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THEATRE<br />

While it was Kenneth Zammit Tabona – the artistic<br />

director for Teatru Manoel – who commissioned the<br />

staging of a Greek tragedy, the choice of script was left<br />

in the director’s hands. Antigone, which is one of<br />

Grima’s favourite tragedies, proved to have themes that<br />

are incredibly relevant to modern society, be it locally<br />

and internationally. The tragedy centres around<br />

Antigone, the daughter and sister of Oedipus and his<br />

mother, Jocasta. Fol<strong>low</strong>ing the death of her arguably<br />

traitorous brother, Polyneices, Antigone defies the<br />

edict by King Creon of Thebes and decides to bury<br />

him. Defiant till her last breath, Antigone has become<br />

an icon of resistance as she stands by her beliefs even<br />

as it puts her life in danger.<br />

The version being staged at Teatru Manoel in February is based<br />

on Jean Anouilh’s version of the script. Written in 1942, while<br />

Anouilh lived in German-occupied France during World War II,<br />

Antigone proved to be an inspiration for those who had anti-<br />

Nazi sentiments. At first, the play was censored by the regime<br />

but, in 1944, it was staged at the Théátre de l’Atelier in Paris.<br />

The city would be liberated soon after. The play then had its<br />

debut in London in 1949, with silver-screen legends Vivienne<br />

Leigh and Laurence Oliver both playing a role.<br />

JANUARY 2018 ∫ Sunday <strong>Circle</strong> 25

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