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For Faith - a graphic novella

This is for class, for faith.

This is for class, for faith.

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Coming home, it’s a different story. Anyone<br />

can be a victim to my wandering eyes. <strong>For</strong> a lot<br />

of people - I guess I mean specifically women,<br />

but it’s really anyone - that might be a really<br />

horrific thought. What am I doing, with my<br />

eyes? Why are they wandering in that manner,<br />

what shapes are they following, what trends?<br />

What I am doing, though, when I look<br />

at these folk, is finding the lightest<br />

and darkest parts of their faces, the<br />

highlights and the shadows. I make<br />

a big deal out of the word shading,<br />

what a horrible piece of vocabulary,<br />

as if you’re the one throwing shadows<br />

on the people you’ve drawn<br />

flat as a chip.<br />

Value. What a phenomenal piece of<br />

terminology, one of my favorites,<br />

outright. The edges and angles of<br />

the visage, or a coat, or a shoe -<br />

willing them into existence on the<br />

page, finding their weight through the<br />

rebounding light that pours over them<br />

from the overhead lamps. Every line is<br />

another stroke of a chisel, perhaps<br />

this is the same way that the old<br />

masters felt when making the memory<br />

of a man in marble.<br />

Needless to say, I am not unclothing folk in<br />

my head, unless that be the explicit topic of<br />

the day. "Think of everyone in their underwear"<br />

is such a horrible piece of advice and I might<br />

wish death upon whoever thought that up. You<br />

would have no idea what people are into. I<br />

myself would feel terrified to be undressed<br />

like that, or completely out of place being<br />

clothed. What if there is someone pretty on<br />

the train? I don’t want to think about it.

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