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<strong>The</strong> Business<br />

Executive Suite<br />

Steve Bersch<br />

<strong>The</strong> veteran film exec sounds off on the<br />

state of indie moviemaking, taking over<br />

Screen Gems and the surprising most<br />

profitable division at Sony By Tatiana Siegel<br />

It’s an impressive stat that<br />

comes with a small asterisk:<br />

Sony Pictures Worldwide<br />

Acquisitions president Steve<br />

Bersch, 61, runs the most profitable<br />

division within the studio.<br />

<strong>The</strong> caveat is that with just 20<br />

employees, SPWA doesn’t carry<br />

the same overhead as, say,<br />

Columbia Pictures, given that it is<br />

not a releasing entity. Still, during<br />

his 10-year stint, SPWA boasts<br />

films such as Arrival, the Insidious<br />

franchise, Spotlight, Whiplash,<br />

Foxcatcher, Don’t Breathe and the<br />

upcoming Tom Hanks-starring<br />

RÉSUMÉ<br />

CURRENT TITLE<br />

President of Screen<br />

Gems and president<br />

of Sony Pictures<br />

Worldwide Acquisitions<br />

PREVIOUS JOB<br />

COO, 20th Century Fox<br />

Home Entertainment<br />

BIG HIT<br />

<strong>The</strong> Insidious<br />

horror franchise’s four<br />

films have grossed<br />

$517 million worldwide<br />

Photographed by Michele Thomas<br />

Greyhound. On Jan. 19, Bersch’s<br />

purview expanded even further<br />

when he took the reins of Screen<br />

Gems following the announcement<br />

that Clint Culpepper was<br />

exiting after a 28-year run at the<br />

genre label.<br />

<strong>The</strong>re was little time to<br />

celebrate considering that Bersch<br />

was busy negotiating a slew of<br />

deals on the ground at Sundance,<br />

where he acquired worldwide<br />

rights to the John Cho internet<br />

thriller Search for $5 million, and<br />

all international rights to Debra<br />

Granik’s drama Leave No Trace and<br />

↑ Bersch, photographed Feb. 1 at his<br />

Culver City office on the Sony lot, says,<br />

“<strong>The</strong> job of acquisitions when you’re<br />

buying at the script stage is twofold: to<br />

predict execution and marketability.”<br />

the Nick Offerman-led Hearts<br />

Beat Loud. <strong>The</strong> company had previously<br />

nabbed a wide swath<br />

of international territories for<br />

Paul Dano’s directorial debut,<br />

Wildlife, which was well reviewed<br />

after its Sundance premiere.<br />

Bersch, a Berkeley grad (“I’m a longsuffering<br />

Cal fan”) and father of<br />

two, talked to THR about his busy<br />

festival, the most profitable SPWA<br />

film and Screen Gems’ future.<br />

GROOMING BY SU HAN AT DEW BEAUTY<br />

THE HOLLYWOOD REPORTER<br />

38<br />

FEBRUARY 7, 2018

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