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30<br />

The London cast of Kinky Boots.<br />

KINKY BOOTS CELEBRATES ITS<br />

1000TH PERFORMANCE<br />

Kinky Boots, the winner of every<br />

major Best Musical award, has recently<br />

celebrated its1000th performance and<br />

has now received its 1,000,000th<br />

customer in the West End. The<br />

production has also announced the<br />

opening of a new booking period, with<br />

tickets now available until 30 June.<br />

Kinky Boots at the Adelphi Theatre<br />

has become a favourite with UK<br />

theatregoers having won three Olivier<br />

Awards for Best New Musical, Best<br />

Costume Design and Best Actor in a<br />

Musical for Matt Henry who previously<br />

played Lola. Kinky Boots also won the<br />

London Evening Standard BBC Radio 2<br />

Audience Award for Best Musical as well<br />

as three WhatsOnStage Awards.<br />

Inspired by true events, Kinky Boots<br />

takes the audience from a gentlemen’s<br />

shoe factory in Northampton to the<br />

glamorous catwalks of Milan. Charlie<br />

Price (David Hunter) is struggling to live<br />

up to his father’s expectations and<br />

continue the family business of Price &<br />

Son. With the factory’s future hanging in<br />

the balance, help arrives in the unlikely<br />

but spectacular form of Lola (Simon-<br />

Anthony Rhoden), a fabulous performer<br />

in need of some sturdy new stilettos.<br />

For tickets, telephone 020 7087 7754<br />

Photo by Matt Crockett<br />

WORLD PREMIERE OF TRIOPERAS:<br />

TURANDOT, BUTTERFLY & CARMEN<br />

For the first time ever, three of the<br />

world’s most famous female-led operas<br />

have been dramatically revised with their<br />

stories told through the eyes of composer<br />

and interpreter, Pamela Tan–Nicholson,<br />

for the world premiere of TriOperas, in<br />

celebration of the 100th anniversary of the<br />

UK’s women’s suffrage. This radical new<br />

show, inspired by three of the best<br />

known female characters in opera,<br />

Turandot, Madam Butterfly and Carmen,<br />

opens at the Peacock Theatre on 23<br />

May, for a limited season until 1 July.<br />

TriOperas portrays the three women as<br />

reluctant heroines generations ahead of<br />

their time. Turandot is a cross-dressing<br />

daredevil warrior-princess, Madame<br />

Butterfly is an ambitious and proud<br />

Japanese geisha, and Carmen, the freespirited<br />

Spanish gypsy party girl. This<br />

innovative production, which challenges<br />

conventional depictions of the female<br />

protagonists, features a glorious fusion of<br />

classical music, musical theatre, circus,<br />

martial arts and dance.<br />

Uniquely, TriOperas has been<br />

designed for all female cast members to<br />

rotate roles in the three operas. Nine<br />

multi-talented female performers from a<br />

variety of artistic disciplines and<br />

backgrounds feature in the production –<br />

Sianna Bruce, Keedie Green, Sara<br />

Hamilton, Lucy Kay, Martina Mennell,<br />

Sarah Naudi, Shoreina Pereira, Katie<br />

Shalka and Chiarra Vinci.<br />

TriOperas merges opera singing with<br />

punk, rap, rock and hip-hop and a<br />

display of acrobatics, kung-fu, puppetry,<br />

breakdancing, tap, ballet, salsa, Chinese<br />

lion wushu and parkour. Stories are<br />

brought to life by a stellar production<br />

team, including choreographers such as<br />

Royal Ballet Principal Steven McRae,<br />

Sadler’s Wells' Breakin’ Convention<br />

Director Jonzi D, Masters Siow and Tang<br />

from Kun Seng Keng Lion and Dragon<br />

Dance Association.<br />

t h i s i s l o n d o n m a g a z i n e • t h i s i s l o n d o n o n l i n e

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