Viva Lewes Issue #137 February 2018
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COLUMN<br />
Colin Chapman<br />
Ticket to ride<br />
A stunningly cold, bright winter’s day and I am<br />
on a kind of post-apocalyptic ex-military base,<br />
in North London. It’s late Friday afternoon,<br />
and I've been here since 7.30am. I'm a newbie<br />
film extra. Ah, the joys of retirement.<br />
The call comes. Everyone gets up to go on set.<br />
“Not you,” says the assistant director. “You<br />
wait”. I am, it seems, special. Suitably dressed, in<br />
a station booth, I’m to be selling a ticket to Gary<br />
Oldman (Gary Oldman!) I shiver, not only with<br />
the cold but with star-struck anticipation.<br />
One of the two make-up artistes who now<br />
flank me whispers: “I'm sorry about this, but<br />
the director says that as this is a period piece<br />
it would look odd if someone in uniform (she<br />
touches my sleeve, gently) has a... um… beard.<br />
How would you feel about shaving it off?”<br />
I turn pale. “I've had this for about four<br />
decades, it's not an on-off sort of relationship,”<br />
I say. But the director, apparently, is adamant.<br />
“Basically...” she gets confidential again,<br />
“there's no pressure. You really don't have to do<br />
this... but if you don't we can't have the weekend<br />
off... and we'll give you more money!” I sense<br />
myself nodding. Within nanoseconds they have<br />
shavers in their hands, whip off my beard, take<br />
a hand each and lead me to the set.<br />
I realise that the camera is to film over my<br />
shoulder, towards Gary. My thoughts are slow<br />
but I wonder coldly why I needed to be beardless<br />
if the camera is behind me. I turn towards the<br />
director about to question his judgement but<br />
am immediately cowed by his sheer authority<br />
– I turn back and there is Gary, frowning. Or<br />
maybe he's just in character, I can't tell.<br />
He, Gary, says: “Ticket to Oxford please”, and<br />
I say “One pound ten”. Then he puts his money<br />
on a turny thing. I am supposed to get down<br />
a ticket and swivel it back to him. Easy for a<br />
man with a beard but apparently not for me.<br />
It does not go well. I forget to swivel. I fumble<br />
the ticket. I stumble over my words. Gary's<br />
character acts cool but I can see in his eyes,<br />
he is not a happy man. After three takes the<br />
director says, “Perfect! Let’s all go home!” The<br />
crew cheer. Gary's obviously not convinced. He<br />
fixes me briefly with his actorly eye and slowly<br />
shakes his head. I feel I’ve let him down.<br />
On the train back to Sussex I am cold in places I<br />
haven't felt cold in for decades. I am convinced<br />
people are staring at me. But when I get back<br />
home no-one notices my lack of beard. My wife,<br />
regarding me full on, says: “You look pale. You<br />
look different, what is it? Are you still wearing<br />
make-up?”<br />
Chloë King is back next month<br />
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