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SCOTLAND ON<br />

SCREEN<br />

Trainspotting (1996)<br />

Director: Danny Boyle<br />

Starring: Ewan McGregor,<br />

Robert Carlyle, Ewen<br />

Bremner<br />

him to adapt his hit novel,<br />

but that trust definitely was<br />

not misplaced.<br />

The violent energy of<br />

Welsh’s novel make it to the<br />

big screen with very little<br />

neutering. Auld Reekie<br />

has appeared quite a few<br />

times on the big screen, but<br />

never quite in this way. The<br />

romanticised history of the<br />

city is replaced by a brutal<br />

blend of realism and dark<br />

humour. Fuelled by arguably<br />

the best soundtrack of the<br />

20th century, Trainspotting<br />

wastes no time in this world<br />

either. Each song gives an<br />

insight into lead character<br />

Renton’s (Ewan McGregor)<br />

state as he copes with the<br />

him. It is also clear to see<br />

that the friendship of the<br />

mismatched group he<br />

belongs to is not forced<br />

either. Ewen Bremner as the<br />

hapless Spud offers some<br />

compassion to the twisted<br />

destruction that Robert<br />

Carlyle’s Begbie revels in.<br />

Meanwhile, the antagonistic<br />

friendship between Johnny<br />

Lee Miller’s Sick Boy and<br />

Renton is complex, hilarious<br />

and incredibly convincing.<br />

This mash of conflict,<br />

often without resolution,<br />

carries on through this<br />

perfectly dark comedy which<br />

effortlessly touches on a very<br />

real issue.<br />

Under the Skin (2014)<br />

Director: Johnathon Glazer<br />

Starring: Scarlett Johansson,<br />

Adam Pearson, Paul<br />

Brannigan<br />

on a beach in Auchmithie is<br />

especially notable; the harsh<br />

and isolated setting acting as<br />

the perfect location for one<br />

of the film’s most surprising<br />

moments.<br />

centre, cut with pedestrians<br />

walking past, creates real<br />

paranoia. Opposing large<br />

scale Hollywood invasion<br />

clichés, “Under the Skin”<br />

says they may be living<br />

among us, and they want to<br />

go to Govan.<br />

This film is mostly worth<br />

There is no way any list of<br />

watching to see Scarlett It is by far the least<br />

Scottish cinema would have<br />

Johansson drive a white conventional film listed<br />

been complete without the<br />

van around Glasgow asking here, but scenes like the<br />

film that has appeared on<br />

people about the M8 and one mentioned before<br />

By Patrick Dalziel<br />

nearly every teenage boy’s<br />

Govan. Under the Skin is a make it well worth a watch.<br />

wall since it came out in<br />

divisive film in which an alien Johnathon Glazer has<br />

1996. It is a truly iconic<br />

intent on harvesting humans ensured that each setting<br />

piece of filmmaking, a<br />

as prey comes to Glasgow. used serves a purpose - they<br />

captivating look into ‘90s<br />

This plot is fairly bare bones become as important to<br />

Edinburgh’s dark underbelly<br />

in the way it is told, with the plot as the lead. The<br />

and the counterculture of<br />

Glazer choosing to embrace hidden camera in Scarlett<br />

heroin addicts staying there.<br />

ambiguity and style over Johansson’s van could have<br />

Danny Boyle may have had<br />

outright terror. The Scottish felt cheap but instead adds<br />

only one film under his belt<br />

setting could not be more to the intrigue. Shots of her<br />

before Irvine Welsh trusted madness unfurling around<br />

suited to this film. One scene driving through Glasgow city<br />

<strong>TELT</strong>: Winter Edition 15

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