28.03.2018 Views

Viva Lewes Issue #139 April 2018

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Photo by Sam Moore<br />

John Hamilton<br />

Penguin Essentials Art Director<br />

20 Years of Penguin Essentials at Ditchling<br />

Museum of Art + Craft is a collection of 100<br />

book covers brought together by esteemed Art<br />

Director John Hamilton. The show runs until<br />

29th <strong>April</strong>, in partnership with their Elizabeth<br />

Friedlander exhibition that includes her ornate<br />

re-workings of the Penguin logo for the<br />

publisher’s 25th Anniversary.<br />

The Essentials were never intended as a formal<br />

body of work, says John, but reviewing them in<br />

curating the show has revealed something of a<br />

‘holding look’.<br />

The full collection of over 150 titles grew out of<br />

his idea to bring special editions of modern literary<br />

classics to a new generation of book buyers.<br />

They encapsulate the major overhaul John has led<br />

at Penguin since he joined twenty years ago - a<br />

period of change that offered the chance to throw<br />

away the design conventions of his predecessors.<br />

“When I started, they basically said: ‘you’ve got<br />

a free hand to do what you want,’” says John. “I<br />

looked at the backlist - Kerouac, Orwell - it was just<br />

mind-blowing. I thought, how do we sell this to a<br />

new young audience?”<br />

The answer was to pair famous titles with young,<br />

punky artists and designers whose work John found<br />

in magazines like ID, The Face and on album covers.<br />

A commission for design agency Intro off the<br />

back of their work for Primal Scream helped to<br />

consolidate the approach. “I thought, this is the way<br />

forward,” says John. “I sat down with my designers<br />

and said, ‘we’ve got to do this differently.’”<br />

The net was cast wider and wider, to include<br />

tattooists and street artists like Banksy and Cleon<br />

Peterson. “The internet,” says John, “for me, it was<br />

like a painter having four colours and then all of a<br />

sudden 200.”<br />

“I wanted to press buttons with a whole new<br />

audience, so we got Stanley Donwood when he was<br />

doing OK Computer, and Banksy…”<br />

The cover Banksy created for Nick Cave’s And<br />

the Ass Saw the Angel features a reworking of the<br />

Penguin logo exhaling flames that John just slipped<br />

through the eight-person approval process.<br />

44

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!