JAVA.June.2018
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Photo: Jasmine Safaeian<br />
“We can say we want to reach families with arts backgrounds that have searched<br />
for keywords in sustainability and upcycling – or whatever the case may be. But<br />
those pockets already exist, and they’re just looking for a place to land. We can go<br />
directly to them, versus printing out mailers, distributing flyers and having no data<br />
in terms of what’s working and what’s not working,” Jameson said.<br />
The generation that helped build Soleri’s vision from the ground up is growing<br />
older, trying to find its place in the 21st century and transition to younger members<br />
taking charge, while holding true to Arcosanti’s original aims. While the master<br />
plan is far from being completed, events like FORM are helping to bridge the gap.<br />
“I think that’s the role of FORM and that’s the role of the arts here,” Jameson said,<br />
“to make use of people that are here as the cogs that make this machine work – to<br />
continuously question how big we can dream and what’s possible. So I commend<br />
FORM in really opening that door much bigger than we had dreamed before.”<br />
Turbulent Times and #MeToo<br />
In November of last year, Arcosanti was forced to reconcile its place in the modern<br />
era on a more sobering level as part of the #MeToo movement.<br />
Daniela Soleri, daughter of the famous architect, went public with allegations<br />
of repeated sexual abuse from her father throughout her childhood. Her story<br />
included claims of inaction on the Cosanti Foundation’s part and its attempts to<br />
keep the story quiet after she originally approached them.<br />
After leaving the foundation six years ago, Daniela says she was inspired by the<br />
#MeToo movement to finally go public with her story.<br />
In the aftermath, the foundation did make changes, such as including an antiharassment<br />
policy with steps for reporting unwanted conduct and mandating that<br />
employees take an anti-harassment course.<br />
While these changes were made internally, there is a sense that the foundation’s<br />
response did little to communicate with the public.<br />
Photo: Andrew Boyle<br />
“I think Arcosanti could have done a better job making statements publicly about<br />
it. They didn’t really say anything to the public. A lot happened internally, but not<br />
beyond that, so people don’t know what is going on,” Shea explains.<br />
The correct response to such allegations is rarely, if ever clear. An official<br />
statement from the foundation claiming support for Daniela was released, as well<br />
as an open letter to Phoenix New Times’ editorial board in response to an article<br />
published in March critical of the foundation’s handling of the allegations.<br />
Maintaining the Mission<br />
There is an admitted reverence for Paolo Soleri that permeates Arcosanti,<br />
exposing a strange dichotomy that is difficult to understand from the outside.<br />
The daily activities are unromantic and practical, bent on maintaining a<br />
sustainable village in the middle of the high Arizona desert – but its idealism<br />
asserts itself unexpectedly at times. Each seemingly mundane task completed in<br />
the name of a mission creates an effect much greater than the sum of its parts.<br />
For nearly 50 years, Arcosanti has encapsulated this idealism, and Soleri’s name<br />
has grown synonymous, inseparable from the vision that countless others have<br />
worked toward.<br />
Now a new generation will carry it forward.<br />
<strong>JAVA</strong> 33<br />
MAGAZINE