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ed bibs. It took another five years before I could return to<br />
Japan, but the next time I stayed for nine months, living with<br />
a Japanese family and learning how wonderful it was to have<br />
a Japanese sister (shimai), mother (okasan), father (otosan)<br />
and grandma (obachama). Back in the States, I wrote Japanese<br />
characters into every TV show I could pitch, from “Wonder<br />
Woman” to “Six Million Dollar Man” and shows you’ve<br />
probably never seen or heard of.<br />
<strong>The</strong> most satisfying story, however, didn’t come around<br />
for years and years. My daughter, Shannon, grew up and<br />
married, and when her husband had the opportunity, they<br />
moved to a military base in Japan. It was in Iwakune that<br />
her daughter, the hero of this story, was born. And it was in<br />
Iwakune that Shannon first looked out over the lotus fields<br />
(or ponds) and imagined Quinlan spying a Japanese monster<br />
peering out from the lotus leaves.<br />
That moment of inspiration was given to me and now it<br />
moves from me to you. So Japan has come full circle for me<br />
and my family. I have stood at the Kintai Bridge and looked<br />
at the statue of Sasaki Kojiro, one of the most famous Samurai<br />
swordsmen who ever lived in history and on film, and<br />
I’ve seen my granddaughter eat ice cream in Kintai park and<br />
wave at the very jet that sits near the gate to Iwakune military<br />
base.<br />
Much of what follows is imaginary, but much is not.<br />
Sometimes the lines blur for me, but then I am only the writer,<br />
and this story might not have blossomed from an idea to<br />
an illustrated book if not for that same little sister who used<br />
to go to the Toho LaBrea with me and now imagines with<br />
her art what I could only say in words. Thank you, Margien,<br />
Shannon and Quinlan.