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Viva Lewes Issue #139 April 2018

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<strong>#139</strong>


“A VERY<br />

HAPPY PLACE”<br />

COUNTRY LIFE<br />

“ONE WORD:<br />

EXCEPTIONAL”<br />

TATLER<br />

“SUCH A FUN<br />

PLACE TO BE”<br />

GOOD SCHOOLS GUIDE<br />

BRIGHTON COLLEGE<br />

A MAGICAL<br />

JOURNEY<br />

OPEN MORNINGS | NURSERY, PRE-PREP & PREP<br />

SAT 21 APRIL & SAT 6 OCTOBER<br />

BOOK YOUR PLACE 01273 704343 | BRIGHTONCOLLEGE.ORG.UK


139<br />

VIVALEWES<br />

EDITORIAL<br />

The theme of this month’s issue<br />

is ‘The Word’, and we’ve collected together a fine mini-anthology of <strong>Lewes</strong>ian poets, and<br />

children’s authors, and reading groups, and bookbinders and language teachers and so on and<br />

so forth. Apologies to the many we’ve left out: it’s a very literary-minded town.<br />

In our ‘The Way We Work’ section we always ask the subjects of the photos a theme-related<br />

question: this time we ask them two, ‘what was your favourite book as a child?’ and ‘what’s<br />

your favourite word?’ The latter is a particularly hard one to answer, partly because, unlike<br />

the former, it’s not something you might have already decided (like your favourite band, or<br />

composer, or colour, or Bond).<br />

A straw poll in the office throws out some interesting choices. One of us couldn’t decide<br />

between ‘bubble’, ‘cushion’ or ‘yellow’. Another chose ‘corybantic’, which was the first I’d<br />

heard of that one. A third said “it’s a swear word, I’m afraid: ‘bollocks’.”<br />

Which led to a subsidiary question: how would you choose a favourite word, anyway? Because<br />

you like the sound of it? Its etymology? Its connotations? Its usefulness? The fact it makes<br />

you feel clever when you say it? I went for a knee-jerk first-thing-in-my-head word, and<br />

‘griddle’ came out, who knows why? Perhaps because of its Anglo-Saxon earthiness; perhaps<br />

because of the sort of stuff you cook in it. Anyway, what’s yours?<br />

The last words in this column we’re writing upside down because - spoiler alert - they are the<br />

answer to Carlotta Luke’s photo quiz on pg 25:<br />

Station St, Station St, School Hill, Malling St, West St/Market St.<br />

Enjoy the issue…<br />

THE TEAM<br />

.....................<br />

EDITOR: Alex Leith alex@vivamagazines.com<br />

SUB-EDITOR: David Jarman<br />

DEPUTY EDITOR: Rebecca Cunningham rebecca@vivamagazines.com<br />

ART DIRECTOR: Katie Moorman katie@vivamagazines.com<br />

ADVERTISING: Sarah Hunnisett, Amanda Meynell advertising@vivamagazines.com<br />

EDITORIAL / ADMIN ASSISTANT: Kelly Hill admin@vivamagazines.com<br />

DISTRIBUTION: David Pardue distribution@vivamagazines.com<br />

CONTRIBUTORS: Jacky Adams, Michael Blencowe, Sarah Boughton, Mark Bridge, Emma Chaplin,<br />

Daniel Etherington, Mark Greco, Anita Hall, John Henty, Mat Homewood, Chloë King, Dexter Lee, Lucy Limage,<br />

Lizzie Lower, Carlotta Luke, Richard Madden, Chris Mason and Marcus Taylor<br />

PUBLISHER: Becky Ramsden becky@vivamagazines.com<br />

<strong>Viva</strong> <strong>Lewes</strong> is based at Pipe Passage, 151b High Street, <strong>Lewes</strong>, BN7 1XU, 01273 480131. Advertising 01273 488882


Open Morning<br />

Saturday 12 May <strong>2018</strong><br />

HURSTPIERPOINT COLLEGE<br />

hppc.co.uk<br />

Admissions: 01273 836936 or registrar@hppc.co.uk


'THE WORD' ISSUE<br />

CONTENTS<br />

Bits and bobs.<br />

The story behind this month’s Well &<br />

Good cover (10-11); what performance<br />

poet Ella Dorman-Gajic thinks of <strong>Lewes</strong><br />

(13); <strong>Lewes</strong> authors’ <strong>April</strong> offerings (16);<br />

Norman Baker’s latest LP (22); Carlotta<br />

Luke’s ghost lettering (25), and the usual<br />

rainbow gathering of hats and snaps and<br />

clocks and plaques and pubs.<br />

Columns.<br />

David Jarman gives us the silent treatment<br />

(27) and Chloë King discovers that plasticfree<br />

life ain’t so easy (29).<br />

On this month.<br />

It’s all about words… or the lack of them.<br />

Historian Kathryn Hughes tells us about<br />

Victorian body parts (31); Andy Freeman<br />

directs the timely Cold War musical<br />

Chess (33); gender-fluid Shakespeare<br />

performances by Sussex Downs drama<br />

students (35); terrace chanting at the Pan<br />

(37); silent Hitchcock at Depot (39); and<br />

saying it with flowers at the Firle Garden<br />

Show (41).<br />

25<br />

Photo by Carlotta Luke<br />

Matt Bodimeade<br />

47<br />

Art.<br />

What’s on the gallery walls, including<br />

a fab new show at St Anne’s Gallery, a<br />

collective effort at Martyrs’ Gallery and<br />

Nichola Campbell at Chalk (43-45);<br />

Penguin art director John Hamilton and<br />

his culturally savvy Essentials series (46-<br />

47); Axel Hesslenberg snaps the literary<br />

greats at Charleston (48-50), and brush<br />

letterer Jessie Moane (53).<br />

Listings and Free Time.<br />

Diary dates: what’s on, where and when,<br />

including our very own John Henty’s<br />

‘Raymond Briggs’ Sofa’ (55-59); Classical<br />

round-up (61); Gig Guide, including the<br />

welcome return of the legendary Sun Ra<br />

Arkestra (63-64), plus live and tight stuff<br />

for the U16s in Free Time (65-68).


'THE WORD' ISSUE<br />

Food.<br />

New Japanese options at Lemongrass<br />

(71); an adaptation of an Alexandre<br />

Dumas pudding (72-3); gorgeous<br />

goodness at Wild Alchemy (75), and food<br />

news from Chloë King (77).<br />

78<br />

The way we work.<br />

Emma Auwyn captures four children’s<br />

authors in their writing spaces, and<br />

she asks them all: what’s your favourite<br />

word? (78-81).<br />

Features.<br />

<strong>Lewes</strong> is spoilt for choice with book<br />

groups (83); Rachel Ward-Sale’s<br />

Photo by Emma Auwyn<br />

bookbinding business (84-5); Todd on<br />

the Cooksbridge trail (87); Michael<br />

Blencowe sees a parrot at the Pells (89);<br />

Olympic physio Dan Nicholls (91); how<br />

to be a greener cleaner (93); the all-new<br />

interior of St John sub Castro (95);<br />

John Henty, loud and proud (97), and<br />

another round of openings and closings<br />

in Business News (99).<br />

72<br />

72<br />

Photo by Sam Bilton<br />

Inside Left.<br />

Today’s vape-shop is yesterday’s<br />

tobacconist (114).<br />

VIVA DEADLINES<br />

We plan each magazine six weeks ahead, with a mid-month<br />

advertising/copy deadline. Please send details of planned events<br />

to admin@vivamagazines.com, and for any advertising queries:<br />

advertising@vivamagazines.com, or call 01273 434567.<br />

Remember to recycle your <strong>Viva</strong>.<br />

Every care has been taken to ensure the accuracy of our content.<br />

<strong>Viva</strong> <strong>Lewes</strong> magazine cannot be held responsible for any omissions, errors<br />

or alterations. The views expressed by columnists do not necessarily<br />

represent the view of <strong>Viva</strong> <strong>Lewes</strong>.<br />

Love me or recycle me. Illustration by Chloë King<br />

6


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Preparatory Schools, Senior School & Sixth Form<br />

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Saturday<br />

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THIS MONTH’S COVER ARTISTS<br />

This month’s cover artists are Natasha<br />

Baker and Ollie Aplin, who are partners<br />

in both senses of the word. They run<br />

their design business – Well & Good -<br />

from a studio built in the back garden<br />

of the house they share with their dog,<br />

Henry, in <strong>Lewes</strong>.<br />

“The name of our company reflects our<br />

business ethos,” says Ollie, who mainly<br />

deals with the digital aspects of their<br />

work. “It’s design done well, for the<br />

greater good,” explains Natasha, who<br />

trained as an illustrator, and who takes<br />

the role of art director. “We love to<br />

work with clients who have a positive<br />

impact on the lives of others.”<br />

One of their most recent projects is for<br />

a charity called Small Green Shoots. “A<br />

group of young people (young shoots)<br />

are leading a new campaign to promote<br />

positive mental health” explains Natasha.<br />

“The young shoots are our clients.<br />

It’s great to be working directly with<br />

the young people who are at the centre<br />

of the campaign” says Ollie. Though,<br />

they reveal, they sometimes had to consult<br />

an online slang dictionary to decipher<br />

their feedback.<br />

Which takes us to their interpretation<br />

of this month’s theme, ‘The Word’.<br />

“We wanted to do something typographical,<br />

but for there to be an illus-<br />

10


WELL & GOOD STUDIO<br />

tration element in it as well,” says Natasha.<br />

“We wanted to use British Sign Language<br />

to reflect our ‘well and good’ company<br />

ethos and combine that with a bright palette<br />

to reflect spring,” continues Ollie,<br />

“and for the design to be inclusive and<br />

have an interactive element to it. We hope<br />

some people will be trying to sign ‘<strong>Viva</strong><br />

<strong>Lewes</strong>’ at home.”<br />

The couple moved to <strong>Lewes</strong> in February<br />

after two years in an out-of-the-way cottage<br />

in Chiddingly; before that they were<br />

based in Brighton. One project that has<br />

spanned both those moves is MindJournal,<br />

a beautifully crafted journal for men<br />

to jot down their thoughts and feelings,<br />

with motivational prompts to help the<br />

reluctant scribbler. “It was crowd-funded<br />

by Kickstarter, and led to a book deal with<br />

Penguin,” Ollie says. “We’re working on<br />

the third edition now.”<br />

They’re busy then; but how difficult is<br />

it, you’ve got to wonder, to juggle a 24/7<br />

work-and-play relationship? “That’s what<br />

we get asked the most!” says Natasha.<br />

“My friends say: really? I couldn’t do that!<br />

But it actually works really well, because<br />

we’re able to be 100% honest about what<br />

we think of each other’s work.” “You can<br />

be BRUTAL,” adds Ollie. “But it works:<br />

it makes us both better at what we do.<br />

And, luckily, living and working together<br />

doesn’t make us want to kill one another.”<br />

Alex Leith<br />

wellandgood.studio / 01273 569110<br />

11


Cock-a-doodle-doo<br />

at Middle Farm<br />

Wake up to springtime<br />

Farmshop, butcher’s shop,<br />

bakery, tearoom, plant sales<br />

and Open Farm<br />

Middle Farm, Firle, <strong>Lewes</strong>, East Sussex BN8 6LJ<br />

01323 811411 info@middlefarm.com www.middlefarm.com


Photo by Poppy Gray<br />

MY LEWES: ELLA DORMAN-GAJIC, PERFORMANCE POET<br />

Are you local? My family moved to <strong>Lewes</strong><br />

when I was eight, and then, after a year or so, to<br />

Kingston. I went to Priory, and the college in<br />

<strong>Lewes</strong>. Now I’m studying at UEA in Norwich,<br />

but I still come home for the holidays. I<br />

definitely consider <strong>Lewes</strong> to be home.<br />

Did living in <strong>Lewes</strong> help mould you into a<br />

performance poet? <strong>Lewes</strong> Little Theatre was<br />

fantastic, I was given some great opportunities<br />

there which taught me a lot about acting. I<br />

played Anne Frank in a production about her,<br />

and was Juliet in an all-female production of<br />

Romeo and Juliet. The Performing Arts and<br />

English course at Sussex Downs was also really<br />

good; it gave me a lot of confidence in devising<br />

my own theatre. But it was the Brighton<br />

spoken word scene which inspired me to start<br />

performing my own poetry. I developed my<br />

writing at Access to Music college, and am<br />

involved in Poets v MCs. I’m this year’s Young<br />

Writer in Residence at the Broken Silence<br />

Theatre, whose Artistic Director is from Brighton.<br />

I hear you recently performed in the<br />

Edinburgh Fringe… I won a Pebble Trust<br />

Talent Grant that enabled me to put on a spoken<br />

word theatre piece, Did I Choose These Shoes, at<br />

Brighton Fringe in 2016, with two friends. Then<br />

I continued developing the show at university,<br />

raised some money on Crowdfunder, and then<br />

took it to Edinburgh the following year. We did<br />

all our own promotion and marketed the hell out<br />

of it. We were so happy with the response.<br />

Is it hard to come back to Kingston after all<br />

that? I find it funny that people are preoccupied<br />

about fences going up. But so much has changed!<br />

There’s a new shop and pizza place in the village,<br />

which I’ve ended up getting a job at.<br />

What’s your favourite <strong>Lewes</strong> pub? Definitely<br />

the Lanny [Lansdown]. There’s always a friendly<br />

face there, and you can play your own music. I<br />

generally drink Heineken there; I’m afraid I’m<br />

not an ale drinker. My father and sister are big<br />

fans of Harvey’s, though.<br />

And restaurant? It’s a pity that Laporte’s has<br />

closed down, that was fantastic. I should know, I<br />

worked there for three years. I’ll always support<br />

independent businesses in <strong>Lewes</strong>, because that’s<br />

what gives the town its special flavour. I like the<br />

Limetree Kitchen, I’ve been there a few times.<br />

When were you last up a Down? The last<br />

time I was home, in January, I guess. I’m forever<br />

walking over Juggs Way to <strong>Lewes</strong>. It’s a lovely<br />

walk, especially up past the windmill.<br />

Where do you think you’ll end up living?<br />

I don’t like London as a city, but it’s so well<br />

connected I’ll probably end up living there to<br />

follow my career as a poet/playwright. Brighton’s<br />

a possibility, too. Living abroad isn’t really an<br />

option, but if I could I’d live in Berlin… or<br />

maybe I'd go to Barcelona, where the weather’s<br />

a bit better.<br />

Interview by Alex Leith<br />

13


Lemongrass<br />

Fine<br />

ai Cuisine<br />

25-26, Temple House, High Street <strong>Lewes</strong>, BN7 2LU<br />

A modern take on traditional<br />

ai & Sushi cuisines


PHOTO OF THE MONTH<br />

SIX LEGS GOOD<br />

We had what might be called a ‘bumper’ response to this competition this month – as always<br />

happens when it snows – so a number of people will be feeling disappointed when they see<br />

this page. Particular commiserations to Sue Fasquelle, who sent us a funny-ha-ha shot of the<br />

War Memorial angel’s freezing feet. The winning shot was taken between the two recent cold<br />

snaps, by Jo Loader, on her Motorola G5 phone, while she was ‘walking my dog Max up on<br />

Malling Down’. “The winter sun was setting on a clear and chilly late afternoon in February,”<br />

she explains. “We usually walk up to the dew pond at least once a day. Early mornings and<br />

evenings are the best time to get a great view over <strong>Lewes</strong>, as the light is amazing. This photo<br />

however, was taken looking the other way - the sun casting perfect shadows of us as we trotted<br />

down the hill to home.” We were very taken with the balance of the picture, the intriguing<br />

way you have to study it to work out what the shadows in foreground are (six legs), and the<br />

amazing colour of the top half of the picture. “The grass was actually grass colour, but the sun<br />

lit it up a golden turmeric,” says Jo, who works as a theatre designer, but might have been a<br />

poet. Or a photographer, for that matter. “I don’t have a proper camera but I do take lots of<br />

pictures on my phone. It’s got a really good lens: when my friends with iPhones take pictures<br />

of the same things as I do, mine come out better.”<br />

Please send your pictures, taken in and around <strong>Lewes</strong>, to photos@vivamagazines.com, or tweet<br />

@<strong>Viva</strong><strong>Lewes</strong>, with comments on why and where you took it, and your phone number. We’ll<br />

choose our favourite for this page, which wins the photographer £20, to be picked up from our<br />

office after publication. Unless previously arranged, we reserve the right to use all pictures in<br />

future issues of <strong>Viva</strong> magazines or online.<br />

15


BOOKS AND BOBS<br />

LOCAL LITERATURE<br />

LEWES AUTHORS<br />

<strong>Lewes</strong> resident Lesley Thomson is<br />

most famous for her 2007 thriller, set<br />

around Tide Mills, A Kind of Vanishing.<br />

She also authored the award-winning<br />

The Detective’s Daughter, which<br />

introduced private eye (and successful<br />

cleaning business owner) Stella Darnell<br />

to the world, a specialist in warming<br />

up long-cold cases. Thomson’s<br />

latest novel – The Death Chamber, published<br />

in <strong>April</strong> – is the third book in<br />

the Detective’s Daughter series: Stella<br />

gets involved in a murder case centred<br />

around the Cotswold village of<br />

Winchcombe. While investigating the<br />

disappearance of one teenage resident<br />

of the village in 2000, the police had<br />

found the remains of another, who’d<br />

gone missing in 1977. Stella moves to<br />

the village 17 years later to try to solve<br />

the double mystery. Was the murderer<br />

of the first girl responsible for the<br />

disappearance of the second? Are they<br />

still at large in the village? And, if so,<br />

will they take kindly to a part-time<br />

detective snooping around the place?<br />

It’s page-turning stuff, as you’d expect;<br />

Thomson has a good ear for dialogue,<br />

and creates believable and very human<br />

characters.<br />

Elisabeth’s Lists, another <strong>Lewes</strong>resident-authored<br />

book which spans<br />

different generations, is a rather<br />

more serious affair. Lulah Ellender<br />

inherited a book of hand-written lists<br />

collated by her maternal grandmother,<br />

Elisabeth Young, who died long before Lulah was<br />

born. The lists are seemingly mundane: a register of<br />

eggs laid by her hens in wartime Surrey; invitees to<br />

a 1950 garden party in Berkshire; dishes that she is<br />

able to cook. But, together with diary<br />

entries and photographs, they help<br />

Lulah unravel the extraordinary life<br />

of a troubled woman, the daughter of<br />

an ambassador who was brought up<br />

in 30s Peking and continued a life of<br />

living in foreign capitals – Rio, Beirut,<br />

Paris – after marrying a diplomat.<br />

Lulah’s growing understanding of the<br />

hopes and desires of her grandmother<br />

opens her to a greater understanding<br />

of human nature, and helps her come<br />

to terms with her own life’s problems.<br />

Finally an apology to Pierre Hollins,<br />

who dropped a copy of his novel<br />

The Karma Farmers onto my desk in<br />

September, where it got irredeemably<br />

buried for months until a clear-out just<br />

before deadline. When I finally picked<br />

it up and started reading it, I found it<br />

hard to put it down. It starts, like many<br />

adventures, outside Brighton’s Clock<br />

Tower, following two love-struck<br />

anarchic millennials - a young hipster<br />

and his mohair-hoodied girl - into<br />

Waterstones where they secrete copies<br />

of a radical political manifesto he’s<br />

written in among the regular books.<br />

This act has unforeseen consequences:<br />

pretty soon two extremely violent<br />

occultists pitch up at the couple’s flat,<br />

to find the writer alone in bed, obsessively<br />

recounting the hashish-related<br />

argument three days before that led<br />

to his girlfriend storming out of the<br />

door, not to return. Phew! I’m still on<br />

page 33 and, for simplicity’s sake, I’ve missed out<br />

the car-crash death of a recently retired detective in<br />

his brand-new Jag. This book has the rollercoaster<br />

savviness of a Bad Seed on Crazy Mouse. AL<br />

16


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enquiries@clarriots.co.uk


BITS AND BOBS<br />

MUSIC REVIEW: STAYING BLUE<br />

Our favourite former MP usually demonstrates his musical<br />

prowess as lead singer of his band ‘The Reform Club’. To date<br />

they have released two albums (Always Tomorrow and Never<br />

Yesterday) and frequently play live gigs in <strong>Lewes</strong>, but of late<br />

Norman is branching out and has recorded his first solo album<br />

Staying Blue, due for release on <strong>April</strong> 6th. Don’t let the name fool<br />

you: the record comprises eleven tracks which span an eclectic<br />

range of genres, from blues to jazz, folk to country, there’s even a<br />

sea shanty in there for good measure (Shipping Forecast, complete<br />

with its very own music video). ‘Norman can write a song and<br />

sing the heck out of it. This album showcases elite musicianship<br />

and really enjoyable song writing’ says Angel Air Records, who<br />

the album is being released through. Favourite moments are It Cuts No Ice, a catchy country tune with a fair<br />

stab at an American accent to boot, and a lovely acoustic folk number Perhaps. The album will be available<br />

online and at Si’s Sounds, where £2 from each CD sale will go to TRINITY and Rehoming <strong>Lewes</strong>.<br />

Mr Baker will play a special ‘stripped down’ version of the album at a gig at Bus Club Pizza on 6th <strong>April</strong> at<br />

8.30pm, where Rev Jules Middleton of TRINITY will also say a few words. Kelly Hill<br />

Dog lovers wanted:<br />

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BITS AND BOBS<br />

SPREAD THE WORD<br />

Here’s Alice Cyr again, longtime<br />

friend of our very own<br />

John and Sylvia Henty. In her<br />

second appearance on this page,<br />

Alice is enjoying VL next to the<br />

ice sculptures at the Kwanlin<br />

Dun Cultural Centre, by the<br />

Yukon River (at a temperature<br />

of minus 19!)<br />

She’s just turned 83 but Alice<br />

likes to keep busy… In her<br />

accompanying email to the<br />

Hentys she explains how she’s<br />

‘got several things on the go at<br />

once’… amongst them a trip to<br />

Anchorage and to Newfoundland,<br />

Montreal and New York.<br />

At the other end of the temperature<br />

scale here’s Ethel Coleby,<br />

a South African care worker<br />

who’s latterly been working in<br />

Kingston, enjoying the sunshine<br />

with her feet in the pool, in her<br />

back garden in Pietermaritzburg,<br />

KwaZulu-Natal, South<br />

Africa, reading November’s<br />

<strong>Viva</strong>. The photo was taken by<br />

her grandson Bradley; Ethel’s<br />

back in Blighty this month.<br />

Got a trip planned yourself?<br />

Take your latest <strong>Viva</strong>, and send<br />

your photos with a few words<br />

about your trip to hello@<br />

vivamagazines.com<br />

OPTICIANS AND CONTACT LENS PRACTITIONERS<br />

223a High Street, <strong>Lewes</strong><br />

Tel: 01273 472360<br />

www.wilsonwilsonandhancock.co.uk


PUBS AND BOBS<br />

TOWN PLAQUE #37: THE JIREH CHAPEL<br />

Jehovah Jireh – meaning ‘God will provide’ was the name given to the place<br />

mentioned in Genesis where God provided Abraham with a lamb to sacrifice<br />

in place of Isaac, his son.<br />

Jireh often stands alone to represent divine provision. Few places of worship<br />

can have so consistently preached The Word – the fundamental Christian<br />

message – more insistently and for longer than this chapel, which has stood<br />

in Cliffe for over 200 years. Previously Calvinistic Independent, it is one of seven chapels of the Free Presbyterian<br />

Church of Ulster in England. The chapel and the Huntingdon Tomb close by was declared a World<br />

Heritage Site in 1952 and is Grade 1 listed by Historic England. Its interior has some beautiful woodwork<br />

and a distinctive layout. If a chance comes up to see inside, take it.<br />

Badly damaged in the Great Storm of 1987, it was rebuilt with flats integrated into its side. Marcus Taylor<br />

LEWES LIBRARY IN NUMBERS<br />

<strong>Lewes</strong> has had a public library since 1785, initially in private houses and moving to Fitzroy House in 1863<br />

where it remained until 1955. It then moved to premises on the corner of Albion Street and East Street, into<br />

a building originally designed as a School of Art, which had closed in 1934. Finally, the library moved to<br />

purpose-built premises just off Friars Walk in 2005.<br />

The current library was designed to contain a stock of 61,000 items. It has 12 public computer terminals, and<br />

an additional 3 specifically for children and young people. It is open 5 days a week, and supports 5 or more<br />

weekly activities, from story time to computer help. <strong>Lewes</strong> is one of 24 libraries (and 1 mobile library) across<br />

East Sussex. Sarah Boughton<br />

GHOST PUB #42: THE SPREAD EAGLE, 23 CLIFFE HIGH STREET<br />

The Spread Eagle had a short, but eventful, history. From 1826 no.23 Cliffe<br />

High Street had been owned by a tailor called Povey, who ran his business<br />

from there. However, during the 1850s and 1860s this building became the<br />

Spread Eagle beershop. William Thorpe ran this establishment for many years,<br />

and in 1857 he was summoned to court for allowing a riot to occur. In fact the<br />

chemist next door stated that ‘since Thorpe had kept the house there had been<br />

continual riots.’ Thorpe himself was involved in the rioting that night, and it<br />

was not the only occasion he was in court for fighting. Amazingly he remained<br />

in charge of the Spread Eagle for many years, leaving around 1865 to run a<br />

beershop in Fletching. In 1867 George Moore was charged with breaking four<br />

panes of glass at the Spread Eagle, whilst in a state of ‘elevation’. On his arrest<br />

he was found to have a loaded gun on him. He boasted that he would never allow a policeman to take<br />

him. However, the Sussex Advertiser noted that PC Elsey had ‘very little difficulty in securing him’. Shortly<br />

after this episode, the Povey family returned to 23 Cliffe High Street to run their tailoring business. They<br />

remained there until as late as the 1970s, with the passageway running through the side of the building being<br />

known as Povey’s Passage. One can still see that passageway today. Mat Homewood<br />

20


ANNA CAMPBELL<br />

As we were going to press we heard about the<br />

tragic death of 26-year-old <strong>Lewes</strong>ian Anna<br />

Campbell in Syria.<br />

Anna decided in May last year to go to Syria<br />

to fight for an all-female unit of the Kurdish<br />

army against ISIS. When that unit was transferred<br />

to another front, after Turkish forces<br />

commenced an offensive against the Kurds in<br />

Northern Syria, it appears that Anna ignored<br />

advice from her comrades to return home,<br />

opting to continue fighting alongside them.<br />

Anna was the daughter of former <strong>Viva</strong> columnist,<br />

the late Adrienne Campbell, and her<br />

husband Dirk Campbell, who has also contributed to the magazine. We’d like to pay tribute to Anna’s<br />

enormous bravery, and send our sincere condolences to her family and friends.<br />

21


BITS AND BOBS<br />

CLOCKS OF LEWES #17: RINGMER VILLAGE HALL<br />

Words. Ringmer Village Hall has<br />

the name of the venue in upper<br />

case on one of its two grand<br />

gables. On the other is a clock<br />

face. Words play a further role<br />

here, with a plaque immediately<br />

below the clock. This tells us that<br />

‘This clock was erected 20th November<br />

1984 in memory of Miss<br />

Dorothea Courthope Spinster<br />

and Benefactress of this Parish 1952 – 1982.’<br />

Local historian John Kay explains, ‘1952 was when<br />

she moved to South Norlington House, Ringmer,<br />

not when she was born. She spent her youth in<br />

London and then, after her father's retirement, in<br />

Wadhurst & Ticehurst.’ Full name Emily Mary<br />

Dorothea Courthope, she was born in London, in<br />

December 1887, though her<br />

family was from Sussex.<br />

The village hall itself dates<br />

from 1891. Previously, there<br />

was a charity school on the site.<br />

When education became compulsory<br />

in England in 1880, this<br />

proved too small and the new<br />

school was built down the road.<br />

A donation from Dorothea<br />

enabled an extension to the hall in 1974. After her<br />

death, her remains were cremated; there's a memorial<br />

at St Mary Ringmer. The clock was installed<br />

in 1984 and it forms part of a wonderful array that<br />

encircles Ringmer Green: St Mary, the millennium<br />

clock, the cricket pavilion.<br />

Daniel Etherington, with thanks to John Kay<br />

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22


BITS AND BUDS<br />

GARDEN SHOW TICKET COMPETITION<br />

The Garden Show returns to Firle from Friday 20th<br />

to Sunday 22nd of <strong>April</strong>, and we’ve got three pairs<br />

of tickets, or three family tickets (please state which<br />

you want) to give away to three lucky winners of this<br />

competition.<br />

The annual show is a springtime jamboree celebrating<br />

all things garden, including: specialist growers, artisan<br />

and craft designers, homewares, garden furniture,<br />

fashion and country food. There’ll be a funfair, birds<br />

of prey, archery, face painting, jester juggling, puppet<br />

shows and a pirate treasure hunt.<br />

To go into the draw for the tickets, please send the<br />

answer to this question to admin@vivamagazines.com<br />

by <strong>April</strong> 10th; please address the message ‘Garden<br />

Show Competition’. Which spring flower has the<br />

Latin species name ‘tulipa gesneriana’? For Ts and Cs<br />

please see vivalewes.com. Good luck!<br />

• Antique and new jewellery<br />

• Silverware<br />

• Watches<br />

• Repairs<br />

• Valuations<br />

23


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PHOTOGRAPHY<br />

CARLOTTA LUKE<br />

GHOST SIGNS<br />

Ghostly reminders of <strong>Lewes</strong>’ commercial past<br />

are writ large on walls around town, and Carlotta<br />

Luke has been collecting them up, to fit her<br />

photo column in with this month’s theme. And<br />

so, clockwise from top left, we have: the proud<br />

sign of a former printer; a cigarette advert for<br />

a brand that no longer exists; a notice for an<br />

‘engineer and general smith’; the lettering<br />

announcing the premises of a coal merchant,<br />

and a former sports shop. But can you name the<br />

streets the signs are in? Answers on pg 3.<br />

carlottaluke.com<br />

25


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COLUMN<br />

David Jarman<br />

Silence is golden<br />

Two recent outings to the cinema both seemed<br />

to relate to this month’s <strong>Viva</strong> theme of ‘The<br />

Word’, albeit in diametrically opposed ways.<br />

The one thing that Ingmar Bergman’s Scenes<br />

from a Marriage and Abel Gance’s 1927 silent<br />

epic, Napoléon really have in common is their<br />

immense length. Bergman’s film clocks in at 168<br />

minutes, but what I saw was a special screening<br />

at the BFI of the original, much longer version<br />

made for Swedish TV. This has a total running<br />

time of 296 minutes. It started at one o’clock<br />

on a Saturday afternoon with an introduction<br />

by the Russian director, Andrey Zvyagintsev,<br />

in London to promote his new, magnificently<br />

bleak film Loveless. With a one-hour break in the<br />

middle, and a 15-minute breather towards the<br />

end, we were eventually allowed to return to our<br />

homes shortly after 7.30.<br />

Very little happens in this study of the marriage<br />

of Johan and Marianne, played by Erland<br />

Josephson and Liv Ullmann. There are a couple<br />

of minor characters, but Johan and Marianne<br />

completely dominate the drama. In two of the<br />

six 50-minute TV episodes they are the only<br />

characters. And what do they do? They talk.<br />

You might say it’s ‘words, words, words’ all along<br />

the way, but the densely detailed scripts are so<br />

lifelike and the acting so brilliant that the whole<br />

thing was totally riveting.<br />

Napoléon was an even longer film, but equally<br />

absorbing. It was shown at the Depot on<br />

Sunday, 18 February. And even though it runs<br />

for 333 minutes it still only takes Napoléon<br />

Bonaparte’s story up to 1797. The only<br />

problem with this silent film were the<br />

words – the intertitles, translated into<br />

English. (I say the ‘only problem’, although<br />

personally I would have preferred it to<br />

have been screened without the Carl<br />

Davis score. I agree with David Thomson, citing<br />

Gilbert Adair’s plea, derived from the screening<br />

policies of Henri Langlois, that ‘silent pictures<br />

should stay silent’. And perhaps the introductions<br />

to silent classics should be silent as well.) But back<br />

to those intertitles, sometimes unintentionally<br />

funny, sometimes just bathetic.<br />

So a key character is introduced along the lines<br />

of ‘beautiful, if amoral, she was a woman of easy<br />

manners and a talented musician’. A tavern scene<br />

begins with the announcement: ‘At the Moulin<br />

du Roy where politics is King’. Or perhaps that<br />

should have been ‘Emperor’. Elsewhere we are<br />

informed: ‘A game of chess was bound to attract<br />

two strategists like Bonaparte and Hoche’. This<br />

could easily be the caption to a Glen Baxter<br />

cartoon. Returning to his native Corsica,<br />

Napoléon learns of a dastardly plot to sell the<br />

island to Perfidious Albion. “What will you do?”,<br />

he is asked. “Take action, mother”, his reply.<br />

Still in Corsica, but in more reflective mood,<br />

‘He went every day to discuss the future with<br />

his friend, the ocean’. Back in Paris, he puts the<br />

fruits of those discussions into practice. “What<br />

is that noise?” someone asks. “It is Bonaparte<br />

entering History again”, they are told.<br />

Still, a great film<br />

which I’d never<br />

seen before.<br />

Thank you Depot.<br />

27


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COLUMN<br />

Chloë King<br />

...ditches plastic<br />

If you’d told teenage me<br />

that by my mid-thirties<br />

I’d get cheap thrills from<br />

accepting disposable coffee<br />

cups at the supermarket I’d<br />

have said, “don’t be stupid”<br />

through a cloud of Camel<br />

smoke. Yet, here I am, my<br />

takeaway beverage having<br />

reached new experiential<br />

heights.<br />

It’s unnecessary. It’s antisocial.<br />

It feels as though I’m<br />

clutching on to a tiny bit<br />

of that wonderful pre-Blue<br />

Planet devil-may-care consumer satisfaction.<br />

A local campaign group called Plastic Free <strong>Lewes</strong><br />

is gaining momentum. They have meetings, posters,<br />

ideas. As I write there’s an online discussion<br />

about whether to build or borrow a recycling<br />

machine that functions like an apple press for<br />

Waitrose ready meal cartons.<br />

The group formed in January, after a rallying cry<br />

screening of Plastic Ocean at the Depot. The initial<br />

thought was to target something specific but, <strong>Lewes</strong><br />

being <strong>Lewes</strong>, it soon became clear we wanted a<br />

multi-pronged attack. There are now eight subgroups<br />

looking at ways to tackle plastic waste from<br />

different perspectives: from schools and supermarkets<br />

to drinking water and waste disposal.<br />

Whatever they’re doing, it’s catching. On the<br />

school run, I see parents stand around Hannah’s<br />

Van holding neon bamboo cups from Popsicle. I’m<br />

just about keeping myself suitably charged from<br />

my Bodum cafetière to ensure that four-monthold<br />

doesn’t sleep for more than two hours at a<br />

time. Except she has tonight, so I’m writing this<br />

with my head next to her cot to make sure she’s<br />

still breathing.<br />

She had her vaccinations today and unhelpfully<br />

she slept through what<br />

should be her second dose<br />

of Calpol. I inspect the<br />

sticky single-use syringe<br />

and wonder what the<br />

future may hold. By 2025,<br />

will Boots stock giant vats<br />

of Calpol that desperate<br />

parents can help themselves<br />

to from a tap? It will be like<br />

Willie Wonka’s chocolate<br />

factory care of big pharma.<br />

Our bathrooms will look<br />

pretty. We can store our<br />

analgesics in bevelled-edge<br />

recycled glassware from Flint.<br />

The long and short of this is how helpless one<br />

feels when confronted by such a huge systemic<br />

problem as waste plastic. A carrier bag is easy to<br />

substitute, but it’s hard to find data measuring<br />

the impact of the plastic handles in the jute bag<br />

you replaced them with. A poster for Plastic Free<br />

<strong>Lewes</strong> says we’ve produced more plastic in the last<br />

ten years than we did in the previous century. The<br />

more you inspect the objects around your home,<br />

the more overwhelming becomes the thought of<br />

going without.<br />

Is Zero-Waste living something like bivouacking<br />

in consumer society? Dependent on insider<br />

knowledge, hacks and tricks to circumvent or<br />

replace the products like Calpol? I find Facebook<br />

groups abuzz with questions from eager converts<br />

exclaiming things like, “I love reading, but it feels<br />

like such a waste of paper”. Still, over weeks, I find<br />

this nagging guilt is subtly altering my behaviours.<br />

I rebooted my veg box; bought lentils in a paper<br />

bag; rediscovered ebay and ponced my auntie’s<br />

Soda Stream. One thing I realise, however: it’s<br />

not enough to buy cloth nappies, you need to use<br />

them too.<br />

Illustration by Chloë King<br />

29


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ON THIS MONTH: LITERATURE<br />

Victorians Undone<br />

Author-historian Kathryn Hughes<br />

“We have this slack idea<br />

that the Victorians were so<br />

very prudish and po-faced<br />

and out of touch with their<br />

bodies, that they didn’t<br />

really exist between their<br />

chins and their toes.” So says<br />

Kathryn Hughes, author of<br />

biographies of George Eliot<br />

and Isabella Beeton, who<br />

has just seen her latest book,<br />

Victorians Undone, published<br />

in paperback.<br />

“This was far from being<br />

the case. The reality was<br />

that they were living five to a room… working on<br />

factory benches, walking on ever-more crowded<br />

pavements, so their noses were constantly jammed<br />

into their neighbours’ armpits.”<br />

It follows that the Victorians must have been hyperaware<br />

of the bodies around them, she argues. And,<br />

of course, of their own. So what we perceive of as<br />

prudery and decorum is merely etiquette: “methods<br />

of speaking and carrying yourself in order to negotiate<br />

situations which would otherwise have been<br />

unbearably embarrassing.”<br />

The book has five sections, each of which focus<br />

on the body parts of different Victorians, eminent<br />

or otherwise. Thus we have chapters entitled<br />

‘Lady Flora Hastings’ Belly’; ‘Charles Darwin’s<br />

Beard’; ‘George Eliot’s Hand’; ‘Fanny Cornforth’s<br />

Mouth’, and ‘Sweet Fanny Adams’. Each section,<br />

by focussing on the protagonist in question’s<br />

body part, attempts to explore what it felt like to<br />

be them, in the sort of warts-and-all detail that<br />

historical accounts would normally by-pass.<br />

The five sections have been boiled down from<br />

a shortlist of twenty. “I worked on one section<br />

- about the fact that Elizabeth Barrett Browning<br />

was mixed race - for<br />

a year,” she says, recalling<br />

her fascination of realising<br />

that this carried little social<br />

stigma in Barrett Browning’s<br />

lifetime; it wasn’t until the<br />

latter half of the century<br />

that attitudes on race became<br />

less progressive. “But<br />

the chapter didn’t make the<br />

cut, because I realised the<br />

story had already been told.<br />

I wanted my stories to be<br />

fresh and from completely<br />

new sources.”<br />

The book was eight years in the making, which<br />

means that while Hackney-based Kathryn was<br />

researching the Victorian trend for growing<br />

enormous beards – think Darwin, think Tennyson,<br />

think Ruskin - all the young hipster men around<br />

her started sporting their own. “I find it absolutely<br />

fascinating that it seems like a different world, but<br />

actually it’s not,” she says, “and it’s that balance<br />

that makes it so appealing.”<br />

All this required countless hours in archives and<br />

museums, fishing for salient facts she could use in<br />

her stories. “Nothing beats that feeling [of finding<br />

something]. You find yourself squealing with<br />

joy, and then you realise that you shouldn’t have,<br />

because of where you are.” And she was constantly<br />

surprised by what she found. “Human passions<br />

and emotions were pretty much the same then as<br />

they are now, of course. But they are expressed in<br />

different ways through different codes and behaviour.<br />

It’s very interesting, just when you think you<br />

recognise everything, the Victorians throw you a<br />

curve ball and it’s a different world altogether.” AL<br />

Kathryn is the last guest in the <strong>Lewes</strong> Literary Society’s<br />

2017/18 season, All Saints, <strong>April</strong> 24th, 7.45pm<br />

31


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ON THIS MONTH: MUSICAL<br />

Chess<br />

Political pawns<br />

It’s 1984. US president<br />

Ronald Reagan is<br />

cracking jokes about<br />

bombing Russia.<br />

There’s political tension<br />

between West and<br />

East. The CIA and the<br />

KGB are spying on<br />

each other. And Chess,<br />

an allegorical musical<br />

about international<br />

rivals, has just been announced by the unlikely<br />

triumvirate of Benny Andersson, Björn Ulvaeus<br />

and Tim Rice. Their concept album heads into<br />

the top 40 and the subsequent West End show<br />

opens in 1986.<br />

Three decades later, the musical is about to be<br />

revived on the London stage... but not before<br />

<strong>Lewes</strong> gets its own production, courtesy of the<br />

LOS Musical Theatre company. Andy Freeman,<br />

who’s directing the local version, allays any<br />

worries about the plot. “You don't need to know<br />

about the game of chess”, he tells me. “If someone's<br />

coming along, expecting to be confused by<br />

‘Knight to Bishop's Pawn Three’ or something<br />

like that, they're not going to be.”<br />

Although the story is packed with comparisons<br />

between chess playing and political machinations,<br />

it’s actually a love story connecting<br />

American chess whizzkid Freddie Trumper, his<br />

assistant Florence Vassy, Russian champion Anatoly<br />

Sergievsky and the family he’s left at home.<br />

“It's a love triangle that pretty much spreads<br />

into a love square, if you can have such a thing”,<br />

Andy explains. “Underlying everything is the<br />

partisanship of the Americans, of the Russians,<br />

and the puppet-masters pulling the strings of<br />

their players.”<br />

Back in the 1980s, the Cold War was a genuine<br />

threat to peace and<br />

the Berlin Wall was<br />

dividing that city.<br />

Does Chess still have<br />

relevance to the 21st<br />

century? “There is<br />

always something going<br />

on somewhere in<br />

the world where one<br />

country is playing off<br />

against another”, Andy<br />

says. “Big countries, big organisations, they still<br />

use their athletes, their chess players, whoever, to<br />

their own ends.”<br />

The music has also aged well, thanks to the<br />

partnership of Benny and Björn – best known<br />

as the guys from ABBA – and the storytelling of<br />

lyricist Tim Rice. “There's some cracking stuff<br />

in it, some beautiful music”, Andy explains. “It's<br />

picked up the flavour of the 80s but there's other<br />

stuff there that would sit happily in any musical<br />

written today. Some of the choral pieces are<br />

almost classical.”<br />

As well as singing the praises of the performers,<br />

Andy is equally enthusiastic about Liz Allsobrook’s<br />

“stunning” set design. “We're doing it<br />

as a black stage, which is one of my trademarks,<br />

and we've just got white cubes that we will move<br />

around – half a dozen big ones, half a dozen little<br />

ones – they can be beds, they can be tables, they<br />

can be a desk in a TV studio or whatever. For<br />

the first time we also have this whizzy backdrop<br />

that is a flexible LED screen.”<br />

And what about that rival production from English<br />

National Opera? “I shall go and see it. See if<br />

they can get anywhere near ours. We don't feel<br />

threatened!” Mark Bridge<br />

Chess runs from 10th – 14th <strong>April</strong> <strong>2018</strong> at the<br />

Town Hall. losmusicaltheatre.org.uk<br />

33


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ON THIS MONTH: THEATRE<br />

L-R: Georgia, Maya and Sergio<br />

Shakespeare...<br />

...but not as you know it<br />

“I’ve downloaded a playlist of what Hamlet<br />

would have listened to, and it gets me into the<br />

mood of what it’s like to be him.” So says Sussex<br />

Downs Performing Arts student Maya Cooper,<br />

who is playing the lead in Shakespeare’s most<br />

performed tragedy, at The Old Market this<br />

spring. So what would the Danish Prince have<br />

listened to, if he lived in the iPhone era? “It’s all<br />

a bit depressing,” continues Maya. “This morning…<br />

Digital Druglord.”<br />

I’m sitting in a classroom at Sussex Downs’<br />

<strong>Lewes</strong> campus, with Stan (Andrew Stanley), a<br />

Performing Arts lecturer, and three students,<br />

each playing a role in the three Shakespeare<br />

plays showing on consecutive nights at The Old<br />

Market in Hove, <strong>April</strong> 24th-26th. Sergio McKellen<br />

is playing Ferdinand in The Tempest, and<br />

Georgia Cudby is playing Lear in Lear.<br />

Note the lack of ‘King’ in that last title. Seventy<br />

percent of the students on the course are female,<br />

which gives the three lecturers, each of whom<br />

is directing one of the plays, the chance to play<br />

around with genders when assigning roles. “It<br />

makes the role very interesting,” says Georgia.<br />

“If you think about Lear as a mother, then she<br />

breaks the unbreakable maternal bond with her<br />

daughters, which is very powerful.” “Hamlet being<br />

female makes the affair with Ophelia very interesting,”<br />

says Maya, “and perhaps explains some<br />

of Polonius’ hostility towards the relationship.”<br />

Sergio auditioned for Miranda as well as Ferdinand,<br />

and would have happily played either part.<br />

“I see Ferdinand as being under a spell the whole<br />

play through,” he says. “First he’s under a literal<br />

spell from Ariel, then he’s in love with Miranda.<br />

That’s how I’m interpreting the role. I love The<br />

Tempest, it’s my favourite Shakespeare play. I love<br />

its fantasy and magic.”<br />

As you can imagine, the students are 100%<br />

committed to getting what they can out of the<br />

experience, hence Maya’s Hamlet playlist. To get<br />

into character Sergio finds himself miming his<br />

lines on the bus in the morning (“everyone looks<br />

at me oddly”); Georgia recites her lines to her<br />

dog. And they’ve all grown to love Shakespeare’s<br />

work. “I used to hate Shakespeare when I studied<br />

it in English at school,” says Maya. “But as soon<br />

as you get to perform his work, you understand<br />

it better and you realise how great it is. The<br />

stories are amazing, the characters are so real,<br />

and the language is so rich.”<br />

The plays are the culmination of the students’<br />

two-year Performing Arts course, and playing at<br />

The Old Market, in front of a paying audience,<br />

is quite a challenge. “Earlier in the year the<br />

students had to perform pantomimes at up to<br />

three primary schools a day,” says Stan. “This is<br />

a completely different side of acting, it’s teaching<br />

them a whole new set of skills.” “When you can<br />

do Shakespeare,” says Georgia, neatly finishing<br />

things off, “you can do anything.”<br />

Alex Leith<br />

The Tempest, <strong>April</strong> 24th; Lear 25th, Hamlet 26th<br />

at 7pm, tickets £5/£4 theoldmarket.com<br />

35


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ON THIS MONTH: FOOTBALL<br />

Come on you Rooks!<br />

Chanting at the Pan<br />

The thought of a<br />

<strong>Lewes</strong> Ultra doesn’t<br />

exactly strike fear<br />

into your average<br />

seasoned hooligan.<br />

But even at The<br />

Dripping Pan, we<br />

have an ‘element’, a<br />

small batch of singing<br />

veterans, ready<br />

to spit bars to get<br />

behind the boys in red and black.<br />

I have started a fair few chants in my ten years on<br />

the terraces. Some of the best are the most idiosyncratic.<br />

There Is a Light that Never Goes Out was<br />

a firm favourite in those desperate twilight years<br />

when the club seemed to be hitting the wall, until<br />

someone rightly pointed out that the late noughties<br />

were painful enough as a <strong>Lewes</strong> fan without<br />

throwing in additional Morrissey.<br />

Of course, there have been many rough and ready<br />

chants giving it large to the away contingent or<br />

one of the opposition players expecting a 9.5 from<br />

the Russian judge for a spectacular front somersault<br />

on the edge of the penalty area. Most are<br />

unrepeatable here, or else my asterisk key might<br />

pass out.<br />

“Oh when the Rooks, go steaming in, Oh when<br />

the Rooks go steaming in, I wanna be in that number”<br />

goes another famous tune, albeit with <strong>Lewes</strong><br />

variations such as “Oh when the Rooks are laying<br />

their eggs” or “Oh when the Rooks s**t on your<br />

car” - it's rather educational, and only a David Attenborough<br />

narration away from being a product<br />

of the BBC’s Natural History Unit.<br />

My favourite ever <strong>Lewes</strong> match also coincides<br />

with my favourite banterous exchange with away<br />

fans. Losing 2-0 after fifteen minutes against<br />

high-flying Dover<br />

Athletic on Boxing<br />

Day 2009, the<br />

heavily refreshed<br />

Athletic fans were<br />

singing a festive<br />

“Jingle bells, jingle<br />

bells, jingle all<br />

the way. Oh what<br />

fun it is to see Dover<br />

win away”. By<br />

half time we were winning 3-2… “Two-nil and<br />

you f****d it up”. We won 6-2.<br />

Over 70 Barrow fans made the trip down in 2007<br />

and delighted us with their world famous “Shoes<br />

off if you love Barrow”. You haven't lived until you<br />

have seen a couple of dozen Cumbrian stalwarts<br />

waving their size nines at the footie.<br />

Given that the Rooks are back on the up, seemingly<br />

heading towards promotion, this creates new<br />

challenges. Many new faces have turned up, whilst<br />

a decade of turmoil has seen many depart. This<br />

season, despite an electric atmosphere as Darren<br />

Freeman’s boys put in a wonderful shift, the singing<br />

has been more subdued.<br />

Spooky, a fan who has been there through thick,<br />

thin and non-existent, still tries to rev up the<br />

crowd in the Philcox but a gentrified club leads<br />

to a gentrified (and slightly sanitised) repertoire<br />

of safe options. “Come on you Rooks”, “Come on<br />

<strong>Lewes</strong>” and “<strong>Lewes</strong>”. It's like Mary Whitehouse is<br />

in charge.<br />

Things will change. Newly emboldened supporters<br />

will take up the mantle and sing ditties<br />

that confuse and confound, delight and distress,<br />

surprise and make you smile. It's not terribly sophisticated<br />

but it's artistic expression. “Come and<br />

join us over here…” Chris Mason<br />

Photo by James Boyes (Chris Mason centre of pic in blue t-shirt with pint)<br />

37


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ON THIS MONTH: CINEMA<br />

Film '18<br />

Dexter Lee's cinema round-up<br />

Alfred Hitchcock’s film career started as far back<br />

as 1920, as a film-title designer, and by 1922 he’d<br />

graduated to being a director. His early works are<br />

rarely screened, but Depot Cinema are bucking<br />

that trend in <strong>April</strong>. First up, on <strong>April</strong> 1st we’ve got<br />

his full-length directorial debut, The Pleasure<br />

Garden (above), a 1925 silent movie in which you<br />

can play spot-the-future-Hitchcock-motif. It’ll<br />

be shown at the Sunday 2pm slot on Screen One,<br />

which is becoming something of a club for film<br />

aficionados. On Tuesday 3rd there’s The Lodger,<br />

a 1927 murder-hunt movie, the first to feature<br />

Hitchcock in a cameo role, which is accompanied<br />

by a live score on piano and violin; on the 8th<br />

(Sunday 2pm again, see you there, guys) we’ve got<br />

Blackmail, made in 1929 and often cited as Britain’s<br />

first talkie. Imagine how exciting an event that must<br />

have been in its time. Fits our theme, too.<br />

Easter Monday (2nd) is World Autism Awareness<br />

Day, and there are activities for children on the<br />

autistic spectrum, and their siblings, before and<br />

after the screening of Peter Rabbit (1pm); in the<br />

evening there’s an autism-friendly singalong screening<br />

of The Greatest Showman, to which everyone<br />

is welcome.<br />

The ‘Every Picture Tells a Story’ strand invites<br />

viewers to watch a film and afterwards join a discussion<br />

about the way it’s been adapted from the book<br />

it was based on: this month (4th) it’s Gentlemen<br />

Prefer Blondes, starring Jane Russell and Marilyn<br />

Monroe, both at the height of their acting powers.<br />

Oscar winning short film The Silent Child, about<br />

a girl who can’t communicate until she learns to<br />

sign, is being shown on the 16th. Which is a good<br />

point to remind everyone that on Mondays all the<br />

Depot’s films (if they come with that facility) are<br />

caption screenings, meaning both the dialogue and<br />

audibles (‘telephone rings; ‘Beethoven plays in the<br />

background’, etc) are titled.<br />

Back to that Sunday afternoon slot: starting on the<br />

22nd, with The Good, the Bad and the Ugly,<br />

there’s a trilogy of Sergio Leone ‘Spaghetti Westerns’.<br />

Once Upon a Time in the West follows on<br />

the 29th, with A Fistful of Dynamite providing<br />

an explosive finish on May 5th. This film, aka Duck,<br />

You Sucker, set in early twentieth-century Mexico,<br />

is often given the ‘underrated’ tag, by those in the<br />

know. All three films, of course, feature scores by<br />

Ennio Morricone.<br />

We’ll finish with mention of three hard-hitting<br />

documentaries. The Island and the Whales (from<br />

4th) takes the viewer to the Faroe Islands looking<br />

at the annual slaughter of whales by the locals.<br />

Even When I Fall (20th) and Namaste (25th),<br />

meanwhile, are both set in Nepal: one looks at the<br />

traumatic homecoming of a group of kidnapped<br />

youngsters; the other sees a British doctor, Kate<br />

Yarrow, following the difficult journeys made by<br />

people seeking medical attention in the Himalayas.<br />

There’s a Q&A with Kate afterwards.<br />

39


ON THIS MONTH: GARDEN SHOW<br />

A cut above<br />

Say it with British flowers<br />

“People are interested in the<br />

provenance of their food: in<br />

where their meat was reared<br />

and where their vegetables<br />

were grown. But somehow<br />

when it comes to flowers, it<br />

hits a blind spot,” says Sussex<br />

flower nurseryman Ben Cross.<br />

“Did you know that 90% of<br />

flowers bought in the UK<br />

were grown outside it, in<br />

places like Colombia, Kenya<br />

and Cambodia, then filtered<br />

through Holland?”<br />

Ben’s family have been growing<br />

flowers in West Sussex<br />

since the 30s, and their Crosslands<br />

Flower Nursery has<br />

been at its current site, in Walberton, since 1957.<br />

“We grow many different types of Alstroemeria,<br />

or Peruvian Lily,” he explains, as we walk between<br />

beds full of fresh-smelling upright green plants<br />

inside a large greenhouse, one of a number in the<br />

three-acre nursery. Those in flower have been<br />

harvested earlier in the day, he explains, then finds<br />

a flower head that's since revealed itself, a little<br />

burst of tiger-striped pink and yellow.<br />

“There used to be a lot of flower nurseries round<br />

here, because the climate and soil are perfect<br />

between the Downs and the sea,” he continues.<br />

“When my great grandparents started the business<br />

up, Britain was pretty much self-sufficient in<br />

flowers. Then came the rise in the supermarkets,<br />

and the figures have inverted. This is the only<br />

year-round nursery in Sussex producing a full<br />

colour range.”<br />

Ben has become something of a spokesman for the<br />

industry, giving explanatory tours of his nursery<br />

and talks at garden shows to educate people about<br />

the benefits of buying local: “if<br />

you buy from us you know that<br />

the people who cut the flower<br />

stems will have been paid a decent<br />

wage; you know the flowers<br />

- and their packaging - won't<br />

have been sprayed with chemicals<br />

to keep them from wilting<br />

while they are being shipped<br />

around the world. What’s more<br />

home grown flowers are likely<br />

to have bigger, more robust<br />

heads and be more vibrantly<br />

coloured. They are also likely to<br />

stay fresh for much longer after<br />

you buy them.”<br />

I get a whistlestop tour of the<br />

whole operation, which is a<br />

remarkably simple affair. In its heyday it employed<br />

up to 30 people; nowadays Ben has six people<br />

working for him. With the traditional supermarkets<br />

tending to shun British products, Ben has had<br />

to find new outlets: “people who care about where<br />

the flowers come from, basically,” he says. “As<br />

well as many independent florists, there's a stall<br />

in the Brighton and Hove vegetable market I sell<br />

to; the ethical supermarket HISBE in Brighton<br />

stock them; Spitalfields Market still deal in British<br />

flowers; we're selling more and more to individual<br />

clubs and pubs and private businesses.” His flowers<br />

go UK-wide, and it's not surprising word is<br />

spreading: “you don't have to pay any more for the<br />

guarantee of freshness, quality and sustainability<br />

you get from a local product. British flowers rock,<br />

basically.” Alex Leith<br />

Ben will be talking about the British Cut Flower<br />

industry at the Garden Show at Firle Place, 1.30pm<br />

Sunday 22nd (show starts Fri 20th) / thegardenshowonline.com.<br />

Also see pg 23.<br />

41


Axel Hesslenberg<br />

Capturing Charleston<br />

Last year was my tenth year<br />

photographing the Charleston<br />

Festival. I always liked to<br />

read, and this combination of<br />

literature and the house and<br />

the garden attracted me. You<br />

don’t have to be a Bloomsbury<br />

aficionado to feel that it’s a place<br />

of great creativity. The authors<br />

who come to speak really<br />

connect with the place. They<br />

are quite often used to working somewhere alone,<br />

locked away, but to see them in the green room,<br />

sitting around the kitchen table chatting with<br />

other writers... it’s a special atmosphere, a great<br />

place to be a fly on the wall.<br />

Once I meet them I begin to think where<br />

I’d like to photograph them. The house is<br />

very important and makes for an incredible<br />

backdrop, so I usually photograph in landscape<br />

format to ensure that it’s included. I can’t tell you<br />

everything about the history of the house, but<br />

visually I know it very well.<br />

I’ve photographed actors, artists, writers and<br />

performers at Charleston. You get wonderful<br />

rewards working with creative people. One of my<br />

favourite portraits is of Tom Stoppard. I wanted<br />

to photograph him in Duncan Grant’s studio<br />

because he creates plays, starting with a blank<br />

page and filling it, like an artist. I photographed<br />

Ian McEwan in the library against the beautiful<br />

black wall. It made sense to photograph him<br />

surrounded by books. Colm Tóibín appears<br />

brooding in his portrait, looking directly into<br />

the camera, but he’s a consummate entertainer,<br />

a wonderful storyteller. I photographed the<br />

Canadian author Madeleine Thien in Vanessa<br />

Bell’s bedroom because she was moved by Bell’s<br />

life and work. She was quite in awe, touched by<br />

the house. Another favourite was<br />

Richard Ford (below right). He’s<br />

one of America’s best authors<br />

but a quiet, well-spoken man.<br />

His quietness comes across in<br />

the image.<br />

There are often a lot of<br />

people around, and I have to<br />

carve out the opportunity.<br />

The image of Fiona Shaw<br />

(above right) was made with ten<br />

people around her in the small kitchen. I stole<br />

the photo in a moment when she was framed<br />

against the grey door. I like to photograph in the<br />

kitchen. There is an old fridge that I like to use<br />

as a backdrop for what I call ‘British icons’. I’ve<br />

photographed the likes of Alan Bennett, Joanna<br />

Lumley and Maggi Hambling there.<br />

I have been particularly impressed with the<br />

older generation of writers. They have a great<br />

deal to say and stories that are grounded in<br />

experience. PD James was so active and engaged,<br />

to think that she has since left us is strange.<br />

As well as the portraits, I have tried to capture<br />

what is special about the festival. It’s about the<br />

audience and the person on stage who holds their<br />

attention, and the whole world is there to discover<br />

because the subjects are so varied. At the book<br />

signing table it’s wonderful to see the authors<br />

engaging with their readers. I’ve seen six or seven<br />

school kids standing there with Ali Smith and<br />

she says, ‘ask me a question’. Sure, they ask ‘what<br />

is your favourite book?’ but the conversation<br />

leads somewhere else. There are these great story<br />

tellers in this special environment and you don’t<br />

have to be in awe. As told to Lizzie Lower<br />

See more of Axel’s works at thepebbles.com. The<br />

29th Charleston Festival runs from the 18th to the<br />

28th of May. charleston.org.uk/festival<br />

42


PHOTOGRAPHY<br />

Photos © Axel Hesslenberg<br />

Richard Ford, Charleston Festival 2017<br />

Fiona Shaw, Charleston Festival 2015<br />

43


Photo by Sam Moore<br />

John Hamilton<br />

Penguin Essentials Art Director<br />

20 Years of Penguin Essentials at Ditchling<br />

Museum of Art + Craft is a collection of 100<br />

book covers brought together by esteemed Art<br />

Director John Hamilton. The show runs until<br />

29th <strong>April</strong>, in partnership with their Elizabeth<br />

Friedlander exhibition that includes her ornate<br />

re-workings of the Penguin logo for the<br />

publisher’s 25th Anniversary.<br />

The Essentials were never intended as a formal<br />

body of work, says John, but reviewing them in<br />

curating the show has revealed something of a<br />

‘holding look’.<br />

The full collection of over 150 titles grew out of<br />

his idea to bring special editions of modern literary<br />

classics to a new generation of book buyers.<br />

They encapsulate the major overhaul John has led<br />

at Penguin since he joined twenty years ago - a<br />

period of change that offered the chance to throw<br />

away the design conventions of his predecessors.<br />

“When I started, they basically said: ‘you’ve got<br />

a free hand to do what you want,’” says John. “I<br />

looked at the backlist - Kerouac, Orwell - it was just<br />

mind-blowing. I thought, how do we sell this to a<br />

new young audience?”<br />

The answer was to pair famous titles with young,<br />

punky artists and designers whose work John found<br />

in magazines like ID, The Face and on album covers.<br />

A commission for design agency Intro off the<br />

back of their work for Primal Scream helped to<br />

consolidate the approach. “I thought, this is the way<br />

forward,” says John. “I sat down with my designers<br />

and said, ‘we’ve got to do this differently.’”<br />

The net was cast wider and wider, to include<br />

tattooists and street artists like Banksy and Cleon<br />

Peterson. “The internet,” says John, “for me, it was<br />

like a painter having four colours and then all of a<br />

sudden 200.”<br />

“I wanted to press buttons with a whole new<br />

audience, so we got Stanley Donwood when he was<br />

doing OK Computer, and Banksy…”<br />

The cover Banksy created for Nick Cave’s And<br />

the Ass Saw the Angel features a reworking of the<br />

Penguin logo exhaling flames that John just slipped<br />

through the eight-person approval process.<br />

44


ON THIS MONTH: ART<br />

Banksy<br />

UNGA<br />

“In 20 years of Penguin it’s probably one of my<br />

finest moments - it’s such a good brand, you can<br />

play with it.”<br />

I ask whether the artists read the books but,<br />

surprisingly, John tells me he didn’t encourage<br />

it. “I wanted to take the narrative out… The<br />

idea was to get something eye-catching, iconic,<br />

immediate.”<br />

“If you’re going to someone like Banksy or Intro,”<br />

he says, “I can’t give them a brief, because that’s<br />

not what they do. All I can say is that I can tailor<br />

where I think we should be pitching our ball.”<br />

The unsung skill of a great Art Director is<br />

finding the right person for the job, which, for<br />

John, is usually someone with an individual<br />

and challenging style. “I want a cover to look<br />

completely unique,” he says. “If it was going<br />

to look like a book jacket, I’d get a book jacket<br />

designer to do it.” Chloë King<br />

ditchlingmuseumartcraft.org.uk<br />

There will be ten new Essentials published by<br />

Penguin on the 7th June.<br />

Angie Lewin<br />

45


Now We Are 7<br />

present<br />

CHAN GE<br />

DIS RUPT<br />

Jules Mitchell<br />

Katy Oxborrow<br />

Louise Michele Evans<br />

Lyn Dale<br />

Marie Ford<br />

Nikki Davidson-Bowman<br />

Stephanie Grainger<br />

Saturday 7 – Friday 27 <strong>April</strong> • 12–5pm • Thu–Sun<br />

Private View • Friday 6 <strong>April</strong> • 6pm<br />

This exhibition is sponsored by a generous donation from the Chalk Cliff Trust<br />

www.martyrs.gallery


ART<br />

ART & ABOUT<br />

In town this month<br />

In 2016, women’s art collective Now We<br />

Are 7, made up of artists Lyn Dale, Nikki<br />

Davidson-Bowman, Louise Michele<br />

Evans, Marie Ford, Stephanie Grainger,<br />

Jules Mitchell and Katy Oxborrow, set<br />

out on an experimental journey. The artists<br />

made one piece of work which changed<br />

hands until each artist had contributed towards<br />

each piece. The resulting works, reflecting<br />

themes of female identity, diversity<br />

and transition, are on show in Now we are<br />

7: Change and Disrupt at Martyrs' Gallery<br />

from the 7th until the 27th of <strong>April</strong>, (12-5,<br />

Thu–Sun). The collective will be discussing<br />

the exhibition and the process of creating<br />

the work at Towner Gallery on the evening<br />

of Wednesday 28th, at Eastbourne's<br />

monthly EXCHANGE event.<br />

Matt Bodimeade<br />

Nikki Davidson-Bowman<br />

Miriam Forster<br />

Brighter days are officially ahead. We can tell because<br />

St Anne’s Galleries have hung their Spring<br />

Show. Expect new works from Paul Newland, Jo<br />

Lamb and Tom Benjamin, who has recently been<br />

painting en plein air at Hope Gap and Newhaven<br />

Harbour. Alongside the series of 'Sussex B road'<br />

paintings by Nick Bodimeade are local landscapes<br />

by his brother<br />

Matt, and new to<br />

the gallery this year<br />

are Darius Smith,<br />

whose vibrant paintings<br />

incorporate elements<br />

of mixed media,<br />

and the abstract<br />

works of Miriam<br />

Forster. Open Saturdays,<br />

Sundays and<br />

Bank Holidays until<br />

the 13th of May.<br />

47


J M Furniture Ltd<br />

TRADING IN LEWES SINCE SEPT 1999<br />

Bespoke custom made furniture and kitchens.<br />

We welcome commissions of all sizes and budgets.<br />

01273 472924 | sales@jmfurniture.co.uk<br />

www.jmfurniture.co.uk<br />

Photographic & Giclée Printing<br />

Online Printing Service Available<br />

C-Type Hand Printing<br />

Archival Mounting<br />

Scanning<br />

01273 708222<br />

info@spectrumphoto.co.uk<br />

spectrumphoto.co.uk


ART<br />

In town this month (cont)<br />

JOHN WILLIES<br />

COUNTRY<br />

KITCHENS<br />

Chalk Gallery features the work of<br />

Nichola Campbell, whose paintings express<br />

both the atmosphere and the essence of the<br />

natural world around her. She works both<br />

on location and in her studio in Newick,<br />

using light-fast inks or watercolours. Her<br />

most recent work is inspired by landscape,<br />

gardens and forests, their colours and<br />

atmosphere captured in her ink paintings<br />

of treescapes and her collages inspired by<br />

spring. Both will be on display at Chalk<br />

Gallery from the 9th until the 29th <strong>April</strong>.<br />

HANDMADE & HAND-PAINTED<br />

FITTED & FREESTANDING<br />

SOLID WOOD KITCHENS<br />

Preparations are underway for Artwave’s<br />

25th year but you’ll need to be quick if you<br />

want to be a part of the<br />

action. Registration<br />

to join one of<br />

the artists' trails<br />

(across the<br />

whole of the<br />

<strong>Lewes</strong> District)<br />

closes on the<br />

6th of <strong>April</strong>.<br />

To sign up visit<br />

artwavefestival.org<br />

BRIGHTON<br />

SHOWROOM<br />

126 CARDEN AVENUE, PATCHAM<br />

BRIGHTON BN1 8NE<br />

Tel: 01273 562943<br />

WWW.JOHN-WILLIES.COM


ART<br />

Out of town<br />

Chalkpit, an exhibition of work by eight local artists, will be at<br />

the newly refurbished coach house in Glynde Place, where<br />

Jacky Misson has recently been artist-in-residence. She has<br />

been collecting stories and memories from people in the village<br />

who remember when the local chalk pit was still active (it was in<br />

use from the 1840s right up to the 1980s). The exhibition takes<br />

place over the weekend of the 14th and 15th of <strong>April</strong> and there<br />

will be a Q&A session with the artists on the Saturday evening.<br />

Everyone (including children) welcome. (11am - 6pm, free.)<br />

Wren’s living quarters, UK 1944 by Lee<br />

Miller © Lee Miller Archives, England,<br />

<strong>2018</strong>. All rights reserved. leemiller.co.uk<br />

Farley’s House and Gallery opens on Sunday the 1st of <strong>April</strong>. As well<br />

as visiting the extraordinary house, leave some time to take in the exhibitions<br />

in the gallery next door. More Light – a selection of previously<br />

unseen and overlooked images from the Lee Miller Archives and The<br />

Penrose Collection – will be on display for the entirety of the <strong>2018</strong><br />

season. Machinations - an exhibition of moving artworks made from<br />

salvaged materials by Johnny White – is displayed alongside, until the<br />

13th of May. [farleyshouseandgallery.co.uk]<br />

Inhabit, a conceptual installation of paintings,<br />

sculptures and prints from the Towner collection,<br />

invites the visitor to experience ‘immersive<br />

environments’ as they move through the gallery.<br />

Works by Edward Bawden, Gertrude Hermes<br />

and Duncan Grant are included, and newly<br />

acquired prints by Patrick Caulfield and paintings<br />

by Wilfred Avery will also be on display.<br />

The gallery is currently accepting submissions for<br />

the <strong>2018</strong> Sussex Open, bringing together the<br />

best artists - at every level of their career - from across East and West Sussex. This year Towner are<br />

introducing a new initiative, the Sussex Open Commission Award. The selected artist will receive<br />

an award of up to £1,000 to develop their project which will then be presented as part of the Sussex<br />

Open exhibition. Visit the website to find out more and submit your application by the 30th of <strong>April</strong>.<br />

Photo by Alison Bettles<br />

Immerse yourself in the mind of Brighton Festival guest<br />

director David Shrigley in Life Drawing II at Fabrica in<br />

Brighton from the 14th. Pick up paper and pen and become<br />

part of the artwork as you join a life drawing class<br />

with Shrigley’s nine-foot-tall sculptural model as your<br />

muse. Your drawing then becomes part of the continuing<br />

exhibition. (Until the 28th of May.)<br />

50


VALUATION DAY<br />

Jewellery and Pictures<br />

Tuesday 24 <strong>April</strong> <strong>2018</strong><br />

10am to 3pm<br />

Bonhams specialists will be at<br />

The Courtlands Hotel to offer<br />

free and confidential advice on<br />

items you may be considering<br />

selling at auction.<br />

APPOINTMENTS<br />

AND ENQUIRIES<br />

01273 220000<br />

hove@bonhams.com<br />

VENUE<br />

The Courtlands Hotel,<br />

19-27 The Drive, Hove<br />

BN3 3JE<br />

CECIL KENNEDY, A<br />

SUMMER BOUQUET,<br />

OIL ON CANVAS<br />

£12000 - 18000 *<br />

bonhams.com/hove<br />

* Plus buyer’s premium and other fees. For details of the charges payable in addition<br />

to the final hammer price, please visit bonhams.com/buyersguide


DISCOVER<br />

EXPAND<br />

EMPOWER<br />

Explore our yurts<br />

The Yurt Academy taps into the vast<br />

wealth of brilliant and experienced<br />

people in our communities to share<br />

their knowledge, spark imagination<br />

and awaken a passion for knowledge<br />

and learning. From the Curious to the<br />

Practical, for Personal and Professional<br />

development, The Yurt Academy<br />

sessions are affordable in time and<br />

money, are face to face, and take<br />

place locally in spaces near you.<br />

15% off your first session<br />

using code: VIVAYURTS*<br />

*expires 31st <strong>April</strong><br />

yurtacademy.com


TRADE SECRETS<br />

Jessie Moane<br />

Brush letterer<br />

What do you do? I mainly do hand lettering,<br />

using a brush pen or a normal paint brush and<br />

working in ink or watercolour. I recently started<br />

working with an iPad Pro and an Apple Pencil,<br />

and I use an iMac for the rest of my processes.<br />

How did you come to specialise in lettering?<br />

I’ve always been interested in design. My day<br />

job is as a magazine and graphic designer for a<br />

publishing company. I studied design through<br />

school, from Art at GCSE to Graphic Design at<br />

university, and from there I just loved working<br />

with typography. I tried out a few hand lettering<br />

styles, but I’m left-handed, so finding a way to<br />

work with calligraphy was tricky. A few years’<br />

practice making gifts for friends and family got<br />

me to where I am now.<br />

Which products do your designs appear on?<br />

Greetings cards and prints, currently. I’d like to<br />

create a range of wedding stationery as my next<br />

challenge. I do quite a lot of custom work for<br />

people as well, which I love doing!<br />

What kinds of commissions do you get? Funnily,<br />

my most common commissions are tattoos. I<br />

get lots of requests for words written in my ‘happiness’<br />

font, which I created a few years back; the<br />

client sends me the word they want and I send<br />

back a design. Most of them find me through Instagram<br />

or Pinterest. I’ve also just launched a new<br />

product, a baby/child birth detail print, which<br />

originally a lot of people used to ask me to create<br />

as a custom piece. It was getting so popular as a<br />

commission that I’ve added it to my shop.<br />

Where do you work? Mainly from home, working<br />

around my 11 month old. As and when he<br />

sleeps I try to get some work done!<br />

What inspires your wording? My inspiration<br />

tends to come from quotes that I think will<br />

resonate with other people, as well as myself. I<br />

have prints of quotes by Dumbledore and Roald<br />

Dahl, which are really popular. They’re a great<br />

reminder that, even when times get tough, it’s<br />

only temporary and to keep on going.<br />

Does your writing come out looking that<br />

beautiful first-time? Not at all! It takes a good<br />

few tries at each word before I find a version I<br />

like. For each word, I write it out over and over<br />

again, covering two sides of A4 paper. Then I<br />

look over them all to see if there is one that I<br />

would be happy to use. If not, I start again.<br />

What’s your favourite word (visually)? ‘Castello’.<br />

I wrote this for a client’s wedding venue,<br />

‘Castello del Trebbio’, and I just loved how it<br />

looked and the flow of writing it. RC<br />

jessiemdesign.co.uk<br />

53


<strong>Lewes</strong><br />

Little<br />

Theatre<br />

The Home of<br />

<strong>Lewes</strong> Theatre Club<br />

Dial M for Murder<br />

Written by Frederick Knott<br />

Directed by Derek Watts<br />

Saturday 12 May - Saturday 19 May 7:45pm<br />

excluding Sunday. Matinee Saturday 19 May<br />

2:45pm.<br />

£12/Members £8<br />

www.lewestheatre.org<br />

Box Office: 01273 474826<br />

THE SEVEN AGES<br />

OF SHAKESPEARE<br />

Sunday 22nd <strong>April</strong>. Doors 7pm, starts 7.30pm<br />

Join The Bard Buskers in<br />

celebrating the anniversary<br />

of William Shakespeare,<br />

journeying his life through<br />

a selection of live<br />

performances from<br />

the complete works.<br />

Accompanied with<br />

live and atmospheric<br />

music on the Harp,<br />

the night promises to<br />

be one to remember.<br />

The All Saints Centre, Friars Walk, <strong>Lewes</strong>, BN7 2LE.<br />

Tickets £8/£5 conc available from <strong>Lewes</strong> Town Hall &The All Saints Centre<br />

(01273 486391) and www.wegottickets.com<br />

All profits go to the Mayors Charities.<br />

DIAL<br />

MWRITTEN BY<br />

FREDERICK<br />

KNOTT<br />

DIRECTED BY<br />

DEREK<br />

WATTS<br />

FOR<br />

MURDER


APRIL listings<br />

THURSDAY 5<br />

World Poets - William Wordsworth. Lecture/<br />

performance with readings. The <strong>Lewes</strong> Arms,<br />

6.30pm, £12.50.<br />

Comedy at the Con. Russell Hicks, Juliet<br />

Myers, and headliner Ian Moore with MC Neil<br />

Masters. Con Club, 7.30pm, £8-£12.<br />

TO FRIDAY 13 APRIL<br />

Chris Watson: No Man’s Land. Site-specific<br />

celebration of the sounds, rhythms and music<br />

of the world’s seas and oceans. Attenborough<br />

Centre, times and prices vary, see attenboroughcentre.com.<br />

TUESDAY 3<br />

Life drawing. Drop in session every other Tuesday,<br />

drinks available from bar, bring your own<br />

materials. <strong>Lewes</strong> Arms, 7.30pm, £5.<br />

The Group. A club for unattached women and<br />

men aged 50+. Not a dating agency. A pub in<br />

<strong>Lewes</strong>, see thegroup.org.uk.<br />

FRIDAY 6<br />

The Street Names of <strong>Lewes</strong>. A Friends of Anne<br />

of Cleves talk by John Davey. Anne of Cleves,<br />

7.30pm, £8 (£5 members), contact annacrabtree1@hotmail.com.<br />

SATURDAY 7 & SUNDAY 8<br />

Jumbo Jumble Sale. Supporting St Peter and<br />

St James Hospice and South Street Bonfire. All<br />

Saints, 11am-5pm (Sat) and 10am-2pm (Sun),<br />

50p entry on Saturday only, Sunday free.<br />

SATURDAY 7 – SUNDAY 13 MAY<br />

WEDNESDAY 4<br />

The Butterflies<br />

of Sussex. Michael<br />

Blencowe<br />

of Sussex Wildlife<br />

Trust (and<br />

<strong>Viva</strong>) talks about<br />

Sussex butterflies'<br />

decline<br />

and conservation,<br />

and exotic<br />

visitors from Europe. St Thomas' Church Hall,<br />

7.30pm, £3, see lewesgardensociety.weebly.com.<br />

The Paint Club @ Fuego Lounge. Eat, drink<br />

and paint. Fuego Lounge, 6.45pm, £24.50.<br />

Arlington Bluebell Walk & Farm Trails. Open<br />

daily 10am-5pm, bluebellwalk.co.uk.<br />

SUNDAY 8<br />

Food Rocks. Street food, pop-up bars and live<br />

music. Cliffe High Street, 10am-4pm, free.<br />

Raymond Briggs' Sofa. <strong>Viva</strong> columnist John<br />

Henty presents a radio play adapted for the stage.<br />

Pelham House, 7.30pm, £10 from Tourist Information<br />

Centre and Bonne Bouche.<br />

55


APRIL listings (cont)<br />

Image from the Ian Everest Collection<br />

MONDAY 9<br />

Tales from the Riverbank. Ian Everest presents<br />

old photos and cine film that offer a glimpse of<br />

some of the less well-known aspects of riverside<br />

life in the Ouse valley between <strong>Lewes</strong> and the sea.<br />

King’s Church, 7 for 7.30pm, £3 (£1 members).<br />

20 years on… what future for the Northern<br />

Irish Peace process? On the eve of the 20th<br />

anniversary of the Good Friday<br />

Agreement, <strong>Lewes</strong> Labour host a<br />

discussion on Brexit and the border<br />

with Mary Hickman, founder of the Irish Studies<br />

Centre and Tom Griffin, former Irish World<br />

political editor. Phoenix Centre, 7.30pm, free.<br />

TUESDAY 10 – SATURDAY 14<br />

Chess. LOS Musical Theatre present a tale of<br />

love and scheming politics, centred around a<br />

chess tournament. See pg 32. Town Hall, for<br />

times and prices see losmt.org.uk.<br />

WEDNESDAY 11<br />

The Arts of Japan: Highlights of Japanese Art<br />

and Culture. Illustrated talk charting the<br />

development of key aspects of Japanese art. Uckfield<br />

Civic Centre, 2pm, £7 (free for members).<br />

Perfect<br />

THE<br />

DAY OUT<br />

LIVE MUSIC STAGE OUTDOOR ACTIVITIES GARDENING<br />

ANIMAL BARN FOOD & DRINK MAYPOLE DANCING<br />

ACRES OF SHOPPING DONKEY RIDES FAIRGROUND<br />

6 & 7 MAY BANK HOLIDAY<br />

BOOK TICKETS ONLINE & SAVE 10% seas.org.uk/booking<br />

South of England Showground, Ardingly, West Sussex RH17 6TL<br />

Under 16s FREE with paying adult Dogs welcome 9am – 5pm<br />

seas.org.uk<br />

01444 892700<br />

@SouthEngShows<br />

56


APRIL listings (cont)<br />

THURSDAY 12<br />

Welcoming in the<br />

Wheatears. A Sussex<br />

Wildlife Trust walk to spot<br />

and learn about one of the<br />

year’s first migrant birds<br />

to return to Sussex from<br />

Africa. Meet at the bridge on Cliffe High Street,<br />

10am, free to members, donations requested.<br />

FRIDAY 13<br />

Film: The Disaster Artist (15). American biographical<br />

comedy-drama based on non-fiction<br />

book of the same name, which chronicles the<br />

making of Tommy Wiseau's 2003 The Room,<br />

widely considered to be one of the worst movies<br />

ever screened. All Saints, 8pm, £5/£2.50.<br />

SATURDAY 14<br />

Middle Eastern Dabke/Celtic Ceilidh. In<br />

aid of the Enthum Foundation, set up following<br />

work by volunteers in the Calais Jungle in<br />

2016, who are in the process of opening a home<br />

for unaccompanied asylum-seeking children, in<br />

Eastbourne. Firle Village Hall, 7pm-11.30pm,<br />

£25 (includes special vegetarian Eritrean dinner).<br />

WEDNESDAY 18<br />

What Is Virtual Reality?<br />

A talk from leading<br />

VR specialist and <strong>Lewes</strong><br />

resident Sam Watts about<br />

where it came from, where<br />

it is now and where it’s going, with a hands-on<br />

series of demos afterwards. Elly, 7pm, price tba.<br />

57


LEWES FRIDAY FOOD MARKET<br />

Fridays 9.30am-1.30pm<br />

buy local - eat seasonal - feel good<br />

lewesfoodmarket.co.uk<br />

CHRIS WATSON<br />

An audio journey through the sounds, rhythms<br />

and music of the world’s seas and oceans…<br />

01273 678 822<br />

attenboroughcentre.com<br />

Pay What You Decide tickets available


APRIL listings (cont)<br />

FRIDAY 20<br />

Mud Glorious Mud - the Bridge Farm 2017<br />

Excavation. <strong>Lewes</strong> Archaeological Group talk<br />

with Rob Wallace and David Millum, giving their<br />

annual update on the excavation of this important<br />

Romano-British settlement site at Barcombe.<br />

Lecture Room, <strong>Lewes</strong> Town Hall, 7.30pm, £2/4,<br />

free for under 18s.<br />

Headstrong Club talk and discussion. Alison<br />

Pike on the limits of parental influence on a<br />

child's development. Elly, 8pm, £3.<br />

FRIDAY 20 – SUNDAY 22<br />

The Garden Show at Firle. Firle Place, 10am-<br />

5pm daily, £7-£3. See pg 41.<br />

works. All profits go to the Mayors Charities. All<br />

Saints, 7pm for 7.30pm, £8/£5.<br />

TUESDAY 24<br />

What’s your gut feeling? Functional health<br />

workshop with nutritionist and functional medicine<br />

practitioner Tanya Barowski. Tanya’s clinic<br />

and store, Needlemakers, 7pm, £25.<br />

<strong>Lewes</strong> Death Café. Discussion group. The Ram<br />

Inn, Firle, 7.30pm, all welcome.<br />

Victorians Undone: Our Ancestors’ Embarrassing<br />

Bodies. Talk with Kathryn Hughes,<br />

historian, journalist and the author of muchadmired<br />

biographies of Mrs Beeton and George<br />

Eliot. All Saints, 8pm, £10, see pg 31.<br />

WEDNESDAY 25<br />

Arts & Crafts Market in the Old Georgian<br />

Riding School. Part of the Garden Show at<br />

Firle, this is an area set aside for local artists and<br />

makers. Firle Place, 10am-5pm daily, £7-£3.<br />

SATURDAY 21<br />

<strong>Lewes</strong> Electric Car Show. See a variety of cars<br />

and meet their owners, with talks and information<br />

on recharging and other issues. Hosted by<br />

Transition Town <strong>Lewes</strong> and Ovesco. Harvey's<br />

Brewery rear yard, 11am-2pm, free.<br />

SUNDAY 22<br />

The Seven Ages of Shakespeare. The Bard<br />

Buskers celebrate the anniversary of William<br />

Shakespeare, journeying his life through a selection<br />

of live performances from the complete<br />

Namaste, a Himalayan<br />

Journey. Screening with<br />

Q&A of the documentary<br />

in which Dr Kate Yarrow<br />

uncovers the incredible<br />

challenges facing doctors<br />

working in rural areas of Nepal, and follows some<br />

of the dangerous journeys patients have to endure<br />

to reach basic healthcare. Depot, 8pm, £9/£4.<br />

FRIDAY 27<br />

<strong>Lewes</strong> FC Quiz Night. General quiz, four people<br />

per team maximum. Optional meal-deal £10,<br />

must book in advance. Dripping Pan, 7.45pm, £2.<br />

Film: The Levelling (15). After the 2014 Somerset<br />

floods, a young woman returns to the family<br />

dairy farm following the death of her younger<br />

brother. All Saints, 8pm, £5/£2.50.<br />

SATURDAY 28<br />

Natural Alternatives at the Menopause. Workshop.<br />

St Mary’s Church Hall, 10am-4pm, £50.<br />

(concessions on request) see chantry-health.com.<br />

59


east sussex<br />

BACH<br />

c h o i r<br />

J S BACH<br />

mass MASS in IN<br />

B MINOR<br />

Director - John Hancorn<br />

Sat 21st <strong>April</strong> <strong>2018</strong><br />

Town Hall,<strong>Lewes</strong><br />

eastsussexbachchoir.org<br />

GLYNDE PLACE<br />

CONCERT SERIES <strong>2018</strong><br />

BBC Radio 3 New Generation Artists<br />

Mariam Batsashvili (piano)<br />

Saturday 7pm, 12 May 2017<br />

Listz•Mozart•Schubert<br />

Tickets, info and other events - glyndeplace.co.uk<br />

2 June -Thibaut Garcia (guitar)<br />

7 July -Andrei Ionita (cello)<br />

House Open<br />

May & June - We, Th, Su & BH Mo<br />

Aug -26&27 Sep - 1 & 2 for Artwave<br />

EAST SUSSEX<br />

COMMUNITY CHOIR<br />

Dame Felicity Lott Soprano<br />

Shona Knight Soprano<br />

Paul Austin Kelly Tenor<br />

The Corelli Ensemble<br />

Leader: Maeve Jenkinson<br />

Nicholas Houghton Conductor<br />

MENDELSSOHN<br />

Hebrides Overture (Fingal's Cave)<br />

Hear My Prayer (O for the wings of a dove)<br />

Hymn of Praise (Lobgesang)<br />

SATURDAY 5 MAY, 7.30PM<br />

LEWES TOWN HALL<br />

Tickets £12 (under 19s free)<br />

APR<br />

Tickets available from<br />

<strong>Lewes</strong> Town Hall (office),<br />

<strong>Lewes</strong> TIC<br />

(Tel: 01273 483448)<br />

or on the door,<br />

subject to availability<br />

LEWES<br />

@Con Club<br />

1,2 SUN RA ARKESTRA<br />

12 65 COMEDY NIGHT<br />

HANGEE V + SPACE AGENCY<br />

THE MEKONS<br />

14 VERA VAN HEERINGEN<br />

15 BAD MANNERS<br />

20THE DOCTORS<br />

27GOOFER DUST<br />

28 LOOSE CABOOSE NIGHT<br />

29 TALITHA RISE<br />

SEE WEBSITE FOR ANY CHANGES DETAILS AND ENTRY


CLASSICAL MUSIC<br />

SAT 7 TH , 7.30PM<br />

Almathea. Klio Bonz on flute and Siobhan Swider<br />

on harp perform works by Piazzolla, Shankar,<br />

Mills, Debussy, Thomas, Marais and Mozart.<br />

Westgate Chapel, free with ticket from Si’s Sounds or<br />

oysterproject.org.uk<br />

SUN 8 TH, 3PM<br />

St Michael’s First Sunday. (Apart from Easter<br />

Sunday that is). Ashworth and Rattenbury Guitars<br />

(duet) playing Praetorius; Mozart; Granados;<br />

Machado, and Glass. St Michael’s Church, free with<br />

retiring collection<br />

SAT 21 ST , 7.30PM<br />

East Sussex Bach Choir. The ESBC are joined by<br />

the Baroque Collective Singers in a performance<br />

of Bach’s Mass in B Minor, composed a year before<br />

his death and never played in its entirety in his<br />

lifetime. Town Hall, £20/£15. eastsussexbachchoir.org<br />

SUN 22 ND , 4.30PM<br />

Trinity Laban Conservatoire of Music and<br />

Dance Bar 4 Quartet. Advanced students from<br />

the TLC play Beethoven's Quartet Op.18 No.4 and<br />

Tchaikovsky’s Quartet No.1, as well as works by<br />

Sarasate, Arvo Pärt and Turina. St Michael’s Church,<br />

£12/9/U18 free<br />

TUES 24 TH , 9PM<br />

Brighton Film Quartet (pictured above). The<br />

piano quartet perform Soundscape, a specifically<br />

composed soundtrack complimenting big screen<br />

visuals by local filmmakers. A Fringe hit in the<br />

Royal Pavilion at last year’s Festival: ‘think Einaudi<br />

with attitude; Nyman on a night out.’ Depot<br />

Cinema, £10. lewesdepot.org<br />

SUN 29 TH , 11AM<br />

Quatuor Arod. Internationally acclaimed violin<br />

quartet play Haydn’s String Quartet in G Minor<br />

Op. 74 No. 3 ‘Rider’, Benjamin Attahir’s Al Asr and<br />

Beethoven’s String Quartet in E minor Op. 59 No.<br />

2 ‘Razumovsky’. Attenborough Centre, University of<br />

Sussex, £18.50/16<br />

SUN 29 TH , 4PM<br />

Corelli Ensemble.<br />

Special guest,<br />

international cellist<br />

Sebastian Comberti<br />

plays Boccherini’s<br />

Cello Concerto no. 3<br />

in G. The Corelli<br />

Ensemble perform<br />

Mozart’s Eine Kleine<br />

Nachtmusik and<br />

Barber’s Adagio<br />

(which featured<br />

in Platoon and The<br />

Elephant Man, and continues this season's theme of<br />

Music from the Movies). St Pancras Church, £12/10/<br />

children free. corelliensemble.co.uk<br />

61


GIG GUIDE // APRIL<br />

GIG OF THE MONTH:<br />

SUN RA ARKESTRA<br />

For those who missed the chance to see them raise the<br />

roof of the Con Club last year, legendary jazz troupe Sun<br />

Ra Arkestra are back for two nights this <strong>April</strong>. Prolific surrealist<br />

jazz giant and self-proclaimed extra-terrestrial from<br />

Saturn, Sun Ra led his Arkestra for much of his life and<br />

career. After his death in 1993, the band played on under<br />

the capable direction of alto saxophonist and long-term<br />

member Marshall Allen, who is approaching his 94th birthday. The Arkestra play a phenomenal range<br />

of jazz and put on a spectacular show, with up to 15 of the 24 current members on stage at any one time.<br />

Lorenzo Ottone sums it up pretty well in his review of their three-night residency in <strong>Lewes</strong> last year ‘the<br />

biggest instrumental delight you could possibly experience’. The first of the two shows has already sold<br />

out, so get in there quick! Sunday 1 & Monday 2, Con Club, 7.30pm, £25 adv Kelly Hill<br />

SUNDAY 1<br />

Folk in Adur. Contemporary folk, Americana<br />

and blues. Westgate, 4pm, free (ticketed) see<br />

oysterproject.org.uk<br />

SUNDAY 1 & MONDAY 2<br />

Sun Ra Arkestra. Jazz and blues. Con Club,<br />

7.30pm, £25 adv<br />

MONDAY 2<br />

Simon Savage. Tenor sax. Snowdrop, 8pm, free<br />

THURSDAY 5<br />

Björn and the Brothers of Rhythm. Vintage<br />

hot swing. Pelham Arms, 8.30pm, free<br />

FRIDAY 6<br />

Norman Baker. Playing a stripped-down set of<br />

his new album. Bus Club Pizza, 8.30pm, free<br />

The Hangee V + The Space Agency. 60s<br />

garage & surf. Con Club, 8pm, free<br />

SATURDAY 7<br />

Session with Roger Stamp & friends. Folk<br />

(Irish, English, World). Elly, 8pm, £6<br />

SUNDAY 8<br />

Open Space Open Mic. Music, poetry and<br />

performance. Elly, 7.30pm, free<br />

MONDAY 9<br />

Oli Howe Trio. Jazz. Snowdrop, 8pm, free<br />

THURSDAY 12<br />

The Mekons. Arty post-punk Peel faves. Con<br />

Club, 7.30pm, £14 + booking fee<br />

SATURDAY 14<br />

Contraband. First event in the new ‘Seaford Sessions’<br />

series. Seaford Little Theatre, 7.30pm, £10<br />

John Crampton. Blues & bluegrass. Lansdown,<br />

7.30pm, free<br />

Foxglove Trio. Folk (Welsh). Elly, 8pm, £6<br />

Vera Van Heeringen Trio. Americana/roots/<br />

bluegrass. Con Club, 7.30pm, £12<br />

SUNDAY 15<br />

Bad Manners. Ska with Buster Bloodvessel &<br />

Co. Everybody now: ‘Ne Ne Na Na Na Na Nu<br />

Nu...’ Con Club, 7.30pm, £20 + booking fee<br />

>>><br />

62


GIG GUIDE // APRIL (CONT)<br />

MONDAY 16<br />

Vasilis Xenopoulos and Alex Eberhard. Jazz.<br />

Snowdrop, 8pm, free<br />

FRIDAY 20<br />

The Doctors. Folk rock. Con Club, 8pm, free<br />

SATURDAY 21<br />

Bad Bad Whiskey. Skifflebilly. Lansdown, 8pm, free<br />

John Conolly. Folk from the man who wrote Fiddler’s<br />

Green. Royal Oak, 8pm, £6<br />

MONDAY 23<br />

Sue McCreath. Jazz vocals. Snowdrop, 8pm, free<br />

FRIDAY 27<br />

Goofer Dust. Blues. Con Club, 8pm, free<br />

SATUDAY 28<br />

Loose Caboose night. 60s soul, northern, R&B,<br />

Latin & jazz.<br />

Con Club,<br />

7.30pm, £5<br />

Dandelion<br />

Charm.<br />

A Radio <strong>Lewes</strong><br />

Live recording/streaming.<br />

Westgate, 7pm,<br />

free (ticketed) see oysterproject.org.uk<br />

Nick Dow. Folk (English trad). Elly, 8pm, £6<br />

SUNDAY 29<br />

Talitha Rise. Folk. Con Club, 4pm-6pm, free<br />

MONDAY 30<br />

Quinto featuring Raul D'Oliviera, Tristan<br />

Banks and Terry Seabrook. Jazz. Snowdrop,<br />

8pm, free<br />

WANT A DIFFERENT SUMMER?<br />

Host an international student and earn money<br />

Good rates of pay<br />

Students of various ages<br />

and nationalities<br />

Short stays 2-6 weeks<br />

between June & mid-August<br />

We require new homestay providers in <strong>Lewes</strong><br />

within walking distance of Sussex Downs College.<br />

Hosts should be ideally located in Neville,<br />

Landport, Wallands, Town Centre, Southover,<br />

Winterbourne, Cliffe or Malling.<br />

For further information:<br />

Accommodation.lewes@sussexdowns.ac.uk<br />

Half-board or self-catering<br />

SUSSEX DOWNS<br />

COLLEGE<br />

Mountfield Rd,<br />

<strong>Lewes</strong> BN7 2XH<br />

03030039940


Sheffield Park Station TN22 3QL<br />

Branch Line Specials<br />

Come along 18th-20th May and see some<br />

little engines doing what little engines do best!<br />

Lots of trains so hop on and off all day<br />

Visit of ‘Tornado’<br />

25th - 29th May - 60163 ‘Tornado’ will be visiting over<br />

May Bank Holiday Weekend. Enjoy a Teddy Bear’s Picnic<br />

on board -bring Teddy along too! Booking essential<br />

TrackFest <strong>2018</strong> - tickets now on sale!<br />

A must for all music fans! The first ever ‘TrackFest’ will be<br />

held at Horsted Keynes on 16th June! Headline acts<br />

already confirmed ‘Modern Romance and The Jive Aces<br />

Visit the website for more details of how to book<br />

www.bluebell-railway.com 01825 720800<br />

Early Years<br />

Open Morning<br />

12th May <strong>2018</strong><br />

09:30 - 12:00<br />

Please register online<br />

contact@michaelhall.co.uk<br />

Alternatively, book in<br />

for a Private Tour<br />

contact@michaelhall.co.uk<br />

or call 01342 822275<br />

www.michaelhall.co.uk/school-open-days<br />

Kidbrooke Park, Priory Road, Forest Row. East Sussex, RH18 5JA<br />

Tel: 01342 822275 - Registered Charity Number 307006


UNDER 16<br />

FREETIME êêêê<br />

TO MONDAY 2<br />

Mad Hatter's Tea<br />

Party. Bluebell Railway<br />

event at Kingscote<br />

Station with hatter’s<br />

tea party, children’s<br />

adventure hunt, giant<br />

games, small animal<br />

farm and competition<br />

for the maddest hat.<br />

bluebell-railway.com.<br />

find the treasure, come in your pirate costume<br />

to be part of the adventure. Musical play for all<br />

the family. All Saints, 11.30am & 2.30pm, see<br />

gokidmusic.com.<br />

Spring Greens. Drop in for hands-on activities<br />

based around springtime, with embroidering<br />

flowers and herb-bag making. Anne of Cleves,<br />

1pm, price included in admission.<br />

TO SUNDAY 15<br />

Peter Rabbit Goes Wild. Two weeks of Peter<br />

Rabbit-themed fun for the Easter holidays,<br />

with games, crafts and storytelling inspired by<br />

Beatrix Potter’s tales. Wakehurst, see kew.org/<br />

wakehurst.<br />

THURSDAY 5<br />

Knights and Dragons. Stories about castle<br />

knights, armour to try on and lots to make,<br />

including a dragon mask and a castle tower, for<br />

four to eight-year olds. <strong>Lewes</strong> Castle, 10.30am<br />

& 2pm, £5 per child.<br />

MONDAY 9<br />

BEATRIX POTTER TM © Frederick Warne & Co., <strong>2018</strong><br />

SUNDAY 1<br />

Dirk Scheele in concert. Dutch children’s<br />

entertainer with his own daily music television<br />

programme performs a very special concert.<br />

Depot, 11am, £3.<br />

TUESDAY 3<br />

Wild Family Day Out. Activity packed day for<br />

all the family, run by Circle of Life Rediscovery.<br />

Woodland site near Laughton, 10am-3pm, see<br />

circleofliferediscovery.com.<br />

A Pirate Adventure Show.<br />

Captain Al needs a crew to<br />

help follow the clues and<br />

Morning Explorer: Dragons. For families with<br />

additional needs including a story with special<br />

tactile objects to feel, a chance to try spinning<br />

wool on a wheel, garden games and audio<br />

described tours. <strong>Lewes</strong> Castle, 10-11am, regular<br />

admission price applies, contact 01273 405734<br />

to book.<br />

TUESDAY 10<br />

Spinning Yarns. Drop<br />

in and listen to the tale<br />

of Rumpelstiltskin,<br />

tell your own fairy<br />

tales and have a go<br />

at spinning wool. All<br />

ages welcome. Anne of<br />

Cleves, 1pm, price included in admission. >>><br />

65


FREETIME<br />

êêêê<br />

THURSDAY 12<br />

Dinosaurs and Dragons. Creative holiday<br />

workshop with clay. For children aged four<br />

to eight. <strong>Lewes</strong> Castle, 10.30am, £5 per child,<br />

booking essential, call 01273 486290.<br />

SATURDAY 28<br />

<strong>Lewes</strong><br />

STEMfest.<br />

Fair showcasing<br />

Science,<br />

Technology,<br />

Engineering, and<br />

Maths research<br />

and activities for<br />

the whole family.<br />

See pg 68. <strong>Lewes</strong> Town Hall, 12pm-3pm, free.<br />

Spread Your Wings and Fly. Interactive<br />

family fun exploring the science of flight<br />

with Director of Brighton Science Festival,<br />

Dr Richard Robinson, followed by singalong<br />

showing of Chitty Chitty Bang Bang.<br />

Fundraiser for Patina. All Saints, 2.30-4.30pm<br />

(workshops) 5.30pm (film), £4 for each event,<br />

£6 combined, contact patinalewes@gmail.com.<br />

Open to the public for five days only:<br />

Friday 30th March<br />

Saturday 31st March,<br />

Monday 2nd <strong>April</strong><br />

Saturday 7th <strong>April</strong><br />

Sunday 8th <strong>April</strong><br />

Opening times 12 noon - 4pm. (Please do not come earlier for health and safety reasons.)<br />

FREE ENTRY (donations welcome to the RABI charity). Refreshments available in the farm shop.<br />

A275 OOam, <strong>Lewes</strong> BN7 3QE / 01273 478265 | www.ooamfarmshop.co.uk<br />

66


SHOES ON NOW: WORD OF THE DAY<br />

êêêê<br />

Our family has always had a<br />

love of words and reading to<br />

the children is one of the deep<br />

pleasures of parenting. We<br />

especially love it when the children<br />

slip a particularly colourful<br />

word into conversation, telling<br />

us our stories sound ‘apocryphal’<br />

or that one of their brothers<br />

is being ‘rambunctious’.<br />

One way we try to foster a<br />

love of words is by developing<br />

our equivalent of ‘Word of the<br />

Day’. Using the Internet, we download five interesting<br />

words each week, often around a theme<br />

such as ‘sport’ or ‘emotions or feelings’. Then<br />

each weekday evening over dinner we introduce<br />

the boys to one of the new words and encourage<br />

them to use the word in<br />

context. Each child has to say<br />

a sentence which includes the<br />

new word.<br />

There are lots of websites<br />

online that will help you with<br />

generating word lists or you<br />

can simply create your own.<br />

On Sunday lunchtimes we<br />

often give the boys a quiz to<br />

check how many of the words<br />

they have remembered during<br />

the week.<br />

Over time the boys are beginning to love language<br />

for its own sake, for the way the new words<br />

feel in their mouths and for how much easier it is<br />

to win an argument with your siblings when you<br />

have a more expansive vocabulary. Jacky Adams<br />

Peter Rabbit <br />

goes wild<br />

Enjoy garden games and wild<br />

adventures this Easter holiday<br />

30 March – 15 <strong>April</strong> <strong>2018</strong><br />

For details visit kew.org/wakehurst<br />

BEATRIX POTTER <br />

© Frederick Warne & Co., <strong>2018</strong>.<br />

67


êêêê<br />

YOUNG PHOTO<br />

OF THE MONTH<br />

“I took this photo when we were going<br />

to Queen's Park in Brighton when it<br />

was snowing in March,” writes Romaine<br />

Dawson, who’s 9. “It made me laugh, so<br />

I borrowed my dad’s phone.” It made us<br />

laugh, too, Romaine, and it’s won you a<br />

book token! Well done for spreading this<br />

cheeky smile further afield than the ‘artist’<br />

who created it could ever have imagined.<br />

Under 16? Send your pictures to photos@<br />

vivamagazines.com, with a message about<br />

where, when and why you took it, and you<br />

could see it in this space. The winner gets a<br />

£10 book token from Bags of Books in Cliffe.<br />

LEWES STEMFEST<br />

<strong>Lewes</strong> STEMfest is one of a family of STEMfests<br />

across Sussex. It’s supported by STEM<br />

Sussex, an organisation which aims to make young<br />

people aware of all the different opportunities<br />

there are within Science, Technology, Engineering<br />

and Maths, by linking them with local people<br />

who work or study in these fields. A number of<br />

volunteer STEM Ambassadors in <strong>Lewes</strong>, from<br />

astronomers to engineers to people working in life<br />

sciences, felt that there were too few opportunities<br />

for children and their parents to understand how<br />

exciting and rewarding the STEM subjects can be.<br />

We decided to launch a fun and inspiring event<br />

in <strong>Lewes</strong>, to give young people the chance to meet<br />

some real scientists and engineers and find out<br />

what they do. The event is aimed at all ages – last<br />

year we had visitors aged 5-75! There are two key<br />

influencers on young people and their outlook on<br />

STEM subjects: their teachers and their parents.<br />

That’s why we think it’s so important for parents<br />

to come along with their children, so that they<br />

can be made aware of both the fun aspects and the<br />

opportunities within STEM industries.<br />

There will be a number of scientists and<br />

engineers at the event, both male and female.<br />

Many more girls and women are now choosing to<br />

study and work in STEM fields, but the shift has<br />

not been as rapid as we’d like. Girls and boys need<br />

the opportunity to meet role models in those fields<br />

and think ‘that could be me’. As told to Rebecca Cunningham<br />

by Bronagh Liddicoat<br />

<strong>Lewes</strong> Town Hall, Sat 28th, 12pm-3pm<br />

68


C 48<br />

M 37<br />

Y 33<br />

K 14<br />

#888a90<br />

C 13<br />

M 91<br />

Y 86<br />

K 3<br />

#cd332a


Fresh and<br />

Seasonal Sussex<br />

Produce<br />

LEWES<br />

FARMERS<br />

MARKET<br />

Creating stronger<br />

communities and<br />

a more sustainable<br />

local economy<br />

Find out more about<br />

the food you buy, direct<br />

from the farmers and<br />

producers<br />

www.commoncause.org.uk<br />

1st & 3rd Saturday<br />

Every Month<br />

9am-1pm, Cliffe Precinct<br />

Cliffe<br />

Precinct<br />

<strong>Lewes</strong><br />

delicious<br />

food from...<br />

ethiopia, sri lanka,<br />

mozambique, nigeria,<br />

trinidad & tobago, kenya<br />

northern thailand and more...<br />

plastic-free packaging |<br />

vegan options<br />

www.thefeaturekitchen.co.<br />

info@thefeaturekitchen.co.uk // 07876655664


FOOD REVIEW<br />

Lemongrass<br />

Turning Japanese... but staying Thai<br />

You no longer have to<br />

go to Brighton to eat<br />

sushi, and I’m not just<br />

talking about Waitrose.<br />

Lemongrass, the Thai<br />

restaurant on School<br />

Hill have added a<br />

Japanese twist to their<br />

menu, and brought<br />

in a sushi chef, with a<br />

couple of decades of<br />

experience behind him.<br />

Said chef has got<br />

his own little space,<br />

where you can see him making the sushi, which<br />

is a nice bit of theatre. My wife Rowena and I<br />

arrive at 7pm on a mild Friday evening in March.<br />

We’re not Japanese food experts, but we’re both<br />

Moshimo regulars, we’ve both tried making our<br />

own sushi, and we’re interested to see if this restaurant’s<br />

Japanese fare is going to be high-quality<br />

enough to ensure our regular custom.<br />

The menu gives you plenty of choice: we decide<br />

to have a few small dishes and see if there’s room<br />

for anything else later. And so we order a Wakame<br />

Salad (seaweed, citrus and sesame seed, £4.50) a<br />

portion of deep-fried soft-shell crab (£7.95) and,<br />

most enticingly of all, a ‘Tokyo’ assortment of<br />

hand-made sushi, including four California Rolls,<br />

four Tempura Futo Rolls, and four Black Spider<br />

Futo Rolls (£16.95 for all 12). I get a bottle of<br />

Asahi, Ro sticks to water.<br />

First up, the soft-shell crab, which comes lightly<br />

battered and in a black pepper sauce: a delicate<br />

hit. Then comes the seaweed, moister than we<br />

expected. The citrus tang sets off the milder seaweed<br />

taste, and the texture offers an interesting,<br />

slippery crunch.<br />

When the waiter (Ahmed, incidentally, who used<br />

to work at Shanaz)<br />

brings the sushi, on<br />

a black slate, we are<br />

silenced for a good<br />

few seconds. They are<br />

plump, and colourful,<br />

and topped with caviarlike<br />

tobiko roe (which,<br />

I later learn, comes<br />

from flying fish). The<br />

rice is cooked just<br />

right: there’s a stickiness<br />

about it and you<br />

can see the individual<br />

grains. They’re big: of the two-bite, rather than<br />

the one-bite variety. And they taste just great, full<br />

of crab and avocado and spring onion and drizzled<br />

with marie rose and teriyaki. I believe they are the<br />

most exotic thing I’ve ever been served in <strong>Lewes</strong>.<br />

We’re sated, but not finished, as greed takes over:<br />

we order another round of dishes: exquisite gyoza<br />

(pan-grilled dumplings, £6.95, cooked beautifully<br />

so the bottoms are crunchy), some miso<br />

soup (£3.90) and a bowl of unajyu (grilled eel on<br />

steamed rice, £17.95), washed down with warm<br />

sake (£5.95) which comes in little ceramic bottles.<br />

Luckily a film at the Depot we’ve bought tickets<br />

for halts the feeding frenzy: this could have gone<br />

on all night.<br />

We went to town, then, but you don’t need to.<br />

The multi-course Japanese experience is a great<br />

special occasion option, (we’ll definitely be back<br />

soon) and a very welcome addition to <strong>Lewes</strong>’<br />

rapidly changing restaurant scene. But it’s reassuring<br />

to know we can still pop in for a bowl of Pad<br />

Thai, too, at under a tenner. Or, for that matter,<br />

some crispy prawn panang with fresh chilli & lime<br />

leaves. Alex Leith<br />

01273 486696<br />

71


72<br />

Photo by Sam Bilton


RECIPE<br />

Crème au Café Blanc Renversée<br />

Sam Bilton runs Repast, specialising in recreating historic dishes for modern<br />

diners. To fit our ‘The Word’ theme, here’s one from 19th-century French<br />

novelist Alexandre Dumas’ Grand Dictionnaire de Cuisine.<br />

I'm a food writer specialising in food history, and<br />

also a supper club host. This all comes together in<br />

my bi-monthly supper club – Repast – in which I<br />

find old recipes and put a modern slant on them. I<br />

call it 'historical dining – with a twist'. The suppers<br />

– for 8 to 12 people – take place in my home on<br />

the outskirts of Haywards Heath.<br />

Sometimes I go back as far as Roman times, and I<br />

have to use a lot of imagination because the recipes<br />

take some deciphering. The ingredients might<br />

be written down, but not always the quantities or<br />

cooking methods. Medieval and Tudor recipes can<br />

be quite demanding, too.<br />

Luckily Alexandre Dumas' great cooking<br />

dictionary, published posthumously in 1873, is<br />

fairly detailed. I’ve combined two of his recipes<br />

– Crème Renversée and Crème au Café Blanc, to<br />

recreate a retro classic from my childhood, crème<br />

caramel, infused with coffee and spices. This will<br />

be the dessert at a Repast Supper Club in May,<br />

and will complement the seafood dishes on the<br />

menu, like prawn and tomato bisque, also from<br />

Dumas’ book.<br />

Dumas was most famous for novels like The<br />

Count of Monte Cristo and The Three Musketeers, of<br />

course, but the last book he wrote – having retired<br />

to Brittany for a year for the purpose – was his<br />

cooking dictionary. Sadly, he didn't live to see it<br />

published; happily, you can still enjoy the fruit (or<br />

in this case pudding) of his labours.<br />

For four people you will need to crack (not grind)<br />

2 tbsp of espresso beans and 4 cardamom pods<br />

with a pestle and mortar, then place them in a<br />

saucepan with 2 strips of orange peel and 450ml<br />

whole milk. Bring to the boil and leave to infuse<br />

for at least 1 hour.<br />

To make the caramel put 80g caster sugar and<br />

1 tbsp cold water in a saucepan. Cook over a<br />

medium heat until it caramelises, then add 2 tbsp<br />

hot water and stir until combined. Divide the<br />

caramel between 4 ramekins swishing it around the<br />

sides to coat the interior. Strain the infused coffee<br />

milk through a fine sieve into a clean saucepan.<br />

Add 50g golden caster sugar then bring to the boil.<br />

Meanwhile blend 4 large eggs with 1 tsp vanilla<br />

extract and 2 tbsp rum in a large jug. Pour the hot<br />

milk over the egg mixture then divide the custard<br />

between the caramel-lined ramekins.<br />

Place the custards in a roasting tin filled with<br />

boiling water until it comes to around two thirds<br />

of the way up the ramekins. Bake at 140°C for 20<br />

minutes or until just set. Take the ramekins out of<br />

the water, then allow to cool before chilling.<br />

To serve the Crème Renversée, briefly dip each<br />

ramekin in a bowl of very hot water then run a<br />

knife around the edge before quickly tipping the<br />

custards out onto a plate. These are perfect with<br />

some chocolate biscuits on the side.<br />

As told to Alex Leith<br />

repastsupperclub.co.uk / Sam is also co-host,<br />

with Chloë King, of Cook the Books<br />

(@cookthebooksUK) a themed monthly meetup<br />

in the <strong>Lewes</strong> Arms where participants bring a<br />

cook book and something they've made from it,<br />

and everyone shares the food. It’s free to attend;<br />

everyone is welcome.<br />

73


Welcome to the Royal Oak.<br />

A smart, contemporary pub in the heart of the town.<br />

We have a fantastic range of real ales, premium beers and<br />

spirits and a great selection of wines available by the glass.<br />

Our kitchen provides small plates, sharing boards and hearty<br />

bowls, with a focus on locally sourced produce.<br />

The Function Room can host up to 60 guests and boasts its<br />

own bar. It is available for private hire, parties and meetings.<br />

We even have a secret little garden hidden out the back.<br />

www.RoyalOak<strong>Lewes</strong>.co.uk | 01273 474 803 | 3 Station Street, <strong>Lewes</strong> BN7 2DA<br />

Monday to Saturday - 1200 to 2200<br />

Wood fired pizzas using the best<br />

Neapolitan and local ingredients.<br />

Eat in or take-away.<br />

Book:<br />

Visit:<br />

01273 470755<br />

Eastgate <strong>Lewes</strong> BN7 2LP<br />

(above the old bus station)


FOOD<br />

Wild Alchemy<br />

Gut feeling<br />

Bone broth might not sound very appetising –<br />

somebody in marketing should come up with a<br />

more appealing name – but it’s said to be bloody<br />

healthy, and, I can tell you, the stuff Lucie from<br />

Wild Alchemy makes – with bits of garlic and ginger<br />

and parsley in it – is delicious. It comes in a cup,<br />

and you drink it: it tastes like Bovril, only natural.<br />

That’s my day’s protein sorted.<br />

I was considering a cheese toastie for lunch when<br />

I was told that Lucie was bringing round some<br />

‘samples’ of her products, so I ended up going<br />

down a rather healthier route. Have I ever had a<br />

more nutritious meal? I also wolf down a packet of<br />

kale crisps, which are crunchy and cheesy-tasting<br />

(though vegan) and extremely moreish. Vitamins A,<br />

K and C: tick, tick and tick.<br />

Those are washed down with a bottle of ginger and<br />

turmeric kombucha (as opposed to the pomegranate,<br />

lemongrass and ginger version, which I opt to<br />

take home to my wife, alongside a bottle of coconut<br />

kefir, and some chocolate). This is mighty refreshing<br />

and mighty tangy. I read about it on the internet<br />

as I finish it off – it’s fermented tea, basically. It’s<br />

thought by its fans to have multiple health benefits,<br />

particularly for the gut: good bacteria, and all that.<br />

Whatever the case, the ginger and turmeric in it<br />

packs a positive punch. Yum. Alex Leith<br />

Lucie has a stall at both the Friday and Farmers’<br />

markets, and she sells her kombucha in the Brighton<br />

outlet Youjuice. You can also buy direct from her –<br />

07833 525327 / wildalchemyfood.com<br />

75


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FOOD<br />

Illustration by Chloë King<br />

Edible Updates<br />

First up, I’m fizzing about<br />

Amanda Saurin’s<br />

new beverage label<br />

Fierce Botanics.<br />

Her all-natural<br />

small-batch tonic<br />

water, flavoured with<br />

rose, lemon, elderberry,<br />

juniper, cinchona bark and<br />

spruce, is available to buy at AS:AP on Western<br />

Road and Symposium. I can’t wait to try, perhaps<br />

with a Sussex gin, like Seven Sisters, now<br />

the days are brighter.<br />

The café landscape continues to shuffle, and we<br />

welcome Carafe. The new independent coffee<br />

shop on Station Street sells homemade pastries<br />

and Hasbean coffee. Regulars take note; it looks<br />

like we’re still waiting for a Turkish restaurant.<br />

Perhaps the Prezzo premises would be a good<br />

spot? The <strong>Lewes</strong> branch is among 94 restaurants<br />

set for the chop. We wish all the best to<br />

their friendly staff, but the question remains,<br />

could we now have too few pizzerias?<br />

Lemongrass now offers sushi as well as Thai<br />

food that is attracting good comments.<br />

The Cheese Please premises will become a<br />

branch of boutique Brighton chain Bagelman,<br />

and Station Street caterers Delish are moving<br />

on. Their home-cooking will be missed.<br />

In other news, soon is a perfect time to visit<br />

Bluebell Farm Shop and Cookery School in<br />

Arlington, when their neighbouring forest trail<br />

will be resplendent with bluebells.<br />

[bluebellfarmhousekitchen.co.uk]<br />

You might also refresh your skills at baking<br />

expert Emmanuel Hadjiandreou’s Sourdough<br />

Masterclass at <strong>Lewes</strong> Community Kitchen<br />

(14th & 15th); at Daphne Lambert’s Living<br />

Food Day on the 7th or her Fermentation<br />

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77


THE WAY WE WORK<br />

Once upon a time we asked Emma Auwyn to photograph a selection of the<br />

many children’s writers and illustrators who’ve made <strong>Lewes</strong> their home.<br />

And she asked them two questions: what was your favourite book as a child,<br />

and what’s your favourite word?<br />

auwyn.com<br />

Miriam Moss<br />

Favourite word: Gurtle - a made-up family word for gentle delight.<br />

Favourite book: I had many favourites, from Grimm's Fairy Tales to Elidor to Agatha Christie.


THE WAY WE WORK<br />

Will Mabbit<br />

Favourite word: Tromboning.<br />

Favourite book: My Side of the Mountain by Jean Craighead George.


THE WAY WE WORK<br />

Matt Carr<br />

Favourite word: Probably 'sponge' or 'flabbergasted' - just ridiculous when you think about it.<br />

Favourite book: I didn’t read much as a kid but it would’ve been the Buster or Whizzer and<br />

Chips then Roy of The Rovers or 2000 AD annuals. Or Winnie The Pooh.


THE WAY WE WORK<br />

Leigh Hodgkinson<br />

Favourite word: 'spoon'. I love double 'o's and it is such a happy sounding word<br />

to say, and represents comfort and joy (as you eat soup and puddings from it).<br />

Favourite book: The Enormous Crocodile by Roald Dahl.


LITERATURE<br />

Get into reading<br />

<strong>Lewes</strong> book groups<br />

As anyone who has<br />

thought about joining a<br />

<strong>Lewes</strong> choir will know,<br />

there are a large number,<br />

and they are very different.<br />

The same is true of<br />

book groups. Not all take<br />

the ‘reading’ bit seriously.<br />

Some are more focused on<br />

extending the opportunity<br />

for playground conversations,<br />

enhanced by wine, and offer a lot of mutual<br />

support. Many have been established for years.<br />

<strong>Lewes</strong> has many intelligent, opinionated readers,<br />

and in some groups, discussion is taken seriously<br />

with the expectation that you’ve read all of the<br />

chosen text. Most aren’t ‘open’, but some are. The<br />

Get Into Reading group every Tuesday afternoon,<br />

for example, welcomes everyone, so I go along.<br />

It’s been running for nine years, in <strong>Lewes</strong> Library,<br />

led by retired University of Sussex lecturer Christine<br />

Cohen Park. Her role was funded initially,<br />

but once that ended, she carried on voluntarily.<br />

They read each book aloud, taking turns, stopping<br />

for discussions, tea and cake.<br />

I arrive to find them reading Rose Tremain’s<br />

Restoration. I ask if it’s ok to interrupt to ask some<br />

questions, and they say they are fine with that.<br />

These answers came from various members of<br />

the group:<br />

Are there ‘rules’? ‘There is no right and wrong<br />

opinion, everybody's views have equal weight.’<br />

‘Everybody is welcome.’ ‘We always finish with a<br />

poem, because that has a resolution.’<br />

Why do you come? ‘I didn't do that much reading<br />

and I stuck to genres I knew. Here, I read<br />

books I wouldn't have chosen. It's an education.’<br />

‘I arrived in <strong>Lewes</strong> not knowing a soul, and I’ve<br />

made new friends.’<br />

‘Having a leader,<br />

an ethos and some<br />

structure is helpful.’<br />

‘If the protagonists<br />

are going through a<br />

crisis, sometimes we<br />

share our own. The<br />

themes of the book can<br />

draw things out. It’s<br />

supportive. Someone<br />

with ME came and lay on the carpet for part of<br />

the time. And once, we went to the house of a<br />

member who wasn't well enough to come.’<br />

Who chooses the book? ‘Christine makes the final<br />

decision. Each book needs to work well being<br />

read out, although there is some discussion.’<br />

How long does it take to get through each<br />

one? ‘It depends on how much we talk about it!’<br />

How do you feel about reading out loud? ‘It’s<br />

fine, even though I felt nervous initially. You don’t<br />

have to read out loud.’<br />

Where do you source your copies? ‘60% from<br />

the library, who are brilliant.’ Emma Chaplin<br />

Get Into Reading, upstairs at <strong>Lewes</strong> Library, 2.30-<br />

4.45pm every Tuesday, free, all welcome. Just turn<br />

up or contact Christine christinecohenpark@yahoo.<br />

com, 01273 480650 / <strong>Lewes</strong> Short Story Club, run<br />

by Holly Dawson. Monthly, free, held in the back<br />

room of <strong>Lewes</strong> Waterstones. Three stories are read<br />

aloud, and this is followed by a lively discussion.<br />

Everyone gets a photocopy of the stories. lewesshortstory.co.uk<br />

/ Cook the Books, organised by<br />

<strong>Viva</strong>’s Chloë King, comprises sharing of different<br />

dishes brought by people inspired by recipes in<br />

their favourite cook books. Meets monthly. cookthebooks.club<br />

/ U3A has a fortnightly Book Circle,<br />

see u3asites.org.uk<br />

Photo by Emma Chaplin<br />

82


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Rachel Ward-Sale<br />

<strong>Lewes</strong> bookbinder<br />

We’ve been in the Star Brewery building since<br />

1992, in three different studios. The first space<br />

was too small because there were four of us working<br />

in it. Then two people left and the second<br />

space became too big. This one’s just right. I work<br />

alongside Jill Prole, we’re both sole operators,<br />

working under the umbrella ‘Bookbinders of<br />

<strong>Lewes</strong>’. We share jobs out: we each have regular<br />

customers but sometimes it depends who answers<br />

the phone, or who’s there when a customer pops<br />

round, as they often do. We never fight about it!<br />

We do all types of one-off and limited edition<br />

hand-binding jobs, whether that’s a simple gluing<br />

job or something much more complex. We do<br />

a lot of repairs of people’s favourite books that<br />

are falling apart. Then there are artists’ books,<br />

memoirs, theses and documents… up to top-end<br />

fine leather binding.<br />

People say ‘hasn’t digital been damaging to<br />

your business?’ but it’s been good to us really,<br />

because people can print one or two copies of<br />

their book – memoirs are a good example - and we<br />

can bind them together. Bigger companies won’t<br />

usually do such small jobs.<br />

The Star is a great space because there are so<br />

many interesting makers with small businesses<br />

to chat to. Everyone’s in the same boat. I used to<br />

work from home, but I’ve got too much equipment<br />

now to ever contemplate going back to that,<br />

and I’d miss the company.<br />

84


MY SPACE<br />

A lot of our equipment, like the nipping<br />

presses, is Victorian. A lot of stuff went on<br />

the market when printing went digital in the<br />

eighties. Other machines include the guillotine,<br />

the board cutter and the blocking press. Tools<br />

include hammers and scissors and weights and<br />

decorative tools for adding gold leaf to leather<br />

work. We need to get in supplies of paper every<br />

month. We use good quality acid-free paper in<br />

all sorts of different colours.<br />

We’ve always got jobs on the go. We never run<br />

out of things to do here. But it’s difficult for anyone<br />

to get into bookbinding nowadays because<br />

they’ve closed down all the full-time courses, and<br />

people have to either do part-time courses so<br />

they can only study part time, which is why we<br />

have started running part-time classes.<br />

You need to be a patient person to be a<br />

bookbinder. And you need an eye for detail. We<br />

have to be able to concentrate on the job, but we<br />

do listen to music while we work: world music,<br />

or jazz. And The Archers. We used to listen to the<br />

show on the radio but now we play it on iPlayer<br />

so we can pause it when the phone rings. In that<br />

way we don’t have to turn the radio off and miss<br />

what happens… As told to Alex Leith<br />

Bookbinders of <strong>Lewes</strong>, 01273 486718, Mon-Fri<br />

10.30am-4pm<br />

Photos by Lucy Limage (@lucylimage)<br />

85


ADVERTORIAL<br />

A DAY IN THE LIFE OF YHA SOUTH DOWNS<br />

Up with the lark for a 7am start and<br />

ready to cook breakfast for a group<br />

of 40 enthusiastic 7 year olds; they’re<br />

staying with us while exploring the<br />

South Downs Way and all it has to<br />

offer. We can accommodate up to 76<br />

people in our variety of rooms which<br />

include little wooden pods over<br />

looking the Downs and premium bell<br />

tents with log fires. With breakfast<br />

over, there’s just enough time for a<br />

quick coffee before getting the café<br />

ready to open at 10.<br />

It’s a bright, sunny day so we look forward<br />

to welcoming plenty of walkers<br />

and cyclists from their adventures<br />

on the South Downs Way and the<br />

cycle path from <strong>Lewes</strong> to Newhaven.<br />

Some will even have walked from our<br />

hostels in Brighton, Eastbourne and<br />

Truleigh Hill so will be really hungry<br />

when they get to us! Dogs are always<br />

welcome, so hopefully they’ll bring<br />

some four-legged friends too.<br />

There’s a lunch meeting in the<br />

upstairs conference room so<br />

everything’s in the oven for the buffet<br />

booked for 1pm. With freshly topped<br />

up teas and coffees, the attendees all<br />

look energised.<br />

As its Saturday we’re gloriously busy<br />

and it’s lovely to see long-standing<br />

customers return for our Cuppa and<br />

Cake deal – just £3.50. This is always<br />

a happy place to work and it’s at this<br />

time of year that we start looking for<br />

seasonal staff to join the YHA family<br />

and see us through the busy months.<br />

Next up, we prep for the evening<br />

meal and welcome guests back from<br />

their day’s adventures.<br />

If you think this might be the place<br />

for you, pop in for a Cuppa and Cake,<br />

book yourself an overnight stay, pop<br />

in to see what we’re about or drop us<br />

an email at southdowns@yha.org.uk.


COLUMN<br />

Walkies<br />

#14 Over the rainbow<br />

Sarah and I have been in Africa. Yes, do try and<br />

get over it. We did indeed miss the icy blast from<br />

the east. We have tans to die for and everybody<br />

hates us but, hey, that’s life. Happily, Todd is still<br />

over the moon to see us. Presumably we still<br />

smell the same, which in my case isn’t much to<br />

shout about.<br />

To celebrate our return, we’ve barely set foot<br />

on England’s green and pleasant land before<br />

the three of us take to the fields and woods near<br />

where we live, joined by Sarah’s six year-old<br />

niece, Cordelia. Our route takes us from the<br />

Rainbow Inn in Cooksbridge to nearby Barcombe<br />

Church, before heading north, and then<br />

west, over the fields.<br />

Ancient history lies lightly buried in this part<br />

of Sussex. In a field near Barcombe Church<br />

are the recently excavated remains of a Roman<br />

villa while a branch of the Sussex Greensand<br />

Way, a Roman Road, runs east/west along the<br />

escarpment above Cooksbridge. And spookily,<br />

Deadmantree Hill, which runs uphill from the<br />

pub, is reputed to be haunted by the ghosts of<br />

dead soldiers killed during the Battle of <strong>Lewes</strong><br />

in 1264.<br />

On a more light-hearted note, as we make our way<br />

along the footpath that runs parallel to the Roman<br />

Road, I find myself humming Over the Rainbow<br />

from the Wizard of Oz which I watched again<br />

for the first time in 40 years on the plane home.<br />

Cordelia has seen it recently too and wants to<br />

know whether the lions in Africa are as cowardly as<br />

the one in the film. I reply that, after being charged<br />

by one on a walking safari, Sarah and I are firmly of<br />

the opinion that the answer is “No”.<br />

Clearly in a reflective frame of mind and doubtless<br />

thinking of Judy Garland’s adorable little dog, Toto,<br />

Cordelia then says: “Auntie Sarah, do you think<br />

there are dogs in heaven?” “Of course there are,<br />

sweetheart” replies Sarah reassuringly. “But how do<br />

you know?” asks Cordelia looking troubled.<br />

“Because we’re in heaven right now,” says Sarah.<br />

“Todd’s a dog and he’s in heaven running around<br />

in the fields. Spring is on the way. You and me<br />

and Richard are having a wonderful walk, we’ve<br />

got a great view of the Downs and we’re in<br />

heaven too.”<br />

“Oh dear,” says Cordelia after a few moment’s<br />

silence. “That’s very sad. I suppose we must all<br />

be dead then.” Richard Madden<br />

Map: OS Explorer OL11. Distance: 4.5 miles. Terrain:<br />

Farm tracks, fields, stiles, woods, side roads,<br />

fields again. Directions: From the pub, take the<br />

footpath along the farm lane heading south-east<br />

and over the fields to Barcombe Church. Then<br />

follow a maze of footpaths north and then west<br />

beside the Roman Road before heading south<br />

along the side road towards Cooksbridge. Cut<br />

back along the path over the fields to the pub.<br />

Start/Finish: The Rainbow Inn, Cooksbridge<br />

(sadly closed).<br />

87


WILDLIFE<br />

Illustration by Michael Blencowe<br />

Rose-ringed Parakeet<br />

Excuse me while I kiss the sky<br />

One of my favourite quotes from The Simpsons<br />

comes from Springfield’s vet: “I love animals. I<br />

spend my life saving them and they can't thank me.<br />

Well, the parrots can.” No animals are more famed<br />

for their ability to talk than parrots (apart from that<br />

dog on That’s Life! who could say ‘sausages’). Sure,<br />

their ‘talking’ is more mimicry than witty afterdinner<br />

conversation – a feathered echo chamber<br />

– but whether they’re chanting ‘pieces of eight’ on<br />

a pirate’s shoulder or swearing in front of Auntie<br />

Ethel we humans have been entertained by their<br />

backchat for centuries.<br />

There are around 400 species of parrot. Their<br />

native range encompasses pretty much everywhere<br />

south of the Tropic of Cancer. For us Brits their<br />

beautiful plumage embodies the exotic; the mystery<br />

and excitement of faraway lands. So imagine my<br />

surprise when, on my first visit to <strong>Lewes</strong> many years<br />

ago, I saw a parrot flying round the Pells.<br />

The rose-ringed (or ring-necked) parakeet looks<br />

ridiculously out of place amongst our comparatively<br />

drab starlings, pigeons and crows. With its garish<br />

green plumage and red beak it stands out like a<br />

clown who has gatecrashed a funeral. And with that<br />

squawk – that incessant, demented squawk – there’s<br />

no ignoring it.<br />

South-east England’s parakeets are among the<br />

world’s most northerly parrot populations: but<br />

how did they get here? Some believe they made<br />

their great escape from an East London film<br />

studio in 1951 after starring alongside Bogart and<br />

Hepburn in The African Queen. Others claim that<br />

the parakeets were set stone free by Jimi Hendrix<br />

who liberated them from their plastic cage in his<br />

girlfriend’s London flat. I rather like the idea of<br />

American sixties icons being responsible for the<br />

spread of non-native species across the UK. Perhaps<br />

Sonny and Cher smuggled grey squirrels in through<br />

customs under their furry waistcoats or a touslehaired<br />

Bob Dylan secretly sneaked some mink out<br />

of the stage door of the Albert Hall in ’66.<br />

The truth is with tens of thousands of parakeets<br />

being imported into the UK it was no surprise<br />

that a few slipped their chains and flew the coop.<br />

Since the end of the sixties these free spirits have<br />

been recreating the Summer of Love across the<br />

capital. Forming feral colonies the parakeets have<br />

filled the air with their joyous, intolerable screeching<br />

and squawking; sounds that would make Hendrix<br />

and Dylan proud. And as for free love, their blatant<br />

fornicating in London’s parks has led to a parakeet<br />

population explosion. Surely it’s only a matter of time<br />

before the rose-ringed parakeet moves into suburban<br />

Sussex. One day they’ll be flying wild, vibrant and<br />

free around our gardens and gawping at us through<br />

the kitchen window as we stand there trapped in our<br />

repetitive lives. Who’s a pretty boy then?<br />

Michael Blencowe, Sussex Wildlife Trust<br />

89


䐀 漀 氀 瀀 栀 椀 渀 猀 伀 瀀 琀 漀 洀 攀 琀 爀 椀 猀 琀 猀 Ⰰ 䐀 漀 氀 瀀 栀 椀 渀 䠀 漀 甀 猀 攀 Ⰰ アパートアパート 䴀 甀 猀 琀 攀 爀 䜀 爀 攀 攀 渀 Ⰰ 䠀 愀 礀 眀 愀 爀 搀 猀 䠀 攀 愀 琀 栀 Ⰰ 刀 䠀 㘀 㐀 䄀 䰀<br />

㐀 㐀 㐀 㐀 㔀 㐀 㠀 㠀 簀 眀 眀 眀 ⸀ 搀 漀 氀 瀀 栀 椀 渀 猀 漀 瀀 琀 漀 洀 攀 琀 爀 椀 猀 琀 猀 ⸀ 挀 漀 ⸀ 甀 欀<br />

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HEALTH<br />

Dan Nicholls<br />

Myth-busting physio<br />

Dan Nicholls is a man of many medical hats:<br />

he is an advanced practitioner in the NHS, a<br />

visiting lecturer at Brighton University, teaching<br />

human anatomy in the cadaver lab, and he's<br />

worked as a physio for the British Basketball<br />

team, British Swim team and England Athletics<br />

as well as 2012 London Olympics and 2014<br />

Commonwealth Games.<br />

He also finds time to manage Motion Physiotherapy,<br />

a clinic at the Southdown Sports<br />

Centre. But don’t expect to find him there if you<br />

read this before <strong>April</strong> 16th: he’ll be on Australia’s<br />

Gold Coast, working once again with Team<br />

England at the Commonwealth Games.<br />

Physiotherapy is for everyone, and not just pro<br />

sportspeople, of course, and I’ve asked to meet<br />

Dan in his clinic, shortly before he sets off to<br />

Oz, to bust a few myths around back pain.<br />

“Myth number one,” he asserts: ‘Pain equals<br />

damage’. The level of pain experienced is rarely<br />

proportional to the amount of injury sustained<br />

to the back. Pain is far more complex than<br />

this; the Chartered Society of Physiotherapy<br />

acknowledge pain levels are a reflection of how<br />

threatened each human perceives itself to be.<br />

For example, past experiences, general health<br />

factors, beliefs, sleep, stress and exercise levels<br />

as well as psychological wellbeing, all play important<br />

parts in how much pain each individual<br />

might experience”<br />

“Myth number two: ‘a scan will show me what’s<br />

wrong’. Again, not necessarily true. Scans correlate<br />

poorly with symptoms of low back pain;<br />

additionally, research has shown that people who<br />

don't have low back pain have disc bulges, disc<br />

degeneration, disc protrusions and facet joint<br />

degeneration. These things are down to normal<br />

ageing: wrinkles on the inside. This does not<br />

mean all scans are irrelevant, but the conversation<br />

after a scan is critical, contextualising it<br />

with normal findings in a pain-free population.<br />

To give you an example in a recent survey, of<br />

3,110 over-50s who felt no back pain, 80% were<br />

shown in scans to have disc degeneration, and<br />

36% had disc protrusions.”<br />

“Myth number three: ‘I have a back injury, so I<br />

should avoid exercise, especially weight training’.<br />

Again, not true. Studies have shown positive<br />

benefits of exercise and high load resistance<br />

training. The right sort of training can result in<br />

making your back more robust. Most importantly,<br />

select a form of exercise you enjoy.”<br />

Dan’s work with professional teams is about<br />

preventing injury as well as treating it, but his<br />

clients at Motion Physiotherapy predominantly<br />

come to him with existing injuries. Enough of<br />

the myth busting: what should I do, I ask him,<br />

to make sure I don’t have to visit his clinic again,<br />

this time as a patient? “The answer’s<br />

in the name of the clinic,” he<br />

says. “Keep moving. Here’s<br />

another stat: the average<br />

adult spends 70% of<br />

their waking hours<br />

sitting down. Movement<br />

can be viewed<br />

as medicine, and like<br />

all medication you<br />

need to get the dosage<br />

right. Motion is the<br />

potion.” AL<br />

Dan runs Motion Physiotherapy<br />

(01273 480630)<br />

with his wife Penny; it’s<br />

business as usual<br />

in <strong>April</strong> for<br />

her.<br />

91


THE <strong>2018</strong> SPRING / SUMMER COLLECTION<br />

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www.barracloughs.net/wm<br />

Barracloughs the Opticians <strong>Lewes</strong> are proud to incorporate<br />

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- Fungal Nail advice<br />

- Diabetic Foot<br />

- Rheumatology<br />

- Wound care<br />

- Nail Surgery<br />

- Nail Cutting<br />

- Corn & Callus removal<br />

- In-growing Toenails<br />

- Verrucae<br />

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52 Cliffe High Street . <strong>Lewes</strong> . 01273 471893<br />

www.fyfpc.co.uk<br />

Facial<br />

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Thousands of men and women receive wrinkle<br />

reduction injections every year and it’s the UK's most<br />

popular cosmetic treatment for the removal of<br />

wrinkles. Combining a quick procedure with<br />

undeniable results that relaxes the muscles of facial<br />

expression, wrinkles are made less visible, resulting in<br />

a more natural and rejuvenated look.<br />

Steven Kell and Fay Jones have attended Professor<br />

Bob Khanna's advanced course and are now bringing<br />

his techniques to <strong>Lewes</strong> and Sussex. Fay also provides<br />

Dermal Fillers.<br />

It is very important to discuss your goals and<br />

expectations before making a decision, and we want<br />

you to be fully and properly prepared.<br />

Our consultations are held at <strong>Lewes</strong> High Street<br />

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and there is absolutely no obligation to proceed.<br />

60 High Street <strong>Lewes</strong> East Sussex<br />

01273 478240 | info@lewesdental.co.uk


HEALTH<br />

Coming clean<br />

How green is your house?<br />

Parabens, phthalates,<br />

triclosan,<br />

ammonia, chlorine,<br />

sodium hydroxide<br />

and butoxyethanol<br />

don’t sound like<br />

chemicals anyone<br />

would want to<br />

mess with outside<br />

of a laboratory, yet<br />

all are commonly<br />

found in household<br />

cleaning products. And while manufacturers claim<br />

minimal exposure is unlikely to cause harm, there<br />

is a growing body of studies that would disagree.<br />

Earlier this year, Norway’s Bergen University<br />

linked chemical-based cleaning products with<br />

reduced lung function, likening prolonged use<br />

to ‘smoking 20 cigarettes a day’; while, in 2016,<br />

a study by the National Centre for Atmospheric<br />

Science found the artificial fragrance limonene<br />

reacted with oxygen to form dangerous levels of<br />

formaldehyde.<br />

According to the US Environmental Protection<br />

Agency, the air in the average house is two and a<br />

half times more polluted than that outside. Hardly<br />

surprising, then, that the country’s Environmental<br />

Working Group estimates that we are routinely<br />

exposed to 62 chemicals in our homes.<br />

It’s a problem that Liz Impey and Vicki Bates are<br />

already tackling. Founders of The Green Cleaner<br />

in Brighton, they use only environmentally<br />

friendly products and are passionate about reducing<br />

chemicals in the home.<br />

“There is so much evidence that cleaning products<br />

can damage your health, with many linked to<br />

respiratory problems and even cancer,” says Liz.<br />

“We work from the premise that if you don’t have<br />

to use chemicals, then why would you? There are<br />

so many great natural alternatives available. You<br />

don’t have to use<br />

something with a<br />

skull and crossbones<br />

on it. Even if you<br />

just swap existing<br />

products for natural<br />

ones, that’s great -<br />

although, you can<br />

save money by going<br />

back to basics and<br />

making your own.”<br />

For those who fancy<br />

some DIY, Liz recommends a few key ingredients.<br />

“White vinegar is the basis of lots of cleaning products,”<br />

she explains, “as it contains acetic acid, which<br />

is great at cutting through grease and grime. You<br />

can water it down and add lavender essential oil to<br />

give a nice smell. Soda crystals are more heavy duty<br />

and can be used to clean ovens or added to washing<br />

powder to halve the amount used.”<br />

Other multi-purpose must-haves on her list<br />

include bicarbonate of soda, lemon juice and citric<br />

acid (tips and recipes can be found on her company’s<br />

website). “I’d also advocate using an e-cloth.<br />

They aren’t the cheapest, but they are amazingly<br />

good and really long-lasting.”<br />

Another way to ‘green’ your house is to literally<br />

introduce some green. “House plants have been<br />

proven to clean the air,” Liz asserts. “Boston ferns,<br />

ivy and peace lilies are especially good. You can<br />

also freshen the air by burning essential oils - although<br />

some should be avoided during pregnancy<br />

or around animals.”<br />

Whatever steps you take, you’ll be in good - and<br />

growing - company. “We’re only small, but we’ve<br />

noticed increased interest in green cleaning as<br />

people become more aware and health conscious,”<br />

observes Liz. “It’s definitely a growing trend. I’d<br />

say, just give it a go.” Anita Hall<br />

thegreencleaner.co.uk<br />

93


Because every life is unique<br />

…we are here to help you make your<br />

farewell as personal and individual as possible,<br />

and to support you in every way we can.<br />

Inc. Cooper & Son<br />

42 High Street, <strong>Lewes</strong><br />

01273 475 557<br />

Also at: Uckfield • Seaford • Cross in Hand<br />

www.cpjfield.co.uk


BRICKS AND MORTAR<br />

St John sub Castro<br />

A ‘new life’ for the Victorian church<br />

As a nearby resident, I’ve watched with interest the<br />

progress of the recent three-year building project<br />

at St John sub Castro. The external and internal<br />

repair work and creation of a modern, practical<br />

interior began after TRINITY was successful in<br />

securing restoration funding from the Heritage<br />

Lottery Fund and English Heritage.<br />

The current church was built in 1840 on a site of<br />

considerable historical interest, a natural promontory<br />

overlooking the Ouse. There’s evidence it may<br />

have once been used as a Roman camp; a church<br />

with Saxon origins stood here from at least the<br />

11th century. Increasing local residential development<br />

in the Pells area led to its demolition in 1839<br />

to make way for a larger structure.<br />

“It was an appalling decision,” says Rev. Dick Field,<br />

TRINITY Associate Vicar, who I’ve come to speak<br />

to, along with Stuart Billington, who is in the process<br />

of creating a website about the church’s history.<br />

“We’d call it an act of vandalism today,” says<br />

Stuart. They tell me that the original church (one<br />

of the first in <strong>Lewes</strong>) was located in the centre of<br />

the churchyard, oriented in the conventional way,<br />

with the altar at the east end. The entrance was<br />

from Church Row, next to a large mount, which<br />

was levelled to make space for the new church.<br />

This was built with the altar to the north, due to<br />

the topography of the site.<br />

There are clues to the past, if you know where to<br />

look: the Saxon arch, stones referencing the Danish<br />

prince/anchorite, Magnus. TRINITY manage<br />

the churchyard in a way that supports wildlife,<br />

but it needs more attention, and there are plans<br />

to raise funds for this. Meanwhile, however, St<br />

John sub Castro’s interior is utterly transformed,<br />

as I discover when I am shown round by Rev Jules<br />

Middleton.<br />

It’s always had a wonderful acoustic, great for<br />

classical concerts, but it used to be draughty, with<br />

the ceiling painted in 1960s yellow and orange<br />

Battenburg-like squares. Now it’s warm, modern,<br />

welcoming and bright. The pews are gone and it<br />

feels open, with fresh, clean lines and the lovely<br />

new oak floor. Even the lamb-and-flag weathervane<br />

has been re-gilded, and the building is now<br />

protected by a lightning conductor.<br />

I phone lead design architect for the conversion,<br />

Peter Pritchett, who explains: “Our aim was to<br />

alter, restore and refurbish it to the requirements<br />

of the present generation, in a sympathetic and<br />

respectful way to the current listed building and<br />

its history.” This involved negotiating with many<br />

bodies, including Historic England and the Victorian<br />

Society. “Eventually, we got consent from<br />

everyone, and we have enhanced the interior space,<br />

whilst increasing comfort and adding facilities,<br />

such as improved toilets, a kitchen and a community<br />

café, which is hoped will open after Easter.”<br />

Now it’s a church that’s also suitable for seven-day<br />

use, which means TRINITY St John sub Castro<br />

will see, as Peter puts it, “a new life”.<br />

Emma Chaplin<br />

Photo by Emma Chaplin<br />

95


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COLUMN<br />

<strong>Lewes</strong> Out Loud<br />

Plenty more Henty<br />

There’s a track entitled Word Power on an early<br />

Spike Milligan LP in which he is interviewed by<br />

actor Valentine Dyall. Spike plays the part of a<br />

man called Bert who has acquired a love of words<br />

through stealing a copy of Webster’s Dictionary from<br />

a bomb-damaged house.<br />

On a No. 38 tram to Woolwich Arsenal, Bert tries<br />

out his new interest on the conductor seeking his<br />

fare. “Perspicacity!” he shouts at the man, only<br />

to be instantly thrown off. It has to be a Milligan<br />

story, of course, but I recalled the incident when<br />

preparing these 500 words.<br />

Words have always played an important part in my<br />

quixotic life (there’s a good example) and currently,<br />

a favourite form of relaxation is to complete one of<br />

the many codewords that appear in most publications<br />

on a daily basis.<br />

It amazes me that the compilers are able to<br />

produce such teasers unendingly, using all letters<br />

of the alphabet. Who are these people, I wonder,<br />

and could they be part of a cottage industry here<br />

in our own town, hidden perhaps behind curtained<br />

windows in out of the way twittens?<br />

There’s another wonderful word for you and how<br />

about this one – highlighted in our illustration?<br />

I came across it very recently and immediately<br />

rushed to my Webster’s or Concise Oxford to find out<br />

more.<br />

Imagine my astonishment when I discovered that<br />

our modest garden houses thousands of examples<br />

of pangolins. Yours too, I guarantee, because the<br />

common woodlouse is an insectivorous mammal<br />

whose body is covered with horny, overlapping<br />

scales. It rolls into a protective ball when in danger,<br />

as do all pangolins. I bet my wildlife colleague,<br />

Michael, knew that already, but for me it was<br />

a revelation and another word to try out on an<br />

unsuspecting bus driver.<br />

Plenty of words about town this month and amusement<br />

too in the wintry conditions encountered<br />

for a spell. Was my friend ‘soprano sax man’ being<br />

ironical as he played Summertime on the Cliffe<br />

Bridge as a vicious easterly wind cut right through<br />

shoppers?<br />

Thousands of words on sale in Boon Book shop on<br />

School Hill when I popped in to hand a poster to<br />

owner, Vivienne. It was my first visit, I am ashamed<br />

to say, and I loved the cosy interior and massive<br />

range of remaindered books on sale. A browser’s<br />

paradise if ever I saw one.<br />

The poster? Well you should find one in this edition<br />

and also around town. My radio play Raymond<br />

Briggs’s Sofa is being presented for one night only<br />

in the Pelham House Hotel on Sunday, <strong>April</strong> 8, at<br />

7.30pm. It’s in aid of the Mayor’s charities. Tickets<br />

are £10 and I can promise an evening of laughter<br />

and surprises. Special guests, a talking sofa, all in<br />

what I can only describe as stand-up comedy for<br />

sit-down people. Don’t take my word for it though,<br />

do join us. It would be great to welcome <strong>Viva</strong> readers.<br />

Password is pangolin! leweshentys@waitrose.<br />

com. John Henty<br />

97


BUSINESS NEWS<br />

I’ve realised that builders working on High<br />

Street refurbs keep themselves amused by answering<br />

the inevitable question ‘what’s going in<br />

there, then?’ with a variety of made-up answers.<br />

So I’m taking with a pinch of salt the answer I<br />

got when asking just that to a high-viz-vested<br />

chap working in the building at the top of Station<br />

Street that was until recently Santander.<br />

“Ann Summers,” he said. So there you go.<br />

Further up the High Street, a builder was more<br />

forthcoming about the work being done to what<br />

used to be the Lloyds cash-point cubbyhole. As<br />

reported in this space a few months ago, it’s an<br />

extension to Shanaz.<br />

Most of the churn in the town is about eateries<br />

this month. Station Street is worthy of particular<br />

mention: the Turkish coffee shop, Charade,<br />

where Tash Tori used to be, seems to be a place<br />

for real coffee aficionados: I tried a Turkish<br />

coffee which came in a fabulously ornate lidded<br />

container, and tasted superb. Meanwhile down<br />

the bottom, Delish are shutting down after<br />

seven years of selling pastries, pies and other<br />

well-cooked savouries: as yet we have no news<br />

of a replacement.<br />

It’s a period of firsts for <strong>Lewes</strong>: our first pintxos<br />

bar (see VL#138) followed by our first sushi<br />

restaurant (though don't worry Lemongrass<br />

are still doing Thai, see pg 71) followed by our<br />

first dedicated bagel house. Bagelman have<br />

been trading in Brighton since 1996; their fifth<br />

outlet (and the first outside the city) is where<br />

Cheese Please used to be. Mine’s a Reuben, in<br />

an onion bagel, please.<br />

Anyone who sees an empty space where Fisher<br />

Street Frames and Fleurie used to be, don’t<br />

despair. The two shops, joined at the hip, are<br />

both moving to another side-by-side pair of<br />

spaces, in the basement of the Needlemakers.<br />

Framer Andrew tells me he’s not changing the<br />

name of his company. He also tells me what’s<br />

most likely to fill the space that he’s relinquishing,<br />

then swears me to silence, dammit.<br />

Opposite the station, Surelock Solutions are<br />

shutting up shop, but locksmith Alan Peters<br />

will be going mobile with the same contact<br />

details. And the vape shop next door is going<br />

to be replaced… by another vape shop. So we’ll<br />

still get some interesting smells round there.<br />

Finally, we attended the launch of the <strong>2018</strong><br />

<strong>Lewes</strong> District Business Awards in the Depot<br />

on March 13th, and we’ve happily agreed to be<br />

on the judging panel again this year. There are<br />

14 categories (Company of the Year, Best Independent<br />

Retailer, Best Green Business etc) and<br />

if you would like to nominate your company<br />

for any of the awards, you have until <strong>April</strong> 30th<br />

to do so. Visit lewesbusinessdistrictawards.<br />

co.uk for details of all the categories and how to<br />

enter. Good luck! Alex Leith<br />

98


DIRECTORY<br />

Please note that though we aim to only take advertising from reputable businesses, we cannot guarantee<br />

the quality of any work undertaken, and accept no responsibility or liability for any issues arising.<br />

To advertise in <strong>Viva</strong> <strong>Lewes</strong> please call 01273 434567 or email advertising@vivamagazines.com<br />

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Project1/NEWSIZE_Layout 1 18/01/2012 14:59 Page 1<br />

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www.brook-hart.co.uk


OTHER SERVICES<br />

COMPETITIVE<br />

PRICES<br />

FLO TYRES<br />

& ACCESSORIES<br />

EXPERT<br />

ADVICE<br />

O N E S T O P S H O P F O R P R E M I U M , M I D R A N G E A N D B U D G E T T Y R E S<br />

We also stock vehicle batteries, wiper blades, bulbs and top up engine oils.<br />

LOCAL INDEPENDENT RETAILER.<br />

TYRES. BATTERIES. BULBS. WIPERS<br />

FROM STOCK WHILE YOU WAIT.<br />

FREE TREAD & WEAR CHECKS.<br />

PUNCTURE REPAIRS.<br />

WHEEL BALANCING.<br />

WHEEL ALIGNMENT.<br />

Flo Tyres And Accessories<br />

Unit 1 Malling Industrial Estate, Brooks Road, <strong>Lewes</strong>, BN7 2BY<br />

Tel: 01273 481000 | Web: flotyres.com | info@flomargarage.com


OTHER SERVICES<br />

HEALTH & WELLBEING<br />

www.andrewwells.co.uk<br />

We can work it out<br />

• BUSINESS ACCOUNTS AND TAX<br />

• MEDIA AND THE ARTS<br />

• CONTRACTORS AND CONSULTANTS<br />

• FRIENDLY AND FLEXIBLE<br />

T: 01273 961334<br />

E: aw@andrewwells.co.uk<br />

FREE<br />

initial<br />

consultation<br />

Andrew M Wells Accountancy<br />

99 Western Road <strong>Lewes</strong> BN7 1RS<br />

The Cycling Seamstress and hairdresser<br />

For Prom dress alterations<br />

& prom hair contact me.<br />

Andrew Wells_<strong>Viva</strong> <strong>Lewes</strong>_AW.indd 1 25/06/2012 09:05<br />

07766 103039 / nessnewmantt@gmail.com<br />

neck or back pain?<br />

Lin Peters - OSTEOPATH<br />

VALENCE ROAD OSTEOPATHS<br />

for the treatment of:<br />

neck or low back pain • sports injuries • rheumatic<br />

arthritic symptoms • pulled muscles • joint pain<br />

stiffness • sciatica - trapped nerves • slipped discs<br />

tension • frozen shoulders • cranial osteopathy<br />

pre and post natal<br />

www.lewesosteopath.co.uk<br />

20 Valence Road <strong>Lewes</strong> 01273 476371<br />

Working with<br />

we are offering free advice<br />

on healthy lifestyles<br />

倀 爀 甀 刀 漀 眀 渀 琀 爀 攀 攀<br />

䌀 愀 爀 攀 攀 爀 䜀 甀 椀 搀 愀 渀 挀 攀<br />

眀 眀 眀 ⸀ 瀀 爀 甀 爀 漀 眀 渀 琀 爀 攀 攀 挀 愀 爀 攀 攀 爀 最 甀 椀 搀 愀 渀 挀 攀 ⸀ 挀 漀 洀<br />

• Eat welll • Move more • Drink less<br />

• Be smoke free • Lose weight<br />

If you are looking to quit smoking, lose<br />

weight or get more active we can advise and<br />

signpost you to services to support you. Also<br />

look at NHS CHOICES for further advice and<br />

ideas on healthy lifestyle and exercise.<br />

www.oneyoueastsussex.org.uk<br />

(Closed between 1-2pm)


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Other therapies<br />

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fOr MOre details see:<br />

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and Psychological Services<br />

with experienced clinicians<br />

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We work with individuals,<br />

couples, families and groups.<br />

Sam Jahara (UKCP Reg.)<br />

Transactional Analyst<br />

Mark Vahrmeyer (UKCP Reg.)<br />

Integrative Psychotherapist<br />

Dr. Simon Cassar (UKCP Reg.)<br />

Existential Psychotherapist<br />

Jane Craig (HCPC Reg.)<br />

Clinical Psychologist<br />

Magdalena Whitehouse (HCPC Reg.)<br />

Drama Therapist<br />

Thea Beech (UKCP Reg.)<br />

Group Analyst<br />

BEFORE<br />

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• Friendly clinic in <strong>Lewes</strong><br />

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CLIFFE OSTEOPATHS<br />

complementary health clinic<br />

Tom Lockyer<br />

BA (Hons). Dip Couns, MBACP<br />

Counselling and<br />

Psychotherapy<br />

Natural Alternaaves<br />

at the Menopause<br />

Workshop 28th <strong>April</strong> in <strong>Lewes</strong><br />

& 1:1 Appointments at The Cliffe Clinic<br />

I offer a professional, conndential counselling<br />

service for individuals and couples.<br />

Through the creation of a safe, supportive,<br />

mindful space, my clients deepen their<br />

self-awareness and compassion together<br />

with a psychological resilience that allows<br />

them to better manage the stuff of life.<br />

To understand and make sense of how we<br />

nd ourselves where we are right now, and<br />

how we might imagine writing a new<br />

chapter in the story of our lives.<br />

I am happy to answer any questions you<br />

may have about the way I work. Call 07711<br />

265642 or tom@sussextherapyworks.co.uk<br />

OSTEOPATHY<br />

Mandy Fischer BSc (Hons) Ost, DO<br />

Steven Bettles BSc (Hons) Ost, DO<br />

HERBAL MEDICINE & REFLEXOLOGY<br />

Julie Padgham-Undrell BSc (Hons) MCPP<br />

PSYCHOTHERAPY<br />

Julia Rivas BA (Hons), MA Psychotherapy<br />

Tom Lockyer BA (Hons), Dip Cound MBACP<br />

ACUPUNCTURE & HYPNOTHERAPY<br />

Anthea Barbary LicAc MBAcC Dip I Hyp GQHP<br />

HOMEOPATHY, COACHING, NLP<br />

& HYPNOTHERAPY<br />

Lynne Russell BSc FSDSHom MARH MBIH(FR)<br />

HERBALIST<br />

Kym Murden<br />

BA Hons Dip Phyt<br />

Weaving wellness together<br />

whatever your age.<br />

Herb & Health Workshops<br />

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kymmurden.com<br />

Appointments 07780 252186<br />

New Yoga Class<br />

With Suzy Daw<br />

Yoga Teacher & Physiotherapist<br />

Scaravelli Inspired Yoga<br />

Monday Mornings: 10.30-12pm<br />

at the Subud Centre, 26a Station Street, <strong>Lewes</strong><br />

Beginners welcome as well as those experienced<br />

£12/10 per class or 6 weeks £66/54 (term time only)<br />

For information contact Suzy on 07939 580743<br />

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01273 480900


HEALTH & WELLBEING<br />

Doctor P. Bermingham<br />

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Assoc. Med. Psychotherapy. Open ended psychodynamic<br />

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GOOD HEALTH FROM THE INSIDE OUT<br />

Why have a colonic?<br />

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Arts Counsellor - Tara Canick MCGI, BACP<br />

The Family Room @ The Montessori Place<br />

<strong>Lewes</strong> Road, Easons Green, TN22 5RE<br />

For adults & children from £10 per session<br />

(No previous art experience necessary)<br />

07792 600903 – www.tara-canick.co.uk<br />

Joy of Movement Classes<br />

Holistic Dance / Mindful Movement for<br />

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Great for beginners.<br />

Tuesdays & Thursdays 10.45am - 12pm<br />

First class free (please book)<br />

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Acupuncture, Alexander Technique, Bowen<br />

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Psychotherapy, Family Therapy, Herbal<br />

Medicine, Massage, Nutritional Therapy,<br />

Life Coaching, Physiotherapy, Pilates,<br />

Shiatsu, Podiatry/Chiropody


Directory Spotlight:<br />

Richard Burrows, Latin teacher<br />

How long have you been a<br />

Latin teacher? About 15 years.<br />

I used to teach at Priory. But<br />

I’m far from being retired.<br />

Now I do regular evening<br />

classes in the Nutty Wizard,<br />

the occasional private lesson,<br />

PGCE teacher training at<br />

the University of Sussex, and<br />

‘twilight’ classes at Varndean School…<br />

It’s very popular now! Since Michael Gove<br />

put it in the EBacc. After three years of learning<br />

a modern language – how to find their way<br />

around a supermarket and suchlike – students<br />

think it’ll be more interesting getting stories<br />

from the Cambridge Latin Course about death<br />

and mayhem and families getting engulfed in a<br />

volcanic eruption.<br />

Why do adults want to learn a dead language?<br />

They tend to fall into two camps. Latin held sway<br />

in the intellectual life of Europe<br />

for many centuries, and some<br />

students are interested in the<br />

cultural impact it had on our<br />

history and heritage. Others<br />

are interested in examining<br />

the roots of modern European<br />

languages.<br />

But is Latin useful? I think that<br />

Latin sentences are so complex – every word needs<br />

a lot of attention to make it fit – that an understanding<br />

of Latin becomes a wonderful tool for<br />

helping the brain to work with words. It trains you<br />

to be careful with words, and respectful of them.<br />

Do you read Latin for pleasure? Can’t say I<br />

do! But I love working with a class, teasing out<br />

the meaning of a sentence. That’s the greatest<br />

pleasure in it. AL<br />

To enquire about lessons contact Richard at<br />

allburrows00@gmail.com<br />

GUITAR LESSONS<br />

with Guy Pearce<br />

For all ages and abilities. Fully CRB checked<br />

• Lessons and Grades in Electric and Acoustic guitar.<br />

• Mobile Tuition<br />

• Guitar restringing service.<br />

07504173888<br />

guypearceguitarlessons@gmail.com<br />

Ages 16 and up from an experienced, qualified teacher<br />

Contact: Lucinda Houghton BA(Hons), AGSM (GSMD), FRSM<br />

Kingston, <strong>Lewes</strong> (Ample parking)<br />

07976 936024 | canto-voice.org


LESSONS AND COURSES<br />

GARAGES<br />

Singing Lessons<br />

Experienced voice teacher - DBS checked - Wallands area<br />

www.HilarySelby.com<br />

07960 893 898<br />

EXPERT<br />

ADVICE<br />

I N C O R P O R A T I N G F L O T Y R E S<br />

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www.mechanicinlewes.co.uk<br />

info@flomargarage.com<br />

Units 1-3 Malling Industrial Estate, Brooks Road, <strong>Lewes</strong> BN7 2BY<br />

Vehicle Servicing, Repairs and MOT Service: 01273 472691<br />

www.mechanicinlewes.co.uk | info@flomargarage.com


INSIDE LEFT<br />

SMOKE HOUSE<br />

This is the second time in a row we’re showing<br />

the proud owners of a tobacconist/newsagent<br />

standing outside their shop, this time at 48<br />

Cliffe High Street. The photo was taken over<br />

50 years earlier than last month’s: the caption<br />

in Reeves’ archive reads ‘Mooreys, c1906’. Of<br />

course a little bit of research means we can be<br />

much more specific than that. The ‘Chamberlain<br />

Celebrations’ headline on the newspaper<br />

board refers to the 70th birthday celebrations<br />

for Joseph Chamberlain, held in Birmingham;<br />

the ‘Zulus routed 547 killed’ describes a massacre<br />

of tribesmen in what is now South Africa,<br />

by British troops. Both events occurred on 8th<br />

July 1906, so we can perhaps place this picture<br />

as being taken the day after, a Monday.<br />

Among the wares advertised in the window are<br />

‘Flor de Dindigul’ cigars, another pointer to the<br />

influence of the Empire on everyday life: these<br />

were made from tobacco grown on a plantation<br />

in the southernmost province of India.<br />

We can also identify the people in the picture.<br />

On the right, standing at the entrance of<br />

Greens Passage, is Howard Moorey, then 42<br />

years old, listed in the street directory as the<br />

owner of the shop. On the left is his wife Caroline,<br />

four years his senior, and their daughter<br />

Dorothy, 11. The Mooreys have every reason<br />

to look proud, because they were an upwardly<br />

mobile couple; Howard’s previous career had<br />

been as a basketmaker, like his father Trayton;<br />

Caroline’s father was a labourer. For reasons<br />

unknown, the Mooreys moved their shop a few<br />

yards down the street to number 50 soon after.<br />

Anyone who’s been here more than 10 years<br />

will remember that the newsagent at no. 50 that<br />

was replaced by Le Magasin had retained the<br />

name ‘Mooreys’.<br />

Howard Moorey, here displaying a wicker<br />

delivery barrow with his name on it, died aged<br />

58 in 1922; his wife outlived him by twenty<br />

years, taking on the running of the shop. We<br />

can imagine the couple would be interested to<br />

learn what became of their shop after they left<br />

it. In their time dentist CF Clarke ran his business<br />

there, succeeded by Hamilton Brown, who<br />

advertised his trade (remembers Mick Symes)<br />

with a chair and wire-driven drill in the window.<br />

Most latterly it was Southdown Antiques,<br />

before becoming a vape shop, Smoketronics,<br />

early last year… which brings us pretty much<br />

full circle back to the tobacconist. AL<br />

114


<strong>Lewes</strong> Landlords:<br />

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from September <strong>2018</strong>.<br />

• No fees or commission<br />

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For further details, please contact:<br />

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Opening times Mon-Fri 10am-4pm<br />

T +44 (01273) 678220<br />

E housing@sussex.ac.uk


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