03.01.2018 Views

Caribbean Beat — November/December 2017 (#148)

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

A calendar of events; music, film, and book reviews; travel features; people profiles, and much more.

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Single Spotlight<br />

Long Over Due Leston Paul (self-released)<br />

From the arranger who gave<br />

the world’s most popular<br />

soca song (Arrow’s “Hot, Hot,<br />

Hot”) a life of its own comes<br />

a new album that runs the<br />

gamut from <strong>Caribbean</strong> soul<br />

to smooth jazz to new soca<br />

fusion. Long Over Due has<br />

a technical gloss and aural<br />

sheen that suggest Leston<br />

Paul’s production values are on par with the best in<br />

the industry anywhere. In a style that can be seen as a<br />

<strong>Caribbean</strong> parallel to Quincy Jones’s during his Back on<br />

the Block era, Paul harvests the talents of a number of<br />

Trinidadian musicians and singers to the best of their<br />

ability to give an overview of the range of music that is<br />

celebrated in these islands. From the languid elegance<br />

of “Night and Day” to the tongue-in-cheek nod to the<br />

classicism of calypso legend Kitchener’s “Pan in A Minor”<br />

<strong>—</strong> complete with faux orchestral strings <strong>—</strong> to the soulful<br />

strut of “Lots of Talk” and “Mt Irvine Beach Jam”, this<br />

album is a satisfying exercise in <strong>Caribbean</strong> music genre<br />

fusion.<br />

Normal Freetown Collective (self-released)<br />

“Rob the bank normal and<br />

buy a Range Rover normal<br />

/ Lie to the people normal,<br />

practice evil normal.” These<br />

lyrics, sung by Freetown<br />

Collective’s Lou Lyons and<br />

Muhammad Muwakil, suggest<br />

or possibly reflect a<br />

cynical take on life in modern<br />

Trinidad and Tobago. A generation<br />

born in the 1980s has struggled through the<br />

posturing of island politics to render its impressions and<br />

observed reality as a ceaseless litany of the agonies and<br />

ironies of woeful living for the ninety-nine per cent below<br />

the line. Freetown Collective are modern calypsonians<br />

unhinged from the melodic template of the past century,<br />

but aware of the lyrical tradition. With a trap music production<br />

aesthetic, the song’s angst-filled vision generates<br />

a head-bopping reaction reminding the listener that, just<br />

like calypso, behind every good groove there is a message<br />

that takes notice of another side of our local existence.<br />

Reviews by Nigel A. Campbell<br />

WWW.CARIBBEAN-AIRLINES.COM 37

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!