You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
THEATRE<br />
While it was Kenneth Zammit Tabona – the artistic<br />
director for Teatru Manoel – who commissioned the<br />
staging of a Greek tragedy, the choice of script was left<br />
in the director’s hands. Antigone, which is one of<br />
Grima’s favourite tragedies, proved to have themes that<br />
are incredibly relevant to modern society, be it locally<br />
and internationally. The tragedy centres around<br />
Antigone, the daughter and sister of Oedipus and his<br />
mother, Jocasta. Fol<strong>low</strong>ing the death of her arguably<br />
traitorous brother, Polyneices, Antigone defies the<br />
edict by King Creon of Thebes and decides to bury<br />
him. Defiant till her last breath, Antigone has become<br />
an icon of resistance as she stands by her beliefs even<br />
as it puts her life in danger.<br />
The version being staged at Teatru Manoel in February is based<br />
on Jean Anouilh’s version of the script. Written in 1942, while<br />
Anouilh lived in German-occupied France during World War II,<br />
Antigone proved to be an inspiration for those who had anti-<br />
Nazi sentiments. At first, the play was censored by the regime<br />
but, in 1944, it was staged at the Théátre de l’Atelier in Paris.<br />
The city would be liberated soon after. The play then had its<br />
debut in London in 1949, with silver-screen legends Vivienne<br />
Leigh and Laurence Oliver both playing a role.<br />
JANUARY 2018 ∫ Sunday <strong>Circle</strong> 25