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Deli #54 - Bodega, Brooklyn Stompbox Exhibit and Synth Expo 2018

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<strong>and</strong>s + Gear<br />

Read the full features on<br />

<strong>Deli</strong>cious-Audio.com<br />

Vlad Holiday<br />

Indie Rock<br />

New York’s indie-pop sensation vlad holiday is a force to be<br />

reckoned with. Just take one of his latest single, the ambient<br />

<strong>and</strong> melancholic “Children”—channeling the likes of M. Ward<br />

<strong>and</strong> the National; holiday waxes nostalgic for simpler days<br />

<strong>and</strong> laments a certain loss of innocence that comes with the<br />

territory of growing up. Moreover, he seems to long for the<br />

kind of blind optimism that drives so many of us to plunge<br />

headlong into life <strong>and</strong> love, for better or worse. (EthAN AMES)<br />

Your family moved to the US from Bucharest when you were<br />

10 for political reasons, how did the passion for rock’n’roll<br />

manifest itself?<br />

I fell in love with music right around the time I moved to the US. I<br />

was a bit of an outcast coming from a country no one had heard<br />

of (as 10-year-olds) <strong>and</strong> barely speaking English, so I found an<br />

escape through music <strong>and</strong> learning the guitar. I was in my own<br />

world <strong>and</strong> no one was judging. that ended up defining who I’d<br />

become in every way.<br />

Photo: Lisa verberght<br />

Klon Clone / ZVEX Instant Lo-Fi Junkie / Strymon Flint / BOSS DD-3 /<br />

Malekko Omicron Fuzz / Fulltone OCD / KORG Pitchblack Tuner<br />

Your singles, “Quit Playing Cool” <strong>and</strong> “Children” both seem<br />

tinged with irony. What purpose does irony serve in your lyrics?<br />

It’s the realist in me fighting the dreamer. For example, the line in<br />

Children, “Lie <strong>and</strong> say this world is fine, that we will be alright,” (to<br />

me) acknowledges the reality of life but also that you can’t focus<br />

on the negativity 24/7 <strong>and</strong> lead a sane life.<br />

Your tracks have a lot of interesting <strong>and</strong> varied guitar sounds.<br />

Tell us about the pedals that were the most utilized during the<br />

recordings.<br />

ZvEX Instant Lo-Fi junkie was a key ingredient, as well as the<br />

Chase Bliss Warped vinyl. Strymon Flint for all reverb/tremolo,<br />

that might be my favorite, it does those two staple effects just<br />

so well. EarthQuaker Devices Bit Comm<strong>and</strong>er for the crazy fuzz<br />

parts <strong>and</strong> EarthQuaker Devices Bellows with the drive on 1 to add<br />

a bit more body to certain parts. I have a Klon clone for leads <strong>and</strong><br />

a Malekko fuzz I got as a gift from a fan. All running through my<br />

Analog outfitters Sarge class A tube amp.<br />

What else do you have on your board these days?<br />

the BoSS DD-3 is cool for certain things, including crazy digital<br />

stutter effects, but my little EhX Memory toy does slap-back a<br />

lot better. ZvEX is for all the tape warble lead parts which are<br />

sprinkled throughout basically every song. Fulltone oCD is on<br />

there now with the drive set to 0 (it still ads just a tiny bit of dirt),<br />

for when I need a bit more breakup. Also recently got this tweed<br />

Blues Junior equipped with a Jensen from Fender, sounds great,<br />

cool spring verb <strong>and</strong> that classic fender tube crunch.<br />

14 the deli Spring <strong>2018</strong>

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