Viva Lewes Issue #134 November 2017
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ALEXANDER JOHNSON<br />
to Laughton, I was in the local<br />
post office and I found this little<br />
book on RAF Deanland, near<br />
Hailsham, with a picture of a<br />
Spitfire on the front. Because my<br />
father had been a Spitfire pilot,<br />
anything with a Spitfire grabs<br />
my attention, so I bought it. I<br />
got back to the studio and realised<br />
it was about a local airfield<br />
that had been built to support<br />
the D-Day landings in 1944, and<br />
I thought, ‘this is it – this is the<br />
gift I’ve been waiting for’.<br />
“I cycled out there and managed<br />
to get an introduction with<br />
the guy who owns the airfield<br />
now, and sort of self-appointed<br />
myself as artist in residence<br />
there. I go out and I sketch,<br />
generally in charcoal, and I do<br />
pretty standard landscape drawings<br />
of the buildings there and<br />
the Downs in the distance and<br />
the trees. Once I’ve got that in<br />
my head, I continue to redraw<br />
those scenes, but they become<br />
more and more abstracted and<br />
refined, and I leave more and<br />
more information out, so I end<br />
up with a much simpler scene.<br />
It’s a sort of distillation, I suppose<br />
– a simplification.<br />
“I had an exhibition earlier this<br />
year and at the private view<br />
I met a photographer called<br />
John Brockliss, who was also<br />
between projects. We got talking<br />
about my Deanland images<br />
and he decided that he’d like<br />
to make a body of work documenting<br />
me doing the project.<br />
Out of that he’s now decided to<br />
produce a book, which is coming<br />
out next year. The book will<br />
be half black-and-white photographs<br />
of the working process<br />
and me in the studio, interspersed<br />
with colour plates that<br />
has been made: silk screens and<br />
etchings and oil paintings. John<br />
approached Antony Penrose to<br />
write the preface to the book.<br />
He came over and saw the work,<br />
liked it, and obviously saw parallels<br />
between what he’s doing<br />
with his mother’s photographs.<br />
We’re treading quite similar<br />
paths in a way, because I’m trying<br />
to retell my dad’s story, he’s<br />
trying to retell Lee’s [his mother<br />
Lee Miller’s] story.” The book<br />
comes out in June 2018, with an<br />
exhibition at 35 North Gallery in<br />
Brighton.<br />
Rebecca Cunningham<br />
Alexander will be the focus of<br />
an exhibition and print sale at<br />
Gallery 40 in Brighton from the<br />
4th to the 10th Dec. His drawing<br />
'Deanland Oaks' was selected for<br />
the Jerwood Drawing Prize this<br />
year and will be touring until July<br />
2018. alexander-johnson.com<br />
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