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Chiiz Volume 7 :Fashion Photography

When people stand in front of the mirror to have a good long look at themselves, they always hope to see a better reflection of themselves than what they have seen previously and with all this, they have grown conscious of how they appear and how comfortable they are with what they wear.Not only their clothes, but also their comfort level, express the sense of style and their conformity to the outer world.In this issue, what we have focussed on might not be the mainstream fashion and people might not get the hype that revolves around the fashion world but what we have here is something that is responsible for all that we have achieved so far in this industry. Be it natural beauty by Lynn Theisen, backstage brilliance by Ishaan Nair, or the street fashion by Rohit Arora which is now gaining popularity among the more prominent photographers.The interview with John Rawson is an eye opener. He is has been through it all andhis experiences form a great lesson for all of us. The series of Roshini Kumar with Suhail Nayyar is also a masterpiece in itself which is a true symbol of comfortable fashion statements. Rod Klein and Jorge Gonzalez’s underwater fashion photographs present an altogether different approach to see things.

When people stand in front of the mirror to have a good long look at themselves, they always hope to see a better reflection of themselves than what they have seen previously and with all this, they have grown conscious of how they appear and how comfortable they are with what they wear.Not only their clothes, but also their comfort level, express the sense of style and their conformity to the outer world.In this issue, what we have focussed on might not be the mainstream fashion and people might not get the hype that revolves around the fashion world but what we have here is something that is responsible for all that we have achieved so far in this industry. Be it natural beauty by Lynn Theisen, backstage brilliance by Ishaan Nair, or the street fashion by Rohit Arora which is now gaining popularity among the more prominent photographers.The interview with John Rawson is an eye opener. He is has been through it all andhis experiences form a great lesson for all of us. The series of Roshini Kumar with Suhail Nayyar is also a masterpiece in itself which is a true symbol of comfortable fashion statements. Rod Klein and Jorge Gonzalez’s underwater fashion photographs present an altogether different approach to see things.

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Thom Kerr and the Talk of the Town<br />

Jordan<br />

NIKON D3 66mm F/4.5 1/100s ISO100<br />

Thom Kerr is known for his bold<br />

experimentation and vivid use of<br />

color. His work acts as a bridge<br />

between the realms of fashion and fine art.<br />

DIMPLE from <strong>Chiiz</strong> gets chatty with him<br />

around his career and fashion. Here is an<br />

excerpt.<br />

Being an artist, where do you draw most of<br />

your inspiration from?<br />

Probably music and cinema. I’m a storyteller<br />

at heart. Sometimes, there is a message I want<br />

to communicate politically or spiritually so<br />

I’ll think of a visual way to tell the story or<br />

make a point. I also identify ideas in other<br />

artist’s work that I think, can be explored or<br />

reinvented. I’m a big fan of curating different<br />

elements together - it’s often how you land<br />

with something brand new. You develop<br />

your own formulas for pictures then break<br />

away from them again.<br />

When did you first decide to turn to<br />

photography? Were you facing difficulties in<br />

directing the photographers?<br />

I did a fine arts degree specializing in<br />

writing and directing. As I was finishing my<br />

final year I made a lot of friends who were<br />

designers, models and creatives. I started an<br />

artist collective called Rufio Creative where<br />

we would all collaborate together. I would<br />

conceptualise the shoots and build the sets<br />

but other photographers would capture<br />

the ideas. I started toying with the idea of<br />

taking the photos myself as I wanted to take<br />

the images further, but was hesitant to take<br />

the leap of faith. However, after a psychic<br />

told me I was meant to be a photographer<br />

it validated those desires and I bought a<br />

camera that week. I think I already had a<br />

point of view before I was taking pictures,<br />

so my photos stood out. It was lots of hard<br />

work, self belief and asking strangers how<br />

things worked to get to where I am now.<br />

To what level, do you retouch your photos?<br />

Anything that you would like to do in<br />

particular with your photos?<br />

I retouch most of my personal and editorial<br />

work. Some of my advertising is with<br />

retouching teams but my clients usually<br />

want my involvement in the direction of the<br />

final look. In terms of what I do, it’s a lot of<br />

trial and error - I like finding unusual ways<br />

to accomplish things in Post-production.<br />

What is the greatest lesson you’ve learnt<br />

so far, in regard to reaching success and<br />

maintain it?<br />

I think you have to remind yourself to be<br />

grateful for what you have and constantly<br />

remember that you are not defined by your<br />

work - even though the world wants to<br />

define you that way. I’ve had lots of fabulous<br />

and horrendous moments - so I feel pretty<br />

level headed about my approach to all my<br />

opportunities these days. I’m appreciative to<br />

have made it this far and I’m curious to see<br />

how far I will go. I would say that longevity<br />

in my career is about constant evolution and<br />

following what interests you and takes you<br />

out of your comfort zone. Working with<br />

people who have different ideas will always<br />

push you to new heights with your art. That<br />

translates into people staying interested in<br />

you.<br />

You’ve worked with wide range of models,<br />

any tips that you have for models who want<br />

to expand their portfolio?<br />

Study up on all the successful photographers,<br />

not just the models. Develop a stronger<br />

understanding of what you think will work<br />

for your look and seek out the creatives<br />

that can make that happen. Figure out your<br />

strengths and use them to your advantage<br />

- that’s something I consistently see in the<br />

most successful models.<br />

What advice would you have for aspiring<br />

fashion photographers?<br />

It’s a constant dance between art and<br />

commerce. Doing things for strategic<br />

reasons verses doing things for artistic<br />

purposes. Both voices are important - I think<br />

you have to have a balance and keep faith in<br />

what you’re about and what you represent.<br />

In the beginning, you need to think equally<br />

as much about what someone needs from<br />

you rather than it being all about what you<br />

want. Being a professional photographer is<br />

a service industry - so if you deliver what<br />

people want, more opportunities will be<br />

presented to you.<br />

Dimple Chaudhary<br />

dimple@chiiz.com<br />

A journalism graduate from Delhi<br />

University, Dimple loves to act in plays<br />

and is a part of Nirantar Theatre group.<br />

She believes that ambition is the first<br />

step to success, action is secondary.<br />

24 Vol 7

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