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8 THE PHILLIPAN ARTS FEBRUARY 4,2000<br />

Z-m -<br />

day rare i bt and I excit- witnessed that<br />

'Eric Johnson and did so with an exceptional<br />

ing smorgasbord of talent one could only see at Eiaeh dm n samount of talent'and skill. Malozemoff was'<br />

- ~~~~~~~~~~~~~~~~~~~~~~~the<br />

annual Rabbit Cabaret. Produced by Jon Elizabeth____Edmonds_ particularly adept during his guitar solos afici<br />

;4-, ~~~~~Hollinger '00 and Tristan Perich '00, this ARTS STAFF WRITER sparked an audience chant "Frau! Frau! FrauJ"1<br />

year's Rabbit Cabaret was energizing and cornfortable<br />

dae I saysteamy.Chris and,<br />

The decision to hold the Rabbit Cabaret in<br />

success. Another musical. act followed intermission-,<br />

Cheng'O1 followed with a martial with Jon Hollinger '00 on vocals and guit~r`<br />

arspromneuigaln o.Hsmvs wieTitan Perich '00 jammed on the dru. "'<br />

=<br />

Kempe goo wasa one theintimcy semed were clear and definitive and appeared to-<br />

~~~~~~~~~~~~~~~~~~~~~~~~~to<br />

increase exponentially throughout te require an unbelievable amount ofskill,<br />

evening as more and more people fluttered ont After a chamring monologue from Master<br />

and guitar and Chris McDonald '00 played ti,<br />

piano. The music was enjoyable and well-org~z,1<br />

nized.- -<br />

the floor and squished next to each other ad of Ceremonies Mark Turetsky '00, Chris<br />

applauded together.<br />

Becase sagewasso he coseto te adi- Cheng again came onstage and, this time using<br />

nunchucks, completed another exciting martial<br />

ence, the audience participation and interaction arts demonstration. Cheng appeared agile and<br />

wit th ats ashigh, leading to an unusual pr-cettruhuthsmsclat<br />

Another musical group, Azure Acapelfa,,<br />

sang Fast Car by Tracy Chapman. Sham, one'<br />

of two soloists, carried the song especially well<br />

and captivated the audience with her smiles.<br />

Turetsky reappeared to read a selection<br />

#T<br />

sense of all-encompassing audience elationi<br />

sma shg egranc onithe rms. het st<br />

sma~~~~ hshow eganc withe ris ett-'s<br />

N ext, Under the Bed played a scene game.<br />

eneadednwihaohrthpltoth<br />

Beginning with-one line offered from the audifrom<br />

Joseph Heller's Catch-22. The selection<br />

anwntnfrabtfvemuestrug<br />

a mockery of a courtroom was mostly dialogue,<br />

light flickered on and off at different sections<br />

throughout the solo, further amplifying t<br />

upbeat and complicated rhythms DeWit<br />

played flawlessly.<br />

played flawlessly.<br />

B Thrnto! Th Net, Phz1~pin he fmilir Satanasong Smoth,<br />

Thi weekend, faculty and students celebrated Mozart's 244th birthday with classical began to play. Choreographed by Lexi Renchamber<br />

music, balloons and birthday cake. wanz '01, the performance was fun. The<br />

scene remaining the same throughout different<br />

genres. After ample shouting and yelling, it<br />

~~was decided that the first line would be "Can I<br />

~~~buy you a drink?" and that the final line would<br />

be This is the biggest banana I've ever seen!"<br />

SotSemn'0adNc afrh'0cm<br />

pleted the first scene.<br />

which Turetsky performed flawlessly. His<br />

ability to alternate from character to character<br />

so quickly, and for such a sustained period of<br />

time, was particularly impressive and hilarious.<br />

Lethy Liriano '00 appeared on stage at the,<br />

n fTrtk' ilgeadcle le<br />

audience's laughter with her beautifulan<br />

V% K~~~~~~~~~~~~eed<br />

daner, Tra aherd '01, Codlisen Following them were Tanner "I have a spe- smooth rendition of Misty, accompanied by<br />

Tknned '0, ryen Washrt1 and Tisse cial ingredient, or so they say" Effinger '02 and Alex Leigh on the piano. At Misty's conlusion,<br />

E [AAP I JF "MOU R T H D A Y , ~~~~~~akg '0,drsedinrd hitsad lak Pat Mornisey '00 in the mystery genre. This Bryna Washer '01 walked onstage and sa~d~"<br />

pants helped canry the number with their bright sketch wa~ extraordinarily funny because of "Hey Alex!" and begin to sing Someone 'TYW<br />

07 T A R ~ ~ ~ ~ ~ ~~smlsad rcsemvmnt.Aot hry creative blocking and because both Pat and Watch Over Me. Washer gave a fabulous persecons<br />

theperfrmane, ino Chis M~on- Tanner seemed unaware of how funny they formance, blocking especially well.<br />

ald '02, Sam Struzzi '02, Sam Spears '02, Mike were actually being. Murphy's Law, consisted of Fred Carlet~niequald<br />

bot othe sec-<br />

Annie Lowrey tiosqnualbt er angin<br />

Last Saturday, Janu- tosicaiernig<br />

ary 29, Phillips Acade- ARTS STAFF WRITER from very simple to diffimy's<br />

renowned music cult chamber pieces.<br />

program celebrated Mozart's Birthday Week- The most difficult and, in some cases, most<br />

Mueller '02, and Tanner Effinger '02, entered<br />

enthusied pions thee ft dancers. wore<br />

etueexrsinoftedcrswkd<br />

effectively to make this number an absolute<br />

Next, Andrew Malozemoff '01 jammed on<br />

the guitar, Parker Howes '02 crooned on the<br />

bssguitar, and Ollie Grace '02 played the<br />

drums. They performed the Cliffs of Dover by<br />

'00 oni guitar and drums, Rob Johanson '00 6h<br />

guitar, Dan Murphy '00 on percussion, Tristan<br />

Perich '00 on piano and drums, Davis Thurber<br />

'00 on bass guitar, Eric Seo '00 on violin, and<br />

Christina Wood '00 and Greg Rodriguez '00<br />

on vocals; they played The Best of What's<br />

end. The three day continuation of events<br />

included faculty recitals, a choir recital, and the<br />

beautiful quartets came at the end. Phillip's<br />

musicians performhed Beethoven's Quartet No.<br />

Around by Dave Matthews Band and also an<br />

original song. Both were fun, loud and well<br />

Academy Chamber Music Society concert.<br />

The lattermost three hour event showcased<br />

2, Quartet in c minor, and Quartet No. 1.<br />

Mozart's pieces included Quartet in C Major<br />

orchestrated, in an energizing and uplifting performance.<br />

Phillip's greatest musicians, involving trios,<br />

quartets and quintets of Mozart, de Saint-<br />

Georges, Haydn, Beethoven, Reicha, and<br />

Brahims.<br />

The music faculty coached the individual<br />

"Dissonance", and Trio in B-flat Major. The<br />

final piece of the night was Trio in c minor, by<br />

Brahms, a beautiful end to the long concert.<br />

The Academy Chamber Music Society eelebrates<br />

Mozart's birthday annually with this<br />

In Skip a capella. followed Turetsky singing<br />

Silhouettes. Carl Dietz '00 strolled in front of<br />

the group as he sang, while the rest of the group<br />

echoed him. Dietz's voice was -clear and<br />

strong; he was confident and relaxed. In Skip'<br />

groups admirably. Considering that utterly<br />

non-professional students perform such intricately<br />

difficult works beautifully and routinely,<br />

marathon concert, offering birthday cake for all<br />

who listen until the end.<br />

This weekend marked the departments -more<br />

seemed to be having fan onstage, but they also<br />

performed well and brought the audience t a!'<br />

intimate level with the performers by:<br />

the faculty instruction is obviously holds a<br />

great influence.<br />

break down the massive- array of performers.<br />

homage to the man hailed as the most revolu-thireadattu.<br />

tionary composer in classical music.<br />

The Many concert musicians, split however, into three see uuis sections, concert to<br />

The Many concert musicians, split however, into see this three concerLawsonsFeltinana'01 sections -, to<br />

as an opportunity to perform in a smaller, moreLihsDwLwbyBbMryanLue'<br />

The final performance of the night was'<br />

arguablyguabthetbest.sJadeaeeMc hersons'01'a1ian<br />

performedeTurnrnoiii"<br />

The first hour-long section included Mozart's<br />

-Trio in B-flat Major, Flute Quartet, and Quartet<br />

in g minor.<br />

controlled setting. This year's new block set up<br />

improves manageability of the concert dramnatically,<br />

allowing families and friends to show up----'ofamsthenieog.Bhsner'vce<br />

Hill. Feltman played the guitar and sang at'<br />

times, while McPherson sang for the duration-,<br />

Other pieces included Beethoven's Trio in<br />

E-flat Major, Haydn's London Trio No, and<br />

de Saint-Georges Quartet No. 1. This first seefor<br />

the section of the performer they wish to -<br />

see.<br />

Once again the music program has shown ~<br />

.,~were<br />

~overall<br />

strong, clear, and well-rehearsed.-<br />

McPherson's movements contributed to the<br />

mood of the song, as she walked around<br />

tion comprised most of Andover's beginning<br />

performers, simpler; but none the less beautiful<br />

its brilliance. Neglected among the other<br />

departments of theater, sports and dance,<br />

-in her spotlight, singing with her beautiful<br />

voice. Feltman accompanied and sang flawpieces,<br />

The second section included Mozart's<br />

Alleluia from Exultate Jubilate for-horns, and<br />

Andover easily holds the strongest prep musicprogram.<br />

All performances neared perfection. espelessly.<br />

The end of the performance was met<br />

with a standing ovation.<br />

Each performance within the Rabbit<br />

Reed Quintet in E-flat Major. Other perfor- cially those of veteran older orchestra mem-Carewswlldn.DecosHigrad<br />

mances included Beethoven's Trio in c minor, hers, the most skilled musicians in many cases, Perich ought to be proud of their achievement--<br />

Clarinet Trio, and Ghost Trio.<br />

Finally, a reed group played Reicha's<br />

Quintet No. 6. Performances in this section<br />

The 30 or more concerts put on annually<br />

have a reputation for excellence, and this concert<br />

was not different.<br />

E.Thornton! The Phllpa<br />

Carl Dietz 00 croons with Inski A Cappella in Friday's Rabbit Cabaret. P hieedsa o<br />

the evening benefited Lazarus House, a soup-kitchen and shelter in Lawrence.<br />

nht os suc uxiemninesty.n,<br />

hfesta.<br />

ence of the directors<br />

AF-M~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~I<br />

sporting event in the country, 4AM.- Open All ARTS STAFF WRITER<br />

Night, by Bob Krakower, opened last Sunday while Callahan as Doe, a drunk, attempted the<br />

evening in the theater classroom, drawing an saetruhhsbutrmrs ete u-<br />

enthusiastic crowd to a solid show. ceeded in dragging the two together out of<br />

A fifteen-minute production, 4 AM was the inaction. tt C<br />

diretin deut fr te ofam lowersrsLiLizzietedseatsmancTwoeddboxers<br />

Shepperd and Meghan Whitehead. Some minor one hundred, waiting for the mnan to speaktechnical<br />

flaws notwithstanding,-the energy in while the man at the end counted down from<br />

the cast definitely propelled the show to its cli- ten to prepare himself to speak with her. After<br />

max. The show began in a small diner in New she finished counting and left, the man turned<br />

York City with a small cast of four, Gita. Sjahrir around to speak with her and, finding no one,<br />

'00, Tyler Mixter '02, Diana Dosik '02 and ran out of the diner. The lights then dimmed on<br />

Chris Callahan ' 1. Fay and Doc.<br />

Mixter played a man who superficially The two directors, Shepperd and Whiteentered<br />

the diner in search of a burger and cof- head, showed an excellent effort. Somewhat<br />

fee, but in fact craving excitement to supple- unfortunately, Teddy Dunn '99, an experienced<br />

ment his marriage, actor and director, directed same play last year<br />

Dosik played a woman who also asked for for the theatre directing class. Despite Dunn's<br />

a burger and coffee, yet struggled with mud- sucsti oercn hwdsre uh<br />

apparent. The sight lines for the woman<br />

(Dosik) were confined to a small angle, since<br />

Fay and the man blocked her throughout much<br />

of the show.<br />

Also, the naturalistic style of the props contrsmillddyarounde<br />

sure, the sets cannot be elaborate in a classroom<br />

production. Yet the two different styles made<br />

the set seem somewhat disjointed. These minor<br />

quibbles, however, did not take away in a great<br />

degree from the performance. The naturalistic<br />

acting and dialogue were confirmed choices<br />

made by the directors: "The script was blas6, so<br />

we realized we had to spice it up" commented<br />

Whitehead. However, occasionally, the dialogue<br />

became somewhat too improvised and<br />

did not ring true.<br />

The acting was solid, with strong performance<br />

by Callahan, who played his role realis-<br />

The first scenes are in~man.<br />

"Andrew Marhlvtin<br />

This boy is Carter'sblack<br />

and white. We see a salvation.________<br />

bxnrigspcaoshu- ARTS STAFF WRITER Lsr atn(iefling<br />

in to fill the surrounding Ious Reon Shannon) is a<br />

Tboyoerfromlarthe inckbotheirset<br />

n respeeat- byofomNew projectsc- roYorkf Nwcurrentlyntl<br />

tiecorners, jabbing at the air and hopping to living with three Canadians in Toronto in order<br />

losnterlg n mtherpefgtjtes ohv hmgiehmtwr olg<br />

One wears the robe of Rubin Carter, and who is degree. After reading the book, Les is inspired<br />

the actor playing this fabled character? by Carter's story of surviving and overcoming-<br />

Looking like a prodigious Tyson is Denzel the odds, and soon pulls his three guardians;-<br />

Washington. His dedication to obtaining both solidly played by Deborah Kara Unger, Johrnt<br />

the body and mind of boxer Rubin "Hurricane" Hannah and Liev Schreiber, into his fight to'<br />

Carter is what drives this movie. Once again, release the beleaguered Carter. - -I<br />

Deozel Washington has immersed himself in a The most poignant moments in the film are.<br />

character, and the results are stunning. of the relationship between the young Les and<br />

Norman Jewison directs7the Hurricane, the his hero Carter. Theirs is a true symbiotic<br />

film based on the true story of Rubin Carter, friendship, with Les reeiving inspiration ad<br />

the former boxer on the rise whose life was counsel from Carter, Carter finding in Les his"<br />

spent defying, and ultimately surviving, racial most vehement supporter and youthful vigor.<br />

-<br />

dled inaction. Sjahrir played Fay, who attempted<br />

to unite the two through sassy comments,<br />

credit considering the relative age and experi-<br />

--<br />

tically without seeming to force it. Sjahrir's prejudc.Dne ahntnsasa h il<br />

decision to play Fay sassily seemed appropri- character, a performance which has already<br />

ate. While Mixter tended to yell, his perfor- garnered Washington a Golden Globe Award<br />

mance revealed a firm understanding of his for best actor in a drama, and which surely will<br />

caatrand Dosik's quiet style complement- eamn him an Oscar nomination come February.<br />

c hrt oftecs iey codn ote -The story of Carter is a classic tale of jused<br />

te ret ast ofthe icel. Acordig tothe ife of good defeating evil. It is simply inspiradirectors,<br />

the goals for the production included tional. Almost from the very beginning we feel<br />

bringing new actors into theater and on this compassion for Carter, a man whose life began<br />

front they were amazingly successful. on the streets of 1940s Paterson, New Jersey, as<br />

Dosik remarked, "It was such a great a wayward and stubborn black youth caught in<br />

opportunity to meet people Imigt- no have- Iconsant coflc for the fis-it years of hi<br />

h imrnsfle oeei t lc-<br />

ment of all racist attitudes onto the shoulders-of~<br />

Detective Della Pesca. Den Hedaya's character'-<br />

becomes a caricature of a bitter white supremacist,<br />

always intent on bringing down the black-<br />

man. I'm sure Della Pesca's racist views werq,'<br />

shared by many, including those in the police<br />

force, during the turbulent years of the fight tWr<br />

black civil rights.<br />

The Hurricane is a powerful movie, oo'<br />

that is worth seeing if only for the remarkaby,<br />

vratlIprfriac ofDe Wangon<br />

-e

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