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Pittwater Life February 2018 Issue

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Art <strong>Life</strong><br />

Art <strong>Life</strong><br />

Quilters are ‘Touching Stars’<br />

The Avalon Quilters are presenting their <strong>2018</strong> Exhibition of<br />

Members Works at Avalon Uniting Church in Bellevue Avenue<br />

on the weekend of March 9-10.<br />

The group will be raffling a special 1930s vintage quilt,<br />

‘Touching Stars’ (pictured) – with all proceeds donated to the<br />

Australian Mitochondrial Disease Foundation.<br />

As well as an extensive display of hand-made quilts, attendees<br />

will have the opportunity to purchase from a vast array of<br />

exquisite hand-crafted goods.<br />

The exhibition is open from 9am-5pm; entry $5. More<br />

info call Anne Perry 0401 335 737.<br />

Cubist influence<br />

really fits the Bill<br />

Palm Beach-based artist Bill<br />

Chamberlain has enjoyed the<br />

artistic journey that has taken<br />

him from absorbing the harsh<br />

dark shapes and character of<br />

the inner city to the fresh local<br />

landscape.<br />

With a background steeped in<br />

art – his father was a finalist in<br />

the Wynne and Archibald Prizes<br />

and his uncle an illustrator in<br />

London – Bill enrolled at the<br />

Julian Ashton Art School where<br />

he studied for five years.<br />

“This school, using classical<br />

teaching methods, provided<br />

an essential grounding in the<br />

fundamentals of drawing and<br />

painting without which any<br />

form of creative expression is<br />

problematical,” Bill said.<br />

Bill’s first influences were<br />

the cubists and the painters of<br />

Sydney’s old inner city suburbs,<br />

including Surry Hills, where he<br />

lived for a time.<br />

“I started exhibiting, mainly<br />

painting inner city scenes,”<br />

he said (example pictured). “I<br />

branched out into figurative<br />

work and take my inspiration<br />

now from the local <strong>Pittwater</strong><br />

environment.<br />

“Colour is most important<br />

to me, but it must be used in<br />

a refined and gradated way,”<br />

he explained. “Learning to mix<br />

paint properly and to reproduce<br />

tone are a great legacy of the<br />

Julian Ashton… but like learning<br />

a musical instrument, it takes a<br />

long time to get that touch.”<br />

Bill has had a varied working<br />

life – originally in the legal industry,<br />

he also trained as a chef<br />

and has a diploma in hospitality<br />

management.<br />

“All this time I painted, moving<br />

into different medias like<br />

gouache and ink, alongside my<br />

favourite, oil. Then in 2013, I<br />

was a finalist in the Gallipoli Art<br />

Prize.”<br />

Bill recently decided to<br />

include business acumen into<br />

the mix. “I decided I needed an<br />

image for my art, so I designed<br />

a logo and registered my business<br />

name ‘Savannah Studios’.”<br />

He intends to evolve his art<br />

even more.<br />

“I have found you have to<br />

be curious about other artists,<br />

whether it’s the Australian impressionists,<br />

or the French moderns…<br />

look at every possible art<br />

book and exhibition and maybe<br />

one day something of what you<br />

have seen might come out in<br />

your own work.” – Nigel Wall<br />

40 FEBRUARY <strong>2018</strong><br />

The Local Voice Since 1991

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