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Viva Lewes Issue #134 November 2017

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ALEXANDER JOHNSON<br />

to Laughton, I was in the local<br />

post office and I found this little<br />

book on RAF Deanland, near<br />

Hailsham, with a picture of a<br />

Spitfire on the front. Because my<br />

father had been a Spitfire pilot,<br />

anything with a Spitfire grabs<br />

my attention, so I bought it. I<br />

got back to the studio and realised<br />

it was about a local airfield<br />

that had been built to support<br />

the D-Day landings in 1944, and<br />

I thought, ‘this is it – this is the<br />

gift I’ve been waiting for’.<br />

“I cycled out there and managed<br />

to get an introduction with<br />

the guy who owns the airfield<br />

now, and sort of self-appointed<br />

myself as artist in residence<br />

there. I go out and I sketch,<br />

generally in charcoal, and I do<br />

pretty standard landscape drawings<br />

of the buildings there and<br />

the Downs in the distance and<br />

the trees. Once I’ve got that in<br />

my head, I continue to redraw<br />

those scenes, but they become<br />

more and more abstracted and<br />

refined, and I leave more and<br />

more information out, so I end<br />

up with a much simpler scene.<br />

It’s a sort of distillation, I suppose<br />

– a simplification.<br />

“I had an exhibition earlier this<br />

year and at the private view<br />

I met a photographer called<br />

John Brockliss, who was also<br />

between projects. We got talking<br />

about my Deanland images<br />

and he decided that he’d like<br />

to make a body of work documenting<br />

me doing the project.<br />

Out of that he’s now decided to<br />

produce a book, which is coming<br />

out next year. The book will<br />

be half black-and-white photographs<br />

of the working process<br />

and me in the studio, interspersed<br />

with colour plates that<br />

has been made: silk screens and<br />

etchings and oil paintings. John<br />

approached Antony Penrose to<br />

write the preface to the book.<br />

He came over and saw the work,<br />

liked it, and obviously saw parallels<br />

between what he’s doing<br />

with his mother’s photographs.<br />

We’re treading quite similar<br />

paths in a way, because I’m trying<br />

to retell my dad’s story, he’s<br />

trying to retell Lee’s [his mother<br />

Lee Miller’s] story.” The book<br />

comes out in June 2018, with an<br />

exhibition at 35 North Gallery in<br />

Brighton.<br />

Rebecca Cunningham<br />

Alexander will be the focus of<br />

an exhibition and print sale at<br />

Gallery 40 in Brighton from the<br />

4th to the 10th Dec. His drawing<br />

'Deanland Oaks' was selected for<br />

the Jerwood Drawing Prize this<br />

year and will be touring until July<br />

2018. alexander-johnson.com<br />

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