26.02.2018 Views

Volume 23 Issue 6 - March 2018

In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.

In this issue: Canadian Stage, Tapestry Opera and Vancouver Opera collaborate to take Gogol’s short story The Overcoat to the operatic stage; Montreal-based Sam Shalabi brings his ensemble Land of Kush, and his newest composition, to Toronto; Five Canadian composers, each with a different CBC connection, are nominated for JUNOs; and The WholeNote team presents its annual Summer Music Education Directory, a directory of summer music camps, programs and courses across the province and beyond.

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

Beat by Beat | Mainly Clubs, Mostly Jazz!<br />

Discovering New<br />

Venues<br />

DAVID PERLMAN<br />

In the February issue of HalfTones, our between-print-issues e-letter,<br />

we ran a story by Sara Constant on this year’s recipients of the TD<br />

Toronto Jazz Discoveries Series Awards, now in its eighth year.<br />

As described in that story, the series started in 2011 as a part of<br />

the TD Toronto Jazz Festival’s outreach to local performers creating<br />

original work, and to year-round, multi-venue jazz programming in<br />

the city. “Each year, an assembled Toronto Jazz Fest jury selects four<br />

projects to receive support and funding from the festival. Over the<br />

last eight years,” the story continues, “the series has accumulated an<br />

alumni list that serves as a veritable who’s who of local jazz innovators<br />

–[helping] transform the festival from an annual affair into a yearround<br />

showcase of local music-making.”<br />

It’s not hard to see how this year’s four recipients fit the bill: Harley<br />

Card’s Sunset Ensemble at Lula Lounge, <strong>March</strong> 1; the Heavyweights<br />

Brass Band at Lula Lounge, <strong>March</strong> 29; Adrean Farrugia and Joel Frahm<br />

at Gallery 345, April 27; and a show curated<br />

by Aline Homzy titled The Smith Sessions<br />

Presents: Bitches Brew at Canadian Music<br />

Centre, April 28.<br />

Just as interesting as the alumni, from<br />

the perspective of this column, is taking<br />

a look at the venues that have been the<br />

most active participants in this initiative<br />

over the years, both the ones you’d expect<br />

to find mentioned regularly here, and also<br />

the ones you might not usually associate<br />

with jazz.<br />

Lula leads: of the usual venues you’d<br />

expect to be involved, Lula Lounge leads<br />

the pack, starting with the series’ first-ever concert, a Fern Lindzon<br />

CD release in April 2011. Since then the Dundas St. W. venue has<br />

hosted series concerts by Jaron Freeman-Fox in February 2013,<br />

a Heavyweights Brass Band CD release concert in <strong>March</strong> 2014,<br />

D. In the Clubs (Mostly Jazz)<br />

Alexander Brown in <strong>March</strong> 25, Sundar Viswanathan’s AVATAAR in<br />

<strong>March</strong> 2016 and Chelsea McBride’s Socialist Night School CD release<br />

in January of last year. And this year the beat continues with Harley<br />

Card, <strong>March</strong> 1 and The Heavyweights in a return visit on <strong>March</strong> 29.<br />

The Rex and Jazz Bistro: as you might expect, the city’s two premier<br />

mainstream venues are both in the running for silver and bronze, with<br />

three appearances each over the eight years. The Rex has been venue<br />

of choice for a Barry Elmes Quintet CD Release in <strong>March</strong> 2011, a Nick<br />

Fraser double-CD release in May 2016, and The Further Adventures of<br />

Jazz Money (Dillan Ponders, Apt and Ghettosocks) in <strong>March</strong> 2017. And<br />

the Bistro has hosted a Beverly Taft Meets the Nathan Hiltz Orchestra<br />

CD release concert in April 2014, a first big gig for the Alex Goodman<br />

Chamber Quintet in April 2015 and Robi Botos’ Movin’ Forward CD<br />

Release in <strong>March</strong> 2015.<br />

Gallery 345: When you get past those three obvious choices,<br />

though, you’re entering some interesting territory – venues with audiences<br />

more often in other genres but offering fertile ground for jazz.<br />

Gallery 345 on Sorauren heads the list: Mike Downes in <strong>March</strong> 2012,<br />

Shannon Graham and The Storytellers in April 2013, and the Nancy<br />

Walker Quintet in 2014. Adrean Farrugia and Joel Frahm (April 27 this<br />

year) will actually push Ed Epstein’s little-gallery-that-could ahead of<br />

its more storied mainstream colleagues into the silver medal spot.<br />

The Best Rest<br />

Space doesn’t permit the same level of detail for the rest of the<br />

venues used to date for the series, but<br />

the point is that there are venues out<br />

The Heavyweights Brass Band there for putting on shows for audiences<br />

that are there to listen. The<br />

Music Gallery, previously at St. George<br />

the Martyr Church on John St., and<br />

its new housemates at 918 Bathurst<br />

Cultural Centre have been used four<br />

times so far. Small World Music Centre,<br />

Alliance Française, the late-lamented<br />

Trane Studio, the Lower Ossington<br />

Theatre, Knox Presbyterian and Beit<br />

Zatoun have also all been used. This<br />

year the Canadian Music Centre on<br />

St. Joseph joins the list.<br />

If the series continues to encourage adventurous venue hunting as<br />

much as it does adventurous music-making, it will continue to serve a<br />

worthwhile purpose.<br />

publisher@thewholenote.com<br />

As we work towards listing club events with our main listings in an integrated<br />

searchable format, some listings here are less complete than they were previously.<br />

Please visit the website addresses provided for specific venues or use the phone<br />

number provided for more detailed information. We apologize for this temporary<br />

inconvenience.<br />

120 Diner<br />

120 Church St. 416-792-7725<br />

120diner.com (full schedule)<br />

All shows: PWYC ($10-$20 suggested)<br />

Alleycatz<br />

2409 Yonge St. 416-481-6865<br />

alleycatz.ca<br />

All shows: 9pm unless otherwise indicated.<br />

Call for cover charge info.<br />

Every Mon 8:30pm Salsa Night. Every Tue<br />

Bachata Night. Every Wed Midtown Blues<br />

Jam. Every Thurs 7:30pm Claudia Lopez<br />

Duo Jazz.<br />

Mar 2 Graffitti Park. Mar 3 & <strong>23</strong> Gyles Band.<br />

Mar 9 & Apr 6 Red Velvet. Mar 10 All Request<br />

Band. Mar 16 Urban Jive. Mar 17 Sound<br />

Parade. Mar 24 Soular. Mar 30 Parkside<br />

Drive. Mar 31 & Apr 7 Lady Kane.<br />

Artword Artbar<br />

15 Colbourne St., Hamilton. 905-543-8512<br />

artword.net (full schedule)<br />

All shows at 8pm unless otherwise noted.<br />

Mar 1 Toivi Unt. Mar 2 Edgar Breau (CD<br />

release). $15. Mar 3 The Worst Pop Band<br />

Ever. $10. Mar 4 7:30pm Celebration of<br />

the Music of Ken Aldcroft $15/$10(adv).<br />

Mar 24 Zero Point.<br />

The Blue Goose Tavern<br />

1 Blue Goose St. 416-255-2442<br />

thebluegoosetavern.com (full schedule)<br />

Every Sun 4pm Blues at The Goose.<br />

Big Groove featuring Downchild’s Mike<br />

Fitzpatrick & Gary Kendall with Special<br />

Guests: Mar 4 Mike Branton & Jesse<br />

Whiteley. Mar 11 Dylan Wickens & Tyler<br />

Burgess. Mar 18 Jenie Thai & Fraser Melvin.<br />

Mar 25 Mark “Bird” Stafford & Jake<br />

Chisholm.<br />

Bloom<br />

<strong>23</strong>15 Bloor St. W. 416-767-1315<br />

bloomrestaurant.com<br />

All shows: 19+. Call for reservations.<br />

Mar 29 7pm Hilario Durán Trio $55 Dinner<br />

& Concert<br />

Burdock<br />

1184 Bloor St. W. 416-546-4033<br />

burdockto.com (full schedule)<br />

Mar 1 Graham Nicholas Album Release w/<br />

Grady Kelneck. Mar 3 Emma Cook w/ Julie<br />

Neff.<br />

Cameron House<br />

408 Queen St. W. 416-703-0811<br />

thecameron.com<br />

Mar 5, 12, 19 & 26 6pm David Leask (new<br />

album Six in 6/8) No cover.<br />

Castro’s Lounge<br />

2116 Queen St. E. 416-699-8272<br />

castroslounge.com (full schedule)<br />

All shows: No cover/PWYC<br />

C’est What<br />

67 Front St. E. (416) 867-9499<br />

cestwhat.com (full schedule)<br />

All concerts are PWYC unless otherwise<br />

noted.<br />

Mar 3 3pm The Hot Five Jazzmakers. Mar 4<br />

7pm Women in Music, Vol. 4. $10.<br />

Emmet Ray, The<br />

924 College St. 416-792-4497<br />

theemmetray.com (full schedule)<br />

All shows: No cover/PWYC<br />

Mar 4 6pm Robert Chapman Trio.<br />

Gate 403<br />

403 Roncesvalles Ave. 416-588-2930<br />

54 | <strong>March</strong> 1 – April 7, <strong>2018</strong> thewholenote.com

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!