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Viva Lewes Issue #134 November 2017

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ON THIS MONTH: CINEMA<br />

Film '17<br />

Depot round-up<br />

There’s plenty going on at Depot Cinema beyond<br />

their regular movie programme. Let’s start with<br />

the latest instalment of their ‘Every Picture Tells a<br />

Story’ book-to-film club in which viewers are encouraged<br />

to read the book, watch the film, and take<br />

part in a discussion afterwards. This month’s book is<br />

PD James' 1992 thriller Children of Men, made into<br />

a movie by Alfonso Cuaron in 2002 (1st Nov).<br />

Depot have teamed up with Brighton’s HOUSE<br />

Festival, showing four films chosen by artist Laura<br />

Ford, two of which play this month. The fab Japanese<br />

animation from Studio Ghibli Spirited Away is<br />

screened on 29th Oct and 1st Nov, while Bunuel’s<br />

surreal 1972 black comedy The Discreet Charm of the<br />

Bourgeoisie can be seen on the 2nd Nov.<br />

Cinecity is Brighton’s annual film festival, this<br />

year running between 10th-26th Nov. But not just<br />

Brighton: Depot will be screening the just-released<br />

documentary The Ballad of Shirley Collins (11th),<br />

looking at the career of <strong>Lewes</strong>’ ‘Folk Queen of<br />

England’, who has made such a successful comeback<br />

this year. There will be a Q&A with Shirley<br />

afterwards, and dancing morris men. Also under the<br />

Cinecity umbrella, <strong>Lewes</strong>-based artist-filmmaker<br />

Nick Collins (no relation!) will be showing a<br />

number of his atmospheric 16mm films exploring<br />

‘landscapes, human presence and absence, and the<br />

passage of time.’ Plus there’s a one-off screening of<br />

Spike Jonze’s psychological 2013 sci-fi rom-com<br />

Her in which Joaquin Phoenix falls in love with<br />

an operating system machine, brilliantly voiced<br />

by Scarlett Johansson; this is followed by a panel<br />

discussion with psychoanalysts Jennifer Leeburn<br />

and Andrea Sabbadini. There will also be preview<br />

screenings of two African films fresh out of the<br />

London Film Festival: The Nile Hilton Incident<br />

(20th, above), Egyptian director Tarik Saleh’s latest<br />

drama, and Makala (21st) a heart-rending Congolese<br />

documentary.<br />

Depot is facilitating a number of enterprising<br />

add-ons to films they’re screening. The documentary<br />

Unrest, about journalist Jessica Brae’s battle<br />

with ME, is on between the 10th and the 16th;<br />

all week holders of tickets to that film can book a<br />

ten-minute session lying on a bed with VR goggles<br />

which ‘allows the viewer to experience the often<br />

hidden world of ME and the complex duality of<br />

confinement and fantastical escapism’ according to<br />

publicity materials.<br />

On the 16th there’s a one-off showing of the inspirational<br />

documentary Embrace, encouraging women<br />

to be empowered by, rather than to feel ashamed<br />

of, their natural body shape, with a panel discussion<br />

afterwards. On the 23rd <strong>Lewes</strong> Welcomes Refugees<br />

Group present the hour-long documentary Calais<br />

Children, which is followed by talks by David<br />

Stevenson, Lilian Simonsson and Alison Bell, after<br />

which viewers are encouraged to have a drink and<br />

a discussion about the film. And on the 29th there’s<br />

a screening of the acclaimed documentary We the<br />

Uncivilised, by <strong>Lewes</strong>-based couple Lily and Pete<br />

Sequoia, plus panel discussion (see pg 51). Dexter Lee<br />

All dates and times are subject to change, check out<br />

lewesdepot.org<br />

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