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THE STORY OF THE WORLD’S MOST SOUGHT-AFTER ESSENTIAL OIL<br />

MICHAEL LEVIN<br />

What is <strong>Oud</strong>? i


About the Book<br />

<strong>Oud</strong>. It is the stuff of myth and legend, a substance more precious<br />

than gold, elusive and luxurious, intoxicating and irresistible. Its<br />

scent carries you beyond the physical realm and into the spiritual,<br />

evoking the interconnectedness of the universe. It smells, some<br />

say, like history itself.<br />

<strong>Oud</strong> is an elegant strand extending back to the dawn of human<br />

civilisation, and yet it is as modern as this book you hold in<br />

your hands – a scent that speaks both to the earthly and to the<br />

divine. It binds past and present, East and West, commerce and<br />

environmentalism, body and spirit.<br />

But this ‘wood of the gods,’ the world’s most desirable fragrance,<br />

is in grave danger. On the verge of extinction, its survival rests in<br />

your hands and mine.<br />

Regardless of whether you are an <strong>Oud</strong> aficionado or you have<br />

never encountered this substance before, this book will take you<br />

on a journey of transcendent beauty and intrigue, from ancient<br />

texts to modern medicine, from the black market to the opulent<br />

boutiques of New York and London. This is the story of <strong>Oud</strong>.<br />

THE BOOK OF<br />

OUD<br />

THE STORY OF THE WORLD’S MOST SOUGHT-AFTER ESSENTIAL OIL<br />

MICHAEL LEVIN<br />

LONDON<br />

ii The Book of <strong>Oud</strong>


Copyright © 2018 Michael Levin<br />

All rights reserved.<br />

No part of this book may be reproduced in any<br />

form, except for the purpose of reviews, without<br />

written permission of the publisher.<br />

ROUDIMENTS PUBLISHING<br />

London<br />

Ebook: ISBN <strong>9780692920107</strong><br />

Library of Congress Control Number: 2017958153<br />

Book design by Dotti Albertine/Jonnie Swarbrick<br />

CONTENTS<br />

Why a Book about <strong>Oud</strong>? 11<br />

Chapter 1 – What is <strong>Oud</strong>? 21<br />

Chapter 2 – The Origin of <strong>Oud</strong> 43<br />

Chapter 3 – <strong>Oud</strong> for the Body, <strong>Oud</strong> for the Soul 63<br />

Chapter 4 – The World’s Most Desirable Fragrance 85<br />

Chapter 5 – Danger, Desire, and Destruction: The World of the Agarwood Trade 111<br />

Chapter 6 – Saving the World, One Tree at a Time 161<br />

Chapter 7 – From Soil, to Oil, to You 189<br />

Chapter 8 – The Science of Skin 213<br />

An Invocation: For the Love of <strong>Oud</strong> 239<br />

Acknowledgments 242<br />

Appendix 243<br />

About the Author 246


Helena Christensen<br />

vi The Book of <strong>Oud</strong><br />

The Book of <strong>Oud</strong> vii


Who is Helena Christensen?<br />

Known through much of the world as an international supermodel and photographer,<br />

Christensen is the co-founder of strangelove nyc, a boutique fragrance house specialising in<br />

<strong>Oud</strong>-based perfumes with such seductive names as deadofnight and meltmyheart. Christensen<br />

regards <strong>Oud</strong> as a magical substance and readily admits that she’s fallen under its spell.<br />

What does <strong>Oud</strong> remind you of?<br />

“It’s like smelling the earth being squeezed. It’s like drops of the ocean. When the first little<br />

sample of our <strong>Oud</strong> perfume came to us from the lab, I thought, ‘This is the most intoxicating,<br />

magical scent I’ve ever smelled.’”<br />

On working to create strangelove nyc’s next perfume:<br />

“I compare it to writing a song: I’m in a very lucky position in that I have a lot of musician<br />

friends who allow me to listen to the first versions of their demos, and I always think, ‘Oh<br />

my God, this is it.’ And then of course it goes into studio and it gets worked on for months –<br />

produced and processed. But then at the end, I want to ask them, ‘Can we go back to the first<br />

version again? It sounds lovely now, but the first version had something so raw and pure.’ So<br />

I’m always trying to hold onto that purity, and we try to keep this in mind when crafting a new<br />

perfume: sometimes we’ve got to stay with our first impulses.“<br />

“It’s like smelling the earth<br />

being squeezed. It’s like<br />

drops of the ocean. When<br />

the first little sample of<br />

our <strong>Oud</strong> perfume came<br />

to us from the lab, I<br />

thought, ‘This is the most<br />

intoxicating, magical scent<br />

I’ve ever smelled.’”<br />

Photos by: Helena Christensen<br />

viii The Book of <strong>Oud</strong><br />

The Book of <strong>Oud</strong> ix


Why a Book about <strong>Oud</strong>?


Why a Book about <strong>Oud</strong>?<br />

Why would a guy who hasn’t even owned<br />

cologne since his college days be writing<br />

an entire book about a scent he’d never<br />

heard of until just a few months ago?<br />

My fascination with <strong>Oud</strong> was sparked<br />

by a chance visit to the high-end perfume<br />

boutiques at Harrods in early 2017. I was<br />

visiting London with my daughter, and<br />

we were touring Harrods with a member<br />

of their marketing team for a piece I was<br />

writing for Huffington Post. Our guide<br />

took us to the sixth floor, where small<br />

shops catering to the extremely affluent<br />

offered fragrances that cost as much as<br />

£11,500, or $15,000. This was a long way<br />

from the American brand names I’d seen<br />

when accompanying my wife on shopping<br />

trips to Sephora!<br />

At one of the boutiques, I had a<br />

conversation with the salesperson, who<br />

asked me if I would like to sample some<br />

very rare <strong>Oud</strong>. She must have noticed my<br />

confusion – I thought an ‘<strong>Oud</strong>’ was a kind<br />

of musical instrument from the Middle<br />

East. Yes, she said, there is an <strong>Oud</strong> that<br />

resembles a small, chubby guitar, with the<br />

neck bent at a forty-five-degree angle. But,<br />

she continued, there was also a magical<br />

fragrance by the same name with a most<br />

remarkable history. It had been known in<br />

the Middle East and Asia for more than a<br />

thousand years, and it was just becoming<br />

popular in the West. Would I like to dab<br />

some on my wrist? Why not?<br />

I was immediately captivated by a scent<br />

unlike any I had ever experienced. A dark,<br />

woody, musky scent, impossible to capture<br />

The Egyptian Room, Harrods, London. The famous store was originally established in 1849 by<br />

Charles Henry Harrod, with one room, two assistants and a messenger boy.<br />

Why a Book about <strong>Oud</strong>? 13


in words, but one that fired my inexpert<br />

imagination. In its rich notes I could hear the<br />

music of the casbah, and the bargaining of the<br />

traders who most likely sought to strike a deal<br />

with Marco Polo as he made his way east. I<br />

heard the call of a fragrance that had insinuated<br />

itself into the homes of the wealthy and<br />

powerful across a broad swathe of the globe<br />

for millennia.<br />

<strong>Oud</strong>, the salesperson informed me, had<br />

mystical properties and medicinal benefits.<br />

The homes of the wealthiest Arab families<br />

were scented with <strong>Oud</strong>, a form of both<br />

aromatherapy and a signal of great abundance<br />

and hospitality.<br />

<strong>Oud</strong>, I was told, was also responsible for<br />

illegal logging and deforestation in Hong<br />

Kong and Indonesia, among other places,<br />

because if you could get your hands on<br />

the rare Aquilaria trees from which <strong>Oud</strong> is<br />

derived, you were sitting on a gold mine.<br />

“Even some of you Yanks have taken<br />

up <strong>Oud</strong>,” she told me. “There are men<br />

who call themselves the ‘GoodSmellas’.<br />

They bond through scent – and they<br />

adore <strong>Oud</strong>.” “Do they shop here?” I asked.<br />

She shook her head. “There are less expensive<br />

options, less concentrated, in which a drop<br />

of <strong>Oud</strong> might be mixed with various other<br />

fragrances. That’s what they buy. But it’s<br />

not ultrapure, like the oil you’re wearing.”<br />

I liked it. My daughter liked it. I wanted<br />

to be a step ahead of the crowd. “How<br />

much?” I enquired innocently, thinking I<br />

might buy a small bottle for my daughter<br />

as a souvenir. And maybe I’d sneak a drop<br />

or two when she wasn’t looking. It might be<br />

pricey, but what the heck? And maybe my<br />

accountant would even let me write it off. I<br />

reached for my wallet.<br />

“The <strong>Oud</strong> you’re wearing,” the salesperson<br />

told me with a knowing smile, “costs 30,000<br />

British pounds per kilo. We can decant four<br />

ounces into a splash bottle for approximately<br />

8,000 US dollars.”<br />

I gasped. I had never heard of anything so<br />

expensive or rare. And at the same time, I was<br />

hooked. How could something as seemingly<br />

simple as perfume be so valuable?<br />

No, I didn’t buy a newly decanted $8,000<br />

splash bottle full of ultrapure <strong>Oud</strong>. But I did<br />

come away with something nearly as magical<br />

– a burning curiosity. From that moment, I<br />

understood that I had undertaken a quest to<br />

understand why so much of the world was<br />

so besotted with <strong>Oud</strong>. Why the world’s elite<br />

would so cherish a scent that they would be<br />

willing to pay huge sums for the smallest<br />

amounts of it. Where did it come from? How<br />

was it produced? What medicinal properties<br />

did it really have? How had <strong>Oud</strong> made its<br />

way from the forests of Indonesia, Malaysia,<br />

and Thailand to the homes of Arab royalty?<br />

And what inroads was it making in the West?<br />

I was determined to get answers.<br />

Perhaps I couldn’t afford to indulge in<br />

pure <strong>Oud</strong>, but I could certainly follow<br />

its trail across the planet and across the<br />

centuries. So pick up the scent with me<br />

and discover <strong>Oud</strong> for yourself. As one who<br />

has experienced <strong>Oud</strong> in its purest form, I<br />

can assure that there is nothing else like it<br />

on Earth.<br />

A giant agarwood tree in its natural habitat, Borneo.<br />

14 The Book of <strong>Oud</strong>


François Hénin, Founder – Jovoy<br />

16 The Book of <strong>Oud</strong> Why a Book about <strong>Oud</strong>? 17


Who is François Hénin?<br />

The Founder of Jovoy Paris, a niche Parisian fragrance boutique, François Hénin is charismatic in the<br />

way only the French can be. Charming and gregarious, he describes Jovoy as having a je ne sais<br />

quoi that makes it “exotic and luxurious” for overseas buyers. 1 In an interview with Extrait.it, he notes<br />

that the perfume brand gained its first footing in the 1920s by outfitting the mistresses of wealthy<br />

men. “And maybe it still does today,” he adds with a laugh. François Hénin’s presence tempers the<br />

traditional gentility of the brand with a witty cheekiness.<br />

What’s so special about <strong>Oud</strong>?<br />

“To wear exotic things enables you to escape your daily life – but also to be noticed. I always say<br />

that perfume is a weapon in the hands of people who know how to use it, and for me these Oriental<br />

scents comprise a highly seductive family. I like to wear them because they represent such a<br />

departure from what my parents and grandparents wore. It’s more a signature of my time. There are<br />

a million ways to explain the success of <strong>Oud</strong>, and of Oriental scents in general. Maybe one of them is<br />

that this is the signature of a generation.”<br />

“To wear exotic things enables you to<br />

escape your daily life – but also to be<br />

noticed. I always say that perfume is a<br />

weapon in the hands of people who know<br />

how to use it, and for me these Oriental<br />

scents comprise a highly seductive family.<br />

I like to wear them because they represent<br />

such a departure from what my parents<br />

and grandparents wore. It’s more a<br />

signature of my time. There are a million<br />

ways to explain the success of <strong>Oud</strong>, and of<br />

Oriental scents in general. Maybe one of<br />

them is that this is the signature of<br />

a generation.”<br />

18 The Book of <strong>Oud</strong> Why a Book about <strong>Oud</strong>? 19


CHAPTER 1<br />

What Is <strong>Oud</strong>?<br />

20 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 21


Open the bottle. Carefully allow the<br />

scent to waft towards you; <strong>Oud</strong> can be<br />

overwhelming to those unused to its<br />

potency. Breathe it in. What do you smell?<br />

For many, the scent of <strong>Oud</strong> represents<br />

the power of nature. The substance is<br />

produced by an infection that attacks the<br />

Aquilaria tree – an infection that might<br />

kill any other plant. Instead, like magic,<br />

this infection transforms the tree into<br />

agarwood – also known as aloeswood –<br />

one of the most elusive and sought-after<br />

substances in the world, from which <strong>Oud</strong><br />

oil is derived.<br />

Pure <strong>Oud</strong> oil and agarwood chips from which the oil is distilled.<br />

What is <strong>Oud</strong>? 23


The Scent of History<br />

The smell of <strong>Oud</strong> goes beyond the<br />

physical and into the spiritual, evoking<br />

the interconnectedness of the universe. It<br />

smells, some say, like history itself – and in<br />

a way, that is exactly what <strong>Oud</strong> is. Legend<br />

has it that when Adam and Eve left the<br />

Garden of Eden, they were permitted to<br />

take one branch with them, which would<br />

become the only plant passed down to<br />

mankind from Paradise. That branch was<br />

a cutting from the agarwood tree.<br />

But the ancient history of agarwood<br />

– of <strong>Oud</strong> – goes beyond just myth and<br />

legend. Few substances have such a long<br />

and storied past, and even fewer hold such<br />

significance in the history and cultural<br />

traditions of so many people. Valued<br />

more highly than gold in ancient times,<br />

this rare and miraculous material has<br />

been a source of fascination and delight<br />

since the beginning of recorded time –<br />

prized and praised, used for its captivating<br />

scent, incredible healing properties, and<br />

transcendent spiritual powers.<br />

Records of trade in agarwood can be<br />

traced back over 2,000 years. Although<br />

no species of agarwood-producing tree is<br />

known to grow west of India, it has been<br />

traded throughout the Middle East for<br />

millennia. It may have reached the Middle<br />

East as far back as the tenth century BC,<br />

when King Solomon began to trade with<br />

the Arabian Sabaean kingdom. 2<br />

<strong>Oud</strong> was so deeply ingrained in ancient<br />

cultures that references to it appear<br />

frequently in some of the world’s most<br />

ancient and important writings. There<br />

Intricate agarwood sculpture, painstakingly fashioned by hand in China.<br />

What is <strong>Oud</strong>? 25


are mentions of agarwood throughout<br />

the Sanskrit Vedas, which are some of the<br />

oldest written texts in the world, dating<br />

as far back as 1700 BC. Agarwood is also<br />

mentioned in the Old Testament, where it<br />

is referred to as ‘aloe’ or ‘ahaloth’. It appears<br />

in Solomon’s Song of Songs, included in<br />

a list of perfumes that a bride uses, and<br />

is referred to in the Psalms. In the New<br />

Testament, agarwood is the substance<br />

Nicodemus buys to embalm the body of<br />

Christ.<br />

In the Arabic stories of A Thousand<br />

and One Nights, <strong>Oud</strong> is referenced<br />

specifically in descriptions of the scents<br />

used to perfume the palace and houses on<br />

special occasions. The Lord Buddha is said<br />

to have referred to the smell of burning<br />

agarwood as the scent of Nirvana. The<br />

Islamic Hadith contains descriptions of<br />

the Prophet Mohammed’s use of perfumes,<br />

and specifically his use of <strong>Oud</strong> to incense<br />

his clothes. Mohammed also spoke of<br />

agarwood specifically in a description of<br />

Paradise:<br />

‘The first group of people who will<br />

enter Paradise, will be glittering like the<br />

full moon, and those who will follow<br />

them will glitter like the most brilliant<br />

star in the sky.… Their combs will be of<br />

gold, and their perspiration will smell like<br />

musk. The aloeswood will be used in their<br />

centres.’<br />

In the Quran, Mohammed tells a<br />

mother to give her child Indian <strong>Oud</strong><br />

because it cures seven diseases. Indeed, the<br />

healing powers of <strong>Oud</strong> have been recorded<br />

for millennia, with references appearing<br />

in a 4,000-year-old Sumerian clay tablet<br />

recording various remedies for illnesses. 3<br />

Agarwood is also a remedy in Ayurvedic<br />

medicine, which originated in India<br />

more than 3,000 years ago. Its medicinal<br />

uses are discussed in the Ayurvedic text<br />

Sushruta Samhita, which was composed<br />

around 1000 BC.<br />

Agarwood has been used to heal<br />

maladies in nearly all ancient medicinal<br />

traditions. Ancient texts from Korea,<br />

Tibet, China, and Egypt all cite agarwood<br />

as a treatment for a wide array of ailments,<br />

from inflammations to digestive trouble<br />

to heart conditions to headaches to pains<br />

during pregnancy; some even recommend<br />

it as an aphrodisiac. <strong>Oud</strong> is one of the<br />

top ten ingredients in traditional Chinese<br />

medicine, believed to realign a person’s qi<br />

– their life force or energy flow. <strong>Oud</strong> has<br />

long been valued not just for its effects on<br />

the body but for its spiritual properties as<br />

well. It is used in ceremonies and rituals<br />

across a wide range of religious traditions<br />

– Buddhist, Hindu, Muslim, Christian,<br />

Shinto, and more. The Taiwanese have<br />

used <strong>Oud</strong> in prayers during festivals and<br />

ceremonies to bring good luck and safety.<br />

Some Malay tribes use agarwood smoke<br />

to fumigate paddy fields to appease local<br />

spirits, and some carve agarwood into<br />

talismans. <strong>Oud</strong> perfume has long been<br />

used to lace Muslim prayer clothes, and<br />

in some regions agarwood incense is<br />

used during Ramadan prayers. In India,<br />

agarwood bark has been used since ancient<br />

times for the writing of religious texts.<br />

The great Buddhist masters have<br />

traditionally used agarwood beads for<br />

their rosaries because they assist in the<br />

26 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 27<br />

Agarwood sculpture depicting the Hindu god Ganesha, by Mikhail Balan.


Before going into battle, Samurai warriors fumigated their armour with the scented smoke from burning agarwood.<br />

They believed that it made them invincible when going into battle.<br />

What is <strong>Oud</strong>? 29


pursuit of inner peace and self-purification<br />

– and because in an emergency, the beads<br />

can be ground up and used as medicine.<br />

In Japan, burning agarwood, or jin-koh,<br />

for Buddhist rituals is considered the<br />

highest offering, jin-koh being known as<br />

the ‘supreme fragrance’. 4<br />

<strong>Oud</strong> has been used in burial rites since<br />

ancient times. The ancient Egyptians<br />

used agarwood to embalm the bodies of<br />

their dead. Agarwood was also used for<br />

embalming in Japan. In ancient China,<br />

the wealthy preferred their coffins to be<br />

made of aloeswood, believing its benefits<br />

in life would carry on after death. In<br />

Malaysia, agarwood is an ingredient in<br />

the libations poured at gravesides, and<br />

the Siamese sometimes put it into their<br />

funeral pyres. 5 <strong>Oud</strong> is also used in Islamic<br />

burial rituals: it is included in essences<br />

mixed with the water used to wash the<br />

bodies before burial; it is used to scent the<br />

shroud; and it is used to write the shahada,<br />

the Muslim creed, on the forehead of the<br />

deceased in order to assist their passage<br />

into the afterlife.<br />

Perhaps best known for its intoxicating<br />

scent, <strong>Oud</strong> has been used as incense since<br />

ancient times as well, and for perfume since<br />

the beginning of civilisation. India may be<br />

the first place where agarwood was used as<br />

incense; 6 it was called agaru in Sanskrit – a<br />

word that echoes etymologically through<br />

many of the names for this resinous<br />

wood. By the ninth and tenth centuries<br />

AD, agarwood was considered one of the<br />

most important materials for perfumery<br />

in Islam. In Arabic tradition, agarwood<br />

chips are burnt in an open brazier to show<br />

respect and to honour guests. The aroma<br />

of the burning chips is also used as a polite<br />

and pleasant signal that a gathering is<br />

coming to an end.<br />

Agarwood arrived in both China and<br />

Japan along with Buddhism, about 1,500<br />

years ago, and possession of jin-koh<br />

became a symbol of power and wealth in<br />

feudal Japan. By the eighth century it had<br />

been incorporated into state and Imperial<br />

functions, and by the twelfth century<br />

an entire ceremony had evolved around<br />

appreciation of the agarwood fragrance.<br />

This highly ritualised observance – called<br />

koh-doh, and also referred to as ‘listening<br />

to incense’ – was similar to the Japanese<br />

tea ceremony, and available only to<br />

Imperial and high-caste or noble families.<br />

As it grew in popularity, however, the<br />

ceremony slowly became available to more<br />

of Japanese society.<br />

By the Edo period (1603–1867),<br />

different ‘schools’ of koh-doh developed<br />

under different incense masters. The<br />

teachings of these schools were never<br />

written down, but passed down orally<br />

from masters to students, a tradition that<br />

continues to this day. During the rise of<br />

koh-doh, high-quality jin-koh was so<br />

esteemed that the word for it, kyara,<br />

came to refer to anything high quality or<br />

beautiful – including women. 7<br />

Only a truly remarkable substance<br />

could be so revered throughout so many<br />

religions and cultures since the dawn of<br />

human civilisation. So what makes <strong>Oud</strong><br />

so intensely special?<br />

30 The Book of <strong>Oud</strong> A bodhisattva carved in agarwood. ‘Bodhisattva’ is the Sanskrit term for those who<br />

What is <strong>Oud</strong>? 31<br />

embody the compassion of Buddha on their spiritual path towards enlightenment.


A Tapestry of Scent<br />

It starts with the smell. The smell of<br />

<strong>Oud</strong> can begin with an earthy ‘barnyard’<br />

quality, something primal and animalistic,<br />

but like many fine perfumes, it changes as<br />

it interacts with human body chemistry.<br />

As the wearer’s skin and sweat transform<br />

the perfume, it evolves, becoming even<br />

more complex and personal, an effect<br />

that lasts between ten and twenty-four<br />

hours.<br />

“It’s like a personal extension of<br />

you,” says Helena Christensen, former<br />

supermodel and current Creative Director<br />

of strangelove nyc, which makes <strong>Oud</strong>based<br />

perfumes. “It transforms and<br />

develops on you. It feels like it’s coming<br />

from you, from the earth. It’s like a natural<br />

extension of your own scent.”<br />

Some describe the smell of <strong>Oud</strong> (which<br />

means ‘wood’ in Arabic) as smoky, musky,<br />

and woody, or herbal, sensual, and thick,<br />

like walking through a deep forest and<br />

crushing moss and branches underfoot. It<br />

is pungent and complex, both sweet and<br />

sharp, containing a multitude of scents<br />

that unfold into a rich tapestry that seems<br />

to transcend any one aroma. It is elemental<br />

and intoxicating.<br />

The Many Forms of <strong>Oud</strong><br />

The strong, unique scent of pure <strong>Oud</strong><br />

comes in wood chips (which are burned<br />

for incense), essential oil, and fragrance.<br />

There are three main kinds of <strong>Oud</strong> solid<br />

incense: Bakhoor, Muattar, and Mabsoos/<br />

Mabthooth. All have a base of agarwood,<br />

but are processed in different ways in<br />

order to create room-permeating scents<br />

for personal or religious use.<br />

Bakhoor are infused tablets of powdered<br />

agarwood. The tablets already have a slight<br />

woody scent from the agarwood, and this<br />

scent is intensified by soaking them in<br />

<strong>Oud</strong> and other oils such as jasmine or<br />

sandalwood.<br />

Muattar are solid agarwood chips that<br />

have gone through an extraction process<br />

to remove the oil. Although they still<br />

contain some small hint of fragrance, they<br />

too are soaked in various essential oils and<br />

burned as incense.<br />

Mabsoos or Mabthooth are shavings of<br />

agarwood chips, which also are soaked in<br />

essential oils. Their base is similarly the<br />

remnants of the agarwood smell after the<br />

extraction of oil. When lit in an incense<br />

burner, all of these varied forms of incense<br />

fill the air with long-lasting odours.<br />

In order to speak about <strong>Oud</strong> oil<br />

specifically, we first must talk about<br />

essential oils, which are concentrated,<br />

water-resistant liquids that contain<br />

aromatic plant extracts. These oils can<br />

be used in their pure form as a base for<br />

perfumes, cosmetics, or incense, or they<br />

can be ingested in cooking or used in<br />

cleaning products.<br />

Essential oils are so called because<br />

they encapsulate the very essence of the<br />

plants from which they are derived; in<br />

this way, <strong>Oud</strong> contains the very essence<br />

of agarwood. Perfume or fragrance differs<br />

from essential oil in that it is artificially<br />

created; essential oil, although it requires<br />

extraction from the plant, does not need<br />

to be intentionally assembled or diluted<br />

in order to achieve its specific scent.<br />

<strong>Oud</strong> oil is highly sought-after but<br />

difficult to find in its purest form. The<br />

best oil comes from naturally occurring<br />

or ‘wild’ agarwood in unspoiled soil that<br />

has exhibited a defence response to the<br />

catalysing infection, producing darkcoloured<br />

and complex-smelling resin in<br />

its bark. After it is harvested, this wood<br />

is graded based on country of origin,<br />

strength of fragrance, density of wood,<br />

purity, and percentage of resin, and its<br />

value is determined by that grading. Once<br />

extracted, the oil can be used as a perfume<br />

base or worn directly on the skin. <strong>Oud</strong>’s<br />

value as a naturally occurring perfume can<br />

be ranked with that of other expensive<br />

natural fragrances such as ambergris<br />

or musk, but it is unmatched in its<br />

complexity.<br />

Although synthetic <strong>Oud</strong> products are<br />

available, the evocative nature of true<br />

<strong>Oud</strong> cannot be fabricated. Attempts<br />

to synthesise <strong>Oud</strong> always result in flat,<br />

one-dimensional fragrances that lack the<br />

roundness and complexity of true <strong>Oud</strong>.<br />

In an orchestra, many instruments<br />

simultaneously play different notes,<br />

layering these notes on top of one another<br />

to create chords, complex melodies, and<br />

countermelodies. The same is true of<br />

fine perfume, and especially <strong>Oud</strong> oil.<br />

Top, middle, and base scent notes join<br />

together to create an olfactory symphony<br />

for the wearer and everyone standing<br />

nearby. These changes and movements<br />

are designed to emerge as a perfume<br />

evaporates, making for a scent journey<br />

that lasts for many hours after one<br />

perfume application. In the case of <strong>Oud</strong>,<br />

Pure <strong>Oud</strong> oil ensconced in a facetted flacon.<br />

32 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 33


Louis XIV, King of France from 1643 to<br />

1715, by Hyacinthe Rigaud (1659-1743).<br />

Also known as the ‘Sun King’ and ‘Louis<br />

the Great’, his clothes were often washed<br />

in water scented with <strong>Oud</strong> oil, and he is<br />

renowned as one of Europe’s first <strong>Oud</strong><br />

aficionados and devotees.<br />

Adam and Eve in the Garden of Eden, as depicted by Jan<br />

Brueghel the Elder in 1615. Legend has it that when Adam and<br />

Eve were banished from Paradise, they were allowed to take<br />

with them only one item: the branch of an agarwood tree.<br />

What is <strong>Oud</strong>? 35


A vial of pure <strong>Oud</strong> oil.<br />

these notes are naturally occurring and<br />

depend on the variety of agarwood used<br />

and the environment in which the tree was<br />

cultivated.<br />

Top notes are also referred to as ‘head<br />

notes’. If these notes were an instrument,<br />

they would be the piccolo – high and<br />

sharp. Head notes are strong and fresh, and<br />

are perceived instantly upon application of<br />

the perfume. Top notes are responsible for<br />

the wearer’s first impression of a perfume<br />

– and for others’ first impressions of the<br />

wearer. These notes can include citrus<br />

(lemon, orange zest, or bergamot), light<br />

fruits (grapefruit or berries), and herbs<br />

(clary sage, or lavender). 8 However, because<br />

of their volatile molecular structure, these<br />

notes are fleeting, and fade more quickly<br />

than the deeper notes in a perfume.<br />

With <strong>Oud</strong>, the top notes can initially be<br />

overwhelming to the first-time wearer, but<br />

they quickly settle into a sublime warmth<br />

that carries through to the middle notes.<br />

The best top notes are the first steps on a<br />

journey to the heart of the perfume.<br />

Middle notes are often referred to as<br />

the heart notes of a perfume, which reveal<br />

themselves as the top notes begin to fade.<br />

They can be described as pleasant, wellrounded,<br />

or mellow; within our orchestra,<br />

they are the viola. If the top notes of a<br />

perfume are the wild child, then the middle<br />

notes are its responsible sibling – steady<br />

and consistent, emerging after the initial<br />

burst to temper the sharp impression of<br />

the top notes and round their edges into<br />

a calmer blend of fragrances. Often these<br />

scents are floral or fruity (such as rose,<br />

lavender, or lemongrass), and combine<br />

with a hint of spice (like cinnamon or<br />

cardamom) as the scent deepens. The<br />

heart of the fragrance is long-lasting and<br />

settled with an enduring warmth that<br />

carries through to the base notes.<br />

There exist many varieties of <strong>Oud</strong>, due<br />

to the diverse genetics of the trees and<br />

the different regions in which they are<br />

grown and harvested. However, the base<br />

notes are the common thread that ties all<br />

these varieties together – a musky, woody<br />

depth that lasts for hours. These notes are<br />

the timpani drum. The deep note of the<br />

best quality <strong>Oud</strong> is slow to emerge, and<br />

can only be perceived an hour or more<br />

into its journey on a wearer’s skin. The<br />

molecules of these notes are heavy and<br />

slow to evaporate, grounding the middle<br />

notes and the remainder of the top notes,<br />

and forming the main ‘theme’ of the<br />

perfume. Sandalwood, vanilla, patchouli,<br />

and amber are all common base notes.<br />

This is another characteristic of <strong>Oud</strong><br />

that causes it to stand out from all other<br />

fragrances. The base note of an <strong>Oud</strong> is<br />

complex and deep, and mingles with<br />

the heart of the perfume in an exciting<br />

and energetic way. It can be described as<br />

an ‘animal’ or ‘exotic’ quality that often<br />

develops over the course of hours into a<br />

sublime musk, which lingers and anchors<br />

the journey of the perfume. It is a rich scent<br />

not necessarily familiar to those who have<br />

not spent time in Islamic cultures, where<br />

the incense and oil have long been a part<br />

of daily life. This is the lasting impression<br />

of an <strong>Oud</strong>, which remains in the air long<br />

after the wearer has left a room.<br />

There is a French word, sillage<br />

(pronounced see-YAZH), which translates<br />

directly as the nautical term ‘wake’ – the<br />

trail left in the water when a boat glides<br />

by. More than the initial scent, it is the<br />

most romantic aspect of a perfume,<br />

referred to in English as ‘projection’. One<br />

might think that the richness of a perfume<br />

determines the success of its sillage, but<br />

some fresh floral notes or musks have<br />

substantial diffusive ability, and remain<br />

fresh while lingering. This magical<br />

scented trail is intrinsic to <strong>Oud</strong> and to<br />

perfumes made from it. As the wearer<br />

walks by or enters a room, they bring with<br />

them an <strong>Oud</strong> ‘wake’ that lingers as they<br />

pass by, reminding those around them of<br />

their presence.<br />

<strong>Oud</strong> for the Mind, Body,<br />

and Spirit<br />

The effects of <strong>Oud</strong> go beyond the sense<br />

of smell. As you can guess from its rich<br />

history of medicinal and religious use,<br />

<strong>Oud</strong> has an effect not just on the nose but<br />

also on the body, mind, and spirit. The<br />

smell of <strong>Oud</strong>, particularly when burned<br />

as an incense, instils a sense of peace and<br />

calm while simultaneously increasing<br />

focus and awareness. It induces an overall<br />

sense of physical and spiritual wellbeing.<br />

Indeed, <strong>Oud</strong> seems to reach from the<br />

depths of the earth, where the notes of its<br />

scent are located, up to the heavens, where<br />

its incense smoke rises and connects us with<br />

the divine. Its power reaches both without<br />

– the wearer leaves an entrancing scent in<br />

their wake – and within, connecting us<br />

across borders and across cultures.<br />

But where does this intoxicating scent<br />

come from? How did humans first harness<br />

this manna for the senses? The origin of<br />

<strong>Oud</strong> lies not in the heavens, but deep in<br />

the heart of the Aquilaria tree.<br />

What is <strong>Oud</strong>? 37


Christophe Laudamiel<br />

38 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 39


Who is Christophe Laudamiel?<br />

French-born Christophe Laudamiel is trained in both chemistry and perfumery. Although he<br />

currently resides in New York, he is President and Master Perfumer of DreamAir, an innovationdriven<br />

perfumery start-up he co-founded in 2010. He is known for creating high-end, avant-garde<br />

fragrances, and many of his signature scents incorporate <strong>Oud</strong> oil.<br />

Where do you see yourself when you smell <strong>Oud</strong>?<br />

“That is a difficult question. Each time I smell it I see wood, but I don’t see myself in the forest, nor do I<br />

see myself in a field… the scent is not green enough; it is not turfy enough. No, it doesn’t bring me to<br />

nature; the smell can only be described as enigmatic. I don’t see it as wild, but as enigmatic.”<br />

“That is a difficult question.<br />

Each time I smell it I see wood,<br />

but I don’t see myself in the<br />

forest, nor do I see myself in a<br />

field… the scent is not green<br />

enough; it is not turfy enough.<br />

No, it doesn’t bring me to<br />

nature; the smell can only be<br />

described as enigmatic. I don’t<br />

see it as wild, but as enigmatic.”<br />

40 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 41


CHAPTER 2<br />

The Origin of <strong>Oud</strong><br />

42 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 43


Long ago, wild agarwood (also known as<br />

‘the wood of the gods’) grew in tropical<br />

forests, untouched by humankind. The<br />

only threat to this ancient tree was nature<br />

itself. A wound in the bark of the Aquilaria<br />

tree – whether caused by insect, animal, or<br />

mother nature – set off a dark magic, a<br />

resinous strain of mould that grew within<br />

the body of the tree.<br />

The tree would eventually succumb to<br />

this mortal wound and fall to the forest<br />

floor. The uninfected wood was naturally<br />

eaten by termites and microbes, leaving<br />

behind only the dark, aromatic resin. It<br />

was this rich scent that drew humans to<br />

the agarwood tree. Once they discovered<br />

agarwood’s miraculous properties, they<br />

began to sell its resin for use in perfumes,<br />

religious rituals, medicine, and more. And<br />

so, the <strong>Oud</strong> trade was born.<br />

As <strong>Oud</strong> grew in popularity, this became<br />

not just a local trade but a worldwide<br />

market, encompassing parts of the Middle<br />

East and China. Collectors began to pay<br />

more and more attention to the wild trees;<br />

cultivation methods were developed, and<br />

agarwood farming became a lucrative<br />

business.<br />

The leaves of the Aquilaria tree –<br />

used for generations to make tea,<br />

and in homeopathic remedies.<br />

The Origin of <strong>Oud</strong> 45


How Aquilaria becomes<br />

Agarwood becomes <strong>Oud</strong><br />

Like a phoenix rising from the ashes, the<br />

dying Aquilaria tree renders a substance<br />

worth its weight in gold. But how?<br />

<strong>Oud</strong> comes from the infected wood of<br />

the ancient Aquilaria and some Gyrinops<br />

species of trees that are native to Southeast<br />

Asia. With more than ten countries and<br />

regions growing species of Aquilaria tree,<br />

its names are as varied as the communities<br />

that grow it: agarwood, aloeswood,<br />

eaglewood, oodh, gaharu, Chen Xiang,<br />

kalamabak, jin-koh, and on and on.<br />

The trees are evergreen, displaying<br />

leaves year-round, and can live in a variety<br />

of soils, including poor and sandy soils<br />

that would not support other species. 9<br />

The intrepid Aquilaria soaks up sun and<br />

can produce fruit at around three years<br />

old, a process which begins with the<br />

blossoming of small white flowers, similar<br />

in appearance to miniature lotus blossoms.<br />

When the fruit splits, its orchid-like seed<br />

pods hang each by a single delicate thread<br />

until they are swept away by wind or<br />

knocked down by animals to grow anew. 10<br />

<strong>Oud</strong> grows out of crisis – that is, when<br />

the Aquilaria tree is harmed. The injury<br />

could be caused by an insect attack, or<br />

by an animal clawing the bark. It could<br />

happen in the midst of a storm, when the<br />

tree is struck by lightning, wounding the<br />

trunk and exposing the dense white wood<br />

of its interior. This attack causes what is<br />

called tylosis, a disruption of the cells of<br />

the heartwood, which darkens the wood of<br />

the Aquilaria and turns it into agarwood.<br />

Inspection time. Third generation agarwood<br />

farmer Mr Chan Koon Wing, who owns the<br />

last remaining Aquilaria Sinensis plantation in<br />

Hong Kong, at work.<br />

46 The Book of of <strong>Oud</strong><br />

The Origin of <strong>Oud</strong> 47


Then, and most dramatically, the tree<br />

trunk is invaded by a parasitic mould called<br />

melanotus flavolives. This is the beginning of<br />

the biochemical magic that turns agarwood<br />

to <strong>Oud</strong>, and it can take years and years for the<br />

mould to fully develop. 11 It begins with the<br />

formation of a dark, aromatic resin, followed<br />

by the darkening of the heartwood, like a scar<br />

running through the core of the tree’s body.<br />

But not all infected trees create <strong>Oud</strong>.<br />

In fact, roughly only 7 per cent of infected<br />

Aquilaria trees produce the substance – a<br />

fact which, coupled with the years required<br />

for cultivation, explains the high price of<br />

agarwood and <strong>Oud</strong> products.<br />

Farmers and scientists alike have worked<br />

tirelessly to replicate this process, but there<br />

is still a halo of mystery around what exactly<br />

happens within the heart of the Aquilaria tree,<br />

which, like a true magician, will never reveal<br />

its secrets. We can simulate the process, but<br />

we can never truly reproduce the quality of<br />

<strong>Oud</strong> discovered by chance on the forest floor.<br />

Most methods of stimulating <strong>Oud</strong><br />

production in Aquilaria trees are somewhat<br />

barbaric. The process involves drilling into<br />

the tree and inserting sections of pipe into the<br />

hole to open the wound to fungal infection.<br />

Sometimes (but not always) this drilling is<br />

followed by a chemical injection.<br />

Years pass until the trees are felled and<br />

split open, and the hunt for <strong>Oud</strong> begins.<br />

Only a fraction of the injured trees develop<br />

the resinous fragrant heartwood necessary<br />

to make incense or oil, so Aquilaria farmers<br />

are perennially engaged in what amounts<br />

to a high-stakes gambling operation. Will<br />

these trees produce exotic, valuable <strong>Oud</strong>?<br />

Or will the entire years-long process all be<br />

for nothing?<br />

Preparing an agarwood nursery in Sri Lanka.<br />

The inoculation process for a mature Aquilaria tree.<br />

48 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 49<br />

Agarwood saplings.


Different <strong>Oud</strong>s from<br />

Different Places<br />

Much like the complex notes of fine wine,<br />

environmental factors such as soil, water,<br />

and sunshine influence the scent profile of<br />

<strong>Oud</strong>. Some <strong>Oud</strong>s are said to have a smoky<br />

aroma; others have a hint of grass or earth.<br />

Some are described as ‘narcotic’, and others as<br />

‘energetic’. Indian <strong>Oud</strong>s may have a slightly<br />

earthy smell, while Indonesian species are<br />

often described as sweeter. From Myanmar to<br />

Malaysia, China to Vietnam, each <strong>Oud</strong> has<br />

its own personality.<br />

Canadian entrepreneur and <strong>Oud</strong> collector<br />

Taha Syed says of the aroma of <strong>Oud</strong>, “There is<br />

an element of something people may translate<br />

as psychoactive, or something that affects<br />

their minds, their spirits, their emotions.” 12<br />

But what is this mysterious element?<br />

The mystery of the scent of <strong>Oud</strong> is the<br />

mystery of the world – and the key to this<br />

mystery is terpenes – the organic compounds<br />

found in the essential oils and resins of plants.<br />

These terpenes are hydrocarbons that react to<br />

oxygen in the air to become more complex<br />

and fragrant. If the hydrocarbons are exposed<br />

to oxygen for a longer period of time, their<br />

scent profile changes.<br />

Terpenes are as diverse as the plants in<br />

which they are found, and can deeply alter<br />

the aroma of a plant’s essential oil. This is why<br />

<strong>Oud</strong>s have distinct aroma profiles depending<br />

on where in the world they are grown, and<br />

on what substances the variety of Aquilaria<br />

trees take from their environment. Other<br />

important factors include the age of the oil<br />

(i.e., how long ago it was extracted), the age<br />

and size of the tree, and even the age of the<br />

fungal infection living inside the agarwood.<br />

<strong>Oud</strong> oil.<br />

50 The Book of <strong>Oud</strong>


<strong>Oud</strong> distillation. The process by which agarwood chips are turned into pure <strong>Oud</strong> oil.<br />

Distillation: Types of Methods<br />

If you happen to wander into the Perfume<br />

Souk in Dubai, and if you peruse the many<br />

small, gilded bottles adorning its golden walls,<br />

you will find <strong>Oud</strong> in one of its finest forms.<br />

Glass perfume vials filled with <strong>Oud</strong> oil glow<br />

many shades of amber – some dark like burnt<br />

caramel, others more golden, like pure, virgin<br />

olive oil. Because the public’s desire for the<br />

fragrant, narcotic scent of <strong>Oud</strong> is insatiable,<br />

agarwood farms have had to devise advanced<br />

methods of production to meet the demand.<br />

The process of distilling <strong>Oud</strong> oil is<br />

complicated and alchemical. The type of<br />

distillation used to separate the oil from the<br />

wood is yet another of the complex factors<br />

that combine to produce the scent of <strong>Oud</strong>.<br />

Italian mothers the world over know that the<br />

quality of pasta sauce has as much to do with<br />

the pot in which it is cooked – and with how<br />

long it is cooked, and at what temperature –<br />

as it has to do with the tomatoes.<br />

There are three methods of <strong>Oud</strong> distillation:<br />

steam, CO2, and hydro extraction. As with<br />

the pasta pot, each method of distilling the<br />

<strong>Oud</strong> has benefits and drawbacks.<br />

Steam distillation is controversial, described<br />

by some as the best method of producing <strong>Oud</strong><br />

oil, and considered by others to be too harsh<br />

on the product due to the high temperatures<br />

used (in excess of 300 degrees Fahrenheit). 13<br />

In the steam distillation process, the<br />

infected wood is first chipped from agarwood<br />

logs (normal, uninfected wood is of no use<br />

in <strong>Oud</strong> production) and laid out in the<br />

sun. Once the chips have dried in the heat<br />

for a few days, workers gather them up and<br />

put them into a mechanical chipper, which<br />

grinds them down nearly to dust. This chip<br />

52 The Book of <strong>Oud</strong> The Origin of <strong>Oud</strong> 53


dust is submerged in barrels of water and<br />

allowed to marinate for ten to fifteen days.<br />

As the chips marinate they change colour,<br />

becoming darker and more pungent,<br />

congealing into a kind of mash.<br />

More water is added, and the chip dust<br />

is transferred to distilling pots made of<br />

copper or other metals. These pots are<br />

covered and boiled over a wood fire until<br />

the cells of the wood burst open, releasing<br />

the scent of the agarwood. Oil and steam<br />

float to the top of the distilling container<br />

and escape their pressurised environment<br />

through a tube leading to a condenser,<br />

where they mingle and combine to form<br />

vapour. This marriage of oil and steam is<br />

cooled by more water as it passes through<br />

the condenser, where it settles back into its<br />

liquid form.<br />

There, as in every kitchen in the world,<br />

the oil and water cannot mix; the marriage<br />

dissolves, and like Venus out of the waves<br />

emerges <strong>Oud</strong>.<br />

CO2 distillation is a method by which<br />

carbon dioxide is put under high pressure<br />

and turned from a gas to a liquid. This<br />

liquid, when combined with raw plant<br />

material, extracts the aromatic molecules<br />

in a similar way to steam, but no residue<br />

remains; the CO2 reverts to a gas when<br />

the pressure returns to normal, and all that<br />

is left is the <strong>Oud</strong> oil. However, because of<br />

the high pressure used, many believe this<br />

method is also too harsh and describe the<br />

quality of the <strong>Oud</strong> left behind as less pure.<br />

Hydro distillation is the most common<br />

and time-honoured method of producing<br />

<strong>Oud</strong> oil from agarwood. This technique is<br />

used all over Asia, and with good reason:<br />

Sustainably harvested agarwood, ready for processing.<br />

It’s widely considered the gentlest and<br />

simplest form of distillation, consistently<br />

producing high-quality <strong>Oud</strong>. There is<br />

also something magical about the way<br />

<strong>Oud</strong> oil mingles with water for a period<br />

ranging from days to months. The length<br />

of time the oil sits in the water, the origin<br />

of the water used for distillation (it can<br />

be gathered from the ground, collected<br />

as rainwater, or taken from a spring), and<br />

even the salt and mineral content of the<br />

water can affect how the processed <strong>Oud</strong><br />

eventually smells. Dark, light, bright,<br />

sharp, smoky, or fruity – all the elements<br />

involved in distillation work together to<br />

impart to the <strong>Oud</strong> a unique, captivating<br />

smell.<br />

Pests and Disease<br />

Part of the difficulty of <strong>Oud</strong> production<br />

in Aquilaria trees is that while infection<br />

by one type of parasitic mould produces<br />

the incredible-smelling resin, attacks by<br />

many other pests can kill or cripple the<br />

tree. The range of Aquilaria predators is<br />

dazzling, but there are three main culprits<br />

which can damage or kill an Aquilaria tree<br />

without leaving behind the gift of <strong>Oud</strong>.<br />

The armyworm, a leaf-eating caterpillar,<br />

is considered to be the most destructive<br />

pest; if given the opportunity, it can eat<br />

its way through the foliage of an entire<br />

agarwood plantation. Even fully-grown<br />

trees can die from an armyworm attack.<br />

Phytophthora, a group of microbial<br />

infections whose name means ‘plantdestroyer’,<br />

is yet another enemy of the<br />

Aquilaria tree. Phytophthora can infect<br />

all parts of the plant, from the roots to the<br />

flowers, causing lesions, wilting, blight on<br />

54 The Book of <strong>Oud</strong> The Origin of <strong>Oud</strong> 55<br />

Cross section of an agarwood tree, with the dark areas denoting the<br />

<strong>Oud</strong> oil distillation in progress.<br />

areas of ‘infection’ and the development of resin.


the shoots of the tree, and eventual death,<br />

especially in younger more vulnerable<br />

trees. Often spores of the plants can lie<br />

in wait in damp soil until a suitable host<br />

comes along. 14<br />

Sooty moulds are yet another type of<br />

fungal infection that kills rather than<br />

energises the Aquilaria tree. The moulds<br />

grow over the leaves of the tree, coating<br />

them with a sticky black substance (hence<br />

the name ‘sooty mould’), and preventing<br />

the plant from photosynthesising. Usually<br />

the presence of these moulds is connected<br />

to insect pests such as aphids, which suck<br />

sap from plants but don’t completely<br />

digest it. When the insects suck sap, they<br />

leave sugary deposits behind on the leaves;<br />

mould spores stick to these deposits like<br />

glue and use them as a food source to<br />

grow and eventually cover the plant.<br />

Without the ability to create food, the tree<br />

eventually starves.<br />

How incredible, then, that in only three<br />

types of trees, infected with one specific<br />

type of mould, and despite attack by<br />

insects, bacteria, and over-logging, the<br />

miraculous growth of fragrant agarwood<br />

could occur at all. More incredible still<br />

is that humans ever discovered the fallen<br />

tree and the rich, earthy deposits within,<br />

thereby changing the faces of luxury,<br />

worship, and medicine.<br />

Fantastic claims are often made about<br />

the medicinal value of <strong>Oud</strong>. Is it really<br />

a panacea? Or is that notion merely the<br />

product of millennia of superstition<br />

capped by a century or two of marketing<br />

hype?<br />

56 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 57<br />

An armyworm (Atteva sciodoxa). A leaf-eating caterpillar, it is one of several pests that can cause defoliation and damage to agarwood trees.


Abdul Aziz Al Jasser<br />

58 The Book of <strong>Oud</strong><br />

The Origin of <strong>Oud</strong> 59


Who is Abdul Aziz Al Jasser?<br />

Abdul Aziz Al Jasser is the president of Arabian <strong>Oud</strong>, one of the largest retail empires in the Middle<br />

East. It all began in 1982, when he opened a small kiosk in a traditional souk (an Arab marketplace<br />

or bazaar), from which he sold perfume blends. His mission at that time was to source and expertly<br />

blend the best oils and scents in the world, and the business he built has now expanded beyond the<br />

Middle East to cover Europe, North Africa, Far East Asia, and North America. 15<br />

On the proliferation of <strong>Oud</strong> in the West:<br />

“We are offering our beloved <strong>Oud</strong> perfume to the world. It’s part of ancient Arabian heritage, and<br />

now there is a growing fondness and appreciation for it among non-Gulf Arabs and the West.…<br />

Pleasing scents have always been a part of our religious and social culture, and today people are<br />

going back to essential oils, which have no alcohol and are purer than Western perfumes.”<br />

“We are offering our beloved <strong>Oud</strong><br />

perfume to the world. It’s part<br />

of ancient Arabian heritage, and<br />

now there is a growing fondness<br />

and appreciation for it among<br />

non-Gulf Arabs and the West.…<br />

Pleasing scents have always been<br />

a part of our religious and social<br />

culture, and today people are<br />

going back to essential oils, which<br />

have no alcohol and are purer than<br />

Western perfumes.”<br />

60 The Book of <strong>Oud</strong> The Origin of <strong>Oud</strong> 61


CHAPTER 3<br />

<strong>Oud</strong> for the Body,<br />

<strong>Oud</strong> for the Soul<br />

62 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 63


<strong>Oud</strong> is as ancient as humanity itself, its<br />

irresistible scent and otherworldly mystery<br />

threading through the aeons. But the story<br />

of <strong>Oud</strong> doesn’t end in the distant past.<br />

So versatile is this rare and exceptional<br />

substance that many of its traditional<br />

applications are still in use to this day.<br />

An agarwood sculpture from China. Date unknown.<br />

<strong>Oud</strong> for the Body, <strong>Oud</strong> for the Soul 65


Throughout the regions in which <strong>Oud</strong><br />

is found, indigenous cultures have made<br />

<strong>Oud</strong> an integral part of their modern<br />

lives. Nowhere is the importance of <strong>Oud</strong><br />

clearer than in its use as a vital ingredient<br />

in traditional medicine. From Bangladesh<br />

to Indonesia; from Japan to Korea; in<br />

Malaysia, the Philippines, Tibet, and<br />

Thailand; from ancient Indian Ayurvedic<br />

medicine to Traditional Chinese medicine,<br />

<strong>Oud</strong> is used in a variety of forms to<br />

ameliorate an astounding array of ailments,<br />

a veritable encyclopaedia of common<br />

(and not so common) complaints. It is<br />

a powerful anti-inflammatory agent, a<br />

painkiller, a fever reducer, a digestive aid,<br />

and an appetite stimulant. It alleviates<br />

joint pains and rheumatism, coughs and<br />

asthma, diarrhoea and dysentery, stomach<br />

pains, nausea, and vomiting. It is used to<br />

treat paralysis, jaundice, smallpox, malaria,<br />

leprosy, skin problems, and kidney disease.<br />

It is given as a tonic during pregnancy and<br />

after childbirth, and to treat menstrual<br />

disorders. It helps stop bleeding, and<br />

it is taken for heart palpitations and<br />

other cardiovascular problems. It relieves<br />

insomnia, and is used to treat nervous<br />

and emotional disorders. It can treat gout,<br />

bronchitis, and fever chills, both internally<br />

and externally – a massage with <strong>Oud</strong> oil<br />

can relieve the rigours of fever. It eases<br />

exhaustion, freshens breath, and can even<br />

be used as a repellent against mosquitoes,<br />

fleas, and lice.<br />

Agarwood, in powdered form.<br />

The human nervous system.<br />

66 The Book of <strong>Oud</strong>


Indispensable to Ancient and<br />

Modern Medicine<br />

In essence, according to these traditional<br />

practices, <strong>Oud</strong> is an elixir, a cure for any<br />

affliction. It’s hard to believe.<br />

But the traditional uses of <strong>Oud</strong> are not<br />

a myth, not an old wives’ tale, and not an<br />

archaic folk tradition that should be cast<br />

aside and forgotten. <strong>Oud</strong> is still actively<br />

used in medicine for one simple reason: it<br />

works.<br />

In developing countries, many people<br />

rely on these traditional medical practices<br />

as their sole source of healthcare. In<br />

India, the majority of the population<br />

uses Ayurvedic medicine (sometimes in<br />

combination with Western medicine),<br />

and agarwood has been used in Ayurvedic<br />

medicine since ancient times. 16<br />

Agarwood is also highly favoured<br />

by practitioners of traditional Chinese<br />

medicine (aka TCM), which is still a very<br />

popular form of medical care today. <strong>Oud</strong><br />

ranks among the ten most beneficial herbs<br />

in TCM because of its alleged potency in<br />

promoting the circulation of qi, the lifeforce<br />

or vital energy. Used in the form of<br />

ground up powder, it is sold by the gram<br />

in TCM stores, both in crude form and in<br />

prepared formulas. 17<br />

Over two hundred agarwood products<br />

are registered with the Malaysian Ministry<br />

of Health, including eighty-four forms<br />

of cough medicine, sixteen brands of<br />

medicated liquor, and thirteen brands of<br />

stomach ache medicine. 18<br />

Traditional Chinese 68 Medicine The Book emporium. of <strong>Oud</strong> <strong>Oud</strong> for the Body, <strong>Oud</strong> for the Soul 69


But it is no longer just traditional<br />

practitioners and their patients who rely<br />

upon the health benefits <strong>Oud</strong> provides.<br />

There has been great growth in the<br />

development of herbal treatments in<br />

Western medicine, because of the natural<br />

source of the remedies and the fact that<br />

herbal remedies tend to have fewer side<br />

effects. 19 As apparently magical as <strong>Oud</strong><br />

is, its healing properties are anything but<br />

fantasy. In recent years, scientific studies<br />

have demonstrated the medicinal efficacy<br />

of agarwood for a wide array of ailments.<br />

There’s no placebo effect at play here: <strong>Oud</strong><br />

is a medical marvel.<br />

Nearly every part of the agarwood plant<br />

has ameliorative properties. When broken<br />

down, <strong>Oud</strong> contains compounds – such<br />

as alkaloids, flavonoids, polyphenols, and<br />

tannins – that are scientifically recognised<br />

as antidotes to a laundry list of medical<br />

issues that underlie the many ailments that<br />

agarwood traditionally treats.<br />

Germs and Viruses<br />

<strong>Oud</strong> is a strong antimicrobial agent. As<br />

synthetic antibacterial drugs have begun<br />

to be associated with the emergence of<br />

drug-resistant bacteria, interest in natural<br />

antibacterial agents is on the rise. 20<br />

Multiple species of the Aquilaria tree are<br />

able to fight some of the world’s most<br />

terrifying bacterial infections, including E.<br />

coli and typhoid.<br />

Antioxidants: Agarwood<br />

vs. Diabetes and Cancer<br />

Antioxidants are advertised everywhere<br />

these days, with fruits and teas and<br />

flavoured waters all proclaiming their<br />

70 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 71<br />

Agarwood seeds being examined prior to planting.


anti-oxidative properties. Oxidative stress<br />

is an underlying factor in diseases such as<br />

cancer and diabetes. Oxidants cause stress<br />

in the tissue of the lungs, heart, kidneys,<br />

liver, gastrointestinal tract, blood, eyes,<br />

skin, muscle, and brain … and this stress<br />

can cause degenerative diseases such as<br />

cancer or Alzheimer’s. 21<br />

The extract of agarwood leaves has<br />

incredibly strong antioxidants, which help<br />

to fight that oxidative stress. In fact, the<br />

antioxidant activity of Aquilaria leaves is<br />

higher than that of most teas.<br />

Beyond being an antioxidant and antiageing,<br />

agarwood has been shown to help<br />

with another serious health condition:<br />

diabetes. One in eleven adults in the world<br />

suffers from diabetes, and the International<br />

Diabetes Foundation estimates that by<br />

2040, that number will be one in ten. 22<br />

But the miracle drug that is <strong>Oud</strong> is here<br />

to help. The extract of agarwood leaves,<br />

it turns out, is an anti-hyperglycaemic.<br />

Reportedly, a diabetic patient who drank<br />

agarwood leaf-infused water instead of<br />

regular water for six months experienced a<br />

significant drop in his blood glucose level –<br />

in fact, not only did his glucose level drop;<br />

it returned to normal levels. Astonishingly,<br />

agarwood leaf extract actually lowers blood<br />

glucose levels with an efficacy comparable<br />

to that of insulin. 23 <strong>Oud</strong> could in fact be a<br />

natural therapeutic agent for this insidious<br />

disease.<br />

Perhaps most remarkably, agarwood<br />

may have properties that could help cure<br />

cancer. The essential oil of agarwood – i.e.,<br />

<strong>Oud</strong> – has been shown to fight colorectal,<br />

lung, pancreatic and breast cancer cells.<br />

Agarwood saplings 72 in The the nursery, Book of waiting <strong>Oud</strong> patiently to be<br />

A mature agarwood tree being inoculated.<br />

<strong>Oud</strong> for the Body, <strong>Oud</strong> for the Soul 73<br />

planted and start their adventure.


<strong>Oud</strong> for Relaxation and<br />

General Wellbeing<br />

The list of ailments against which <strong>Oud</strong><br />

is proven to be effective goes on and on.<br />

Agarwood is also incredibly effective as<br />

a laxative, treating constipation without<br />

the unfortunate side effect that most<br />

laxatives have – bad diarrhoea. It is a<br />

proven pain reliever and fever reducer,<br />

as well as a powerful anti-inflammatory,<br />

making it a credible natural alternative<br />

to acetaminophen. 24 It can dissolve blood<br />

clots and increase blood flow, 25 and has<br />

even been shown to promote the growth<br />

of new neurons and synapses, and to<br />

protect existing neurons. 26<br />

Given all these scientifically verified<br />

benefits, it is no wonder that <strong>Oud</strong> is<br />

starting to appear in all sorts of modern<br />

health-related products. For example,<br />

Aquilaria leaves and agarwood chips can<br />

be brewed to make a tea, which in addition<br />

to being quite delicious, acts as a detoxifier<br />

and blood pressure stabiliser, contributing<br />

to overall health and wellbeing. Moreover,<br />

agarwood tea has no caffeine, making it a<br />

perfect alternative to that other popular<br />

detoxifying beverage, green tea.<br />

<strong>Oud</strong> is also gaining traction as an<br />

ingredient in skin care products because<br />

of its natural anti-ageing properties. The<br />

compounds in <strong>Oud</strong>, which have so many<br />

miraculous healing properties, can directly<br />

affect the health of the skin. The Fountain<br />

of Youth may be just a legend, but <strong>Oud</strong> is<br />

the next best thing.<br />

<strong>Oud</strong> is also used in aromatherapy. Its<br />

entrancing yet soothing scent also has a<br />

medically efficacious sedative effect, which<br />

Infusions using the leaves from agarwood trees are popular and in increasingly high<br />

74 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 75<br />

demand for their health-giving properties and pure, clean flavour.


can help treat psychosomatic diseases<br />

caused by stress. In the United States, <strong>Oud</strong><br />

aromatherapy is allowed for clinical use in<br />

treating Attention Deficit Disorder and<br />

Attention Deficit/Hyperactivity Disorder<br />

– as a natural alternative to the synthetic<br />

tablets often prescribed. 27<br />

The sedative effect of <strong>Oud</strong> can also<br />

be used to alleviate general stress and<br />

anxiety. 28 <strong>Oud</strong> incense has a calming<br />

effect, soothing the nervous system and<br />

relieving stress-related symptoms. It helps<br />

with digestive issues and relieves anxietyinduced<br />

breathing conditions.<br />

The use of <strong>Oud</strong> for aromatherapy flows<br />

naturally out of the traditional use of <strong>Oud</strong><br />

as incense to aid in meditation – because<br />

<strong>Oud</strong> does not simply heal the body; it<br />

also heals the spirit. <strong>Oud</strong> is still used in<br />

Buddhist practices today, and adherents<br />

believe that it helps to awaken the crown<br />

and third-eye chakras. 29 By promoting<br />

the flow of qi, agarwood incense brings<br />

calmness and peace, raises alertness,<br />

alleviates anxiety, and opens a connection<br />

to the spiritual world.<br />

A depiction of Buddha, in agarwood. Date unknown.<br />

Cultural and Spiritual Practices<br />

Buddhism is not the only religion in<br />

which <strong>Oud</strong>’s spiritual powers still hold<br />

a revered place. Some Muslim cultures<br />

traditionally use a water-based perfume<br />

called Minyak attar, which contains<br />

<strong>Oud</strong>, to lace prayer clothes. 30 In some<br />

regions, agarwood incense is used during<br />

Ramadan prayers. In China, incense sticks<br />

made from the combined powders of<br />

various herbs – including agarwood – are<br />

used for religious ceremonies, the smoke<br />

Left: Detail of an arabesque on the ceiling of a mosque. Arabesques have been a<br />

characteristic of Islamic art since the ninth century.<br />

76 The Book of <strong>Oud</strong> <strong>Oud</strong> for the Body, <strong>Oud</strong> for the Soul 77


epresenting a link between the mortal<br />

and the divine, a sweet-scented messenger<br />

carrying prayers to the gods. 31<br />

Even outside of medicinal or religious<br />

uses, the scent of <strong>Oud</strong> incense wends its<br />

way through many cultural traditions. In<br />

Japan, the <strong>Oud</strong>-centric ancient ceremony<br />

of koh-doh, ‘listening to incense’, is still<br />

practised. In fact, so prized is the jin-koh<br />

used in koh-doh, that some of the pieces<br />

are deemed extra special; these are called<br />

mei-koh, and they are actually given<br />

their own names by the incense masters.<br />

After they are christened, the mei-koh<br />

are stored in small envelopes and passed<br />

down through the family, generation to<br />

generation, as beloved heirlooms. In each<br />

generation, the owner of the mei-koh is<br />

responsible for using it sparingly in the<br />

koh-doh ceremony so that the coming<br />

generations can experience its exquisite<br />

scent.<br />

Throughout the Middle East, agarwood<br />

chips are burned in specially designed<br />

incense burners, which are carried from<br />

room to room to circulate smoke and fill<br />

the whole house with the aroma of <strong>Oud</strong>.<br />

Both men and women in the Middle East<br />

also waft the scented smoke onto their hair<br />

and clothes so they can carry the scent of<br />

<strong>Oud</strong> with them everywhere they go.<br />

<strong>Oud</strong> oil is also traditionally used as<br />

a personal fragrance for both men and<br />

women, applied to the clothes, hair, and<br />

skin. This tradition is rooted in the Middle<br />

East, but in the past decade, <strong>Oud</strong> has<br />

burst onto the international scene in an<br />

exotic storm of scent, becoming one of the<br />

most popular and sought-after perfume<br />

ingredients in the world.<br />

78 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 79<br />

Pure <strong>Oud</strong> oil, in a variety of vessels.


Tom Ford<br />

80 The Book of <strong>Oud</strong> <strong>Oud</strong> for the Body, <strong>Oud</strong> for the Soul 81


Who is Tom Ford?<br />

A man who perhaps needs no introduction, Tom Ford is an American fashion designer, film director,<br />

screenwriter, and film producer, and was once creative director at Gucci and Yves Saint Laurent. In<br />

2002, Ford collaborated with perfumers Alberto Morillas and Jacques Cavallier to introduced western<br />

audiences to <strong>Oud</strong> in the scent, Yves St. Laurent M7. 32 He has called <strong>Oud</strong> “one of the most endlessly<br />

fascinating ingredients in a perfumer’s palette.” 33<br />

How would you describe the unisex perfume <strong>Oud</strong> Wood?<br />

“Exotic rosewood and cardamom, blended with exuberant Chinese pepper, envelop the wearer in<br />

warmth. Eventually, the centre exposes a smoky blend of rare <strong>Oud</strong> wood, sandalwood, and vetiver.<br />

Finally, the creamy scents of tonka bean, vanilla, and amber are revealed.”<br />

“Exotic rosewood and<br />

cardamom, blended with<br />

exuberant Chinese pepper,<br />

envelop the wearer in warmth.<br />

Eventually, the centre exposes<br />

a smoky blend of rare <strong>Oud</strong><br />

wood, sandalwood, and vetiver.<br />

Finally, the creamy scents of<br />

tonka bean, vanilla, and amber<br />

are revealed.” 34<br />

82 The Book of <strong>Oud</strong><br />

<strong>Oud</strong> for the Body, <strong>Oud</strong> for the Soul 83


CHAPTER 4<br />

The World’s Most<br />

Desirable Fragrance<br />

What is <strong>Oud</strong>? 85


<strong>Oud</strong> is as ancient as humanity itself, and<br />

its scent a mainstay in many parts of<br />

the Eastern world … but how did <strong>Oud</strong><br />

become such a sudden sensation in the<br />

West?<br />

The popularity of <strong>Oud</strong> started with<br />

the astounding – and rapidly growing<br />

– popularity of perfumes worldwide.<br />

In 2017, the global fragrance industry<br />

is expected to reach an estimated $38.8<br />

billion and it is expected to grow to an<br />

astonishing $51 billion by 2022. 35 The<br />

number of new perfumes released every<br />

year is also growing exponentially: in<br />

1993, 132 new perfumes were released. In<br />

2013, the number of new perfume releases<br />

had been multiplied by eleven, to 1,492. 36<br />

Perfume has always been important to<br />

the cultures of the Middle East, and it<br />

is deeply ingrained into the Arabic way<br />

of life. Fragrances are worn as part of<br />

everyday attire, rather than as an accessory<br />

for special celebrations, and used for any<br />

and all occasions and outings. In the rest<br />

of the world, people apply perfume twice<br />

a day, on average; in Arabic countries,<br />

people apply fragrances an average of five<br />

times a day. 37<br />

One of the world’s fastest growing perfume brands, Fragrance Du Bois, with its Pure <strong>Oud</strong> expression, and its innovative creation, the stylish Serum Pen.<br />

The World’s Most Desirable Fragrance 87


Even children are accustomed to<br />

fragrances, with parents using essential oils<br />

to add scents to their laundry and their<br />

baths.<br />

Due to this embedded culture of scent,<br />

the Middle East has one of the highest per<br />

capita consumptions of perfumes in the<br />

world, averaging close to $400 per person,<br />

with high earners spending an average of<br />

$700 on oriental fragrances and essential<br />

oils. 38 Overall, fragrance use in the Middle<br />

East is about five times higher than in<br />

the rest of the world. 39 The beauty and<br />

personal care market in the Middle East<br />

and Africa is expected to hit $30 billion in<br />

2018, outpacing that market in the rest of<br />

the world, and fragrances account for 20<br />

per cent of that staggering figure – a full<br />

$6 billion. 40<br />

This market is on the rise because<br />

economic growth has increased standards<br />

of living and given birth to a new<br />

generation of affluent consumers. As the<br />

number of high-net-worth individuals<br />

rises in the Middle East, so does the<br />

market for luxury goods 41 – and in this<br />

fragrance-soaked culture, nothing says<br />

luxury like the most prestigious perfumes<br />

money can buy. 42<br />

Central to this market is one particular<br />

scent: <strong>Oud</strong>. <strong>Oud</strong> is everywhere in the<br />

Middle East, used as a signature scent<br />

from mosques to malls to hotel lobbies<br />

– and of course, as a personal fragrance.<br />

<strong>Oud</strong> perfume alone is a multi-billiondollar<br />

industry. The most popular perfume<br />

brands in the Middle East are those that<br />

specialise in <strong>Oud</strong>, such as Ajmal, Arabian<br />

<strong>Oud</strong>, Al Qurashi and Al Haramain.<br />

88 The Book of <strong>Oud</strong><br />

A customer at Jovoy’s luxurious Parisian boutique enjoying a sensuous, olfactory experience.


Given such a substantial market, it is not<br />

surprising that in the past decade, Western<br />

perfume houses have become eager to<br />

appeal to Middle Eastern tastes. The story<br />

goes that sometime in the early 2000s,<br />

fashion designer Tom Ford was riding in<br />

the elevator of the Carlisle Hotel with the<br />

famous and fashionable heiress Daphne<br />

Guinness. He smelled an incredible scent,<br />

unlike anything he’d ever experienced, and<br />

asked Daphne what she was wearing. The<br />

answer, of course, was <strong>Oud</strong>.<br />

In 2002, Yves Saint Laurent released<br />

Tom Ford’s M7, built around <strong>Oud</strong>. And<br />

in 2007, Ford released his now legendary<br />

<strong>Oud</strong> Wood scent. Tom Ford’s <strong>Oud</strong> Wood<br />

was quickly followed by other <strong>Oud</strong><br />

fragrances from major labels, including<br />

Estée Lauder’s Wood Mystique in 2011<br />

and Lancôme’s Lautrec duo in 2012.<br />

These were heavily advertised in the<br />

Middle East with billboards, posters, and<br />

television spots; the goal was to compete<br />

with popular regional brands such as Al<br />

Qurashi and Arabian <strong>Oud</strong>.<br />

But as these fragrances were released,<br />

something incredible happened: Western<br />

consumers began to fall in love with this<br />

exotic, otherworldly aroma. The West<br />

finally caught up to the East, recognising<br />

what <strong>Oud</strong> lovers have known since the<br />

dawn of human civilisation, and what<br />

I discovered that fateful day in Harrods:<br />

that there is nothing in the world like the<br />

scent of <strong>Oud</strong>.<br />

Within just a few years of the release<br />

of Tom Ford’s <strong>Oud</strong> Wood, nearly all the<br />

major branded perfume houses – big<br />

names and boutiques – had <strong>Oud</strong>-based<br />

or <strong>Oud</strong>-inspired fragrances. From Gucci<br />

The iconic and world-famous Harrods in London.<br />

90 The Book of <strong>Oud</strong>


to Chanel to Cartier, everybody wanted<br />

in on <strong>Oud</strong>. Estée Lauder’s Jo Malone<br />

London brand released <strong>Oud</strong> & Bergamot<br />

cologne in 2010, and it quickly became a<br />

bestseller. In 2012 alone, Armani, Dior,<br />

Ferrari, and even Body Shop all started<br />

using the <strong>Oud</strong> scents. 43 Western perfume<br />

houses were actually competing to see<br />

who could make the best <strong>Oud</strong> fragrances.<br />

Between 2007 and 2013, <strong>Oud</strong> sales rose<br />

68 per cent, to an incredible industry<br />

total of $3 billion. 44 Today, one out of<br />

every eight new scents released annually<br />

contains <strong>Oud</strong> or imitation <strong>Oud</strong>. 45<br />

Western brands aren’t alone in the<br />

Western market, either. Some of the big<br />

Middle Eastern <strong>Oud</strong> companies have been<br />

branching out. Al Qurashi has outlets in<br />

London and Paris, where it attracts a<br />

mostly Western clientele. Arabian <strong>Oud</strong><br />

has stores in London and Paris as well,<br />

in the most prestigious locations – the<br />

Champs-Élysées in Paris and Oxford<br />

Street in London – and is soon opening<br />

its first American store in Times Square<br />

in New York. On Oxford Street, Arabian<br />

<strong>Oud</strong> is the only storefront that is allowed<br />

to put up signage in non-Latin characters,<br />

proudly displaying signs in English and<br />

Arabic. 46<br />

The skyrocketing popularity of <strong>Oud</strong><br />

is reflected in Arabian <strong>Oud</strong>’s incredible<br />

growth. In 2012, the company had 550<br />

stores in seventeen countries; by 2016,<br />

there were 750 stores in more than thirty<br />

countries. 47 And as with Al Qurashi, the<br />

majority of the sales in Arabian <strong>Oud</strong>’s<br />

Western outlets – 80 per cent, in fact –<br />

were not to Arabs, but to Westerners. 48<br />

Some of the many brands and expressions now<br />

using <strong>Oud</strong> – described by one Master Perfumer<br />

as “the ingredient of the twenty-first century” – in<br />

their creations.<br />

92 The Book of <strong>Oud</strong>


As <strong>Oud</strong> raced through the Western<br />

world of perfumery like a fragrant wildfire,<br />

it sparked a shift in trends throughout the<br />

entire industry. Westerners traditionally<br />

favour softer scents, leaning towards floral<br />

and citrusy aromas. The scent of <strong>Oud</strong> is<br />

not one that naturally appeals to Western<br />

noses – it is unlike anything in the Western<br />

world – and Arabic-style scents were once<br />

considered too heady, heavy, and cloying<br />

for the Western palate.<br />

<strong>Oud</strong>’s rise in popularity reflects a<br />

growth in the influence of Arab culture<br />

on perfume worldwide. In 2014, the<br />

International Fragrance Association UK<br />

reported that the trend in the industry<br />

was moving towards exotic locales and<br />

the scents associated with them, including<br />

musks, sandalwoods, ambers – and of<br />

course, <strong>Oud</strong>. 49 Floral fragrances have<br />

fallen out of fashion, and brands around<br />

the world are gravitating towards the rich,<br />

dark, woody smell of <strong>Oud</strong>. 50<br />

Fragrance profile is not the only perfume<br />

trend that has shifted in favour of <strong>Oud</strong>.<br />

There is also in the perfume market an<br />

increasing interest in natural ingredients,<br />

as opposed to synthetically created<br />

compounds. More and more, people are<br />

interested in putting only natural, organic<br />

perfumes on their bodies. There is also a<br />

growing awareness of the mood-changing<br />

and physiological effects of scents – hence<br />

the growing popularity of aromatherapy<br />

in the West. Demand is also increasing<br />

for perfumes with a long-lasting scent<br />

that evolves over time. 51 All of these are<br />

distinguishing features of <strong>Oud</strong>.<br />

But above all, it is the entrancing,<br />

complex aroma of <strong>Oud</strong> that is captivating<br />

A customer engaging in the Fragrance Du Bois ‘cloche experience’.<br />

The World’s Most Desirable Fragrance 95


Western consumers looking for something<br />

daring and out of the ordinary. The ethos<br />

of our present moment is individuality.<br />

Everyone wants to express themselves as an<br />

individual, to be unique and exceptional,<br />

including in how they smell. As the New<br />

York Times reported in 2015, “The new<br />

power perfumes are not about arriving<br />

at the party in a haze of an unavoidable<br />

bouquet, but rather showing up smelling<br />

like no one else, and then leaving people<br />

clamouring to know what mysterious and<br />

enigmatic fragrance you are wearing.” 52<br />

As the global perfume market<br />

balloons, discerning users around the<br />

world want scents that are exclusive, not<br />

mass produced. This has driven a huge<br />

growth in the prestige and niche perfume<br />

industries. The niche category alone more<br />

than tripled in the course of a decade, from<br />

128 new perfume launches in 2003 to an<br />

astounding 395 in 2013. The backlash<br />

against mass-produced, mainstream<br />

fragrances even extends into premium<br />

fragrances, with more people seeking<br />

out completely individualised bespoke<br />

perfumes designed specifically for them.<br />

The desire for distinctiveness has led<br />

consumers to seek out bolder scents that<br />

have rich, intriguing stories behind them<br />

– and <strong>Oud</strong> fits just that bill. Moreover,<br />

almost nothing in the world has more<br />

prestige than <strong>Oud</strong>. It is, quite literally, the<br />

scent of royalty. Louis XIV is said to have<br />

washed his clothes in <strong>Oud</strong>-infused water,<br />

and today, royalty throughout Asia and<br />

the Middle East are presented on special<br />

occasions with bespoke fragrances that are<br />

invariably built around an <strong>Oud</strong> base. Even<br />

Prince William and Kate Middleton were<br />

gifted an <strong>Oud</strong> fragrance at their wedding.<br />

96 The Book of <strong>Oud</strong><br />

The world-famous Selfridges on Oxford Street, London – the second largest<br />

‘shop’ in the UK. Its flagship store was opened in 1909 – by its founder,<br />

Harry Gordon Selfridge.


Grille of the spectacular ‘<strong>Oud</strong> Edition’ Range Rover. Bespoke and luxurious,<br />

the automobile features an internal, custom-made scenting system, with aromas<br />

provided by Fragrance Du Bois. Other luxury cars, such as the Mercedes-Maybach,<br />

also feature <strong>Oud</strong>-scented interiors.<br />

A superbly crafted, hand-made timepiece, by Swiss horologist Time Spirit.<br />

Note the agarwood inlay in the face; a world’s first.<br />

Airlines are getting in on the <strong>Oud</strong> game<br />

too, commissioning unique <strong>Oud</strong> scents<br />

from distinctive houses such as Ajmal.<br />

And in 2016, Mercedes released its luxury<br />

Maybach S-Class S600 – which includes,<br />

among other deluxe features, an ‘Air-<br />

Balance’ package that scents the interior of<br />

the car with <strong>Oud</strong>. 53 Range Rover has also<br />

released an <strong>Oud</strong> Edition: controlled by<br />

an iPad app, the car contains six different<br />

<strong>Oud</strong>-based fragrances that can be layered<br />

by its owner to create a bespoke melange<br />

of scents, resulting in a luxury experience<br />

unmatched by even the most leatherbound<br />

sport machines on the market. 54<br />

If the watchword of the modern luxury<br />

markets is personalisation, <strong>Oud</strong> is at the<br />

forefront of the game.<br />

Prestige also means price, and one of<br />

the reasons <strong>Oud</strong> is so exclusive is that it is,<br />

as I learned the hard way at Harrods, no<br />

cheap thing. One hundred per cent pure,<br />

unadulterated <strong>Oud</strong> oil can cost as much<br />

as $30,000 per kilogram wholesale, and<br />

a breath taking $150,000 per kilogram –<br />

or more – in a retail shop. And the more<br />

exclusive the <strong>Oud</strong>, the higher the price.<br />

In 2012, half a teaspoon of <strong>Oud</strong> oil that<br />

had been distilled in 1982 from hundredyear-old<br />

trees sold to a private collector<br />

for $7,000. 55 <strong>Oud</strong>-based perfumes are<br />

also pricey; Tom Ford’s <strong>Oud</strong> Wood goes<br />

for $225 for a 50ml bottle, and that’s not<br />

nearly the most expensive <strong>Oud</strong> perfume<br />

out there. And the truth is, if you find<br />

<strong>Oud</strong> for less than this, in all likelihood it is<br />

not actually <strong>Oud</strong>.<br />

Exclusivity and popularity naturally<br />

lead to imitation. As <strong>Oud</strong> and other<br />

Middle-Eastern fragrances have soared in<br />

The World’s Most Desirable Fragrance 99


popularity, the ‘Oriental woody’ trend has<br />

trickled down to mass-market fragrances<br />

at all levels. Because real <strong>Oud</strong> is so<br />

expensive, however, many so-called <strong>Oud</strong><br />

perfumes use synthetic, imitation <strong>Oud</strong>.<br />

While modern science can come close to<br />

recreating the chemical composition of<br />

<strong>Oud</strong>, organic <strong>Oud</strong>’s compound structure<br />

is so complex that it is impossible to<br />

replicate perfectly.<br />

Nothing synthetic can even begin<br />

to compare to the inimitable scent of<br />

true <strong>Oud</strong>. So for those who seek the<br />

exclusivity and luxury of <strong>Oud</strong>, who want<br />

to stand out from the sea of Middle<br />

Eastern-inspired scents now available,<br />

authentic <strong>Oud</strong> still holds its place above<br />

the rest. That’s why people are turning to<br />

Middle Eastern companies such as Ajmal<br />

and Arabian <strong>Oud</strong>.<br />

And there are also Western fragrance<br />

houses that guarantee the authentic, elite<br />

<strong>Oud</strong> experience, such as strangelove nyc<br />

and Fragrance Du Bois (purveyor of scents<br />

for the previously mentioned Maybach).<br />

The American-based strangelove nyc,<br />

founded in 2013, started with just one<br />

scent: an <strong>Oud</strong>-based perfume oil called<br />

deadofnight. I spoke with the founder<br />

of the company, Elizabeth Gaynes,<br />

who described how the power of <strong>Oud</strong><br />

jumpstarted the entire brand. Elizabeth<br />

brought a sample of that one scent,<br />

deadofnight, into a meeting with a<br />

Harrods fragrance buyer. Upon smelling<br />

the intoxicating aroma, the buyer said,<br />

“We’re opening the Salon De Parfum<br />

in Harrods in October, and we’re only<br />

exhibiting twenty-five perfume companies<br />

from around the world. We want yours to<br />

be one of them.”<br />

One of Fragrance Du Bois’ elegant, glamorous flagship boutiques, designed to<br />

resemble a nineteenth–century Parisian salon.<br />

100 The Book of <strong>Oud</strong> The World’s Most Desirable What Fragrance is <strong>Oud</strong>? 101


Agarwood beads with different levels of <strong>Oud</strong> concentration,<br />

crafted into desirable items of jewellery.<br />

The World’s Most Desirable Fragrance 103


So in October of 2014, strangelove<br />

nyc launched deadofnight perfume and<br />

followed it up with a deadofnight eau<br />

de parfum, which became the number<br />

one niche seller in the Salon De Parfum<br />

at Harrods. Strangelove nyc now sells a<br />

number of perfumes that use exclusively<br />

100 per cent pure <strong>Oud</strong>.<br />

Fragrance Du Bois likewise only uses<br />

100 per cent pure, organic <strong>Oud</strong> in their<br />

signature products. A visit to a Fragrance<br />

Du Bois store is an event like none<br />

other. The company offers the ultimate<br />

luxury experience, including personal<br />

consultations in opulent settings. There<br />

are only ever 100 to 1,000 bottles of<br />

Fragrance Du Bois in circulation at any<br />

given time, making it exquisitely exclusive.<br />

And if that isn’t elite enough, Fragrance<br />

Du Bois also specialises in customised<br />

aromatic products, offering personalised<br />

service by arrangement in their London,<br />

Paris, Singapore, Kuala Lumpur, and<br />

Geneva boutiques for clients who desire<br />

bespoke fragrances made just for them.<br />

What makes Fragrance Du Bois truly<br />

unique is the company’s commitment to<br />

using only sustainably-sourced <strong>Oud</strong> –<br />

something few companies do. Why is this<br />

important? Because the thing that makes<br />

real <strong>Oud</strong> so exclusive – and so expensive<br />

– is its rarity. And a dangerous, destructive<br />

black market is making it even scarcer.<br />

104 The Book of <strong>Oud</strong><br />

When east meets west. The House of <strong>Oud</strong> started as a<br />

collaboration between an Italian Master Perfumer and an<br />

Indonesian <strong>Oud</strong> producer. Each original fragrance comes in its<br />

own distinct and unique bottle, hand-painted in Italy by a<br />

master craftsman.


Barry Rawlinson<br />

106 The Book of <strong>Oud</strong> The World’s Most Desirable Fragrance 107


Who is Barry Rawlinson?<br />

Barry Rawlinson is the CEO of the Asia Plantation Capital Group (APC). He has over thirty years<br />

of expertise in senior management and has spent ten years in the agroforestry industry developing<br />

and managing sustainable plantations that grow agarwood, distil it in factories and turn it into luxury<br />

perfumes.<br />

How would you characterise the scent of <strong>Oud</strong> or Agarwood?<br />

“I think it makes you think of farms and animals … and oil. The first time I encountered <strong>Oud</strong> I was<br />

immediately taken back to being on a farm, and to everything that’s associated with that.”<br />

How do others react when they first smell <strong>Oud</strong>?<br />

“I always watch people’s faces when they first smell it because it’s never what they expect.<br />

I’ll give the scent to a layman and say, ‘Smell this.’ Their facial reactions are always striking; it<br />

always catches them off guard.”<br />

“I think it makes you think<br />

of farms and animals …<br />

and oil. The first time I<br />

encountered <strong>Oud</strong> I was<br />

immediately taken back<br />

to being on a farm, and to<br />

everything that’s associated<br />

with that.”<br />

108 The Book of <strong>Oud</strong> The World’s Most Desirable Fragrance 109


CHAPTER 5<br />

Danger, Desire, and Destruction:<br />

The World of the Agarwood Trade<br />

110 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 111


Aquilaria trees once flourished<br />

throughout the lands to which they are<br />

native. <strong>Oud</strong> was rare even then, occurring<br />

only in a slim percentage of those trees,<br />

but the Aquilaria genus itself was plentiful,<br />

with a record from the seventeenth century<br />

describing ‘dense groves’ of trees. 56<br />

Today, however, the tree that produces<br />

<strong>Oud</strong> is on the verge of extinction. Listed<br />

as endangered by both the Convention on<br />

International Trade in Endangered Species<br />

of Wild Fauna and Flora (CITES) and the<br />

International Union for Conservation of<br />

Nature (IUCN), the Aquilaria tree is in<br />

danger of disappearing entirely – and with<br />

it, the intoxicating, irreplaceable <strong>Oud</strong>.<br />

A close up of the distinctive bark of the Aquilaria tree.<br />

112 The Book of of <strong>Oud</strong><br />

Danger, Desire, and Destruction 113


The Waldseemüller map, originally published in<br />

1507. The Silk Road, although operational two<br />

hundred years BC, would soon reach its heyday with<br />

the advent of the East India Company which received<br />

its charter in 1600. Agarwood products and <strong>Oud</strong>,<br />

even then, were cherished and highly-valued<br />

commodities in an increasingly lucrative market.<br />

Note: German cartographer Martin Waldseemüller<br />

created the first map of the world that mentions<br />

‘America’ – a name given in honour of the Italian<br />

explorer Amerigo Vespucci.<br />

How could this most cherished of<br />

species have become so endangered? The<br />

cause, as with so many things, is supply<br />

and demand. But agarwood has always<br />

been in demand; what has changed so<br />

dramatically in recent years that the tree<br />

has almost been wiped from the face of the<br />

Earth? To answer this question, we must<br />

dive into a huge, unruly, lucrative, and<br />

dangerous industry: the agarwood trade.<br />

Agarwood has been traded for as long<br />

as <strong>Oud</strong> has been treasured – and that, as<br />

we know, is quite a long time. Records of<br />

international trade in agarwood stretch<br />

back to the first century AD, when India<br />

was the primary source for imported<br />

agarwood. By the third century, agarwood<br />

was regularly imported into China from<br />

the Malay Peninsula and elsewhere, and<br />

traded throughout China, Vietnam,<br />

Ceylon, and the Middle East. By the ninth<br />

century, the Malay Peninsula was a major<br />

exporter of agarwood to the Middle East.<br />

The agarwood trade continued to grow,<br />

with <strong>Oud</strong> reported by the Spanish in the<br />

1530s as a primary commodity trafficked<br />

by merchants.<br />

Apart from the fluctuations that occur<br />

in any market, trade in <strong>Oud</strong> continued<br />

unabated through the centuries. Demand<br />

for <strong>Oud</strong> and agarwood products grew<br />

consistently after 1880, when more<br />

substantial reporting was implemented,<br />

by about 4 per cent per year 57 … until the<br />

twentieth century, when demand suddenly<br />

began to skyrocket.<br />

In the past thirty years, demand for<br />

<strong>Oud</strong> has increased not just steadily, but<br />

114 The Book of <strong>Oud</strong> Danger, Desire, and Destruction 115


exponentially. Since 1999, demand has<br />

grown by a full 15 per cent, 58 driven by<br />

population growth and rising affluence in<br />

the key markets for <strong>Oud</strong>, including China,<br />

Japan, Taiwan, and the Middle East. In<br />

the United Arab Emirates, imports of<br />

agarwood and <strong>Oud</strong> increased by 300 per<br />

cent from 2004 to 2007. 59 And between<br />

2004 and 2012, global trade in <strong>Oud</strong> oil<br />

specifically has increased by an astonishing<br />

1,515 per cent. 60<br />

The <strong>Oud</strong> industry as a whole is<br />

estimated to be worth between $11<br />

billion and $17 billion a year, with <strong>Oud</strong><br />

and agarwood products mostly supplied<br />

by Malaysia, Indonesia, Vietnam, and<br />

Thailand. The value of agarwood exported<br />

just from Singapore – a major hub for<br />

importing and re-exporting – is estimated<br />

to exceed $1.2 billion a year. Most of the<br />

agarwood exported from these countries<br />

goes to two main markets: the Middle East<br />

and the Far East, including China, Japan,<br />

and Taiwan. 61<br />

The Inscrutability of <strong>Oud</strong><br />

The complexity of the agarwood trade<br />

makes it difficult to get accurate reports<br />

– especially because so many transactions<br />

are not officially reported at all. China is<br />

currently the largest and fastest growing<br />

single market for agarwood, importing<br />

more than 460 tonnes of the product<br />

every year – and that’s just what is officially<br />

recorded. The real figures are much, much<br />

higher. By a conservative estimate, there<br />

are about 5,000 shops selling agarwood<br />

products in China, with more than 400 in<br />

Beijing alone. 62<br />

Agarwood chips burning.<br />

Pure <strong>Oud</strong> oil.<br />

116 The Book of <strong>Oud</strong>


To make things even more difficult to<br />

measure accurately, there is no industrywide<br />

standard for assessing the quality<br />

of <strong>Oud</strong> or agarwood products. There<br />

are certain factors that are always taken<br />

into account: the resin saturation of the<br />

wood, the discolouration of the wood (the<br />

darker the better), fragrance intensity and<br />

duration, the quality of the aroma itself.<br />

Then there is country of origin, which in<br />

the agarwood trade is like a brand name.<br />

Agarwood from certain regions is valued<br />

much more highly than others. <strong>Oud</strong><br />

from Cambodia, Vietnam, and India is<br />

generally considered the most desirable,<br />

but even this is subject to variation. The<br />

king of agarwood, the highly coveted<br />

kynam, found in Vietnam, is considered<br />

the crown jewel across the industry.<br />

The traditional way to assess <strong>Oud</strong> is<br />

with the five senses – which, naturally,<br />

are always subjective. Experienced graders<br />

examine the <strong>Oud</strong> or agarwood piece,<br />

looking at the factors mentioned above.<br />

Often, they will burn a small piece of<br />

agarwood to determine the grade. Another<br />

common test is to put agarwood in water:<br />

if the resin content in a piece of agarwood<br />

is high, it will sink to the bottom with<br />

the weight of its treasured <strong>Oud</strong>. In fact,<br />

both the Japanese and Chinese words for<br />

agarwood mean exactly that: ‘incense that<br />

sinks in water’ or ‘sinking fragrance’.<br />

Once the quality is assessed, the <strong>Oud</strong><br />

is assigned a grade – but not even that<br />

is standardised across the industry.<br />

Agarwood grading will often use a letter<br />

system (A to D), a descriptive term (like<br />

super or deluxe), and a number (1 to 5)<br />

– but the combination varies in every<br />

Pure <strong>Oud</strong> oil – the real thing. Below: agarwood chips burnt on charcoal for their lustrous, ethereal aroma.<br />

118 The Book of <strong>Oud</strong> A delightfully ornate flacon with an inner cargo of pure <strong>Oud</strong>.<br />

What is <strong>Oud</strong>? 119


The Holy Quran. There are several mentions of <strong>Oud</strong> in the text, with quotations from the Prophet<br />

Mohammed, and an invocation to use <strong>Oud</strong> for its curative properties.<br />

Mecca during the annual Hajj, where <strong>Oud</strong> plays a role in the path towards spiritual enlightenment.<br />

What is <strong>Oud</strong>? 121


egion. In different countries, high-quality<br />

<strong>Oud</strong> could be graded as Super Deluxe,<br />

Super Double, Supreme, A1, A+, AAA,<br />

and so on.<br />

All of this makes it incredibly difficult<br />

to create a standard grading system for<br />

agarwood. However, new technology<br />

allows us to identify the chemical<br />

composition of <strong>Oud</strong>, and to identify the<br />

major compounds that determine quality<br />

– and therefore to objectively grade it.<br />

This technique is not widely used, but if<br />

it were adopted it would be possible to<br />

standardise the agarwood industry and<br />

regulate the agarwood trade.<br />

In the meantime, agarwood continues<br />

to be a prized commodity regardless of<br />

what combination of letters and numbers<br />

the highest quality specimens are assigned,<br />

or what factors influence that process.<br />

<strong>Oud</strong> aficionados know quality when they<br />

see (or smell) it.<br />

Agarwood in Danger<br />

The rare and serendipitous nature of <strong>Oud</strong><br />

means that although demand is increasing,<br />

there is still a limited supply. <strong>Oud</strong> is so rare<br />

that demand has always exceeded what<br />

the natural world can supply, but in the<br />

twentieth century, that imbalance became<br />

unsustainable, pushing Aquilaria trees to<br />

the brink of extinction.<br />

Across the regions in which agarwood<br />

once thrived, the trees have become<br />

shockingly scarce. India, once the biggest<br />

exporter of agarwood in the world, now<br />

doesn’t even rank in the top five, so severely<br />

diminished are its supplies. The species<br />

Deforestation in Sri Lanka.<br />

122 The Book of <strong>Oud</strong> Deforestation in Sri Lanka. Satellite imagery shows<br />

distinct signs of denudation in the north-eastern part<br />

Danger, Desire, and Destruction 123<br />

of the country.


has been almost entirely wiped out in Sri<br />

Lanka. By the early 1990s, it had been<br />

harvested to near extinction throughout<br />

Southeast Asia. In Malaysia, seven of the<br />

eighteen agarwood-producing tree species<br />

found in the region are at risk of global<br />

extinction.<br />

The name Hong Kong means ‘fragrant<br />

harbour’ in Cantonese – the city was<br />

named for the agarwood scent that once<br />

filled its port. Today that fragrance is<br />

nearly gone: hardly any Aquilaria trees<br />

remain, and <strong>Oud</strong> oil hasn’t been produced<br />

in Hong Kong for a century. The highest<br />

quality <strong>Oud</strong> used to come from trees<br />

that were over a hundred years old;<br />

now, nearly all those trees have been cut<br />

down. Ho Pui-Han, a conservationist and<br />

executive director of the Association for<br />

the Ecological and Cultural Conservation<br />

of Aquilaria sinensis, describes the<br />

decimation in Hong Kong: “I took a walk<br />

through a once-lush countryside forest<br />

and only one tree was standing. I cannot<br />

explain to you how serious the damage<br />

is.” 63<br />

The danger to the Aquilaria tree<br />

eventually came to the attention of CITES<br />

– the Convention on International Trade<br />

in Endangered Species of Wild Fauna<br />

and Flora. This name refers both to the<br />

multilateral treaty that is the convention<br />

itself and to the secretariat that monitors<br />

compliance with it. The purpose of CITES<br />

is to ensure that international trade in wild<br />

plants and animals does not threaten the<br />

survival of those species in the wild.<br />

124 The Book of <strong>Oud</strong> Danger, Desire, and Destruction 125<br />

The old and the new. A classic ‘junk’ juxtaposed with modernity in Hong Kong harbour.


Jackie Chan. Martial artist, actor, director, producer,<br />

icon. In Chinese society today, the collection of <strong>Oud</strong> is<br />

a signifier of wealth and good taste, and Jackie Chan<br />

is reputed to be a prominent <strong>Oud</strong> aficionado<br />

and collector.


CITES protects approximately 5,000<br />

species of animals and 29,000 species of<br />

plants, each of which is included on one<br />

of three lists called appendices. The degree<br />

of danger to a species determines the<br />

appendix under which it is ranked.<br />

In order to combat the over-logging<br />

of Aquilaria trees, CITES began adding<br />

certain species of Aquilaria to its<br />

endangered list in 2000. By 2004, all<br />

Aquilaria species had been included in<br />

CITES’ Appendix II category, which<br />

tightly restricts trade, although it does not<br />

ban it entirely. These restrictions make it<br />

illegal to harvest or trade agarwood without<br />

a valid permit, and places strict quotas on<br />

the amount of agarwood exported per<br />

country. A CITES certificate is needed<br />

both to export and to import agarwood<br />

products, and all agarwood products that<br />

are shipped internationally are tracked to<br />

ensure that they are legally sourced.<br />

Specifically, when an export is listed<br />

in Appendix II, CITES requires that<br />

it be “not detrimental to the survival<br />

of that species in the wild”. In order<br />

to determine whether the export is<br />

detrimental, CITES authorities in each<br />

country must investigate in order to<br />

ensure that the species is maintained<br />

“throughout its range at a level consistent<br />

with its role in the ecosystems in which it<br />

occurs, and well above the level at which<br />

the species might become eligible for<br />

inclusion in Appendix I.” 64<br />

Obviously, determining which<br />

Appendix a species belongs under is<br />

a complicated procedure, and since<br />

agarwood has been added to the CITES<br />

A sustainable agarwood plantation in north-eastern Thailand.<br />

128 The Book of <strong>Oud</strong><br />

Danger, Desire, and Destruction 129


list, the affected countries have held<br />

numerous CITES workshops to figure<br />

out how exactly this regulation should be<br />

implemented. The status of agarwood in<br />

each country must be assessed, in addition<br />

to other considerations: supply chain<br />

management, the role of the species in<br />

the local ecosystem, harvest management,<br />

national and global distribution,<br />

population, conservation status – the list<br />

goes on and on. John Scanlon, Secretary-<br />

General of CITES, remarked to me that<br />

shifts in type and methods of agarwood<br />

production directly affect the market.<br />

“For the last ten years,” he says,<br />

“Southeast Asia range States have invested<br />

serious resources (human and financial) in<br />

agarwood plantations. Those plantations<br />

today meet the demand for lower quality<br />

agarwood and, while some have a better<br />

export quality, they don’t match the high<br />

quality of the wild agarwood. Some<br />

exporter countries claim their plantations<br />

have the same good quality as the wild<br />

agarwood but such claims are contested.<br />

At the end the plantation products tend to<br />

reach different markets to those where the<br />

wild agarwood market dominates.”<br />

Moreover, the types of agarwood<br />

products available, and the forms in which<br />

it is traded, are so numerous that great<br />

consideration had to be given to what,<br />

exactly, was to be controlled by CITES.<br />

Ultimately, the list of agarwood products<br />

overseen by CITES was expanded to<br />

include agarwood logs, chips, branches<br />

and roots, as well as agarwood carvings<br />

(including beads, bracelets and necklaces),<br />

and of course, <strong>Oud</strong> oil – both pure oil and<br />

130 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 131


any mixed oil containing more than 15<br />

per cent <strong>Oud</strong>.<br />

These restrictions are a great step forward<br />

in protecting the vulnerable Aquilaria tree,<br />

and securing the future of <strong>Oud</strong>. But while<br />

they have restricted supply, they have not<br />

restricted demand – and as a result, the<br />

price of <strong>Oud</strong> has skyrocketed, increasing<br />

by as much as 500 per cent over the last<br />

twenty to thirty years.<br />

The average price of high-quality<br />

agarwood chips shot up from $790 per<br />

kilogram in 1996 to $37,536 per kilogram<br />

in 2010. 65 In China, the price of <strong>Oud</strong> oil<br />

has increased 109 per cent since 2005. 66<br />

At its purest, a kilogram of <strong>Oud</strong> can go<br />

for as much as $250,000. Sculptures and<br />

bracelets made of high-quality agarwood<br />

have been valued at up to $1 million. The<br />

most prized variety of <strong>Oud</strong>, kynam, can<br />

go for as much as $9 million per kilo.<br />

These awe-inspiring prices have done<br />

nothing to diminish demand for <strong>Oud</strong>.<br />

In fact, this value inflation has only made<br />

<strong>Oud</strong> and agarwood products that much<br />

more desirable to those who can afford<br />

them. Despite prices for agarwood in<br />

China rising 20 per cent each year since<br />

2000, for example, wealthy Chinese still<br />

purchase agarwood chips to burn for<br />

incense. They have also begun collecting<br />

agarwood pieces as decorative objects –<br />

elegant carved sculptures, or even just<br />

agarwood in beautiful natural forms. In<br />

2014, a Chinese auction raised $9.73<br />

million from the sale of just twelve such<br />

pieces. 67<br />

132 The Book of <strong>Oud</strong><br />

Asia Plantation Capital staff cataloguing and monitoring the growth of agarwood saplings<br />

Danger, Desire, and Destruction 133


Ersatz Agarwood<br />

The extraordinarily high demand for <strong>Oud</strong><br />

has given rise to unscrupulous behaviour in<br />

the agarwood trade. First among these is the<br />

robust practice of forging agarwood. Fake<br />

<strong>Oud</strong> and agarwood products are abundant<br />

in the marketplace. Many places that sell<br />

‘agarwood’ sculptures for religious or<br />

artistic purposes do not use real agarwood.<br />

Instead, other tropical hardwoods are<br />

treated to look like agarwood, usually<br />

by injecting tree trunks with oil or tar to<br />

blacken them, and sometimes infusing<br />

the wood with agarwood perfume. Most<br />

‘agarwood’ beads and rosaries are fake as<br />

well – although some are made of other<br />

dark woods soaked in <strong>Oud</strong>. 68<br />

The methods by which unscrupulous<br />

sellers disguise false products as true<br />

agarwood are myriad. Agarwood powder<br />

is mixed with the powder of uninfected<br />

wood. Agarwood chips are mixed with<br />

chips from other trees. Low-quality<br />

agarwood is painted with a layer of higher<br />

quality shavings mixed with wax and other<br />

materials. Agarwood is steamed in order to<br />

darken the colour to a more desirable hue<br />

that indicates a higher quality product.<br />

One of the most common fake agarwood<br />

products is known as Black Magic Wood,<br />

which consists of low-quality agarwood<br />

– or sometimes another wood altogether<br />

– impregnated with a mix of liquid<br />

agarwood oil and alcohol.<br />

Since one of the prime indicators of<br />

high-quality agarwood is whether it sinks<br />

in water, substances such as wax, glue, iron<br />

shavings, and even carbon powder from<br />

used batteries are added to low-quality<br />

134 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 135<br />

Plantation workers in Thailand grading and fashioning wood chips for distillation.


agarwood to make it heavier. Agarwood<br />

can also be steamed or wrapped in plastic<br />

to draw the latent oil to the surface, and<br />

then weighted with a heavy object inserted<br />

into it to make it sink.<br />

There are several common cheating<br />

techniques for <strong>Oud</strong> oil as well. <strong>Oud</strong><br />

oil from popular regions is mixed with<br />

<strong>Oud</strong> of less desirable provenance and<br />

sold under the ‘brand name’ of the more<br />

appealing oil. High-quality <strong>Oud</strong> oil is also<br />

mixed with low quality and sold as top<br />

tier. Low-grade <strong>Oud</strong> oil is spiked with<br />

other essential oils such as vetiver or fennel<br />

oil, or stretched out with such substances<br />

as almond oil, glycerin, or even kerosene.<br />

Non-<strong>Oud</strong> oils are infused with agarwood<br />

powder to give them the aroma of <strong>Oud</strong>,<br />

and powder is added to low-grade <strong>Oud</strong><br />

oil to make it more viscous, lending it the<br />

appearance of higher quality. Black Magic<br />

Oil is also distilled from mostly uninfected<br />

agarwood and then used to extend real<br />

<strong>Oud</strong>, or as a base to make fake <strong>Oud</strong>.<br />

The Black Market<br />

Fooling unwary buyers into purchasing<br />

fake <strong>Oud</strong> is bad enough. But far worse<br />

than forgery is true agarwood that has been<br />

illegally harvested and illegally sold. Since<br />

even before Aquilaria became a protected<br />

species, the black market for <strong>Oud</strong> has<br />

always been a massive and hazardous part<br />

of the agarwood trade. Even today, blackmarket<br />

trade in agarwood exceeds legal<br />

trade. Enough illegal trade in Agarwood<br />

exists that the site, illegalagarwood.com,<br />

has sprung up to track instances of seized<br />

High-grade, high-quality agarwood chips.<br />

136 The Book of <strong>Oud</strong>


illegal agarwood and raids on poaching<br />

rings. As of 2013, an estimated 80 per cent<br />

of the agarwood market is illegal. 69<br />

But it isn’t just that these traders are<br />

breaking the law. This criminal activity is<br />

in fact directly responsible for the rapid<br />

disappearance of the Aquilaria tree. The<br />

indigenous methods of harvesting wild<br />

agarwood, which have been used since the<br />

dawn of human civilisation, are carefully<br />

designed to keep the tree from which the<br />

agarwood is extracted alive for as long as<br />

possible. Only bits of the tree are chipped<br />

away at a time, leaving it intact for the<br />

next harvest. Eventually the tree dies, but<br />

not before the maximum possible amount<br />

of <strong>Oud</strong> has been extracted from it.<br />

Poachers do not use these methods.<br />

Instead, they come in, axes blazing, and<br />

take down the entire tree. But this isn’t<br />

the worst of it. Poachers are not patient<br />

people; they don’t have the training or<br />

skill to determine which trees are actually<br />

infected – that is, which ones contain<br />

the <strong>Oud</strong> resin. So, instead of seeking out<br />

and targeting the roughly seven out of<br />

every hundred trees that contain <strong>Oud</strong>,<br />

the poachers simply cut down everything<br />

in their path, leaving a trail of horrific<br />

devastation in their wake. In other words,<br />

ninety-three of every hundred trees felled<br />

by poachers are killed for no reason and<br />

discarded – collateral damage in the illegal<br />

<strong>Oud</strong> trade.<br />

Poachers are both brazen and stealthy<br />

in their destructive hunt for agarwood.<br />

They will pose as hikers, trekking into<br />

the depths of protected forest preserves,<br />

Severe deforestation in Vietnam as a consequence of illegal logging.<br />

138 The Book of <strong>Oud</strong> Danger, Desire, and Destruction 139


Sultan Pasha<br />

140 The Book of <strong>Oud</strong><br />

Danger, Desire, and Destruction 141


Who is Sultan Pasha?<br />

Without the benefit of any formal training in perfumery, Sultan Pasha has created some of the most<br />

admired scents in the world.<br />

“I have never attended perfumery school, but from a very young age, I have been a fan of mixing oils<br />

and perfumes.<br />

One of my earliest memories is from when I was three years old, and I was standing in front of my<br />

grandfather’s cabinet. Inside the cabinet there were all these oils that he had brought back from<br />

Mecca. I remember opening the bottles and I was just fascinated by the contents. Even to this day, I<br />

can recall the bittersweet smell of the <strong>Oud</strong> that he loved to wear; although at the time I did not know<br />

the significance of it all.”<br />

“Indian Hindi <strong>Oud</strong> is peppery and aromatic, with a core that’s reminiscent of musky sweet tobacco<br />

with plum. The <strong>Oud</strong> found in Thailand is fruity, with an almost bubble gum aspect. <strong>Oud</strong> from<br />

Malaysia is a bit sweeter and muskier. There are beautiful <strong>Oud</strong>s from all over Indonesia that are so<br />

green, it is as though you are smelling an emerald.<br />

Each <strong>Oud</strong> is significantly unique, not only to the species but they are incredibly subjective to<br />

variations of other external and internal factors. As a perfumer, I view <strong>Oud</strong> as a jewel, and just like<br />

in a crown that is adorned by diamonds, rubies, emeralds and sapphires, for example, <strong>Oud</strong> is a<br />

wonderful gem in a fragrance.<br />

To me, the <strong>Oud</strong>s from different regions have their own unique olfactive colours and textures like<br />

these jewels, and as a perfumer I take into consideration each of their unique facets and hidden<br />

inclusions.”<br />

“Each <strong>Oud</strong> is significantly unique,<br />

not only to the species but they are<br />

incredibly subjective to variations<br />

of other external and internal<br />

factors. As a perfumer, I view <strong>Oud</strong><br />

as a jewel, and just like in a crown<br />

that is adorned by diamonds,<br />

rubies, emeralds and sapphires, for<br />

example, <strong>Oud</strong> is a wonderful gem<br />

in a fragrance.”<br />

142 The Book of <strong>Oud</strong> Danger, Desire, and Destruction 143


slashing trees indiscriminately to try to<br />

instigate infection, then returning months<br />

later in the middle of the night to chop<br />

them down, regardless of whether an<br />

infection has formed.<br />

The poachers are well organised,<br />

working in squadrons to fell trees quickly,<br />

and sometimes camping out in the forest<br />

for weeks in order to collect whatever<br />

<strong>Oud</strong> they might find in their decimated<br />

trees. They leave trails for their cohorts;<br />

subtle signs at the edges of the woods –<br />

perhaps an arrow chalked on a stone the<br />

size of your palm – and then more blatant<br />

markers in the heart of the forest, such<br />

as hanging toilet paper or even coloured<br />

ribbons in the trees that blaze a trail to the<br />

poaching site. 70<br />

Poaching is rampant throughout the<br />

regions in which wild agarwood still<br />

grows. In Malaysia, there have been<br />

almost 800 recorded forestry offences<br />

over the past five years, with authorities<br />

holding approximately 500 people on<br />

various offences and charging almost<br />

200 of them. 71 Along the 640-kilometre<br />

border between Peninsular Malaysia<br />

and Thailand, an anti-smuggling unit<br />

apprehended at least twelve agarwood<br />

poachers and seized more than four tonnes<br />

of agarwood between 2011 and 2015. 72<br />

Between 2005 and 2014, thirteen metric<br />

tonnes of illegal agarwood were seized<br />

in Indonesia, mostly bound for Saudi<br />

Arabia. 73<br />

From 2012 to 2015, an estimated 1,000<br />

Aquilaria trees were cut down in Hong<br />

Kong – almost 500 of those just in the first<br />

half of 2015. 74 The reported cases of illegal<br />

Soldiers in Thailand patrolling areas known to be popular with illegal loggers and their syndicates.<br />

Hong Kong is working hard to reintroduce the Aquilaria species to its natural habitat.<br />

Hong Kong, or ‘Fragrant Harbour’, derived its name from the trade in agarwood.<br />

144 The Book of <strong>Oud</strong> Danger, Desire, and Destruction 145


felling of Aquilaria trees jumped from 72 in<br />

2009 to 134 in 2014. 75 In 2013 alone, the<br />

Hong Kong government recorded 96 cases<br />

of theft, reported the damage of 168 trees,<br />

and seized 133 kilograms of agarwood –<br />

but that is just what was reported. The real<br />

number of trees felled was probably five<br />

times that. 76 Poachers are cutting down<br />

up to twenty trees per night, leaving most<br />

of them – the uninfected ones – dead and<br />

rotting on the forest floor. The destruction<br />

is wholesale and indiscriminate; even<br />

trees that are too young to have produced<br />

agarwood fall beneath their axes. Today<br />

it is nearly impossible to find a tree even<br />

thirty years old in Hong Kong. 77<br />

Authorities are fighting an uphill battle<br />

to stop poaching – and a dangerous<br />

one. According to Datuk Sam Mannan,<br />

Director of the Sabah Forestry Department<br />

in Malaysia, poachers are becoming bolder<br />

and more aggressive, even attacking<br />

officers. 78<br />

In January of 2016, five Chinese<br />

mainlanders were arrested in Hong<br />

Kong for stealing forty logs of agarwood,<br />

estimated to be worth HK$1.5 million.<br />

Caught in the act of using saws to cut up<br />

agarwood in the forest, the poachers tried<br />

to flee, but the police chased them down.<br />

With this arrest, police believed they<br />

had finally cracked a gang of agarwood<br />

poachers, and they eventually apprehended<br />

the man they believed was the core figure<br />

of the syndicate behind the gang. 79<br />

In August of 2016, the Elite Special Force<br />

of the Forestry Department in Malaysia<br />

encountered an aggressive gang of six<br />

poachers camped out inside the forestry<br />

146 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 147<br />

Illegal logging has depleted natural agarwood resources to the point at which every<br />

species of the Aquilaria tree has been placed on the CITES list of endangered species.


Military personnel involved in measuring and tagging wild agarwood trees.<br />

reserve with both their contraband and a<br />

cache of weapons, including shotguns and<br />

axes. Officers were unable to confront the<br />

dangerous bandits without backup, and<br />

by the time support arrived, the poachers<br />

had vanished. But it wouldn’t be long<br />

before they returned to their destructive<br />

plundering. The Special Force, aided by a<br />

K-9 Dog Unit trained to detect agarwood,<br />

managed to apprehend one of the gang,<br />

discovering that they worked for someone<br />

they just called ‘Moskin’.<br />

The aggressiveness of this gang was<br />

typical of the new boldness among<br />

agarwood poachers. They come armed,<br />

and are no longer afraid of confronting<br />

officials. In one incident, an officer in<br />

Malaysia was attacked by a poacher<br />

wielding a machete. In another, twenty<br />

men armed with knives, samurai swords,<br />

and other weapons broke into a Malaysian<br />

Forestry Department complex, damaging<br />

property and seriously injuring an officer.<br />

After that, officers were approved to carry<br />

firearms. 80<br />

As the supply of Aquilaria trees dwindles,<br />

poachers are moving on from simply<br />

infiltrating protected forest reserves; now<br />

they are breaking into public and private<br />

property in towns and villages as well. In<br />

2015, poachers trying to make off with a<br />

tree in Hong Kong ended up knocking<br />

it over into a house. They fled – but not<br />

before cutting off some of the branches<br />

and absconding with them. Villagers were<br />

distraught, and not just at the wanton<br />

destruction: this tree (worth an estimated<br />

HK$800,000) had been one of four<br />

Aquilaria trees planted in the village by<br />

148 The Book of <strong>Oud</strong> Danger, Desire, and Destruction 149<br />

Mr Chan Koon Wing inspecting one of the few wild agarwood trees still remaining in Hong Kong.


the inhabitants’ ancestors a hundred years<br />

ago. They had discussed fencing off the<br />

tree to protect it but failed to act quickly<br />

enough. 81<br />

Poachers have begun ransacking the<br />

gardens of people in Hong Kong, laying<br />

waste to people’s backyards in their quest<br />

for <strong>Oud</strong>. One Londoner who has lived in<br />

Hong Kong for twenty years woke up at<br />

2:30 am to find a team of six men cutting<br />

down the Aquilaria tree that grew in her<br />

yard. She called the police and then sat<br />

back to watch them through the window;<br />

she could see the leader standing outside,<br />

brazenly shining a light right at her as she<br />

looked on. By the time the police arrived<br />

the robbers had fled. This, police said, was<br />

far from the first incident of its kind. 82<br />

Robbers are also breaking into local<br />

shops that sell agarwood. In 2014, a gang<br />

of burglars smashed a hole through the<br />

wall of a shop in Hong Kong and made<br />

off with $3 million worth of agarwood<br />

products. 83 Thieves are even breaking<br />

into private homes and making off<br />

with precious goods. A hundred-yearold<br />

decorative piece of agarwood worth<br />

$542,000 was stolen from a home in<br />

Hong Kong in 2014. 84<br />

The poachers aren’t acting alone.<br />

Complex and well-organised syndicates<br />

rivalling anything seen in gangster movies<br />

have been formed to coordinate the whole<br />

process, from planning to transportation<br />

to equipment to smuggling and selling<br />

the contraband wood in high-demand<br />

markets. In Hong Kong, these syndicates<br />

often operate out of Mainland China;<br />

in Malaysia, the gangs tend to hail from<br />

Infected agarwood logs, Thailand. Note the<br />

difference in colour between the infected<br />

150 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 151<br />

heartwood and other parts of the tree.


Thailand, Vietnam, Myanmar, and other<br />

countries. 85 However, despite the foreign<br />

provenance of the syndicates, their ability<br />

to navigate the areas in which they work<br />

indicates that they have help from locals<br />

looking to make a quick buck.<br />

Once the agarwood is removed from<br />

the trees, the syndicates must get it out of<br />

the country from which it was poached<br />

and into the markets where they can sell<br />

it. Smugglers are sometimes apprehended<br />

at the airports, or on roads near border<br />

crossings, attempting to sneak their illegal<br />

wares out of the country.<br />

But not all illegal agarwood is being<br />

smuggled out of the countries in which it<br />

is harvested. There is in many countries a<br />

robust trade in illegal domestic agarwood<br />

– such as in the Klang Valley in Malaysia,<br />

where <strong>Oud</strong> and agarwood products are a<br />

hot commodity with tourists, regardless of<br />

whether they have been ethically obtained.<br />

Selling mostly to Middle Eastern tourists,<br />

the shops that deal in contraband<br />

agarwood are often run by foreigners who<br />

have legitimate business licences, but no<br />

trading permits or harvesting licences for<br />

agarwood.<br />

While international trade in agarwood<br />

is closely monitored, this domestic trade<br />

tends to fly under the radar. Moreover,<br />

local governments tend to be lenient<br />

with this localised illegal trade because it<br />

can actually help economic growth in the<br />

region. 86 Sometimes the very authorities<br />

charged with stopping this criminal<br />

activity are themselves overcome by<br />

greed. In Mumbai, an airport worker was<br />

caught helping three smugglers sneak 135<br />

kilograms out of the country to be sold in<br />

Agarwood chips for sale in Dubai.<br />

Agarwood chip burners are on display in gift shops throughout the Middle East – a<br />

sign of how important <strong>Oud</strong> is to the culture and fabric of society in the region.<br />

152 The Book of <strong>Oud</strong> Danger, Desire, and Destruction 153


Various grades of agarwood are available at markets across the Middle East, but buyers are encouraged to beware – some are real, while<br />

others are fakes and pale imitations of the genuine article.<br />

Bangkok. 87 In Vietnam, a district police chief was sentenced to<br />

nine years in prison for selling tens of thousands of dollars’ worth<br />

of agarwood that the department had seized from poachers. He<br />

wasn’t alone, either – his accomplices included a district traffic<br />

police chief, a district environmental police chief, another senior<br />

officer, and a local resident. 88<br />

In one of the most high-profile cases so far, agarwood has<br />

taken a central role in the trial of Ho Chio Meng, former<br />

Public Prosecutor General in China. Among many counts of<br />

corruption, fraud, money laundering, and other offences, Ho<br />

was also charged with possession of several pieces of agarwood –<br />

and not just any pieces. The agarwood Ho used to decorate his<br />

home and office came from a seizure of over 1,800 kilograms<br />

of agarwood by the Macau Customs Service. This contraband<br />

had been entrusted to Ho’s care – but his desire for the valuable<br />

wood drove him to take it for his own personal use. 89<br />

When poachers and smugglers are caught, their sentences<br />

are harsh. In Hong Kong, poachers caught cutting down<br />

Aquilaria trees can face fines of up to $100,000 and ten years<br />

in jail, and if they have broken into private property to do so,<br />

the sentence can be up to fourteen years. 90 Shipping agarwood<br />

without a proper CITES permit can result in a fine of $500,000<br />

plus a year of jail time. 91 In Malaysia, an Indonesian national<br />

who stole agarwood from a forest preserve was sentenced to<br />

five years in jail for illegally felling an Aquilaria tree, taking<br />

wood from a forest reserve, and possessing agarwood without<br />

valid documentation. 92<br />

Unfortunately, however, many cases are not prosecuted, and it<br />

can be easy for smugglers to sneak through customs if the amounts<br />

they are carrying are below the maximum export weight. The US<br />

Fish and Wildlife Forensics Lab has developed a high-tech device<br />

to identify contraband wood, but it is not yet a widely used tool.<br />

Despite the threat of fines and jail time, the poaching and<br />

illegal trading continues unabated. The black market <strong>Oud</strong> trade<br />

is so lucrative that for poachers, smugglers, and syndicates, the<br />

reward outweighs the risk. And so the Aquilaria population, the<br />

world’s supply of <strong>Oud</strong>, continues to be decimated. What can be<br />

done? How can we save this ancient, essential substance?<br />

154 The Book of <strong>Oud</strong> Danger, Desire, and Destruction 155<br />

Former US Secretary of State, John Kerry, visiting an incense and agarwood store at a<br />

market in Islamabad, Pakistan.


François Merle-Baudoin<br />

156 The Book of <strong>Oud</strong> Danger, Desire, and Destruction 157


Who is François Merle-Baudoin?<br />

Perfumer born in Grasse, France and renowned for his over 25 years as a professional<br />

Nose of the highest grade.<br />

“The most difficult aspect of working with <strong>Oud</strong> oil is undoubtedly the strength and power of the<br />

ingredient. You really have to be so careful in how you use it – not simply in terms of finding the<br />

right proportions, but also in making sure that it brings the best out of all the other ingredients and<br />

doesn’t completely overpower the entire creation. It’s a challenge, but it’s one that all<br />

Master Perfumers relish.”<br />

“The most difficult aspect of working<br />

with <strong>Oud</strong> oil is undoubtedly the<br />

strength and power of the ingredient.<br />

You really have to be so careful in<br />

how you use it – not simply in terms<br />

of finding the right proportions, but<br />

also in making sure that it brings the<br />

best out of all the other ingredients<br />

and doesn’t completely overpower the<br />

entire creation. It’s a challenge, but it’s<br />

one that all Master Perfumers relish.”<br />

158 The Book of <strong>Oud</strong> Danger, Desire, and Destruction 159


CHAPTER 6<br />

Saving the World,<br />

One Tree at a Time<br />

160 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 161


Thankfully, numerous organisations<br />

and individuals are deeply concerned<br />

about the disappearance of the Aquilaria<br />

tree and its precious resin. Around the<br />

world, the best scientific minds are<br />

working on a plan to rescue this singular<br />

species from extinction and bring the<br />

world a sustainable supply of <strong>Oud</strong> – and<br />

in the process, aid local communities<br />

and save the environment as well.<br />

The key is sustainable planting.<br />

Agarwood plantations are not especially<br />

new; throughout the countries that grow<br />

the Aquilaria tree, farmers have been<br />

purposefully cultivating agarwood for<br />

many years. But an Aquilaria tree does not<br />

necessarily bring forth <strong>Oud</strong>, and therein<br />

lies the challenge: how to not only grow<br />

Aquilaria trees, but get them to produce<br />

that rare substance in a reliable, repeatable,<br />

and sustainable way?<br />

Care and nurturing. The growth of a young agarwood tree being monitored on one of Asia Plantation Capital’s sustainable plantations.<br />

162 The Book of <strong>Oud</strong> Saving the World, One Tree at a Time 163


Given the value of this commodity,<br />

many have tried over the centuries to<br />

crack the mystery of how to produce <strong>Oud</strong><br />

artificially – but few have succeeded. There<br />

are crude methods that date back hundreds<br />

of years, such as hammering nails into the<br />

trees and depositing resin into the injured<br />

area, waiting two to four years, and then<br />

removing the nails. But this technique is<br />

not always successful, and can damage<br />

or even kill the trees without actually<br />

producing any <strong>Oud</strong>. Moreover, when it<br />

does work, the <strong>Oud</strong> produced tends to<br />

be of very low quality. Other primitive<br />

methods – such as injuring the tree with<br />

blades, screws, or chisels, or removing the<br />

bark with hatchets – yield similar results.<br />

Modern scientists have been<br />

investigating agarwood inoculation since<br />

the 1980s, but only in the past ten to<br />

fifteen years has any progress been made on<br />

developing more sophisticated methods<br />

for inducing the infection that produces<br />

<strong>Oud</strong>. These generally involve drilling a<br />

hole in the tree, putting a small piece of<br />

pipe into the hole, and then injecting the<br />

tree with an inoculant – either chemical<br />

or fungal – which stimulates a defence<br />

mechanism in the tree that sparks the<br />

alchemy that eventually produces <strong>Oud</strong>.<br />

These methods have proven to be much<br />

more effective, but often the resulting<br />

<strong>Oud</strong> simply does not compare to the <strong>Oud</strong><br />

found in wild trees, made by the whims<br />

of Mother Nature. Renowned scientists<br />

have spent millions of dollars and toiled<br />

for thousands of hours trying to discover<br />

how to manufacture this elusive substance.<br />

164 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 165<br />

An agarwood nursery with saplings almost ready for planting.


The question, then, is how to create a<br />

sustainable source of <strong>Oud</strong> that reliably<br />

matches the quality of <strong>Oud</strong> found in<br />

the wild – and a company called Asia<br />

Plantation Capital [APC] appears to have<br />

solved this problem. Originally based in<br />

Singapore and now headed by an office<br />

in Geneva, APC has been cultivating<br />

agarwood since 2009, and has become the<br />

leading repository of scientific knowledge<br />

and techniques for producing <strong>Oud</strong> from<br />

the ground up. With plantations and<br />

production facilities in China, Thailand,<br />

Malaysia, India, and Dubai, APC works<br />

with an in-house scientific advisory board<br />

to develop the most sophisticated methods<br />

for making high-quality <strong>Oud</strong>.<br />

Human greed has almost destroyed<br />

<strong>Oud</strong>, but human ingenuity is bringing<br />

it back. APC has put over a decade of<br />

innovative research and development<br />

into <strong>Oud</strong> production, and it has been<br />

astoundingly successful. The organisation<br />

believes in sustainability at every link in<br />

the chain. At APC’s plantations, tissue<br />

cultures are grown from samples of<br />

wild Aquilaria trees, and then planted<br />

and nurtured in a nursery. After twelve<br />

months, the young plants are transferred<br />

to an outdoor environment. At five years<br />

of age, the trees are injected with APC’s<br />

highly secret inoculation compound.<br />

APC’s revolutionary method, which is<br />

constantly being improved and refined by<br />

their team of scientists, produces a deep<br />

infection throughout the entire tree over<br />

an extended period of time. Ordinarily,<br />

the resinous infection will only fill up 15<br />

to 30 per cent of an inoculated tree; but<br />

with APC’s formula, every branch and<br />

A member of the Asia Plantation Capital staff delivering the care and attention required<br />

to enable agarwood saplings to achieve their full potential.<br />

166 The Book of <strong>Oud</strong><br />

A state-of-the-art distillery in Johor, Malaysia.<br />

Saving the World, One Tree at a Time 167


oot develops the infection, dramatically<br />

increasing the amount of <strong>Oud</strong> and<br />

agarwood that can be harvested from<br />

each tree.<br />

In nature, it takes infected trees twenty<br />

years or more to produce <strong>Oud</strong>, but with<br />

this inoculation technique, <strong>Oud</strong> is formed<br />

in as little as seven years. Moreover, the<br />

method is 100 per cent successful – every<br />

tree inoculated produces <strong>Oud</strong>, and when<br />

the <strong>Oud</strong> is harvested, APC endeavours to<br />

use every part of the tree for its portfolio<br />

of products, ensuring that the process is<br />

efficient and sustainable, and that nothing<br />

goes to waste.<br />

The company considers it part of<br />

its mission to fight illegal logging,<br />

deforestation, and poverty in the rainforest<br />

regions. Could the sustainable cultivation<br />

of <strong>Oud</strong> really do all that? Could agarwood<br />

plantations save the Aquilaria tree in<br />

the wild and ameliorate poverty in the<br />

communities in which these plantations<br />

are being established?<br />

Obviously, the most obvious impact<br />

of this cultivation is on the global<br />

population of Aquilaria trees. Thanks to<br />

APC’s efforts, and seed stock imported<br />

from Vietnam and APC’s plantations in<br />

Thailand, Aquilaria trees are rebounding<br />

in Sri Lanka, with over a million saplings<br />

planted as of July 2017. And in Hong<br />

Kong, the ‘fragrant harbour’ is actually<br />

becoming fragrant once again, thanks to<br />

Mr Chan Koon Wing, a third-generation<br />

agarwood farmer who owns the last<br />

remaining agarwood plantation in Hong<br />

Kong. With APC’s assistance, Mr Chan’s<br />

plantation is flourishing, and he is now<br />

Young agarwood trees being cosseted and nurtured.<br />

An agarwood sapling getting used to ‘life in the wild’.<br />

168 The Book of <strong>Oud</strong> Saving the World, One Tree at a Time 169


producing his own <strong>Oud</strong> oil – the first <strong>Oud</strong><br />

produced in Hong Kong in a century.<br />

But the purpose of agarwood plantations<br />

is not just to increase the number of<br />

Aquilaria trees in the world, nor to replace<br />

wild agarwood with plantation agarwood.<br />

The wild Aquilaria tree is, in fact, essential<br />

to the survival of agarwood plantations,<br />

which need the strength of wild genes.<br />

Without the unique genetic material<br />

from wild trees, the genetic stock of the<br />

plantations would diminish, as would the<br />

quality of the <strong>Oud</strong> they produce.<br />

Naturally, the relationship is mutually<br />

beneficial. Just as wild Aquilaria is essential<br />

to the plantations, so are agarwood<br />

plantations essential to the survival of<br />

wild Aquilaria trees. After all, when trees<br />

on a sustainable plantation are producing<br />

<strong>Oud</strong> comparable to that which is found<br />

in the wild, there is no need to harvest<br />

the substance by destroying the few wild<br />

Aquilaria forests that still exist.<br />

The role of agarwood plantations in<br />

ensuring the survival of Aquilaria as a<br />

genus is undeniable, but the impact of<br />

this industry is far more wide-ranging.<br />

First of all, there are the pure economics:<br />

the agarwood trade is extremely lucrative,<br />

but most of that money circulates through<br />

the black market rather than through<br />

legitimate channels. If the power of the<br />

<strong>Oud</strong> market could be harnessed through<br />

the sustainable cultivation of agarwood,<br />

the income that could be generated for<br />

<strong>Oud</strong>-producing countries would be<br />

astounding. Realising this, these countries<br />

are now pushing to ease restrictions on the<br />

trade of sustainably cultivated agarwood.<br />

170 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 171<br />

Young agarwood trees, Hong Kong.


But these economic impacts aren’t just<br />

on the macro level. The plantations have<br />

an actual real-life impact on the daily<br />

lives of the citizens of these countries.<br />

Agarwood cultivation is now an industry<br />

that the community can become involved<br />

in. Agarwood plantations have the<br />

potential to significantly boost rural<br />

economies, providing employment and<br />

income, and raising the local standard of<br />

living. Some agarwood plantations train<br />

local workers at all levels, from labourers to<br />

executives, providing opportunities these<br />

communities would otherwise never have<br />

– and paying well above the average local<br />

wage. Across the regions where plantations<br />

are being founded, thousands upon<br />

thousands now make their livelihoods<br />

from agarwood cultivation.<br />

APC, in particular, goes above and<br />

beyond simply providing employment,<br />

working to improve the communities<br />

surrounding their plantations by providing<br />

workers and their families with free land on<br />

which to grow their own food. They repair<br />

roads, build medical facilities, and provide<br />

clothing for the elderly and computers for<br />

the young. The company works to improve<br />

education for the children of the families<br />

living on and around the plantations. In<br />

that vein, APC is even making an effort<br />

to educate local communities about the<br />

wider ecological dangers we face, running<br />

a ‘Green School’ programme in Malaysia<br />

to educate students about global warming<br />

and sustainable living.<br />

Dr Kodi Kandasamy, a Senior Vice<br />

President at the Malaysian Bioeconomy<br />

Corporation, says, “In the past, these<br />

172 The Book of <strong>Oud</strong><br />

Agarwood chips being processed.<br />

Saving the World, One Tree at a Time 173


communities were reliant on harvesting<br />

from the wild. Now they can have plants<br />

in their backyard, and the smallholders<br />

can then get into this business. It helps the<br />

rural economy.”<br />

Moreover, it is an industry that can<br />

last for generations. “We see the old folks<br />

planting it for the next generation as an<br />

insurance policy,” Dr Kandasamy says,<br />

“because the longer you keep the trees on<br />

the ground, the higher their value.”<br />

The sad truth is that illegal logging<br />

is the only source of income in many<br />

rainforest regions. But the plantations<br />

offer an alternative livelihood that is much<br />

safer and more reliable than poaching.<br />

With that alternative available, poachers<br />

are incentivised to abandon their illegal<br />

activities for fulfilling lives in the legal<br />

agarwood business. A thriving legal<br />

agarwood trade would, in fact, be the most<br />

effective weapon against the agarwood<br />

black market because both commercial<br />

and private buyers increasingly prefer to<br />

avoid illegally logged agarwood.<br />

Agarwood cultivation and inoculation<br />

are both tricky and expensive, however,<br />

and it is therefore difficult for small<br />

growers to simply pick up and do.<br />

They just don’t have the training or the<br />

resources. Thankfully, around the world,<br />

companies such as APC are coming to<br />

understand the wide-ranging benefits of<br />

investing in sustainable <strong>Oud</strong> – as are local<br />

and national governments. This has led<br />

to programmes and initiatives aimed at<br />

making local growers part of the effort to<br />

save agarwood.<br />

Children in Thailand benefitting from Asia Plantation Capital’s CSR initiatives and support for local communities.<br />

174 The Book of <strong>Oud</strong> Saving the World, One Tree at a Time 175


Cultivated agarwood plantation, under the protection of Vanadurgi Agarwood.<br />

The agarwood industry is being<br />

supported by governments in India,<br />

Indonesia, Thailand, and Vietnam.<br />

In Borneo, the Forest Department<br />

of the Malaysian state of Sarawak<br />

is initiating programmes to provide<br />

alternative livelihoods through agarwood<br />

cultivation. 93 In the past couple of years,<br />

the Singapore Ministry of Defence has<br />

worked with a plantation company to<br />

plant six million Aquilaria trees and to<br />

teach current and retired soldiers how<br />

to farm agarwood – a project expected<br />

to improve the livelihoods of military<br />

families. 94 The Forest Research Institute<br />

Malaysia [FRIM] has recently begun<br />

teaching courses on agarwood cultivation,<br />

management, and inoculation, and these<br />

courses benefit hundreds of families. 95<br />

Balung Plantation, a family-run farm<br />

in the state of Sabah in northern Borneo,<br />

produces excellent quality agarwood tea<br />

from the species Aquilaria Malaccensis,<br />

and is similarly at the forefront of<br />

sustainable practice and community<br />

engagement. A cocoa plantation until<br />

1992 when it was taken over by former<br />

Chief Minister of the State Datuk Harris<br />

Salleh, Balung Plantation is 25% energy<br />

self-sufficient, with a hydro dam powering<br />

the processing centres and a system of<br />

methane collection from cattle waste to<br />

supplement its other energy sources. A<br />

co-op with local families in Sabah has the<br />

potential to not only protect independent<br />

farmers from fluctuations in supply and<br />

demand, but also to nearly double their<br />

monthly income by $200 (from $311). 96<br />

176 The Book of <strong>Oud</strong><br />

Vanadurgi Agarwood, India’s largest collective of agarwood growers, attending the inoculation procedure on one of their plantations.<br />

Agarwood chips from one of Vanadurgi Agarwood’s more than 5,000 plantations across South India.<br />

Saving the World, One Tree at a Time 177


As part of their commitment to ecotourism,<br />

the Balung Plantation also houses<br />

the Balung River Eco Resort, billed as a<br />

nature retreat which entices visitors with<br />

its lush natural beauty, ‘jungle treks’,<br />

and fishing spots. According to a 2015<br />

article in The Borneo Post, “Those who<br />

have been to the resort will develop an<br />

affinity to it. Those new to the place are<br />

sure to fall in love with the beauty of its<br />

natural surroundings.” 97 By drawing<br />

visitors to the area to appreciate their lush<br />

surroundings, eco-resorts such as this one<br />

promote sustainable tourism practices<br />

which support the local economy and<br />

preserve the integrity of the local wildlife.<br />

APC itself has made its proprietary<br />

systems available to smaller growers and<br />

plantations – for example, Mr Chan in<br />

Hong Kong. It works with such groups as<br />

Vanadurgi Agarwood India, which is India’s<br />

largest public-sector agarwood plantation<br />

group. Vanadurgi is a community project<br />

comprising over 5,000 grower plantations<br />

across southern India, and it accounts<br />

for almost all of the Aquilaria trees now<br />

growing in that region.<br />

To help these smaller operations, APC<br />

offers an ‘outgrower’ programme to local<br />

growers, which enables local plantations<br />

that lack the necessary skills and expertise<br />

to set up and manage their own Aquilaria<br />

plantations. APC guides these growers<br />

through cultivation and inoculation, and<br />

all the way through the processing of<br />

agarwood to generate income, boosting<br />

the local economy.<br />

The distinctive ‘façade’<br />

178<br />

of the<br />

The<br />

Aquilaria<br />

Book of<br />

tree.<br />

<strong>Oud</strong><br />

Saving the World, One Tree at a Time 179


Many smaller growers know how to<br />

grow the trees but don’t have the money<br />

or systems in place to properly inoculate<br />

them, much less navigate the bureaucracy<br />

they need to contend with in order to get<br />

CITES certification and sell their product.<br />

This is where an organisation such as APC<br />

comes in. As Dr Kandasamy explains,<br />

“A lot of the farmers were stranded,<br />

wondering, ‘What do I do with these<br />

trees, now that they are four or five years<br />

old on the ground?” Asia Plantation came<br />

to their rescue, providing their inoculation<br />

service and doing a joint venture and buyback<br />

service model for which they are<br />

beginning to see returns … or at least the<br />

light at the end of the tunnel, the possible<br />

return for the investment.<br />

“I think it’s a real community service,”<br />

Dr Kandasamy continues. “Of course, it<br />

is a business for Asia Plantation, but they<br />

are also helping the community to actually<br />

realise their investment.”<br />

The benefits of sustainable agarwood<br />

extend beyond the immediate<br />

communities of the plantations, and even<br />

beyond the ecological cause of saving the<br />

Aquilaria tree. First of all, discouraging<br />

poachers from hunting wild agarwood<br />

could save not just the wild Aquilaria tree<br />

but many animal species as well. While in<br />

the woods, poachers hunt and kill wildlife<br />

too – for the valuable bones, teeth, beaks,<br />

and fur, or to feed themselves while they<br />

camp out, or to protect themselves against<br />

animals they think might do them harm,<br />

such as tigers and elephants.<br />

180 The Book of <strong>Oud</strong> Saving the World, One Tree at a Time 181


Moreover, deforestation is a major<br />

contributor to global warming. The<br />

United Nations Food and Agriculture<br />

Organization has estimated that the world’s<br />

consumption of wood and forestry-related<br />

products will rise by more than 50 per<br />

cent by 2030, and even now the current<br />

supply of timber and forestry products<br />

from sustainable sources is insufficient<br />

to meet demand. 98 More sustainable<br />

plantations can only ease the impact of<br />

this consumption on the environment.<br />

However, despite all the investment<br />

in sustainable agarwood cultivation,<br />

only 35 per cent of global demand for<br />

agarwood is being met. The truth is<br />

that the demand for <strong>Oud</strong> is unlikely<br />

ever to be met completely. <strong>Oud</strong> will<br />

always be a rare and precious substance<br />

that is coveted across the globe, and as<br />

long as that demand exists, the black<br />

market is likely to continue to thrive,<br />

and the grave danger to the Aquilaria<br />

tree will persist … unless we do<br />

something about it.<br />

Humanity has almost destroyed the<br />

Aquilaria tree. It is now up to us to bring<br />

these trees back, to make amends, and to<br />

get the planet back on its feet.<br />

But how would one go about doing<br />

that and meeting the demand for <strong>Oud</strong>?<br />

Is there any way to know for sure if the<br />

<strong>Oud</strong> you are buying – whether it’s an<br />

agarwood product or an <strong>Oud</strong>-based<br />

perfume or pure <strong>Oud</strong> oil – is from a<br />

sustainable source? Is it really possible<br />

to get your hands on <strong>Oud</strong> and save the<br />

environment at the same time?<br />

182 The Book of of <strong>Oud</strong><br />

Saving the World, One Tree at a Time 183


Dani Nasr<br />

184 The Book of <strong>Oud</strong> Saving the World, One Tree at a Time 185


Who is Dani Nasr?<br />

Dani Nasr is a researcher for Asia Plantation Capital (APC). On the market side, he’s the key source<br />

for market trade data, pricing data, and demand/supply data.<br />

Have you seen the prominence of <strong>Oud</strong> grow more in the last three to four years in terms of<br />

desirability across global platforms?<br />

“Throughout Asia and the Middle East there has been a huge increase in interest over the past three<br />

years. It’s very difficult to quantify that interest, but if you go into boutiques in the Middle East, you<br />

will notice as you walk through department stores that all the key American brands suddenly have<br />

<strong>Oud</strong> fragrances. The Middle East is driving this growth. It’s a niche aroma; it’s unique.”<br />

“Throughout Asia and the Middle<br />

East there has been a huge increase<br />

in interest over the past three<br />

years. It’s very difficult to quantify<br />

that interest, but if you go into<br />

boutiques in the Middle East, you<br />

will notice as you walk through<br />

department stores that all the key<br />

American brands suddenly have<br />

<strong>Oud</strong> fragrances. The Middle East<br />

is driving this growth. It’s a niche<br />

aroma; it’s unique.”<br />

186 The Book of <strong>Oud</strong><br />

Saving the World, One Tree at a Time 187


CHAPTER 7<br />

From Soil, to Oil, to You


Yes, there are ways to enjoy <strong>Oud</strong><br />

without further contributing to the<br />

devastating effects of the illegal agarwood<br />

trade. You can, in fact, buy <strong>Oud</strong> while also<br />

supporting the cultivation of sustainable<br />

agarwood. You can bask in the enigmatic,<br />

luxurious scent of <strong>Oud</strong> and save the<br />

environment at the same time.<br />

Just one of the innumerable awards conferred upon Asia Plantation Capital for its groundbreaking work in sustainable forestry and plantation management.<br />

190 The Book of <strong>Oud</strong> From Soil, to Oil, to You 191


The truth is that many companies<br />

are eager to make their products<br />

environmentally friendly, because that is<br />

what consumers want. We are moving out<br />

of the age of bigger is better, of mindless<br />

consumption. We are awakening to the<br />

beauty of our natural world … and also to<br />

the chilling fact that we have damaged it<br />

almost beyond repair. And now companies<br />

are catching on, working to make their<br />

products green, working both to provide<br />

for their customers and to preserve the<br />

very habitability of the planet itself.<br />

Unfortunately, in the world of <strong>Oud</strong>, this<br />

environmental consciousness has led many<br />

companies away from real <strong>Oud</strong> altogether.<br />

I spoke to Dani Nasr, a researcher for Asia<br />

Plantation Capital, who explained that<br />

some companies are reluctant to purchase<br />

genuine <strong>Oud</strong> because of the cost of<br />

ensuring that it is ethically sourced. “A lot<br />

of the major fragrance houses, especially<br />

the mass-market brands, are still using<br />

non-sustainable or chemically created<br />

sources,” Nasr said. “They’re looking to<br />

minimise the cost and increase the profit<br />

margins. But most of the mass market<br />

outside of the Middle East is not familiar<br />

with the difference between natural and<br />

unnatural. They don’t know the real smell<br />

of <strong>Oud</strong>. If they smell the westernised<br />

perfume in the department store, they<br />

say, ‘Mmm, smells good’. But then if they<br />

smell the pure one, they say, ‘Wow, this is<br />

so much stronger and more vibrant, and<br />

it lasts a lot longer’. I think if the market<br />

actually begins to realise how it’s made and<br />

what it is, they will appreciate the real one<br />

a lot more.” 99 Pure <strong>Oud</strong> oil. An example of the ways in which <strong>Oud</strong> has impacted the global fragrance market, creating a plethora of expressions from a huge number of brands.<br />

192 The Book of <strong>Oud</strong> From Soil, to Oil, to You 193


Fortunately, a few brilliant trailblazers<br />

are lighting the way towards a new future<br />

of sustainable, ethically-sourced <strong>Oud</strong>.<br />

These companies are committed to<br />

true, top-quality <strong>Oud</strong> and to ecological<br />

responsibility. Ancient practices are being<br />

rejuvenated with modern technology,<br />

simultaneously ‘greening’ the perfume<br />

industry and generating enough profit<br />

to fill its coffers to bursting point. Each<br />

company’s approach differs – varying<br />

according to the company’s location, the<br />

types of products it sells, and the individual<br />

sensibilities of upper management – but<br />

all are striving towards a single goal: to<br />

produce the high-quality <strong>Oud</strong> that true<br />

aficionados demand while ensuring the<br />

existence of <strong>Oud</strong> for generations to come.<br />

Two companies in particular exemplify<br />

this new ‘ethical <strong>Oud</strong>’ trend: strangelove<br />

nyc and Fragrance Du Bois.<br />

“We don’t wear<br />

[sustainability] on our sleeve.<br />

We don’t announce it;<br />

it’s just part of who we are.” 100<br />

—Elizabeth Gaynes, Co-founder, strangelove nyc<br />

strangelove nyc<br />

Elizabeth Gaynes’ journey into sustainable<br />

agarwood farming started the way most<br />

great adventures begin: with a phone call<br />

between friends. “I was working with a<br />

friend of mine [whose] family is from<br />

Borneo,” Elizabeth told me. “I’d just<br />

moved to New York, and she called me<br />

and said, ‘Look, do you want to work with<br />

my family? We have sustainable agarwood<br />

plantations, and we want to build global<br />

awareness and develop new business and<br />

new products’. And so I just jumped in.”<br />

It turned out that this friend’s father was<br />

an important government minister, and<br />

he had grown tired of watching rubber<br />

tree plantations and the palm oil industry<br />

break down the natural ecosystem in the<br />

pursuit of profit. Elizabeth soon learned<br />

Mutual admiration. The strangelove nyc team at work. From left to right: Elizabeth Gaynes, Helena Christensen, Christophe Laudamiel.<br />

194 The Book of <strong>Oud</strong> From Soil, to Oil, to You 195


Jordan River<br />

196 The Book of <strong>Oud</strong> From Soil, to Oil, to You 197


Who is Jordan River?<br />

Jordan, aka ‘The Fragrant Man’, is a writer for the international perfume blog and review<br />

website, Fragrantica.<br />

The smell of <strong>Oud</strong>. What is the spectrum?<br />

“<strong>Oud</strong> is a journey through scent with all sorts of interesting ‘breezes’ making appearances over time,<br />

like a treasure trove of nature referencing smells from the barnyard to spring blossoms.<br />

“I like to think of ‘barnyard’ as the smell of Mother Nature regenerating.<br />

“There are also other words used to describe this aspect of some <strong>Oud</strong> oils, especially the Hindi oils.<br />

Cambodi <strong>Oud</strong>s (agarwood trees grown in the Cambodia/Thailand area) are less barnyardy, while<br />

the Papuan <strong>Oud</strong> is more floral. In Borneo the scent profile changes to <strong>Oud</strong> with light fruity sweet<br />

notes. A burnt rubber note is found in <strong>Oud</strong> from Irian Jaya. Laotian <strong>Oud</strong> is even more of a shapeshifter,<br />

making this a fantastical perfume ingredient. The medicinal/band-aid/dentist’s chair note is<br />

a fleeting feature of many true <strong>Oud</strong> oils. These are very broad descriptions; a universe of scent swirls<br />

around in each <strong>Oud</strong> oil.”<br />

“<strong>Oud</strong> is a journey through scent with all sorts of interesting<br />

‘breezes’ making appearances over time, like a treasure trove<br />

of nature referencing smells from the barnyard to spring<br />

blossoms.<br />

I like to think of ‘barnyard’ as the smell of Mother Nature<br />

regenerating.<br />

There are also other words used to describe this aspect of<br />

some <strong>Oud</strong> oils, especially the Hindi oils. Cambodi <strong>Oud</strong>s<br />

(agarwood trees grown in the Cambodia/Thailand area)<br />

are less barnyardy, while the Papuan <strong>Oud</strong> is more floral. In<br />

Borneo the scent profile changes to <strong>Oud</strong> with light fruity<br />

sweet notes. A burnt rubber note is found in <strong>Oud</strong> from<br />

Irian Jaya. Laotian <strong>Oud</strong> is even more of a shapeshifter,<br />

making this a fantastical perfume ingredient. The<br />

medicinal/band-aid/dentist’s chair note is a fleeting feature<br />

of many true <strong>Oud</strong> oils. These are very broad descriptions; a<br />

universe of scent swirls around in each <strong>Oud</strong> oil.”<br />

198 The Book of <strong>Oud</strong><br />

From Soil, to Oil, to You 199


that through co-op agreements with<br />

local farmers and the establishment of<br />

sustainable plantations, the community<br />

acquired wealth while protecting its<br />

natural investments.<br />

“It was just fascinating for me to go<br />

there and be on the plantation and see<br />

how all these things grew,” Elizabeth<br />

says. “So we started thinking, this is the<br />

perfect climate in which to grow essential<br />

oils for the fragrance industry. A couple<br />

of the top fragrance houses – Givaudan<br />

and Firmenich – were really interested in<br />

having us [run] a private plantation for<br />

them and supply them with patchouli<br />

and vetiver. And I talked to the chemists<br />

and the perfumers; I went from the lab to<br />

the CEOs’ offices, and then down to the<br />

plantation … and I got right down on the<br />

earth, planting with my hands.”<br />

Elizabeth partnered with international<br />

supermodel and personal friend Helena<br />

Christensen (whose love for <strong>Oud</strong> is well<br />

documented), and together they created<br />

strangelove nyc to market the luxury<br />

of <strong>Oud</strong> to a home-grown American<br />

consumer base. To enter strangelove’s<br />

website you must click a button that reads<br />

‘surrender’, which is emblematic of the<br />

sexy, smoky vibe the company presents –<br />

like <strong>Oud</strong> itself.<br />

In all aspects of Elizabeth’s business,<br />

the watchword is sustainability, a mantra<br />

inspired by the time she has spent with<br />

her hands in the dirt of Borneo: “Right<br />

there at their doorstep, you could see the<br />

devastation that was happening, so that’s<br />

why I say it’s just in the fibre of who we are<br />

as a company.”<br />

The olfactory palette from 200 which The Book Master of of Perfumers <strong>Oud</strong><br />

choose<br />

From Soil, to Oil, to You 201<br />

their ingredients to compose their ‘symphonies of smell’.


Fragrance Du Bois<br />

Perfume industry expert Simon French has<br />

this to say about the Fragrance Du Bois<br />

company, “Luxury covers all four corners<br />

of the room, from its posh, glossy all-black<br />

interior and gold accents to the crystal<br />

chandeliers and lush velvet upholstery.<br />

It looks, feels, and smells incredibly<br />

luxurious.” 101<br />

When writer Candice Chua sat down<br />

at Fragrance Du Bois for the bespoke<br />

fragrance experience that is the brand’s<br />

hallmark, her impression was of a<br />

company adept at the sensual cocooning<br />

of the customer and at creating a scent as<br />

unique as the wearer.<br />

Chua chooses adjectives for the new,<br />

<strong>Oud</strong>-wearing person she would like to be<br />

(‘relaxed’, ‘optimistic’, and ‘sophisticated’),<br />

in response to which an attendant uses a<br />

special iPad app to concoct an intricate<br />

web of scents that might create this<br />

impression. Fragrance Du Bois likens their<br />

consultants to artists, in consideration<br />

of the creative combination of elements<br />

necessary for a bespoke fragrance. Indeed,<br />

artisan might be a more accurate term;<br />

a Fragrance Du Bois consultant is like<br />

a molecular gastronomist who brings<br />

complex, rich foodstuffs to life in wildly<br />

new combinations.<br />

Looking around her, Chua sees rows and<br />

rows of golden <strong>Oud</strong> oil waiting to be added<br />

to the unique recipe for her new, personal<br />

scent. She also sees more to the story: “It<br />

is at this point that I realise I am staring at<br />

a pot of gold – gold that doesn’t harm the<br />

Earth, since Fragrance Du Bois only gets<br />

its <strong>Oud</strong> from sustainable sources.”<br />

“In all my years in this<br />

industry… I have been<br />

hard pressed to find<br />

another organisation<br />

as committed to the<br />

sustainable sourcing<br />

of the highest<br />

quality oils for fine<br />

fragrance production.”<br />

—Simon French, Perfume Industry Expert<br />

202 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 203<br />

A chandelier from Fragrance Du Bois’ boutique in Singapore, reflecting the luxury, glamour and opulence of the brand.


Enter a player we’ve met before: Asia<br />

Plantation Capital. Fragrance Du Bois<br />

gets all of its <strong>Oud</strong> from APC, which<br />

guarantees that the <strong>Oud</strong> sourced for<br />

luxury experiences like Candice Chua’s is<br />

ethically and responsibly obtained.<br />

The partnership between APC and<br />

Fragrance Du Bois is a remarkable<br />

vertically integrated production chain.<br />

Every single link in the chain, from<br />

the seeds in the soil to the scent on the<br />

customer’s skin, is carefully overseen and<br />

accounted for. When you buy Fragrance<br />

Du Bois, you know for a fact that the<br />

<strong>Oud</strong> you are wearing is sustainably<br />

cultivated, and that it comes from an<br />

organisation that is actively working to<br />

better the world.<br />

The Fragrance Du Bois experience<br />

is all about creation: of a new self and<br />

a distinct scent, of partnerships with<br />

rural communities and local economies,<br />

and of farming and distillation practices<br />

that bring ancient traditions into the<br />

modern age. When a luxury-seeker<br />

leaves Fragrance Du Bois’ scent sanctuary<br />

wearing a new self on their skin, they can<br />

leave with the certainty that the <strong>Oud</strong><br />

it contains is certified by CITES and<br />

the International Fragrance Association<br />

(IFRA) as legal and ethically sourced.<br />

How often is a truly personal luxury<br />

experience grounded in a regard for the<br />

future? Whereas poachers and careless<br />

plantation owners ruthlessly and<br />

recklessly destroy the source of their own<br />

income, focusing exclusively on how<br />

much money they can squeeze out of a<br />

given crop, APC and Fragrance Du Bois<br />

understand that to invest in a community<br />

204 The Book of <strong>Oud</strong><br />

From Soil, to Oil, to You 205


is to build a future of riches both monetary and humanitarian.<br />

It’s no longer enough for luxury perfume clients to consume<br />

a brilliant product; sustainability is now the standard of the<br />

industry, and that standard is deeply embedded in Fragrance Du<br />

Bois’ business practices. As the company motto goes: Fragrance<br />

Du Bois is ‘luxury with a conscience. 102<br />

Fragrance Du Bois, strangelove nyc, The House of <strong>Oud</strong>,<br />

and other companies that source their <strong>Oud</strong> from sustainable<br />

plantations are redefining what it means to be a luxury perfume<br />

brand in this global economy. And as this trend becomes<br />

more wide<strong>spread</strong> (that is, as consumer demand forces their<br />

competition to follow suit), the future of <strong>Oud</strong> will grow ever<br />

more secure.<br />

The incredible efforts of these extraordinary companies<br />

have taken us a long way towards a new, more ethical world.<br />

But those efforts cannot end there. It is up to you and me to<br />

continue on this path, to make sure that the wonders of <strong>Oud</strong><br />

are preserved for our children and grandchildren. We must<br />

become the custodians of this rare and revered resin, to ensure<br />

that its mystery, which stretches back to the dawn of time, also<br />

reaches forward into the future.<br />

206 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 207


Jean-Marc Dufat<br />

208 The Book of <strong>Oud</strong> From Soil, to Oil, to You 209


Who is Jean-Marc Dufat?<br />

Jean-Marc Dufat has a background as a pharmaceutical technician, and he now serves as the<br />

CEO of <strong>Oud</strong> Essentials in Europe. Mr Dufat’s interest in ‘Galenic Pharmacy’ – the preparation<br />

of pharmacological products by the infusion of natural substances rather than through chemical<br />

processes – sparked his idea to use <strong>Oud</strong> oil in such products as regenerating serum and eye serum.<br />

The significance of this move is not lost on Mr Dufat, who says, “We will be the first in the world to<br />

introduce <strong>Oud</strong> in skincare products.” While his company is headquartered in Geneva, it plans to<br />

launch in the Asian market first.<br />

What are the medicinal properties of <strong>Oud</strong>?<br />

“<strong>Oud</strong> is the only natural oil in the world to have three core healing properties – all of which have<br />

been proven through scientific studies: <strong>Oud</strong> is antibacterial and anti-inflammatory, and it can slow<br />

the ageing process.”<br />

“<strong>Oud</strong> is the only natural oil<br />

in the world to have three<br />

core healing properties – all<br />

of which have been proven<br />

through scientific studies:<br />

<strong>Oud</strong> is antibacterial and<br />

anti-inflammatory, and it<br />

can slow the ageing process.”<br />

210 The Book of <strong>Oud</strong><br />

From Soil, to Oil, to You 211


CHAPTER 8<br />

The Science of Skin<br />

212 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 213


If there’s anything more time-honoured<br />

than adorning the body with scent,<br />

it’s caring for and anointing the skin.<br />

Cleopatra, whose beauty was renowned<br />

throughout the ancient world, is rumoured<br />

to have taken daily baths in donkey’s milk<br />

to create an effect much like a modern<br />

chemical peel, for which (according to<br />

the story) a stable of 700 donkeys was<br />

necessary.<br />

Cleopatra invented her own personal ‘spa treatments’.<br />

214 The Book of <strong>Oud</strong> The Science of Skin 215


Historically speaking, Cleopatra<br />

certainly wasn’t alone: Elizabethan women<br />

applied raw meat and egg white to their<br />

faces to tighten the skin and minimise<br />

wrinkles. In Latin America, the skin<br />

‘drug’ of choice was avocado. Romans<br />

used lanolin, an oil (technically a wax)<br />

secreted by wool-bearing animals such as<br />

sheep, which was applied to the face daily.<br />

The Romans valued their smooth skin so<br />

highly that they used lanolin despite its<br />

foul odour (modern lanolin products are<br />

scented to disguise the ‘sheep smell’), and<br />

they would often use it in conjunction<br />

with various kinds of animal dung.<br />

The list of things ancient cultures put<br />

on their skin to appear more radiant and<br />

attractive to others would make a modernday<br />

consumer blanche, but it was simply<br />

a case of those people seeing what was<br />

available around them and putting it to<br />

good use. Besides, there’s something to<br />

be said for the fact that Cleopatra knew<br />

exactly where her donkey’s milk was<br />

coming from. 103<br />

As medical science advanced, humanity<br />

became less and less aware of just exactly<br />

what we were putting on our faces and<br />

bodies. The story became murkier as<br />

extracts of proteins and acids developed<br />

in labs replaced avocado and plant oil.<br />

Products became more complex as<br />

scientists searched for the perfect formula,<br />

like Ponce de Leon looking for the<br />

Fountain of Youth. And somewhere along<br />

the way, we abdicated our responsibility<br />

for what we were buying. We stopped<br />

caring how our beauty products got to<br />

our nightstands, and the companies that<br />

Agarwood and lavender. Excellent, fragrant ‘bedfellows’.<br />

The Science of Skin 217


produced them noticed – and also began<br />

to care less. Sneaky chemical additives,<br />

cheaper or more easily procured than<br />

their natural counterparts, made their<br />

way into cosmetic formulas. Plant crops<br />

were decimated by the desire to sell more,<br />

more, more without any consideration<br />

for sustainability. Waste was produced<br />

and discarded indiscriminately, without<br />

a thought for the consequences. The<br />

cosmetics industry began to behave like<br />

a kid with a trust fund that they believed<br />

would never run out.<br />

Today, you and I have seemingly infinite<br />

choices laid out before us when it comes to<br />

what we buy. When I purchase a bottled<br />

drink, I know the nutritional content; it’s<br />

right there on the label. I can hop onto<br />

Google and know who makes that drink,<br />

where in the world their factories are,<br />

whether they’re good for the community<br />

that works in those factories, and if they’re<br />

good for the environment. Of course, I<br />

can also watch a YouTube video of that<br />

drink eating its way through a penny and<br />

think about what it might be doing to my<br />

insides.<br />

The Future of <strong>Oud</strong> Is Skin Care<br />

Throughout history, the story of <strong>Oud</strong><br />

has mostly been about ineffable scents<br />

that bring to everyday lives a sense of the<br />

divine, nurturing our spirits. Successful<br />

luxury fragrance companies have until<br />

now been focused on finding that thread<br />

of the ancient and making it accessible to<br />

a modern audience, drawing a direct line<br />

between us and our ancestors.<br />

<strong>Oud</strong> Essentials has broken new ground, creating <strong>Oud</strong>-based skincare products for the very first time.<br />

Right: The <strong>Oud</strong> Essentials range of skincare products, all featuring 100% pure, sustainably sourced <strong>Oud</strong>.<br />

218 The Book of <strong>Oud</strong>


“This is a story that<br />

has been in the making<br />

for thousands of years,<br />

as well as a fascinating<br />

journey for me<br />

personally. <strong>Oud</strong> came<br />

to my attention a few<br />

years ago, and I have<br />

been drawn to it<br />

ever since.”<br />

—Jean-Marc Dufat, CEO, Europe, <strong>Oud</strong> Essentials<br />

But the story has to evolve.<br />

Enter Jean-Marc Dufat, CEO, Europe,<br />

of the newly launched company <strong>Oud</strong><br />

Essentials. The company’s public launch<br />

was held at a Four Seasons in Geneva,<br />

Switzerland, and attended by journalists,<br />

onlookers, and various movers and shakers<br />

in the Swiss banking world. The seriouslooking<br />

forty-five-year old gazed at the<br />

crowd through his bespectacled eyes, and<br />

spoke with a soft yet commanding voice,<br />

as though what he had to tell them could<br />

save their lives.<br />

“This is a story that has been in the<br />

making for thousands of years, as well as<br />

a fascinating journey for me personally.<br />

<strong>Oud</strong> came to my attention a few years ago,<br />

and I have been drawn to it ever since.”<br />

Jean-Marc is a student of ‘Galenic<br />

Pharmacy’, the preparation of medicines<br />

and pharmacological products through<br />

infusion and the concentration of natural<br />

substances, rather than chemical processes.<br />

It’s a philosophy akin to that of the modern<br />

wellness movement, a core concept of<br />

which is that personal wellness and a<br />

focus on organic, sustainable products is<br />

good not just for the individual, but for<br />

the world. And Jean-Marc’s belief in <strong>Oud</strong><br />

stems exactly from this philosophy. But it’s<br />

not some intangible spiritual connection<br />

that made Jean-Marc fall in love with<br />

<strong>Oud</strong>; he believes in it on the molecular<br />

level.<br />

“After my research into <strong>Oud</strong> oil,<br />

I noticed that it had very interesting<br />

properties,” he says. “It is anti-ageing,<br />

anti-inflammatory, and antibacterial. I<br />

realised very quickly that <strong>Oud</strong> oil could<br />

220 The Book of <strong>Oud</strong> The Science of Skin 221


e integrated into cosmetic products.…<br />

We are going to be the first to introduce<br />

<strong>Oud</strong> oil into cosmetics, and this will be a<br />

revolution unto itself.”<br />

Andrew Gan, a leading cosmetics<br />

researcher working with <strong>Oud</strong> Essentials,<br />

describes <strong>Oud</strong> as “one of the most generous<br />

‘guests’ at the skincare formulations party.”<br />

“It’s a powerful ingredient,” he says<br />

with enthusiasm, “and only a small dosage<br />

of <strong>Oud</strong> is required, but it manages to<br />

enhance the overall absorption of the<br />

nutrients contained in those formulations.<br />

It seems to bring out the best in everything<br />

with which it comes into contact… Work<br />

in our industry sometimes becomes, if<br />

you excuse the pun, a tad formulaic, but<br />

being able to use high quality <strong>Oud</strong> – that<br />

is so multi-faceted as an ingredient – is<br />

challenging, yes, but also exciting. The<br />

fact that it’s such an expensive and highlyvalued<br />

ingredient adds to the pressure of<br />

getting it right, but that’s something that<br />

cosmetic scientists should embrace and<br />

thrive on.”<br />

With this idea in mind, Jean-Marc<br />

began to collaborate with Swiss and<br />

British skincare industry experts, as well<br />

as a number of scientists in Asia, and<br />

together they engaged in a trial-and-error<br />

process to integrate <strong>Oud</strong> oil with known<br />

industry compounds. “Sometimes one<br />

ingredient doesn’t work with <strong>Oud</strong>, [but]<br />

another ingredient works. We have to take<br />

time to revise the formulation … to have<br />

a good combination.” This consortium<br />

of scientists spent two years testing<br />

ingredients before coming up with the<br />

perfect formula.<br />

222 The Book of <strong>Oud</strong> The Science of Skin 223<br />

Cosmetic production in Switzerland.


Pure <strong>Oud</strong> oil, straight from the distillery.<br />

Jean-Marc is remarkably matter of fact<br />

about this process; he is, after all, a scientist.<br />

But his excitement is unmistakable when<br />

he discusses what he sees as the future of<br />

the skincare industry. Yes, <strong>Oud</strong> Essentials<br />

carries a range of products designed to<br />

tighten, brighten, moisturise, prevent<br />

wrinkles, lift eyes, and do all the things<br />

that would have made an Elizabethan<br />

woman abandon her egg whites forever.<br />

But for Jean-Marc, that’s merely the tip of<br />

the iceberg.<br />

Dr Astrid Stuckelberger, at the<br />

University of Geneva Medical School<br />

and the University of Lausanne Medical<br />

School, is a consultant for private clinics<br />

and industries including <strong>Oud</strong> Essentials,<br />

and a renowned expert on anti-ageing.<br />

Dr Stuckelberger had never heard about<br />

<strong>Oud</strong> before she attended the launch of the<br />

Fragrance Du Bois boutique in Geneva,<br />

Switzerland, and became fascinated on the<br />

subject. “Intuitively,” she says, “from what<br />

I see, I am convinced there is something<br />

fantastic about <strong>Oud</strong>.”<br />

Dr Stuckelberger put forward to me the<br />

argument that while we know the brain<br />

has the capacity to regenerate through<br />

the end of its life, we don’t know why.<br />

Her current working hypothesis is that it<br />

must be activated, and that scent can be a<br />

pathway to that regeneration.<br />

“What struck me with <strong>Oud</strong> is that we<br />

are breathing every second. People criticise<br />

pollution and climate change – but no<br />

one is focused on what we are breathing<br />

and smelling… no one talks about Scent<br />

Health.” Dr Stuckelberger’s argument is<br />

that this ancient source of wellbeing, the<br />

scent of <strong>Oud</strong> which has been a part of<br />

spiritual and health practices for centuries,<br />

224 The Book of <strong>Oud</strong> The Science of Skin 225


Sergio Momo<br />

226 The Book of <strong>Oud</strong> The Science of Skin 227


Who is Sergio Momo?<br />

Born in Italy, Sergio Momo started his career in graphics and design, before yielding to the allure of<br />

fine fragrances. Trained in Grasse – the home of haute parfumerie – he established the<br />

House of Xerjoff (taken from the nickname that he was given while working in London, ‘Sir Joff’) in<br />

2005, in his hometown of Turin.<br />

Having grown up in a household containing well-travelled, fragrance-loving family members,<br />

Sergio embraces the concept of a perfume as an emotional journey of discovery with a compelling<br />

story to be told, encompassing the look, the touch and the smell to produce an evocative,<br />

multi-sensory experience.<br />

What does Outd mean to you?<br />

“For us at Xerjoff, <strong>Oud</strong> is never just ‘another ingredient’. There is always a clear distinction between<br />

a ‘perfume’ and an ‘<strong>Oud</strong> perfume’. During the blending of a fragrance, <strong>Oud</strong> deserves the utmost<br />

respect – it’s a legendary ingredient, with a strong, forceful character, and will always be at the<br />

centre of the whole creative project.<br />

“<strong>Oud</strong> oil doesn’t always make compromises with other ingredients.<br />

Most of the time, it’s the other way around.<br />

“<strong>Oud</strong> has a unique olfactive impact, and has no peer with other ingredients. Blending with <strong>Oud</strong> is<br />

like working with history. Rose, amber and musk are often the ‘special guests’ in traditional blends,<br />

but there is more scope today for experimentation, and <strong>Oud</strong> has plenty to say in the conversation – it<br />

always has, and it always will. It’s not a ‘fashion’ issue.”<br />

“<strong>Oud</strong> represents history, culture<br />

and religion, and these are the<br />

foundations that we deal with<br />

on a daily basis. For me, <strong>Oud</strong><br />

represents a connection with<br />

nature and is integral to our<br />

philosophy at Xerjoff in the<br />

creation of a perfume.<br />

When I ‘paint’ a new fragrance,<br />

it is one of the most important<br />

‘colours’ on my palette.”<br />

228 The Book of <strong>Oud</strong><br />

The Science of Skin 229


sparks something in the brain which<br />

staves off the effects of ageing. Essentially,<br />

the smell of <strong>Oud</strong> is part of what can<br />

potentially be a life-long, whole-body<br />

regenerative process.<br />

Jean-Marc agrees, and the <strong>Oud</strong><br />

Essentials scientists have been put to work<br />

to implement this whole-body philosophy<br />

into a line of new products. Already there is<br />

a button on the <strong>Oud</strong> Essentials website to<br />

‘register interest’ in an <strong>Oud</strong>-infused detox<br />

tea, which can be used to treat metabolic<br />

disorders and maladies associated with<br />

ageing. Jean-Marc talks to me about his<br />

company’s ideas for developing <strong>Oud</strong>infused<br />

wine, and even whiskey. His<br />

approach is medicinal as well as cosmetic<br />

– it is holistic in every sense. 104 If he has<br />

his way, not only will we be putting <strong>Oud</strong><br />

on our skin: we’ll also drink it, eat it, and<br />

breathe it in until it’s infused into every<br />

part of us.<br />

Generations of <strong>Oud</strong><br />

Jean-Marc uses the word story a total of<br />

eight times during our brief interview,<br />

each time talking about the brand<br />

identity of <strong>Oud</strong> Essentials. He speaks<br />

about the ‘energy’ of <strong>Oud</strong>, and claims<br />

that just wearing an agarwood bracelet<br />

is said to have calming properties. The<br />

recurring themes of our conversation<br />

are sustainability and history; it’s very<br />

important to him that <strong>Oud</strong> Essentials<br />

be associated with organic sustainability<br />

and ethical business practices. He has<br />

every reason to be concerned about this:<br />

with the growing consumer knowledge<br />

of Aquilaria farming, and the growth of<br />

a global <strong>Oud</strong> market, Jean-Marc knows<br />

that the success or failure of his brand is<br />

Agarwood chips and floral inspiration.<br />

One of the many innovative products currently on the market using pure <strong>Oud</strong>.<br />

230 The Book of <strong>Oud</strong> The Science of Skin 231


“During the blending of a fragrance, <strong>Oud</strong><br />

deserves the utmost respect.<br />

<strong>Oud</strong> represents history, culture and religion,<br />

and these are the foundations that we deal<br />

with on a daily basis.<br />

When I ‘paint’ a new fragrance, <strong>Oud</strong> is one of<br />

the most important ‘colours’ on my palette.”<br />

—Sergio Momo<br />

directly connected to the proliferation of<br />

environmental ethics.<br />

“We need to create our stories,” he says,<br />

“but we are already the story, because we<br />

control all, from the plant to the trees and<br />

after; we take the oil from the trees and<br />

transform it all.”<br />

The company works with regulatory<br />

agencies to ensure that the product<br />

is sustainably sourced and, therefore,<br />

certifiable by CITES. No point in the<br />

process – from the growth of trees to<br />

the distillation to the manufacture of<br />

their skincare products – is out of their<br />

control. And ultimately this knowledge is<br />

what makes a brand sustainable: knowing<br />

how, where, and by whom your product<br />

is harvested means that product will be<br />

available for years and years to come. “All<br />

products that we extract <strong>Oud</strong> from are<br />

sustainable products because we have our<br />

own plantations in Asia,” Jean-Marc tells<br />

me. “We control all our trees. We control<br />

all production.… We harvest one tree; we<br />

guarantee to plant at least one more, new<br />

tree at the same time.”<br />

It seems a simple notion – plant more<br />

than you harvest – but it’s a relatively new<br />

idea in Aquilaria farming, one that Jean-<br />

Marc hopes will become a necessity in<br />

the industry, rather than an option: <strong>Oud</strong><br />

Essentials has just signed an agreement<br />

with Asia Plantation Capital for $50<br />

million that will secure sustainable <strong>Oud</strong><br />

production for the next twenty years.<br />

Back at the Four Seasons, Jean-Marc<br />

looks out at the crowd again. “This is just<br />

the beginning of our efforts to impact the<br />

skincare industry and promote a healthy,<br />

socially and environmentally conscious<br />

lifestyle,” he says. “We couldn’t have<br />

hoped for a better start.” 105<br />

232 The Book of <strong>Oud</strong><br />

The Science of Skin 233


Elizabeth Gaynes<br />

234 The Book of <strong>Oud</strong> The Science of Skin 235


Who is Elizabeth Gaynes?<br />

Elizabeth Gaynes is the founder of GaiaOne and strangelove nyc. She was drawn into the world<br />

of sustainable farming when she received an invitation to work with the family of a friend from<br />

Borneo. This family had a sustainable agarwood plantation, and wanted to build global awareness<br />

and develop new business. Together they formed a company called GaiaOne to help them develop<br />

products and market sustainable agarwood farming. Elizabeth continued her commitment to this<br />

unique product by forming strangelove nyc in collaboration with Helena Christensen and<br />

Christophe Laudamiel.<br />

On strangelove nyc’s commitment to sustainability:<br />

“We’re all about integrity, truth, and honesty. It’s just part of who we are. This is like a love story,<br />

not just for me, but for Helena and Christophe, too. We have fallen in love with the whole process.”<br />

“We’re all about integrity,<br />

truth, and honesty. It’s just<br />

part of who we are. This<br />

is like a love story, not just<br />

for me, but for Helena<br />

and Christophe, too. We<br />

have fallen in love with the<br />

whole process.”<br />

236 The Book of <strong>Oud</strong><br />

The Science of Skin 237


AN INVOCATION<br />

For the Love of <strong>Oud</strong><br />

238 The Book of <strong>Oud</strong> What is <strong>Oud</strong>? 239


AN INVOCATION<br />

For the Love of <strong>Oud</strong><br />

I’ve come a long way since that fateful day in Harrods when I first experienced the<br />

entrancing and inscrutable scent of <strong>Oud</strong>. From ancient texts to modern medicine,<br />

from the depths of the jungle to opulent boutiques, from the black market to the<br />

plantations that are raising up communities and saving the planet, I became a<br />

pilgrim on a journey of primal intrigue and transcendent beauty.<br />

After all my investigations, I, like so many others, am no longer simply curious<br />

about or even fascinated by <strong>Oud</strong> – I, too, am in love. And if, like me, you are only<br />

now discovering <strong>Oud</strong>, I hope that as you have followed me on this journey you too<br />

have begun to fall in love with this miraculous liquid gold, this wood of the gods.<br />

<strong>Oud</strong> is an elegant strand extending back to the dawn of human civilisation, and yet<br />

it is as modern as this book you hold in your hands – a scent that speaks both to the<br />

earthly and to the divine.<br />

And if you came to this book already an <strong>Oud</strong> aficionado, perhaps you now have an<br />

even stronger sense of how this incredible substance binds past and present, East and<br />

West, commerce and environmentalism, body and spirit.<br />

But the <strong>Oud</strong> that we all love is still in danger. The strand I spoke of a moment ago<br />

is stretched thin, and if we are not careful, that thread may snap. Our desire for the<br />

precious and the rare, and our consumption without conscience, could eradicate<br />

<strong>Oud</strong> completely.<br />

Happily, we are now well positioned to ensure the survival of the tree that produces<br />

<strong>Oud</strong>. And by we, I do not mean society at large – I mean to use the word in a more<br />

granular sense here: I mean individual consumers like you and me. The survival of<br />

the ethereal essence that is <strong>Oud</strong> is in your hands and mine. By seeking out only <strong>Oud</strong><br />

products that we know are ethically, legally, sustainably sourced, we can enjoy the<br />

enigmatic scent of <strong>Oud</strong> while ensuring its survival for aeons to come.<br />

It’s up to you.<br />

240 The Book of <strong>Oud</strong>


Acknowledgments<br />

Appendix<br />

One of the greatest pleasures and gifts of<br />

any journey is the people you meet along<br />

the way. Now, at the end of the winding<br />

and wonderful road I took into the<br />

world of <strong>Oud</strong>, I want to thank, from the<br />

bottom of my heart, the many people<br />

who helped make this book possible.<br />

I could not have told this tale without<br />

the assistance and insight of Josh Castle,<br />

Helena Christensen, Jean-Marc Dufat,<br />

Andrew Gan, Elizabeth Gaynes, François<br />

Hénin, Abdul Aziz Al Jasser, Dr Kodi<br />

Kandasamy, Christophe Laudamiel,<br />

Andrew Leci, François Merle-Baudoin,<br />

Sergio Momo, Dani Nasr, Sultan Pasha,<br />

Barry Rawlinson, Jordan River, John<br />

Scanlon, and Dr Astrid Stuckelberger.<br />

Thank you for making this the journey<br />

of a lifetime.<br />

1. http://www.pittimmagine.com/en/corporate/fairs/<br />

fragranze/news/2015/jovoyparis.html<br />

Chapter 1<br />

2. Eric Hansen, “The Hidden History of Scented Wood,”<br />

Aramco World 51, no. 6 (December 2000): 2–13.<br />

3. Sabbar Dahham et al., “Antibacterial , Antifungal and<br />

Antioxidant Activities of Aquilaria Crassna,” International<br />

Journal of Advances in Science and Technology (IJAST), April<br />

2014, 196.<br />

4. James Compton and Akiko Ishihara, “The Use and<br />

Trade of Agarwood in Japan” (Cambridge: TRAFFIC<br />

International, 2004), 6.<br />

5. Kalyan Chakrabarty, Ashok Kumar, and Vivek Menon,<br />

“Trade in Agarwood” (New Delhi: WWF-India/TRAFFIC-<br />

India, August 1994), 18.<br />

6. Su-il Jeong, The Silk Road Encyclopedia (Seoul Selection,<br />

2016).<br />

7. Compton and Ishihara, “The Use and Trade of Agarwood<br />

in Japan,” 5.<br />

8. Jordan River, “OUD SERIES: My Name Is Dehn Al<br />

<strong>Oud</strong>,” Fragrantica, January 14, 2014, https://www.<br />

fragrantica.com/news/OUD-SERIES-My-name-is-dehn-al-<br />

<strong>Oud</strong>--5033.html.<br />

Chapter 2<br />

9. Khalil A. S. et al., “Characterization of Methanolic Extracts<br />

of Agarwood Leaves,” Journal of Applied and Industrial<br />

Sciences 1, no. 3 (2013): 78.<br />

10. “Gaharu 沉 香 Agarwood,” Gaharu 沉 香 Agarwood,<br />

accessed August 20, 2017, https://gaharujinkou.wordpress.<br />

com/.<br />

11. “Agarwood (Chen Xiang) | Chinese Herbs Healing,”<br />

accessed August 20, 2017, http://www.chineseherbshealing.<br />

com/agarwood-chen-xiang/.<br />

12. Horng Pengly, “A scent more precious than gold,”<br />

Phnom Penh Post, December 13, 2014, http://www.<br />

phnompenhpost.com/scent-more-precious-gold.<br />

13. “Extraction Methods of Agarwood Oil,” Vietnam<br />

Agarwood, March 25, 2014, https://vietnamagarwood.<br />

wordpress.com/2014/03/25/extraction-methods-ofagarwood-oil/.<br />

14. E.J. Perry, “Phytophthora Root and Crown Rot in the<br />

Garden--UC IPM,” Pest Notes (University of California<br />

Agriculture and Natural Resources, October 2006), http://<br />

ipm.ucanr.edu/PMG/PESTNOTES/pn74133.html.<br />

15. http://gulfnews.com/news/gulf/saudi-arabia/scent-ofarabia-will-waft-around-the-world-1.332870<br />

Chapter 3<br />

16. Yumi Zuhanis Has-Yun Hashim et al., “Aquilaria Spp.<br />

(Agarwood) as Source of Health Beneficial Compounds:<br />

A Review of Traditional Use, Phytochemistry and<br />

Pharmacology,” Journal of Ethnopharmacology 189 (2016):<br />

331–60. And “The Medicinal Use of Agarwood – A<br />

Literary Review” (Asia Plantation Capital).<br />

17. “The Trade and Use of Agarwood in Taiwan, Province of<br />

China” (TRAFFIC Southeast Asia, 2005).<br />

18. Lim Teck Wyn and Noorainie Awang Anak, “Wood for<br />

the Trees: A Review of the Agarwood (Gaharu) Trade in<br />

Malaysia” (TRAFFIC Southeast Asia, 2010), 44.<br />

19. Janey Alam et al., “An Insight of Pharmacognostic Study<br />

and Phytopharmacology of Aquilaria Agallocha,” Journal of<br />

Applied Pharmaceutical Science 5, no. 8 (August 2015): 173.<br />

20. Hadi Hendra, Sukarti Moeljopawiro, and Tri Rini<br />

Nuringtyas, “Antioxidant and Antibacterial Activities of<br />

Agarwood (Aquilaria Malaccensis Lamk.) Leaves,” AIP<br />

Conference Proceedings 1755, no. 1 (July 21, 2016).<br />

21. Hashim et al., “Aquilaria Spp. (Agarwood) as Source of<br />

Health Beneficial Compounds: A Review of Traditional<br />

Use, Phytochemistry and Pharmacology.”<br />

22. “What Is Diabetes,” International Diabetes Federation,<br />

accessed August 16, 2017, https://www.idf.org/aboutdiabetes/what-is-diabetes.<br />

23. Ratree Pranakhon, Chantana Aromdee, and Patchareewan<br />

Pannangpetch, “Effects of Iriflophenone 3-C-β-Glucoside<br />

on Fasting Blood Glucose Level and Glucose Uptake,”<br />

Pharmacognosy Magazine 11, no. 41 (2015): 82–89.<br />

24. Siti Khairun Nissa Afiffudden, Habash Alwi, and Ku Halim<br />

Ku Hamid, “Determination of 4’-Hydroxyacetanilide in<br />

Leaves Extract of Aquilaria Malaccencis by High Pressure<br />

Liquid Chromatograph,” Procedia - Social and Behavioral<br />

Sciences 195 (2015): 2726–33.<br />

25. Janey Alam et al., “An Insight of Pharmacognostic Study<br />

and Phytopharmacology of Aquilaria Agallocha.”<br />

26. Grandawood-Agarwood Australia, “Agarwood Leaves,<br />

Incense and Oil Benefit,” Grandawood- Agarwood Australia,<br />

accessed August 20, 2017, https://www.grandawood.com.<br />

au/pages/benefit-of-agarwood.<br />

27. Irnayuli R. Sitepu et al., “Fragrant Wood Gaharu: When<br />

the Wild Can No Longer Provide” (Bogor, Indonesia:<br />

ITTO and FORDA, 2011), 37. And Hiroaki Takemoto et<br />

al., “Sedative Effects of Vapor Inhalation of Agarwood Oil<br />

and Spikenard Extract and Identification of Their Active<br />

Components,” Journal of Natural Medicines 62, no. 1<br />

(January 2008): 41–46.<br />

28. Grandawood-Agarwood Australia, “Agarwood Leaves,<br />

Incense and Oil Benefit,” Grandawood- Agarwood Australia,<br />

accessed August 20, 2017, https://www.grandawood.com.<br />

au/pages/benefit-of-agarwood.<br />

29. Leigh Campbell, “The Ingredient In This Skincare Costs<br />

More Than $9000 Per Kilo,” Huffington Post, September<br />

26, 2016, http://www.huffingtonpost.com.au/2016/09/26/<br />

the-ingredient-in-this-skincare-costs-more-than-9000-perkilo_a_21478972/.<br />

30. Angela Barden et al., Heart of the Matter: Agarwood Use and<br />

Trade and CITES Implementation for Aquilaria Malaccensis<br />

(Traffic International, 2000).<br />

31. “The Trade and Use of Agarwood in Taiwan, Province of<br />

China” (TRAFFIC Southeast Asia, 2005).<br />

32. http://www.cafleurebon.com/new-niche-fragrance-reviewtom-ford-private-blend-tobacco-oud-and-oud-fleur-theevolution-of-oud/<br />

33. http://fortune.com/2015/03/13/oud-scent/<br />

34. http://www.kafkaesqueblog.com/2013/02/06/perfumereview-tom-ford-private-blend-oud-wood-an-approachableoud/<br />

Chapter 4<br />

35. Mike King, “Global Fragrances Industry to Be Worth<br />

$38.8 Billion by 2017,” Yahoo Finance, July 9, 2013, http://<br />

uk.finance.yahoo.com/news/global-fragrances-industryworth-38-000000901.html.<br />

And “Growing Popularity of<br />

Premium, Niche & Innovative Fragrances and Perfumes<br />

to Outline Growth in the Global Fragrances and Perfumes<br />

Market” (Global Industry Analysts, Inc., November 2016),<br />

http://www.strategyr.com/Fragrances_and_Perfumes_<br />

Market_Report.asp#sthash.qXqjJymF.8cr0uHWw.dpbs.<br />

36. “The Global Fragrance Industry: World Markets, Popular<br />

Fragrances & Sales Figures,” Kafkaesque, February 20,<br />

2014, http://www.kafkaesqueblog.com/2014/02/20/<br />

the-global-fragrance-industry-world-markets-popularfragrances-sales-figures/.<br />

37. Siobhan Adams, “The GMR Interview,” Gulf Marketing<br />

Review, February 2011, 41.<br />

38. Alex Wynne, “Market Watch: Middle East: Regional<br />

Overview: Going for Growth,” Beauty World Confidential,<br />

December 2014.<br />

39. Julia Wray, “Blockbuster Season,” SPC Magazine, October<br />

2012.<br />

40. “Big Spenders in UAE, Iran, and Saudi Lead Regional<br />

Growth as Beautyworld Middle East 2015 Paints Glowing<br />

Future,” Dubai PR Network, January 12, 2015, http://m.<br />

242 Acknowledgments<br />

Appendix 243


dubaiprnetwork.com/pr.asp?pr=95144. And “A Scent of<br />

Growth: Perfume Market Hits $5 Billion in the Middle<br />

East,” Al Bawaba, April 14, 2015, https://www.albawaba.<br />

com/business/scent-growth-perfume-market-hits-5-billionmiddle-east-681698.<br />

41. “Growing Popularity of Premium, Niche & Innovative<br />

Fragrances and Perfumes to Outline Growth in the Global<br />

Fragrances and Perfumes Market” (Global Industry<br />

Analysts, Inc., November 2016), http://www.strategyr.com/<br />

Fragrances_and_Perfumes_Market_Report.asp#sthash.<br />

qXqjJymF.8cr0uHWw.dpbs.<br />

42. “GCC’s Luxury Goods Market Continues to Grow Fast,”<br />

BQ Magazine, September 16, 2014, http://www.bqdoha.<br />

com/2014/09/gccs-luxury-goods-market-continues-growfast.<br />

43. Susan Hack, “Bigger Stink Means Higher Price as Men<br />

Crave Rare <strong>Oud</strong> Fragrance,” Bloomberg.com, September<br />

19, 2013, http://www.bloomberg.com/news/2013-09-19/<br />

bigger-stink-means-higher-price-as-men-crave-rare-oud.<br />

html.<br />

44. Azimin Saini, “The Wood of the Gods,” Style Men,<br />

October 2015, 99.<br />

45. Hack, “Bigger Stink Means Higher Price as Men Crave<br />

Rare <strong>Oud</strong> Fragrance.”<br />

46. Tomas A. Ricketson, “Arabian <strong>Oud</strong> Is However Another<br />

Center Eastern Model That Has Unfold the Scent of<br />

Good Results in 17 Nations around the World Globally<br />

- Art,” May 7, 2012, http://byfashiontrends.blogspot.<br />

com/2012/05/arabian-oud-is-however-another-center.html.<br />

47. Ibid. and “Arabian <strong>Oud</strong> Launches Its First Store in Times<br />

Square,” Saudi Gazette, May 4, 2016, http://saudigazette.<br />

com.sa/article/154235/Arabian-<strong>Oud</strong>-launches-its-firststore-in-Times-Square.)<br />

48. Ricketson, “Arabian <strong>Oud</strong> Is However Another Center<br />

Eastern Model That Has Unfold the Scent of Good Results<br />

in 17 Nations around the World Globally – Art.”<br />

49. “The World of Perfume: Is Everything New Actually a<br />

Well-Forgotten Old?,” Beauty Insider, 2014, 39.<br />

50. Ibid. And Hack, “Bigger Stink Means Higher Price as Men<br />

Crave Rare <strong>Oud</strong> Fragrance.”<br />

51. “Fragrance Industry Profile and Market Potential for<br />

Taramea,” November 2014.<br />

52. Rachel Syme, “Power Perfumes Return to the Scene,” The<br />

New York Times, December 2, 2015, sec. Fashion & Style,<br />

https://www.nytimes.com/2015/12/03/fashion/powerperfumes-return-to-the-scene.html.<br />

53. Elana Knezhevich, “Mercedes Maybach Agarwood Interior<br />

Fragrance ~ Art Books Events ~ Fragrantica,” Fragrantica,<br />

January 12, 2015, https://www.fragrantica.com/news/<br />

Mercedes-Maybach-Agarwood-Interior-Fragrance-6262.<br />

html.<br />

54. “<strong>Oud</strong> Edition,” <strong>Oud</strong> Essentials, accessed August 20, 2017,<br />

https://www.oudessentials.com/oud-edition/.<br />

55. Hack, “Bigger Stink Means Higher Price as Men Crave<br />

Rare <strong>Oud</strong> Fragrance.”<br />

Chapter 5<br />

56. Natalie Heng, “Tracking Tree Thefts,” The Star Online,<br />

February 28, 2012, http://www.thestar.com.my/lifestyle/<br />

features/2012/02/28/tracking-tree-thefts/.<br />

57. “Sustainable Plantations - A Growing Resource for Asia<br />

Plantation Capital,” Benzinga, September 25, 2014,<br />

https://www.benzinga.com/pressreleases/14/09/p4877025/<br />

sustainable-plantations-a-growing-resource-for-asiaplantation-capital.<br />

58. Ibid.<br />

59. Marina Antonopoulou et al., “The Trade and Use<br />

of Agarwood (<strong>Oud</strong>h) in the United Arab Emirates”<br />

(TRAFFIC Southeast Asia, 2010), v.<br />

60. “Agarwood Market Trade Update” (Asia Plantation Capital,<br />

2015), 5.<br />

61. Marina Antonopoulou et al., “The Trade and Use<br />

of Agarwood (<strong>Oud</strong>h) in the United Arab Emirates”<br />

(TRAFFIC Southeast Asia, 2010), v.<br />

62. “Asia Plantation Capital Commits to Working with China’s<br />

Leading Agarwood Industry Experts,” November 12, 2014,<br />

http://www.prnewswire.co.uk/news-releases/asia-plantationcapital-commits-to-working-with-chinas-leading-agarwoodindustry-experts-282361091.html.<br />

63. “Smugglers’ Paradise: A Look at the City’s Incense Trees<br />

Nearing Extinction,” Time Out Hong Kong, January 14,<br />

2016, http://timeout-admin-node1.candrholdings.com/<br />

big-smog/features/75330/smugglers-paradise-a-look-at-thecitys-incense-trees-nearing-extinction.html.<br />

64. “Developing a Non Detriment Finding Methodology for<br />

Agarwood Producing Taxa” (TRAFFIC, April 2008), 3.<br />

65. “Traffic Summary of Worldwide Trade in Agarwood on<br />

Behalf of CITES” (Asia Plantation Capital).<br />

66. “Smugglers’ Paradise: A Look at the City’s Incense Trees<br />

Nearing Extinction.”<br />

67. Qu Zhi, “Smoking out a Bargain at 100 X Price of Gold,”<br />

Shanghai Daily, July 31, 2014, http://www.shanghaidaily.<br />

com/feature/news-feature/Smoking-out-a-bargain-at-100-xprice-of-gold/shdaily.shtml.<br />

68. Angela Barden et al., Heart of the Matter: Agarwood Use and<br />

Trade and CITES Implementation for Aquilaria Malaccensis<br />

(Traffic International, 2000).<br />

69. “Agarwood Market Report” (Sustainable Asset<br />

Management, 2013), 8.<br />

70. “Mainlanders Tagged in Illegal Logging of Agarwood in<br />

HK,” EJ Insight, February 19, 2016, http://www.ejinsight.<br />

com/20160219-mainlanders-tagged-in-illegal-logging-ofagarwood-in-hk/.<br />

And The Trees That Gave Hong Kong Its<br />

Name Are Nearing Extinction Because of Illegal Logging<br />

(Apr 16) Mark Rivett-Carnac, “Trees That Gave Hong<br />

Kong Its Name Are Nearing Extinction,” Time, April 14,<br />

2016, http://time.com/4288304/hong-kong-environmentincense-tree-poaching-agarwood-china/.<br />

71. “Nearly 800 Forestry Offences in Five Years | Daily<br />

Express Newspaper Online,” The Daily Express, October<br />

28, 2016, http://www.dailyexpress.com.my/news.<br />

cfm?NewsID=113724.<br />

72. “Posters and Signboard Warnings for Poachers,” TRAFFIC<br />

- Wildlife Trade News, October 16, 2015, http://www.<br />

traffic.org/home/2015/10/16/posters-and-signboardwarnings-for-poachers.html.<br />

73. Benjamin Elisha Sawe, “Illegal Agarwood Seizures By<br />

Source And Destination Countries,” WorldAtlas, August 17,<br />

2016, http://www.worldatlas.com/articles/the-top-sourceand-destination-countries-for-illegal-agarwood-seizures.<br />

html.<br />

74. Smugglers’ Paradise: A Look at the City’s Incense Trees<br />

Nearing Extinction.”<br />

75. Celine Ge, “With Hong Kong’s Country Parks Almost<br />

Stripped Bare of Rare Incense Trees, Robbers Ransack<br />

Residents’ Gardens,” South China Morning Post, February<br />

10, 2016, http://www.scmp.com/news/hong-kong/lawcrime/article/1911843/hong-kongs-country-parks-almoststripped-bare-rare-incense.<br />

76. Rivett-Carnac, “Trees That Gave Hong Kong Its Name Are<br />

Nearing Extinction,”<br />

77. “The Scent That’s Pricier Than Gold,” Illegal<br />

Agarwood, April 5, 2017, https://www.illegalagarwood.<br />

com/2017/04/05/the-scent-thats-pricier-than-gold/.<br />

78. “Nearly 800 Forestry Offences in Five Years,” Daily<br />

Express Newspaper Online, October 28, 2016, http://www.<br />

dailyexpress.com.my/news.cfm?NewsID=113724.<br />

79. Clifford Lo, “Five Mainland Chinese Arrested for Stealing<br />

Incense Tree Logs from Hong Kong’s Lamma Island,” South<br />

China Morning Post, January 4, 2016, http://www.scmp.<br />

com/news/hong-kong/law-crime/article/1897990/fivemainland-chinese-arrested-stealing-incense-tree-logs.<br />

80. “Sabah Forestry Department’s Armed Squad To Combat<br />

Threats From Poachers, Illegal Loggers,” Berita Wilayah,<br />

July 30, 2015, http://www.bernama.com.my/bernama/<br />

state_news/news.php?id=1156787&cat=sbe.<br />

81. “Rare Agarwood Tree Falls Prey to Tai Po Village<br />

Thieves,” EJ Insight, May 12, 2015, http://www.ejinsight.<br />

com/20150512-rare-agarwood-tree-falls-prey-to-tai-povillage-thieves/.<br />

82. Ge, “With Hong Kong’s Country Parks Almost Stripped<br />

Bare of Rare Incense Trees, Robbers Ransack Residents’<br />

Gardens.”<br />

83. Clifford Lo, “Hong Kong Burglars Net HK$3m Agarwood<br />

Haul in ‘hole-in-the-Wall’ Raid,” South China Morning<br />

Post, December 29, 2014, http://www.scmp.com/news/<br />

hong-kong/article/1670494/hong-kong-burglars-nethk3m-agarwood-haul-hole-wall-raid.<br />

And Clifford Lo,<br />

“Two Hong Kong Men Held in Connection with HK$3<br />

Million Agarwood Heist,” South China Morning Post,<br />

April 28, 2015, http://www.scmp.com/news/hong-kong/<br />

law-crime/article/1778718/two-hong-kong-men-heldconnection-hk3-million-agarwood.<br />

84. Kevin Chan, “Incense Trees Flourish Again in Hong<br />

Kong,” Detroit News, December 24, 2014, http://www.<br />

detroitnews.com/story/news/world/2014/12/24/hongkong-incense-trees/20851237/.s.<br />

”<br />

85. Heng, “Tracking Tree Thefts.”<br />

86. Sniffing out Illegal Trade,” Illegal Agarwood, March 21,<br />

2017, https://www.illegalagarwood.com/2017/03/21/<br />

sniffing-out-illegal-trade/.<br />

87. Neha LM Tripathi, “Mumbai Crime: 4 Held at Airport<br />

for Trying to Smuggle Wood Worth Rs 10L - News,”<br />

Mid-Day.com, December 22, 2014, http://www.mid-day.<br />

com/articles/mumbai-crime-4-held-at-airport-for-trying-tosmuggle-wood-worth-rs-10l/15858191.<br />

88. Khanh Hoa, “Vietnamese Policeman Gets 9 Years for<br />

Stealing Rare Wood from Poachers,” Thanh Nien Daily,<br />

August 18, 2015, http://www.thanhniennews.com/society/<br />

vietnamese-policeman-gets-9-years-for-stealing-rare-woodfrom-poachers-50277.html.<br />

89. Renato Marques, “Agarwood Takes Center Stage at Ho’s<br />

Trial. Why?,” MACAU DAILY TIMES 澳 門 每 日 時<br />

報 , March 3, 2017, http://macaudailytimes.com.mo/<br />

agarwood-takes-center-stage-hos-trial.html.<br />

90. Mainlanders Tagged in Illegal Logging of Agarwood in<br />

HK.” And “Smugglers’ Paradise: A Look at the City’s<br />

Incense Trees Nearing Extinction.”<br />

91. “Smugglers’ Paradise: A Look at the City’s Incense Trees<br />

Nearing Extinction.”<br />

92. “Heavy Sentence On Agarwood Thieves, Poachers Will<br />

Serve As A Lesson,” Berita Wilayah, September 7, 2016,<br />

http://www.bernama.com.my/bernama/state_news/news.<br />

php?cat=sbe&id=1280806.<br />

Chapter 6<br />

93. “Heart of Borneo Initiative a Success despite Setbacks<br />

— Len Talif,” BorneoPost Online | Borneo , Malaysia,<br />

Sarawak Daily News, December 7, 2016, http://www.<br />

theborneopost.com/2016/12/08/heart-of-borneo-initiativea-success-despite-setbacks-len-talif/.<br />

94. Ben Sokhean, “Soldiers, Singaporean Firm to Plant 6<br />

Million Trees,” The Cambodia Daily, June 5, 2015, https://<br />

www.cambodiadaily.com/archives/soldiers-singaporeanfirm-to-plant-6-million-trees-85039/.<br />

95. “Villagers Attend Course on Karas, Agarwood,” BorneoPost<br />

Online | Borneo , Malaysia, Sarawak Daily News, December<br />

13, 2016, http://www.theborneopost.com/2016/12/14/<br />

villagers-attend-course-on-karas-agarwood/.<br />

96. Balung Plantation About page, Balung Home Website,<br />

Web. October 22, 2016 http://balungusa.com/about<br />

97. “Resort in a plantation draws nature lovers,” The<br />

Borneo Post (Sabah), October 2, 2015, https://<br />

www.pressreader.com/malaysia/the-borneo-postsabah/20151002/281908771959990”<br />

98. “World Agriculture: Towards 2015/2030” (Food and<br />

Agriculture Organization of the United Nations, 2002), 6.<br />

Chapter 7<br />

99. Personal interview with Dani Nasr<br />

100. Personal interview with Elizabeth Gaynes<br />

101. Candice Chua, “Fragrance Boutique Special: Fragrance Du<br />

Bois,” Fragrance Du Bois, February 1, 2015, https://www.<br />

fragrancedubois.com/news/articles/Lofficiel-Feb-2015.pdf.<br />

102. “‘<strong>Oud</strong> Oil’ by Asia Plantation Capital Star of the 2014<br />

World Perfumery Congress,” PR Newswire, June 19, 2014,<br />

http://en.prnasia.com/story/99362-0.shtml.<br />

Chapter 8<br />

103. Victoria Sherrow, For Appearance’ Sake: The Historical<br />

Encyclopedia of Good Looks, Beauty, and Grooming<br />

(Greenwood Publishing Group, 2001).<br />

104. “The Time Has Come <strong>Oud</strong> Essentials Ready to Launch,”<br />

<strong>Oud</strong> Essentials, April 3, 2017, https://www.oudessentials.<br />

com/time-come-oud-essentials-ready-launch/.<br />

105. Up and Running: <strong>Oud</strong> Essentials Launches in Geneva,”<br />

Luxury Lifestyle, February 21, 2017, http://luxurylifestyle.<br />

com/headlines/up-and-running-oud-essentials-launchesin-geneva.html.<br />

244 Appendix Appendix 245


Michael Levin<br />

Michael Graubart Levin is an award-winning author and has written two New York Times<br />

best sellers, one Kindle #1 business book best seller, and more than a dozen national<br />

best sellers in the U.S. He writes regularly for Forbes.com, HuffPost.com, FoxNews.<br />

com, and NewYorkDailyNews.com, and has published in the New York Times and the<br />

Wall Street Journal. Levin, founder of BusinessGhost, Inc., America’s leading provider<br />

of ghostwritten business books, has helped create more successful books, as a writer,<br />

cowriter, ghost, or coach, than anyone in the U.S. publishing industry.<br />

His client list includes a member of the Forbes 400, five individuals with net<br />

worths of over half a billion dollars, and business leaders on four continents (North<br />

America, Europe, Asia, and Australia). He also edited Zig Ziglar’s final book, ‘Born<br />

to Win’. On January 20, 2012, Michael appeared as a guest entrepreneur on the<br />

ABC Television show ‘Shark Tank’.

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