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JAVA.June.2018

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Photo: Jasmine Safaeian<br />

“We can say we want to reach families with arts backgrounds that have searched<br />

for keywords in sustainability and upcycling – or whatever the case may be. But<br />

those pockets already exist, and they’re just looking for a place to land. We can go<br />

directly to them, versus printing out mailers, distributing flyers and having no data<br />

in terms of what’s working and what’s not working,” Jameson said.<br />

The generation that helped build Soleri’s vision from the ground up is growing<br />

older, trying to find its place in the 21st century and transition to younger members<br />

taking charge, while holding true to Arcosanti’s original aims. While the master<br />

plan is far from being completed, events like FORM are helping to bridge the gap.<br />

“I think that’s the role of FORM and that’s the role of the arts here,” Jameson said,<br />

“to make use of people that are here as the cogs that make this machine work – to<br />

continuously question how big we can dream and what’s possible. So I commend<br />

FORM in really opening that door much bigger than we had dreamed before.”<br />

Turbulent Times and #MeToo<br />

In November of last year, Arcosanti was forced to reconcile its place in the modern<br />

era on a more sobering level as part of the #MeToo movement.<br />

Daniela Soleri, daughter of the famous architect, went public with allegations<br />

of repeated sexual abuse from her father throughout her childhood. Her story<br />

included claims of inaction on the Cosanti Foundation’s part and its attempts to<br />

keep the story quiet after she originally approached them.<br />

After leaving the foundation six years ago, Daniela says she was inspired by the<br />

#MeToo movement to finally go public with her story.<br />

In the aftermath, the foundation did make changes, such as including an antiharassment<br />

policy with steps for reporting unwanted conduct and mandating that<br />

employees take an anti-harassment course.<br />

While these changes were made internally, there is a sense that the foundation’s<br />

response did little to communicate with the public.<br />

Photo: Andrew Boyle<br />

“I think Arcosanti could have done a better job making statements publicly about<br />

it. They didn’t really say anything to the public. A lot happened internally, but not<br />

beyond that, so people don’t know what is going on,” Shea explains.<br />

The correct response to such allegations is rarely, if ever clear. An official<br />

statement from the foundation claiming support for Daniela was released, as well<br />

as an open letter to Phoenix New Times’ editorial board in response to an article<br />

published in March critical of the foundation’s handling of the allegations.<br />

Maintaining the Mission<br />

There is an admitted reverence for Paolo Soleri that permeates Arcosanti,<br />

exposing a strange dichotomy that is difficult to understand from the outside.<br />

The daily activities are unromantic and practical, bent on maintaining a<br />

sustainable village in the middle of the high Arizona desert – but its idealism<br />

asserts itself unexpectedly at times. Each seemingly mundane task completed in<br />

the name of a mission creates an effect much greater than the sum of its parts.<br />

For nearly 50 years, Arcosanti has encapsulated this idealism, and Soleri’s name<br />

has grown synonymous, inseparable from the vision that countless others have<br />

worked toward.<br />

Now a new generation will carry it forward.<br />

<strong>JAVA</strong> 33<br />

MAGAZINE

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