Volume 23 Issue 4 - December 2017 / January 2018
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
In this issue: composer Nicole Lizée talks about her love for analogue equipment, and the music that “glitching” evokes; Richard Rose, artistic director at the Tarragon Theatre, gives us insights into their a rock-and-roll Hamlet, now entering production; Toronto prepares for a mini-revival of Schoenberg’s music, with three upcoming shows at New Music Concerts; and the local music theatre community remembers and celebrates the life and work of Mi’kmaq playwright and performer Cathy Elliott . These and other stories, in our double-issue December/January edition of the magazine.
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PRICELESS<br />
Vol <strong>23</strong> No 4<br />
ON OUR COVER<br />
DOUBLE ISSUE<br />
DECEMBER <strong>2017</strong> / JANUARY <strong>2018</strong><br />
CONCERT LISTINGS<br />
FEATURES | REVIEWS<br />
COVER STORY<br />
Artful Glitcher<br />
Nicole Lizée<br />
Q & A<br />
Richard Rose on<br />
Hamlet (the musical)<br />
DISCoveries<br />
Old Wine:<br />
On Bernstein<br />
Remastered<br />
Nicole Lizée<br />
PHOTO: MURRAY LIGHTBURN<br />
<strong>Volume</strong> <strong>23</strong> No 4 | <strong>December</strong> & <strong>January</strong> <strong>2017</strong>/18<br />
The 2013 Lachine Canal Sessions - Reel-to-Real Photography<br />
The photo session took place in mid November 2013. Murray<br />
Lightburn – whose day job is fronting indie rock band The<br />
Dears – is also a great photographer and we share a love of<br />
analogue. He brought three or four of his vintage film cameras,<br />
including a Rolleiflex. I brought a few of my vintage machines<br />
in a large suitcase, including an AKAI reel-to-reel and an<br />
oscillator robot. Over the course of four hours we shot near<br />
the iconic lighthouse on the pier in the heart of Old Lachine. It<br />
was brutally cold and the wind was like a knife. I was standing<br />
directly on the rocks on the water’s edge wearing heels. The<br />
tape from the reels began blowing off the reel into the camera<br />
(making for some great shots), and then eventually all over<br />
Lachine. We got a few looks from passersby. And there are some<br />
outtakes of the session that capture my emotional state as I<br />
casually froze to death. — Nicky Lizée<br />
The Choir of<br />
the Church of St. Andrew<br />
and St. Paul presents<br />
LUX<br />
a collection<br />
of sacred songs<br />
FEATURES<br />
7 OPENER | Back to the<br />
Future | DAVID PERLMAN<br />
8 FEATURE | Artful Glitching:<br />
Nicole Lizée |<br />
WENDALYN BARTLEY<br />
12 QUESTIONS & ANSWERS |<br />
Rock and Rage: director<br />
Richard Rose |<br />
JENNIFER PARR<br />
14 FEATURE| Seminal<br />
Schoenberg: the Second<br />
Viennese School |<br />
DAVID JAEGER<br />
16 QUESTIONS & ANSWERS |<br />
Finding the Balance:<br />
pianist George Li |<br />
PAUL ENNIS<br />
70 REMEMBERING |<br />
Celebrating Cathy Elliott |<br />
JENNIFER PARR<br />
71 WE ARE ALL MUSIC’S<br />
CHILDEN | MJ BUELL<br />
91 DISCOVERIES | Old Wine:<br />
Bernstein Remastered |<br />
BRUCE SURTEES<br />
ACD2 2771<br />
O Come<br />
All Ye Faithful<br />
Once in Royal David’s City<br />
A Spotless Rose<br />
Lux Aurumqueand<br />
Just released!<br />
November 17, <strong>2017</strong><br />
92<br />
G R I G O R I A N . C O M
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