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<strong>#139</strong>
“A VERY<br />
HAPPY PLACE”<br />
COUNTRY LIFE<br />
“ONE WORD:<br />
EXCEPTIONAL”<br />
TATLER<br />
“SUCH A FUN<br />
PLACE TO BE”<br />
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BRIGHTON COLLEGE<br />
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OPEN MORNINGS | NURSERY, PRE-PREP & PREP<br />
SAT 21 APRIL & SAT 6 OCTOBER<br />
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139<br />
VIVALEWES<br />
EDITORIAL<br />
The theme of this month’s issue<br />
is ‘The Word’, and we’ve collected together a fine mini-anthology of <strong>Lewes</strong>ian poets, and<br />
children’s authors, and reading groups, and bookbinders and language teachers and so on and<br />
so forth. Apologies to the many we’ve left out: it’s a very literary-minded town.<br />
In our ‘The Way We Work’ section we always ask the subjects of the photos a theme-related<br />
question: this time we ask them two, ‘what was your favourite book as a child?’ and ‘what’s<br />
your favourite word?’ The latter is a particularly hard one to answer, partly because, unlike<br />
the former, it’s not something you might have already decided (like your favourite band, or<br />
composer, or colour, or Bond).<br />
A straw poll in the office throws out some interesting choices. One of us couldn’t decide<br />
between ‘bubble’, ‘cushion’ or ‘yellow’. Another chose ‘corybantic’, which was the first I’d<br />
heard of that one. A third said “it’s a swear word, I’m afraid: ‘bollocks’.”<br />
Which led to a subsidiary question: how would you choose a favourite word, anyway? Because<br />
you like the sound of it? Its etymology? Its connotations? Its usefulness? The fact it makes<br />
you feel clever when you say it? I went for a knee-jerk first-thing-in-my-head word, and<br />
‘griddle’ came out, who knows why? Perhaps because of its Anglo-Saxon earthiness; perhaps<br />
because of the sort of stuff you cook in it. Anyway, what’s yours?<br />
The last words in this column we’re writing upside down because - spoiler alert - they are the<br />
answer to Carlotta Luke’s photo quiz on pg 25:<br />
Station St, Station St, School Hill, Malling St, West St/Market St.<br />
Enjoy the issue…<br />
THE TEAM<br />
.....................<br />
EDITOR: Alex Leith alex@vivamagazines.com<br />
SUB-EDITOR: David Jarman<br />
DEPUTY EDITOR: Rebecca Cunningham rebecca@vivamagazines.com<br />
ART DIRECTOR: Katie Moorman katie@vivamagazines.com<br />
ADVERTISING: Sarah Hunnisett, Amanda Meynell advertising@vivamagazines.com<br />
EDITORIAL / ADMIN ASSISTANT: Kelly Hill admin@vivamagazines.com<br />
DISTRIBUTION: David Pardue distribution@vivamagazines.com<br />
CONTRIBUTORS: Jacky Adams, Michael Blencowe, Sarah Boughton, Mark Bridge, Emma Chaplin,<br />
Daniel Etherington, Mark Greco, Anita Hall, John Henty, Mat Homewood, Chloë King, Dexter Lee, Lucy Limage,<br />
Lizzie Lower, Carlotta Luke, Richard Madden, Chris Mason and Marcus Taylor<br />
PUBLISHER: Becky Ramsden becky@vivamagazines.com<br />
<strong>Viva</strong> <strong>Lewes</strong> is based at Pipe Passage, 151b High Street, <strong>Lewes</strong>, BN7 1XU, 01273 480131. Advertising 01273 488882
Open Morning<br />
Saturday 12 May <strong>2018</strong><br />
HURSTPIERPOINT COLLEGE<br />
hppc.co.uk<br />
Admissions: 01273 836936 or registrar@hppc.co.uk
'THE WORD' ISSUE<br />
CONTENTS<br />
Bits and bobs.<br />
The story behind this month’s Well &<br />
Good cover (10-11); what performance<br />
poet Ella Dorman-Gajic thinks of <strong>Lewes</strong><br />
(13); <strong>Lewes</strong> authors’ <strong>April</strong> offerings (16);<br />
Norman Baker’s latest LP (22); Carlotta<br />
Luke’s ghost lettering (25), and the usual<br />
rainbow gathering of hats and snaps and<br />
clocks and plaques and pubs.<br />
Columns.<br />
David Jarman gives us the silent treatment<br />
(27) and Chloë King discovers that plasticfree<br />
life ain’t so easy (29).<br />
On this month.<br />
It’s all about words… or the lack of them.<br />
Historian Kathryn Hughes tells us about<br />
Victorian body parts (31); Andy Freeman<br />
directs the timely Cold War musical<br />
Chess (33); gender-fluid Shakespeare<br />
performances by Sussex Downs drama<br />
students (35); terrace chanting at the Pan<br />
(37); silent Hitchcock at Depot (39); and<br />
saying it with flowers at the Firle Garden<br />
Show (41).<br />
25<br />
Photo by Carlotta Luke<br />
Matt Bodimeade<br />
47<br />
Art.<br />
What’s on the gallery walls, including<br />
a fab new show at St Anne’s Gallery, a<br />
collective effort at Martyrs’ Gallery and<br />
Nichola Campbell at Chalk (43-45);<br />
Penguin art director John Hamilton and<br />
his culturally savvy Essentials series (46-<br />
47); Axel Hesslenberg snaps the literary<br />
greats at Charleston (48-50), and brush<br />
letterer Jessie Moane (53).<br />
Listings and Free Time.<br />
Diary dates: what’s on, where and when,<br />
including our very own John Henty’s<br />
‘Raymond Briggs’ Sofa’ (55-59); Classical<br />
round-up (61); Gig Guide, including the<br />
welcome return of the legendary Sun Ra<br />
Arkestra (63-64), plus live and tight stuff<br />
for the U16s in Free Time (65-68).
'THE WORD' ISSUE<br />
Food.<br />
New Japanese options at Lemongrass<br />
(71); an adaptation of an Alexandre<br />
Dumas pudding (72-3); gorgeous<br />
goodness at Wild Alchemy (75), and food<br />
news from Chloë King (77).<br />
78<br />
The way we work.<br />
Emma Auwyn captures four children’s<br />
authors in their writing spaces, and<br />
she asks them all: what’s your favourite<br />
word? (78-81).<br />
Features.<br />
<strong>Lewes</strong> is spoilt for choice with book<br />
groups (83); Rachel Ward-Sale’s<br />
Photo by Emma Auwyn<br />
bookbinding business (84-5); Todd on<br />
the Cooksbridge trail (87); Michael<br />
Blencowe sees a parrot at the Pells (89);<br />
Olympic physio Dan Nicholls (91); how<br />
to be a greener cleaner (93); the all-new<br />
interior of St John sub Castro (95);<br />
John Henty, loud and proud (97), and<br />
another round of openings and closings<br />
in Business News (99).<br />
72<br />
72<br />
Photo by Sam Bilton<br />
Inside Left.<br />
Today’s vape-shop is yesterday’s<br />
tobacconist (114).<br />
VIVA DEADLINES<br />
We plan each magazine six weeks ahead, with a mid-month<br />
advertising/copy deadline. Please send details of planned events<br />
to admin@vivamagazines.com, and for any advertising queries:<br />
advertising@vivamagazines.com, or call 01273 434567.<br />
Remember to recycle your <strong>Viva</strong>.<br />
Every care has been taken to ensure the accuracy of our content.<br />
<strong>Viva</strong> <strong>Lewes</strong> magazine cannot be held responsible for any omissions, errors<br />
or alterations. The views expressed by columnists do not necessarily<br />
represent the view of <strong>Viva</strong> <strong>Lewes</strong>.<br />
Love me or recycle me. Illustration by Chloë King<br />
6
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THIS MONTH’S COVER ARTISTS<br />
This month’s cover artists are Natasha<br />
Baker and Ollie Aplin, who are partners<br />
in both senses of the word. They run<br />
their design business – Well & Good -<br />
from a studio built in the back garden<br />
of the house they share with their dog,<br />
Henry, in <strong>Lewes</strong>.<br />
“The name of our company reflects our<br />
business ethos,” says Ollie, who mainly<br />
deals with the digital aspects of their<br />
work. “It’s design done well, for the<br />
greater good,” explains Natasha, who<br />
trained as an illustrator, and who takes<br />
the role of art director. “We love to<br />
work with clients who have a positive<br />
impact on the lives of others.”<br />
One of their most recent projects is for<br />
a charity called Small Green Shoots. “A<br />
group of young people (young shoots)<br />
are leading a new campaign to promote<br />
positive mental health” explains Natasha.<br />
“The young shoots are our clients.<br />
It’s great to be working directly with<br />
the young people who are at the centre<br />
of the campaign” says Ollie. Though,<br />
they reveal, they sometimes had to consult<br />
an online slang dictionary to decipher<br />
their feedback.<br />
Which takes us to their interpretation<br />
of this month’s theme, ‘The Word’.<br />
“We wanted to do something typographical,<br />
but for there to be an illus-<br />
10
WELL & GOOD STUDIO<br />
tration element in it as well,” says Natasha.<br />
“We wanted to use British Sign Language<br />
to reflect our ‘well and good’ company<br />
ethos and combine that with a bright palette<br />
to reflect spring,” continues Ollie,<br />
“and for the design to be inclusive and<br />
have an interactive element to it. We hope<br />
some people will be trying to sign ‘<strong>Viva</strong><br />
<strong>Lewes</strong>’ at home.”<br />
The couple moved to <strong>Lewes</strong> in February<br />
after two years in an out-of-the-way cottage<br />
in Chiddingly; before that they were<br />
based in Brighton. One project that has<br />
spanned both those moves is MindJournal,<br />
a beautifully crafted journal for men<br />
to jot down their thoughts and feelings,<br />
with motivational prompts to help the<br />
reluctant scribbler. “It was crowd-funded<br />
by Kickstarter, and led to a book deal with<br />
Penguin,” Ollie says. “We’re working on<br />
the third edition now.”<br />
They’re busy then; but how difficult is<br />
it, you’ve got to wonder, to juggle a 24/7<br />
work-and-play relationship? “That’s what<br />
we get asked the most!” says Natasha.<br />
“My friends say: really? I couldn’t do that!<br />
But it actually works really well, because<br />
we’re able to be 100% honest about what<br />
we think of each other’s work.” “You can<br />
be BRUTAL,” adds Ollie. “But it works:<br />
it makes us both better at what we do.<br />
And, luckily, living and working together<br />
doesn’t make us want to kill one another.”<br />
Alex Leith<br />
wellandgood.studio / 01273 569110<br />
11
Cock-a-doodle-doo<br />
at Middle Farm<br />
Wake up to springtime<br />
Farmshop, butcher’s shop,<br />
bakery, tearoom, plant sales<br />
and Open Farm<br />
Middle Farm, Firle, <strong>Lewes</strong>, East Sussex BN8 6LJ<br />
01323 811411 info@middlefarm.com www.middlefarm.com
Photo by Poppy Gray<br />
MY LEWES: ELLA DORMAN-GAJIC, PERFORMANCE POET<br />
Are you local? My family moved to <strong>Lewes</strong><br />
when I was eight, and then, after a year or so, to<br />
Kingston. I went to Priory, and the college in<br />
<strong>Lewes</strong>. Now I’m studying at UEA in Norwich,<br />
but I still come home for the holidays. I<br />
definitely consider <strong>Lewes</strong> to be home.<br />
Did living in <strong>Lewes</strong> help mould you into a<br />
performance poet? <strong>Lewes</strong> Little Theatre was<br />
fantastic, I was given some great opportunities<br />
there which taught me a lot about acting. I<br />
played Anne Frank in a production about her,<br />
and was Juliet in an all-female production of<br />
Romeo and Juliet. The Performing Arts and<br />
English course at Sussex Downs was also really<br />
good; it gave me a lot of confidence in devising<br />
my own theatre. But it was the Brighton<br />
spoken word scene which inspired me to start<br />
performing my own poetry. I developed my<br />
writing at Access to Music college, and am<br />
involved in Poets v MCs. I’m this year’s Young<br />
Writer in Residence at the Broken Silence<br />
Theatre, whose Artistic Director is from Brighton.<br />
I hear you recently performed in the<br />
Edinburgh Fringe… I won a Pebble Trust<br />
Talent Grant that enabled me to put on a spoken<br />
word theatre piece, Did I Choose These Shoes, at<br />
Brighton Fringe in 2016, with two friends. Then<br />
I continued developing the show at university,<br />
raised some money on Crowdfunder, and then<br />
took it to Edinburgh the following year. We did<br />
all our own promotion and marketed the hell out<br />
of it. We were so happy with the response.<br />
Is it hard to come back to Kingston after all<br />
that? I find it funny that people are preoccupied<br />
about fences going up. But so much has changed!<br />
There’s a new shop and pizza place in the village,<br />
which I’ve ended up getting a job at.<br />
What’s your favourite <strong>Lewes</strong> pub? Definitely<br />
the Lanny [Lansdown]. There’s always a friendly<br />
face there, and you can play your own music. I<br />
generally drink Heineken there; I’m afraid I’m<br />
not an ale drinker. My father and sister are big<br />
fans of Harvey’s, though.<br />
And restaurant? It’s a pity that Laporte’s has<br />
closed down, that was fantastic. I should know, I<br />
worked there for three years. I’ll always support<br />
independent businesses in <strong>Lewes</strong>, because that’s<br />
what gives the town its special flavour. I like the<br />
Limetree Kitchen, I’ve been there a few times.<br />
When were you last up a Down? The last<br />
time I was home, in January, I guess. I’m forever<br />
walking over Juggs Way to <strong>Lewes</strong>. It’s a lovely<br />
walk, especially up past the windmill.<br />
Where do you think you’ll end up living?<br />
I don’t like London as a city, but it’s so well<br />
connected I’ll probably end up living there to<br />
follow my career as a poet/playwright. Brighton’s<br />
a possibility, too. Living abroad isn’t really an<br />
option, but if I could I’d live in Berlin… or<br />
maybe I'd go to Barcelona, where the weather’s<br />
a bit better.<br />
Interview by Alex Leith<br />
13
Lemongrass<br />
Fine<br />
ai Cuisine<br />
25-26, Temple House, High Street <strong>Lewes</strong>, BN7 2LU<br />
A modern take on traditional<br />
ai & Sushi cuisines
PHOTO OF THE MONTH<br />
SIX LEGS GOOD<br />
We had what might be called a ‘bumper’ response to this competition this month – as always<br />
happens when it snows – so a number of people will be feeling disappointed when they see<br />
this page. Particular commiserations to Sue Fasquelle, who sent us a funny-ha-ha shot of the<br />
War Memorial angel’s freezing feet. The winning shot was taken between the two recent cold<br />
snaps, by Jo Loader, on her Motorola G5 phone, while she was ‘walking my dog Max up on<br />
Malling Down’. “The winter sun was setting on a clear and chilly late afternoon in February,”<br />
she explains. “We usually walk up to the dew pond at least once a day. Early mornings and<br />
evenings are the best time to get a great view over <strong>Lewes</strong>, as the light is amazing. This photo<br />
however, was taken looking the other way - the sun casting perfect shadows of us as we trotted<br />
down the hill to home.” We were very taken with the balance of the picture, the intriguing<br />
way you have to study it to work out what the shadows in foreground are (six legs), and the<br />
amazing colour of the top half of the picture. “The grass was actually grass colour, but the sun<br />
lit it up a golden turmeric,” says Jo, who works as a theatre designer, but might have been a<br />
poet. Or a photographer, for that matter. “I don’t have a proper camera but I do take lots of<br />
pictures on my phone. It’s got a really good lens: when my friends with iPhones take pictures<br />
of the same things as I do, mine come out better.”<br />
Please send your pictures, taken in and around <strong>Lewes</strong>, to photos@vivamagazines.com, or tweet<br />
@<strong>Viva</strong><strong>Lewes</strong>, with comments on why and where you took it, and your phone number. We’ll<br />
choose our favourite for this page, which wins the photographer £20, to be picked up from our<br />
office after publication. Unless previously arranged, we reserve the right to use all pictures in<br />
future issues of <strong>Viva</strong> magazines or online.<br />
15
BOOKS AND BOBS<br />
LOCAL LITERATURE<br />
LEWES AUTHORS<br />
<strong>Lewes</strong> resident Lesley Thomson is<br />
most famous for her 2007 thriller, set<br />
around Tide Mills, A Kind of Vanishing.<br />
She also authored the award-winning<br />
The Detective’s Daughter, which<br />
introduced private eye (and successful<br />
cleaning business owner) Stella Darnell<br />
to the world, a specialist in warming<br />
up long-cold cases. Thomson’s<br />
latest novel – The Death Chamber, published<br />
in <strong>April</strong> – is the third book in<br />
the Detective’s Daughter series: Stella<br />
gets involved in a murder case centred<br />
around the Cotswold village of<br />
Winchcombe. While investigating the<br />
disappearance of one teenage resident<br />
of the village in 2000, the police had<br />
found the remains of another, who’d<br />
gone missing in 1977. Stella moves to<br />
the village 17 years later to try to solve<br />
the double mystery. Was the murderer<br />
of the first girl responsible for the<br />
disappearance of the second? Are they<br />
still at large in the village? And, if so,<br />
will they take kindly to a part-time<br />
detective snooping around the place?<br />
It’s page-turning stuff, as you’d expect;<br />
Thomson has a good ear for dialogue,<br />
and creates believable and very human<br />
characters.<br />
Elisabeth’s Lists, another <strong>Lewes</strong>resident-authored<br />
book which spans<br />
different generations, is a rather<br />
more serious affair. Lulah Ellender<br />
inherited a book of hand-written lists<br />
collated by her maternal grandmother,<br />
Elisabeth Young, who died long before Lulah was<br />
born. The lists are seemingly mundane: a register of<br />
eggs laid by her hens in wartime Surrey; invitees to<br />
a 1950 garden party in Berkshire; dishes that she is<br />
able to cook. But, together with diary<br />
entries and photographs, they help<br />
Lulah unravel the extraordinary life<br />
of a troubled woman, the daughter of<br />
an ambassador who was brought up<br />
in 30s Peking and continued a life of<br />
living in foreign capitals – Rio, Beirut,<br />
Paris – after marrying a diplomat.<br />
Lulah’s growing understanding of the<br />
hopes and desires of her grandmother<br />
opens her to a greater understanding<br />
of human nature, and helps her come<br />
to terms with her own life’s problems.<br />
Finally an apology to Pierre Hollins,<br />
who dropped a copy of his novel<br />
The Karma Farmers onto my desk in<br />
September, where it got irredeemably<br />
buried for months until a clear-out just<br />
before deadline. When I finally picked<br />
it up and started reading it, I found it<br />
hard to put it down. It starts, like many<br />
adventures, outside Brighton’s Clock<br />
Tower, following two love-struck<br />
anarchic millennials - a young hipster<br />
and his mohair-hoodied girl - into<br />
Waterstones where they secrete copies<br />
of a radical political manifesto he’s<br />
written in among the regular books.<br />
This act has unforeseen consequences:<br />
pretty soon two extremely violent<br />
occultists pitch up at the couple’s flat,<br />
to find the writer alone in bed, obsessively<br />
recounting the hashish-related<br />
argument three days before that led<br />
to his girlfriend storming out of the<br />
door, not to return. Phew! I’m still on<br />
page 33 and, for simplicity’s sake, I’ve missed out<br />
the car-crash death of a recently retired detective in<br />
his brand-new Jag. This book has the rollercoaster<br />
savviness of a Bad Seed on Crazy Mouse. AL<br />
16
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BITS AND BOBS<br />
MUSIC REVIEW: STAYING BLUE<br />
Our favourite former MP usually demonstrates his musical<br />
prowess as lead singer of his band ‘The Reform Club’. To date<br />
they have released two albums (Always Tomorrow and Never<br />
Yesterday) and frequently play live gigs in <strong>Lewes</strong>, but of late<br />
Norman is branching out and has recorded his first solo album<br />
Staying Blue, due for release on <strong>April</strong> 6th. Don’t let the name fool<br />
you: the record comprises eleven tracks which span an eclectic<br />
range of genres, from blues to jazz, folk to country, there’s even a<br />
sea shanty in there for good measure (Shipping Forecast, complete<br />
with its very own music video). ‘Norman can write a song and<br />
sing the heck out of it. This album showcases elite musicianship<br />
and really enjoyable song writing’ says Angel Air Records, who<br />
the album is being released through. Favourite moments are It Cuts No Ice, a catchy country tune with a fair<br />
stab at an American accent to boot, and a lovely acoustic folk number Perhaps. The album will be available<br />
online and at Si’s Sounds, where £2 from each CD sale will go to TRINITY and Rehoming <strong>Lewes</strong>.<br />
Mr Baker will play a special ‘stripped down’ version of the album at a gig at Bus Club Pizza on 6th <strong>April</strong> at<br />
8.30pm, where Rev Jules Middleton of TRINITY will also say a few words. Kelly Hill<br />
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BITS AND BOBS<br />
SPREAD THE WORD<br />
Here’s Alice Cyr again, longtime<br />
friend of our very own<br />
John and Sylvia Henty. In her<br />
second appearance on this page,<br />
Alice is enjoying VL next to the<br />
ice sculptures at the Kwanlin<br />
Dun Cultural Centre, by the<br />
Yukon River (at a temperature<br />
of minus 19!)<br />
She’s just turned 83 but Alice<br />
likes to keep busy… In her<br />
accompanying email to the<br />
Hentys she explains how she’s<br />
‘got several things on the go at<br />
once’… amongst them a trip to<br />
Anchorage and to Newfoundland,<br />
Montreal and New York.<br />
At the other end of the temperature<br />
scale here’s Ethel Coleby,<br />
a South African care worker<br />
who’s latterly been working in<br />
Kingston, enjoying the sunshine<br />
with her feet in the pool, in her<br />
back garden in Pietermaritzburg,<br />
KwaZulu-Natal, South<br />
Africa, reading November’s<br />
<strong>Viva</strong>. The photo was taken by<br />
her grandson Bradley; Ethel’s<br />
back in Blighty this month.<br />
Got a trip planned yourself?<br />
Take your latest <strong>Viva</strong>, and send<br />
your photos with a few words<br />
about your trip to hello@<br />
vivamagazines.com<br />
OPTICIANS AND CONTACT LENS PRACTITIONERS<br />
223a High Street, <strong>Lewes</strong><br />
Tel: 01273 472360<br />
www.wilsonwilsonandhancock.co.uk
PUBS AND BOBS<br />
TOWN PLAQUE #37: THE JIREH CHAPEL<br />
Jehovah Jireh – meaning ‘God will provide’ was the name given to the place<br />
mentioned in Genesis where God provided Abraham with a lamb to sacrifice<br />
in place of Isaac, his son.<br />
Jireh often stands alone to represent divine provision. Few places of worship<br />
can have so consistently preached The Word – the fundamental Christian<br />
message – more insistently and for longer than this chapel, which has stood<br />
in Cliffe for over 200 years. Previously Calvinistic Independent, it is one of seven chapels of the Free Presbyterian<br />
Church of Ulster in England. The chapel and the Huntingdon Tomb close by was declared a World<br />
Heritage Site in 1952 and is Grade 1 listed by Historic England. Its interior has some beautiful woodwork<br />
and a distinctive layout. If a chance comes up to see inside, take it.<br />
Badly damaged in the Great Storm of 1987, it was rebuilt with flats integrated into its side. Marcus Taylor<br />
LEWES LIBRARY IN NUMBERS<br />
<strong>Lewes</strong> has had a public library since 1785, initially in private houses and moving to Fitzroy House in 1863<br />
where it remained until 1955. It then moved to premises on the corner of Albion Street and East Street, into<br />
a building originally designed as a School of Art, which had closed in 1934. Finally, the library moved to<br />
purpose-built premises just off Friars Walk in 2005.<br />
The current library was designed to contain a stock of 61,000 items. It has 12 public computer terminals, and<br />
an additional 3 specifically for children and young people. It is open 5 days a week, and supports 5 or more<br />
weekly activities, from story time to computer help. <strong>Lewes</strong> is one of 24 libraries (and 1 mobile library) across<br />
East Sussex. Sarah Boughton<br />
GHOST PUB #42: THE SPREAD EAGLE, 23 CLIFFE HIGH STREET<br />
The Spread Eagle had a short, but eventful, history. From 1826 no.23 Cliffe<br />
High Street had been owned by a tailor called Povey, who ran his business<br />
from there. However, during the 1850s and 1860s this building became the<br />
Spread Eagle beershop. William Thorpe ran this establishment for many years,<br />
and in 1857 he was summoned to court for allowing a riot to occur. In fact the<br />
chemist next door stated that ‘since Thorpe had kept the house there had been<br />
continual riots.’ Thorpe himself was involved in the rioting that night, and it<br />
was not the only occasion he was in court for fighting. Amazingly he remained<br />
in charge of the Spread Eagle for many years, leaving around 1865 to run a<br />
beershop in Fletching. In 1867 George Moore was charged with breaking four<br />
panes of glass at the Spread Eagle, whilst in a state of ‘elevation’. On his arrest<br />
he was found to have a loaded gun on him. He boasted that he would never allow a policeman to take<br />
him. However, the Sussex Advertiser noted that PC Elsey had ‘very little difficulty in securing him’. Shortly<br />
after this episode, the Povey family returned to 23 Cliffe High Street to run their tailoring business. They<br />
remained there until as late as the 1970s, with the passageway running through the side of the building being<br />
known as Povey’s Passage. One can still see that passageway today. Mat Homewood<br />
20
ANNA CAMPBELL<br />
As we were going to press we heard about the<br />
tragic death of 26-year-old <strong>Lewes</strong>ian Anna<br />
Campbell in Syria.<br />
Anna decided in May last year to go to Syria<br />
to fight for an all-female unit of the Kurdish<br />
army against ISIS. When that unit was transferred<br />
to another front, after Turkish forces<br />
commenced an offensive against the Kurds in<br />
Northern Syria, it appears that Anna ignored<br />
advice from her comrades to return home,<br />
opting to continue fighting alongside them.<br />
Anna was the daughter of former <strong>Viva</strong> columnist,<br />
the late Adrienne Campbell, and her<br />
husband Dirk Campbell, who has also contributed to the magazine. We’d like to pay tribute to Anna’s<br />
enormous bravery, and send our sincere condolences to her family and friends.<br />
21
BITS AND BOBS<br />
CLOCKS OF LEWES #17: RINGMER VILLAGE HALL<br />
Words. Ringmer Village Hall has<br />
the name of the venue in upper<br />
case on one of its two grand<br />
gables. On the other is a clock<br />
face. Words play a further role<br />
here, with a plaque immediately<br />
below the clock. This tells us that<br />
‘This clock was erected 20th November<br />
1984 in memory of Miss<br />
Dorothea Courthope Spinster<br />
and Benefactress of this Parish 1952 – 1982.’<br />
Local historian John Kay explains, ‘1952 was when<br />
she moved to South Norlington House, Ringmer,<br />
not when she was born. She spent her youth in<br />
London and then, after her father's retirement, in<br />
Wadhurst & Ticehurst.’ Full name Emily Mary<br />
Dorothea Courthope, she was born in London, in<br />
December 1887, though her<br />
family was from Sussex.<br />
The village hall itself dates<br />
from 1891. Previously, there<br />
was a charity school on the site.<br />
When education became compulsory<br />
in England in 1880, this<br />
proved too small and the new<br />
school was built down the road.<br />
A donation from Dorothea<br />
enabled an extension to the hall in 1974. After her<br />
death, her remains were cremated; there's a memorial<br />
at St Mary Ringmer. The clock was installed<br />
in 1984 and it forms part of a wonderful array that<br />
encircles Ringmer Green: St Mary, the millennium<br />
clock, the cricket pavilion.<br />
Daniel Etherington, with thanks to John Kay<br />
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22
BITS AND BUDS<br />
GARDEN SHOW TICKET COMPETITION<br />
The Garden Show returns to Firle from Friday 20th<br />
to Sunday 22nd of <strong>April</strong>, and we’ve got three pairs<br />
of tickets, or three family tickets (please state which<br />
you want) to give away to three lucky winners of this<br />
competition.<br />
The annual show is a springtime jamboree celebrating<br />
all things garden, including: specialist growers, artisan<br />
and craft designers, homewares, garden furniture,<br />
fashion and country food. There’ll be a funfair, birds<br />
of prey, archery, face painting, jester juggling, puppet<br />
shows and a pirate treasure hunt.<br />
To go into the draw for the tickets, please send the<br />
answer to this question to admin@vivamagazines.com<br />
by <strong>April</strong> 10th; please address the message ‘Garden<br />
Show Competition’. Which spring flower has the<br />
Latin species name ‘tulipa gesneriana’? For Ts and Cs<br />
please see vivalewes.com. Good luck!<br />
• Antique and new jewellery<br />
• Silverware<br />
• Watches<br />
• Repairs<br />
• Valuations<br />
23
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PHOTOGRAPHY<br />
CARLOTTA LUKE<br />
GHOST SIGNS<br />
Ghostly reminders of <strong>Lewes</strong>’ commercial past<br />
are writ large on walls around town, and Carlotta<br />
Luke has been collecting them up, to fit her<br />
photo column in with this month’s theme. And<br />
so, clockwise from top left, we have: the proud<br />
sign of a former printer; a cigarette advert for<br />
a brand that no longer exists; a notice for an<br />
‘engineer and general smith’; the lettering<br />
announcing the premises of a coal merchant,<br />
and a former sports shop. But can you name the<br />
streets the signs are in? Answers on pg 3.<br />
carlottaluke.com<br />
25
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COLUMN<br />
David Jarman<br />
Silence is golden<br />
Two recent outings to the cinema both seemed<br />
to relate to this month’s <strong>Viva</strong> theme of ‘The<br />
Word’, albeit in diametrically opposed ways.<br />
The one thing that Ingmar Bergman’s Scenes<br />
from a Marriage and Abel Gance’s 1927 silent<br />
epic, Napoléon really have in common is their<br />
immense length. Bergman’s film clocks in at 168<br />
minutes, but what I saw was a special screening<br />
at the BFI of the original, much longer version<br />
made for Swedish TV. This has a total running<br />
time of 296 minutes. It started at one o’clock<br />
on a Saturday afternoon with an introduction<br />
by the Russian director, Andrey Zvyagintsev,<br />
in London to promote his new, magnificently<br />
bleak film Loveless. With a one-hour break in the<br />
middle, and a 15-minute breather towards the<br />
end, we were eventually allowed to return to our<br />
homes shortly after 7.30.<br />
Very little happens in this study of the marriage<br />
of Johan and Marianne, played by Erland<br />
Josephson and Liv Ullmann. There are a couple<br />
of minor characters, but Johan and Marianne<br />
completely dominate the drama. In two of the<br />
six 50-minute TV episodes they are the only<br />
characters. And what do they do? They talk.<br />
You might say it’s ‘words, words, words’ all along<br />
the way, but the densely detailed scripts are so<br />
lifelike and the acting so brilliant that the whole<br />
thing was totally riveting.<br />
Napoléon was an even longer film, but equally<br />
absorbing. It was shown at the Depot on<br />
Sunday, 18 February. And even though it runs<br />
for 333 minutes it still only takes Napoléon<br />
Bonaparte’s story up to 1797. The only<br />
problem with this silent film were the<br />
words – the intertitles, translated into<br />
English. (I say the ‘only problem’, although<br />
personally I would have preferred it to<br />
have been screened without the Carl<br />
Davis score. I agree with David Thomson, citing<br />
Gilbert Adair’s plea, derived from the screening<br />
policies of Henri Langlois, that ‘silent pictures<br />
should stay silent’. And perhaps the introductions<br />
to silent classics should be silent as well.) But back<br />
to those intertitles, sometimes unintentionally<br />
funny, sometimes just bathetic.<br />
So a key character is introduced along the lines<br />
of ‘beautiful, if amoral, she was a woman of easy<br />
manners and a talented musician’. A tavern scene<br />
begins with the announcement: ‘At the Moulin<br />
du Roy where politics is King’. Or perhaps that<br />
should have been ‘Emperor’. Elsewhere we are<br />
informed: ‘A game of chess was bound to attract<br />
two strategists like Bonaparte and Hoche’. This<br />
could easily be the caption to a Glen Baxter<br />
cartoon. Returning to his native Corsica,<br />
Napoléon learns of a dastardly plot to sell the<br />
island to Perfidious Albion. “What will you do?”,<br />
he is asked. “Take action, mother”, his reply.<br />
Still in Corsica, but in more reflective mood,<br />
‘He went every day to discuss the future with<br />
his friend, the ocean’. Back in Paris, he puts the<br />
fruits of those discussions into practice. “What<br />
is that noise?” someone asks. “It is Bonaparte<br />
entering History again”, they are told.<br />
Still, a great film<br />
which I’d never<br />
seen before.<br />
Thank you Depot.<br />
27
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COLUMN<br />
Chloë King<br />
...ditches plastic<br />
If you’d told teenage me<br />
that by my mid-thirties<br />
I’d get cheap thrills from<br />
accepting disposable coffee<br />
cups at the supermarket I’d<br />
have said, “don’t be stupid”<br />
through a cloud of Camel<br />
smoke. Yet, here I am, my<br />
takeaway beverage having<br />
reached new experiential<br />
heights.<br />
It’s unnecessary. It’s antisocial.<br />
It feels as though I’m<br />
clutching on to a tiny bit<br />
of that wonderful pre-Blue<br />
Planet devil-may-care consumer satisfaction.<br />
A local campaign group called Plastic Free <strong>Lewes</strong><br />
is gaining momentum. They have meetings, posters,<br />
ideas. As I write there’s an online discussion<br />
about whether to build or borrow a recycling<br />
machine that functions like an apple press for<br />
Waitrose ready meal cartons.<br />
The group formed in January, after a rallying cry<br />
screening of Plastic Ocean at the Depot. The initial<br />
thought was to target something specific but, <strong>Lewes</strong><br />
being <strong>Lewes</strong>, it soon became clear we wanted a<br />
multi-pronged attack. There are now eight subgroups<br />
looking at ways to tackle plastic waste from<br />
different perspectives: from schools and supermarkets<br />
to drinking water and waste disposal.<br />
Whatever they’re doing, it’s catching. On the<br />
school run, I see parents stand around Hannah’s<br />
Van holding neon bamboo cups from Popsicle. I’m<br />
just about keeping myself suitably charged from<br />
my Bodum cafetière to ensure that four-monthold<br />
doesn’t sleep for more than two hours at a<br />
time. Except she has tonight, so I’m writing this<br />
with my head next to her cot to make sure she’s<br />
still breathing.<br />
She had her vaccinations today and unhelpfully<br />
she slept through what<br />
should be her second dose<br />
of Calpol. I inspect the<br />
sticky single-use syringe<br />
and wonder what the<br />
future may hold. By 2025,<br />
will Boots stock giant vats<br />
of Calpol that desperate<br />
parents can help themselves<br />
to from a tap? It will be like<br />
Willie Wonka’s chocolate<br />
factory care of big pharma.<br />
Our bathrooms will look<br />
pretty. We can store our<br />
analgesics in bevelled-edge<br />
recycled glassware from Flint.<br />
The long and short of this is how helpless one<br />
feels when confronted by such a huge systemic<br />
problem as waste plastic. A carrier bag is easy to<br />
substitute, but it’s hard to find data measuring<br />
the impact of the plastic handles in the jute bag<br />
you replaced them with. A poster for Plastic Free<br />
<strong>Lewes</strong> says we’ve produced more plastic in the last<br />
ten years than we did in the previous century. The<br />
more you inspect the objects around your home,<br />
the more overwhelming becomes the thought of<br />
going without.<br />
Is Zero-Waste living something like bivouacking<br />
in consumer society? Dependent on insider<br />
knowledge, hacks and tricks to circumvent or<br />
replace the products like Calpol? I find Facebook<br />
groups abuzz with questions from eager converts<br />
exclaiming things like, “I love reading, but it feels<br />
like such a waste of paper”. Still, over weeks, I find<br />
this nagging guilt is subtly altering my behaviours.<br />
I rebooted my veg box; bought lentils in a paper<br />
bag; rediscovered ebay and ponced my auntie’s<br />
Soda Stream. One thing I realise, however: it’s<br />
not enough to buy cloth nappies, you need to use<br />
them too.<br />
Illustration by Chloë King<br />
29
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LBNP <strong>Viva</strong><strong>Lewes</strong> 66x94_6.qxp 08/03/<strong>2018</strong> 20:26 Page 1www.beancountersoflewes.com<br />
Louis Browne<br />
NOTARY PUBLIC<br />
Specialist notarial services<br />
in Central <strong>Lewes</strong><br />
lb@louisbrownenotary.co.uk<br />
01273 487744<br />
louisbrownenotary.co.uk<br />
Member of the Notaries Society<br />
Member of the Society of Trust<br />
and Estate Practitioners<br />
REGULATED BY THE FACULTY OFFICE
ON THIS MONTH: LITERATURE<br />
Victorians Undone<br />
Author-historian Kathryn Hughes<br />
“We have this slack idea<br />
that the Victorians were so<br />
very prudish and po-faced<br />
and out of touch with their<br />
bodies, that they didn’t<br />
really exist between their<br />
chins and their toes.” So says<br />
Kathryn Hughes, author of<br />
biographies of George Eliot<br />
and Isabella Beeton, who<br />
has just seen her latest book,<br />
Victorians Undone, published<br />
in paperback.<br />
“This was far from being<br />
the case. The reality was<br />
that they were living five to a room… working on<br />
factory benches, walking on ever-more crowded<br />
pavements, so their noses were constantly jammed<br />
into their neighbours’ armpits.”<br />
It follows that the Victorians must have been hyperaware<br />
of the bodies around them, she argues. And,<br />
of course, of their own. So what we perceive of as<br />
prudery and decorum is merely etiquette: “methods<br />
of speaking and carrying yourself in order to negotiate<br />
situations which would otherwise have been<br />
unbearably embarrassing.”<br />
The book has five sections, each of which focus<br />
on the body parts of different Victorians, eminent<br />
or otherwise. Thus we have chapters entitled<br />
‘Lady Flora Hastings’ Belly’; ‘Charles Darwin’s<br />
Beard’; ‘George Eliot’s Hand’; ‘Fanny Cornforth’s<br />
Mouth’, and ‘Sweet Fanny Adams’. Each section,<br />
by focussing on the protagonist in question’s<br />
body part, attempts to explore what it felt like to<br />
be them, in the sort of warts-and-all detail that<br />
historical accounts would normally by-pass.<br />
The five sections have been boiled down from<br />
a shortlist of twenty. “I worked on one section<br />
- about the fact that Elizabeth Barrett Browning<br />
was mixed race - for<br />
a year,” she says, recalling<br />
her fascination of realising<br />
that this carried little social<br />
stigma in Barrett Browning’s<br />
lifetime; it wasn’t until the<br />
latter half of the century<br />
that attitudes on race became<br />
less progressive. “But<br />
the chapter didn’t make the<br />
cut, because I realised the<br />
story had already been told.<br />
I wanted my stories to be<br />
fresh and from completely<br />
new sources.”<br />
The book was eight years in the making, which<br />
means that while Hackney-based Kathryn was<br />
researching the Victorian trend for growing<br />
enormous beards – think Darwin, think Tennyson,<br />
think Ruskin - all the young hipster men around<br />
her started sporting their own. “I find it absolutely<br />
fascinating that it seems like a different world, but<br />
actually it’s not,” she says, “and it’s that balance<br />
that makes it so appealing.”<br />
All this required countless hours in archives and<br />
museums, fishing for salient facts she could use in<br />
her stories. “Nothing beats that feeling [of finding<br />
something]. You find yourself squealing with<br />
joy, and then you realise that you shouldn’t have,<br />
because of where you are.” And she was constantly<br />
surprised by what she found. “Human passions<br />
and emotions were pretty much the same then as<br />
they are now, of course. But they are expressed in<br />
different ways through different codes and behaviour.<br />
It’s very interesting, just when you think you<br />
recognise everything, the Victorians throw you a<br />
curve ball and it’s a different world altogether.” AL<br />
Kathryn is the last guest in the <strong>Lewes</strong> Literary Society’s<br />
2017/18 season, All Saints, <strong>April</strong> 24th, 7.45pm<br />
31
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ON THIS MONTH: MUSICAL<br />
Chess<br />
Political pawns<br />
It’s 1984. US president<br />
Ronald Reagan is<br />
cracking jokes about<br />
bombing Russia.<br />
There’s political tension<br />
between West and<br />
East. The CIA and the<br />
KGB are spying on<br />
each other. And Chess,<br />
an allegorical musical<br />
about international<br />
rivals, has just been announced by the unlikely<br />
triumvirate of Benny Andersson, Björn Ulvaeus<br />
and Tim Rice. Their concept album heads into<br />
the top 40 and the subsequent West End show<br />
opens in 1986.<br />
Three decades later, the musical is about to be<br />
revived on the London stage... but not before<br />
<strong>Lewes</strong> gets its own production, courtesy of the<br />
LOS Musical Theatre company. Andy Freeman,<br />
who’s directing the local version, allays any<br />
worries about the plot. “You don't need to know<br />
about the game of chess”, he tells me. “If someone's<br />
coming along, expecting to be confused by<br />
‘Knight to Bishop's Pawn Three’ or something<br />
like that, they're not going to be.”<br />
Although the story is packed with comparisons<br />
between chess playing and political machinations,<br />
it’s actually a love story connecting<br />
American chess whizzkid Freddie Trumper, his<br />
assistant Florence Vassy, Russian champion Anatoly<br />
Sergievsky and the family he’s left at home.<br />
“It's a love triangle that pretty much spreads<br />
into a love square, if you can have such a thing”,<br />
Andy explains. “Underlying everything is the<br />
partisanship of the Americans, of the Russians,<br />
and the puppet-masters pulling the strings of<br />
their players.”<br />
Back in the 1980s, the Cold War was a genuine<br />
threat to peace and<br />
the Berlin Wall was<br />
dividing that city.<br />
Does Chess still have<br />
relevance to the 21st<br />
century? “There is<br />
always something going<br />
on somewhere in<br />
the world where one<br />
country is playing off<br />
against another”, Andy<br />
says. “Big countries, big organisations, they still<br />
use their athletes, their chess players, whoever, to<br />
their own ends.”<br />
The music has also aged well, thanks to the<br />
partnership of Benny and Björn – best known<br />
as the guys from ABBA – and the storytelling of<br />
lyricist Tim Rice. “There's some cracking stuff<br />
in it, some beautiful music”, Andy explains. “It's<br />
picked up the flavour of the 80s but there's other<br />
stuff there that would sit happily in any musical<br />
written today. Some of the choral pieces are<br />
almost classical.”<br />
As well as singing the praises of the performers,<br />
Andy is equally enthusiastic about Liz Allsobrook’s<br />
“stunning” set design. “We're doing it<br />
as a black stage, which is one of my trademarks,<br />
and we've just got white cubes that we will move<br />
around – half a dozen big ones, half a dozen little<br />
ones – they can be beds, they can be tables, they<br />
can be a desk in a TV studio or whatever. For<br />
the first time we also have this whizzy backdrop<br />
that is a flexible LED screen.”<br />
And what about that rival production from English<br />
National Opera? “I shall go and see it. See if<br />
they can get anywhere near ours. We don't feel<br />
threatened!” Mark Bridge<br />
Chess runs from 10th – 14th <strong>April</strong> <strong>2018</strong> at the<br />
Town Hall. losmusicaltheatre.org.uk<br />
33
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ON THIS MONTH: THEATRE<br />
L-R: Georgia, Maya and Sergio<br />
Shakespeare...<br />
...but not as you know it<br />
“I’ve downloaded a playlist of what Hamlet<br />
would have listened to, and it gets me into the<br />
mood of what it’s like to be him.” So says Sussex<br />
Downs Performing Arts student Maya Cooper,<br />
who is playing the lead in Shakespeare’s most<br />
performed tragedy, at The Old Market this<br />
spring. So what would the Danish Prince have<br />
listened to, if he lived in the iPhone era? “It’s all<br />
a bit depressing,” continues Maya. “This morning…<br />
Digital Druglord.”<br />
I’m sitting in a classroom at Sussex Downs’<br />
<strong>Lewes</strong> campus, with Stan (Andrew Stanley), a<br />
Performing Arts lecturer, and three students,<br />
each playing a role in the three Shakespeare<br />
plays showing on consecutive nights at The Old<br />
Market in Hove, <strong>April</strong> 24th-26th. Sergio McKellen<br />
is playing Ferdinand in The Tempest, and<br />
Georgia Cudby is playing Lear in Lear.<br />
Note the lack of ‘King’ in that last title. Seventy<br />
percent of the students on the course are female,<br />
which gives the three lecturers, each of whom<br />
is directing one of the plays, the chance to play<br />
around with genders when assigning roles. “It<br />
makes the role very interesting,” says Georgia.<br />
“If you think about Lear as a mother, then she<br />
breaks the unbreakable maternal bond with her<br />
daughters, which is very powerful.” “Hamlet being<br />
female makes the affair with Ophelia very interesting,”<br />
says Maya, “and perhaps explains some<br />
of Polonius’ hostility towards the relationship.”<br />
Sergio auditioned for Miranda as well as Ferdinand,<br />
and would have happily played either part.<br />
“I see Ferdinand as being under a spell the whole<br />
play through,” he says. “First he’s under a literal<br />
spell from Ariel, then he’s in love with Miranda.<br />
That’s how I’m interpreting the role. I love The<br />
Tempest, it’s my favourite Shakespeare play. I love<br />
its fantasy and magic.”<br />
As you can imagine, the students are 100%<br />
committed to getting what they can out of the<br />
experience, hence Maya’s Hamlet playlist. To get<br />
into character Sergio finds himself miming his<br />
lines on the bus in the morning (“everyone looks<br />
at me oddly”); Georgia recites her lines to her<br />
dog. And they’ve all grown to love Shakespeare’s<br />
work. “I used to hate Shakespeare when I studied<br />
it in English at school,” says Maya. “But as soon<br />
as you get to perform his work, you understand<br />
it better and you realise how great it is. The<br />
stories are amazing, the characters are so real,<br />
and the language is so rich.”<br />
The plays are the culmination of the students’<br />
two-year Performing Arts course, and playing at<br />
The Old Market, in front of a paying audience,<br />
is quite a challenge. “Earlier in the year the<br />
students had to perform pantomimes at up to<br />
three primary schools a day,” says Stan. “This is<br />
a completely different side of acting, it’s teaching<br />
them a whole new set of skills.” “When you can<br />
do Shakespeare,” says Georgia, neatly finishing<br />
things off, “you can do anything.”<br />
Alex Leith<br />
The Tempest, <strong>April</strong> 24th; Lear 25th, Hamlet 26th<br />
at 7pm, tickets £5/£4 theoldmarket.com<br />
35
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ON THIS MONTH: FOOTBALL<br />
Come on you Rooks!<br />
Chanting at the Pan<br />
The thought of a<br />
<strong>Lewes</strong> Ultra doesn’t<br />
exactly strike fear<br />
into your average<br />
seasoned hooligan.<br />
But even at The<br />
Dripping Pan, we<br />
have an ‘element’, a<br />
small batch of singing<br />
veterans, ready<br />
to spit bars to get<br />
behind the boys in red and black.<br />
I have started a fair few chants in my ten years on<br />
the terraces. Some of the best are the most idiosyncratic.<br />
There Is a Light that Never Goes Out was<br />
a firm favourite in those desperate twilight years<br />
when the club seemed to be hitting the wall, until<br />
someone rightly pointed out that the late noughties<br />
were painful enough as a <strong>Lewes</strong> fan without<br />
throwing in additional Morrissey.<br />
Of course, there have been many rough and ready<br />
chants giving it large to the away contingent or<br />
one of the opposition players expecting a 9.5 from<br />
the Russian judge for a spectacular front somersault<br />
on the edge of the penalty area. Most are<br />
unrepeatable here, or else my asterisk key might<br />
pass out.<br />
“Oh when the Rooks, go steaming in, Oh when<br />
the Rooks go steaming in, I wanna be in that number”<br />
goes another famous tune, albeit with <strong>Lewes</strong><br />
variations such as “Oh when the Rooks are laying<br />
their eggs” or “Oh when the Rooks s**t on your<br />
car” - it's rather educational, and only a David Attenborough<br />
narration away from being a product<br />
of the BBC’s Natural History Unit.<br />
My favourite ever <strong>Lewes</strong> match also coincides<br />
with my favourite banterous exchange with away<br />
fans. Losing 2-0 after fifteen minutes against<br />
high-flying Dover<br />
Athletic on Boxing<br />
Day 2009, the<br />
heavily refreshed<br />
Athletic fans were<br />
singing a festive<br />
“Jingle bells, jingle<br />
bells, jingle all<br />
the way. Oh what<br />
fun it is to see Dover<br />
win away”. By<br />
half time we were winning 3-2… “Two-nil and<br />
you f****d it up”. We won 6-2.<br />
Over 70 Barrow fans made the trip down in 2007<br />
and delighted us with their world famous “Shoes<br />
off if you love Barrow”. You haven't lived until you<br />
have seen a couple of dozen Cumbrian stalwarts<br />
waving their size nines at the footie.<br />
Given that the Rooks are back on the up, seemingly<br />
heading towards promotion, this creates new<br />
challenges. Many new faces have turned up, whilst<br />
a decade of turmoil has seen many depart. This<br />
season, despite an electric atmosphere as Darren<br />
Freeman’s boys put in a wonderful shift, the singing<br />
has been more subdued.<br />
Spooky, a fan who has been there through thick,<br />
thin and non-existent, still tries to rev up the<br />
crowd in the Philcox but a gentrified club leads<br />
to a gentrified (and slightly sanitised) repertoire<br />
of safe options. “Come on you Rooks”, “Come on<br />
<strong>Lewes</strong>” and “<strong>Lewes</strong>”. It's like Mary Whitehouse is<br />
in charge.<br />
Things will change. Newly emboldened supporters<br />
will take up the mantle and sing ditties<br />
that confuse and confound, delight and distress,<br />
surprise and make you smile. It's not terribly sophisticated<br />
but it's artistic expression. “Come and<br />
join us over here…” Chris Mason<br />
Photo by James Boyes (Chris Mason centre of pic in blue t-shirt with pint)<br />
37
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ON THIS MONTH: CINEMA<br />
Film '18<br />
Dexter Lee's cinema round-up<br />
Alfred Hitchcock’s film career started as far back<br />
as 1920, as a film-title designer, and by 1922 he’d<br />
graduated to being a director. His early works are<br />
rarely screened, but Depot Cinema are bucking<br />
that trend in <strong>April</strong>. First up, on <strong>April</strong> 1st we’ve got<br />
his full-length directorial debut, The Pleasure<br />
Garden (above), a 1925 silent movie in which you<br />
can play spot-the-future-Hitchcock-motif. It’ll<br />
be shown at the Sunday 2pm slot on Screen One,<br />
which is becoming something of a club for film<br />
aficionados. On Tuesday 3rd there’s The Lodger,<br />
a 1927 murder-hunt movie, the first to feature<br />
Hitchcock in a cameo role, which is accompanied<br />
by a live score on piano and violin; on the 8th<br />
(Sunday 2pm again, see you there, guys) we’ve got<br />
Blackmail, made in 1929 and often cited as Britain’s<br />
first talkie. Imagine how exciting an event that must<br />
have been in its time. Fits our theme, too.<br />
Easter Monday (2nd) is World Autism Awareness<br />
Day, and there are activities for children on the<br />
autistic spectrum, and their siblings, before and<br />
after the screening of Peter Rabbit (1pm); in the<br />
evening there’s an autism-friendly singalong screening<br />
of The Greatest Showman, to which everyone<br />
is welcome.<br />
The ‘Every Picture Tells a Story’ strand invites<br />
viewers to watch a film and afterwards join a discussion<br />
about the way it’s been adapted from the book<br />
it was based on: this month (4th) it’s Gentlemen<br />
Prefer Blondes, starring Jane Russell and Marilyn<br />
Monroe, both at the height of their acting powers.<br />
Oscar winning short film The Silent Child, about<br />
a girl who can’t communicate until she learns to<br />
sign, is being shown on the 16th. Which is a good<br />
point to remind everyone that on Mondays all the<br />
Depot’s films (if they come with that facility) are<br />
caption screenings, meaning both the dialogue and<br />
audibles (‘telephone rings; ‘Beethoven plays in the<br />
background’, etc) are titled.<br />
Back to that Sunday afternoon slot: starting on the<br />
22nd, with The Good, the Bad and the Ugly,<br />
there’s a trilogy of Sergio Leone ‘Spaghetti Westerns’.<br />
Once Upon a Time in the West follows on<br />
the 29th, with A Fistful of Dynamite providing<br />
an explosive finish on May 5th. This film, aka Duck,<br />
You Sucker, set in early twentieth-century Mexico,<br />
is often given the ‘underrated’ tag, by those in the<br />
know. All three films, of course, feature scores by<br />
Ennio Morricone.<br />
We’ll finish with mention of three hard-hitting<br />
documentaries. The Island and the Whales (from<br />
4th) takes the viewer to the Faroe Islands looking<br />
at the annual slaughter of whales by the locals.<br />
Even When I Fall (20th) and Namaste (25th),<br />
meanwhile, are both set in Nepal: one looks at the<br />
traumatic homecoming of a group of kidnapped<br />
youngsters; the other sees a British doctor, Kate<br />
Yarrow, following the difficult journeys made by<br />
people seeking medical attention in the Himalayas.<br />
There’s a Q&A with Kate afterwards.<br />
39
ON THIS MONTH: GARDEN SHOW<br />
A cut above<br />
Say it with British flowers<br />
“People are interested in the<br />
provenance of their food: in<br />
where their meat was reared<br />
and where their vegetables<br />
were grown. But somehow<br />
when it comes to flowers, it<br />
hits a blind spot,” says Sussex<br />
flower nurseryman Ben Cross.<br />
“Did you know that 90% of<br />
flowers bought in the UK<br />
were grown outside it, in<br />
places like Colombia, Kenya<br />
and Cambodia, then filtered<br />
through Holland?”<br />
Ben’s family have been growing<br />
flowers in West Sussex<br />
since the 30s, and their Crosslands<br />
Flower Nursery has<br />
been at its current site, in Walberton, since 1957.<br />
“We grow many different types of Alstroemeria,<br />
or Peruvian Lily,” he explains, as we walk between<br />
beds full of fresh-smelling upright green plants<br />
inside a large greenhouse, one of a number in the<br />
three-acre nursery. Those in flower have been<br />
harvested earlier in the day, he explains, then finds<br />
a flower head that's since revealed itself, a little<br />
burst of tiger-striped pink and yellow.<br />
“There used to be a lot of flower nurseries round<br />
here, because the climate and soil are perfect<br />
between the Downs and the sea,” he continues.<br />
“When my great grandparents started the business<br />
up, Britain was pretty much self-sufficient in<br />
flowers. Then came the rise in the supermarkets,<br />
and the figures have inverted. This is the only<br />
year-round nursery in Sussex producing a full<br />
colour range.”<br />
Ben has become something of a spokesman for the<br />
industry, giving explanatory tours of his nursery<br />
and talks at garden shows to educate people about<br />
the benefits of buying local: “if<br />
you buy from us you know that<br />
the people who cut the flower<br />
stems will have been paid a decent<br />
wage; you know the flowers<br />
- and their packaging - won't<br />
have been sprayed with chemicals<br />
to keep them from wilting<br />
while they are being shipped<br />
around the world. What’s more<br />
home grown flowers are likely<br />
to have bigger, more robust<br />
heads and be more vibrantly<br />
coloured. They are also likely to<br />
stay fresh for much longer after<br />
you buy them.”<br />
I get a whistlestop tour of the<br />
whole operation, which is a<br />
remarkably simple affair. In its heyday it employed<br />
up to 30 people; nowadays Ben has six people<br />
working for him. With the traditional supermarkets<br />
tending to shun British products, Ben has had<br />
to find new outlets: “people who care about where<br />
the flowers come from, basically,” he says. “As<br />
well as many independent florists, there's a stall<br />
in the Brighton and Hove vegetable market I sell<br />
to; the ethical supermarket HISBE in Brighton<br />
stock them; Spitalfields Market still deal in British<br />
flowers; we're selling more and more to individual<br />
clubs and pubs and private businesses.” His flowers<br />
go UK-wide, and it's not surprising word is<br />
spreading: “you don't have to pay any more for the<br />
guarantee of freshness, quality and sustainability<br />
you get from a local product. British flowers rock,<br />
basically.” Alex Leith<br />
Ben will be talking about the British Cut Flower<br />
industry at the Garden Show at Firle Place, 1.30pm<br />
Sunday 22nd (show starts Fri 20th) / thegardenshowonline.com.<br />
Also see pg 23.<br />
41
Axel Hesslenberg<br />
Capturing Charleston<br />
Last year was my tenth year<br />
photographing the Charleston<br />
Festival. I always liked to<br />
read, and this combination of<br />
literature and the house and<br />
the garden attracted me. You<br />
don’t have to be a Bloomsbury<br />
aficionado to feel that it’s a place<br />
of great creativity. The authors<br />
who come to speak really<br />
connect with the place. They<br />
are quite often used to working somewhere alone,<br />
locked away, but to see them in the green room,<br />
sitting around the kitchen table chatting with<br />
other writers... it’s a special atmosphere, a great<br />
place to be a fly on the wall.<br />
Once I meet them I begin to think where<br />
I’d like to photograph them. The house is<br />
very important and makes for an incredible<br />
backdrop, so I usually photograph in landscape<br />
format to ensure that it’s included. I can’t tell you<br />
everything about the history of the house, but<br />
visually I know it very well.<br />
I’ve photographed actors, artists, writers and<br />
performers at Charleston. You get wonderful<br />
rewards working with creative people. One of my<br />
favourite portraits is of Tom Stoppard. I wanted<br />
to photograph him in Duncan Grant’s studio<br />
because he creates plays, starting with a blank<br />
page and filling it, like an artist. I photographed<br />
Ian McEwan in the library against the beautiful<br />
black wall. It made sense to photograph him<br />
surrounded by books. Colm Tóibín appears<br />
brooding in his portrait, looking directly into<br />
the camera, but he’s a consummate entertainer,<br />
a wonderful storyteller. I photographed the<br />
Canadian author Madeleine Thien in Vanessa<br />
Bell’s bedroom because she was moved by Bell’s<br />
life and work. She was quite in awe, touched by<br />
the house. Another favourite was<br />
Richard Ford (below right). He’s<br />
one of America’s best authors<br />
but a quiet, well-spoken man.<br />
His quietness comes across in<br />
the image.<br />
There are often a lot of<br />
people around, and I have to<br />
carve out the opportunity.<br />
The image of Fiona Shaw<br />
(above right) was made with ten<br />
people around her in the small kitchen. I stole<br />
the photo in a moment when she was framed<br />
against the grey door. I like to photograph in the<br />
kitchen. There is an old fridge that I like to use<br />
as a backdrop for what I call ‘British icons’. I’ve<br />
photographed the likes of Alan Bennett, Joanna<br />
Lumley and Maggi Hambling there.<br />
I have been particularly impressed with the<br />
older generation of writers. They have a great<br />
deal to say and stories that are grounded in<br />
experience. PD James was so active and engaged,<br />
to think that she has since left us is strange.<br />
As well as the portraits, I have tried to capture<br />
what is special about the festival. It’s about the<br />
audience and the person on stage who holds their<br />
attention, and the whole world is there to discover<br />
because the subjects are so varied. At the book<br />
signing table it’s wonderful to see the authors<br />
engaging with their readers. I’ve seen six or seven<br />
school kids standing there with Ali Smith and<br />
she says, ‘ask me a question’. Sure, they ask ‘what<br />
is your favourite book?’ but the conversation<br />
leads somewhere else. There are these great story<br />
tellers in this special environment and you don’t<br />
have to be in awe. As told to Lizzie Lower<br />
See more of Axel’s works at thepebbles.com. The<br />
29th Charleston Festival runs from the 18th to the<br />
28th of May. charleston.org.uk/festival<br />
42
PHOTOGRAPHY<br />
Photos © Axel Hesslenberg<br />
Richard Ford, Charleston Festival 2017<br />
Fiona Shaw, Charleston Festival 2015<br />
43
Photo by Sam Moore<br />
John Hamilton<br />
Penguin Essentials Art Director<br />
20 Years of Penguin Essentials at Ditchling<br />
Museum of Art + Craft is a collection of 100<br />
book covers brought together by esteemed Art<br />
Director John Hamilton. The show runs until<br />
29th <strong>April</strong>, in partnership with their Elizabeth<br />
Friedlander exhibition that includes her ornate<br />
re-workings of the Penguin logo for the<br />
publisher’s 25th Anniversary.<br />
The Essentials were never intended as a formal<br />
body of work, says John, but reviewing them in<br />
curating the show has revealed something of a<br />
‘holding look’.<br />
The full collection of over 150 titles grew out of<br />
his idea to bring special editions of modern literary<br />
classics to a new generation of book buyers.<br />
They encapsulate the major overhaul John has led<br />
at Penguin since he joined twenty years ago - a<br />
period of change that offered the chance to throw<br />
away the design conventions of his predecessors.<br />
“When I started, they basically said: ‘you’ve got<br />
a free hand to do what you want,’” says John. “I<br />
looked at the backlist - Kerouac, Orwell - it was just<br />
mind-blowing. I thought, how do we sell this to a<br />
new young audience?”<br />
The answer was to pair famous titles with young,<br />
punky artists and designers whose work John found<br />
in magazines like ID, The Face and on album covers.<br />
A commission for design agency Intro off the<br />
back of their work for Primal Scream helped to<br />
consolidate the approach. “I thought, this is the way<br />
forward,” says John. “I sat down with my designers<br />
and said, ‘we’ve got to do this differently.’”<br />
The net was cast wider and wider, to include<br />
tattooists and street artists like Banksy and Cleon<br />
Peterson. “The internet,” says John, “for me, it was<br />
like a painter having four colours and then all of a<br />
sudden 200.”<br />
“I wanted to press buttons with a whole new<br />
audience, so we got Stanley Donwood when he was<br />
doing OK Computer, and Banksy…”<br />
The cover Banksy created for Nick Cave’s And<br />
the Ass Saw the Angel features a reworking of the<br />
Penguin logo exhaling flames that John just slipped<br />
through the eight-person approval process.<br />
44
ON THIS MONTH: ART<br />
Banksy<br />
UNGA<br />
“In 20 years of Penguin it’s probably one of my<br />
finest moments - it’s such a good brand, you can<br />
play with it.”<br />
I ask whether the artists read the books but,<br />
surprisingly, John tells me he didn’t encourage<br />
it. “I wanted to take the narrative out… The<br />
idea was to get something eye-catching, iconic,<br />
immediate.”<br />
“If you’re going to someone like Banksy or Intro,”<br />
he says, “I can’t give them a brief, because that’s<br />
not what they do. All I can say is that I can tailor<br />
where I think we should be pitching our ball.”<br />
The unsung skill of a great Art Director is<br />
finding the right person for the job, which, for<br />
John, is usually someone with an individual<br />
and challenging style. “I want a cover to look<br />
completely unique,” he says. “If it was going<br />
to look like a book jacket, I’d get a book jacket<br />
designer to do it.” Chloë King<br />
ditchlingmuseumartcraft.org.uk<br />
There will be ten new Essentials published by<br />
Penguin on the 7th June.<br />
Angie Lewin<br />
45
Now We Are 7<br />
present<br />
CHAN GE<br />
DIS RUPT<br />
Jules Mitchell<br />
Katy Oxborrow<br />
Louise Michele Evans<br />
Lyn Dale<br />
Marie Ford<br />
Nikki Davidson-Bowman<br />
Stephanie Grainger<br />
Saturday 7 – Friday 27 <strong>April</strong> • 12–5pm • Thu–Sun<br />
Private View • Friday 6 <strong>April</strong> • 6pm<br />
This exhibition is sponsored by a generous donation from the Chalk Cliff Trust<br />
www.martyrs.gallery
ART<br />
ART & ABOUT<br />
In town this month<br />
In 2016, women’s art collective Now We<br />
Are 7, made up of artists Lyn Dale, Nikki<br />
Davidson-Bowman, Louise Michele<br />
Evans, Marie Ford, Stephanie Grainger,<br />
Jules Mitchell and Katy Oxborrow, set<br />
out on an experimental journey. The artists<br />
made one piece of work which changed<br />
hands until each artist had contributed towards<br />
each piece. The resulting works, reflecting<br />
themes of female identity, diversity<br />
and transition, are on show in Now we are<br />
7: Change and Disrupt at Martyrs' Gallery<br />
from the 7th until the 27th of <strong>April</strong>, (12-5,<br />
Thu–Sun). The collective will be discussing<br />
the exhibition and the process of creating<br />
the work at Towner Gallery on the evening<br />
of Wednesday 28th, at Eastbourne's<br />
monthly EXCHANGE event.<br />
Matt Bodimeade<br />
Nikki Davidson-Bowman<br />
Miriam Forster<br />
Brighter days are officially ahead. We can tell because<br />
St Anne’s Galleries have hung their Spring<br />
Show. Expect new works from Paul Newland, Jo<br />
Lamb and Tom Benjamin, who has recently been<br />
painting en plein air at Hope Gap and Newhaven<br />
Harbour. Alongside the series of 'Sussex B road'<br />
paintings by Nick Bodimeade are local landscapes<br />
by his brother<br />
Matt, and new to<br />
the gallery this year<br />
are Darius Smith,<br />
whose vibrant paintings<br />
incorporate elements<br />
of mixed media,<br />
and the abstract<br />
works of Miriam<br />
Forster. Open Saturdays,<br />
Sundays and<br />
Bank Holidays until<br />
the 13th of May.<br />
47
J M Furniture Ltd<br />
TRADING IN LEWES SINCE SEPT 1999<br />
Bespoke custom made furniture and kitchens.<br />
We welcome commissions of all sizes and budgets.<br />
01273 472924 | sales@jmfurniture.co.uk<br />
www.jmfurniture.co.uk<br />
Photographic & Giclée Printing<br />
Online Printing Service Available<br />
C-Type Hand Printing<br />
Archival Mounting<br />
Scanning<br />
01273 708222<br />
info@spectrumphoto.co.uk<br />
spectrumphoto.co.uk
ART<br />
In town this month (cont)<br />
JOHN WILLIES<br />
COUNTRY<br />
KITCHENS<br />
Chalk Gallery features the work of<br />
Nichola Campbell, whose paintings express<br />
both the atmosphere and the essence of the<br />
natural world around her. She works both<br />
on location and in her studio in Newick,<br />
using light-fast inks or watercolours. Her<br />
most recent work is inspired by landscape,<br />
gardens and forests, their colours and<br />
atmosphere captured in her ink paintings<br />
of treescapes and her collages inspired by<br />
spring. Both will be on display at Chalk<br />
Gallery from the 9th until the 29th <strong>April</strong>.<br />
HANDMADE & HAND-PAINTED<br />
FITTED & FREESTANDING<br />
SOLID WOOD KITCHENS<br />
Preparations are underway for Artwave’s<br />
25th year but you’ll need to be quick if you<br />
want to be a part of the<br />
action. Registration<br />
to join one of<br />
the artists' trails<br />
(across the<br />
whole of the<br />
<strong>Lewes</strong> District)<br />
closes on the<br />
6th of <strong>April</strong>.<br />
To sign up visit<br />
artwavefestival.org<br />
BRIGHTON<br />
SHOWROOM<br />
126 CARDEN AVENUE, PATCHAM<br />
BRIGHTON BN1 8NE<br />
Tel: 01273 562943<br />
WWW.JOHN-WILLIES.COM
ART<br />
Out of town<br />
Chalkpit, an exhibition of work by eight local artists, will be at<br />
the newly refurbished coach house in Glynde Place, where<br />
Jacky Misson has recently been artist-in-residence. She has<br />
been collecting stories and memories from people in the village<br />
who remember when the local chalk pit was still active (it was in<br />
use from the 1840s right up to the 1980s). The exhibition takes<br />
place over the weekend of the 14th and 15th of <strong>April</strong> and there<br />
will be a Q&A session with the artists on the Saturday evening.<br />
Everyone (including children) welcome. (11am - 6pm, free.)<br />
Wren’s living quarters, UK 1944 by Lee<br />
Miller © Lee Miller Archives, England,<br />
<strong>2018</strong>. All rights reserved. leemiller.co.uk<br />
Farley’s House and Gallery opens on Sunday the 1st of <strong>April</strong>. As well<br />
as visiting the extraordinary house, leave some time to take in the exhibitions<br />
in the gallery next door. More Light – a selection of previously<br />
unseen and overlooked images from the Lee Miller Archives and The<br />
Penrose Collection – will be on display for the entirety of the <strong>2018</strong><br />
season. Machinations - an exhibition of moving artworks made from<br />
salvaged materials by Johnny White – is displayed alongside, until the<br />
13th of May. [farleyshouseandgallery.co.uk]<br />
Inhabit, a conceptual installation of paintings,<br />
sculptures and prints from the Towner collection,<br />
invites the visitor to experience ‘immersive<br />
environments’ as they move through the gallery.<br />
Works by Edward Bawden, Gertrude Hermes<br />
and Duncan Grant are included, and newly<br />
acquired prints by Patrick Caulfield and paintings<br />
by Wilfred Avery will also be on display.<br />
The gallery is currently accepting submissions for<br />
the <strong>2018</strong> Sussex Open, bringing together the<br />
best artists - at every level of their career - from across East and West Sussex. This year Towner are<br />
introducing a new initiative, the Sussex Open Commission Award. The selected artist will receive<br />
an award of up to £1,000 to develop their project which will then be presented as part of the Sussex<br />
Open exhibition. Visit the website to find out more and submit your application by the 30th of <strong>April</strong>.<br />
Photo by Alison Bettles<br />
Immerse yourself in the mind of Brighton Festival guest<br />
director David Shrigley in Life Drawing II at Fabrica in<br />
Brighton from the 14th. Pick up paper and pen and become<br />
part of the artwork as you join a life drawing class<br />
with Shrigley’s nine-foot-tall sculptural model as your<br />
muse. Your drawing then becomes part of the continuing<br />
exhibition. (Until the 28th of May.)<br />
50
VALUATION DAY<br />
Jewellery and Pictures<br />
Tuesday 24 <strong>April</strong> <strong>2018</strong><br />
10am to 3pm<br />
Bonhams specialists will be at<br />
The Courtlands Hotel to offer<br />
free and confidential advice on<br />
items you may be considering<br />
selling at auction.<br />
APPOINTMENTS<br />
AND ENQUIRIES<br />
01273 220000<br />
hove@bonhams.com<br />
VENUE<br />
The Courtlands Hotel,<br />
19-27 The Drive, Hove<br />
BN3 3JE<br />
CECIL KENNEDY, A<br />
SUMMER BOUQUET,<br />
OIL ON CANVAS<br />
£12000 - 18000 *<br />
bonhams.com/hove<br />
* Plus buyer’s premium and other fees. For details of the charges payable in addition<br />
to the final hammer price, please visit bonhams.com/buyersguide
DISCOVER<br />
EXPAND<br />
EMPOWER<br />
Explore our yurts<br />
The Yurt Academy taps into the vast<br />
wealth of brilliant and experienced<br />
people in our communities to share<br />
their knowledge, spark imagination<br />
and awaken a passion for knowledge<br />
and learning. From the Curious to the<br />
Practical, for Personal and Professional<br />
development, The Yurt Academy<br />
sessions are affordable in time and<br />
money, are face to face, and take<br />
place locally in spaces near you.<br />
15% off your first session<br />
using code: VIVAYURTS*<br />
*expires 31st <strong>April</strong><br />
yurtacademy.com
TRADE SECRETS<br />
Jessie Moane<br />
Brush letterer<br />
What do you do? I mainly do hand lettering,<br />
using a brush pen or a normal paint brush and<br />
working in ink or watercolour. I recently started<br />
working with an iPad Pro and an Apple Pencil,<br />
and I use an iMac for the rest of my processes.<br />
How did you come to specialise in lettering?<br />
I’ve always been interested in design. My day<br />
job is as a magazine and graphic designer for a<br />
publishing company. I studied design through<br />
school, from Art at GCSE to Graphic Design at<br />
university, and from there I just loved working<br />
with typography. I tried out a few hand lettering<br />
styles, but I’m left-handed, so finding a way to<br />
work with calligraphy was tricky. A few years’<br />
practice making gifts for friends and family got<br />
me to where I am now.<br />
Which products do your designs appear on?<br />
Greetings cards and prints, currently. I’d like to<br />
create a range of wedding stationery as my next<br />
challenge. I do quite a lot of custom work for<br />
people as well, which I love doing!<br />
What kinds of commissions do you get? Funnily,<br />
my most common commissions are tattoos. I<br />
get lots of requests for words written in my ‘happiness’<br />
font, which I created a few years back; the<br />
client sends me the word they want and I send<br />
back a design. Most of them find me through Instagram<br />
or Pinterest. I’ve also just launched a new<br />
product, a baby/child birth detail print, which<br />
originally a lot of people used to ask me to create<br />
as a custom piece. It was getting so popular as a<br />
commission that I’ve added it to my shop.<br />
Where do you work? Mainly from home, working<br />
around my 11 month old. As and when he<br />
sleeps I try to get some work done!<br />
What inspires your wording? My inspiration<br />
tends to come from quotes that I think will<br />
resonate with other people, as well as myself. I<br />
have prints of quotes by Dumbledore and Roald<br />
Dahl, which are really popular. They’re a great<br />
reminder that, even when times get tough, it’s<br />
only temporary and to keep on going.<br />
Does your writing come out looking that<br />
beautiful first-time? Not at all! It takes a good<br />
few tries at each word before I find a version I<br />
like. For each word, I write it out over and over<br />
again, covering two sides of A4 paper. Then I<br />
look over them all to see if there is one that I<br />
would be happy to use. If not, I start again.<br />
What’s your favourite word (visually)? ‘Castello’.<br />
I wrote this for a client’s wedding venue,<br />
‘Castello del Trebbio’, and I just loved how it<br />
looked and the flow of writing it. RC<br />
jessiemdesign.co.uk<br />
53
<strong>Lewes</strong><br />
Little<br />
Theatre<br />
The Home of<br />
<strong>Lewes</strong> Theatre Club<br />
Dial M for Murder<br />
Written by Frederick Knott<br />
Directed by Derek Watts<br />
Saturday 12 May - Saturday 19 May 7:45pm<br />
excluding Sunday. Matinee Saturday 19 May<br />
2:45pm.<br />
£12/Members £8<br />
www.lewestheatre.org<br />
Box Office: 01273 474826<br />
THE SEVEN AGES<br />
OF SHAKESPEARE<br />
Sunday 22nd <strong>April</strong>. Doors 7pm, starts 7.30pm<br />
Join The Bard Buskers in<br />
celebrating the anniversary<br />
of William Shakespeare,<br />
journeying his life through<br />
a selection of live<br />
performances from<br />
the complete works.<br />
Accompanied with<br />
live and atmospheric<br />
music on the Harp,<br />
the night promises to<br />
be one to remember.<br />
The All Saints Centre, Friars Walk, <strong>Lewes</strong>, BN7 2LE.<br />
Tickets £8/£5 conc available from <strong>Lewes</strong> Town Hall &The All Saints Centre<br />
(01273 486391) and www.wegottickets.com<br />
All profits go to the Mayors Charities.<br />
DIAL<br />
MWRITTEN BY<br />
FREDERICK<br />
KNOTT<br />
DIRECTED BY<br />
DEREK<br />
WATTS<br />
FOR<br />
MURDER
APRIL listings<br />
THURSDAY 5<br />
World Poets - William Wordsworth. Lecture/<br />
performance with readings. The <strong>Lewes</strong> Arms,<br />
6.30pm, £12.50.<br />
Comedy at the Con. Russell Hicks, Juliet<br />
Myers, and headliner Ian Moore with MC Neil<br />
Masters. Con Club, 7.30pm, £8-£12.<br />
TO FRIDAY 13 APRIL<br />
Chris Watson: No Man’s Land. Site-specific<br />
celebration of the sounds, rhythms and music<br />
of the world’s seas and oceans. Attenborough<br />
Centre, times and prices vary, see attenboroughcentre.com.<br />
TUESDAY 3<br />
Life drawing. Drop in session every other Tuesday,<br />
drinks available from bar, bring your own<br />
materials. <strong>Lewes</strong> Arms, 7.30pm, £5.<br />
The Group. A club for unattached women and<br />
men aged 50+. Not a dating agency. A pub in<br />
<strong>Lewes</strong>, see thegroup.org.uk.<br />
FRIDAY 6<br />
The Street Names of <strong>Lewes</strong>. A Friends of Anne<br />
of Cleves talk by John Davey. Anne of Cleves,<br />
7.30pm, £8 (£5 members), contact annacrabtree1@hotmail.com.<br />
SATURDAY 7 & SUNDAY 8<br />
Jumbo Jumble Sale. Supporting St Peter and<br />
St James Hospice and South Street Bonfire. All<br />
Saints, 11am-5pm (Sat) and 10am-2pm (Sun),<br />
50p entry on Saturday only, Sunday free.<br />
SATURDAY 7 – SUNDAY 13 MAY<br />
WEDNESDAY 4<br />
The Butterflies<br />
of Sussex. Michael<br />
Blencowe<br />
of Sussex Wildlife<br />
Trust (and<br />
<strong>Viva</strong>) talks about<br />
Sussex butterflies'<br />
decline<br />
and conservation,<br />
and exotic<br />
visitors from Europe. St Thomas' Church Hall,<br />
7.30pm, £3, see lewesgardensociety.weebly.com.<br />
The Paint Club @ Fuego Lounge. Eat, drink<br />
and paint. Fuego Lounge, 6.45pm, £24.50.<br />
Arlington Bluebell Walk & Farm Trails. Open<br />
daily 10am-5pm, bluebellwalk.co.uk.<br />
SUNDAY 8<br />
Food Rocks. Street food, pop-up bars and live<br />
music. Cliffe High Street, 10am-4pm, free.<br />
Raymond Briggs' Sofa. <strong>Viva</strong> columnist John<br />
Henty presents a radio play adapted for the stage.<br />
Pelham House, 7.30pm, £10 from Tourist Information<br />
Centre and Bonne Bouche.<br />
55
APRIL listings (cont)<br />
Image from the Ian Everest Collection<br />
MONDAY 9<br />
Tales from the Riverbank. Ian Everest presents<br />
old photos and cine film that offer a glimpse of<br />
some of the less well-known aspects of riverside<br />
life in the Ouse valley between <strong>Lewes</strong> and the sea.<br />
King’s Church, 7 for 7.30pm, £3 (£1 members).<br />
20 years on… what future for the Northern<br />
Irish Peace process? On the eve of the 20th<br />
anniversary of the Good Friday<br />
Agreement, <strong>Lewes</strong> Labour host a<br />
discussion on Brexit and the border<br />
with Mary Hickman, founder of the Irish Studies<br />
Centre and Tom Griffin, former Irish World<br />
political editor. Phoenix Centre, 7.30pm, free.<br />
TUESDAY 10 – SATURDAY 14<br />
Chess. LOS Musical Theatre present a tale of<br />
love and scheming politics, centred around a<br />
chess tournament. See pg 32. Town Hall, for<br />
times and prices see losmt.org.uk.<br />
WEDNESDAY 11<br />
The Arts of Japan: Highlights of Japanese Art<br />
and Culture. Illustrated talk charting the<br />
development of key aspects of Japanese art. Uckfield<br />
Civic Centre, 2pm, £7 (free for members).<br />
Perfect<br />
THE<br />
DAY OUT<br />
LIVE MUSIC STAGE OUTDOOR ACTIVITIES GARDENING<br />
ANIMAL BARN FOOD & DRINK MAYPOLE DANCING<br />
ACRES OF SHOPPING DONKEY RIDES FAIRGROUND<br />
6 & 7 MAY BANK HOLIDAY<br />
BOOK TICKETS ONLINE & SAVE 10% seas.org.uk/booking<br />
South of England Showground, Ardingly, West Sussex RH17 6TL<br />
Under 16s FREE with paying adult Dogs welcome 9am – 5pm<br />
seas.org.uk<br />
01444 892700<br />
@SouthEngShows<br />
56
APRIL listings (cont)<br />
THURSDAY 12<br />
Welcoming in the<br />
Wheatears. A Sussex<br />
Wildlife Trust walk to spot<br />
and learn about one of the<br />
year’s first migrant birds<br />
to return to Sussex from<br />
Africa. Meet at the bridge on Cliffe High Street,<br />
10am, free to members, donations requested.<br />
FRIDAY 13<br />
Film: The Disaster Artist (15). American biographical<br />
comedy-drama based on non-fiction<br />
book of the same name, which chronicles the<br />
making of Tommy Wiseau's 2003 The Room,<br />
widely considered to be one of the worst movies<br />
ever screened. All Saints, 8pm, £5/£2.50.<br />
SATURDAY 14<br />
Middle Eastern Dabke/Celtic Ceilidh. In<br />
aid of the Enthum Foundation, set up following<br />
work by volunteers in the Calais Jungle in<br />
2016, who are in the process of opening a home<br />
for unaccompanied asylum-seeking children, in<br />
Eastbourne. Firle Village Hall, 7pm-11.30pm,<br />
£25 (includes special vegetarian Eritrean dinner).<br />
WEDNESDAY 18<br />
What Is Virtual Reality?<br />
A talk from leading<br />
VR specialist and <strong>Lewes</strong><br />
resident Sam Watts about<br />
where it came from, where<br />
it is now and where it’s going, with a hands-on<br />
series of demos afterwards. Elly, 7pm, price tba.<br />
57
LEWES FRIDAY FOOD MARKET<br />
Fridays 9.30am-1.30pm<br />
buy local - eat seasonal - feel good<br />
lewesfoodmarket.co.uk<br />
CHRIS WATSON<br />
An audio journey through the sounds, rhythms<br />
and music of the world’s seas and oceans…<br />
01273 678 822<br />
attenboroughcentre.com<br />
Pay What You Decide tickets available
APRIL listings (cont)<br />
FRIDAY 20<br />
Mud Glorious Mud - the Bridge Farm 2017<br />
Excavation. <strong>Lewes</strong> Archaeological Group talk<br />
with Rob Wallace and David Millum, giving their<br />
annual update on the excavation of this important<br />
Romano-British settlement site at Barcombe.<br />
Lecture Room, <strong>Lewes</strong> Town Hall, 7.30pm, £2/4,<br />
free for under 18s.<br />
Headstrong Club talk and discussion. Alison<br />
Pike on the limits of parental influence on a<br />
child's development. Elly, 8pm, £3.<br />
FRIDAY 20 – SUNDAY 22<br />
The Garden Show at Firle. Firle Place, 10am-<br />
5pm daily, £7-£3. See pg 41.<br />
works. All profits go to the Mayors Charities. All<br />
Saints, 7pm for 7.30pm, £8/£5.<br />
TUESDAY 24<br />
What’s your gut feeling? Functional health<br />
workshop with nutritionist and functional medicine<br />
practitioner Tanya Barowski. Tanya’s clinic<br />
and store, Needlemakers, 7pm, £25.<br />
<strong>Lewes</strong> Death Café. Discussion group. The Ram<br />
Inn, Firle, 7.30pm, all welcome.<br />
Victorians Undone: Our Ancestors’ Embarrassing<br />
Bodies. Talk with Kathryn Hughes,<br />
historian, journalist and the author of muchadmired<br />
biographies of Mrs Beeton and George<br />
Eliot. All Saints, 8pm, £10, see pg 31.<br />
WEDNESDAY 25<br />
Arts & Crafts Market in the Old Georgian<br />
Riding School. Part of the Garden Show at<br />
Firle, this is an area set aside for local artists and<br />
makers. Firle Place, 10am-5pm daily, £7-£3.<br />
SATURDAY 21<br />
<strong>Lewes</strong> Electric Car Show. See a variety of cars<br />
and meet their owners, with talks and information<br />
on recharging and other issues. Hosted by<br />
Transition Town <strong>Lewes</strong> and Ovesco. Harvey's<br />
Brewery rear yard, 11am-2pm, free.<br />
SUNDAY 22<br />
The Seven Ages of Shakespeare. The Bard<br />
Buskers celebrate the anniversary of William<br />
Shakespeare, journeying his life through a selection<br />
of live performances from the complete<br />
Namaste, a Himalayan<br />
Journey. Screening with<br />
Q&A of the documentary<br />
in which Dr Kate Yarrow<br />
uncovers the incredible<br />
challenges facing doctors<br />
working in rural areas of Nepal, and follows some<br />
of the dangerous journeys patients have to endure<br />
to reach basic healthcare. Depot, 8pm, £9/£4.<br />
FRIDAY 27<br />
<strong>Lewes</strong> FC Quiz Night. General quiz, four people<br />
per team maximum. Optional meal-deal £10,<br />
must book in advance. Dripping Pan, 7.45pm, £2.<br />
Film: The Levelling (15). After the 2014 Somerset<br />
floods, a young woman returns to the family<br />
dairy farm following the death of her younger<br />
brother. All Saints, 8pm, £5/£2.50.<br />
SATURDAY 28<br />
Natural Alternatives at the Menopause. Workshop.<br />
St Mary’s Church Hall, 10am-4pm, £50.<br />
(concessions on request) see chantry-health.com.<br />
59
east sussex<br />
BACH<br />
c h o i r<br />
J S BACH<br />
mass MASS in IN<br />
B MINOR<br />
Director - John Hancorn<br />
Sat 21st <strong>April</strong> <strong>2018</strong><br />
Town Hall,<strong>Lewes</strong><br />
eastsussexbachchoir.org<br />
GLYNDE PLACE<br />
CONCERT SERIES <strong>2018</strong><br />
BBC Radio 3 New Generation Artists<br />
Mariam Batsashvili (piano)<br />
Saturday 7pm, 12 May 2017<br />
Listz•Mozart•Schubert<br />
Tickets, info and other events - glyndeplace.co.uk<br />
2 June -Thibaut Garcia (guitar)<br />
7 July -Andrei Ionita (cello)<br />
House Open<br />
May & June - We, Th, Su & BH Mo<br />
Aug -26&27 Sep - 1 & 2 for Artwave<br />
EAST SUSSEX<br />
COMMUNITY CHOIR<br />
Dame Felicity Lott Soprano<br />
Shona Knight Soprano<br />
Paul Austin Kelly Tenor<br />
The Corelli Ensemble<br />
Leader: Maeve Jenkinson<br />
Nicholas Houghton Conductor<br />
MENDELSSOHN<br />
Hebrides Overture (Fingal's Cave)<br />
Hear My Prayer (O for the wings of a dove)<br />
Hymn of Praise (Lobgesang)<br />
SATURDAY 5 MAY, 7.30PM<br />
LEWES TOWN HALL<br />
Tickets £12 (under 19s free)<br />
APR<br />
Tickets available from<br />
<strong>Lewes</strong> Town Hall (office),<br />
<strong>Lewes</strong> TIC<br />
(Tel: 01273 483448)<br />
or on the door,<br />
subject to availability<br />
LEWES<br />
@Con Club<br />
1,2 SUN RA ARKESTRA<br />
12 65 COMEDY NIGHT<br />
HANGEE V + SPACE AGENCY<br />
THE MEKONS<br />
14 VERA VAN HEERINGEN<br />
15 BAD MANNERS<br />
20THE DOCTORS<br />
27GOOFER DUST<br />
28 LOOSE CABOOSE NIGHT<br />
29 TALITHA RISE<br />
SEE WEBSITE FOR ANY CHANGES DETAILS AND ENTRY
CLASSICAL MUSIC<br />
SAT 7 TH , 7.30PM<br />
Almathea. Klio Bonz on flute and Siobhan Swider<br />
on harp perform works by Piazzolla, Shankar,<br />
Mills, Debussy, Thomas, Marais and Mozart.<br />
Westgate Chapel, free with ticket from Si’s Sounds or<br />
oysterproject.org.uk<br />
SUN 8 TH, 3PM<br />
St Michael’s First Sunday. (Apart from Easter<br />
Sunday that is). Ashworth and Rattenbury Guitars<br />
(duet) playing Praetorius; Mozart; Granados;<br />
Machado, and Glass. St Michael’s Church, free with<br />
retiring collection<br />
SAT 21 ST , 7.30PM<br />
East Sussex Bach Choir. The ESBC are joined by<br />
the Baroque Collective Singers in a performance<br />
of Bach’s Mass in B Minor, composed a year before<br />
his death and never played in its entirety in his<br />
lifetime. Town Hall, £20/£15. eastsussexbachchoir.org<br />
SUN 22 ND , 4.30PM<br />
Trinity Laban Conservatoire of Music and<br />
Dance Bar 4 Quartet. Advanced students from<br />
the TLC play Beethoven's Quartet Op.18 No.4 and<br />
Tchaikovsky’s Quartet No.1, as well as works by<br />
Sarasate, Arvo Pärt and Turina. St Michael’s Church,<br />
£12/9/U18 free<br />
TUES 24 TH , 9PM<br />
Brighton Film Quartet (pictured above). The<br />
piano quartet perform Soundscape, a specifically<br />
composed soundtrack complimenting big screen<br />
visuals by local filmmakers. A Fringe hit in the<br />
Royal Pavilion at last year’s Festival: ‘think Einaudi<br />
with attitude; Nyman on a night out.’ Depot<br />
Cinema, £10. lewesdepot.org<br />
SUN 29 TH , 11AM<br />
Quatuor Arod. Internationally acclaimed violin<br />
quartet play Haydn’s String Quartet in G Minor<br />
Op. 74 No. 3 ‘Rider’, Benjamin Attahir’s Al Asr and<br />
Beethoven’s String Quartet in E minor Op. 59 No.<br />
2 ‘Razumovsky’. Attenborough Centre, University of<br />
Sussex, £18.50/16<br />
SUN 29 TH , 4PM<br />
Corelli Ensemble.<br />
Special guest,<br />
international cellist<br />
Sebastian Comberti<br />
plays Boccherini’s<br />
Cello Concerto no. 3<br />
in G. The Corelli<br />
Ensemble perform<br />
Mozart’s Eine Kleine<br />
Nachtmusik and<br />
Barber’s Adagio<br />
(which featured<br />
in Platoon and The<br />
Elephant Man, and continues this season's theme of<br />
Music from the Movies). St Pancras Church, £12/10/<br />
children free. corelliensemble.co.uk<br />
61
GIG GUIDE // APRIL<br />
GIG OF THE MONTH:<br />
SUN RA ARKESTRA<br />
For those who missed the chance to see them raise the<br />
roof of the Con Club last year, legendary jazz troupe Sun<br />
Ra Arkestra are back for two nights this <strong>April</strong>. Prolific surrealist<br />
jazz giant and self-proclaimed extra-terrestrial from<br />
Saturn, Sun Ra led his Arkestra for much of his life and<br />
career. After his death in 1993, the band played on under<br />
the capable direction of alto saxophonist and long-term<br />
member Marshall Allen, who is approaching his 94th birthday. The Arkestra play a phenomenal range<br />
of jazz and put on a spectacular show, with up to 15 of the 24 current members on stage at any one time.<br />
Lorenzo Ottone sums it up pretty well in his review of their three-night residency in <strong>Lewes</strong> last year ‘the<br />
biggest instrumental delight you could possibly experience’. The first of the two shows has already sold<br />
out, so get in there quick! Sunday 1 & Monday 2, Con Club, 7.30pm, £25 adv Kelly Hill<br />
SUNDAY 1<br />
Folk in Adur. Contemporary folk, Americana<br />
and blues. Westgate, 4pm, free (ticketed) see<br />
oysterproject.org.uk<br />
SUNDAY 1 & MONDAY 2<br />
Sun Ra Arkestra. Jazz and blues. Con Club,<br />
7.30pm, £25 adv<br />
MONDAY 2<br />
Simon Savage. Tenor sax. Snowdrop, 8pm, free<br />
THURSDAY 5<br />
Björn and the Brothers of Rhythm. Vintage<br />
hot swing. Pelham Arms, 8.30pm, free<br />
FRIDAY 6<br />
Norman Baker. Playing a stripped-down set of<br />
his new album. Bus Club Pizza, 8.30pm, free<br />
The Hangee V + The Space Agency. 60s<br />
garage & surf. Con Club, 8pm, free<br />
SATURDAY 7<br />
Session with Roger Stamp & friends. Folk<br />
(Irish, English, World). Elly, 8pm, £6<br />
SUNDAY 8<br />
Open Space Open Mic. Music, poetry and<br />
performance. Elly, 7.30pm, free<br />
MONDAY 9<br />
Oli Howe Trio. Jazz. Snowdrop, 8pm, free<br />
THURSDAY 12<br />
The Mekons. Arty post-punk Peel faves. Con<br />
Club, 7.30pm, £14 + booking fee<br />
SATURDAY 14<br />
Contraband. First event in the new ‘Seaford Sessions’<br />
series. Seaford Little Theatre, 7.30pm, £10<br />
John Crampton. Blues & bluegrass. Lansdown,<br />
7.30pm, free<br />
Foxglove Trio. Folk (Welsh). Elly, 8pm, £6<br />
Vera Van Heeringen Trio. Americana/roots/<br />
bluegrass. Con Club, 7.30pm, £12<br />
SUNDAY 15<br />
Bad Manners. Ska with Buster Bloodvessel &<br />
Co. Everybody now: ‘Ne Ne Na Na Na Na Nu<br />
Nu...’ Con Club, 7.30pm, £20 + booking fee<br />
>>><br />
62
GIG GUIDE // APRIL (CONT)<br />
MONDAY 16<br />
Vasilis Xenopoulos and Alex Eberhard. Jazz.<br />
Snowdrop, 8pm, free<br />
FRIDAY 20<br />
The Doctors. Folk rock. Con Club, 8pm, free<br />
SATURDAY 21<br />
Bad Bad Whiskey. Skifflebilly. Lansdown, 8pm, free<br />
John Conolly. Folk from the man who wrote Fiddler’s<br />
Green. Royal Oak, 8pm, £6<br />
MONDAY 23<br />
Sue McCreath. Jazz vocals. Snowdrop, 8pm, free<br />
FRIDAY 27<br />
Goofer Dust. Blues. Con Club, 8pm, free<br />
SATUDAY 28<br />
Loose Caboose night. 60s soul, northern, R&B,<br />
Latin & jazz.<br />
Con Club,<br />
7.30pm, £5<br />
Dandelion<br />
Charm.<br />
A Radio <strong>Lewes</strong><br />
Live recording/streaming.<br />
Westgate, 7pm,<br />
free (ticketed) see oysterproject.org.uk<br />
Nick Dow. Folk (English trad). Elly, 8pm, £6<br />
SUNDAY 29<br />
Talitha Rise. Folk. Con Club, 4pm-6pm, free<br />
MONDAY 30<br />
Quinto featuring Raul D'Oliviera, Tristan<br />
Banks and Terry Seabrook. Jazz. Snowdrop,<br />
8pm, free<br />
WANT A DIFFERENT SUMMER?<br />
Host an international student and earn money<br />
Good rates of pay<br />
Students of various ages<br />
and nationalities<br />
Short stays 2-6 weeks<br />
between June & mid-August<br />
We require new homestay providers in <strong>Lewes</strong><br />
within walking distance of Sussex Downs College.<br />
Hosts should be ideally located in Neville,<br />
Landport, Wallands, Town Centre, Southover,<br />
Winterbourne, Cliffe or Malling.<br />
For further information:<br />
Accommodation.lewes@sussexdowns.ac.uk<br />
Half-board or self-catering<br />
SUSSEX DOWNS<br />
COLLEGE<br />
Mountfield Rd,<br />
<strong>Lewes</strong> BN7 2XH<br />
03030039940
Sheffield Park Station TN22 3QL<br />
Branch Line Specials<br />
Come along 18th-20th May and see some<br />
little engines doing what little engines do best!<br />
Lots of trains so hop on and off all day<br />
Visit of ‘Tornado’<br />
25th - 29th May - 60163 ‘Tornado’ will be visiting over<br />
May Bank Holiday Weekend. Enjoy a Teddy Bear’s Picnic<br />
on board -bring Teddy along too! Booking essential<br />
TrackFest <strong>2018</strong> - tickets now on sale!<br />
A must for all music fans! The first ever ‘TrackFest’ will be<br />
held at Horsted Keynes on 16th June! Headline acts<br />
already confirmed ‘Modern Romance and The Jive Aces<br />
Visit the website for more details of how to book<br />
www.bluebell-railway.com 01825 720800<br />
Early Years<br />
Open Morning<br />
12th May <strong>2018</strong><br />
09:30 - 12:00<br />
Please register online<br />
contact@michaelhall.co.uk<br />
Alternatively, book in<br />
for a Private Tour<br />
contact@michaelhall.co.uk<br />
or call 01342 822275<br />
www.michaelhall.co.uk/school-open-days<br />
Kidbrooke Park, Priory Road, Forest Row. East Sussex, RH18 5JA<br />
Tel: 01342 822275 - Registered Charity Number 307006
UNDER 16<br />
FREETIME êêêê<br />
TO MONDAY 2<br />
Mad Hatter's Tea<br />
Party. Bluebell Railway<br />
event at Kingscote<br />
Station with hatter’s<br />
tea party, children’s<br />
adventure hunt, giant<br />
games, small animal<br />
farm and competition<br />
for the maddest hat.<br />
bluebell-railway.com.<br />
find the treasure, come in your pirate costume<br />
to be part of the adventure. Musical play for all<br />
the family. All Saints, 11.30am & 2.30pm, see<br />
gokidmusic.com.<br />
Spring Greens. Drop in for hands-on activities<br />
based around springtime, with embroidering<br />
flowers and herb-bag making. Anne of Cleves,<br />
1pm, price included in admission.<br />
TO SUNDAY 15<br />
Peter Rabbit Goes Wild. Two weeks of Peter<br />
Rabbit-themed fun for the Easter holidays,<br />
with games, crafts and storytelling inspired by<br />
Beatrix Potter’s tales. Wakehurst, see kew.org/<br />
wakehurst.<br />
THURSDAY 5<br />
Knights and Dragons. Stories about castle<br />
knights, armour to try on and lots to make,<br />
including a dragon mask and a castle tower, for<br />
four to eight-year olds. <strong>Lewes</strong> Castle, 10.30am<br />
& 2pm, £5 per child.<br />
MONDAY 9<br />
BEATRIX POTTER TM © Frederick Warne & Co., <strong>2018</strong><br />
SUNDAY 1<br />
Dirk Scheele in concert. Dutch children’s<br />
entertainer with his own daily music television<br />
programme performs a very special concert.<br />
Depot, 11am, £3.<br />
TUESDAY 3<br />
Wild Family Day Out. Activity packed day for<br />
all the family, run by Circle of Life Rediscovery.<br />
Woodland site near Laughton, 10am-3pm, see<br />
circleofliferediscovery.com.<br />
A Pirate Adventure Show.<br />
Captain Al needs a crew to<br />
help follow the clues and<br />
Morning Explorer: Dragons. For families with<br />
additional needs including a story with special<br />
tactile objects to feel, a chance to try spinning<br />
wool on a wheel, garden games and audio<br />
described tours. <strong>Lewes</strong> Castle, 10-11am, regular<br />
admission price applies, contact 01273 405734<br />
to book.<br />
TUESDAY 10<br />
Spinning Yarns. Drop<br />
in and listen to the tale<br />
of Rumpelstiltskin,<br />
tell your own fairy<br />
tales and have a go<br />
at spinning wool. All<br />
ages welcome. Anne of<br />
Cleves, 1pm, price included in admission. >>><br />
65
FREETIME<br />
êêêê<br />
THURSDAY 12<br />
Dinosaurs and Dragons. Creative holiday<br />
workshop with clay. For children aged four<br />
to eight. <strong>Lewes</strong> Castle, 10.30am, £5 per child,<br />
booking essential, call 01273 486290.<br />
SATURDAY 28<br />
<strong>Lewes</strong><br />
STEMfest.<br />
Fair showcasing<br />
Science,<br />
Technology,<br />
Engineering, and<br />
Maths research<br />
and activities for<br />
the whole family.<br />
See pg 68. <strong>Lewes</strong> Town Hall, 12pm-3pm, free.<br />
Spread Your Wings and Fly. Interactive<br />
family fun exploring the science of flight<br />
with Director of Brighton Science Festival,<br />
Dr Richard Robinson, followed by singalong<br />
showing of Chitty Chitty Bang Bang.<br />
Fundraiser for Patina. All Saints, 2.30-4.30pm<br />
(workshops) 5.30pm (film), £4 for each event,<br />
£6 combined, contact patinalewes@gmail.com.<br />
Open to the public for five days only:<br />
Friday 30th March<br />
Saturday 31st March,<br />
Monday 2nd <strong>April</strong><br />
Saturday 7th <strong>April</strong><br />
Sunday 8th <strong>April</strong><br />
Opening times 12 noon - 4pm. (Please do not come earlier for health and safety reasons.)<br />
FREE ENTRY (donations welcome to the RABI charity). Refreshments available in the farm shop.<br />
A275 OOam, <strong>Lewes</strong> BN7 3QE / 01273 478265 | www.ooamfarmshop.co.uk<br />
66
SHOES ON NOW: WORD OF THE DAY<br />
êêêê<br />
Our family has always had a<br />
love of words and reading to<br />
the children is one of the deep<br />
pleasures of parenting. We<br />
especially love it when the children<br />
slip a particularly colourful<br />
word into conversation, telling<br />
us our stories sound ‘apocryphal’<br />
or that one of their brothers<br />
is being ‘rambunctious’.<br />
One way we try to foster a<br />
love of words is by developing<br />
our equivalent of ‘Word of the<br />
Day’. Using the Internet, we download five interesting<br />
words each week, often around a theme<br />
such as ‘sport’ or ‘emotions or feelings’. Then<br />
each weekday evening over dinner we introduce<br />
the boys to one of the new words and encourage<br />
them to use the word in<br />
context. Each child has to say<br />
a sentence which includes the<br />
new word.<br />
There are lots of websites<br />
online that will help you with<br />
generating word lists or you<br />
can simply create your own.<br />
On Sunday lunchtimes we<br />
often give the boys a quiz to<br />
check how many of the words<br />
they have remembered during<br />
the week.<br />
Over time the boys are beginning to love language<br />
for its own sake, for the way the new words<br />
feel in their mouths and for how much easier it is<br />
to win an argument with your siblings when you<br />
have a more expansive vocabulary. Jacky Adams<br />
Peter Rabbit <br />
goes wild<br />
Enjoy garden games and wild<br />
adventures this Easter holiday<br />
30 March – 15 <strong>April</strong> <strong>2018</strong><br />
For details visit kew.org/wakehurst<br />
BEATRIX POTTER <br />
© Frederick Warne & Co., <strong>2018</strong>.<br />
67
êêêê<br />
YOUNG PHOTO<br />
OF THE MONTH<br />
“I took this photo when we were going<br />
to Queen's Park in Brighton when it<br />
was snowing in March,” writes Romaine<br />
Dawson, who’s 9. “It made me laugh, so<br />
I borrowed my dad’s phone.” It made us<br />
laugh, too, Romaine, and it’s won you a<br />
book token! Well done for spreading this<br />
cheeky smile further afield than the ‘artist’<br />
who created it could ever have imagined.<br />
Under 16? Send your pictures to photos@<br />
vivamagazines.com, with a message about<br />
where, when and why you took it, and you<br />
could see it in this space. The winner gets a<br />
£10 book token from Bags of Books in Cliffe.<br />
LEWES STEMFEST<br />
<strong>Lewes</strong> STEMfest is one of a family of STEMfests<br />
across Sussex. It’s supported by STEM<br />
Sussex, an organisation which aims to make young<br />
people aware of all the different opportunities<br />
there are within Science, Technology, Engineering<br />
and Maths, by linking them with local people<br />
who work or study in these fields. A number of<br />
volunteer STEM Ambassadors in <strong>Lewes</strong>, from<br />
astronomers to engineers to people working in life<br />
sciences, felt that there were too few opportunities<br />
for children and their parents to understand how<br />
exciting and rewarding the STEM subjects can be.<br />
We decided to launch a fun and inspiring event<br />
in <strong>Lewes</strong>, to give young people the chance to meet<br />
some real scientists and engineers and find out<br />
what they do. The event is aimed at all ages – last<br />
year we had visitors aged 5-75! There are two key<br />
influencers on young people and their outlook on<br />
STEM subjects: their teachers and their parents.<br />
That’s why we think it’s so important for parents<br />
to come along with their children, so that they<br />
can be made aware of both the fun aspects and the<br />
opportunities within STEM industries.<br />
There will be a number of scientists and<br />
engineers at the event, both male and female.<br />
Many more girls and women are now choosing to<br />
study and work in STEM fields, but the shift has<br />
not been as rapid as we’d like. Girls and boys need<br />
the opportunity to meet role models in those fields<br />
and think ‘that could be me’. As told to Rebecca Cunningham<br />
by Bronagh Liddicoat<br />
<strong>Lewes</strong> Town Hall, Sat 28th, 12pm-3pm<br />
68
C 48<br />
M 37<br />
Y 33<br />
K 14<br />
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C 13<br />
M 91<br />
Y 86<br />
K 3<br />
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Fresh and<br />
Seasonal Sussex<br />
Produce<br />
LEWES<br />
FARMERS<br />
MARKET<br />
Creating stronger<br />
communities and<br />
a more sustainable<br />
local economy<br />
Find out more about<br />
the food you buy, direct<br />
from the farmers and<br />
producers<br />
www.commoncause.org.uk<br />
1st & 3rd Saturday<br />
Every Month<br />
9am-1pm, Cliffe Precinct<br />
Cliffe<br />
Precinct<br />
<strong>Lewes</strong><br />
delicious<br />
food from...<br />
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info@thefeaturekitchen.co.uk // 07876655664
FOOD REVIEW<br />
Lemongrass<br />
Turning Japanese... but staying Thai<br />
You no longer have to<br />
go to Brighton to eat<br />
sushi, and I’m not just<br />
talking about Waitrose.<br />
Lemongrass, the Thai<br />
restaurant on School<br />
Hill have added a<br />
Japanese twist to their<br />
menu, and brought<br />
in a sushi chef, with a<br />
couple of decades of<br />
experience behind him.<br />
Said chef has got<br />
his own little space,<br />
where you can see him making the sushi, which<br />
is a nice bit of theatre. My wife Rowena and I<br />
arrive at 7pm on a mild Friday evening in March.<br />
We’re not Japanese food experts, but we’re both<br />
Moshimo regulars, we’ve both tried making our<br />
own sushi, and we’re interested to see if this restaurant’s<br />
Japanese fare is going to be high-quality<br />
enough to ensure our regular custom.<br />
The menu gives you plenty of choice: we decide<br />
to have a few small dishes and see if there’s room<br />
for anything else later. And so we order a Wakame<br />
Salad (seaweed, citrus and sesame seed, £4.50) a<br />
portion of deep-fried soft-shell crab (£7.95) and,<br />
most enticingly of all, a ‘Tokyo’ assortment of<br />
hand-made sushi, including four California Rolls,<br />
four Tempura Futo Rolls, and four Black Spider<br />
Futo Rolls (£16.95 for all 12). I get a bottle of<br />
Asahi, Ro sticks to water.<br />
First up, the soft-shell crab, which comes lightly<br />
battered and in a black pepper sauce: a delicate<br />
hit. Then comes the seaweed, moister than we<br />
expected. The citrus tang sets off the milder seaweed<br />
taste, and the texture offers an interesting,<br />
slippery crunch.<br />
When the waiter (Ahmed, incidentally, who used<br />
to work at Shanaz)<br />
brings the sushi, on<br />
a black slate, we are<br />
silenced for a good<br />
few seconds. They are<br />
plump, and colourful,<br />
and topped with caviarlike<br />
tobiko roe (which,<br />
I later learn, comes<br />
from flying fish). The<br />
rice is cooked just<br />
right: there’s a stickiness<br />
about it and you<br />
can see the individual<br />
grains. They’re big: of the two-bite, rather than<br />
the one-bite variety. And they taste just great, full<br />
of crab and avocado and spring onion and drizzled<br />
with marie rose and teriyaki. I believe they are the<br />
most exotic thing I’ve ever been served in <strong>Lewes</strong>.<br />
We’re sated, but not finished, as greed takes over:<br />
we order another round of dishes: exquisite gyoza<br />
(pan-grilled dumplings, £6.95, cooked beautifully<br />
so the bottoms are crunchy), some miso<br />
soup (£3.90) and a bowl of unajyu (grilled eel on<br />
steamed rice, £17.95), washed down with warm<br />
sake (£5.95) which comes in little ceramic bottles.<br />
Luckily a film at the Depot we’ve bought tickets<br />
for halts the feeding frenzy: this could have gone<br />
on all night.<br />
We went to town, then, but you don’t need to.<br />
The multi-course Japanese experience is a great<br />
special occasion option, (we’ll definitely be back<br />
soon) and a very welcome addition to <strong>Lewes</strong>’<br />
rapidly changing restaurant scene. But it’s reassuring<br />
to know we can still pop in for a bowl of Pad<br />
Thai, too, at under a tenner. Or, for that matter,<br />
some crispy prawn panang with fresh chilli & lime<br />
leaves. Alex Leith<br />
01273 486696<br />
71
72<br />
Photo by Sam Bilton
RECIPE<br />
Crème au Café Blanc Renversée<br />
Sam Bilton runs Repast, specialising in recreating historic dishes for modern<br />
diners. To fit our ‘The Word’ theme, here’s one from 19th-century French<br />
novelist Alexandre Dumas’ Grand Dictionnaire de Cuisine.<br />
I'm a food writer specialising in food history, and<br />
also a supper club host. This all comes together in<br />
my bi-monthly supper club – Repast – in which I<br />
find old recipes and put a modern slant on them. I<br />
call it 'historical dining – with a twist'. The suppers<br />
– for 8 to 12 people – take place in my home on<br />
the outskirts of Haywards Heath.<br />
Sometimes I go back as far as Roman times, and I<br />
have to use a lot of imagination because the recipes<br />
take some deciphering. The ingredients might<br />
be written down, but not always the quantities or<br />
cooking methods. Medieval and Tudor recipes can<br />
be quite demanding, too.<br />
Luckily Alexandre Dumas' great cooking<br />
dictionary, published posthumously in 1873, is<br />
fairly detailed. I’ve combined two of his recipes<br />
– Crème Renversée and Crème au Café Blanc, to<br />
recreate a retro classic from my childhood, crème<br />
caramel, infused with coffee and spices. This will<br />
be the dessert at a Repast Supper Club in May,<br />
and will complement the seafood dishes on the<br />
menu, like prawn and tomato bisque, also from<br />
Dumas’ book.<br />
Dumas was most famous for novels like The<br />
Count of Monte Cristo and The Three Musketeers, of<br />
course, but the last book he wrote – having retired<br />
to Brittany for a year for the purpose – was his<br />
cooking dictionary. Sadly, he didn't live to see it<br />
published; happily, you can still enjoy the fruit (or<br />
in this case pudding) of his labours.<br />
For four people you will need to crack (not grind)<br />
2 tbsp of espresso beans and 4 cardamom pods<br />
with a pestle and mortar, then place them in a<br />
saucepan with 2 strips of orange peel and 450ml<br />
whole milk. Bring to the boil and leave to infuse<br />
for at least 1 hour.<br />
To make the caramel put 80g caster sugar and<br />
1 tbsp cold water in a saucepan. Cook over a<br />
medium heat until it caramelises, then add 2 tbsp<br />
hot water and stir until combined. Divide the<br />
caramel between 4 ramekins swishing it around the<br />
sides to coat the interior. Strain the infused coffee<br />
milk through a fine sieve into a clean saucepan.<br />
Add 50g golden caster sugar then bring to the boil.<br />
Meanwhile blend 4 large eggs with 1 tsp vanilla<br />
extract and 2 tbsp rum in a large jug. Pour the hot<br />
milk over the egg mixture then divide the custard<br />
between the caramel-lined ramekins.<br />
Place the custards in a roasting tin filled with<br />
boiling water until it comes to around two thirds<br />
of the way up the ramekins. Bake at 140°C for 20<br />
minutes or until just set. Take the ramekins out of<br />
the water, then allow to cool before chilling.<br />
To serve the Crème Renversée, briefly dip each<br />
ramekin in a bowl of very hot water then run a<br />
knife around the edge before quickly tipping the<br />
custards out onto a plate. These are perfect with<br />
some chocolate biscuits on the side.<br />
As told to Alex Leith<br />
repastsupperclub.co.uk / Sam is also co-host,<br />
with Chloë King, of Cook the Books<br />
(@cookthebooksUK) a themed monthly meetup<br />
in the <strong>Lewes</strong> Arms where participants bring a<br />
cook book and something they've made from it,<br />
and everyone shares the food. It’s free to attend;<br />
everyone is welcome.<br />
73
Welcome to the Royal Oak.<br />
A smart, contemporary pub in the heart of the town.<br />
We have a fantastic range of real ales, premium beers and<br />
spirits and a great selection of wines available by the glass.<br />
Our kitchen provides small plates, sharing boards and hearty<br />
bowls, with a focus on locally sourced produce.<br />
The Function Room can host up to 60 guests and boasts its<br />
own bar. It is available for private hire, parties and meetings.<br />
We even have a secret little garden hidden out the back.<br />
www.RoyalOak<strong>Lewes</strong>.co.uk | 01273 474 803 | 3 Station Street, <strong>Lewes</strong> BN7 2DA<br />
Monday to Saturday - 1200 to 2200<br />
Wood fired pizzas using the best<br />
Neapolitan and local ingredients.<br />
Eat in or take-away.<br />
Book:<br />
Visit:<br />
01273 470755<br />
Eastgate <strong>Lewes</strong> BN7 2LP<br />
(above the old bus station)
FOOD<br />
Wild Alchemy<br />
Gut feeling<br />
Bone broth might not sound very appetising –<br />
somebody in marketing should come up with a<br />
more appealing name – but it’s said to be bloody<br />
healthy, and, I can tell you, the stuff Lucie from<br />
Wild Alchemy makes – with bits of garlic and ginger<br />
and parsley in it – is delicious. It comes in a cup,<br />
and you drink it: it tastes like Bovril, only natural.<br />
That’s my day’s protein sorted.<br />
I was considering a cheese toastie for lunch when<br />
I was told that Lucie was bringing round some<br />
‘samples’ of her products, so I ended up going<br />
down a rather healthier route. Have I ever had a<br />
more nutritious meal? I also wolf down a packet of<br />
kale crisps, which are crunchy and cheesy-tasting<br />
(though vegan) and extremely moreish. Vitamins A,<br />
K and C: tick, tick and tick.<br />
Those are washed down with a bottle of ginger and<br />
turmeric kombucha (as opposed to the pomegranate,<br />
lemongrass and ginger version, which I opt to<br />
take home to my wife, alongside a bottle of coconut<br />
kefir, and some chocolate). This is mighty refreshing<br />
and mighty tangy. I read about it on the internet<br />
as I finish it off – it’s fermented tea, basically. It’s<br />
thought by its fans to have multiple health benefits,<br />
particularly for the gut: good bacteria, and all that.<br />
Whatever the case, the ginger and turmeric in it<br />
packs a positive punch. Yum. Alex Leith<br />
Lucie has a stall at both the Friday and Farmers’<br />
markets, and she sells her kombucha in the Brighton<br />
outlet Youjuice. You can also buy direct from her –<br />
07833 525327 / wildalchemyfood.com<br />
75
free entry<br />
<strong>Lewes</strong><br />
fulfil<br />
your<br />
foodie<br />
desires<br />
Join us on<br />
cliffe high<br />
street<br />
on the<br />
second Sunday<br />
of every month<br />
for a mix of sensational<br />
street food<br />
artisan produce<br />
pop up bars<br />
& live music<br />
foodrockssouth.co.uk<br />
<strong>2018</strong> DATES<br />
8 <strong>April</strong><br />
13 May<br />
10 June<br />
8 July<br />
12 August<br />
9 September<br />
14 October<br />
11 November<br />
19 December<br />
food<br />
rocks
FOOD<br />
Illustration by Chloë King<br />
Edible Updates<br />
First up, I’m fizzing about<br />
Amanda Saurin’s<br />
new beverage label<br />
Fierce Botanics.<br />
Her all-natural<br />
small-batch tonic<br />
water, flavoured with<br />
rose, lemon, elderberry,<br />
juniper, cinchona bark and<br />
spruce, is available to buy at AS:AP on Western<br />
Road and Symposium. I can’t wait to try, perhaps<br />
with a Sussex gin, like Seven Sisters, now<br />
the days are brighter.<br />
The café landscape continues to shuffle, and we<br />
welcome Carafe. The new independent coffee<br />
shop on Station Street sells homemade pastries<br />
and Hasbean coffee. Regulars take note; it looks<br />
like we’re still waiting for a Turkish restaurant.<br />
Perhaps the Prezzo premises would be a good<br />
spot? The <strong>Lewes</strong> branch is among 94 restaurants<br />
set for the chop. We wish all the best to<br />
their friendly staff, but the question remains,<br />
could we now have too few pizzerias?<br />
Lemongrass now offers sushi as well as Thai<br />
food that is attracting good comments.<br />
The Cheese Please premises will become a<br />
branch of boutique Brighton chain Bagelman,<br />
and Station Street caterers Delish are moving<br />
on. Their home-cooking will be missed.<br />
In other news, soon is a perfect time to visit<br />
Bluebell Farm Shop and Cookery School in<br />
Arlington, when their neighbouring forest trail<br />
will be resplendent with bluebells.<br />
[bluebellfarmhousekitchen.co.uk]<br />
You might also refresh your skills at baking<br />
expert Emmanuel Hadjiandreou’s Sourdough<br />
Masterclass at <strong>Lewes</strong> Community Kitchen<br />
(14th & 15th); at Daphne Lambert’s Living<br />
Food Day on the 7th or her Fermentation<br />
workshop on the 8th. [greencuisinetrust.org]<br />
Chloë King<br />
The Pelham arms<br />
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77
THE WAY WE WORK<br />
Once upon a time we asked Emma Auwyn to photograph a selection of the<br />
many children’s writers and illustrators who’ve made <strong>Lewes</strong> their home.<br />
And she asked them two questions: what was your favourite book as a child,<br />
and what’s your favourite word?<br />
auwyn.com<br />
Miriam Moss<br />
Favourite word: Gurtle - a made-up family word for gentle delight.<br />
Favourite book: I had many favourites, from Grimm's Fairy Tales to Elidor to Agatha Christie.
THE WAY WE WORK<br />
Will Mabbit<br />
Favourite word: Tromboning.<br />
Favourite book: My Side of the Mountain by Jean Craighead George.
THE WAY WE WORK<br />
Matt Carr<br />
Favourite word: Probably 'sponge' or 'flabbergasted' - just ridiculous when you think about it.<br />
Favourite book: I didn’t read much as a kid but it would’ve been the Buster or Whizzer and<br />
Chips then Roy of The Rovers or 2000 AD annuals. Or Winnie The Pooh.
THE WAY WE WORK<br />
Leigh Hodgkinson<br />
Favourite word: 'spoon'. I love double 'o's and it is such a happy sounding word<br />
to say, and represents comfort and joy (as you eat soup and puddings from it).<br />
Favourite book: The Enormous Crocodile by Roald Dahl.
LITERATURE<br />
Get into reading<br />
<strong>Lewes</strong> book groups<br />
As anyone who has<br />
thought about joining a<br />
<strong>Lewes</strong> choir will know,<br />
there are a large number,<br />
and they are very different.<br />
The same is true of<br />
book groups. Not all take<br />
the ‘reading’ bit seriously.<br />
Some are more focused on<br />
extending the opportunity<br />
for playground conversations,<br />
enhanced by wine, and offer a lot of mutual<br />
support. Many have been established for years.<br />
<strong>Lewes</strong> has many intelligent, opinionated readers,<br />
and in some groups, discussion is taken seriously<br />
with the expectation that you’ve read all of the<br />
chosen text. Most aren’t ‘open’, but some are. The<br />
Get Into Reading group every Tuesday afternoon,<br />
for example, welcomes everyone, so I go along.<br />
It’s been running for nine years, in <strong>Lewes</strong> Library,<br />
led by retired University of Sussex lecturer Christine<br />
Cohen Park. Her role was funded initially,<br />
but once that ended, she carried on voluntarily.<br />
They read each book aloud, taking turns, stopping<br />
for discussions, tea and cake.<br />
I arrive to find them reading Rose Tremain’s<br />
Restoration. I ask if it’s ok to interrupt to ask some<br />
questions, and they say they are fine with that.<br />
These answers came from various members of<br />
the group:<br />
Are there ‘rules’? ‘There is no right and wrong<br />
opinion, everybody's views have equal weight.’<br />
‘Everybody is welcome.’ ‘We always finish with a<br />
poem, because that has a resolution.’<br />
Why do you come? ‘I didn't do that much reading<br />
and I stuck to genres I knew. Here, I read<br />
books I wouldn't have chosen. It's an education.’<br />
‘I arrived in <strong>Lewes</strong> not knowing a soul, and I’ve<br />
made new friends.’<br />
‘Having a leader,<br />
an ethos and some<br />
structure is helpful.’<br />
‘If the protagonists<br />
are going through a<br />
crisis, sometimes we<br />
share our own. The<br />
themes of the book can<br />
draw things out. It’s<br />
supportive. Someone<br />
with ME came and lay on the carpet for part of<br />
the time. And once, we went to the house of a<br />
member who wasn't well enough to come.’<br />
Who chooses the book? ‘Christine makes the final<br />
decision. Each book needs to work well being<br />
read out, although there is some discussion.’<br />
How long does it take to get through each<br />
one? ‘It depends on how much we talk about it!’<br />
How do you feel about reading out loud? ‘It’s<br />
fine, even though I felt nervous initially. You don’t<br />
have to read out loud.’<br />
Where do you source your copies? ‘60% from<br />
the library, who are brilliant.’ Emma Chaplin<br />
Get Into Reading, upstairs at <strong>Lewes</strong> Library, 2.30-<br />
4.45pm every Tuesday, free, all welcome. Just turn<br />
up or contact Christine christinecohenpark@yahoo.<br />
com, 01273 480650 / <strong>Lewes</strong> Short Story Club, run<br />
by Holly Dawson. Monthly, free, held in the back<br />
room of <strong>Lewes</strong> Waterstones. Three stories are read<br />
aloud, and this is followed by a lively discussion.<br />
Everyone gets a photocopy of the stories. lewesshortstory.co.uk<br />
/ Cook the Books, organised by<br />
<strong>Viva</strong>’s Chloë King, comprises sharing of different<br />
dishes brought by people inspired by recipes in<br />
their favourite cook books. Meets monthly. cookthebooks.club<br />
/ U3A has a fortnightly Book Circle,<br />
see u3asites.org.uk<br />
Photo by Emma Chaplin<br />
82
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Rachel Ward-Sale<br />
<strong>Lewes</strong> bookbinder<br />
We’ve been in the Star Brewery building since<br />
1992, in three different studios. The first space<br />
was too small because there were four of us working<br />
in it. Then two people left and the second<br />
space became too big. This one’s just right. I work<br />
alongside Jill Prole, we’re both sole operators,<br />
working under the umbrella ‘Bookbinders of<br />
<strong>Lewes</strong>’. We share jobs out: we each have regular<br />
customers but sometimes it depends who answers<br />
the phone, or who’s there when a customer pops<br />
round, as they often do. We never fight about it!<br />
We do all types of one-off and limited edition<br />
hand-binding jobs, whether that’s a simple gluing<br />
job or something much more complex. We do<br />
a lot of repairs of people’s favourite books that<br />
are falling apart. Then there are artists’ books,<br />
memoirs, theses and documents… up to top-end<br />
fine leather binding.<br />
People say ‘hasn’t digital been damaging to<br />
your business?’ but it’s been good to us really,<br />
because people can print one or two copies of<br />
their book – memoirs are a good example - and we<br />
can bind them together. Bigger companies won’t<br />
usually do such small jobs.<br />
The Star is a great space because there are so<br />
many interesting makers with small businesses<br />
to chat to. Everyone’s in the same boat. I used to<br />
work from home, but I’ve got too much equipment<br />
now to ever contemplate going back to that,<br />
and I’d miss the company.<br />
84
MY SPACE<br />
A lot of our equipment, like the nipping<br />
presses, is Victorian. A lot of stuff went on<br />
the market when printing went digital in the<br />
eighties. Other machines include the guillotine,<br />
the board cutter and the blocking press. Tools<br />
include hammers and scissors and weights and<br />
decorative tools for adding gold leaf to leather<br />
work. We need to get in supplies of paper every<br />
month. We use good quality acid-free paper in<br />
all sorts of different colours.<br />
We’ve always got jobs on the go. We never run<br />
out of things to do here. But it’s difficult for anyone<br />
to get into bookbinding nowadays because<br />
they’ve closed down all the full-time courses, and<br />
people have to either do part-time courses so<br />
they can only study part time, which is why we<br />
have started running part-time classes.<br />
You need to be a patient person to be a<br />
bookbinder. And you need an eye for detail. We<br />
have to be able to concentrate on the job, but we<br />
do listen to music while we work: world music,<br />
or jazz. And The Archers. We used to listen to the<br />
show on the radio but now we play it on iPlayer<br />
so we can pause it when the phone rings. In that<br />
way we don’t have to turn the radio off and miss<br />
what happens… As told to Alex Leith<br />
Bookbinders of <strong>Lewes</strong>, 01273 486718, Mon-Fri<br />
10.30am-4pm<br />
Photos by Lucy Limage (@lucylimage)<br />
85
ADVERTORIAL<br />
A DAY IN THE LIFE OF YHA SOUTH DOWNS<br />
Up with the lark for a 7am start and<br />
ready to cook breakfast for a group<br />
of 40 enthusiastic 7 year olds; they’re<br />
staying with us while exploring the<br />
South Downs Way and all it has to<br />
offer. We can accommodate up to 76<br />
people in our variety of rooms which<br />
include little wooden pods over<br />
looking the Downs and premium bell<br />
tents with log fires. With breakfast<br />
over, there’s just enough time for a<br />
quick coffee before getting the café<br />
ready to open at 10.<br />
It’s a bright, sunny day so we look forward<br />
to welcoming plenty of walkers<br />
and cyclists from their adventures<br />
on the South Downs Way and the<br />
cycle path from <strong>Lewes</strong> to Newhaven.<br />
Some will even have walked from our<br />
hostels in Brighton, Eastbourne and<br />
Truleigh Hill so will be really hungry<br />
when they get to us! Dogs are always<br />
welcome, so hopefully they’ll bring<br />
some four-legged friends too.<br />
There’s a lunch meeting in the<br />
upstairs conference room so<br />
everything’s in the oven for the buffet<br />
booked for 1pm. With freshly topped<br />
up teas and coffees, the attendees all<br />
look energised.<br />
As its Saturday we’re gloriously busy<br />
and it’s lovely to see long-standing<br />
customers return for our Cuppa and<br />
Cake deal – just £3.50. This is always<br />
a happy place to work and it’s at this<br />
time of year that we start looking for<br />
seasonal staff to join the YHA family<br />
and see us through the busy months.<br />
Next up, we prep for the evening<br />
meal and welcome guests back from<br />
their day’s adventures.<br />
If you think this might be the place<br />
for you, pop in for a Cuppa and Cake,<br />
book yourself an overnight stay, pop<br />
in to see what we’re about or drop us<br />
an email at southdowns@yha.org.uk.
COLUMN<br />
Walkies<br />
#14 Over the rainbow<br />
Sarah and I have been in Africa. Yes, do try and<br />
get over it. We did indeed miss the icy blast from<br />
the east. We have tans to die for and everybody<br />
hates us but, hey, that’s life. Happily, Todd is still<br />
over the moon to see us. Presumably we still<br />
smell the same, which in my case isn’t much to<br />
shout about.<br />
To celebrate our return, we’ve barely set foot<br />
on England’s green and pleasant land before<br />
the three of us take to the fields and woods near<br />
where we live, joined by Sarah’s six year-old<br />
niece, Cordelia. Our route takes us from the<br />
Rainbow Inn in Cooksbridge to nearby Barcombe<br />
Church, before heading north, and then<br />
west, over the fields.<br />
Ancient history lies lightly buried in this part<br />
of Sussex. In a field near Barcombe Church<br />
are the recently excavated remains of a Roman<br />
villa while a branch of the Sussex Greensand<br />
Way, a Roman Road, runs east/west along the<br />
escarpment above Cooksbridge. And spookily,<br />
Deadmantree Hill, which runs uphill from the<br />
pub, is reputed to be haunted by the ghosts of<br />
dead soldiers killed during the Battle of <strong>Lewes</strong><br />
in 1264.<br />
On a more light-hearted note, as we make our way<br />
along the footpath that runs parallel to the Roman<br />
Road, I find myself humming Over the Rainbow<br />
from the Wizard of Oz which I watched again<br />
for the first time in 40 years on the plane home.<br />
Cordelia has seen it recently too and wants to<br />
know whether the lions in Africa are as cowardly as<br />
the one in the film. I reply that, after being charged<br />
by one on a walking safari, Sarah and I are firmly of<br />
the opinion that the answer is “No”.<br />
Clearly in a reflective frame of mind and doubtless<br />
thinking of Judy Garland’s adorable little dog, Toto,<br />
Cordelia then says: “Auntie Sarah, do you think<br />
there are dogs in heaven?” “Of course there are,<br />
sweetheart” replies Sarah reassuringly. “But how do<br />
you know?” asks Cordelia looking troubled.<br />
“Because we’re in heaven right now,” says Sarah.<br />
“Todd’s a dog and he’s in heaven running around<br />
in the fields. Spring is on the way. You and me<br />
and Richard are having a wonderful walk, we’ve<br />
got a great view of the Downs and we’re in<br />
heaven too.”<br />
“Oh dear,” says Cordelia after a few moment’s<br />
silence. “That’s very sad. I suppose we must all<br />
be dead then.” Richard Madden<br />
Map: OS Explorer OL11. Distance: 4.5 miles. Terrain:<br />
Farm tracks, fields, stiles, woods, side roads,<br />
fields again. Directions: From the pub, take the<br />
footpath along the farm lane heading south-east<br />
and over the fields to Barcombe Church. Then<br />
follow a maze of footpaths north and then west<br />
beside the Roman Road before heading south<br />
along the side road towards Cooksbridge. Cut<br />
back along the path over the fields to the pub.<br />
Start/Finish: The Rainbow Inn, Cooksbridge<br />
(sadly closed).<br />
87
WILDLIFE<br />
Illustration by Michael Blencowe<br />
Rose-ringed Parakeet<br />
Excuse me while I kiss the sky<br />
One of my favourite quotes from The Simpsons<br />
comes from Springfield’s vet: “I love animals. I<br />
spend my life saving them and they can't thank me.<br />
Well, the parrots can.” No animals are more famed<br />
for their ability to talk than parrots (apart from that<br />
dog on That’s Life! who could say ‘sausages’). Sure,<br />
their ‘talking’ is more mimicry than witty afterdinner<br />
conversation – a feathered echo chamber<br />
– but whether they’re chanting ‘pieces of eight’ on<br />
a pirate’s shoulder or swearing in front of Auntie<br />
Ethel we humans have been entertained by their<br />
backchat for centuries.<br />
There are around 400 species of parrot. Their<br />
native range encompasses pretty much everywhere<br />
south of the Tropic of Cancer. For us Brits their<br />
beautiful plumage embodies the exotic; the mystery<br />
and excitement of faraway lands. So imagine my<br />
surprise when, on my first visit to <strong>Lewes</strong> many years<br />
ago, I saw a parrot flying round the Pells.<br />
The rose-ringed (or ring-necked) parakeet looks<br />
ridiculously out of place amongst our comparatively<br />
drab starlings, pigeons and crows. With its garish<br />
green plumage and red beak it stands out like a<br />
clown who has gatecrashed a funeral. And with that<br />
squawk – that incessant, demented squawk – there’s<br />
no ignoring it.<br />
South-east England’s parakeets are among the<br />
world’s most northerly parrot populations: but<br />
how did they get here? Some believe they made<br />
their great escape from an East London film<br />
studio in 1951 after starring alongside Bogart and<br />
Hepburn in The African Queen. Others claim that<br />
the parakeets were set stone free by Jimi Hendrix<br />
who liberated them from their plastic cage in his<br />
girlfriend’s London flat. I rather like the idea of<br />
American sixties icons being responsible for the<br />
spread of non-native species across the UK. Perhaps<br />
Sonny and Cher smuggled grey squirrels in through<br />
customs under their furry waistcoats or a touslehaired<br />
Bob Dylan secretly sneaked some mink out<br />
of the stage door of the Albert Hall in ’66.<br />
The truth is with tens of thousands of parakeets<br />
being imported into the UK it was no surprise<br />
that a few slipped their chains and flew the coop.<br />
Since the end of the sixties these free spirits have<br />
been recreating the Summer of Love across the<br />
capital. Forming feral colonies the parakeets have<br />
filled the air with their joyous, intolerable screeching<br />
and squawking; sounds that would make Hendrix<br />
and Dylan proud. And as for free love, their blatant<br />
fornicating in London’s parks has led to a parakeet<br />
population explosion. Surely it’s only a matter of time<br />
before the rose-ringed parakeet moves into suburban<br />
Sussex. One day they’ll be flying wild, vibrant and<br />
free around our gardens and gawping at us through<br />
the kitchen window as we stand there trapped in our<br />
repetitive lives. Who’s a pretty boy then?<br />
Michael Blencowe, Sussex Wildlife Trust<br />
89
䐀 漀 氀 瀀 栀 椀 渀 猀 伀 瀀 琀 漀 洀 攀 琀 爀 椀 猀 琀 猀 Ⰰ 䐀 漀 氀 瀀 栀 椀 渀 䠀 漀 甀 猀 攀 Ⰰ アパートアパート 䴀 甀 猀 琀 攀 爀 䜀 爀 攀 攀 渀 Ⰰ 䠀 愀 礀 眀 愀 爀 搀 猀 䠀 攀 愀 琀 栀 Ⰰ 刀 䠀 㘀 㐀 䄀 䰀<br />
㐀 㐀 㐀 㐀 㔀 㐀 㠀 㠀 簀 眀 眀 眀 ⸀ 搀 漀 氀 瀀 栀 椀 渀 猀 漀 瀀 琀 漀 洀 攀 琀 爀 椀 猀 琀 猀 ⸀ 挀 漀 ⸀ 甀 欀<br />
伀 瀀 攀 渀 椀 渀 最 琀 椀 洀 攀 猀 㨀 䴀 漀 渀 ⴀ 䘀 爀 椀 ⠀ 攀 砀 挀 ⸀ 圀 攀 搀 ⤀ 㤀 ⸀ ⴀ 㜀 ⸀アパート 圀 攀 搀 ☀ 匀 愀 琀 㤀 ⸀ ⴀアパート⸀<br />
RICHARD GREEN FUNERAL SERVICE<br />
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Do you offer a Direct Cremation Service?<br />
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This does not include any use of the Crematorium Chapel,<br />
but enables you to celebrate the life of your loved one as you wish.<br />
(We also offer a Simple Funeral at £1,995 plus disbursements if you<br />
prefer to attend the Crematorium for a more traditional service).<br />
170 High Street<br />
<strong>Lewes</strong><br />
BN7 1YE<br />
01273 488121 (24hrs)<br />
lewes@rgreenfs.co.uk<br />
125 High Street<br />
Uckfield<br />
TN22 1RN<br />
01825 760601 (24hrs)<br />
uckfield@rgreenfs.co.uk
HEALTH<br />
Dan Nicholls<br />
Myth-busting physio<br />
Dan Nicholls is a man of many medical hats:<br />
he is an advanced practitioner in the NHS, a<br />
visiting lecturer at Brighton University, teaching<br />
human anatomy in the cadaver lab, and he's<br />
worked as a physio for the British Basketball<br />
team, British Swim team and England Athletics<br />
as well as 2012 London Olympics and 2014<br />
Commonwealth Games.<br />
He also finds time to manage Motion Physiotherapy,<br />
a clinic at the Southdown Sports<br />
Centre. But don’t expect to find him there if you<br />
read this before <strong>April</strong> 16th: he’ll be on Australia’s<br />
Gold Coast, working once again with Team<br />
England at the Commonwealth Games.<br />
Physiotherapy is for everyone, and not just pro<br />
sportspeople, of course, and I’ve asked to meet<br />
Dan in his clinic, shortly before he sets off to<br />
Oz, to bust a few myths around back pain.<br />
“Myth number one,” he asserts: ‘Pain equals<br />
damage’. The level of pain experienced is rarely<br />
proportional to the amount of injury sustained<br />
to the back. Pain is far more complex than<br />
this; the Chartered Society of Physiotherapy<br />
acknowledge pain levels are a reflection of how<br />
threatened each human perceives itself to be.<br />
For example, past experiences, general health<br />
factors, beliefs, sleep, stress and exercise levels<br />
as well as psychological wellbeing, all play important<br />
parts in how much pain each individual<br />
might experience”<br />
“Myth number two: ‘a scan will show me what’s<br />
wrong’. Again, not necessarily true. Scans correlate<br />
poorly with symptoms of low back pain;<br />
additionally, research has shown that people who<br />
don't have low back pain have disc bulges, disc<br />
degeneration, disc protrusions and facet joint<br />
degeneration. These things are down to normal<br />
ageing: wrinkles on the inside. This does not<br />
mean all scans are irrelevant, but the conversation<br />
after a scan is critical, contextualising it<br />
with normal findings in a pain-free population.<br />
To give you an example in a recent survey, of<br />
3,110 over-50s who felt no back pain, 80% were<br />
shown in scans to have disc degeneration, and<br />
36% had disc protrusions.”<br />
“Myth number three: ‘I have a back injury, so I<br />
should avoid exercise, especially weight training’.<br />
Again, not true. Studies have shown positive<br />
benefits of exercise and high load resistance<br />
training. The right sort of training can result in<br />
making your back more robust. Most importantly,<br />
select a form of exercise you enjoy.”<br />
Dan’s work with professional teams is about<br />
preventing injury as well as treating it, but his<br />
clients at Motion Physiotherapy predominantly<br />
come to him with existing injuries. Enough of<br />
the myth busting: what should I do, I ask him,<br />
to make sure I don’t have to visit his clinic again,<br />
this time as a patient? “The answer’s<br />
in the name of the clinic,” he<br />
says. “Keep moving. Here’s<br />
another stat: the average<br />
adult spends 70% of<br />
their waking hours<br />
sitting down. Movement<br />
can be viewed<br />
as medicine, and like<br />
all medication you<br />
need to get the dosage<br />
right. Motion is the<br />
potion.” AL<br />
Dan runs Motion Physiotherapy<br />
(01273 480630)<br />
with his wife Penny; it’s<br />
business as usual<br />
in <strong>April</strong> for<br />
her.<br />
91
THE <strong>2018</strong> SPRING / SUMMER COLLECTION<br />
52 Cliffe High St . <strong>Lewes</strong> . 01273 471893<br />
www.barracloughs.net/wm<br />
Barracloughs the Opticians <strong>Lewes</strong> are proud to incorporate<br />
FIND YOUR FEET<br />
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- Fungal Nail advice<br />
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- Rheumatology<br />
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- Nail Surgery<br />
- Nail Cutting<br />
- Corn & Callus removal<br />
- In-growing Toenails<br />
- Verrucae<br />
- Biomechanics<br />
52 Cliffe High Street . <strong>Lewes</strong> . 01273 471893<br />
www.fyfpc.co.uk<br />
Facial<br />
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Thousands of men and women receive wrinkle<br />
reduction injections every year and it’s the UK's most<br />
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wrinkles. Combining a quick procedure with<br />
undeniable results that relaxes the muscles of facial<br />
expression, wrinkles are made less visible, resulting in<br />
a more natural and rejuvenated look.<br />
Steven Kell and Fay Jones have attended Professor<br />
Bob Khanna's advanced course and are now bringing<br />
his techniques to <strong>Lewes</strong> and Sussex. Fay also provides<br />
Dermal Fillers.<br />
It is very important to discuss your goals and<br />
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Our consultations are held at <strong>Lewes</strong> High Street<br />
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60 High Street <strong>Lewes</strong> East Sussex<br />
01273 478240 | info@lewesdental.co.uk
HEALTH<br />
Coming clean<br />
How green is your house?<br />
Parabens, phthalates,<br />
triclosan,<br />
ammonia, chlorine,<br />
sodium hydroxide<br />
and butoxyethanol<br />
don’t sound like<br />
chemicals anyone<br />
would want to<br />
mess with outside<br />
of a laboratory, yet<br />
all are commonly<br />
found in household<br />
cleaning products. And while manufacturers claim<br />
minimal exposure is unlikely to cause harm, there<br />
is a growing body of studies that would disagree.<br />
Earlier this year, Norway’s Bergen University<br />
linked chemical-based cleaning products with<br />
reduced lung function, likening prolonged use<br />
to ‘smoking 20 cigarettes a day’; while, in 2016,<br />
a study by the National Centre for Atmospheric<br />
Science found the artificial fragrance limonene<br />
reacted with oxygen to form dangerous levels of<br />
formaldehyde.<br />
According to the US Environmental Protection<br />
Agency, the air in the average house is two and a<br />
half times more polluted than that outside. Hardly<br />
surprising, then, that the country’s Environmental<br />
Working Group estimates that we are routinely<br />
exposed to 62 chemicals in our homes.<br />
It’s a problem that Liz Impey and Vicki Bates are<br />
already tackling. Founders of The Green Cleaner<br />
in Brighton, they use only environmentally<br />
friendly products and are passionate about reducing<br />
chemicals in the home.<br />
“There is so much evidence that cleaning products<br />
can damage your health, with many linked to<br />
respiratory problems and even cancer,” says Liz.<br />
“We work from the premise that if you don’t have<br />
to use chemicals, then why would you? There are<br />
so many great natural alternatives available. You<br />
don’t have to use<br />
something with a<br />
skull and crossbones<br />
on it. Even if you<br />
just swap existing<br />
products for natural<br />
ones, that’s great -<br />
although, you can<br />
save money by going<br />
back to basics and<br />
making your own.”<br />
For those who fancy<br />
some DIY, Liz recommends a few key ingredients.<br />
“White vinegar is the basis of lots of cleaning products,”<br />
she explains, “as it contains acetic acid, which<br />
is great at cutting through grease and grime. You<br />
can water it down and add lavender essential oil to<br />
give a nice smell. Soda crystals are more heavy duty<br />
and can be used to clean ovens or added to washing<br />
powder to halve the amount used.”<br />
Other multi-purpose must-haves on her list<br />
include bicarbonate of soda, lemon juice and citric<br />
acid (tips and recipes can be found on her company’s<br />
website). “I’d also advocate using an e-cloth.<br />
They aren’t the cheapest, but they are amazingly<br />
good and really long-lasting.”<br />
Another way to ‘green’ your house is to literally<br />
introduce some green. “House plants have been<br />
proven to clean the air,” Liz asserts. “Boston ferns,<br />
ivy and peace lilies are especially good. You can<br />
also freshen the air by burning essential oils - although<br />
some should be avoided during pregnancy<br />
or around animals.”<br />
Whatever steps you take, you’ll be in good - and<br />
growing - company. “We’re only small, but we’ve<br />
noticed increased interest in green cleaning as<br />
people become more aware and health conscious,”<br />
observes Liz. “It’s definitely a growing trend. I’d<br />
say, just give it a go.” Anita Hall<br />
thegreencleaner.co.uk<br />
93
Because every life is unique<br />
…we are here to help you make your<br />
farewell as personal and individual as possible,<br />
and to support you in every way we can.<br />
Inc. Cooper & Son<br />
42 High Street, <strong>Lewes</strong><br />
01273 475 557<br />
Also at: Uckfield • Seaford • Cross in Hand<br />
www.cpjfield.co.uk
BRICKS AND MORTAR<br />
St John sub Castro<br />
A ‘new life’ for the Victorian church<br />
As a nearby resident, I’ve watched with interest the<br />
progress of the recent three-year building project<br />
at St John sub Castro. The external and internal<br />
repair work and creation of a modern, practical<br />
interior began after TRINITY was successful in<br />
securing restoration funding from the Heritage<br />
Lottery Fund and English Heritage.<br />
The current church was built in 1840 on a site of<br />
considerable historical interest, a natural promontory<br />
overlooking the Ouse. There’s evidence it may<br />
have once been used as a Roman camp; a church<br />
with Saxon origins stood here from at least the<br />
11th century. Increasing local residential development<br />
in the Pells area led to its demolition in 1839<br />
to make way for a larger structure.<br />
“It was an appalling decision,” says Rev. Dick Field,<br />
TRINITY Associate Vicar, who I’ve come to speak<br />
to, along with Stuart Billington, who is in the process<br />
of creating a website about the church’s history.<br />
“We’d call it an act of vandalism today,” says<br />
Stuart. They tell me that the original church (one<br />
of the first in <strong>Lewes</strong>) was located in the centre of<br />
the churchyard, oriented in the conventional way,<br />
with the altar at the east end. The entrance was<br />
from Church Row, next to a large mount, which<br />
was levelled to make space for the new church.<br />
This was built with the altar to the north, due to<br />
the topography of the site.<br />
There are clues to the past, if you know where to<br />
look: the Saxon arch, stones referencing the Danish<br />
prince/anchorite, Magnus. TRINITY manage<br />
the churchyard in a way that supports wildlife,<br />
but it needs more attention, and there are plans<br />
to raise funds for this. Meanwhile, however, St<br />
John sub Castro’s interior is utterly transformed,<br />
as I discover when I am shown round by Rev Jules<br />
Middleton.<br />
It’s always had a wonderful acoustic, great for<br />
classical concerts, but it used to be draughty, with<br />
the ceiling painted in 1960s yellow and orange<br />
Battenburg-like squares. Now it’s warm, modern,<br />
welcoming and bright. The pews are gone and it<br />
feels open, with fresh, clean lines and the lovely<br />
new oak floor. Even the lamb-and-flag weathervane<br />
has been re-gilded, and the building is now<br />
protected by a lightning conductor.<br />
I phone lead design architect for the conversion,<br />
Peter Pritchett, who explains: “Our aim was to<br />
alter, restore and refurbish it to the requirements<br />
of the present generation, in a sympathetic and<br />
respectful way to the current listed building and<br />
its history.” This involved negotiating with many<br />
bodies, including Historic England and the Victorian<br />
Society. “Eventually, we got consent from<br />
everyone, and we have enhanced the interior space,<br />
whilst increasing comfort and adding facilities,<br />
such as improved toilets, a kitchen and a community<br />
café, which is hoped will open after Easter.”<br />
Now it’s a church that’s also suitable for seven-day<br />
use, which means TRINITY St John sub Castro<br />
will see, as Peter puts it, “a new life”.<br />
Emma Chaplin<br />
Photo by Emma Chaplin<br />
95
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<strong>Lewes</strong> Out Loud<br />
Plenty more Henty<br />
There’s a track entitled Word Power on an early<br />
Spike Milligan LP in which he is interviewed by<br />
actor Valentine Dyall. Spike plays the part of a<br />
man called Bert who has acquired a love of words<br />
through stealing a copy of Webster’s Dictionary from<br />
a bomb-damaged house.<br />
On a No. 38 tram to Woolwich Arsenal, Bert tries<br />
out his new interest on the conductor seeking his<br />
fare. “Perspicacity!” he shouts at the man, only<br />
to be instantly thrown off. It has to be a Milligan<br />
story, of course, but I recalled the incident when<br />
preparing these 500 words.<br />
Words have always played an important part in my<br />
quixotic life (there’s a good example) and currently,<br />
a favourite form of relaxation is to complete one of<br />
the many codewords that appear in most publications<br />
on a daily basis.<br />
It amazes me that the compilers are able to<br />
produce such teasers unendingly, using all letters<br />
of the alphabet. Who are these people, I wonder,<br />
and could they be part of a cottage industry here<br />
in our own town, hidden perhaps behind curtained<br />
windows in out of the way twittens?<br />
There’s another wonderful word for you and how<br />
about this one – highlighted in our illustration?<br />
I came across it very recently and immediately<br />
rushed to my Webster’s or Concise Oxford to find out<br />
more.<br />
Imagine my astonishment when I discovered that<br />
our modest garden houses thousands of examples<br />
of pangolins. Yours too, I guarantee, because the<br />
common woodlouse is an insectivorous mammal<br />
whose body is covered with horny, overlapping<br />
scales. It rolls into a protective ball when in danger,<br />
as do all pangolins. I bet my wildlife colleague,<br />
Michael, knew that already, but for me it was<br />
a revelation and another word to try out on an<br />
unsuspecting bus driver.<br />
Plenty of words about town this month and amusement<br />
too in the wintry conditions encountered<br />
for a spell. Was my friend ‘soprano sax man’ being<br />
ironical as he played Summertime on the Cliffe<br />
Bridge as a vicious easterly wind cut right through<br />
shoppers?<br />
Thousands of words on sale in Boon Book shop on<br />
School Hill when I popped in to hand a poster to<br />
owner, Vivienne. It was my first visit, I am ashamed<br />
to say, and I loved the cosy interior and massive<br />
range of remaindered books on sale. A browser’s<br />
paradise if ever I saw one.<br />
The poster? Well you should find one in this edition<br />
and also around town. My radio play Raymond<br />
Briggs’s Sofa is being presented for one night only<br />
in the Pelham House Hotel on Sunday, <strong>April</strong> 8, at<br />
7.30pm. It’s in aid of the Mayor’s charities. Tickets<br />
are £10 and I can promise an evening of laughter<br />
and surprises. Special guests, a talking sofa, all in<br />
what I can only describe as stand-up comedy for<br />
sit-down people. Don’t take my word for it though,<br />
do join us. It would be great to welcome <strong>Viva</strong> readers.<br />
Password is pangolin! leweshentys@waitrose.<br />
com. John Henty<br />
97
BUSINESS NEWS<br />
I’ve realised that builders working on High<br />
Street refurbs keep themselves amused by answering<br />
the inevitable question ‘what’s going in<br />
there, then?’ with a variety of made-up answers.<br />
So I’m taking with a pinch of salt the answer I<br />
got when asking just that to a high-viz-vested<br />
chap working in the building at the top of Station<br />
Street that was until recently Santander.<br />
“Ann Summers,” he said. So there you go.<br />
Further up the High Street, a builder was more<br />
forthcoming about the work being done to what<br />
used to be the Lloyds cash-point cubbyhole. As<br />
reported in this space a few months ago, it’s an<br />
extension to Shanaz.<br />
Most of the churn in the town is about eateries<br />
this month. Station Street is worthy of particular<br />
mention: the Turkish coffee shop, Charade,<br />
where Tash Tori used to be, seems to be a place<br />
for real coffee aficionados: I tried a Turkish<br />
coffee which came in a fabulously ornate lidded<br />
container, and tasted superb. Meanwhile down<br />
the bottom, Delish are shutting down after<br />
seven years of selling pastries, pies and other<br />
well-cooked savouries: as yet we have no news<br />
of a replacement.<br />
It’s a period of firsts for <strong>Lewes</strong>: our first pintxos<br />
bar (see VL#138) followed by our first sushi<br />
restaurant (though don't worry Lemongrass<br />
are still doing Thai, see pg 71) followed by our<br />
first dedicated bagel house. Bagelman have<br />
been trading in Brighton since 1996; their fifth<br />
outlet (and the first outside the city) is where<br />
Cheese Please used to be. Mine’s a Reuben, in<br />
an onion bagel, please.<br />
Anyone who sees an empty space where Fisher<br />
Street Frames and Fleurie used to be, don’t<br />
despair. The two shops, joined at the hip, are<br />
both moving to another side-by-side pair of<br />
spaces, in the basement of the Needlemakers.<br />
Framer Andrew tells me he’s not changing the<br />
name of his company. He also tells me what’s<br />
most likely to fill the space that he’s relinquishing,<br />
then swears me to silence, dammit.<br />
Opposite the station, Surelock Solutions are<br />
shutting up shop, but locksmith Alan Peters<br />
will be going mobile with the same contact<br />
details. And the vape shop next door is going<br />
to be replaced… by another vape shop. So we’ll<br />
still get some interesting smells round there.<br />
Finally, we attended the launch of the <strong>2018</strong><br />
<strong>Lewes</strong> District Business Awards in the Depot<br />
on March 13th, and we’ve happily agreed to be<br />
on the judging panel again this year. There are<br />
14 categories (Company of the Year, Best Independent<br />
Retailer, Best Green Business etc) and<br />
if you would like to nominate your company<br />
for any of the awards, you have until <strong>April</strong> 30th<br />
to do so. Visit lewesbusinessdistrictawards.<br />
co.uk for details of all the categories and how to<br />
enter. Good luck! Alex Leith<br />
98
DIRECTORY<br />
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HOME<br />
Project1/NEWSIZE_Layout 1 18/01/2012 14:59 Page 1<br />
Curtains | Roman Blinds | Soft Furnishings<br />
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www.brook-hart.co.uk
OTHER SERVICES<br />
COMPETITIVE<br />
PRICES<br />
FLO TYRES<br />
& ACCESSORIES<br />
EXPERT<br />
ADVICE<br />
O N E S T O P S H O P F O R P R E M I U M , M I D R A N G E A N D B U D G E T T Y R E S<br />
We also stock vehicle batteries, wiper blades, bulbs and top up engine oils.<br />
LOCAL INDEPENDENT RETAILER.<br />
TYRES. BATTERIES. BULBS. WIPERS<br />
FROM STOCK WHILE YOU WAIT.<br />
FREE TREAD & WEAR CHECKS.<br />
PUNCTURE REPAIRS.<br />
WHEEL BALANCING.<br />
WHEEL ALIGNMENT.<br />
Flo Tyres And Accessories<br />
Unit 1 Malling Industrial Estate, Brooks Road, <strong>Lewes</strong>, BN7 2BY<br />
Tel: 01273 481000 | Web: flotyres.com | info@flomargarage.com
OTHER SERVICES<br />
HEALTH & WELLBEING<br />
www.andrewwells.co.uk<br />
We can work it out<br />
• BUSINESS ACCOUNTS AND TAX<br />
• MEDIA AND THE ARTS<br />
• CONTRACTORS AND CONSULTANTS<br />
• FRIENDLY AND FLEXIBLE<br />
T: 01273 961334<br />
E: aw@andrewwells.co.uk<br />
FREE<br />
initial<br />
consultation<br />
Andrew M Wells Accountancy<br />
99 Western Road <strong>Lewes</strong> BN7 1RS<br />
The Cycling Seamstress and hairdresser<br />
For Prom dress alterations<br />
& prom hair contact me.<br />
Andrew Wells_<strong>Viva</strong> <strong>Lewes</strong>_AW.indd 1 25/06/2012 09:05<br />
07766 103039 / nessnewmantt@gmail.com<br />
neck or back pain?<br />
Lin Peters - OSTEOPATH<br />
VALENCE ROAD OSTEOPATHS<br />
for the treatment of:<br />
neck or low back pain • sports injuries • rheumatic<br />
arthritic symptoms • pulled muscles • joint pain<br />
stiffness • sciatica - trapped nerves • slipped discs<br />
tension • frozen shoulders • cranial osteopathy<br />
pre and post natal<br />
www.lewesosteopath.co.uk<br />
20 Valence Road <strong>Lewes</strong> 01273 476371<br />
Working with<br />
we are offering free advice<br />
on healthy lifestyles<br />
倀 爀 甀 刀 漀 眀 渀 琀 爀 攀 攀<br />
䌀 愀 爀 攀 攀 爀 䜀 甀 椀 搀 愀 渀 挀 攀<br />
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• Eat welll • Move more • Drink less<br />
• Be smoke free • Lose weight<br />
If you are looking to quit smoking, lose<br />
weight or get more active we can advise and<br />
signpost you to services to support you. Also<br />
look at NHS CHOICES for further advice and<br />
ideas on healthy lifestyle and exercise.<br />
www.oneyoueastsussex.org.uk<br />
(Closed between 1-2pm)
Ruth Wharton <strong>Viva</strong> Advert 3.17 AW.qxp_6 12/05/2017 10<br />
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Other therapies<br />
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fOr MOre details see:<br />
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Counselling, Psychotherapy<br />
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with experienced clinicians<br />
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We work with individuals,<br />
couples, families and groups.<br />
Sam Jahara (UKCP Reg.)<br />
Transactional Analyst<br />
Mark Vahrmeyer (UKCP Reg.)<br />
Integrative Psychotherapist<br />
Dr. Simon Cassar (UKCP Reg.)<br />
Existential Psychotherapist<br />
Jane Craig (HCPC Reg.)<br />
Clinical Psychologist<br />
Magdalena Whitehouse (HCPC Reg.)<br />
Drama Therapist<br />
Thea Beech (UKCP Reg.)<br />
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CLIFFE OSTEOPATHS<br />
complementary health clinic<br />
Tom Lockyer<br />
BA (Hons). Dip Couns, MBACP<br />
Counselling and<br />
Psychotherapy<br />
Natural Alternaaves<br />
at the Menopause<br />
Workshop 28th <strong>April</strong> in <strong>Lewes</strong><br />
& 1:1 Appointments at The Cliffe Clinic<br />
I offer a professional, conndential counselling<br />
service for individuals and couples.<br />
Through the creation of a safe, supportive,<br />
mindful space, my clients deepen their<br />
self-awareness and compassion together<br />
with a psychological resilience that allows<br />
them to better manage the stuff of life.<br />
To understand and make sense of how we<br />
nd ourselves where we are right now, and<br />
how we might imagine writing a new<br />
chapter in the story of our lives.<br />
I am happy to answer any questions you<br />
may have about the way I work. Call 07711<br />
265642 or tom@sussextherapyworks.co.uk<br />
OSTEOPATHY<br />
Mandy Fischer BSc (Hons) Ost, DO<br />
Steven Bettles BSc (Hons) Ost, DO<br />
HERBAL MEDICINE & REFLEXOLOGY<br />
Julie Padgham-Undrell BSc (Hons) MCPP<br />
PSYCHOTHERAPY<br />
Julia Rivas BA (Hons), MA Psychotherapy<br />
Tom Lockyer BA (Hons), Dip Cound MBACP<br />
ACUPUNCTURE & HYPNOTHERAPY<br />
Anthea Barbary LicAc MBAcC Dip I Hyp GQHP<br />
HOMEOPATHY, COACHING, NLP<br />
& HYPNOTHERAPY<br />
Lynne Russell BSc FSDSHom MARH MBIH(FR)<br />
HERBALIST<br />
Kym Murden<br />
BA Hons Dip Phyt<br />
Weaving wellness together<br />
whatever your age.<br />
Herb & Health Workshops<br />
Visit:<br />
kymmurden.com<br />
Appointments 07780 252186<br />
New Yoga Class<br />
With Suzy Daw<br />
Yoga Teacher & Physiotherapist<br />
Scaravelli Inspired Yoga<br />
Monday Mornings: 10.30-12pm<br />
at the Subud Centre, 26a Station Street, <strong>Lewes</strong><br />
Beginners welcome as well as those experienced<br />
£12/10 per class or 6 weeks £66/54 (term time only)<br />
For information contact Suzy on 07939 580743<br />
suzydawyoga@gmail.com | suzannadawyoga.co.uk<br />
01273 480900
HEALTH & WELLBEING<br />
Doctor P. Bermingham<br />
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drpbermingham@gmail.com<br />
GOOD HEALTH FROM THE INSIDE OUT<br />
Why have a colonic?<br />
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Arts Counsellor - Tara Canick MCGI, BACP<br />
The Family Room @ The Montessori Place<br />
<strong>Lewes</strong> Road, Easons Green, TN22 5RE<br />
For adults & children from £10 per session<br />
(No previous art experience necessary)<br />
07792 600903 – www.tara-canick.co.uk<br />
Joy of Movement Classes<br />
Holistic Dance / Mindful Movement for<br />
Women of all ages and fitness levels.<br />
Great for beginners.<br />
Tuesdays & Thursdays 10.45am - 12pm<br />
First class free (please book)<br />
Stella 07733 450631<br />
www.joyofmovement.co.uk<br />
Acupuncture, Alexander Technique, Bowen<br />
Technique, Children’s Clinic, Counselling,<br />
Psychotherapy, Family Therapy, Herbal<br />
Medicine, Massage, Nutritional Therapy,<br />
Life Coaching, Physiotherapy, Pilates,<br />
Shiatsu, Podiatry/Chiropody
Directory Spotlight:<br />
Richard Burrows, Latin teacher<br />
How long have you been a<br />
Latin teacher? About 15 years.<br />
I used to teach at Priory. But<br />
I’m far from being retired.<br />
Now I do regular evening<br />
classes in the Nutty Wizard,<br />
the occasional private lesson,<br />
PGCE teacher training at<br />
the University of Sussex, and<br />
‘twilight’ classes at Varndean School…<br />
It’s very popular now! Since Michael Gove<br />
put it in the EBacc. After three years of learning<br />
a modern language – how to find their way<br />
around a supermarket and suchlike – students<br />
think it’ll be more interesting getting stories<br />
from the Cambridge Latin Course about death<br />
and mayhem and families getting engulfed in a<br />
volcanic eruption.<br />
Why do adults want to learn a dead language?<br />
They tend to fall into two camps. Latin held sway<br />
in the intellectual life of Europe<br />
for many centuries, and some<br />
students are interested in the<br />
cultural impact it had on our<br />
history and heritage. Others<br />
are interested in examining<br />
the roots of modern European<br />
languages.<br />
But is Latin useful? I think that<br />
Latin sentences are so complex – every word needs<br />
a lot of attention to make it fit – that an understanding<br />
of Latin becomes a wonderful tool for<br />
helping the brain to work with words. It trains you<br />
to be careful with words, and respectful of them.<br />
Do you read Latin for pleasure? Can’t say I<br />
do! But I love working with a class, teasing out<br />
the meaning of a sentence. That’s the greatest<br />
pleasure in it. AL<br />
To enquire about lessons contact Richard at<br />
allburrows00@gmail.com<br />
GUITAR LESSONS<br />
with Guy Pearce<br />
For all ages and abilities. Fully CRB checked<br />
• Lessons and Grades in Electric and Acoustic guitar.<br />
• Mobile Tuition<br />
• Guitar restringing service.<br />
07504173888<br />
guypearceguitarlessons@gmail.com<br />
Ages 16 and up from an experienced, qualified teacher<br />
Contact: Lucinda Houghton BA(Hons), AGSM (GSMD), FRSM<br />
Kingston, <strong>Lewes</strong> (Ample parking)<br />
07976 936024 | canto-voice.org
LESSONS AND COURSES<br />
GARAGES<br />
Singing Lessons<br />
Experienced voice teacher - DBS checked - Wallands area<br />
www.HilarySelby.com<br />
07960 893 898<br />
EXPERT<br />
ADVICE<br />
I N C O R P O R A T I N G F L O T Y R E S<br />
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CELEBRATING 12TH YEAR<br />
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COMPETITIVE RATES<br />
QUALITY PARTS<br />
HIGHLY SKILLED TECHNICIANS<br />
www.mechanicinlewes.co.uk<br />
info@flomargarage.com<br />
Units 1-3 Malling Industrial Estate, Brooks Road, <strong>Lewes</strong> BN7 2BY<br />
Vehicle Servicing, Repairs and MOT Service: 01273 472691<br />
www.mechanicinlewes.co.uk | info@flomargarage.com
INSIDE LEFT<br />
SMOKE HOUSE<br />
This is the second time in a row we’re showing<br />
the proud owners of a tobacconist/newsagent<br />
standing outside their shop, this time at 48<br />
Cliffe High Street. The photo was taken over<br />
50 years earlier than last month’s: the caption<br />
in Reeves’ archive reads ‘Mooreys, c1906’. Of<br />
course a little bit of research means we can be<br />
much more specific than that. The ‘Chamberlain<br />
Celebrations’ headline on the newspaper<br />
board refers to the 70th birthday celebrations<br />
for Joseph Chamberlain, held in Birmingham;<br />
the ‘Zulus routed 547 killed’ describes a massacre<br />
of tribesmen in what is now South Africa,<br />
by British troops. Both events occurred on 8th<br />
July 1906, so we can perhaps place this picture<br />
as being taken the day after, a Monday.<br />
Among the wares advertised in the window are<br />
‘Flor de Dindigul’ cigars, another pointer to the<br />
influence of the Empire on everyday life: these<br />
were made from tobacco grown on a plantation<br />
in the southernmost province of India.<br />
We can also identify the people in the picture.<br />
On the right, standing at the entrance of<br />
Greens Passage, is Howard Moorey, then 42<br />
years old, listed in the street directory as the<br />
owner of the shop. On the left is his wife Caroline,<br />
four years his senior, and their daughter<br />
Dorothy, 11. The Mooreys have every reason<br />
to look proud, because they were an upwardly<br />
mobile couple; Howard’s previous career had<br />
been as a basketmaker, like his father Trayton;<br />
Caroline’s father was a labourer. For reasons<br />
unknown, the Mooreys moved their shop a few<br />
yards down the street to number 50 soon after.<br />
Anyone who’s been here more than 10 years<br />
will remember that the newsagent at no. 50 that<br />
was replaced by Le Magasin had retained the<br />
name ‘Mooreys’.<br />
Howard Moorey, here displaying a wicker<br />
delivery barrow with his name on it, died aged<br />
58 in 1922; his wife outlived him by twenty<br />
years, taking on the running of the shop. We<br />
can imagine the couple would be interested to<br />
learn what became of their shop after they left<br />
it. In their time dentist CF Clarke ran his business<br />
there, succeeded by Hamilton Brown, who<br />
advertised his trade (remembers Mick Symes)<br />
with a chair and wire-driven drill in the window.<br />
Most latterly it was Southdown Antiques,<br />
before becoming a vape shop, Smoketronics,<br />
early last year… which brings us pretty much<br />
full circle back to the tobacconist. AL<br />
114
<strong>Lewes</strong> Landlords:<br />
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