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Viva Lewes Issue #137 February 2018

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COLUMN<br />

Colin Chapman<br />

Ticket to ride<br />

A stunningly cold, bright winter’s day and I am<br />

on a kind of post-apocalyptic ex-military base,<br />

in North London. It’s late Friday afternoon,<br />

and I've been here since 7.30am. I'm a newbie<br />

film extra. Ah, the joys of retirement.<br />

The call comes. Everyone gets up to go on set.<br />

“Not you,” says the assistant director. “You<br />

wait”. I am, it seems, special. Suitably dressed, in<br />

a station booth, I’m to be selling a ticket to Gary<br />

Oldman (Gary Oldman!) I shiver, not only with<br />

the cold but with star-struck anticipation.<br />

One of the two make-up artistes who now<br />

flank me whispers: “I'm sorry about this, but<br />

the director says that as this is a period piece<br />

it would look odd if someone in uniform (she<br />

touches my sleeve, gently) has a... um… beard.<br />

How would you feel about shaving it off?”<br />

I turn pale. “I've had this for about four<br />

decades, it's not an on-off sort of relationship,”<br />

I say. But the director, apparently, is adamant.<br />

“Basically...” she gets confidential again,<br />

“there's no pressure. You really don't have to do<br />

this... but if you don't we can't have the weekend<br />

off... and we'll give you more money!” I sense<br />

myself nodding. Within nanoseconds they have<br />

shavers in their hands, whip off my beard, take<br />

a hand each and lead me to the set.<br />

I realise that the camera is to film over my<br />

shoulder, towards Gary. My thoughts are slow<br />

but I wonder coldly why I needed to be beardless<br />

if the camera is behind me. I turn towards the<br />

director about to question his judgement but<br />

am immediately cowed by his sheer authority<br />

– I turn back and there is Gary, frowning. Or<br />

maybe he's just in character, I can't tell.<br />

He, Gary, says: “Ticket to Oxford please”, and<br />

I say “One pound ten”. Then he puts his money<br />

on a turny thing. I am supposed to get down<br />

a ticket and swivel it back to him. Easy for a<br />

man with a beard but apparently not for me.<br />

It does not go well. I forget to swivel. I fumble<br />

the ticket. I stumble over my words. Gary's<br />

character acts cool but I can see in his eyes,<br />

he is not a happy man. After three takes the<br />

director says, “Perfect! Let’s all go home!” The<br />

crew cheer. Gary's obviously not convinced. He<br />

fixes me briefly with his actorly eye and slowly<br />

shakes his head. I feel I’ve let him down.<br />

On the train back to Sussex I am cold in places I<br />

haven't felt cold in for decades. I am convinced<br />

people are staring at me. But when I get back<br />

home no-one notices my lack of beard. My wife,<br />

regarding me full on, says: “You look pale. You<br />

look different, what is it? Are you still wearing<br />

make-up?”<br />

Chloë King is back next month<br />

25

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