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Web_Designer_UK__May_2018

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GET PRO DESIGN SKILLS<br />

6 STEPS TO MEANINGFUL<br />

TYPOGRAPHY<br />

1<br />

READ THE CONTENT<br />

Meaningful typography<br />

starts with one thing —<br />

the content. Typographers know<br />

this since they’ll always read the<br />

book before they start typesetting<br />

for it. Unfortunately, it<br />

seemsthatmanywebdesigners<br />

underestimate the importance of<br />

contentinawebdesignprocess.<br />

They will often find excuses in<br />

the fact that the website doesn’t<br />

existyetsothere’snocontentto<br />

work with. When that’s the case,<br />

use content that is similar. If<br />

you’re designing a website<br />

about finance and economics,<br />

for example, find an article<br />

about that and read it.<br />

2<br />

CHOOSE A TYPEFACE<br />

BASED ON CONTENT<br />

Now you have read the<br />

content, you’re ready to choose<br />

your main typeface. If a website<br />

isabouttechnology,butis<br />

expected to have medium to long<br />

articles,useatypefacethatlooks<br />

abitmodernbutiseasytoread.<br />

If it’s an art gallery portfolio, you<br />

can get away with something<br />

edgy.Don’tuseLoremIpsumas<br />

placeholder text — it’s a strange<br />

form of the Latin language that<br />

has nothing to do with your<br />

website. Use the content from<br />

Step 1, in the language that<br />

will be used, and then design<br />

around that.<br />

3<br />

START MOBILE-FIRST<br />

An important step is to<br />

design the best reading<br />

experience for the screen that’s<br />

hardest to design for — mobile.<br />

Mobile-first is a fundamentally<br />

different approach to web design<br />

where progressive enhancement<br />

is favourable to graceful<br />

degradation. Don’t design the<br />

best reading experience for<br />

desktopscreensandthenadapt<br />

for mobile or, even worse, forget<br />

about mobile altogether. Choose<br />

a combination of font size and<br />

line height that works best on<br />

smaller screens. Your starting<br />

pointshouldbetheagreed-on<br />

browser default of 16 pixels.<br />

GREAT EXAMPLES Matej Latin picks a selection of typography that works well<br />

4<br />

ADAPT FOR<br />

LARGE SCREENS<br />

Don’t let mobile-first<br />

turn into mobile-only. The tools<br />

forshapingthebestreading<br />

experiences for different screens<br />

areinplaceandtheyshouldbe<br />

used.Largerscreensareusually<br />

further away from reader’s eyes<br />

so the base font size needs to be<br />

larger.18pixelsiswidely<br />

considered a good starting point.<br />

Don’t forget to limit the width of<br />

paragraphs — recommended for<br />

best reading experiences is up to<br />

60charactersperline.Theline<br />

height needs to be looked at<br />

again — 1.4 or 1.5 times the font<br />

size is usually best.<br />

Wired — wired.co.uk<br />

Wired comes with a typeface designed for web usage (Exchange<br />

<strong>Web</strong>) and neatly designed reading experiences for both, mobile (17<br />

pixels and 1.3 line height) and desktop (19 pixels and 1.4 line height).<br />

The Independent — independent.co.uk<br />

The Independent benefits from a bespoke typeface, Indy Serif, which<br />

seems very capable at delivering any type of news content on any<br />

medium. Well-shaped paragraphs offer a great reading experience.<br />

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