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Silk River – Final Report Feb 2018

Silk River has been an epic undertaking and we're looking forward to the many legacy projects that are beginning to take shape.  Here is the end of project report, which contains an outline of some of the exciting things that happened and the impact of the project. 

Silk River has been an epic undertaking and we're looking forward to the many legacy projects that are beginning to take shape.  Here is the end of project report, which contains an outline of some of the exciting things that happened and the impact of the project. 

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<strong>Silk</strong> <strong>River</strong> <strong>–</strong> Project <strong>Report</strong><br />

<strong>Report</strong> by Kinetika, 5 <strong>Feb</strong> <strong>2018</strong>


2<br />

<strong>Silk</strong> <strong>River</strong> - Project Summary<br />

This ambitious project explored the unique relationship between London and Kolkata through a year’s<br />

artistic exchange between communities along the Thames Estuary and Hooghly <strong>River</strong>.<br />

Artistic director Ali Pretty - worked in collaboration with associate artistic directors Ruchira Das and<br />

Korak Ghosh and an international team of contemporary and traditional artists, writers and<br />

photographers to capture and interpret the experience of journeying along these mighty rivers.<br />

Working in 20 locations and with partners from Murshidabad to Batanagar (Hooghly) and Kew<br />

Gardens to Southend (Thames) to reinterpret a shared heritage, we raised cultural awareness of the<br />

Indo-British relationship through engaging diaspora communities and connecting young people with<br />

artists along the route.<br />

Closing Ceremony, Victoria Memorial Hall, Dec 16 th 2017<br />

“It’s been inspiring what we’ve been seeing, not just the colours but the enthusiasm, the amount of<br />

determination and commitment over the years to make this a reality…It’s what I call the living<br />

bridge <strong>–</strong> it is bringing people together in the UK and in India in a way that is really relevant to the<br />

communities that they exist in.”<br />

British High Commissioner to India, Sir Dominic Asquith<br />

“I’m at the final event for one of the most important projects that we’ve had in the Year of<br />

Culture. <strong>Silk</strong> <strong>River</strong> has connected 20 communities in Kolkata and London and been at the heart of<br />

our mission to use the Year of Culture to celebrate the modern-day relationship between our two<br />

countries, to connect with people and to inspire them to build a relationship for the next 70<br />

years. It’s been a wonderful event, it’s been an incredible project and we’re so, so grateful to<br />

everyone involved. Thank you very much.”<br />

British Council India Director, Alan Gemmell OBE


3<br />

Where the Thames & Hooghly meet<br />

<strong>Silk</strong> <strong>River</strong> has been in development for over 30 years, and while we know now that there will be<br />

legacy projects that will continue the journey, we cannot yet know where it might lead in 30 years<br />

from now.<br />

It all began in India, in 1985, when Habib Tanvir, director of the Naya Theatre, encouraged Ali to<br />

become an artist. She followed him to Calcutta to learn about art and politics, and then began to<br />

work in participatory arts in the UK with the help of British community artist Elizabeth Lynch. In the<br />

process of exploring diverse art forms Ali followed the Asian diaspora to Trinidad, later becoming a<br />

carnival designer. Settling in London she learnt to paint silk, her artistic career took off and Kinetika<br />

was founded in 1997.<br />

Recently Ali has devised a different model of participation in response to changing social, economic<br />

and environmental circumstances engaging diverse disparate communities in walking, talking and<br />

making. Based in Purfleet and working closely with the local community, Kinetika created Thurrock<br />

100 (thurrock100.com), an annual walking festival, making artworks and exchanging stories that<br />

connects people to each other and the place that they live.<br />

SILK RIVER transposed this model to an international context for the first time - a<br />

tool for re-imagining the relationship between India and the UK as part of the<br />

UK/India year of culture. Bringing together Ali’s experience of working between<br />

Kolkata and London over many years, she welcomed this opportunity to<br />

collaborate with a team of talented artists and producers to deliver this project,<br />

creating new artworks on Murshidabad silk and connecting thousands of people<br />

through this extraordinary journey.<br />

The challenge now is to reflect and collaborate with our partners and build on the foundation that the<br />

<strong>Silk</strong> <strong>River</strong> network has created, both along the Thames Estuary and along the banks of the Hooghly.<br />

‘The inimitable bond between London and the Thames and Kolkata with the Hooghly<br />

are very special to me. Over the years I’ve observed many similarities and connections<br />

between them.<br />

<strong>Silk</strong> <strong>River</strong> is to me ‘a tale’ of two cities. Many set aside a particular time every year to<br />

remember their mutual interdependence with their river. London, among other festivities has<br />

a month-long celebration with Totally Thames.<br />

I want the same for Kolkata, and my involvement with this unique event, <strong>Silk</strong> <strong>River</strong>, gives me<br />

an opportunity to remember our Hooghly. We are sure that this will go a long way in<br />

making people conscious of the river, its importance and its heritage. Hopefully, it will also<br />

help us all to reinterpret and understand why we need to preserve this special bond.’<br />

Korak Ghosh<br />

Korak Ghosh, Director, <strong>Silk</strong> <strong>River</strong> India Walk


4<br />

The Inspiration<br />

Patachitra<br />

The aesthetic and design of the silk scrolls was inspired by the<br />

traditional Bengali art form of Patachitra. This is a unique folk<br />

tradition of visual storytelling accompanied by songs performed<br />

the Patuas.<br />

The painters are called Patua and bear the surname <strong>–</strong> Chitrakar.<br />

The paintings are mostly based on stories on mythology, social,<br />

historical or contemporary issues. The Patuas compose songs on<br />

the stories then paint to corroborate with the story which they<br />

unfurl and sing. This makes the Patuas lyricists, painters, singers,<br />

all blended into one.<br />

Swarna & Monaranjan Chitrakar, with Ruchira<br />

Das, performing in the UK<br />

We worked with many Patachitra artists on the silk scrolls in India and Swarna and Monaranjan<br />

Chitrakar visited the UK to deliver artist exchange workshops, accompanied by Ruchira Das.<br />

“Very informative. Lots of inspiring stories through the paintings and singing. Fantastic project<br />

to be involved in thank you.” Workshop attendee<br />

Murshidabad <strong>Silk</strong><br />

With the assistance of Crafts Council of West Bengal, the high-quality silk for the scrolls was woven<br />

in Islampore under the supervision of eminent silk merchant Gadadhar Hore.<br />

“It has turned out to be a great revival project as the weavers were<br />

contacted and convinced through a series of negotiations that it<br />

would be a wonderful opportunity to recreate the superior quality<br />

silk on a pilot basis for an international project.<br />

The weavers rose to the challenge and the silk for the scrolls was<br />

woven on looms that had not done so in recent memory.<br />

Here at the Crafts Council of West Bengal our role as an<br />

intermediary ensured that the silk was pure Murshidabad and not<br />

mixed with yarn from other parts of India or indeed the world. The<br />

success of the scrolls in telling the story of the British connection to<br />

India, from the past to the present will restore Murshidabad’s place<br />

in the history of Empire <strong>–</strong> as a centre of trade and a producer of<br />

exquisite silk.”<br />

Ruby Palchoudhuri, Director, Crafts Council of West Bengal<br />

<strong>Silk</strong> weaver<br />

<strong>Silk</strong> <strong>River</strong> shared the beautiful qualities of this silk to a wide variety of audiences, from Royal Botanic<br />

Gardens Kew, to an exhibition at Victoria Memorial Hall, Kolkata. We estimate that more than<br />

63,000 people saw the scrolls live during <strong>Silk</strong> <strong>River</strong> events.<br />

The scrolls are now being booked for exhibitions to continue to share their story, and Kinetika is likely<br />

to use this special silk on other projects and possibly a range of products too.


5<br />

<strong>Silk</strong> <strong>River</strong> Textile Residencies<br />

India - January 2017<br />

The first ten scrolls were designed and painted in a fourteenday<br />

residency hosted by the Murshidabad Heritage<br />

Development Society in Azimganj.<br />

Working with the Rural Crafts and Cultural Hubs and the<br />

Crafts Council of West Bengal many talented craftspeople<br />

were selected to work with the Kinetika artists.<br />

“The Patachitras could see the connections in terms of graphic<br />

design but the batik technique was new for them. Dipika, one of<br />

the younger members of the Patachitra family quickly saw an<br />

opportunity. She was excited by what she might learn from the<br />

artists of different traditions.<br />

None of us can predict the longer-term impact of the residencies<br />

on the artists, how the skills learnt, and the design approaches<br />

explored will manifest in their work… The challenge for the<br />

partners in Kolkata will be to follow up this moment with further<br />

opportunities for the artists to develop and flourish.” Elizabeth<br />

Lynch, Independent Consultant, Azimganj Residency.<br />

The 10 Murshidabad silk scrolls were first presented at the<br />

Murshidabad Heritage Festival that hosted the launch of <strong>Silk</strong><br />

<strong>River</strong> in Jan 2017.<br />

“Thank you for your support and good wishes towards<br />

Murshidabad Heritage Festival (MHF) 2017.. From the festival’s<br />

roaring success, we managed to carry on Murshidabad Heritage<br />

Development Society’s primary objective of preserving, conserving<br />

and protecting the rich culture and heritage of Murshidabad.”<br />

Pradip Chopra MHDS<br />

Artists’ residency to make India scrolls<br />

Who created the Indian Scrolls?<br />

4 Kinetika Artists<br />

12 Patachitra Artists<br />

4 Batik artists<br />

2 Clay Doll Makers<br />

2 Kantha Stitching Artists<br />

2 Sara painting artists<br />

4 Future Hope students<br />

15 Fashion/Art Students<br />

17 Students from SRFTI<br />

63 people in total<br />

Full credits HERE<br />

MHF Festival


6<br />

UK <strong>–</strong> June 2017<br />

The 10 UK scrolls were created at a twelve day residency held at<br />

Kinetika’s studios in Purfleet. Over 130 artists and volunteers<br />

attended over the two weeks. The residency was led by Ali Pretty<br />

and Jacci Todd and hosted by Jane Ford.<br />

At the residency it was clear that people really felt they had<br />

learnt new skills. We had up to five different locations come<br />

together at one time which was a brilliant way for the partners to<br />

exchange their stories, build a shared vision and lay the<br />

foundations for the <strong>Silk</strong> <strong>River</strong> Artists network. Several of the artists<br />

will now be employed by Kinetika on future projects.<br />

Making the UK scrolls June 2017<br />

“The Artists Residency was an opportunity to really get the locations<br />

connected in a practical and productive way and this achieved and<br />

went beyond its goal. Artists kept returning and continue to do so in<br />

a future legacy potential that has yet to be evaluated.” Jane Ford<br />

“I learnt many new skills as well as developing existing ones such as<br />

drawing, laying out, managing the handmade silk, hot waxing, how to<br />

mix cold water dyes, how to blend colours and the process of double<br />

waxing. It made me feel more confident about the possibility of<br />

working within the industry. It gave me a sense of pride in the whole<br />

project. I really enjoyed my time at Kinetika. I believe this was the best<br />

work experience opportunity for me as I got to meet lots of<br />

professionals who work within the creative sector.” Emily Moon, work<br />

experience student, Harris Academy, Thurrock.<br />

“I loved the team participation, as art can be a lonely pursuit. The<br />

residency has shown us how we can extend our own community projects<br />

to include other ethnic groups and demonstrates how one event evolves<br />

into another. It gave us the chance to network with many artists along<br />

The Thames Estuary.” Ruth Howard, Artist, What If Gallery,<br />

Dartford<br />

<strong>Silk</strong> <strong>River</strong> UK steering committee and artists<br />

Who created the UK Scrolls?<br />

10 Kinetika Artists<br />

5 Kew artists<br />

11 Tower Hamlets artists<br />

14 Barking & Dagenham artists<br />

5 Greenwich & Woolwich artists<br />

8 Dartford artists<br />

17 Gravesend artists<br />

12 Purfleet artists<br />

5 Tilbury artists<br />

3 East Tilbury artists<br />

11Southend artists<br />

28 schools/ youth group people<br />

130 people in total<br />

Full credits HERE


7<br />

UK Walking Festival<br />

The UK walk took place 15-24th September from Kew<br />

Gardens to Southend. Each day was totally different.<br />

Every day we added two more scrolls until we finally arrived<br />

at Southend with all 22 and walked them up the pier and<br />

boarded the paddle steamer Waverley back to Tower<br />

Bridge.<br />

Itinerary<br />

15th Sept <strong>–</strong> Plants, People, Art & Artefacts - Kew Gardens<br />

16th Sept <strong>–</strong> East London’s <strong>Silk</strong> Trail <strong>–</strong> Tower Hamlets<br />

17th Sept <strong>–</strong> AM <strong>–</strong> At Sea, Ships and Sailors <strong>–</strong> Greenwich<br />

17th Sept <strong>–</strong> PM <strong>–</strong> At Sea, Ships and Sailors <strong>–</strong> Woolwich<br />

18th Sept <strong>–</strong> The Hidden <strong>River</strong>, Barking Creek & <strong>River</strong>side<br />

19th Sept <strong>–</strong> Artists leave London and move to Purfleet. Why?<br />

20th Sept <strong>–</strong> What happens on the other side? Dartford<br />

21st Sept <strong>–</strong> Cement, Bricks & Paper alongside Europe’s finest<br />

Gurdwara <strong>–</strong> Gravesend<br />

22nd Sept <strong>–</strong> By Thames to all people of the world <strong>–</strong> Tilbury<br />

23rd Sept <strong>–</strong> In Other People’s Shoes - East Tilbury<br />

24th Sept <strong>–</strong> It’s a long way to Southend <strong>–</strong> Pier <strong>Final</strong>e!<br />

<strong>Silk</strong> <strong>River</strong> at the Cutty Sark 17 th Sept 2017<br />

One of the best things about the UK walks was the way in<br />

which each local partner and their participants planned,<br />

scoped and delivered their day <strong>–</strong> each one was unique and<br />

distinctive, reflecting each place. In many instances, there<br />

was a good connection to the Asian diaspora and<br />

connections have been made to neighbouring communities,<br />

and a <strong>Silk</strong> <strong>River</strong> network now exists and already there are<br />

several plans for continuing to do projects together along<br />

the Lower Thames Estuary.<br />

<strong>Silk</strong> <strong>River</strong> flags board the paddle steamer<br />

Waverley at the end of the UK walk 24 th Sept<br />

We believe, as reflected in Kevin Rushby’s blog and this recent piece in the Guardian, many people<br />

learnt a lot about the history, culture and communities along the Estuary.<br />

“It may seem ridiculous to suggest that the Thames is a discovery of the year but I don’t mean<br />

the bucolic splendours of its upper reaches. I mean below Greenwich. Lured in by the <strong>Silk</strong> <strong>River</strong><br />

arts project, I walked to Southend, crossing via foot tunnels (at Greenwich and Woolwich) and<br />

ferries (last one is Gravesend-Tilbury). There is post-industrial devastation but also luminous<br />

beauty. At Rainham Marshes you might see osprey, in Gravesend there is the grave of<br />

Pocahontas, at Dartford railway station a plaque to Mick Jagger and Keith Richards, who first<br />

met there. Time things right and you can catch the Waverley paddle steamer back upriver to<br />

Tower Bridge.” Kevin Rushby<br />

All Kevin Rushby’s blog posts: UK<br />

India


8<br />

The planning of the entire route and how all 10 days linked to each other was a remarkable<br />

achievement between Gordon Parker <strong>–</strong> London LDWA and Jo Beal. The collaboration between<br />

artists and walk leaders was brilliant and these relationships will be encouraged to develop in<br />

future projects.<br />

A few quotes from those that walked:<br />

• I was blown away by the energy, inclusivity and the<br />

richness of the whole event.<br />

• I think the school engagement was really important as<br />

was allowing locals to really be involved in all sections<br />

of the project.<br />

• I like the stories about Barking, and how it used to be.<br />

Tilbury Cruise Terminal 22 nd Sept 2017<br />

“We felt that the main success of the project was the way the young people really engaged with the<br />

historic and political aspects of the sites within which they performed. The walk on the day went really<br />

well and we came away from the experience feeling a real sense of community and achievement.”<br />

‘A’ Team Arts, Tower Hamlets<br />

Total participants in the UK school projects alone were in<br />

excess of 330 children, along with staff and teachers.<br />

Additional activity<br />

The initial grant and proposal for the project plan grew and led to many additional events and new<br />

artworks including these below. Further enquiries for touring the silks are being explored.<br />

Additional events and new commissions<br />

• Steve Shaw documentary Film<br />

• BFI Film Screening<br />

• A new poem by Shane Solanki<br />

• Diwali Trafalgar Square<br />

• Kew Gardens Exhibition<br />

• Mandakini Menon’s Film<br />

• Southend Exhibition (March <strong>2018</strong>)<br />

Diwali, Trafalgar Square<br />

Kew Exhibition<br />

Steve Shaw Film Screening<br />

Mandakini Menon’s film


9<br />

India Walking Festival<br />

The India walk took place 6-16th Dec 2017 from Azimganj (Murshidabad) to the Victoria Memorial,<br />

Kolkata. 18 participants travelled from the UK to take part, most were connected to someone who<br />

had been part of the UK leg of the journey, creating a real sense of connection between the two<br />

countries.<br />

Itinerary<br />

7 Dec <strong>–</strong> Azimganj/Murshidabad<br />

8 Dec - Krishnanagar<br />

9 Dec - Chandannagar<br />

10 Dec - Barrackpore/Serampore<br />

11 Dec - Tagore’s House/Kurmatouli<br />

12 Dec - Burrabazaar<br />

13 Dec - Howrah<br />

14 Dec - Kidderpore<br />

15 Dec - Batanagar<br />

16 Dec - Botanical Gardens / Victoria Memorial <strong>Final</strong>e<br />

Visit to Ashis Bagchi’s studio Krishnanagar<br />

Pride and Identity<br />

The India walk was a very different experience than that of the UK in many ways, though overall it<br />

had the same effect of engaging communities in something they had never experienced before, and<br />

in all cases there was a huge sense of pride in taking part in <strong>Silk</strong> <strong>River</strong> and the fact that a<br />

delegation of foreigners chose to visit and interact these little known places meant a great deal. As<br />

in the UK, the opportunity for all participants to come together at the finale, created a sense of a<br />

collective identity. It has also led to an intention to follow up this initiative. In West Bengal we feel<br />

the journey has just begun.<br />

Heritage: There was a very strong connection made in Azimganj through MHDS and in particular the<br />

Dhodoria family. We made a strong link to the Heritage sector, with international ICOMOS<br />

delegates from all over the world. This continued as we visited families in their palaces and estates<br />

at Cossimbazaar, Balakhana and Krishnanagar. It was great to have such a personal connection, we<br />

all learnt a great deal about the history from a different perspective than we would have on a<br />

more official tour. It has opened up a dialogue for a potential <strong>Silk</strong> <strong>River</strong> Tour for future visitors.


10<br />

Artists Along the way we met and interacted with a range of artisans and artists, appreciating the<br />

role of crafts in Bengali society, the talent and the potential for harnessing it and future<br />

collaboration.<br />

Schools. The presentations from schools were of a very high standard, and it was brilliant that in<br />

most cases we were able to offer them gifts that had been created by UK schools and we have<br />

been able to make connections now that could be followed up.<br />

Total participants in the India school projects were<br />

estimated to be 670 children during and before the<br />

December Indian walks, along with their staff and teachers.<br />

It was a new experience for Think Arts to work with students outside Kolkata and they were amazed<br />

at the effort that the teachers and students put in, to gather stories and information about the river,<br />

their town and their heritage. Ultimately Think Arts are certain that a large number of the students<br />

are now looking at their very own towns with more pride than they did before.<br />

Closing Ceremony <strong>–</strong> Victoria Memorial<br />

Thanks to Dr. Jayanta Sengupta of Victoria Memorial<br />

Hall, a spectacular closing ceremony on 16 Dec<br />

brought the project to a very strong conclusion.<br />

It was a beautiful end to the international celebration<br />

of culture that is <strong>Silk</strong> <strong>River</strong>.<br />

It was attended by:<br />

Sir Dominic Asquith, High Commissioner<br />

Bruce Bucknell, Dep. High Commissioner<br />

Alan Gemmell, Director of British Council India<br />

Debanjan Chakraborti, East India Director BC and<br />

Amit Mitra, Finance Minister, West Bengal Govt.<br />

Closing Ceremony, Victoria Memorial Hall, Dec 16 th<br />

2017<br />

The closing ceremony highlighted the significance of <strong>Silk</strong> <strong>River</strong> and has led to exciting discussions to<br />

develop legacy projects, both in the UK and India.<br />

“[<strong>Silk</strong> <strong>River</strong>] brings together the silk, design, colour, people to make the silk, to come up with the<br />

designs, to work together, and it also brings together what actually happens in the communities that<br />

these banners represent…It’s been thrilling to have all these people over from Britain and to actually<br />

stir up and bring you this idea of making places and bringing intangibles, what makes communities,<br />

what makes a place.” British Deputy High Commissioner Kolkata, Bruce Bucknell


11<br />

Questions<br />

These are the things we are asking as the <strong>Silk</strong> <strong>River</strong> 2017 project ends:<br />

• Can we create a <strong>Silk</strong> <strong>River</strong> network from which we can build a legacy for the communities<br />

along both rivers?<br />

• How do we harness the potential of creating a refreshed demand for Murshidabad silk, and<br />

create new products made by local crafts people that can sell in global markets<br />

empowering local communities?<br />

• Can this model have an impact on the way communities feel about their place? Do they<br />

perceive themselves to be part of a wider landscape? Will the city take note of their<br />

contribution and their assets?<br />

• Is this a replicable international model? Can it be applied as a tool for artists to connect with<br />

communities in the process of transition and regeneration?<br />

• How can we encourage the partnerships to grow?<br />

Project Legacy<br />

Following the successful completion of the project, there have been a number of strategic meetings<br />

with key partners examining potential and appetite for legacy activity. This has led to a proposed<br />

series of follow up projects that would fit within the wider context of a Memorandum of<br />

Understanding between WB Govt and British Council East India (which includes arts showcasing,<br />

exchange of artists and personnel, cultural skills, heritage and conservation). The <strong>Silk</strong> <strong>River</strong> legacy<br />

programme would be an important pillar of this and goes some way to addressing the questions<br />

above.<br />

Legacy Projects India<br />

• <strong>Silk</strong> <strong>River</strong> Festival for October 2108, in development, to coincide with Durga Puja, which<br />

could make <strong>Silk</strong> <strong>River</strong> an Experience Bengal offer for international tourists and academic<br />

visitors and researchers.<br />

• <strong>Silk</strong> <strong>River</strong> Scrolls to feature in a Durga Puja Pandal designed by Abin Chaudhuri in <strong>2018</strong>.<br />

• <strong>Silk</strong> <strong>River</strong> Book and Exhibition Jan 2019, in discussion with Emami Arts.<br />

• Artistic exchange opportunities to the UK. Opportunities have been identified to link<br />

Chandannagar lighting artists with the Barking and Dagenham Glow Festival. Other<br />

opportunities include sending Bengali artists to be part of the Totally Thames festival<br />

programme or to be present at the Southend Exhibition.<br />

Legacy Projects UK<br />

• Proposed exhibition <strong>–</strong> <strong>River</strong> Sutra <strong>–</strong> a preview of the Durga Puja Pandal, a showcase for<br />

Murshidabad silk and a range of West Bengal crafts. Currently in development.<br />

• Artists Opportunities Kinetika will train 10 <strong>Silk</strong> <strong>River</strong> artists on upcoming projects, with the<br />

aim to identify 2 additional lead artists and provide further work.<br />

• Processions <strong>–</strong> 15 ‘<strong>Silk</strong> <strong>River</strong> Women’ have been invited by Kinetika to contribute to this<br />

project, which is a nationwide initiative by Artichoke about celebrating women and female<br />

suffrage. 5 banners will be created, celebrating women from along the Thames Estuary.<br />

• <strong>Silk</strong> <strong>River</strong> exhibition in Southend March <strong>2018</strong>.<br />

• Chelsea Flower Show in May <strong>2018</strong>, <strong>Silk</strong> <strong>River</strong> scrolls could be part of the Indian Garden<br />

commissioned by British Council India.


12<br />

Audience<br />

Live: 63.7K<br />

Estimated number of live audience at all events: 63771<br />

Online, print and broadcast: 149.9m<br />

The online, print and broadcast audience, inc press coverage, breaks down as follows:<br />

Source<br />

Audience (not live)<br />

Online news, other websites & blogs, not social media 129,620,949<br />

Print (newspaper coverage) 13,315,068<br />

Exposure through other people's Social Media 6,308,032<br />

<strong>Silk</strong> <strong>River</strong> Twitter 'Impressions' 325,722<br />

<strong>Silk</strong> <strong>River</strong> Facebook 'Reach' 158,534<br />

Other exposure eg Radio interviews 120,000<br />

<strong>Silk</strong> <strong>River</strong> website visitors 60,192<br />

Instagram 'Impressions' 13,501<br />

Youtube views 3,991<br />

Soundcloud 'listens' 416<br />

Total 149,926,405<br />

Website Audience<br />

The <strong>Silk</strong> <strong>River</strong> website proved popular, with over 60k visitors and an average 2.8 page impressions<br />

per session. Most of the audience appeared to be in the UK (41.5%), with a surprising 16.5% from<br />

the USA and 9.5% from India. The most popular pages were the home page, the UK and India<br />

walk pages and, rather wonderfully, the page that contains Les Morgan’s video interview.<br />

Social Media Audience<br />

Our social media audience had a higher percentage of women than men, with the exception of<br />

Youtube where the split is 54% male/46% female. There were differences in platform use between<br />

UK and Indian audiences, reflected in the figures in the infographic below. Twitter and Instagram<br />

had a much lower percentage of Indian viewers, but it roughly evens out on Facebook and Youtube.


13<br />

Key Dates<br />

Date Activity UK Activity India<br />

Oct 6 th 2016 Launch day, UK.<br />

Nov 9 th 2016<br />

Launch Day, India. The Indian Museum.<br />

Nov 10-24 th 2016<br />

Workshops in 10 locations along the<br />

Hooghly.<br />

Jan 7-21 st 2017<br />

Textile residency making 10 India Scrolls<br />

hosted by MHDS.<br />

Jan 28/29 th 2017<br />

Indian scrolls presented at Murshidabad<br />

Resurgence Festival<br />

<strong>Feb</strong> 6-10th 2017 Patachitra Workshops UK<br />

March/April/May<br />

2017<br />

Recce walking routes.<br />

Design workshops UK<br />

June 5-18 th 2017 Textile Residency making 10 UK scrolls.<br />

June 22-26 th 2017<br />

Aug 30 th 2017<br />

Sept 15-24 th 2017<br />

Oct 15 th 2017<br />

Oct 22-27 th 2017<br />

Dec 6-16th 2017<br />

Dec 19-31 st 2017<br />

March 2-31 st <strong>2018</strong><br />

Scroll workshops with 7 Thurrock<br />

Schools<br />

Launch Event London with Totally<br />

Thames<br />

Walking Festival <strong>–</strong> UK<br />

15 Sept Kew Gardens<br />

16 Sept Tower Hamlets<br />

17 Sept Greenwich<br />

18 Sept Barking<br />

19 Sept Purfleet<br />

20 Sept Dartford<br />

21 Sept Gravesend<br />

22 Sept Tilbury<br />

23 Sept East Tilbury<br />

24 Sept Southend<br />

Diwali Celebrations Trafalgar Square<br />

Exhibition of all silk scrolls at Kew<br />

Gardens<br />

Exhibition of all silk scrolls at Beecroft<br />

Gallery, Southend.<br />

Walking Festival <strong>–</strong> India<br />

7 Dec Murshidabad<br />

8 Dec Krishnanagar<br />

9 Dec Chandannagar<br />

10 Dec Barrackpore/Serampore<br />

11 Dec Tagore’s House/Kurmatouli<br />

12 Dec Bowbazaar<br />

13 Dec Howrah<br />

14 Dec Kidderpore<br />

15 Dec Batanagar<br />

16 Dec Botanical Gardens / Victoria<br />

Memorial <strong>Final</strong>e<br />

Exhibition of all silk scrolls at Victoria<br />

Memorial Hall


14<br />

People & Partners<br />

A huge thank you to everyone who has contributed to make this project a success; all the funders, artists, partners, schools, volunteers,<br />

walk leaders, link walkers and walkers as well as the boat companies and venues. We couldn’t have done it without you! Full Credits<br />

are here: http://www.silkriver.co.uk/project-credits/<br />

Project Team UK, Kinetika<br />

Ali Pretty, Artistic Director<br />

Jacci Todd, Associate Designer<br />

Gordon Parker,walk designer, interviewer<br />

Elizabeth Lynch, Researcher & Interviewer<br />

Mark Forrest, Graphic Design<br />

Jo Beal, Project Manager<br />

Jane Ford, Project Co-ordinator Outreach<br />

Location Partners UK<br />

Royal Botanic Gardens Kew<br />

Visitor Learning Team <strong>–</strong> Kew working with:<br />

Creative People and Places, Hounslow<br />

Watermans Arts Centre.<br />

Tower Hamlets <strong>–</strong> A’Team Arts<br />

Geraldine Bone (Creative Director)<br />

Dr Canan Salih (Dramaturg)<br />

Sarbjit Natt (Textiles Design)<br />

Jessica Green (Production)<br />

Working with:<br />

19 Princelet Street <strong>–</strong> Museum of Immigration<br />

St Anne’s, Limehouse<br />

St Matthias Community Centre<br />

Museum of London Docklands<br />

UAL Central Saint Martins<br />

Royal Borough of Greenwich and Woolwich<br />

Sam Lahai-Taylor working with:<br />

The Woolwich Singers<br />

Greenwich Coalition for Equality and Human<br />

Rights (GCEHR)<br />

The Cutty Sark, Royal Museums Greenwich<br />

Creative Barking and Dagenham<br />

Sophie Merriman working with:<br />

Studio 3 Arts<br />

Friends of Greatfields Park<br />

St Margarets Church<br />

<strong>River</strong>gate Centre<br />

Barking <strong>River</strong>side Limited<br />

Nigel Sagar, London Borough Barking and<br />

Dagenham<br />

Barking Enterprise Centres<br />

Sue Bramley Centre<br />

Scott Sullivan, Fundraiser<br />

Mike Johnston, photography & film<br />

Kevin Rushby, Travel Journalist<br />

Steve Shaw, Dir <strong>Silk</strong> <strong>River</strong> documentary<br />

Lee Scott, Web Developer<br />

Edwina Rigby, Marketing Director<br />

Purfleet <strong>–</strong> Kinetika<br />

Ali Pretty and Mike Ostler<br />

Working with:<br />

Acme Artists’ Studios<br />

Royal Opera House Construction workshop<br />

Royal Opera House Costume Department<br />

Royal Opera House Trailblazers<br />

South Essex College<br />

RSPB Rainham Marshes<br />

The Back Stage Centre<br />

St Stephens Community Trust<br />

High House Community Group<br />

Purfleet Community Hub<br />

Heritage and Military Centre<br />

Dartford Borough Council<br />

Lewis Kirnon working with:<br />

Dartford Town Centre Partnership<br />

Cohesion Plus<br />

Same Sky<br />

The What if Gallery<br />

The Dartford Arts Network<br />

Gravesham Borough Council, Kent County<br />

Council<br />

Anita Tysoe working with:<br />

Port of London Authority<br />

Woodville Theatre<br />

Gravesham Art Salon<br />

The Gr@nd<br />

LV21 <strong>–</strong> Light Vessel 21<br />

Shane Solanki <strong>–</strong> artist and poet<br />

Guru Nanak Darbar Gudwara<br />

Kent Equality Cohesion Council<br />

Ebbsfleet United Football Club<br />

Key Partners UK<br />

Thames Festival Trust<br />

Bath Spa University<br />

London Long Distance Walkers Association<br />

Metal<br />

St Andrews Arts Centre<br />

Rethink Mental Illness (Kent Sahayak Services)<br />

Gravesham Arts<br />

No Walls Garden<br />

St Botolphs Church<br />

The Rock Choir<br />

Cohesion Plus<br />

Northfleet Big Local<br />

Tilbury <strong>River</strong>side Project<br />

Annie O’Brien and Mike Ostler<br />

Working with:<br />

Port of London Authority<br />

London International Cruise Terminal<br />

Tilbury Fort <strong>–</strong> English Heritage<br />

Tilbury Hub<br />

Coalhouse Fort<br />

East Tilbury <strong>–</strong> Bata Heritage Centre<br />

Mike Tarbard working with:<br />

The Complete Commedia Company<br />

Southend-on-Sea Borough Council<br />

Sidney Patrick, Michaela Freeman<br />

Working with:<br />

The Hindu Association of Southend & District<br />

The Mudlarks Choir<br />

The Old Leigh Studios<br />

Leigh Fishing Community<br />

Metal<br />

UK Walk Leaders<br />

Gordon Parker<br />

Peter Aylmer<br />

Peter Woodard<br />

Mike Ostler<br />

Mike Tarbard<br />

Joan Bullivant<br />

Ollie Golding<br />

Link Walkers<br />

Aysen Bekir<br />

Melissa Butcher<br />

Artists and participants that created the UK scrolls:<br />

Kinetika Artists<br />

Ali Pretty<br />

Jacci Todd<br />

Jane Ford<br />

Margaret Hall<br />

Jo Beal<br />

Donna Plakhtienko<br />

Leslie Robinson<br />

Mike Johnston<br />

Gordon Parker<br />

Sarah Moorcroft<br />

Kew<br />

Aysha Khan<br />

Saif Osmani<br />

Lucy Thurley<br />

Halima Khanom<br />

Marie Nassir<br />

Tower Hamlets<br />

Geraldine Bone<br />

Sarbjit Natt<br />

Canan Salih<br />

Piero d’Angelo<br />

Lucrezia Levanti<br />

Nowshin Prenon<br />

Berni Yates<br />

Maria Cuji<br />

Bushra Hussain<br />

Sindy Nguyen<br />

Emily Juteau<br />

Barking and<br />

Dagenham<br />

Susanna Wallis<br />

Saira Awan<br />

Kerry Griffith<br />

Johnny Paterson<br />

Susannah<br />

Jim Albert<br />

Sophie Merriman<br />

Wumi Oyewole<br />

Jimmy Lee<br />

Khushnood Ahmed<br />

Shanzay Ahmed<br />

Aariz Ahmed<br />

Stuart Hitchcock<br />

Lexie Hitchcock<br />

Greenwich and<br />

Woolwich<br />

Fabiola Retamozo<br />

Jessica Poon<br />

Sonia Thapa<br />

Pete Colley<br />

Neil Cook<br />

Jeff Golland<br />

Joelle Guérin<br />

Paul Lawrence<br />

Cathy Phillips<br />

Mr Thapa<br />

Ms Thapa (daughter)<br />

Dartford<br />

Ruth Howard<br />

Kate Withstanley<br />

Tanya Outen<br />

Kemi Adeyemi-Wilson<br />

Nicola Vaughan<br />

Anne Graves<br />

Christine Collins<br />

Yvonne Clarkson<br />

Gravesend<br />

Kirsty Gaunt<br />

Catherine Mayors<br />

Liz Howe<br />

Sonnia Margarita<br />

Pam Childs<br />

Bouchira Photay<br />

Wafa Obeid<br />

Paivi Seppala<br />

Carol Gosal<br />

Sukhbir Bassan<br />

Parmjit Rossan<br />

Kidir Sand<br />

Chris Mack<br />

Colin Saunders<br />

Lonica Vanclay<br />

Dave Williams<br />

Amerdeep Hunjan<br />

Elizabeth Straupmanis<br />

Emil Straupmanis<br />

Purfleet<br />

Lisa Meehan<br />

Doreen Scarlett<br />

Gary Scarlett<br />

Jamie Scarlett<br />

1 x child Scarlett<br />

Uzezi Odjohu<br />

7 x Brownies<br />

Christine Rowles<br />

Purfleet RoH Bridge<br />

Sophie<br />

Molly Boughtwood<br />

Victoria Gooding<br />

Rachel Nash<br />

Kirsty<br />

Susanna Wildon<br />

Tilbury<br />

Sara Hayes<br />

Steven Lawes<br />

Anne White<br />

Rebecca White<br />

Rebekah Wallace<br />

Tilbury Pioneer<br />

Allison Axten<br />

8 x Tilbury Pioneer<br />

Pupils<br />

East Tilbury<br />

Jackie Creasey<br />

Emily Moon<br />

Lizzie Challis<br />

11 pupils from Harris<br />

Academy Chafford<br />

Hundred<br />

Southend<br />

Damien Robinson<br />

Lee Moon<br />

Sidney Patrick<br />

Walter Reid<br />

Tina Holmes<br />

Jilly Reid<br />

Nina Chavda<br />

Manji Solanki<br />

Anju Lund<br />

Seemanci<br />

Violette Dooley


15<br />

15<br />

Project Team India, Think Arts<br />

Ruchira Das - Project Director, India<br />

Korak Ghosh - Artistic Director, India<br />

Isha Daga - Marketing Director, India<br />

India Production Team<br />

Ashish Adhikary<br />

Babu Singh<br />

Payel Ghoshal<br />

Prateek Bagi<br />

Shaunak Sur<br />

Key Partners India<br />

British Council<br />

Dr. Debanjan Chakrabarti<br />

Shonali Ganguli<br />

Jennifer Crook<br />

Dominic Hastings<br />

Crafts Council of West Bengal<br />

Ruby Palchoudhuri<br />

Shikha Mukherjee<br />

Location Partners & individuals India<br />

Murshidabad<br />

MHDS<br />

Sandip Nowlakha<br />

Darshan Dudhoria<br />

Sidharth Dudhoria<br />

Sangeeta Dudhoria<br />

Don Bosco school, Azimganj<br />

Krishnanagar<br />

Ashis Bagchi<br />

Krishnanagar Academy<br />

Burrabazar<br />

Anthony Khatchaturian<br />

Participating Artists in <strong>Silk</strong> <strong>River</strong> Walk<br />

Arranged by Banglanatak:<br />

Bangla Qawwali -Akkas Fakir, Arman<br />

Fakir, Babu Fakir, Gopen Debnath, Tushar<br />

Mondal and Irak Khan<br />

Raibenshe artists <strong>–</strong> Kajal Biswas, Sujan<br />

Bagdi, Sumanta Bhalla, Akash Bagdi<br />

Songs of the river <strong>–</strong> Pranesh Som,<br />

Nilatpal Bhattacharjee, Sandip Gangully<br />

Baul/Fakir <strong>–</strong> Subhadra Sharma, Babu<br />

Fakir<br />

Puppetry <strong>–</strong> Ranjan Roy<br />

Clay Doll Artists <strong>–</strong> Satyajit Paul, Biswa<br />

Biswas<br />

Tamali Bhattacharya - Admin support<br />

Priyanka Chatterjee, Storyteller, school<br />

workshops<br />

Tushar Bhattachary<br />

Rex Anthony<br />

Riju Mahali<br />

Bablu Bagdi<br />

Tuin Dey<br />

Rural Crafts & Cultural Hubs of<br />

W.Bengal<br />

Amitava Bhattacharya<br />

Ananya Bhattacharya<br />

Sayantani Roychowdhury<br />

Sreya Sarker<br />

Soham Mukherjee<br />

Chandannagar<br />

Neline Mondal<br />

Ganges Gurukul school<br />

Barrackpore<br />

Future Hope,<br />

Barrackpore Technical Skills Centre<br />

Jorosanko<br />

Sourendro Mallick &<br />

Soumoyojit Mallick, Marble Palace<br />

Patachitra Artists <strong>–</strong> Manimala Chitrakar,<br />

Mohiuddin Chitrakar (Mohim)<br />

Wooden Doll Artists <strong>–</strong> Nitai Sutradhar,<br />

Rakhi Sutradhar<br />

Sabai Artists <strong>–</strong> Bharati Dutta, Suchand<br />

Basra<br />

Madur Artist <strong>–</strong> Gurupada Mana and<br />

Usha Shau<br />

Ashish Bagchi <strong>–</strong> daaker shaaj’ and shola<br />

artist<br />

Ashish Choudhury- Painter<br />

Sanjay Sarkar & Gurni Artists Association<br />

Swarna Chitrakar, Associate Designer<br />

Monu Chitrakar, Songwriter<br />

Asim Mondal<br />

Ananya Sen<br />

Basudev Namata<br />

Megha Roy Chatterjee<br />

Department of Tourism, Govt. of West<br />

Bengal<br />

Victoria Memorial Hall &<br />

The Ministry of Culture, India<br />

Special Thanks to:<br />

Sujata Sen<br />

Nandita Palchoudhuri<br />

Dr. Jayanta Sengupta &<br />

Sayan Bhattacharya <strong>–</strong> Indian Museum<br />

Howrah<br />

DPS Howrah<br />

Kidderpore<br />

Rangan Datta<br />

Bidya Bharati Mominpur<br />

Batanagar<br />

Papia Sarkar<br />

Batanagar High School<br />

Botanic Gardens<br />

Dr. M.U. Sharief<br />

Babu Pal <strong>–</strong> Lighting Artist Chandannagar<br />

‘Mrityunjoy’ <strong>–</strong> play by Shilpi Mon<br />

Written by Sulogna Chakraborty ,<br />

Directed by Gopal Bhattacharya Music<br />

Sourav Saha. Organised by Tushar<br />

Bhattacharya<br />

Indian Classical Music by Archie<br />

Bhattacharjee, Anupam Pramanik, Krisna<br />

Ghosh<br />

Hattie Crane <strong>–</strong> Future Hope Volunteer<br />

Artist<br />

Artists and participants that created the Indian scrolls:<br />

Kinetika Artists<br />

Nurjahan Chitrakar<br />

Ali Pretty<br />

Swarna Chitrakar<br />

Jacqueline Todd<br />

Jane Ford<br />

Margaret Hall<br />

Patachitra Artists<br />

Ananda Chitrakar<br />

Baki Chitrakar<br />

Bithika Chitrakar<br />

Haru Chitrakar<br />

Jaba Chitrakar<br />

Jamela Chitrakar<br />

Manoranjan<br />

Chitrakar<br />

Mohiuddin Chitrakar<br />

Monimala Chitrakar<br />

Mousumi Chitrakar<br />

Batik artists<br />

Pallab Das<br />

Kaushik Singh<br />

Rakhahari Bagdi<br />

Susanta Banerjee<br />

Clay Doll Makers<br />

Panchu Bag<br />

Jyotsna Bag<br />

Kantha Stitching<br />

Artists<br />

Tajkira Begum<br />

Papia Begum<br />

Sara painting artists<br />

Sunil Kumar Pal<br />

Malati Pal<br />

Future Hope<br />

Basudev Namata<br />

Mongal Hembrom<br />

Suraj Das<br />

Surjit Mayera<br />

Fashion/Art<br />

Students<br />

Abhishek<br />

Asim Mondal<br />

Asish Chowdhury<br />

Banasree<br />

Chakraborty<br />

Debanjana<br />

Bhattacharya<br />

Devdutta Banerjee<br />

Kamal Das<br />

Manali Das<br />

Priyanka Das<br />

Rakhsha Chauhan<br />

Sumpi Sarkar<br />

Susanta Banerjee<br />

Suvam Das<br />

Uttara Joardar<br />

Vikramjeet<br />

Chatterjee<br />

Students from SRFTI<br />

Abhijit Sarthi<br />

Abhilash KG<br />

Abhishikta Kaila<br />

Akash Sethi<br />

Enosh Olivera<br />

Joydeep Bhowmick<br />

Jyoti Ranjan Rath<br />

Kalesh Laxman<br />

Krishnakanth Bohra<br />

Neethu Mohandas<br />

Pallav Mitra<br />

Princy Pal<br />

Shubarun Sengupta<br />

Siddarth Raj<br />

Sourav Saha<br />

Subhajit Ghosh<br />

Swahilian Samanta<br />

Heritage<br />

Conservationist<br />

Neline Mondal


16<br />

For further information on <strong>Silk</strong> <strong>River</strong>, to discuss<br />

legacy opportunities or to find out more about<br />

Kinetika’s work contact:<br />

Email: ali@kinetika.co.uk<br />

Website: kinetika.co.uk<br />

Project Website: silkriver.co.uk<br />

Tel: +44 (0) 1708 202 846<br />

Address: 119 Artists’ Studios,<br />

High House Production Park,<br />

Artisan Way, Purfleet,<br />

RM19 1AS, UK

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