Viva Lewes Issue #134 November 2017
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ON THIS MONTH: CINEMA<br />
Film '17<br />
Depot round-up<br />
There’s plenty going on at Depot Cinema beyond<br />
their regular movie programme. Let’s start with<br />
the latest instalment of their ‘Every Picture Tells a<br />
Story’ book-to-film club in which viewers are encouraged<br />
to read the book, watch the film, and take<br />
part in a discussion afterwards. This month’s book is<br />
PD James' 1992 thriller Children of Men, made into<br />
a movie by Alfonso Cuaron in 2002 (1st Nov).<br />
Depot have teamed up with Brighton’s HOUSE<br />
Festival, showing four films chosen by artist Laura<br />
Ford, two of which play this month. The fab Japanese<br />
animation from Studio Ghibli Spirited Away is<br />
screened on 29th Oct and 1st Nov, while Bunuel’s<br />
surreal 1972 black comedy The Discreet Charm of the<br />
Bourgeoisie can be seen on the 2nd Nov.<br />
Cinecity is Brighton’s annual film festival, this<br />
year running between 10th-26th Nov. But not just<br />
Brighton: Depot will be screening the just-released<br />
documentary The Ballad of Shirley Collins (11th),<br />
looking at the career of <strong>Lewes</strong>’ ‘Folk Queen of<br />
England’, who has made such a successful comeback<br />
this year. There will be a Q&A with Shirley<br />
afterwards, and dancing morris men. Also under the<br />
Cinecity umbrella, <strong>Lewes</strong>-based artist-filmmaker<br />
Nick Collins (no relation!) will be showing a<br />
number of his atmospheric 16mm films exploring<br />
‘landscapes, human presence and absence, and the<br />
passage of time.’ Plus there’s a one-off screening of<br />
Spike Jonze’s psychological 2013 sci-fi rom-com<br />
Her in which Joaquin Phoenix falls in love with<br />
an operating system machine, brilliantly voiced<br />
by Scarlett Johansson; this is followed by a panel<br />
discussion with psychoanalysts Jennifer Leeburn<br />
and Andrea Sabbadini. There will also be preview<br />
screenings of two African films fresh out of the<br />
London Film Festival: The Nile Hilton Incident<br />
(20th, above), Egyptian director Tarik Saleh’s latest<br />
drama, and Makala (21st) a heart-rending Congolese<br />
documentary.<br />
Depot is facilitating a number of enterprising<br />
add-ons to films they’re screening. The documentary<br />
Unrest, about journalist Jessica Brae’s battle<br />
with ME, is on between the 10th and the 16th;<br />
all week holders of tickets to that film can book a<br />
ten-minute session lying on a bed with VR goggles<br />
which ‘allows the viewer to experience the often<br />
hidden world of ME and the complex duality of<br />
confinement and fantastical escapism’ according to<br />
publicity materials.<br />
On the 16th there’s a one-off showing of the inspirational<br />
documentary Embrace, encouraging women<br />
to be empowered by, rather than to feel ashamed<br />
of, their natural body shape, with a panel discussion<br />
afterwards. On the 23rd <strong>Lewes</strong> Welcomes Refugees<br />
Group present the hour-long documentary Calais<br />
Children, which is followed by talks by David<br />
Stevenson, Lilian Simonsson and Alison Bell, after<br />
which viewers are encouraged to have a drink and<br />
a discussion about the film. And on the 29th there’s<br />
a screening of the acclaimed documentary We the<br />
Uncivilised, by <strong>Lewes</strong>-based couple Lily and Pete<br />
Sequoia, plus panel discussion (see pg 51). Dexter Lee<br />
All dates and times are subject to change, check out<br />
lewesdepot.org<br />
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