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Chiiz Volume 10 : Black and White Photography

There is no doubt that colors bring out the vivaciousness of a picture but this time we are all geared to floor you with the magic of monochrome. This time Chiiz has brought to you a special edition based on Black and White Photography. Marc Henauer is here take you to a trip the world under the deep dark sea, the beauty of monochrome is explained by Ravi Dhingra in “Frozen in time”, Urshita Saini and Donatella Nicolini delves us into a relatively new genre of photography, i.e. Maternity and Birth Photography. The retention of the culture of Iran in the face of modernization is depicted amazingly by Duncan Chard. Mehdi Nazeri’s work on the pigeon fanciers in ‘The Birds of Hope’ is truly commendable and Debrani Das creates magic with her series on ‘Levitating Lovers, Unspoken Love’. Ashok Ghosh’s Work is a sight for sore eyes and is bound to leave you in awe and admiration for the ingenious photographer. Vikramjit Roop Rai covers the heritage of India and Shares ‘Why and How to Shoot Monuments’. Aman Chotani’s work on lights, lines and textures is replete with interesting elements that will leave you wanting for more. Turn the pages and find a lot more incredible stories in this volume.

There is no doubt that colors bring out the vivaciousness of a picture but this time we are all geared to floor you with the magic of monochrome.
This time Chiiz has brought to you a special edition based on Black and White Photography. Marc Henauer is here take you to a trip the world under the deep dark sea, the beauty of monochrome is explained by Ravi Dhingra in “Frozen in time”, Urshita Saini and Donatella Nicolini delves us into a relatively new genre of photography, i.e. Maternity and Birth Photography. The retention of the culture of Iran in the face of modernization is depicted amazingly by Duncan Chard. Mehdi Nazeri’s work on the pigeon fanciers in ‘The Birds of Hope’ is truly commendable and Debrani Das creates magic with her series on ‘Levitating Lovers, Unspoken Love’. Ashok Ghosh’s Work is a sight for sore eyes and is bound to leave you in awe and admiration for the ingenious photographer. Vikramjit Roop Rai covers the heritage of India and Shares ‘Why and How to Shoot Monuments’. Aman Chotani’s work on lights, lines and textures is replete with interesting elements that will leave you wanting for more. Turn the pages and find a lot more incredible stories in this volume.

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places <strong>and</strong> teach photography.<br />

You like to capture untold stories <strong>and</strong><br />

unprecedented experiences. Can you share<br />

something that left an indelible mark in<br />

your mind?<br />

In Nepal, I shot a portrait of a mother <strong>and</strong><br />

a daughter near the Annapurna Base Camp.<br />

The mother, <strong>10</strong>9 <strong>and</strong> the daughter, 92 years<br />

old were in one frame together. That was<br />

before the Nepal Earthquake. They were more<br />

close to my heart than the others <strong>and</strong> I still<br />

think back to that time <strong>and</strong> would love to go<br />

back <strong>and</strong> see if they are alive <strong>and</strong> well.<br />

You have travelled a lot <strong>and</strong> I’m sure there<br />

will be a social cause that couldn’t have<br />

escaped your notice. Is there a cause that<br />

you wish you could help out through your<br />

photography?<br />

Normally I do commercial projects when<br />

I travel, but I do feel strongly about the<br />

environment.I see people throwing stuff on<br />

the streets offh<strong>and</strong>edly <strong>and</strong> destroying the<br />

environment. I’ve been to 16 countries until<br />

now <strong>and</strong> everywhere that I’ve travelled, I’ve<br />

noticed that apart from India, other countries<br />

are very particular about cleanliness <strong>and</strong> they<br />

are very educated about basic environment<br />

education. I feel that we, in India aren’t really<br />

falling in <strong>and</strong> especially if you are an animal<br />

lover, you’d be extremely concerned about<br />

the fact that they eat whatever stuff that is<br />

thrown in the streets thoughtlessly <strong>and</strong> some<br />

eventually die because of it. This is something<br />

that I feel about <strong>and</strong> in Ladakh or Spiti,<br />

whatever treks that I take, we try to educate<br />

people <strong>and</strong> make sure that we don’t leave any<br />

mess behind. In future, I would definitely<br />

love to do something about it through<br />

photography.<br />

What are the ingredients of a good<br />

photograph according to you?<br />

I believe that a photograph should be able to<br />

tell to tell a story. But what set it apart are the<br />

elements that you use to make the story better.<br />

I love taking l<strong>and</strong>scape as well as portraits but<br />

with amazing elements like light, shadow,<br />

patterns, reflections etc. You will always find<br />

an interesting element in my pictures. I try to<br />

play a lot with light. That’s what I always say<br />

“Controlling light is photography.”<br />

My pictures are cinematic. I want the audience<br />

to feel as they came out of the cinema hall by<br />

having a glance at my picture. Want them<br />

to enjoy the entire screenplay. Want them to<br />

take away the whole cinematic film.<br />

If you ask personally then I would love to<br />

capture the adventure which will thrill you<br />

from top to bottom <strong>and</strong> make you stunned<br />

like how did you even take this shot. Cross<br />

the limits, break the rules shoot like a gorilla<br />

<strong>and</strong> get the best shot, that’s what my style is.<br />

What is the one faux pas that amateur<br />

photographers should avoid?<br />

I think the only mistake that they should avoid<br />

is to stop thinking of becoming a Facebook or<br />

Instagram celebrity. It will help you if you want<br />

to become a blogger or an Instagrammer. But<br />

if you really want to become a photographer,<br />

you don’t need to worry about social media.<br />

You just need to keep working properly or<br />

learn lighting or a commercial or something<br />

related to photography. There’s absolutely<br />

nothing that you are going t o get from social<br />

media.<br />

Priyashi Negi<br />

priyashi@chiiz.com<br />

Trekking to the top of the hills through<br />

tiny little paths <strong>and</strong> between pines is<br />

nothing short of a paradise for Priyashi.<br />

Books <strong>and</strong> poetry are her refuge. She is a<br />

foodie at heart <strong>and</strong> seems to be blessed<br />

with a sweet tooth <strong>and</strong> a love for all<br />

things cheese (pun-intended).<br />

Skyscraper<br />

NIKON D800 24mm F/22 1/<strong>10</strong>00s ISO400<br />

Shells<br />

NIKON D800 48mm F/4.5 1/60s ISO640<br />

Arcade<br />

NIKON D800 24mm F/<strong>10</strong> 1/125s ISO<strong>10</strong>0

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