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JAVA.June.2018

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an<br />

Mark Freedman and artist Lisa Von Hoffner<br />

Phoenix Mayor Greg Stanton is speaking to the crowd. He thanks Mark Freedman and Francesca Miller,<br />

Freedman’s wife, for hosting this event at their home to raise money for his upcoming run for Congress.<br />

Off to the side, Freedman shyly smiles and tries to deflect attention. After the speech ends, he graciously<br />

gives me a tour of the house and his studio.<br />

The architecture is beautiful, complete with high ceilings and an open concept space. The walls are impeccably<br />

white, like a gallery, and are filled with edgy contemporary works of art. The party is going exceedingly well.<br />

This mix of artists, collectors, business types, and political players seems strange at first, but Freedman sees<br />

this kind of collaboration as essential if Phoenix is to reach its potential as a thriving art scene.<br />

Freedman has had an interesting relationship with Arizona. He went to school in Tucson, twice. He garnered<br />

success as a visual artist in Phoenix more than a decade ago, and then moved to New York for a decade. Now<br />

he’s back, trying to make a life as an artist and more recently as a curator.<br />

Mark Jay Freedman was born in Hollywood, California, and grew up in the San Fernando Valley. Although his<br />

parents exposed him to culture at an early age and their trips to the original Getty Museum made an impact on<br />

him, he didn’t necessarily gravitate toward art right away. Instead, he attended the University of Arizona and<br />

earned a degree in Middle Eastern studies.<br />

Freedman was fascinated with that part of the world and ended up in Haifa, Israel. “I really just wanted to be<br />

an academic. I wanted to study and write theory,” he said. “I didn’t study religion. It was all real archaeological<br />

and historical-based studies. I was really into that.” He worked at a museum that had both an antiquities<br />

collection and a contemporary art gallery. “Somehow in Israel, between reading and working in the museum,<br />

traveling, and being just completely on my own, I found the courage and the impulse to do art.”<br />

Freedman returned to the States, then eventually back to the University of Arizona to study fine art. “My plan<br />

was to go to art school to see if I liked it – if I was even good at anything,” he said. “It was all in my head, and<br />

so I needed to put it to the test.” Art school was demanding for him, but his art practice developed enough that<br />

<strong>JAVA</strong> 13<br />

MAGAZINE

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