons and a Maxell C90 cassette<br />
given to me a few years ago. I had no means of playing<br />
it until I recently discovered my clunky cassette<br />
deck hiding in the garage. An accompanying note<br />
says the tape contains ‘the song of a nightingale in<br />
the churchyard of St John sub Castro, spring 1985’.<br />
It was recorded by a lady called Barbara from an<br />
upstairs window in neighbouring Lancaster Street.<br />
After some dusting, re-wiring, buzzing and hissing<br />
the sweet sound that swirled from my speakers<br />
transported me back over three decades to a time<br />
when Reagan negotiated with Thatcher, Paul Hardcastle’s<br />
na-na-na-na-Nineteen topped the charts and<br />
a nightingale sang in St John sub Castro.<br />
To be frank nightingales aren’t much to look at.<br />
Small brown birds; a robin without the redbreast.<br />
But when they open their beaks there’s a Susan<br />
Boyle-like transformation. These drab birds become<br />
the world’s most celebrated vocalists. For centuries<br />
poets have praised their performance. Homer,<br />
Shakespeare, Coleridge, Wordsworth, Clare, Keats,<br />
Dylan and Cohen. Shelley claimed ‘A poet is a<br />
nightingale who sits in darkness, and sings to cheer<br />
its own solitude with sweet sounds’. Trust young<br />
Percy Bysshe to believe the bird was wallowing in its<br />
own self-pity. The nightingale’s song is actually both<br />
an aggressive war-cry and a sweet, structured sonnet.<br />
A hymn to the silence in the hope of enticing a<br />
passing female.<br />
The nightingale’s optimistic warbles have inspired<br />
everyone from Vera Lynn to Roxy Music. A BBC recording<br />
of a bird singing in Oxted in 1942 inadvertently<br />
captured the roar of Lancasters, Wellingtons,<br />
Stirlings and Halifaxes passing overhead laden with<br />
bombs destined for Germany. The contrast between<br />
innocence and beauty, terror and destruction make<br />
it the most powerful sound I have ever heard.<br />
Nightingales will sing by day but are most famous<br />
for never letting up when the sun sets. Their<br />
beautiful phrasing carrying loud and clear over<br />
the muffled grunts and hoots of other nocturnal<br />
animals. Once the nightingale has hooked a partner<br />
his nocturnal performances will stop. Right now, no<br />
matter how loud they sing, we’re not going to hear<br />
them. Our nightingales are spending the winter<br />
south of the Sahara in a wide belt between Senegal<br />
and Kenya. They will return in late April.<br />
Due to habitat destruction the UK population of<br />
this amazing bird – so entwined in our cultural<br />
heritage – is in a steep decline. The sound of a<br />
nightingale singing in the centre of <strong>Lewes</strong> may have<br />
been relegated to the bottom drawer of history but<br />
we are blessed to still have this bird in the surrounding<br />
woodlands. We must not let their song of hope<br />
be silenced forever.<br />
Michael Blencowe, Sussex Wildlife Trust<br />
107
COLUMN<br />
Walkies<br />
#9 Jolly Sportsman circular<br />
Autumn, as my friend Miguel remarked the other<br />
day, has taken off his coat and made himself at<br />
home. Or perhaps he’s just lent it to Todd whose<br />
magnificent fleece comes into its own at this time<br />
of year after summer’s cooling short, back and sides.<br />
Today we are off on a favourite jaunt, the Jolly<br />
Sportsman circular. It has all the elements: woods,<br />
fields, avenues of oak, ash and chestnut straddling<br />
quiet country lanes. Not to mention one of the best<br />
gourmet alehouses in Sussex to down a pint of cider<br />
or six at journey’s end.<br />
Before we head out, I happen to read an article<br />
about how useless business meetings are for<br />
brainstorming new ideas. The word among the hip,<br />
young things is that going for a walk is much more<br />
productive. The mind is released from its officebound<br />
shackles and creative sparks fly.<br />
This all assumes the boss buys into this counterintuitive<br />
proposition. Happily mine thinks it’s a<br />
great idea and suggests I throw in a boozy lunch as<br />
well. He’s such a cool guy, always open to new ideas.<br />
Probably something to do with the fact he only has<br />
one employee. Himself.<br />
I’m trying to come up with an idea for another kids’<br />
book. I wrote one ten years ago and it still pays a<br />
few bills, but the returns are diminishing. Almost<br />
immediately, Todd’s ears seem to be doing the trick.<br />
They flap, bounce, rebound, swing. How about a<br />
flying dog? One that flies with its ears and gazes<br />
longingly at you through frozen window panes on<br />
Christmas Eve?<br />
But then I get the feeling it’s kinda been done before.<br />
By Raymond Briggs, Enid Blyton, Dr. Seuss,<br />
Uncle Tom Cobley and every kids’ author that<br />
ever laid pen to paper. And now the boss seems to<br />
be getting twitchy and wants me back behind my<br />
desk pronto.<br />
Instead I try a bit of mindfulness. That’s better!<br />
The scents are incredible. The leaves are<br />
kaleidoscopes of colour. Todd is bounding around<br />
in doggy heaven and I’ve just laid hands on the<br />
perfect shiny conker.<br />
Our walk takes us past the lovely old 13th Century<br />
church at East Chiltington and on the return leg<br />
we gaze south towards the Downs and the V-<br />
shaped Middleton Plantation on Streat Hill planted<br />
in 1887 to celebrate Victoria's Silver Jubilee.<br />
Simon de Montfort’s rag-tag army also passed<br />
this way en route to the Battle of <strong>Lewes</strong> in 1264.<br />
Perhaps a historical yarn with a flying dog leading<br />
Simon de Montfort’s troops into battle might do it?<br />
And to think we haven’t even reached the pub yet...<br />
Richard Madden<br />
Map: OS Explorer: 122. Distance: 3.5 miles. Terrain:<br />
Bumpy lanes and footpaths across fields. Directions:<br />
At East Chiltington church follow footpath past<br />
Stanton Farm before crossing Plumpton Lane and<br />
on to Plumpton Wood. Loop back past Plumpton<br />
Racecourse to the pub. Start/End: Jolly Sportsman<br />
Pub, East Chiltington.<br />
109
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吀 爀 愀 渀 猀 昀 漀 爀 洀 礀 漀 甀 爀 栀 漀 洀 攀 眀 椀 琀 栀 漀 甀 爀 昀 椀 渀 攀 猀 琀 焀 甀 愀 氀 椀 琀 礀<br />
匀 㨀 䌀 刀 䄀 䘀 吀 洀 愀 搀 攀 ⴀ 琀 漀 ⴀ 洀 攀 愀 猀 甀 爀 攀 椀 渀 琀 攀 爀 椀 漀 爀 猀 栀 甀 琀 琀 攀 爀 猀 ⸀<br />
琀 ⸀ ㈀ 㜀 アパート アパート アパート 㠀 㐀 ㈀<br />
攀 ⸀ 挀 漀 渀 琀 愀 挀 琀 䀀 戀 攀 氀 氀 愀 瘀 椀 猀 琀 愀 猀 栀 甀 琀 琀 攀 爀 猀 ⸀ 挀 漀 ⸀ 甀 欀<br />
眀 ⸀ 眀 眀 眀 ⸀ 戀 攀 氀 氀 愀 瘀 椀 猀 琀 愀 猀 栀 甀 琀 琀 攀 爀 猀 ⸀ 挀 漀 ⸀ 甀 欀
THE LOWDOWN ON...<br />
Our eroding cliffs<br />
Don’t stand too close to the edge<br />
Little by little, Britain is changing shape. More<br />
than 50 per cent of the coastline is made of cliffs,<br />
and while in some places erosion is just a centimetre<br />
or two each year, in others, such as nearby<br />
Birling Gap, an average of 89 centimetres of the<br />
chalk face is falling into the sea every year.<br />
Last June the Sussex coast saw one of its biggest<br />
rock falls in recent years when a ten-metre section<br />
of the cliff at Seaford Head disappeared. No one<br />
was hurt, but it drew attention again to the dangers<br />
of standing too close to the edge.<br />
“You don’t need an obvious fissure in the ground to<br />
be a sign that the cliff might collapse,” says Dr John<br />
Barlow, a geomorphologist at the University of<br />
Sussex. “The formation of the rock varies along the<br />
coast. You might not see any evidence, but even if<br />
you’re six metres from the edge the ground below<br />
could be structurally weak.”<br />
It is these weaknesses that Barlow is now studying.<br />
With the aid of a drone aircraft that’s photographically<br />
mapping a section at Telscombe, he and his<br />
team have been able to make highly accurate 3D<br />
models of the cliff face. They are spotting the cuts<br />
and notches at the base caused by waves, and identifying<br />
the “over steepening” that can lead to those<br />
fragile ledges popular with selfie-taking sightseers<br />
just falling away.<br />
“People haven’t been killed, but that doesn’t mean<br />
that it can’t happen,” says Barlow. “The most<br />
dangerous times are at high tide or in bad weather,<br />
which doesn’t necessarily preclude people being in<br />
those places.”<br />
Not only are Barlow and his team gathering evidence<br />
of recent rock falls, but they will also be able<br />
to predict future events based on calculations that<br />
connect the height and energy of the waves with<br />
what’s happening at the cliff base.<br />
Telscombe, which doesn’t have the protection<br />
of a seawall, is particularly at risk, says Barlow.<br />
The A259 coast road is just 42 metres from the<br />
edge at its closest point. As erosion continues, his<br />
predictions are that by 2089 the road has a one in<br />
ten chance of being lost to the sea. Even in places<br />
where a seawall exists, the cliffs are gradually<br />
retreating through storm damage, rainfall and<br />
freeze-thaw conditions, he says.<br />
Brighton Marina saw significant rock falls in 2001<br />
due to excessive wet weather affecting Black Rock,<br />
which is a paleo deposit of sand and shells and is<br />
particularly prone to weakness.<br />
Compared with some other maritime cliffs in the<br />
United Kingdom, the cretaceous chalk cliffs of<br />
Sussex – formed from the exo-skeletons of tiny<br />
marine animals that fell to the bottom of the sea<br />
more than seventy million years ago – are quite soft<br />
and vulnerable. And global warming could well be<br />
accelerating the process.<br />
Barlow says: “Our data suggest that increased<br />
storminess and rising sea levels will lead to a six per<br />
cent loss by 2089. It might sound alarming, but it<br />
doesn’t look like we’ll be losing our magnificent<br />
cliffs just yet.” Jacqui Bealing<br />
111
COLUMN<br />
<strong>Lewes</strong> Out Loud<br />
Plenty more Henty<br />
In the final minutes of her<br />
1955 movie, my favourite<br />
songstress at that time, Doris<br />
Day, belted out the Gus<br />
Kahn lyrics to the title song<br />
Love Me Or Leave Me as costar<br />
James Cagney leaned<br />
against the nearest bar.<br />
The unforgettable words,<br />
penned in 1928, have stayed<br />
with me over the years,<br />
poignantly pointing out as<br />
they do, that ‘You might<br />
find the night time, the<br />
right time for kissing but<br />
night time is my time for<br />
just reminiscing’.<br />
Wow! They don’t write<br />
songs like that anymore, do<br />
they... and, of course, regular<br />
<strong>Viva</strong> readers will know how good I am at ‘just<br />
reminiscing’. For example, mention ‘night time’<br />
and I immediately recall the period I spent on<br />
Radio 2 in the 1970s as a newsreader and weekly<br />
presenter of the programme Night Ride.<br />
Broadcasting House at midnight was a magical<br />
place. One small intimate studio, subdued lighting<br />
and a Europe-wide audience for a couple of hours<br />
before closure at 2am. I was in my element, and listener<br />
response was remarkable and personal. Today,<br />
all-night radio is commonplace, thank goodness,<br />
and I know many people use it to get to sleep or<br />
share a problem or two with a reassuring voice.<br />
Incidentally, it was very re-assuring to join colleague,<br />
Michael Blencowe, on his special bat night<br />
walk recently. I have to admit that, while I held a<br />
bat detector tuned to the right frequency, not one<br />
single ‘shout’ did I hear. But then I’ve searched for<br />
whales unsuccessfully in the Atlantic and spent a<br />
whole evening on a council<br />
estate in Newfoundland,<br />
with John Craven and others,<br />
looking for scavenging bears.<br />
None.<br />
The re-assuring thing in St<br />
John sub Castro churchyard<br />
with Michael was the large<br />
number of <strong>Viva</strong> readers, both<br />
young and old, who turned up<br />
on a dark night undaunted.<br />
Tarina is another reader, she<br />
told me, when delicately bandaging<br />
one of my fingers, following<br />
a gardening accident.<br />
I should have been wearing<br />
gloves, but didn’t. How lucky<br />
we are to have the minor<br />
injuries unit in town and how<br />
promptly I was attended to on<br />
a Friday morning without fuss.<br />
Well done also to the young guard on my Ashford<br />
train from Brighton. His announcements were precise,<br />
detailed and full of ancillary information. So<br />
often, it’s impossible to understand the messages,<br />
when you have hearing difficulties as I do. He was<br />
smartly dressed, polite and when I commented on<br />
his diction, he further impressed by adding that<br />
he had a stammer. Unfortunately, I didn’t get his<br />
name but I’m sure the rail company will know who<br />
our friend is and will commend him.<br />
Finally, a fun morning at the railway station where<br />
my ticket office pal, Karen, was holding a charity<br />
cake sale on behalf of Macmillan nurses. Sylvia and<br />
I provided a Victoria sponge for the happy occasion<br />
and it was really heartening to see scurrying<br />
commuters smile for a moment and make generous<br />
donations. A great town!<br />
John Henty<br />
113
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BUSINESS NEWS<br />
A few weeks back I was walking down Cliffe<br />
High Street and an elderly couple walked the<br />
other way. It was obvious from their manner<br />
they were day-trippers. “Ooh look,” said the<br />
woman. “They’ve got a Bill’s.”<br />
Bill’s, of course, is a <strong>Lewes</strong> invention which<br />
has spread across the country, but at the<br />
moment we’ve got far more imports than exports,<br />
brand wise, and it seems the floodgates<br />
are opening when it comes to chains arriving<br />
in town. The latest news on this front is that<br />
our THIRD Costa opened in October in the<br />
station building; Jigsaw is only a couple of<br />
pieces from completion as I write and might<br />
well be trading when you read this column.<br />
Wetherspoon’s seems to have been put on<br />
hold, but for how long? We seem to be becoming<br />
a destination town: the danger is that<br />
we will start to look and feel like all the other<br />
towns who’ve been similarly invaded.<br />
The big hope, of course, is that the newcomers<br />
attracted into <strong>Lewes</strong> by the chains will<br />
also check out our independents, but we’ve<br />
got to be wary of some sort of tipping point. I<br />
don’t think we’ve necessarily reached that yet,<br />
and thankfully more idiosyncratic indies are<br />
still starting up in town. So it’s a big welcome<br />
to Lovely&co (above, left), opened by Enzo<br />
and Lucy, who’ve been running an online<br />
business from a warehouse near Aldi – and<br />
before that in Hove – and are moving into<br />
retail, too, in the spot where Brenda traded<br />
in the Needlemaker’s. In the same unit, on<br />
the corner of Market Street and Market<br />
Lane, Tania Borowski is opening her new<br />
functional medicine clinic and ‘concept store’,<br />
on <strong>November</strong> 6th. It’s also worth mentioning<br />
that The Print Centre, on Station Street,<br />
is being taken over by Mark and Jim, who<br />
already worked there under Lucy, who’s off<br />
to concentrate on her social media business.<br />
They’ve invested in new equipment, meaning<br />
they can do better quality prints – for artworks,<br />
for example – and bigger orders.<br />
When you’re down Cliffe way, take a look at<br />
Riverside (above, right), which has completed<br />
its facelift, and looks very splendid, making<br />
the most of its Ouse-side position. Moving a<br />
little out of town, we’ve been told that The<br />
Rainbow in Cooksbridge has been taken over<br />
and is open again after closing in April, which<br />
had left the village without a pub. Good luck<br />
to all concerned.<br />
And finally, talking about <strong>Lewes</strong> exports,<br />
as we were at the beginning of this column,<br />
we’ve heard that WE Clark, one of <strong>Lewes</strong>’<br />
oldest businesses, is opening a new branch of<br />
their jewellery shop in Uckfield. It’s a long<br />
way from their neighbours Bill’s (75 branches<br />
and counting; last year they served 7.5 million<br />
customers) …best of luck to them in their new<br />
endeavour. Alex Leith<br />
115
DIRECTORY<br />
Please note that though we aim to only take advertising from reputable businesses, we cannot guarantee<br />
the quality of any work undertaken, and accept no responsibility or liability for any issues arising.<br />
To advertise in <strong>Viva</strong> <strong>Lewes</strong> please call 01273 434567 or email advertising@vivamagazines.com<br />
• Digital TV aerial upgrades & service<br />
• TV, DAB, and FM aerials<br />
• Extra points<br />
• Communal systems<br />
• Aerial repairs<br />
• Satellite TV installs and service<br />
• SKY installs<br />
• Discreet fittings e.g. listed buildings, thatch roofs, flats<br />
• European systems serviced and installed<br />
• Gutters cleared • CCTV installed<br />
WE FIT BIRD DETERRENTS<br />
WE CAN BEAT ANYONE ON QUALITY AND PRICE<br />
Free discount • over 39 years experience • OAP discount<br />
Open 7 days a week • Fully guaranteed • Same day service<br />
Freephone: 0800 0323255<br />
Tel: 01273 617114 Mob: 07920 526703<br />
We specialise in TV wall mounting<br />
We can beat anyone else’s price on a like for like basis<br />
www.1strateaerialsandsatellites.co.uk<br />
a & s<br />
aerials & satellites<br />
OAP<br />
DISCOUNT<br />
www.asltd.co.uk<br />
*Subject to conditions & availability<br />
WE WILL BEAT ANY PRICE<br />
We pride ourselves on the quality and price of our work.<br />
“We Try Harder.”<br />
Family Run Business<br />
Covering the area<br />
for over 50 years<br />
• All TV AERIALS & Satellite TV<br />
• Extra points<br />
• Communal systems<br />
• Sky TV – Best offers<br />
• All European & multi-national<br />
satellite systems<br />
• TV wall mounting service<br />
• Extra phone points<br />
FULLY Guaranteed<br />
Free estimate for TV<br />
aerial work<br />
Same day<br />
service*<br />
Authorised<br />
sky agent<br />
Trading Standards<br />
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c71<br />
LEWES<br />
& surrounding area<br />
01273 461579<br />
OR FREEPHONE<br />
0800 919737<br />
116
Plumbing & Heating<br />
Design & Installation<br />
Bathrooms/Kitchens<br />
Plumbing/Heating<br />
Boilers/Central heating<br />
Gas Safe Registered<br />
Tiling / Woodwork<br />
Free estimates & Advice<br />
T: 01273 487 565 M. 07801 784 192<br />
E. tonywplumbing@icloud.com
HOME<br />
OVER 30 YEARS EXPERIENCE<br />
FREE estimates on all types of<br />
plastering work and finishes.<br />
TELEPHONE: 01273 472 836<br />
MOBILE: 07974 752 491<br />
EMAIL: cdpoulter@btinternet.com<br />
Specialists in TV, Hi - Fi, Video,<br />
Satellite Repairs, Aerial Installations<br />
REPAIRS TO:<br />
FLAT SCREEN TV - LCD- VIDEOS<br />
SKY & FREESAT RECEIVERS<br />
FREEVIEW & FREESAT RECORDERS<br />
FREE ESTIMATES<br />
NEW TV etc SET UP:<br />
AERIAL & DISH REPAIRS AND INSTALLS<br />
FREE ESTIMATES.<br />
EXTENTION POINTS TO ALL ROOMS<br />
FOR AERIAL - SATELLITE<br />
We are a local, family- run business, established for<br />
40 years, who really care about you the customer.<br />
CALL TELEVIEW ON:<br />
LEWES: 01273 514421<br />
MOBILE 07500 061592<br />
EMAIL: babirdy123@gmail.com<br />
4 High Street, Newhaven, East Sussex, BN9 9PE
HOME<br />
Laurence<br />
Turrell & Co.<br />
BUILDING | RENOVATION | BESPOKE<br />
01444 213499 | 07850 477318<br />
www.laurenceturrell.com<br />
Curtains Roman Blinds Soft Furnishings<br />
Now stockist of Ian Mankin fabrics -<br />
100% Natural fibres, woven in Lancashire.<br />
01273 470817 | 07717 855314<br />
The<strong>Lewes</strong>Seamstress.co.uk
HOME<br />
Directory Spotlight:<br />
Mark and Dick, Just Williams<br />
Mark: We’ve been going for two<br />
years now. We worked together<br />
before for a different company, and<br />
decided to go it alone. We offer<br />
the full package, including packing<br />
and unpacking.<br />
Dick: We’re equal partners in the<br />
company. Together, we’ve got<br />
over 35 years’ experience in the industry.<br />
Mark: We’re the only proper removal company<br />
in <strong>Lewes</strong>. We have two vans, and are getting a<br />
third one in January, and we’ll then hire our first<br />
full-time employee.<br />
Dick: We travel all over the country – we’ve<br />
done seven or eight Cornwalls – and abroad, too.<br />
We’ve moved people to France… and there’s an<br />
Italian job on the cards. But we’re just as happy<br />
doing <strong>Lewes</strong> to <strong>Lewes</strong>.<br />
Mark: The job is good for your stamina, especially<br />
when you’re moving pianos around. We did<br />
a move in Hove that was on the<br />
fifth floor: we worked out that with<br />
all the stairs we went up, it was the<br />
equivalent of climbing the Empire<br />
State Building.<br />
Mark: Packing everything in the<br />
van is like making a Jenga block.<br />
There’s no school that teaches you.<br />
It comes with experience.<br />
Dick: We’ve learnt that the most important<br />
thing is customer rapport: it’s important that we<br />
know exactly what they want, and that they know<br />
exactly how we work.<br />
Mark: Why Just Williams? My wife’s a teacher,<br />
she thought of the name, after the Richmal<br />
Crompton series. Plus my surname’s Williams.<br />
Everyone says they like it, because it’s quirky,<br />
very <strong>Lewes</strong>. As told to Alex Leith<br />
jw-removals.com / 01273 985240 /<br />
info@jw-removals.com<br />
121
HOME<br />
Chartered Building Surveyors<br />
• Building Surveys • Defect Analysis<br />
• Project Management • Dilapidaaons<br />
• Historic Building Specialists • Party Wall<br />
Contact us for friendly professional advice<br />
01273 840608 | www.gradientconsultants.com<br />
Jason Eyre Decorating<br />
Professional Painters & Decorators<br />
jasoneyre2@gmail.com<br />
07766 118289 / 07976 418299<br />
01273 858300<br />
Handyman Services for your House and Garden<br />
<strong>Lewes</strong> based. Free quotes.<br />
Honest, reliable, friendly service.<br />
Reasonable rates<br />
Tel: 07460 828240<br />
Email: ahbservices@outlook.com<br />
Project1/NEWSIZE_Layout All trades 1 18/01/2012 covered 14:59 Page 1<br />
AHB ad.indd 1 27/07/2015 17:46<br />
Jack Plane Carpenter<br />
Nice work, fair price,<br />
totally reliable.<br />
www.jackplanecarpentry.co.uk<br />
01273 483339 / 07887 993396<br />
Herriotts Clearances<br />
FULL HOUSE CLEARANCE SERVICE<br />
www.herriottsclearances.co.uk
GARDENS<br />
Global<br />
Gardens<br />
Design,<br />
Restoration &<br />
Landscaping<br />
LESSONS AND COURSES<br />
Mobile 07941 057337<br />
Phone 01273 488261<br />
12 Priory Street, <strong>Lewes</strong>, BN7 1HH<br />
info@ globalgardens.co.uk<br />
www.globalgardens.co.uk<br />
RHS<br />
GGS1.001_QuarterPage_Ad_01.indd 1 12/11/10 Gold medal 18:24:51<br />
Winners<br />
Real gardeners for all your gardening needs.<br />
From a one off blitz to regular maintenance.<br />
07812 028704 | 01273 401962<br />
brookhartservices@gmail.com<br />
www.brook-hart.co.uk<br />
• Site Assessment & Design<br />
• Planting Plans<br />
• Ongoing Maintenance<br />
GARDEN DESIGN<br />
M: +44 (0) 7989 176101<br />
info@wendydarby.co.uk | www.wendydarby.co.uk
LESSONS AND COURSES<br />
CARS<br />
Singing Lessons<br />
Experienced voice teacher - DBS checked - Wallands area<br />
www.HilarySelby.com<br />
07960 893 898<br />
EXPERT<br />
ADVICE<br />
I N C O R P O R A T I N G F L O T Y R E S<br />
COMPETITIVE RATES.<br />
QUALITY PARTS.<br />
HIGHLY SKILLED TECHNICIANS.<br />
FRIENDLY EXPERT ADVICE.<br />
ALL SERVICE & REPAIR WORK.<br />
MOT SERVICE.<br />
www.mechanicinlewes.co.uk<br />
EMAIL ENQS: info@flomargarage.com<br />
Units 1-3 Malling Industrial Estate, Brooks Road, <strong>Lewes</strong> BN7 2BY<br />
Vehicle Servicing, Repairs and MOT Service: 01273 472691<br />
www.mechanicinlewes.co.uk
HEALTH & WELLBEING<br />
CLIFFE OSTEOPATHS<br />
complementary health clinic<br />
Lynne Russell<br />
BSc FSDSHom MARH MBIH(FR)<br />
I have been offering women<br />
information and support at<br />
menopause for over 15 years.<br />
I draw on my range of therapies<br />
and experience in considering<br />
the different options and a more<br />
natural approach.<br />
If you would like to arrange a free<br />
15 minute mini-consultation to<br />
see if my approach might suit<br />
you please contact me.<br />
07970 245118<br />
www.chantryhealth.com<br />
OSTEOPATHY<br />
Mandy Fischer BSc (Hons) Ost, DO<br />
Steven Bettles BSc (Hons) Ost, DO<br />
HERBAL MEDICINE & REFLEXOLOGY<br />
Julie Padgham-Undrell BSc (Hons) MCPP<br />
PSYCHOTHERAPY<br />
Julia Rivas BA (Hons), MA Psychotherapy<br />
Tom Lockyer BA (Hons), Dip Cound MBACP<br />
ACUPUNCTURE & HYPNOTHERAPY<br />
Anthea Barbary LicAc MBAcC Dip I Hyp GQHP<br />
HOMEOPATHY, COACHING, NLP<br />
& HYPNOTHERAPY<br />
Lynne Russell BSc FSDSHom MARH MBIH(FR)<br />
Counselling, Psychotherapy<br />
and Psychological Services<br />
with experienced clinicians<br />
in central <strong>Lewes</strong><br />
We work with individuals,<br />
couples, families and groups.<br />
Sam Jahara (UKCP Reg.)<br />
Transactional Analyst<br />
Mark Vahrmeyer (UKCP Reg.)<br />
Integrative Psychotherapist<br />
Dr. Simon Cassar (UKCP Reg.)<br />
Existential Psychotherapist<br />
Jane Craig (HCPC Reg.)<br />
Clinical Psychologist<br />
Magdalena Whitehouse (HCPC Reg.)<br />
Drama Therapist<br />
Thea Beech (UKCP Reg.)<br />
Group Analyst<br />
01273 480900
HEALTH & WELLBEING<br />
Larry Wright - Life Coach<br />
Coaching by audio skype, whatsapp<br />
and phone. First conversation free<br />
FLU VACCINES NOW AVAILABLE<br />
Flu vaccines are available to everyone<br />
who would like one ages 16 and over<br />
from St Annes Pharmacy<br />
• FREE NHS vaccines for<br />
eligible patients<br />
• PRIVATE VACCINES cost £12 for<br />
those who are not eligible on the NHS<br />
- - - - - - - - - - - - - - - - - - - - - - - - - - - - -<br />
PLEASE NOTE NEW BUSINESS<br />
HOURS ST ANNES PHARMACY WILL<br />
NOW BE CLOSED BETWEEN<br />
1PM & 2PM MONDAY TO FRIDAY<br />
Recent themes include, self esteem,<br />
adventure and influence.<br />
Design your future.<br />
www.larrywrightcoaching.com<br />
Ruth Wharton <strong>Viva</strong> Advert 3.17 AW.qxp_6 12/05/<strong>2017</strong> 10<br />
RUTH<br />
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NUTRITIONAL<br />
THERAPIST<br />
sallygallowaynutrition.co.uk<br />
Other therapies<br />
alsO available<br />
fOr MOre details see:<br />
intrinsichealthlewes.co.uk<br />
CLINIC SPACE<br />
available<br />
INTRINSIC HEALTH<br />
01273 958403<br />
32 Cliffe high st, lewes bN7 2aN<br />
Acupuncture, Alexander Technique, Bowen<br />
Technique, Children’s Clinic, Counselling,<br />
Psychotherapy, Family Therapy, Herbal<br />
Medicine, Hypnotherapy, Massage, Nutritional<br />
Therapy, Life Coaching, Physiotherapy, Pilates,<br />
Shiatsu, Hypnobirthing, Podiatry/Chiropody
HEALTH & WELLBEING<br />
neck or back pain?<br />
Lin Peters - OSTEOPATH<br />
VALENCE ROAD OSTEOPATHS<br />
for the treatment of:<br />
neck or low back pain • sports injuries • rheumatic<br />
arthritic symptoms • pulled muscles • joint pain<br />
stiffness • sciatica - trapped nerves • slipped discs<br />
tension • frozen shoulders • cranial osteopathy<br />
pre and post natal<br />
www.lewesosteopath.co.uk<br />
20 Valence Road <strong>Lewes</strong> 01273 476371<br />
Doctor P. Bermingham<br />
Retired Consultant Psychiatrist. Retired Jungian Psychoanalyst.<br />
Assoc. Med. Psychotherapy. Alternative to biological<br />
Psychiatry. Psychotherapy for depressive illness.<br />
drpbermingham@gmail.com<br />
MINDFUL LIVING<br />
Meditation and awareness in daily life<br />
inspired by Buddhist teachings<br />
Monday evenings at Linklater Pavilion<br />
triratnalewes@gmailcom 07759777301<br />
Arts Counsellor - Tara Canick MCGI, BACP<br />
15 Malling Street, <strong>Lewes</strong>, BN7 2RA<br />
(for adults, young people & children)<br />
No previous art experience necessary<br />
07792 600903 – www.tara-canick.co.uk www.tar<br />
HERBALIST<br />
Kym Murden<br />
BA Hons Dip Phyt<br />
Weaving wellness together<br />
whatever your age.<br />
Herb & Health Workshops<br />
Visit:<br />
kymmurden.com<br />
Appointments 07780 252186
HEALTH & WELLBEING<br />
COMPETITIVE<br />
PRICES<br />
FLO TYRES<br />
& ACCESSORIES<br />
PROMOTION.<br />
Quote Code WINV1117<br />
FREE 7 Point Pre Winter Check -<br />
BY APPOINTMENT ONLY.<br />
Includes vehicle battery condition, antifreeze, exterior<br />
lights, wiper blades, engine oil level, tyre condition and<br />
screenwash. Valid until end <strong>November</strong> <strong>2017</strong>. Any<br />
replacement items identified offered at competitive<br />
rates usually with free fitting (exceptions apply).<br />
Flo Tyres And Accessories<br />
Unit 1 Malling Industrial Estate, Brooks Road, <strong>Lewes</strong>, BN7 2BY<br />
Tel: 01273 481000 | Web: flotyres.com | info@flomargarage.com<br />
EXPERT<br />
ADVICE<br />
O N E S T O P S H O P F O R P R E M I U M , M I D R A N G E A N D B U D G E T T Y R E S<br />
We also stock vehicle batteries, wiper blades, bulbs and top up engine oils.
OTHER SERVICES<br />
www.andrewwells.co.uk<br />
We can work it out<br />
• BUSINESS ACCOUNTS AND TAX<br />
• MEDIA AND THE ARTS<br />
• CONTRACTORS AND CONSULTANTS<br />
• FRIENDLY AND FLEXIBLE<br />
T: 01273 961334<br />
E: aw@andrewwells.co.uk<br />
FREE<br />
initial<br />
consultation<br />
Andrew M Wells Accountancy<br />
99 Western Road <strong>Lewes</strong> BN7 1RS<br />
Andrew Wells_<strong>Viva</strong> <strong>Lewes</strong>_AW.indd 1 25/06/2012 09:05<br />
The Cycling Seamstress<br />
Vanessa Newman<br />
Alterations, repairs, tailoring & hair cutting<br />
07766 103039 / nessnewmantt@gmail.com<br />
倀 爀 甀 刀 漀 眀 渀 琀 爀 攀 攀<br />
䌀 愀 爀 攀 攀 爀 䜀 甀 椀 搀 愀 渀 挀 攀<br />
LOOK OUT FOR<br />
VIVA BRIGHTON ISSUE 57<br />
Cover design by Neil Webb<br />
HAPPY<br />
BONFIRE<br />
FROM EVERYONE AT VIVA<br />
眀 眀 眀 ⸀ 瀀 爀 甀 爀 漀 眀 渀 琀 爀 攀 攀 挀 愀 爀 攀 攀 爀 最 甀 椀 搀 愀 渀 挀 攀 ⸀ 挀 漀 洀
INSIDE LEFT<br />
OFF WITH HIS HEAD<br />
We do not know the exact date of this odd picture from the Reeves archives: Tom – who chose<br />
it to fit the theme ‘noir’ - assumes it was from his grandfather Benjamin Reeves’ ‘experimental<br />
phase’ in his 20s, when he was playing around with certain special effects that you could achieve<br />
with dry-plate photography. This would suggest it was taken in the Edwardian period. “My great<br />
grandfather Edward was a pioneer of photography who worked with wet plates, so his experimentation<br />
was very pioneering and about the very process of photography,” says Tom. “Because<br />
grandad worked with dry plates he could do more stuff: early artificial lighting, the possibility of<br />
multiple exposures, etc.” The special effect in this case was a bit of cropping while the negative<br />
was being exposed. Any close scrutiny of the photo reveals his trick, but as this was fairly<br />
cutting-edge jiggery-pokery at the time, it would have presumably given viewers quite a shock.<br />
We’re intrigued by the narrative Benjamin has set up, which seems to ask more questions than<br />
it answers. Who is the character sitting weeping in the foreground of the picture? Why is the<br />
headless man pointing his knife at the spine of a book? Why are there two knives, and why are<br />
they so small, considering the gruesome job they have? Sadly, we will never know the answers.<br />
Thanks, as always, to Edward Reeves, 159 High Street, 01273 473274<br />
130
<strong>Lewes</strong> Landlords:<br />
Ethical, hassle-free property letting<br />
University of Sussex considering new properties<br />
from September 2018.<br />
• No fees or commission<br />
• Guaranteed rent for up to 52 weeks<br />
• Quality property management at no cost to you<br />
For further details, please contact:<br />
Housing Services,<br />
91 <strong>Lewes</strong> Road, Brighton.<br />
Opening times Mon-Fri 10am-4pm<br />
T +44 (01273) 678220<br />
E housing@sussex.ac.uk
1 Malling Street, <strong>Lewes</strong>, BN7 2RA<br />
01273 471 269<br />
alistairflemingdesign.co.uk