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Face is being documented by award-winning<br />
Guardian photojournalist Kate Holt, who has<br />
worked extensively throughout Africa and<br />
Afghanistan for the last 15 years, and the<br />
show will open as part of London<br />
International Mime Festival in February 2018.<br />
<strong>The</strong> national tour is being supported by Diane<br />
Palmer (Operational Manager and Partnership<br />
Lead) and her team at the Midlands and East<br />
NHS Veterans Mental Health transition, intervention<br />
and Liaison Service. <strong>The</strong>re are 4<br />
NHSE commissioned TILS covering England<br />
that launched on the 1st April 2017. Diane<br />
previously founded and managed the Multinational<br />
award-winning Veterans First Service<br />
when work on A Brave Face began, this service<br />
was replaced by TILS. Diane and her colleagues<br />
have pledged to attend as many<br />
shows as possible across the country to offer<br />
support to anyone affected and to raise<br />
awareness of TILS.<br />
‘’I am delighted to be involved in this unique<br />
performance. Rachel Savage has shown a<br />
genuine desire to portray an honest and<br />
heartfelt account of military personnel and<br />
Veterans experiences as they battle with mental<br />
health conditions including Post Traumatic<br />
Stress. It is hoped that the show not only will<br />
it demonstrate the challenges Veterans and<br />
their families face, but it will raise awareness<br />
of the new NHS services available to support<br />
them across England in collaboration with the<br />
MoD and Military Charities”<br />
Full mask theatre is wordless, which may<br />
seem a tricky medium for addressing intensely<br />
emotional subjects like PTS, but as<br />
Rachael explains (in a 2017 article by <strong>The</strong><br />
Guardian’s Lyn Gardner), “one of [mask theatre’s]<br />
greatest currencies is its ability to give<br />
voice to the unheard and the unspoken.”<br />
Working without words creates a personal<br />
kind of communication in which difficult<br />
issues can be more easily approached. She<br />
promises that A Brave Face, whilst sometimes<br />
being raw, is also often funny and<br />
always compassionate. Whilst the show’s<br />
objective is to highlight how some people living<br />
with PTS are feeling failed by the system,<br />
it does so in a way that good theatre can – by<br />
showing the human story behind the labels<br />
and statistics, and the importance of creating<br />
hope.<br />
<strong>The</strong> SBT on ‘A Brave Face’<br />
If I could be allowed to express myself freely<br />
in this section, I just may be able to give our<br />
readers an insight to this incredible piece of<br />
work.<br />
Some years ago, I was honoured to be able<br />
to write a musical play which tackled one of<br />
the most controversial subjects around today.<br />
A Song For A Hero told, what I thought was a<br />
dramatised but pretty accurate account of<br />
PTSD in Veterans,, that was until a few weeks<br />
ago.<br />
Granted, Vamos <strong>The</strong>atre, headed by Rachael<br />
Savage had plenty of information by actual<br />
veterans which gave them the realism from<br />
the ‘lads on the ground’. But it was also the<br />
result of two years research.<br />
I don’t want to spoil this production for future<br />
viewers apart from saying it is bloody good<br />
and it would be a crime to miss it, but two<br />
thoughts came strongly to mind after watching<br />
the show. Firstly, just how much I related<br />
to the character ‘Ryan’. In so many ways, I<br />
could see myself a few years ago but that<br />
won’t just be relevant to me. I truly believe<br />
any veteran that has experience mental<br />
health issues will connect to him. Secondly,<br />
just how acurately the production was done.<br />
It is a far cry froma typical stage-planned war<br />
hero, it is a reality check to the cold, hard<br />
truth. This alone, has filled me with hope that<br />
finally, after all of the shouting and screaming<br />
at people to understand these problems,<br />
somebody has finally got it. <strong>No</strong>t just got it,<br />
but hit the nail on the head so hard, they<br />
have driven the hammer through the wood.<br />
Finally, I am so pleased to report that, as I<br />
write this, I have been contacted by the<br />
Vamos <strong>The</strong>atre team who told me that their<br />
opening night in London was a huge success.<br />
I must put out a warning to those wishing<br />
to see this production, get your tickets<br />
soon. <strong>The</strong>y are selling out so quickly.<br />
We are giving away a pair of tickets to the<br />
show, hopefully at a theatre near you. To find<br />
out how to have a chance to win this awesome<br />
prize, simply visit the SBT home page.<br />
For more information or to<br />
book tickets, go to<br />
www.vamostheatre.co.uk<br />
www.sandbagtimes.co.uk 15 |